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Senteno Oracle Of The Shadows: So Aziel what's your plan with Frank?
Aziel: Well he is going to help me destroy the Order Of The Silver Knights and in return I shall help him get the Witch who cursed the Forest Of Whispers.
Senteno Oracle Of The Shadows: Well I'll give you some valuable information who your looking for is Bethilda N. Lement. She is a very powerful Witch who with her Elemental Plowness is able to obtain what she wants.
Aziel: Well well ...so the Old Hag still holds the grip over the Forest doesn't she
Senteno Oracle Of The Shadows: Indeed she isn't someone to take lightly now she is well rounded and knows how to fight. She controls The Tavern Of Doom Dragons. In her possession are 3 fully grown Dragons. Blair the Oldest Dragon Claire The Mother Dragon and Aurora the youngest one of them three.
Blair the Black Dragon Claire The White Dragon and Aurora the Stone/Lighting Dragon. Many have meet their doom entering in her territory Cyclop Human and Vampire Alike.
Aziel: I don't have anything to fear.

~Meanwhile...~

Bethilda Lement: Adreanna I want you to learn more about my Dragons start training with Aurora but be cautious she may be only three years old but she is powerful and robust. Lement screeches then Aurora hovers over the Mountain Of Shen* where the Tavern Of Doom Dragons is located. Adrianna Develve places a strong spell in the Dragon Aurora she finally succumbs to her authority.
Adrianna and Aurora go take down the Golem Of Steel  in the Hidden Ruins Of Odom.* The Golem stands 15 ft high weighs 2,500 pounds. Holding a crest of an almost impenetrable diamond in the middle of his chest. Emanating from the Crystal comes all his power and it's his only weak spot. Then Aurora and Adrianna make an impressionable entrance to the ruins and attack the Golem head on. Golem Of Steel: Here stands the infamous Adrianna Develve...well isn't  this a surprise.  I see that you have grown some and are able to maintain your powers well to face me. I know what you want you want the Crystal in my chest...that will be over my dead body. Audon's Crystal* is powerful enough to consume 1000 Well Trained Witches therefore young Witch you don't scare me. Now as for that Dragon well ... perhaps you stand a chance after all.  Adrianna Develve: I usually don't pick fights with powerful DemiGods like yourself but I  am in desperate need for your Crystal. Therefore, you will hand it over or I'll take it by force.  Golem Of Steel:  Good Luck.
Aurora shields herself with Stone Armor and goes head on collision with the Golem. He dodges the attack and  counterattacks with a strong fist to the  Dragons body and knocks Aurora down cracking part of her Stone Armor. The young female Dragon counterattacks with a powerful lighting blast hitting The Steel Golem in the right shoulder injuring him. Develve attacks with a powerful mind blast knocking down the Golem Of Steel on it's back. The Golem Of Steel bleeds blue blood out of his shoulder blade and runs full force towards Adrianna Develve.  She  dashes the attack and counterattacks  with a Shadow Ball attack hitting him in the chest and expanding all over its body. It's a possession Ninjutsu technique making him practically paralyzed for about 2 minutes till he breaks free from the technique but sustains a considerable amount of damage. Adrianna Develve seeing that the Golem Of Steel is showing a sign of weakness she takes advantage to try to inflict him with a spear of lighting into the chest impairing him and he bleeds out the mouth but as the last resolution The Golem Of Steel punches the Audon Crystal shattering it into 5 individual pieces him losing his life in the process however what he didn't know is that Adrianna Develve collected all the pieces however there was a violent explosion at the site shattering huge boulders of steel and inflicting Aurora gravely. Adrianna Develve  hurries and performs a powerful healing spell leaving her drained of all power. Adrianna Develve hurries to get out of the ruins because they are crumbling down. She manages to recover Aurora briefly from there they fly to The Tavern Of Doom Dragons Of Doom Dragons right when she pulls in with Aurora who is injured from the boulders hitting her body and face at high velocity even the Rock Armor was perforated. The Dragon lands barely with Adrianna Develve who gets the Wrath of Granny Bethilda N. Lement. Aurora breathing heavily and bleeding out the mouth slipping in and out of consciousness ...Adrianna Develve barely getting off the Dragon.
Bethilda Lement: What the hell  happened to Aurora she is in really bad shape. Adrianna your completely drained I see you did good by healing her however, she must rest for about 3-4 days now and fully recover from that gruesome fight with that **** Golem Of Steel. Adrianna are you Ok darling? Go get some rest I see you used the forbidden technique of Soul Healing Transfer. Well now you'll live 12 years less thanks to your little sharede. Develve I am thankful that you saved my Dragon from dying but hell consequences are quite dire.
Develve: Here Granny Lement I got Audon's Diamond however it's shattered in 5 separate pieces.
Bethilda N. Lement:  Let me guess the Golem Of Steel did not want this to fall under the wrong hands for it is a powerful relic. Smart move buying time however, useless due to the fact that we got the diamond under our possession. Adrianna we are going to search the Master Forger Of Relics* who can aid us recover this valuable relic to it's original state. It's said that he resides in one of the headquarters of the Order however, he has worked with Witches, Pagans and Nacromancers before so am sure that as long as we provide the right monetary value to repair the relic he'll work for us.
Develve: Why don't we just kidnap him and make him do the work or he pays with his life?
Lement:  Good objective it may have to work that way for us.
Develve: Im aware that the Cyclop population in the Village Of Chalekathan are not taking your threats seriously well ElderLord Gromm has not paid his fee from allowing them to live and not be consumed by the curse itself.
Lement: By killing him we can set an example of what can happen to them if they don't cooperate with our cause.
Develve: It dangerous though he is a strong Leader with lots of powerful influences. Plus he is a highly skilled Witch Doctor/Shaman able to manipulate the forces of nature. Known to use 3 Godly Deities Aikune Chalekathan & Eion. Aikune the cherubim of the Northern Side Of Heaven. Chalekathan the Spirit God embodiment of The Forest Of Whispers and last but not least Eion the mythical creature with an Eagle face 6 wings and the body of a Lion. Embuted with heavenly essence making him a very formidable foe.
Develve:  We will take care of our responsibilities soon but our primary mission is to talk Ayeiton Balderoux III* the Master Forger Of Relics.
: Whoa had no idea he was The Kings kin.
Lement: Indeed he is now go and lay your head and recover some energy because we need to practice your magical plowness.
Adrianna heads towards the Guest Room.

~Meanwhile in The Forest Of Whispers~
Frank Deltoro gets introduced to Gromm ElderLord Of Chalekathan by Jhino.  He also introduces Navarro Castleworth who is pleased to meet the famous Elder.
Gromm: Hello young man I am the protector of this village which has sustained numerous attacks by Lement's Dragons. Develve also partook enthusiastically with her Grandmother in attacking innocent hard working Cyclops. Making them slaves of the Curse which drives them mad and homicidal attacking friends brothers and family so we had to do the inevitable put them down.
Nevertheless, I pray to Deynave Dion High Saint/Priestess Queen Of All Shamanism to protect the lost souls of them Cyclops who fought the curse till the very end but unfortunately lost the fight and in turn lost their lives.
Frank: My condolences to your friends ElderLord Gromm.Am sure they in a better place now at least not suffering. However, I have a personal matter to score with Lement. She kidnapped and murdered my only daughter 10 years ago she was a...his voice gets trembly and he lightly clears his throat..at the same time a solid solo tear drops from his only Eye symbolizing a Fathers great pain and suffering from such an atrocious act." Gromm regains his composure. I got a personal score to settle with Mrs.Lement due to the fact that she took a piece of my heart and soul she killed my daughter. Develve played her part in the kidnapping of my baby girl 10 years ago she would be 18 years old today if Shaila Dair Sultran were alive...her appointed time to be brutally killed by my hand is coming...Bethilda N. Lement has been suppressing her powers for the last 300 years I believe she has some sort of powerful anti-chi barrier put up extending tremendous lengths so even if she is active in The Forest Of Whispers we wouldn't know how to tell due to this **** barrier.
Frank: So your bloodline comes from the Ancient times from the powerful Cyclop Of Royal Priests/Witch Doctors family Sultran.
"A gentle wind blows and Aziel telepathically communicates with Frank.  Aziel: Frank, be careful where you thread I been informed that Lement's Grand-Daughter Adrianna Develve recently gathered Audon's Crystal a powerful diamond known to give its user Bending Steel abilities and higher sustainability. Adrianna Develve has plans to use the Crystal to fully cover the Forest Of Whispers covering every inch of Forest with the Curse which drives all living creatures with a conscious mad totally subseptable to their influence.
However, to you those must be terrible news so my question is...you been in Chalekathan Village for 1 hr and a half you have 5.3 hrs till daylight removing the Darkness powers you currently control.
Frank: I am aware of this Aziel don't worry I'll take care of business.
Aziel: Keep an eye out Navarro I don't  trust him I don't know what intentions he has...plus he is part  of that shady Tower Of Frejoird but perhaps you can use his hatred towards the Order Of The Silver Knights. He can maybe be a reliable source. Be careful Frank.

~Meanwhile in Aziel Castle~
Isis: Well...Aziel aren't  you such a concerned individual...I didn't  know you had a soft spot towards mere humans.
Aziel: I usually don't...but Frank is different from the rest. He is courageous trustworthy and he put his life at risk by helping me regain all my vampiric power. I am in much debt to him...am having second thoughts on your plans to **** him after he completes his assignments that we have agreed upon. If he makes it out alive after all this...he at least deserves a reward and to live.
Isis: Chuckles at Aziel Aziel looks at the Empress with great focus.
Isis: C'mon I'll just have some fun with Frank I wasn't planning to ****** him.
Aziel: I'll  think about it now leave me be I got couple of things I need to take care of.
Isis: Fine Darling I'll  leave you be. You know you are the handsomest of all the brothers you have.
Aziel: Well now Isis you flirting with me...I doubt you'll want my erected tool up your stash. Don't you remember am a Vampire?
Isis: I'm aware of that. Adventure sounds fun plus I never had *** with a hot vampire like yourself.
Isis: Well Doll that is going to be some other time I am working against the clock right now.
Isis: Fine you *****...I'll leave. However, keep in mind that Im watching you closely. Plus remember I still keep contact with DarkLord for soon your Father will be back in this plane of reality.
Aziel: So I have heard.
Isis: Well I have found some juicy
Information about Uriels wereabouts he is in a Modern Castle in America. Amelia St and Cross. Residency 106. He is a huge celebrity in Russia and Germany. Keeps his bloodlust at check with fresh blood always for him to self medicate. Looking only 19 years old he is quite the chick magnet though not my taste his Gothic Progressive Horror Rock made him quite famous. Got 5 albums however kept his personal life well hidden from his fans. Many fake and supportive accounts claiming to know the real Uriel Governale. Though no one truly knows he is a vampire for certain. I know because I searched the private records and found out that he belongs to a High Ranking Secret Society known as Maximillion Vampire Clan. Which performs innocent human babies to be given as a sacrifice towards Baphomet and Azmodeus* 2 Of the Demon Lords of Hell. Your brother belongs to this hidden organization that operates in the Shadows but their latest project is to revive your Father the Progenitor most infamous VampireLord of all time. Dracula! Humanity will cease to exist if he were to be revived. All they need is a vial of blood from all of the current 8 saints and they have their eye on Saint Lauren Glennwald from the Eastern Side of Germany from a small rural community town known as Hertzentmort. She currently 25 years old is on a mission to collect Papal papers for the Order for you know they are closely tied to the papalcy. However, she got body guards that are Elite Knights with very powerful Anti-Witch spells and very accurate at pinpointing weak points in any battle with powerful Witches. So going alone isn't very advisable.<br>
Aziel: I greatly appreciate your information I'll take a look on what my little brother is looking to do. I'll take care of him. Don't you worry I'll be seeing you later. <br>
Isis: Alright..."She steps towards Aziel and rubs his chest and says...my reward is waiting for me...and looks down his pants" <br>
Aziel:  Now your tempting me to destroy that *****... but here this is what you'll get "he shows her his ****"<br>
Isis: Mmmm I can't wait baby...well that's a massive apparatus you got in there just hiding.<br>
Aziel: Hahaha...right. Soon enough I'll be all yours to play with. No leave me.<br>
Isis transforms to a cloud of dark myst and leaves the premises of the Castle.<br>
<br>
~Meanwhile in Uriel's Castle~<br>
<br>
The Maximillion Vampire Club had a secret meeting in the Uriel's Castle. There where many prestigious and famous guests there and so was the Highest Ranking Vampire of the Club Maximillion Virgil Vann himself. Inside the Castle where also uninvited guests from The Order Of The Silver Knights pretending to be Vampires. His name Michael Neil Stalwart & his partner Aalyaah Black. Both of them infiltrated the party somehow the Order Of The Silver Knights caught wind of shady operations in the occult club and decided to check it out. Michael & Aalyaah belong to Stealth/Infiltration part of the Order known as The Dark Ones
. Even the last 5 remaining Dark Priests from the Cathedral Of Skylor* where 13 years ago Baphomet was revived and mortalized to walk upon humans granting favors for a price. Ultimately the price Demon Lords require of humans is their souls to consume them and become more powerful. This 5 Dark Priests where very important in the ceremony taking place because tonight at 3 a.m. they will unify their powers to revive Azmodeus. They were successful on bringing back Baphomet back to life so they are trying to revive another Demon Lord. In Baphomet's revival they used 666 unborn fetuses with 6 babies 3 male and 3 female all born under the sign of Capricorn and all must be 3 months premature. With this requirements met...Baphomet was revived to this plane of existence, however since he was violent and still hellbent from transitioning from the hellish plane to a mortal one he killed and consumed 3 Dark Priests in the process of fully coming to his senses and being able to recognize them and thank them for what they done. Baphomet promised that he would aid them 5 Dark Priests revive all 13 Demon Lords and in turn 2 Of the 5 remaining Dark Priests must sacrifice themselves to the Demon Lords for the strongest remaining 3 get a extraordinary reward.
Frau Doktor,
Mama Brundig,
take out your contacts,
remove your wig.
I write for you.
I entertain.
But frogs come out
of the sky like rain.

Frogs arrive
With an ugly fury.
You are my judge.
You are my jury.

My guilts are what
we catalogue.
I'll take a knife
and chop up frog.

Frog has not nerves.
Frog is as old as a cockroach.
Frog is my father's genitals.
Frog is a malformed doorknob.
Frog is a soft bag of green.

The moon will not have him.
The sun wants to shut off
like a light bulb.
At the sight of him
the stone washes itself in a tub.
The crow thinks he's an apple
and drops a worm in.
At the feel of frog
the touch-me-nots explode
like electric slugs.
Slime will have him.
Slime has made him a house.

Mr. Poison
is at my bed.
He wants my sausage.
He wants my bread.

Mama Brundig,
he wants my beer.
He wants my Christ
for a souvenir.

Frog has boil disease
and a bellyful of parasites.
He says: Kiss me. Kiss me.
And the ground soils itself.

Why
should a certain
quite adorable princess
be walking in her garden
at such a time
and toss her golden ball
up like a bubble
and drop it into the well?
It was ordained.
Just as the fates deal out
the plague with a tarot card.
Just as the Supreme Being drills
holes in our skulls to let
the Boston Symphony through.

But I digress.
A loss has taken place.
The ball has sunk like a cast-iron ***
into the bottom of the well.

Lost, she said,
my moon, my butter calf,
my yellow moth, my Hindu hare.
Obviously it was more than a ball.
***** such as these are not
for sale in Au Bon Marche.
I took the moon, she said,
between my teeth
and now it is gone
and I am lost forever.
A thief had robbed by day.

Suddenly the well grew
thick and boiling
and a frog appeared.
His eyes bulged like two peas
and his body was trussed into place.
Do not be afraid, Princess,
he said, I am not a vagabond,
a cattle farmer, a shepherd,
a doorkeeper, a postman
or a laborer.
I come to you as a tradesman.
I have something to sell.
Your ball, he said,
for just three things.
Let me eat from your plate.
Let me drink from your cup.
Let me sleep in your bed.
She thought, Old Waddler,
those three you will never do,
but she made the promises
with hopes for her ball once more.
He brought it up in his mouth
like a tricky old dog
and she ran back to the castle
leaving the frog quite alone.

That evening at dinner time
a knock was heard on the castle door
and a voice demanded:
King's youngest daughter,
let me in. You promised;
now open to me.
I have left the skunk cabbage
and the eels to live with you.
The kind then heard her promise
and forced her to comply.

The frog first sat on her lap.
He was as awful as an undertaker.
Next he was at her plate
looking over her bacon
and calves' liver.
We will eat in tandem,
he said gleefully.
Her fork trembled
as if a small machine
had entered her.
He sat upon the liver
and partook like a gourmet.
The princess choked
as if she were eating a puppy.
From her cup he drank.
It wasn't exactly hygienic.
From her cup she drank
as if it were Socrates' hemlock.

Next came the bed.
The silky royal bed.
Ah! The penultimate hour!
There was the pillow
with the princess breathing
and there was the sinuous frog
riding up and down beside her.
I have been lost in a river
of shut doors, he said,
and I have made my way over
the wet stones to live with you.
She woke up aghast.
I suffer for birds and fireflies
but not frogs, she said,
and threw him across the room.
Kaboom!

Like a genie coming out of a samovar,
a handsome prince arose in the
corner of her bedroom.
He had kind eyes and hands
and was a friend of sorrow.
Thus they were married.
After all he had compromised her.

He hired a night watchman
so that no one could enter the chamber
and he had the well
boarded over so that
never again would she lose her ball,
that moon, that Krishna hair,
that blind poppy, that innocent globe,
that madonna womb.
Prabhu Iyer Sep 2013
When our tears are dry on the shore
And the fishermen carry their nets home
And the sea gulls return to bird island
And the laughter of the children recedes
At night
There shall still linger here the communion we
Forged
The feast of oneness which we partook of

There shall still be the eternal gate-men
Who will close the cemetery door
And send the late mourners away
It cannot be music we heard that night
That still lingers in the chambers of memory
It is the new chorus of our forgotten comrades
And the hallelujahs of our second selves
Ghana's most famous poet and a voice of Africa, Awoonor had a tragic death, shot by Islamist terrorists at Nairobi's Westgate Mall on 21-09-2013. This is his famous piece, Redicovery from his first collection of verse, published in 1964.

The poem is remarkable for its lyrical quality and haunting, surreal appeal to our connection with the lost and the dead. This connection with the other-world is something that occurs through Awoonor's work, influenced by the traditions of his native Ewe people.
Moriah Harrod Aug 2012
Hello there. You seem a bit uneasy. Look around, and let me explain.

This is your funeral. I am your funeral. This is your casket. I am your casket, the black balloons, the flowers placed strategically around the room. One flowerpot per five square feet, like your brother ordered. This is the scientifically proven amount of flowers to keep grieving people at a calm level. These flowers are the happy facade behind which grief lies. These flowers are pretty deceit. I am the crying faces, begging to talk to you one last time. I am every tissue that will be picked up and disposed of by the janitors after the grievers return to their lives.

I am your death. I am your last breath, your last sentence, the cancer you battled with for the last three years of your life. I am every doctor's appointment, every shot that left you bedridden for the next two days. I am every particle of hair you watched go down the drain in the shower. I am every strange look, uncomfortable glance you received. I am all the tears shed after your diagnosis, and every benefit held in your honor. I am every sacrifice your family made to attempt a wall of happiness around your sickness.

I am the birth of your only grandson, the beautiful boy of your only beautiful girl. I am the scary morning spent in the waiting room of the hospital. I am every doubt you and your wife had about your grandson's condition. I am the condition that made him two months premature. I am his three weeks spent in an incubator, and the formula he was fed to stay alive. I am the relief your family felt when your daughter and grandson were released, both completely healthy. I am your grandson's first, second, third, fourth birthdays.

I am your retirement. I am the completion of your life's most well-known activity and purpose. I am the years you now plan on traveling and raising your future grandchildren. I am the mornings you will now spend waking up next to your wife, the woman you've been married to for thirty years now, your best friend. I am the breakfast you will make her in bed and the organizations you plan to join in all your free time. I am your old cat you will sit on your porch and pet. I am the party and the gifts you were given, and the flat, insincere Happy Retirement cards that were obligatorily sent to you by your co-workers. I am this last milestone of your life.

I am your daughter's high school graduation. I am the lip-biting your wife partook in as she walked up and shook hands with the principal. I am her boyfriend, who sat beside you two and joined in the clapping, eyes watering for the girl he loved. I am the marriage they would agree to and abide by for the rest of their lives. I am every late night she was out, every test she was nervous about. I am the teacher who called you complaining about her unorganization. I am the cat she brought home one year, promising to take care of. This cat outlived even you.

I am the loss of your virginity. I am the party you mistakenly went to, and the alcohol you mistakenly drank. I am the girl who mistakenly came into the bathroom and held your hand while you puked. I am the drug she took prior to walking in, and the bed she led you to. I am the feeling you were given in the morning, the feeling of the realization of loss versus gain.

I am the day you met your wife. I am the book section of the retail store you both were perusing. I am your heart beating quickly as she smiled, and your hand sweating in your pocket. I am the beauty you saw in her. I am the money you saved up at your after-school job and the Italian restaurant you took her to for your first date, and I am the city in Italy you took her to for your honeymoon. I am the mistakes you both made and all the hours spent awaiting forgiveness.

I am your childhood. I am your first few friends. I am the bone in your foot, broken by a nasty fall. I am the bridge you were playing on and the cast you wore for a month. I am the day you learned how to whistle and the day you learned how to read. I am every birthday party you have ever been given, and every candle you blew out. I am your first word, your first step.

I am your first breath. I am the decision your mother made to keep you. My how easily all of this could have never been.

I am all the sadness you have ever felt, and I am all the joy. And it has all led up to this day. This funeral, this event catered by a food company and paid for by the government and a savings account made for this day. I am that government you lived under, and that savings account you worked so hard for.

And as of today, I am just a memory. I am simply the memory of your life. I am simply the collection of days and days and years, and times. And now, I am gone.
1651

A Word made Flesh is seldom
And tremblingly partook
Nor then perhaps reported
But have I not mistook
Each one of us has tasted
With ecstasies of stealth
The very food debated
To our specific strength—

A Word that breathes distinctly
Has not the power to die
Cohesive as the Spirit
It may expire if He—
“Made Flesh and dwelt among us”
Could condescension be
Like this consent of Language
This loved Philology.
K Balachandran Apr 2014
A poem beyond words
tenderly tugs my heart;
how to partake, she wonders,
"**** its nectar from my lips, lover"
ryn Sep 2014
These hands have clawed with blind eyes
Chipped nails on fingers working on knots and ties

Fingers that recklessly point to reproaches and blames
Never to self, righteousness through arrogant claims

Now aware, these palms have covered my face in contempt
For they've partook in activities; indulgent and unkempt

Rubbed skin raw on life's coarse sandpaper
Ever searching for the coming of the unanticipated saviour

Broken flesh hopeful for newly formed skin
Like tattered souls pleading for absolution of sin

Only skin deep but unfavourable experiences do fester
Expecting the proverbial infection to blow over

Here they are, held unclenched and riddled with pocks
Weathered and sore from time's infinite mocks

Maybe thereafter, will be awaited healing
Perhaps soon after, I will be forgiving

See now... Hands faced up, parted as halves
Asking not for alms but instead your acceptance as salve

Take into yours, these knackered, gnarled up palms
Let your porcelain-like touch relieve like life reforming balm
Asphyxiophilia Aug 2013
I have always believed that it is possible to see through the defenses of those who keep secrets tucked into their back pockets like wallets with a little more cash than they are comfortable with, if one is willing to look closely enough. It is apparent in their heavy eyelids, as though the weight of what they are carrying is resting on their eyelashes. It is apparent in the curve of their lips, and the way they are not able to smile to their fullest potential. It is apparent in their hands, and the way they are not able to hold anything, as though their fingers are already full. However, I never realized that it was also possible to notice leaves clutching secrets to their chests like keepsake necklaces passed down by their great-grandmothers until one afternoon when I was walking between two bushes. My feet were carrying me lackadaisically down the sidewalk toward my dormitory when something to my right caught my eye. Among a congregation of green leaves, I noticed one blushing sinner. She sat in the center, as though she was attempting to blend in, but her pink cheeks made her stand out from the rest. When everyone stood in unison, she followed a few seconds behind. When everyone clutched hymns and bibles in their hands, she tied her fingers in knots to appear busy. When everyone partook in communion, she bit her lip quietly. But there was something about the way she held her hands in her lap, with her palms pressed together and her fingers interlocked, and the way she wore her hair behind her shoulders in curls that made me want to get to know her and every secret she kept tucked beneath the belt of her summer dress. But we don’t always get the pleasure of conversing with sinners, and we often are not even willing to have those conversations with ourselves.
Victor Thorn May 2011
i'll admit it

i'm just trying to score some prozac;
something to supplement the steroids
that never seemed to ease the pain.
my body never
tolerated
anything they gave me:
all their alcohol distraction,
all their **** carelessness,
all their acid lifestyle,
none of it.

as for ecstasy,
i never got the dosage right:

i've been offered ersatz masterpieces
and turned them all down,
so they sacrificed their snatches to other gods,
who happily and hungrily partook in the
appetizing, dangerous bounty for which there is no cure.

i was once appeased for my lust
and committed love crimes,
so i learned not take ecstasy
until i tried the steroids.

i'll admit it

i'm just a pair of eyes
in a white ocean
Copyright May 3rd, 2011 by Victor Thorn
Jeff Holland Jan 2015
The fasces in my heart calls for those,
who would poison the earth beneath me,
who would sully our blood and the blood ,
that God himself did give
who would call off the hunt,
that my father and fathers before me partook,
who would make that grand wolf a sheep,
who would try and satiate what we know is true,
who would try to commit nature's crime,
who would make things inequal, equal.
To those who have been called, we come for you.
Death to Marxists, Death to Egalitarians
Meanwhile the new-baptized, who yet remained
At Jordan with the Baptist, and had seen
Him whom they heard so late expressly called
Jesus Messiah, Son of God, declared,
And on that high authority had believed,
And with him talked, and with him lodged—I mean
Andrew and Simon, famous after known,
With others, though in Holy Writ not named—
Now missing him, their joy so lately found,
So lately found and so abruptly gone,                      
Began to doubt, and doubted many days,
And, as the days increased, increased their doubt.
Sometimes they thought he might be only shewn,
And for a time caught up to God, as once
Moses was in the Mount and missing long,
And the great Thisbite, who on fiery wheels
Rode up to Heaven, yet once again to come.
Therefore, as those young prophets then with care
Sought lost Eliah, so in each place these
Nigh to Bethabara—in Jericho                              
The city of palms, AEnon, and Salem old,
Machaerus, and each town or city walled
On this side the broad lake Genezaret,
Or in Peraea—but returned in vain.
Then on the bank of Jordan, by a creek,
Where winds with reeds and osiers whispering play,
Plain fishermen (no greater men them call),
Close in a cottage low together got,
Their unexpected loss and plaints outbreathed:—
  “Alas, from what high hope to what relapse                
Unlooked for are we fallen!  Our eyes beheld
Messiah certainly now come, so long
Expected of our fathers; we have heard
His words, his wisdom full of grace and truth.
‘Now, now, for sure, deliverance is at hand;
The kingdom shall to Israel be restored:’
Thus we rejoiced, but soon our joy is turned
Into perplexity and new amaze.
For whither is he gone? what accident
Hath rapt him from us? will he now retire                  
After appearance, and again prolong
Our expectation?  God of Israel,
Send thy Messiah forth; the time is come.
Behold the kings of the earth, how they oppress
Thy Chosen, to what highth their power unjust
They have exalted, and behind them cast
All fear of Thee; arise, and vindicate
Thy glory; free thy people from their yoke!
But let us wait; thus far He hath performed—
Sent his Anointed, and to us revealed him                  
By his great Prophet pointed at and shown
In public, and with him we have conversed.
Let us be glad of this, and all our fears
Lay on his providence; He will not fail,
Nor will withdraw him now, nor will recall—
Mock us with his blest sight, then ****** him hence:
Soon we shall see our hope, our joy, return.”
  Thus they out of their plaints new hope resume
To find whom at the first they found unsought.
But to his mother Mary, when she saw                        
Others returned from baptism, not her Son,
Nor left at Jordan tidings of him none,
Within her breast though calm, her breast though pure,
Motherly cares and fears got head, and raised
Some troubled thoughts, which she in sighs thus clad:—
  “Oh, what avails me now that honour high,
To have conceived of God, or that salute,
‘Hail, highly favoured, among women blest!’
While I to sorrows am no less advanced,
And fears as eminent above the lot                          
Of other women, by the birth I bore:
In such a season born, when scarce a shed
Could be obtained to shelter him or me
From the bleak air?  A stable was our warmth,
A manger his; yet soon enforced to fly
Thence into Egypt, till the murderous king
Were dead, who sought his life, and, missing, filled
With infant blood the streets of Bethlehem.
From Egypt home returned, in Nazareth
Hath been our dwelling many years; his life                
Private, unactive, calm, contemplative,
Little suspicious to any king.  But now,
Full grown to man, acknowledged, as I hear,
By John the Baptist, and in public shewn,
Son owned from Heaven by his Father’s voice,
I looked for some great change.  To honour? no;
But trouble, as old Simeon plain foretold,
That to the fall and rising he should be
Of many in Israel, and to a sign
Spoken against—that through my very soul                  
A sword shall pierce.  This is my favoured lot,
My exaltation to afflictions high!
Afflicted I may be, it seems, and blest!
I will not argue that, nor will repine.
But where delays he now?  Some great intent
Conceals him.  When twelve years he scarce had seen,
I lost him, but so found as well I saw
He could not lose himself, but went about
His Father’s business.  What he meant I mused—
Since understand; much more his absence now                
Thus long to some great purpose he obscures.
But I to wait with patience am inured;
My heart hath been a storehouse long of things
And sayings laid up, pretending strange events.”
  Thus Mary, pondering oft, and oft to mind
Recalling what remarkably had passed
Since first her Salutation heard, with thoughts
Meekly composed awaited the fulfilling:
The while her Son, tracing the desert wild,
Sole, but with holiest meditations fed,                    
Into himself descended, and at once
All his great work to come before him set—
How to begin, how to accomplish best
His end of being on Earth, and mission high.
For Satan, with sly preface to return,
Had left him vacant, and with speed was gone
Up to the middle region of thick air,
Where all his Potentates in council sate.
There, without sign of boast, or sign of joy,
Solicitous and blank, he thus began:—                      
  “Princes, Heaven’s ancient Sons, AEthereal Thrones—
Daemonian Spirits now, from the element
Each of his reign allotted, rightlier called
Powers of Fire, Air, Water, and Earth beneath
(So may we hold our place and these mild seats
Without new trouble!)—such an enemy
Is risen to invade us, who no less
Threatens than our expulsion down to Hell.
I, as I undertook, and with the vote
Consenting in full frequence was impowered,                
Have found him, viewed him, tasted him; but find
Far other labour to be undergone
Than when I dealt with Adam, first of men,
Though Adam by his wife’s allurement fell,
However to this Man inferior far—
If he be Man by mother’s side, at least
With more than human gifts from Heaven adorned,
Perfections absolute, graces divine,
And amplitude of mind to greatest deeds.
Therefore I am returned, lest confidence                    
Of my success with Eve in Paradise
Deceive ye to persuasion over-sure
Of like succeeding here.  I summon all
Rather to be in readiness with hand
Or counsel to assist, lest I, who erst
Thought none my equal, now be overmatched.”
  So spake the old Serpent, doubting, and from all
With clamour was assured their utmost aid
At his command; when from amidst them rose
Belial, the dissolutest Spirit that fell,                  
The sensualest, and, after Asmodai,
The fleshliest Incubus, and thus advised:—
  “Set women in his eye and in his walk,
Among daughters of men the fairest found.
Many are in each region passing fair
As the noon sky, more like to goddesses
Than mortal creatures, graceful and discreet,
Expert in amorous arts, enchanting tongues
Persuasive, ****** majesty with mild
And sweet allayed, yet terrible to approach,                
Skilled to retire, and in retiring draw
Hearts after them tangled in amorous nets.
Such object hath the power to soften and tame
Severest temper, smooth the rugged’st brow,
Enerve, and with voluptuous hope dissolve,
Draw out with credulous desire, and lead
At will the manliest, resolutest breast,
As the magnetic hardest iron draws.
Women, when nothing else, beguiled the heart
Of wisest Solomon, and made him build,                      
And made him bow, to the gods of his wives.”
  To whom quick answer Satan thus returned:—
“Belial, in much uneven scale thou weigh’st
All others by thyself.  Because of old
Thou thyself doat’st on womankind, admiring
Their shape, their colour, and attractive grace,
None are, thou think’st, but taken with such toys.
Before the Flood, thou, with thy ***** crew,
False titled Sons of God, roaming the Earth,
Cast wanton eyes on the daughters of men,                  
And coupled with them, and begot a race.
Have we not seen, or by relation heard,
In courts and regal chambers how thou lurk’st,
In wood or grove, by mossy fountain-side,
In valley or green meadow, to waylay
Some beauty rare, Calisto, Clymene,
Daphne, or Semele, Antiopa,
Or Amymone, Syrinx, many more
Too long—then lay’st thy scapes on names adored,
Apollo, Neptune, Jupiter, or Pan,                          
Satyr, or Faun, or Silvan?  But these haunts
Delight not all.  Among the sons of men
How many have with a smile made small account
Of beauty and her lures, easily scorned
All her assaults, on worthier things intent!
Remember that Pellean conqueror,
A youth, how all the beauties of the East
He slightly viewed, and slightly overpassed;
How he surnamed of Africa dismissed,
In his prime youth, the fair Iberian maid.                  
For Solomon, he lived at ease, and, full
Of honour, wealth, high fare, aimed not beyond
Higher design than to enjoy his state;
Thence to the bait of women lay exposed.
But he whom we attempt is wiser far
Than Solomon, of more exalted mind,
Made and set wholly on the accomplishment
Of greatest things.  What woman will you find,
Though of this age the wonder and the fame,
On whom his leisure will voutsafe an eye                    
Of fond desire?  Or should she, confident,
As sitting queen adored on Beauty’s throne,
Descend with all her winning charms begirt
To enamour, as the zone of Venus once
Wrought that effect on Jove (so fables tell),
How would one look from his majestic brow,
Seated as on the top of Virtue’s hill,
Discountenance her despised, and put to rout
All her array, her female pride deject,
Or turn to reverent awe!  For Beauty stands                
In the admiration only of weak minds
Led captive; cease to admire, and all her plumes
Fall flat, and shrink into a trivial toy,
At every sudden slighting quite abashed.
Therefore with manlier objects we must try
His constancy—with such as have more shew
Of worth, of honour, glory, and popular praise
(Rocks whereon greatest men have oftest wrecked);
Or that which only seems to satisfy
Lawful desires of nature, not beyond.                      
And now I know he hungers, where no food
Is to be found, in the wide Wilderness:
The rest commit to me; I shall let pass
No advantage, and his strength as oft assay.”
  He ceased, and heard their grant in loud acclaim;
Then forthwith to him takes a chosen band
Of Spirits likest to himself in guile,
To be at hand and at his beck appear,
If cause were to unfold some active scene
Of various persons, each to know his part;                  
Then to the desert takes with these his flight,
Where still, from shade to shade, the Son of God,
After forty days’ fasting, had remained,
Now hungering first, and to himself thus said:—
  “Where will this end?  Four times ten days I have passed
Wandering this woody maze, and human food
Nor tasted, nor had appetite.  That fast
To virtue I impute not, or count part
Of what I suffer here.  If nature need not,
Or God support nature without repast,                      
Though needing, what praise is it to endure?
But now I feel I hunger; which declares
Nature hath need of what she asks.  Yet God
Can satisfy that need some other way,
Though hunger still remain.  So it remain
Without this body’s wasting, I content me,
And from the sting of famine fear no harm;
Nor mind it, fed with better thoughts, that feed
Me hungering more to do my Father’s will.”
  It was the hour of night, when thus the Son              
Communed in silent walk, then laid him down
Under the hospitable covert nigh
Of trees thick interwoven.  There he slept,
And dreamed, as appetite is wont to dream,
Of meats and drinks, nature’s refreshment sweet.
Him thought he by the brook of Cherith stood,
And saw the ravens with their ***** beaks
Food to Elijah bringing even and morn—
Though ravenous, taught to abstain from what they brought;
He saw the Prophet also, how he fled                        
Into the desert, and how there he slept
Under a juniper—then how, awaked,
He found his supper on the coals prepared,
And by the Angel was bid rise and eat,
And eat the second time after repose,
The strength whereof sufficed him forty days:
Sometimes that with Elijah he partook,
Or as a guest with Daniel at his pulse.
Thus wore out night; and now the harald Lark
Left his ground-nest, high towering to descry              
The Morn’s approach, and greet her with his song.
As lightly from his grassy couch up rose
Our Saviour, and found all was but a dream;
Fasting he went to sleep, and fasting waked.
Up to a hill anon his steps he reared,
From whose high top to ken the prospect round,
If cottage were in view, sheep-cote, or herd;
But cottage, herd, or sheep-cote, none he saw—
Only in a bottom saw a pleasant grove,
With chaunt of tuneful birds resounding loud.              
Thither he bent his way, determined there
To rest at noon, and entered soon the shade
High-roofed, and walks beneath, and alleys brown,
That opened in the midst a woody scene;
Nature’s own work it seemed (Nature taught Art),
And, to a superstitious eye, the haunt
Of wood-gods and wood-nymphs.  He viewed it round;
When suddenly a man before him stood,
Not rustic a
Emily Nov 2018
Grown beneath the sun,
Holding the occasional rain drop,
Surrounded on all sides by companions.

Snip!

Cut off forever from nourishment,
Collected with a few companions,
No clue what the future will hold.

Moving swiftly through the air,
Higher than ever dreamed, but
Fearful of sky diving without a parachute.

Misted occasionally,
Attempting to maintain appearances,
Despite being starved of food.

Enduring more body-jolting aerial swoops,
Drowned in a swift waterfall,
Losing companions that did not maintain their appearance as deftly.

Chop, chop, chop!

Sliced into innumerable bits,
Wondering if life is over,
Now that one’s shape is forever lost.

Perfuming the air with a distinctive aroma,
Blending it with those already in the air,
From other small bits of greenery.

Fears realized at last:
Falling from a great height to the ground,
But falling on a soft cushion.

Smothered with white strings,
Rolled up tightly in the soft cushion,
No escape route possible.

Dying in the heat,
Spreading into the gooey whiteness,
Wondering what the point of it all was.

Eventually cooling down,
Being exposed to air once again,
And hearing (if it were only possible):

This is the best herb cheddar bread I’ve ever had!

Was the result worthy of the chives and Italian parsley’s sacrifice?
All who partook of the savoury goodness certainly believed it was!
We may never know how others will one day benefit from our sacrifices, but hopefully they will one day appreciate them.
I wish I could want to talk to you.
I wish I would want to be your Friend.

I once thought you were so cool.
I once wished to get to know you better.

Now I wish only to forget.
Now I wish to move directly on.

I once was enthralled by you.
I once respected you greatly.

You had plenty of chances
to get out of it like a decent ******* human being
"maybe we aren't right for eachother"
I would try to suggest
and you would shove those words
back down my ******* throat
in a volley of self-righteous fits.

You
"had to love another"
to see the worth of my words;
what a ****** excuse
for such a known closet ****.

I say "****"
because I disagree with such debauchery;
I, who once partook,
to a certain extent
have come to see the folly of such ways,
to a certain extent
thanks to you.

I wish I could abstract my conscience
from any sense of morality;
you've got talent.

I thought you were better than that.
Turns out I was in denial
of all the things I'd heard
from your list of prior exes;

no wonder you ****** so well;
no wonder you ******,
you ****;
no ******* wonder.

Now I am inspired by you in was I never wanted to be;
Now I am compelled to give you the cold shoulder
until I can shatter the remnants of you out of my life
once and for all
like a thing frozen
in liquid Nitrogen.

I wish I could be your Friend;
I wish I could love you;
I wish I could stomach even the very thought of you;
but, to be perfectly and brutally honest:

I can't say I lament such is not the case.
I can't say I ever want to write about you.
I can't  say I ever want to think about you.
I can't  say a lot of the things I've said before.

Tou-*******-ché;
a child with post-pubescent physical maturity.

You don't deserve the warmth of even a cold shoulder.

I can, however, honestly say
I realized at some point in the last couple months that it came to be
that I was more used to your presence
than it was that I loved you;
you became moreso  familiar than compelling,
though nevertheless,
less and less comforting.

So,
the best course of action for me
for the sake of my Self, Sanity and Health,
was, and still is, to change my habits
and to minimize those bad ones:
Some of which are Things,
others of which are People,
and, this time, one of the People
with whom I'd made a bad habit of keeping company
just so happened to be You.

And I'm generally much happier now,
and part of me hopes that you are too;
yet a part of me still truly hopes
that you haunt your own Nightmares.

Go and **** someone
and **** up those who love you
tryin' to fill that Void
from which you're on the run
on the inside

The Gravity will only grow.
The Gravity will only grow.
I hope you choke on it.
I hope it ***** you down.
I hope it swallows you whole.

The Gravity will only grow.

Sorry,
but not really.
Not honestly.
Not earnestly.
I don't think you deserve an apology.

I don't enjoy writing this
but it does help clear my head.
It's healthier to share the expression
than it is to brood and let it boil over.

I don't think you really deserve
this level of attention or energy of mine
but, evenso,
here I sit
typing this
****
and
it
even came
to the point of
"sorry".

Don't take it for granted.

Ich bin von dir angeekelt;
Du kotzt mich völlig an.
Funny how those who accuse others of attacking them on a personal level
can be so able to lay such ruthless siege on the minds
of all those around them.
The once little, little prince,
stood wide-eyed, unto the sunless sky,
there, winged was she,
Rapunzel fair, princess no longer for he.

You see, he doesn't remember now,
how long ago it was he was told,
To find a princess, locked far away,
and if patient be ye, so too will treasure most pure,
be
his own.

And when, after many years traveling hence,
he arrived there upon the scene,
of the long, lonely tower, spiraling up,
there on and until the single window,
opened gently, and residing faintly,
laid a dream, he could not appease,
nay, no matter how much he rubbed his eyes,
Still, did the little prince look up and see,
Fair Rapunzel, in all her resplendent beauty.

Wait, she said, smiling gold,
In just a few years hence,
She laughed, merrily,
Will my hair grow long enough,
for you my dear Prince,
To come on up and truly rescue me.
For now it is good to talk,
and dream and be, for surely still,
must my luck be overwhelming,
with you here, to keep me company.
With just, YOU, here, little prince,
eyes nearly watering, she whispered,
And now not for me to be so lonely.

The little prince's heart, somewhere long gone,
Along the way, had already flittered up,
Though she could scarcely feel it,
With tower keeping them at bay,
Indeed it it land on her doorstep,
And there, long, did it lay.

So for many years, the Little Prince,
And Rapunzel did lay,
Her up high, and he down low,
With her hair, growing more each day.
And he was happy though, he was not sure,
If he was more trapped than her,
encased, but with each days growth,
of her luscious golden hair, did each time,
take a bit of his aching heart, beat by beat,
before mind barely had a say.

And then, alas, a few seasons hence more,
Around the corner was he, into her arms,
Evermore.
But cruel fate did lay, such plans for naught,
For at once her hair doth shed, and wings did she partook,
Yea, Little Prince, said she, Though doeth I love you so,
And the price I paid was dark and grave,
No bargain have I pursued could ever be forsook,
As this, one feeling, oh to fly over stone,
valley, canyon, and brook,
To be free, untethered, beating release,
NO LONGER DO I NEED WAIT,
OH WITHOUT SUCH WASTEFUL WORDS AS PATEINCE!
Now I am my queen, and you,
She looked down softly,
Not even my cook.

And the little prince looked up in awe,
Always believing in that which he was seeing,
awful though was his mind, that, Even still,
as his heart did empty,
did it endeavor, hurriedly quick,
To deny that reality, of waiting for a trick.
I was a game, he thought, but still,
if this be a quirk of god or fate,
Even now, in its very face will I,
Lucifer, be, Agnostic in this,
my hell.

So he closed his red eyes,
as his angel did ascend,
ne'er close did he ever reach,
someone.
Just a story now,
for children,
and growing young men,
Don't wait so long for someone,
you love in a tower,
or else you'll find yourself,
too, A...
Little Prince, not so little,
Anymore.
So much symbolism. For me. For life. For others. And, I must admit, not even did I see that ending coming.
Michael R Burch Apr 2020
iou
iou
by michael r. burch

i might have said it
but i didn’t

u might have noticed
but u wouldn’t

we might have been us
but we couldn’t

u might respond
but probably shouldn’t

Keywords/Tags: iou, chit, debenture, bill, debt, relationship, lovers, impasse, silence, golden, I, owe, you, borrower, lender, Polonius, collectible, mrbiou



Passionate One
by Michael R. Burch

for Beth

Love of my life,
light of my morning―
arise, brightly dawning,
for you are my sun.

Give me of heaven
both manna and leaven―
desirous Presence,
Passionate One.



Talent
by Michael R. Burch

for Kevin Nicholas Roberts

I liked the first passage
of her poem―where it led

(though not nearly enough
to retract what I said.)
Now the book propped up here
flutters, scarcely half read.
It will keep.
Before sleep,
let me read yours instead.

There's something like love
in the rhythms of night
―in the throb of streets
where the late workers drone,
in the sounds that attend
each day’s sad, squalid end―
that reminds us: till death
we are never alone.

So we write from the hearts
that will fail us anon,
words in red
truly bled
though they cannot reveal
whence they came,
who they're for.
And the tap at the door
goes unanswered. We write,
for there is nothing more
than a verse,
than a song,
than this chant of the blessed:
"If these words
be my sins,
let me die unconfessed!
Unconfessed, unrepentant;
I rescind all my vows!"
Write till sleep:
it’s the leap
only Talent allows.



Burn
by Michael R. Burch

for Trump

Sunbathe,
ozone baby,
till your parched skin cracks
in the white-hot flash
of radiation.

Incantation
from your pale parched lips
shall not avail;
you made this hell.
Now burn.



Burn, Ovid
by Michael R. Burch

“Burn Ovid”—Austin Clarke

Sunday School,
Faith Free Will Baptist, 1973:
I sat imagining watery folds
of pale silk encircling her waist.

Explicit *** was the day’s “hot” topic
(how breathlessly I imagined hers)
as she taught us the perils of lust
fraught with inhibition.

I found her unaccountably beautiful,
rolling implausible nouns off the edge of her tongue:
adultery, fornication, *******, ******.
Acts made suddenly plausible by the faint blush
of her unrouged cheeks,
by her pale lips
accented only by a slight quiver,
a trepidation.

What did those lustrous folds foretell
of our uncommon desire?
Why did she cross and uncross her legs
lovely and long in their taupe sheaths?
Why did her ******* rise pointedly,
as if indicating a direction?

“Come unto me,
(unto me),”
together, we sang,

cheek to breast,
lips on lips,
devout, afire,

my hands
up her skirt,
her pants at her knees:

all night long,
all night long,
in the heavenly choir.

This poem is set at Faith Christian Academy, which I attended for a year during the ninth grade. Another poem, "*** 101," was also written about my experiences at FCA that year.



*** 101
by Michael R. Burch

That day the late spring heat
steamed through the windows of a Crayola-yellow schoolbus
crawling its way up the backwards slopes
of Nowheresville, North Carolina ...

Where we sat exhausted
from the day’s skulldrudgery
and the unexpected waves of muggy,
summer-like humidity ...

Giggly first graders sat two abreast
behind senior high students
sprouting their first sparse beards,
their implausible bosoms, their stranger affections ...

The most unlikely coupling—

Lambert, 18, the only college prospect
on the varsity basketball team,
the proverbial talldarkhandsome
swashbuckling cocksman, grinning ...

Beside him, Wanda, 13,
bespectacled, in her primproper attire
and pigtails, staring up at him,
fawneyed, disbelieving ...

And as the bus filled with the improbable musk of her,
as she twitched impaled on his finger
like a dead frog jarred to life by electrodes,
I knew ...

that love is a forlorn enterprise,
that I would never understand it.



Styx
by Michael R. Burch

Black waters, deep and dark and still . . .
all men have passed this way, or will.

I wrote the poem above as a teenager in high school. The lines started out as part of a longer poem, but I thought these were the two best lines and decided to let them stand alone on the principle that "discretion is the better part of valor."



Medusa
by Michael R. Burch

Friends, beware
of her iniquitous hair:
long, ravenblack & melancholy.

Many suitors drowned there:
lost, unaware
of the length & extent of their folly.

Originally published by Grand Little Things



At Cædmon’s Grave
by Michael R. Burch

“Cædmon’s Hymn,” composed at the Monastery of Whitby (a North Yorkshire fishing village), is one of the oldest known poems written in the English language, dating back to around 680 A.D. According to legend, Cædmon, an illiterate Anglo-Saxon cowherd, received the gift of poetic composition from an angel; he subsequently founded a school of Christian poets. Unfortunately, only nine lines of Cædmon’s verse survive, in the writings of the Venerable Bede. Whitby, tiny as it is, reappears later in the history of English literature, having been visited, in diametric contrast, by Lewis Carroll and Bram Stoker’s ghoulish yet evocative Dracula.

At the monastery of Whitby,
on a day when the sun sank through the sea,
and the gulls shrieked wildly, jubilant, free,

while the wind and time blew all around,
I paced those dusk-enamored grounds
and thought I heard the steps resound

of Carroll, Stoker and of Bede
who walked there, too, their spirits freed
—perhaps by God, perhaps by need—

to write, and with each line, remember
the glorious light of Cædmon’s ember,
scorched tongues of flame words still engender.

Here, as darkness falls, at last we meet.
I lay this pale garland of words at his feet.

Originally published by The Lyric



Cædmon's Hymn (circa 658-680 AD)
loose translation/interpretation by Michael R. Burch

Humbly now we honour heaven-kingdom's Guardian,
the Measurer's might and his mind-plans,
the goals of the Glory-Father. First he, the Everlasting Lord,
established earth's fearful foundations.
Then he, the First Scop, hoisted heaven as a roof
for the sons of men: Holy Creator,
mankind's great Maker! Then he, the Ever-Living Lord,
afterwards made men middle-earth: Master Almighty!



Cædmon’s Face
by Michael R. Burch

At the monastery of Whitby,
on a day when the sun sank through the sea,
and the gulls shrieked wildly, jubilant, free,

while the wind and Time blew all around,
I paced that dusk-enamored ground
and thought I heard the steps resound

of Carroll, Stoker and good Bede
who walked here too, their spirits freed
—perhaps by God, perhaps by need—

to write, and with each line, remember
the glorious light of Cædmon’s ember:
scorched tongues of flame words still engender.



He wrote here in an English tongue,
a language so unlike our own,
unlike—as father unto son.

But when at last a child is grown.
his heritage is made well-known:
his father’s face becomes his own.



He wrote here of the Middle-Earth,
the Maker’s might, man’s lowly birth,
of every thing that God gave worth

suspended under heaven’s roof.
He forged with simple words His truth
and nine lines left remain the proof:

his face was Poetry’s, from youth.



Song from Ælla: Under the Willow Tree, or, Minstrel's Song
by Thomas Chatterton, age 17 or younger
modernization/translation by Michael R. Burch

O! sing unto my roundelay,
O! drop the briny tear with me,
Dance no more at holy-day,
Like a running river be:
My love is dead,
Gone to his death-bed
All under the willow tree.

Black his crown as the winter night,
White his skin as the summer snow,
Red his face as the morning light,
Cold he lies in the grave below:
My love is dead,
Gone to his death-bed
All under the willow tree.

Sweet his tongue as the throstle's note,
Quick in dance as thought can be,
Deft his tabor, cudgel stout;
O! he lies by the willow tree!
My love is dead,
Gone to his death-bed
All under the willow tree.

Hark! the raven ***** his wing
In the briar'd dell below;
Hark! the death-owl loudly sings
To the nightmares, as they go:
My love is dead,
Gone to his death-bed
All under the willow-tree.

See! the white moon shines on high;
Whiter is my true love's shroud:
Whiter than the morning sky,
Whiter than the evening cloud:
My love is dead,
Gone to his death-bed
All under the willow tree.

Here upon my true love's grave
Shall the barren flowers be laid;
Not one holy saint to save
All the coolness of a maid:
My love is dead,
Gone to his death-bed
All under the willow tree.

With my hands I'll frame the briars
Round his holy corpse to grow:
Elf and fairy, light your fires,
Here my body, stilled, shall go:
My love is dead,
Gone to his death-bed
All under the willow tree.

Come, with acorn-cup and thorn,
Drain my heart’s red blood away;
Life and all its good I scorn,
Dance by night, or feast by day:
My love is dead,
Gone to his death-bed
All under the willow-tree.

Water witches, crowned with plaits,
Bear me to your lethal tide.
I die; I come; my true love waits.
Thus the damsel spoke, and died.

The song above is, in my opinion, competitive with Shakespeare's songs in his plays, and may be the best of Thomas Chatterton's so-called "Rowley" poems. The fact that Chatterton wrote it in his teens is astounding.



An Excelente Balade of Charitie (“An Excellent Ballad of Charity”)
by Thomas Chatterton, age 17
modernization/translation by Michael R. Burch

As wroten bie the goode Prieste
Thomas Rowley 1464

In Virgynë the swelt'ring sun grew keen,
Then hot upon the meadows cast his ray;
The apple ruddied from its pallid green
And the fat pear did extend its leafy spray;
The pied goldfinches sang the livelong day;
'Twas now the pride, the manhood of the year,
And the ground was mantled in fine green cashmere.

The sun was gleaming in the bright mid-day,
Dead-still the air, and likewise the heavens blue,
When from the sea arose, in drear array,
A heap of clouds of sullen sable hue,
Which full and fast unto the woodlands drew,
Hiding at once the sun's fair festive face,
As the black tempest swelled and gathered up apace.

Beneath a holly tree, by a pathway's side,
Which did unto Saint Godwin's convent lead,
A hapless pilgrim moaning did abide.
Poor in his sight, ungentle in his ****,
Long brimful of the miseries of need,
Where from the hailstones could the beggar fly?
He had no shelter there, nor any convent nigh.

Look in his gloomy face; his sprite there scan;
How woebegone, how withered, dried-up, dead!
Haste to thy parsonage, accursèd man!
Haste to thy crypt, thy only restful bed.
Cold, as the clay which will grow on thy head,
Is Charity and Love among high elves;
Knights and Barons live for pleasure and themselves.

The gathered storm is ripe; the huge drops fall;
The sunburnt meadows smoke and drink the rain;
The coming aghastness makes the cattle pale;
And the full flocks are driving o'er the plain;
Dashed from the clouds, the waters float again;
The heavens gape; the yellow lightning flies;
And the hot fiery steam in the wide flamepot dies.

Hark! now the thunder's rattling, clamoring sound
Heaves slowly on, and then enswollen clangs,
Shakes the high spire, and lost, dispended, drown'd,
Still on the coward ear of terror hangs;
The winds are up; the lofty elm-tree swings;
Again the lightning―then the thunder pours,
And the full clouds are burst at once in stormy showers.

Spurring his palfrey o'er the watery plain,
The Abbot of Saint Godwin's convent came;
His chapournette was drenchèd with the rain,
And his pinched girdle met with enormous shame;
He cursing backwards gave his hymns the same;
The storm increasing, and he drew aside
With the poor alms-craver, near the holly tree to bide.

His cape was all of Lincoln-cloth so fine,
With a gold button fasten'd near his chin;
His ermine robe was edged with golden twine,
And his high-heeled shoes a Baron's might have been;
Full well it proved he considered cost no sin;
The trammels of the palfrey pleased his sight
For the horse-milliner loved rosy ribbons bright.

"An alms, Sir Priest!" the drooping pilgrim said,
"Oh, let me wait within your convent door,
Till the sun shineth high above our head,
And the loud tempest of the air is o'er;
Helpless and old am I, alas!, and poor;
No house, no friend, no money in my purse;
All that I call my own is this―my silver cross.

"Varlet," replied the Abbott, "cease your din;
This is no season alms and prayers to give;
My porter never lets a beggar in;
None touch my ring who in dishonor live."
And now the sun with the blackened clouds did strive,
And shed upon the ground his glaring ray;
The Abbot spurred his steed, and swiftly rode away.

Once more the sky grew black; the thunder rolled;
Fast running o'er the plain a priest was seen;
Not full of pride, not buttoned up in gold;
His cape and jape were gray, and also clean;
A Limitour he was, his order serene;
And from the pathway side he turned to see
Where the poor almer lay beneath the holly tree.

"An alms, Sir Priest!" the drooping pilgrim said,
"For sweet Saint Mary and your order's sake."
The Limitour then loosen'd his purse's thread,
And from it did a groat of silver take;
The needy pilgrim did for happiness shake.
"Here, take this silver, it may ease thy care;
"We are God's stewards all, naught of our own we bear."

"But ah! unhappy pilgrim, learn of me,
Scarce any give a rentroll to their Lord.
Here, take my cloak, as thou are bare, I see;
'Tis thine; the Saints will give me my reward."
He left the pilgrim, went his way abroad.
****** and happy Saints, in glory showered,
Let the mighty bend, or the good man be empowered!

TRANSLATOR'S NOTES: It is possible that some words used by Chatterton were his own coinages; some of them apparently cannot be found in medieval literature. In a few places I have used similar-sounding words that seem to not overly disturb the meaning of the poem. ― Michael R. Burch



***** Nilly
by Michael R. Burch

Isn’t it silly, ***** Nilly?
You made the stallion,
you made the filly,
and now they sleep
in the dark earth, stilly.
Isn’t it silly, ***** Nilly?

Isn’t it silly, ***** Nilly?
You forced them to run
all their days uphilly.
They ran till they dropped—
life’s a pickle, dilly.
Isn’t it silly, ***** Nilly?

Isn’t it silly, ***** Nilly?
They say I should worship you!
Oh, really!
They say I should pray
so you’ll not act illy.
Isn’t it silly, ***** Nilly?



Are You the Thief
by Michael R. Burch

When I touch you now,
O sweet lover,
full of fire,
melting like ice
in my embrace,

when I part the delicate white lace,
baring pale flesh,
and your face
is so close
that I breathe your breath
and your hair surrounds me like a wreath...

tell me now,
O sweet, sweet lover,
in good faith:
are you the thief
who has stolen my heart?

Originally published as “Baring Pale Flesh” by Poetic License/Monumental Moments



Children
by Michael R. Burch

There was a moment
suspended in time like a swelling drop of dew about to fall,
impendent, pregnant with possibility ...

when we might have made ...
anything,
anything we dreamed,
almost anything at all,
coalescing dreams into reality.

Oh, the love we might have fashioned
out of a fine mist and the nightly sparkle of the cosmos
and the rhythms of evening!

But we were young,
and what might have been is now a dark abyss of loss
and what is left is not worth saving.

But, oh, you were lovely,
child of the wild moonlight, attendant tides and doting stars,
and for a day,

what little we partook
of all that lay before us seemed so much,
and passion but a force
with which to play.



Davenport Tomorrow
by Michael R. Burch

Davenport tomorrow ...
all the trees stand stark-naked in the sun.

Now it is always summer
and the bees buzz in cesspools,
adapted to a new life.

There are no flowers,
but the weeds, being hardier,
have survived.

The small town has become
a city of millions;
there is no longer a sea,
only a huge sewer,
but the children don't mind.

They still study
rocks and stars,
but biology is a forgotten science ...
after all, what is life?

Davenport tomorrow ...
all the children murmur through vein-streaked gills
whispered wonders of long-ago.



Dawn
by Michael R. Burch

for Beth, Laura, and all good mothers

Bring your peculiar strength
to the strange nightmarish fray:
wrap up your cherished ones
in the golden light of day.

Amen

Originally published by The Lyric



Twice
by Michael R. Burch

Now twice she has left me
and twice I have listened
and taken her back, remembering days

when love lay upon us
and sparkled and glistened
with the brightness of dew through a gathering haze.

But twice she has left me
to start my life over,
and twice I have gathered up embers, to learn:

rekindle a fire
from ash, soot and cinder
and softly it sputters, refusing to burn.

Originally published by The Lyric



Pale Though Her Eyes
by Michael R. Burch

Pale though her eyes,
her lips are scarlet
from drinking of blood,
this child, this harlot

born of the night
and her heart, of darkness,
evil incarnate
to dance so reckless,

dreaming of blood,
her fangs―white―baring,
revealing her lust,
and her eyes, pale, staring ...



Vampires
by Michael R. Burch

Vampires are such fragile creatures;
we dread the dark, but the light destroys them ...
sunlight, or a stake, or a cross―such common things.
Still, late at night, when the bat-like vampire sings,
we shrink from his voice.

Centuries have taught us:
in shadows danger lurks for those who stray,
and there the vampire bares his yellow fangs
and feels the ancient soul-tormenting pangs.
He has no choice.

We are his prey, plump and fragrant,
and if we pray to avoid him, the more he prays to find us ...
prays to some despotic hooded God
whose benediction is the humid blood
he lusts to taste.

Published by Monumental Moments (Eye Scry Publications), Weirdbook, Gothic Fairy, Dracula and His Kin, NawaZone and Raiders’ Digest



The Vampire's Spa Day Dream
by Michael R. Burch

O, to swim in vats of blood!
I wish I could, I wish I could!
O, 'twould be
so heavenly
to swim in lovely vats of blood!

This poem was inspired by a Josh Parkinson depiction of Elizabeth Bathory up to her nostrils in the blood of her victims, with their skulls floating in the background.



For All That I Remembered
by Michael R. Burch

For all that I remembered, I forgot
her name, her face, the reason that we loved ...
and yet I hold her close within my thought.
I feel the burnished weight of auburn hair
that fell across her face, the apricot
clean scent of her shampoo, the way she glowed
so palely in the moonlight, angel-wan.

The memory of her gathers like a flood
and bears me to that night, that only night,
when she and I were one, and if I could ...
I'd reach to her this time and, smiling, brush
the hair out of her eyes, and hold intact
each feature, each impression. Love is such
a threadbare sort of magic, it is gone
before we recognize it. I would crush
my lips to hers to hold their memory,
if not more tightly, less elusively.

Originally published by The Raintown Review



Ode to the Sun
by Michael R. Burch

Day is done...
on, swift sun.
Follow still your silent course.
Follow your unyielding course.
On, swift sun.

Leave no trace of where you've been;
give no hint of what you've seen.
But, ever as you onward flee,
touch me, O sun,
touch me.

Now day is done...
on, swift sun.
Go touch my love about her face
and warm her now for my embrace,
for though she sleeps so far away,
where she is not, I shall not stay.
Go tell her now I, too, shall come.
Go on, swift sun,
go on.

Published by The Tucumcari Literary Review. I believe I wrote this poem toward the end of my senior year in high school, around age 18, during my early Romantic Period. Keywords/Tags: Ode, Romantic, Love, Lover, Sun, Time, Night, Sleep, Dreams, mrbiou



To the boy Elis
by Georg Trakl
translation by Michael R. Burch

Elis, when the blackbird cries from the black forest,
it announces your downfall.
Your lips sip the rock-spring's blue coolness.

Your brow sweats blood
recalling ancient myths
and dark interpretations of birds' flight.

Yet you enter the night with soft footfalls;
the ripe purple grapes hang suspended
as you wave your arms more beautifully in the blueness.

A thornbush crackles;
where now are your moonlike eyes?
How long, oh Elis, have you been dead?

A monk dips waxed fingers
into your body's hyacinth;
Our silence is a black abyss

from which sometimes a docile animal emerges
slowly lowering its heavy lids.
A black dew drips from your temples:

the lost gold of vanished stars.

TRANSLATOR'S NOTE: I believe that in the second stanza the blood on Elis's forehead may be a reference to the apprehensive ****** sweat of Jesus in the garden of Gethsemane. If my interpretation is correct, Elis hears the blackbird's cries, anticipates the danger represented by a harbinger of death, but elects to continue rather than turn back. From what I have been able to gather, the color blue had a special significance for Georg Trakl: it symbolized longing and perhaps a longing for death. The colors blue, purple and black may represent a progression toward death in the poem.



Resemblance
by Michael R. Burch

Take this geode with its rough exterior—
crude-skinned, brilliant-hearted ...

a diode of amethyst—wild, electric;
its sequined cavity—parted, revealing.

Find in its fire all brittle passion,
each jagged shard relentlessly aching.

Each spire inward—a fission startled;
in its shattered entrails—fractured light,

the heart ice breaking.

Originally published by Poet Lore as “Geode”



Geode
by Michael R. Burch

Love—less than eternal, not quite true—
is still the best emotion man can muster.
Through folds of peeling rind—rough, scarred, crude-skinned—
she shines, all limpid brightness, coolly pale.

Crude-skinned though she may seem, still, brilliant-hearted,
in her uneven fissures, glistening, glows
that pale rose: like a flame, yet strangely brittle;
dew-lustrous pearl streaks gaping mossback shell.

And yet, despite the raggedness of her luster,
as she hints and shimmers, touching those who see,
she is not without her uses or her meanings;
in all her avid gleamings, Love bestows

the rare spark of her beauty to her bearer,
till nothing flung to earth seems half so fair.



What Goes Around, Comes
by Michael R. Burch

This is a poem about loss
so why do you toss your dark hair—
unaccountably glowing?
How can you be sure of my heart
when it’s beyond my own knowing?
Or is it love’s pheromones you trust,
my eyes magnetized by your bust
and the mysterious alchemies of lust?
Now I am truly lost!



PLATO TRANSLATIONS

These epitaphs and other epigrams have been ascribed to Plato...

Mariner, do not ask whose tomb this may be,
But go with good fortune: I wish you a kinder sea.
—Michael R. Burch, after Plato

We left the thunderous Aegean
to sleep peacefully here on the plains of Ecbatan.
Farewell, renowned Eretria, our homeland!
Farewell, Athens, Euboea's neighbor!
Farewell, dear Sea!
—Michael R. Burch, after Plato

We who navigated the Aegean's thunderous storm-surge
now sleep peacefully here on the mid-plains of Ecbatan:
Farewell, renowned Eretria, our homeland!
Farewell, Athens, nigh to Euboea!
Farewell, dear Sea!
—Michael R. Burch, after Plato

This poet was pleasing to foreigners
and even more delightful to his countrymen:
Pindar, beloved of the melodious Muses.
—Michael R. Burch, after Plato

Some say the Muses are nine.
Foolish critics, count again!
Sappho of ****** makes ten.
—Michael R. Burch, after Plato

Even as you once shone, the Star of Morning, above our heads,
even so you now shine, the Star of Evening, among the dead.
—Michael R. Burch, after Plato

Why do you gaze up at the stars?
Oh, my Star, that I were Heaven,
to gaze at you with many eyes!
—Michael R. Burch, after Plato

Every heart sings an incomplete song,
until another heart sings along.
Those who would love long to join in the chorus.
At a lover's touch, everyone becomes a poet.
—Michael R. Burch, after Plato

NOTE: I take this Plato epigram to be an epithalamium, with the two voices joining in a complete song being the bride and groom, and the rest of the chorus being the remainder of the wedding ceremony.

The Apple
ascribed to Plato
loose translation/interpretation by Michael R. Burch

Here's an apple; if you're able to love me,
catch it and chuck me your cherry in exchange.
But if you hesitate, as I hope you won't,
take the apple, examine it carefully,
and consider how briefly its beauty will last.



Bubble
by Michael R. Burch

...…..….........Love
..…......fragile elusive
.......if held ... too closely
....cannot............withstand
..the inter..................ruption
of its............................…bright
..unmalleable.............­tension
....and breaks disintegrates
..…...at the............touch of
....…....an undiscerning
.....................hand.



Breakings
by Michael R. Burch

I did it out of pity.
I did it out of love.
I did it not to break the heart of a tender, wounded dove.

But gods without compassion
ordained: "Frail things must break!"
Now what can I do for her shattered psyche’s sake?

I did it not to push.
I did it not to shove.
I did it to assist the flight of indiscriminate Love.

But gods, all mad as hatters,
who legislate in all such matters,
ordained that everything irreplaceable shatters.



Break Time
by Michael R. Burch

for those who lost loved ones on 9-11

Intrude upon my grief; sit; take a spot
of milk to cloud the blackness that you feel;
add artificial sweeteners to conceal
the bitter aftertaste of loss. You’ll heal
if I do not. The coffee’s hot. You speak:
of bundt cakes, polls, the price of eggs. You glance
twice at your watch, cough, look at me askance.
The TV drones oeuvres of high romance
in syncopated lip-synch. Should I feel
the underbelly of Love’s warm Ideal,
its fuzzy-wuzzy tummy, and not reel
toward some dark conclusion? Disappear
to pale, dissolving atoms. Were you here?
I brush you off: like saccharine, like a tear.



Dream House
by Michael R. Burch

I have come to the house of my fondest dreams,
but the shutters are boarded; the front door is locked;
the mail box leans over; and where we once walked,
the path is grown over with crabgrass and clover.

I kick the trash can; it screams, topples over.
The yard, weeded over, blooms white fluff, and green.
The elm we once swung from leans over the stream.
In the twilight I cling with both hands to the swing.

Inside, perhaps, I hear the telephone ring
or watch once again as the bleary-eyed mover
takes down your picture. Dejected, I hover,
asking over and over, “Why didn’t you love her?”



“Was gesagt werden muss” (“What must be said”)
by Günter Grass
loose translation/interpretation by Michael R. Burch

Why have I remained silent, so long,
failing to mention something openly practiced
in war games which now threaten to leave us
merely meaningless footnotes?

Someone’s alleged “right” to strike first
might annihilate a beleaguered nation
whose people march to a martinet’s tune,
compelled to pageants of orchestrated obedience.
Why? Merely because of the suspicion
that a bomb might be built by Iranians.

But why do I hesitate, forbidding myself
to name that other nation, where, for years
―shrouded in secrecy―
a formidable nuclear capability has existed
beyond all control, simply because
no inspections were ever allowed?

The universal concealment of this fact
abetted by my own incriminating silence
now feels like a heavy, enforced lie,
an oppressive inhibition, a vice,
a strong constraint, which, if dismissed,
immediately incurs the verdict “anti-Semitism.”

But now my own country,
guilty of its unprecedented crimes
which continually demand remembrance,
once again seeking financial gain
(although with glib lips we call it “reparations”)
has delivered yet another submarine to Israel―
this one designed to deliver annihilating warheads
capable of exterminating all life
where the existence of even a single nuclear weapon remains unproven,
but where suspicion now serves as a substitute for evidence.
So now I will say what must be said.

Why did I remain silent so long?
Because I thought my origins,
tarred by an ineradicable stain,
forbade me to declare the truth to Israel,
a country to which I am and will always remain attached.

Why is it only now that I say,
in my advancing age,
and with my last drop of ink
on the final page
that Israel’s nuclear weapons endanger
an already fragile world peace?

Because tomorrow might be too late,
and so the truth must be heard today.
And because we Germans,
already burdened with many weighty crimes,
could become enablers of yet another,
one easily foreseen,
and thus no excuse could ever erase our complicity.

Furthermore, I’ve broken my silence
because I’m sick of the West’s hypocrisy
and because I hope many others too
will free themselves from the shackles of silence,
and speak out to renounce violence
by insisting on permanent supervision
of Israel’s atomic power and Iran’s
by an international agency
accepted by both governments.

Only thus can we find the path to peace
for Israelis and Palestinians and everyone else
living in a region currently consumed by madness
―and ultimately, for ourselves.

Published in Süddeutschen Zeitung (April 4, 2012). Günter Wilhelm Grass (1927-) is a German-Kashubian novelist, poet, playwright, illustrator, graphic artist, sculptor and recipient of the 1999 Nobel Prize in Literature. He is widely regarded as Germany's most famous living writer. Grass is best known for his first novel, The Tin Drum (1959), a key text in European magic realism. The Tin Drum was adapted into a film that won both the Palme d'Or and the Academy Award for Best Foreign Language Film. The Swedish Academy, upon awarding Grass the Nobel Prize in Literature, noted him as a writer "whose frolicsome black fables portray the forgotten face of history."



Starting from Scratch with Ol’ Scratch
by Michael R. Burch

for the Religious Right

Love, with a small, fatalistic sigh
went to the ovens. Please don’t bother to cry.
You could have saved her, but you were all *******
complaining about the Jews to Reichmeister Grupp.

Scratch that. You were born after World War II.
You had something more important to do:
while the children of the Nakba were perishing in Gaza
with the complicity of your government, you had a noble cause (a
religious tract against homosexual marriage
and various things gods and evangelists disparage.)

Jesus will grok you? Ah, yes, I’m quite sure
that your intentions were good and ineluctably pure.
After all, what the hell does he care about Palestinians?
Certainly, Christians were right about serfs, slaves and Indians.
Scratch that. You’re one of the Devil’s minions.



Love Unfolded Like a Flower
by Michael R. Burch

Love unfolded
like a flower;
Pale petals pinked and blushed to see the sky.
I came to know you
and to trust you
in moments lost to springtime slipping by.

Then love burst outward,
leaping skyward,
and untamed blossoms danced against the wind.
All I wanted
was to hold you;
though passion tempted once, we never sinned.

Now love's gay petals
fade and wither,
and winter beckons, whispering a lie.
We were friends,
but friendships end . . .
yes, friendships end and even roses die.



Orpheus
by Michael R. Burch

for and after William Blake

I.
Many a sun
and many a moon
I walked the earth
and whistled a tune.

I did not whistle
as I worked:
the whistle was my work.
I shirked

nothing I saw
and made a rhyme
to children at play
and hard time.

II.
Among the prisoners
I saw
the leaden manacles
of Law,

the heavy ball and chain,
the quirt.
And yet I whistled
at my work.

III.
Among the children’s
daisy faces
and in the women’s
frowsy laces,

I saw redemption,
and I smiled.
Satanic millers,
unbeguiled,

were swayed by neither girl,
nor child,
nor any God of Love.
Yet mild

I whistled at my work,
and Song
broke out,
ere long.



The Quickening
by Michael R. Burch

for Beth

I never meant to love you
when I held you in my arms
promising you sagely
wise, noncommittal charms.

And I never meant to need you
when I touched your tender lips
with kisses that intrigued my own—
such kisses I had never known,
nor a heartbeat in my fingertips!



Ah! Sunflower
by Michael R. Burch

after William Blake

O little yellow flower
like a star ...
how beautiful,
how wonderful
we are!



Published as the collection "IOU"
Mary Generic Aug 2014
I woke up adrift this morning
Guilt a million leagues deep

Nothing done is undone
This Morning
Apologies do not come free

The sun which glistens
Upon the drops
Between my moistened
Thighs

Carry this morning's
Sin

Trembling ashamed
Of the lust which came
Into me last night

My mouth has forsworn this place
My darling, forgive me
Please

Of the low hanging fruit I partook
Above the devils knees
Writhing snakes within me bid

Eat

The meat is
ripe and sweet
"How shall I be a poet?
How shall I write in rhyme?
You told me once the very wish
Partook of the sublime:
Then tell me how. Don't put me off
With your 'another time'."

The old man smiled to see him,
To hear his sudden sally;
He liked the lad to speak his mind
Enthusiastically,
And thought, "There's no hum-drum in him,
Nor any shilly-shally."

"And would you be a poet
Before you've been to school?
Ah well! I hardly thought you
So absolute a fool.
First learn to be spasmodic—
A very simple rule.

"For first you write a sentence,
And then you chop it small!
Then mix the bits, and sort them out
Just as they chance to fall:
The order of the phrases makes
No difference at all.

"Then, if you'd be impressive,
Remember what I say,
The abstract qualities begin
With capitals alway:
The True, the Good, the Beautiful,
These are the things that pay!

"Next, when you are describing
A shape, or sound, or tint,
Don't state the matter plainly,
But put it in a hint;
And learn to look at all things
With a sort of mental squint."

"For instance, if I wished, Sir,
Of mutton-pies to tell,
Should I say 'Dreams of fleecy flocks
Pent in a wheaten cell'?"
"Why, yes," the old man said: "that phrase
Would answer very well.

"Then, fourthly, there are epithets
That suit with any word—
As well as Harvey's Reading Sauce
With fish, or flesh, or bird—
Of these 'wild,' 'lonely,' 'weary,' 'strange,'
Are much to be preferred."

"And will it do, O will it do
To take them in a lump—
As 'the wild man went his weary way
To a strange and lonely pump'?"
"Nay, nay! You must not hastily
To such conclusions jump.

"Such epithets, like pepper,
Give zest to what you write,
And, if you strew them sparely,
They whet the appetite:
But if you lay them on too thick,
You spoil the matter quite!

"Last, as to the arrangement;
Your reader, you should show him,
Must take what information he
Can get, and look for no im-
mature disclosure of the drift
And purpose of your poem.

"Therefore, to test his patience—
How much he can endure—
Mention no places, names, nor dates,
And evermore be sure
Throughout the poem to be found
Consistently obscure.

"First fix upon the limit
To which it shall extend:
Then fill it up with 'padding',
(Beg some of any friend):
Your great sensation-stanza
You place towards the end.

Now try your hand, ere Fancy
Have lost its present glow—"
"And then," his grandson added,
"We'll publish it, you know:
Green cloth—gold-lettered at the back,
In duodecimo!"

Then proudly smiled the old man
To see the eager lad
Rush madly for his pen and ink
And for his blotting-pad—
But when he thought of publishing,
His face grew stern and sad.
760

Most she touched me by her muteness—
Most she won me by the way
She presented her small figure—
Plea itself—for Charity—

Were a Crumb my whole possession—
Were there famine in the land—
Were it my resource from starving—
Could I such a plea withstand—

Not upon her knee to thank me
Sank this Beggar from the Sky—
But the Crumb partook—departed—
And returned On High—

I supposed—when sudden
Such a Praise began
’Twas as Space sat singing
To herself—and men—

’Twas the Winged Beggar—
Afterward I learned
To her Benefactor
Making Gratitude
Once, I thought of you as one usually does
Of some sort of mythical being.
Your presence only in conversations,
Drunken confessions,
A slightly blurry photograph on a phone,
Your name becoming a by-word for
Intense ****** attraction.

Once, I met you at the discotheque,
Your raven hair swirling around a
Black-clothed, willowy frame
As you partook of your personal bacchanal,
A private smile meant for my companion
On your kissable lips
And in your unfathomable eyes.

Once, you left me tongue-tied and shy,
Blushing furiously as I searched in vain
For words that usually
Happily danced on my tongue.
We left each other that night
Without having spoken past polite greetings,
And I was bitterly regretful.

Once, I decided to love myself,
And began to become almost beautiful,
Shedding layers of flesh and fear
And though I had long forgotten your face
I resolved that were I to see you again,
Both smiles and sentences would
Easily flow and you might learn of me.

Once, I took that risk,
Sending you a message full of sarcastic
And clever comments laced with charm.
This time I was ready
To set aside all of my misgivings,
Ignore your intimidating beauty,
And let myself peek through and smile.

Once, I thought it utterly impossible
That someone like you may notice me,
But after a year of meditation and peace,
I now know I was too afraid to be noticed.
Even if you lose interest and look elsewhere,
I still consider this quite the triumph,
For you were part of why I searched for myself.
*Girl hears of friend's hot friend.  Girl meets hot friend.  Girl thinks she's too fat to like.  Girl decides never to feel that way again.  Girl loses weight and gains confidence.  Girl sees hot friend on Tinder.  Girl says hello.  Girl and hot friend are now discussing going on a date.  Girl is okay if hot friend isn't into it later on because girl now is her own best friend.*

*Loving yourself is more important than any other relationship.*
down the main drag of our town
the thundering sound of motor bikes did resound
folks in our town rushed out doors
to see what was making such an almighty roar

the bikers were on their monthly charity rally
they stopped at the local pub owned by John O'Malley
they partook of a ration of ale
whilst filling their donation pails

after an interlude in our small township
they straddled their chrome plated Harley ships
to ride along the country byways
on this most magnificent autumn day
Frau Doktor,
Mama Brundig,
take out your contacts,
remove your wig.
I write for you.
I entertain.
But frogs come out
of the sky like rain.

Frogs arrive
With an ugly fury.
You are my judge.
You are my jury.

My guilts are what
we catalogue.
I’ll take a knife
and chop up frog.

Frog has not nerves.
Frog is as old as a cockroach.
Frog is my father’s genitals.
Frog is a malformed doorknob.
Frog is a soft bag of green.

The moon will not have him.
The sun wants to shut off
like a light bulb.
At the sight of him
the stone washes itself in a tub.
The crow thinks he’s an apple
and drops a worm in.
At the feel of frog
the touch-me-nots explode
like electric slugs.
Slime will have him.
Slime has made him a house.

Mr. Poison
is at my bed.
He wants my sausage.
He wants my bread.

Mama Brundig,
he wants my beer.
He wants my Christ
for a souvenir.

Frog has boil disease
and a bellyful of parasites.
He says: Kiss me. Kiss me.
And the ground soils itself.

Why
should a certain
quite adorable princess
be walking in her garden
at such a time
and toss her golden ball
up like a bubble
and drop it into the well?
It was ordained.
Just as the fates deal out
the plague with a tarot card.
Just as the Supreme Being drills
holes in our skulls to let
the Boston Symphony through.

But I digress.
A loss has taken place.
The ball has sunk like a cast-iron ***
into the bottom of the well.

Lost, she said,
my moon, my butter calf,
my yellow moth, my Hindu hare.
Obviously it was more than a ball.
***** such as these are not
for sale in Au Bon Marché.
I took the moon, she said,
between my teeth
and now it is gone
and I am lost forever.
A thief had robbed by day.

Suddenly the well grew
thick and boiling
and a frog appeared.
His eyes bulged like two peas
and his body was trussed into place.
Do not be afraid, Princess,
he said, I am not a vagabond,
a cattle farmer, a shepherd,
a doorkeeper, a postman
or a laborer.
I come to you as a tradesman.
I have something to sell.
Your ball, he said,
for just three things.
Let me eat from your plate.
Let me drink from your cup.
Let me sleep in your bed.
She thought, Old Waddler,
those three you will never do,
but she made the promises
with hopes for her ball once more.
He brought it up in his mouth
like a tricky old dog
and she ran back to the castle
leaving the frog quite alone.

That evening at dinner time
a knock was heard on the castle door
and a voice demanded:
King’s youngest daughter,
let me in. You promised;
now open to me.
I have left the skunk cabbage
and the eels to live with you.
The kind then heard her promise
and forced her to comply.

The frog first sat on her lap.
He was as awful as an undertaker.
Next he was at her plate
looking over her bacon
and calves’ liver.
We will eat in tandem,
he said gleefully.
Her fork trembled
as if a small machine
had entered her.
He sat upon the liver
and partook like a gourmet.
The princess choked
as if she were eating a puppy.
From her cup he drank.
It wasn’t exactly hygienic.
From her cup she drank
as if it were Socrates’ hemlock.

Next came the bed.
The silky royal bed.
Ah! The penultimate hour!
There was the pillow
with the princess breathing
and there was the sinuous frog
riding up and down beside her.
I have been lost in a river
of shut doors, he said,
and I have made my way over
the wet stones to live with you.
She woke up aghast.
I suffer for birds and fireflies
but not frogs, she said,
and threw him across the room.
Kaboom!

Like a genie coming out of a samovar,
a handsome prince arose in the
corner of her bedroom.
He had kind eyes and hands
and was a friend of sorrow.
Thus they were married.
After all he had compromised her.

He hired a night watchman
so that no one could enter the chamber
and he had the well
boarded over so that
never again would she lose her ball,
that moon, that Krishna hair,
that blind poppy, that innocent globe,
that madonna womb.
1723

High from the earth I heard a bird,
He trod upon the trees
As he esteemed them trifles,
And then he spied a breeze,
And situated softly
Upon a pile of wind
Which in a perturbation
Nature had left behind.
A joyous going fellow
I gathered from his talk
Which both of benediction
And badinage partook.
Without apparent burden
I subsequently learned
He was the faithful father
Of a dependent brood.
And this untoward transport
His remedy for care.
A contrast to our respites.
How different we are!
Anderson M Feb 2014
We each partook of our respective
Champagne glasses almost in spot on simultaneity
Toasting to a life full of nicety
Hadn’t we been born with silver cutlery
In our mouths?
Armed with a sense of perspective
But this doesn’t guarantee an alienation of misery
We being hormonal imbalanced youths
Rational irrationality the bedrock
Of most if not all our decisions
We ourselves each other’s stumbling block
Nursing grandiose delusions.
We hence seldom ‘work ‘hand in glove
As we’re “drunk in love”.
Love's blind
literally and figuratively
ever been  *Love-holic*?
mEb Nov 2010
Quatron of prediction; it is not what's believed by me
I've partook more bitter ever since
Ever since the phonies kept babbling of morals
Ever since the phonies kept babbling


To each their own to each
Teaching what does not revolve
Itching at me because you are not real
I hope that someday you will see what is not
I hope that someday you can't see


Toiling brims of sin or not; I smite upon flakes alas
Alas my cynical undertone revealed each day after night and again
No remmorse do I own, grave away from epoch
I skirm when you speak of such feats


To each their own to each
Teaching what does not induce
Scratching at me because you are not real
I hope that someday you will see what is not
I hope that someday you can't see


Imaum of hate is true of my fate
How can you grasp what you are?
Where are you? Who are you? Do you exists?
We are inkligs of nothing, no doubt.
Michael R Burch Sep 2020
Poems about Children


The Desk
by Michael R. Burch

for Jeremy

There is a child I used to know
who sat, perhaps, at this same desk
where you sit now, and made a mess
of things sometimes.I wonder how
he learned at all...

He saw T-Rexes down the hall
and dreamed of trains and cars and wrecks.
He dribbled phantom basketballs,
shot spitwads at his schoolmates' necks.

He played with pasty Elmer's glue
(and sometimes got the glue on you!).
He earned the nickname "teacher's PEST."

His mother had to come to school
because he broke the golden rule.
He dreaded each and every test.

But something happened in the fall—
he grew up big and straight and tall,
and now his desk is far too small;
so you can have it.

One thing, though—

one swirling autumn, one bright snow,
one gooey tube of Elmer's glue...
and you'll outgrow this old desk, too.

Originally published by TALESetc



A True Story
by Michael R. Burch

for Jeremy

Jeremy hit the ball today,
over the fence and far away.
So very, very far away
a neighbor had to toss it back.
(She thought it was an air attack!)

Jeremy hit the ball so hard
it flew across our neighbor's yard.
So very hard across her yard
the bat that boomed a mighty "THWACK! "
now shows an eensy-teensy crack.

Originally published by TALESetc



Success
by Michael R. Burch

for Jeremy

We need our children to keep us humble
between toast and marmalade;

there is no time for a ticker-tape parade
before bed, no award, no bright statuette

to be delivered for mending skinned knees,
no wild bursts of approval for shoveling snow.

A kiss is the only approval they show;
to leave us—the first great success they achieve.



Picturebook Princess
by Michael R. Burch

for Keira

We had a special visitor.
Our world became suddenly brighter.
She was such a charmer!
Such a delighter!

With her sparkly diamond slippers
and the way her whole being glows,
Keira's a picturebook princess
from the points of her crown to the tips of her toes!



The Aery Faery Princess
by Michael R. Burch

for Keira

There once was a princess lighter than fluff
made of such gossamer stuff—
the down of a thistle, butterflies' wings,
the faintest high note the hummingbird sings,
moonbeams on garlands, strands of bright hair...
I think she's just you when you're floating on air!



Tallen the Mighty Thrower
by Michael R. Burch

Tallen the Mighty Thrower
is a hero to turtles, geese, ducks...
they splash and they cheer
when he tosses bread near
because, you know, eating grass *****!



Lullaby
by Michael R. Burch

for Jeremy

Cherubic laugh; sly, impish grin;
Angelic face; wild chimp within.

It does not matter; sleep awhile
As soft mirth tickles forth a smile.

Gray moths will hum a lullaby
Of feathery wings, then you and I

Will wake together, by and by.

Life's not long; those days are best
Spent snuggled to a loving breast.

The earth will wait; a sun-filled sky
Will bronze lean muscle, by and by.

Soon you will sing, and I will sigh,
But sleep here, now, for you and I

Know nothing but this lullaby.



Sappho's Lullaby
by Michael R. Burch

for Jeremy

Hushed yet melodic, the hills and the valleys
sleep unaware of the nightingale's call,
while the pale calla lilies lie
listening,
glistening . . .
this is their night, the first night of fall.

Son, tonight, a woman awaits you;
she is more vibrant, more lovely than spring.
She'll meet you in moonlight,
soft and warm,
all alone . . .
then you'll know why the nightingale sings.

Just yesterday the stars were afire;
then how desire flashed through my veins!
But now I am older;
night has come,
I’m alone . . .
for you I will sing as the nightingale sings.

NOTE: The calla lily symbolizes beauty, purity, innocence, faithfulness and true devotion. According to Greek mythology, when the Milky Way was formed by the goddess Hera’s breast milk, the drops that fell to earth became calla lilies.



Oh, let me sing you a lullaby
by Michael R. Burch

for Jeremy (written from his mother’s perspective)

Oh, let me sing you a lullaby
of a love that shall come to you by and by.

Oh, let me sing you a lullaby
of a love that shall come to you by and by.

Oh, my dear son, how you’re growing up!
You’re taller than me, now I’m looking up!
You’re a long tall drink and I’m half a cup!
And so let me sing you this lullaby.

Oh, my sweet son, as I watch you grow,
there are so many things that I want you to know.
Most importantly this: that I love you so.
And so let me sing you this lullaby.

Soon a tender bud will ****** forth and grow
after the winter’s long ****** snow;
and because there are things that you have to know ...
Oh, let me sing you this lullaby.

Soon, in a green garden a new rose will bloom
and fill all the world with its wild perfume.
And though it’s hard for me, I must give it room.
And so let me sing you this lullaby.



Springtime Prayer
by Michael R. Burch

They’ll have to grow like crazy,
the springtime baby geese,
if they’re to fly to balmier climes
when autumn dismembers the leaves ...

And so I toss them loaves of bread,
then whisper an urgent prayer:
“Watch over these, my Angels,
if there’s anyone kind, up there.”

Keywords/Tags: Nature, spring, birth, baby animals, babies, fawns, fledglings, angels, prayer, heaven, mercy, compassion, chesed



On Looking into Curious George’s Mirrors
by Michael R. Burch

for Maya McManmon, granddaughter of the poet Jim McManmon

Maya was made in the image of God;
may the reflections she sees in those curious mirrors
always echo back Love.

Amen



Maya's Beddy-Bye Poem
by Michael R. Burch

for Maya McManmon, granddaughter of the poet Jim McManmon

With a hatful of stars
and a stylish umbrella
and her hand in her Papa’s
(that remarkable fella!)
and with Winnie the Pooh
and Eeyore in tow,
may she dance in the rain
cheek-to-cheek, toe-to-toe
till each number’s rehearsed ...
My, that last step’s a leap! ―
the high flight into bed
when it’s past time to sleep!

Note: “Hatful of Stars” is a lovely song and image by Cyndi Lauper.



Limericks

There once was a leopardess, Dot,
who indignantly answered: "I'll not!
The gents are impressed
with the way that I'm dressed.
I wouldn't change even one spot."
—Michael R. Burch

There once was a dromedary
who befriended a crafty canary.
Budgie said, "You can't sing,
but now, here's the thing—
just think of the tunes you can carry! "
—Michael R. Burch



Generation Gap
by Michael R. Burch

A quahog clam,
age 405,
said, "Hey, it's great
to be alive! "

I disagreed,
not feeling nifty,
babe though I am,
just pushing fifty.

Note: A quahog clam found off the coast of Ireland is the longest-lived animal on record, at an estimated age of 405 years.



Lance-Lot
by Michael R. Burch

Preposterous bird!
Inelegant! Absurd!

Until the great & mighty heron
brandishes his fearsome sword.



Mother's Smile
by Michael R. Burch

There never was a fonder smile
than mother's smile, no softer touch
than mother's touch. So sleep awhile
and know she loves you more than "much."

So more than "much, " much more than "all."
Though tender words, these do not speak
of love at all, nor how we fall
and mother's there, nor how we reach
from nightmares in the ticking night
and she is there to hold us tight.

There never was a stronger back
than father's back, that held our weight
and lifted us, when we were small,
and bore us till we reached the gate,
then held our hands that first bright mile
till we could run, and did, and flew.
But, oh, a mother's tender smile
will leap and follow after you!

Originally published by TALESetc



Keep Up
by Michael R. Burch

Keep Up!
Daddy, I'm walking as fast as I can;
I'll move much faster when I'm a man...

Time unwinds
as the heart reels,
as cares and loss and grief plummet,
as faith unfailing ascends the summit
and heartache wheels
like a leaf in the wind.

Like a rickety cart wheel
time revolves through the yellow dust,
its creakiness revoking trust,
its years emblazoned in cold hard steel.

Keep Up!
Son, I'm walking as fast as I can;
take it easy on an old man.



Poems for Older Children

Reflex
by Michael R. Burch

for Jeremy

Some intuition of her despair
for her lost brood,
as though a lost fragment of song
torn from her flat breast,
touched me there...

I felt, unable to hear
through the bright glass,
the being within her melt
as her unseemly tirade
left a feather or two
adrift on the wind-ruffled air.

Where she will go,
how we all err,
why we all fear
for the lives of our children,
I cannot pretend to know.

But, O!,
how the unappeased glare
of omnivorous sun
over crimson-flecked snow
makes me wish you were here.



Happily Never After (the Second Curse of the ***** Toad)
by Michael R. Burch

He did not think of love of Her at all
frog-plangent nights, as moons engoldened roads
through crumbling stonewalled provinces, where toads
(nee princes)ruled in chinks and grew so small
at last to be invisible. He smiled
(the fables erred so curiously), and thought
bemusedly of being reconciled
to human flesh, because his heart was not
incapable of love, but, being cursed
a second time, could only love a toad's...
and listened as inflated frogs rehearsed
cheekbulging tales of anguish from green moats...
and thought of her soft croak, her skin fine-warted,
his anemic flesh, and how true love was thwarted.



Limericks

There once was a mockingbird, Clyde,
who bragged of his prowess, but lied.
To his new wife he sighed,
"When again, gentle bride? "
"Nevermore! " bright-eyed Raven replied.
—Michael R. Burch



Autumn Conundrum
by Michael R. Burch

It's not that every leaf must finally fall,
it's just that we can never catch them all.



Epitaph for a Palestinian Child
by Michael R. Burch

I lived as best I could, and then I died.
Be careful where you step: the grave is wide.



Salat Days
by Michael R. Burch

Dedicated to the memory of my grandfather, Paul Ray Burch, Sr.

I remember how my grandfather used to pick poke salat...
though first, usually, he'd stretch back in the front porch swing,
dangling his long thin legs, watching the sweat bees drone,
talking about poke salat—
how easy it was to find if you knew where to look for it...
standing in dew-damp clumps by the side of a road, shockingly green,
straddling fence posts, overflowing small ditches,
crowding out the less-hardy nettles.

"Nobody knows that it's there, lad, or that it's fit tuh eat
with some bacon drippin's or lard."

"Don't eat the berries. You see—the berry's no good.
And you'd hav'ta wash the leaves a good long time."

"I'd boil it twice, less'n I wus in a hurry.
Lawd, it's tough to eat, chile, if you boil it jest wonst."

He seldom was hurried; I can see him still...
silently mowing his yard at eighty-eight,
stooped, but with a tall man's angular gray grace.

Sometimes he'd pause to watch me running across the yard,
trampling his beans,
dislodging the shoots of his tomato plants.

He never grew flowers; I never laughed at his jokes about The Depression.

Years later I found the proper name—"pokeweed"—while perusing a dictionary.
Surprised, I asked why anyone would eat a ****.
I still can hear his laconic reply...

"Well, chile, s'm'times them times wus hard."



Of Civilization and Disenchantment
by Michael R. Burch

for Anais Vionet

Suddenly uncomfortable
to stay at my grandfather's house—
actually his third new wife's,
in her daughter's bedroom
—one interminable summer
with nothing to do,
all the meals served cold,
even beans and peas...

Lacking the words to describe
ah!, those pearl-luminous estuaries—
strange omens, incoherent nights.

Seeing the flares of the river barges
illuminating Memphis,
city of bluffs and dying splendors.

Drifting toward Alexandria,
Pharos, Rhakotis, Djoser's fertile delta,
lands at the beginning of a new time and "civilization."

Leaving behind sixty miles of unbroken cemetery,
Alexander's corpse floating seaward,
bobbing, milkwhite, in a jar of honey.

Memphis shall be waste and desolate,
without an inhabitant.
Or so the people dreamed, in chains.



Neglect
by Michael R. Burch

What good are your tears?
They will not spare the dying their anguish.
What good is your concern
to a child sick of living, waiting to perish?

What good, the warm benevolence of tears
without action?
What help, the eloquence of prayers,
or a pleasant benediction?

Before this day is gone,
how many more will die
with bellies swollen, wasted limbs,
and eyes too parched to cry?

I fear for our souls
as I hear the faint lament
of their souls departing...
mournful, and distant.

How pitiful our "effort, "
yet how fatal its effect.
If they died, then surely we killed them,
if only with neglect.



Shock
by Michael R. Burch

It was early in the morning of the forming of my soul,
in the dawning of desire, with passion at first bloom,
with lightning splitting heaven to thunder's blasting roll
and a sense of welling fire and, perhaps, impending doom—

that I cried out through the tumult of the raging storm on high
for shelter from the chaos of the restless, driving rain ...
and the voice I heard replying from a rift of bleeding sky
was mine, I'm sure, and, furthermore, was certainly insane.



Passages on Fatherhood
by Michael R. Burch

for Jeremy

He is my treasure,
and by his happiness I measure
my own worth.

Four years old,
with diamonds and gold
bejeweled in his soul.

His cherubic beauty
is felicity
to simplicity and passion—

for a baseball thrown
or an ice-cream cone
or eggshell-blue skies.

It's hard to be "wise"
when the years
career through our lives

and bees in their hives
test faith
and belief

while Time, the great thief,
with each falling leaf
foreshadows grief.

The wisdom of the ages
and prophets and mages
and doddering sages

is useless
unless
it encompasses this:

his kiss.



Boundless
by Michael R. Burch

for Jeremy

Every day we whittle away at the essential solidity of him,
and every day a new sharp feature emerges:
a feature we'll spend creative years: planing, smoothing, refining,

trying to find some new Archaic Torso of Apollo, or Thinker...

And if each new day a little of the boisterous air of youth is deflated
in him, if the hours of small pleasures spent chasing daffodils
in the outfield as the singles become doubles, become triples,
become unconscionable errors, become victories lost,

become lives wasted beyond all possible hope of repair...

if what he was becomes increasingly vague—like a white balloon careening
into clouds; like a child striding away aggressively toward manhood,
hitching an impressive rucksack over sagging, sloping shoulders,
shifting its vaudevillian burden back and forth,

then pausing to look back at us with an almost comical longing...

if what he wants is only to be held a little longer against a forgiving *****;
to chase after daffodils in the outfield regardless of scores;
to sail away like a balloon
on a firm string, always sure to return when the line tautens,

till he looks down upon us from some removed height we cannot quite see,

bursting into tears over us:
what, then, of our aspirations for him, if he cannot breathe,
cannot rise enough to contemplate the earth with his own vision,
unencumbered, but never untethered, forsaken...

cannot grow brightly, steadily, into himself—flying beyond us?



Chip Off the Block
by Michael R. Burch

for Jeremy

In the fusion of poetry and drama,
Shakespeare rules! Jeremy’s a ham: a
chip off the block, like his father and mother.
Part poet? Part ham? Better run for cover!
Now he’s Benedick ― most comical of lovers!

NOTE: Jeremy’s father is a poet and his mother is an actress; hence the fusion, or confusion, as the case may be.



Tall Tails
by Michael R. Burch

for Jeremy

Irony
is the base perception
alchemized by deeper reflection,
the paradox
of the wagging tails of dog-ma
torched by sly Reynard the Fox.

These are lines written as my son Jeremy was about to star as Benedick in Much Ado About Nothing at his ultra-conservative high school, Nashville Christian. Benedick is rather obvious wordplay but it apparently flew over the heads of the Puritan headmasters. Samson lit the tails of foxes and set them loose amid the Philistines. Reynard the Fox was a medieval trickster who bedeviled the less wily. “Irony lies / in a realm beyond the unseeing, / the unwise.”



Pan
by Michael R. Burch

... Among the shadows of the groaning elms,
amid the darkening oaks, we fled ourselves...

... Once there were paths that led to coracles
that clung to piers like loosening barnacles...

... where we cannot return, because we lost
the pebbles and the playthings, and the moss...

... hangs weeping gently downward, maidens' hair
who never were enchanted, and the stairs...

... that led up to the Fortress in the trees
will not support our weight, but on our knees...

... we still might fit inside those splendid hours
of damsels in distress, of rustic towers...

... of voices of the wolves' tormented howls
that died, and live in dreams' soft, windy vowels...

Originally published by Sonnet Scroll



Leaf Fall
by Michael R. Burch

Whatever winds encountered soon resolved
to swirling fragments, till chaotic heaps
of leaves lay pulsing by the backyard wall.
In lieu of rakes, our fingers sorted each
dry leaf into its place and built a high,
soft bastion against earth's gravitron—
a patchwork quilt, a trampoline, a bright
impediment to fling ourselves upon.

And nothing in our laughter as we fell
into those leaves was like the autumn's cry
of also falling. Nothing meant to die
could be so bright as we, so colorful—
clad in our plaids, oblivious to pain
we'd feel today, should we leaf-fall again.

Originally published by The Neovictorian/Cochlea



The Folly of Wisdom
by Michael R. Burch

She is wise in the way that children are wise,
looking at me with such knowing, grave eyes
I must bend down to her to understand.
But she only smiles, and takes my hand.

We are walking somewhere that her feet know to go,
so I smile, and I follow...

And the years are dark creatures concealed in bright leaves
that flutter above us, and what she believes—
I can almost remember—goes something like this:
the prince is a horned toad, awaiting her kiss.

She wiggles and giggles, and all will be well
if only we find him! The woodpecker's knell
as he hammers the coffin of some dying tree
that once was a fortress to someone like me

rings wildly above us. Some things that we know
we are meant to forget. Life is a bloodletting, maple-syrup-slow.

Originally published by Romantics Quarterly



Just Smile
by Michael R. Burch

We'd like to think some angel smiling down
will watch him as his arm bleeds in the yard,
ripped off by dogs, will guide his tipsy steps,
his doddering progress through the scarlet house
to tell his mommy "boo-boo!, " only two.

We'd like to think his reconstructed face
will be as good as new, will often smile,
that baseball's just as fun with just one arm,
that God is always Just, that girls will smile,
not frown down at his thousand livid scars,
that Life is always Just, that Love is Just.

We do not want to hear that he will shave
at six, to raze the leg hairs from his cheeks,
that lips aren't easily fashioned, that his smile's
lopsided, oafish, snaggle-toothed, that each
new operation costs a billion tears,
when tears are out of fashion. O, beseech
some poet with more skill with words than tears
to find some happy ending, to believe
that God is Just, that Love is Just, that these
are Parables we live, Life's Mysteries...

Or look inside his courage, as he ties
his shoelaces one-handed, as he throws
no-hitters on the first-place team, and goes
on dates, looks in the mirror undeceived
and smiling says, "It's me I see. Just me."

He smiles, if life is Just, or lacking cures.
Your pity is the worst cut he endures.

Originally published by Lucid Rhythms



Child of 9-11
by Michael R. Burch

a poem for Christina-Taylor Green, who was born
on September 11, 2001 and died at the age of nine,
shot to death...

Child of 9-11, beloved,
I bring this lily, lay it down
here at your feet, and eiderdown,
and all soft things, for your gentle spirit.
I bring this psalm — I hope you hear it.

Much love I bring — I lay it down
here by your form, which is not you,
but what you left this shell-shocked world
to help us learn what we must do
to save another child like you.

Child of 9-11, I know
you are not here, but watch, afar
from distant stars, where angels rue
the vicious things some mortals do.
I also watch; I also rue.

And so I make this pledge and vow:
though I may weep, I will not rest
nor will my pen fail heaven's test
till guns and wars and hate are banned
from every shore, from every land.

Child of 9-11, I grieve
your tender life, cut short... bereaved,
what can I do, but pledge my life
to saving lives like yours? Belief
in your sweet worth has led me here...

I give my all: my pen, this tear,
this lily and this eiderdown,
and all soft things my heart can bear;
I bear them to your final bier,
and leave them with my promise, here.

Originally published by The Flea



For a Sandy Hook Child, with Butterflies
by Michael R. Burch

Where does the butterfly go
when lightning rails,
when thunder howls,
when hailstones scream,
when winter scowls,
when nights compound dark frosts with snow...
Where does the butterfly go?

Where does the rose hide its bloom
when night descends oblique and chill
beyond the capacity of moonlight to fill?
When the only relief's a banked fire's glow,
where does the butterfly go?

And where shall the spirit flee
when life is harsh, too harsh to face,
and hope is lost without a trace?
Oh, when the light of life runs low,
where does the butterfly go?



Frail Envelope of Flesh
by Michael R. Burch

―for the mothers and children of the Holocaust and Gaza

Frail envelope of flesh,
lying cold on the surgeon's table
with anguished eyes
like your mother's eyes
and a heartbeat weak, unstable...

Frail crucible of dust,
brief flower come to this—
your tiny hand
in your mother's hand
for a last bewildered kiss...

Brief mayfly of a child,
to live two artless years!
Now your mother's lips
seal up your lips
from the Deluge of her tears...



This is, I believe, the second poem I wrote. Or at least it's the second one that I can remember. I believe I was around 13 or 14 when I wrote it.

Playmates
by Michael R. Burch

WHEN you were my playmate and I was yours,
we spent endless hours with simple toys,
and the sorrows and cares of our indentured days
were uncomprehended... far, far away...
for the temptations and trials we had yet to face
were lost in the shadows of an unventured maze.

Then simple pleasures were easy to find
and if they cost us a little, we didn't mind;
for even a penny in a pocket back then
was one penny too many, a penny to spend.

Then feelings were feelings and love was just love,
not a strange, complex mystery to be understood;
while "sin" and "damnation" meant little to us,
since forbidden batter was our only lust!

Then we never worried about what we had,
and we were both sure-what was good, what was bad.
And we sometimes quarreled, but we didn't hate;
we seldom gave thought to injustice, or fate.

Then we never thought about the next day,
for tomorrow seemed hidden—adventures away.
Though sometimes we dreamed of adventures past,
and wondered, at times, why things didn't last.

Still, we never worried about getting by,
and we didn't know that we were to die...
when we spent endless hours with simple toys,
and I was your playmate, and we were boys.



Children
by Michael R. Burch

There was a moment
suspended in time like a swelling drop of dew about to fall,
impendent, pregnant with possibility...

when we might have made...
anything,
anything we dreamed,
almost anything at all,
coalescing dreams into reality.

Oh, the love we might have fashioned
out of a fine mist and the nightly sparkle of the cosmos
and the rhythms of evening!

But we were young,
and what might have been is now a dark abyss of loss
and what is left is not worth saving.

But, oh, you were lovely,
child of the wild moonlight, attendant tides and doting stars,
and for a day,

what little we partook
of all that lay before us seemed so much,
and passion but a force
with which to play.



Kindergarten
by Michael R. Burch

Will we be children as puzzled tomorrow—
our lessons still not learned?
Will we surrender over to sorrow?
How many times must our fingers be burned?

Will we be children sat in the corner
over and over again?
How long will we linger, playing Jack Horner?
Or will we learn, and when?

Will we be children wearing the dunce cap,
giggling and playing the fool,
re-learning our lessons forever and ever,
never learning the golden rule?



With a child's wonder
by Michael R. Burch

for Jeremy

With a child's wonder,
pausing to ponder
a puddle of water,

for only a moment,
needing no comment

but bright eyes
and a wordless cry,
he launches himself to fly ...

then my two-year-old lands
on his feet and his hands
and water explodes all around.

(From the impact and sound
you'd have thought that he'd drowned,
but the puddle was two inches deep.)

Later that evening, as he lay fast asleep
in that dreamland where two-year-olds wander,
I watched him awhile and smilingly pondered
with a father's wonder.



The Watch
by Michael R. Burch

for Jeremy

I have come to watch my young son,
his blonde ringlets damp with sleep . . .
and what I know is that he loves me
beyond all earthly understanding,
that his life is like clay in my unskilled hands.

And I marvel this bright ore does not keep—
unrestricted in form, more content than shape,
but seeking a form to become, to express
something of itself to this wilderness
of eyes watching and waiting.

What do I know of his wonder, his awe?
To his future I will matter less and less,
but in this moment, as he is my world, I am his,
and I stand, not understanding, but knowing—
in this vast pageant of stars, he is more than unique.

There will never be another moment like this.
Studiously quiet, I stroke his fine hair
which will darken and coarsen and straighten with time.
He is all I bequeath of myself to this earth.
His fingers curl around mine in his sleep . . .

I leave him to dreams—calm, untroubled and deep.



The Tapestry of Leaves
by Michael R. Burch

for Jeremy

Leaves unfold
as life is sold,
or bartered, for a moment in the sun.

The interchange
of lives is strange:
what reason—life—when death leaves all undone?

O, earthly son,
when rest is won
and wrested from this ground, then through my clay’s

soft mortal soot
****** forth your root
until your leaves embrace the sun's bright rays.



The Long Days Lengthening Into Darkness
by Michael R. Burch

for Jeremy

Today, I can be his happiness,
and if he delights
in hugs and smiles,
in baseball and long walks
talking about Rug Rats, Dinosaurs and Pokemon

(noticing how his face lights up
at my least word,
how tender his expression,
gazing up at me in wondering adoration)

. . . O, son,
these are the long days
lengthening into darkness.

Now over the earth
(how solemn and still their processions)
the clouds
gather to extinguish the sun.

And what I can give you is perhaps no more nor less
than this brief ray dazzling our faces,
seeing how soon the night becomes my consideration.



Renown
by Michael R. Burch

for Jeremy

Words fail us when, at last,
we lie unread amid night’s parchment leaves,
life’s chapter past.

Whatever I have gained of life, I lost,
except for this bright emblem
of your smile . . .

and I would grasp
its meaning closer for a longer while . . .
but I am glad

with all my heart to be unheard,
and smile,
bound here, still strangely mortal,

instructed by wise Love not to be sad,
when to be the lesser poet
meant to be “the world’s best dad.”

Every night, my son Jeremy tells me that I’m “the world’s best dad.” Now, that’s all poetry, all music and the meaning of life wrapped up in four neat monosyllables! The time I took away from work and poetry to spend with my son was time well spent.



Miracle
by Michael R. Burch

for Jeremy

The contrails of galaxies mingle, and the dust of that first day still shines.
Before I conceived you, before your heart beat, you were mine,

and I see

infinity leap in your bright, fluent eyes.
And you are the best of all that I am. You became
and what will be left of me is the flesh you comprise,

and I see

whatever must be—leaves its mark, yet depends
on these indigo skies, on these bright trails of dust,
on a veiled, curtained past, on some dream beyond knowing,
on the mists of a future too uncertain to heed.

And I see

your eyes—dauntless, glowing—
glowing with the mystery of all they perceive,
with the glories of galaxies passed, yet bestowing,
though millennia dead, all this pale feathery light.

And I see

all your wonder—a wonder to me, for, unknowing,
of all this portends, still your gaze never wavers.
And love is unchallenged in all these vast skies,
or by distance, or time. The ghostly moon hovers;

I see; and I see

all that I am reflected in all that you have become to me.



Always
by Michael R. Burch

for Jeremy

Know in your heart that I love you as no other,
and that my love is eternal.
I keep the record of your hopes and dreams
in my heart like a journal,
and there are pages for you there that no one else can fill:
none one else, ever.
And there is a tie between us, more than blood,
that no one else can sever.

And if we’re ever parted,
please don’t be broken-hearted;
until we meet again on the far side of forever
and walk among those storied shining ways,
should we, for any reason, be apart,
still, I am with you ... always.



The Gift
by Michael R. Burch

for Beth and Jeremy

For you and our child, unborn, though named
(for we live in a strange, fantastic age,
and tomorrow, when he is a man,
perhaps this earth will be a cage

from which men fly like flocks of birds,
the distant stars their helpless prey),
for you, my love, and you, my child,
what can I give you, each, this day?

First, take my heart, it’s mine alone;
no ties upon it, mine to give,
more precious than a lifetime’s objects,
once possessed, more free to live.

Then take these poems, of little worth,
but to show you that which you receive
holds precious its two dear possessors,
and makes each lien a sweet reprieve.



This poem was written after a surprising comment from my son, Jeremy.

The Onslaught
by Michael R. Burch

“Daddy, I can’t give you a hug today
because my hair is wet.”

No wet-haired hugs for me today;
no lollipopped lips to kiss and say,
Daddy, I love you! with such regard
after baseball hijinks all over the yard.

The sun hails and climbs
over the heartbreak of puppies and daffodils
and days lost forever to windowsills,
over fortune and horror and starry climes;

and it seems to me that a child’s brief years
are springtimes and summers beyond regard
mingled with laughter and passionate tears
and autumns and winters now veiled and barred,
as elusive as snowflakes here white, bejeweled,
gaily whirling and sweeping across the yard.



To My Child, Unborn
by Michael R. Burch

for Jeremy

How many were the nights, enchanted
with despair and longing, when dreams recanted
returned with a restless yearning,
and the pale stars, burning,
cried out at me to remember
one night ... long ere the September
night when you were conceived.

Oh, then, if only I might have believed
that the future held such mystery
as you, my child, come unbidden to me
and to your mother,
come to us out of a realm of wonder,
come to us out of a faery clime ...

If only then, in that distant time,
I had somehow known that this day were coming,
I might not have despaired at the raindrops drumming
sad anthems of loneliness against shuttered panes;
I might not have considered my doubts and my pains
so carefully, so cheerlessly, as though they were never-ending.
If only then, with the starlight mending
the shadows that formed
in the bowels of those nights, in the gussets of storms
that threatened till dawn as though never leaving,
I might not have spent those long nights grieving,
lamenting my loneliness, cursing the sun
for its late arrival. Now, a coming dawn
brings you unto us, and you shall be ours,
as welcome as ever the moon or the stars
or the glorious sun when the nighttime is through
and the earth is enchanted with skies turning blue.



Transition
by Michael R. Burch

for Jeremy

With his cocklebur hugs
and his wet, clinging kisses
like a damp, trembling thistle
catching, thwarting my legs—

he reminds me that life begins with the possibility of rapture.

Was time this deceptive
when my own childhood begged
one last moment of frolic
before bedtime’s firm kisses—

when sleep was enforced, and the dark window ledge

waited, impatient, to lure
or to capture
the bright edge of morning
within a clear pane?

Was the sun then my ally—bright dawn’s greedy fledgling?

With his joy he reminds me
of joys long forgotten,
of play’s endless hours
till the haggard sun sagged

and everything changed. I gather him up and we trudge off to bed.



What does it mean?
by Michael R. Burch

for Jeremy

His little hand, held fast in mine.
What does it mean? What does it mean?

If he were not here, the sun would not shine,
nor the grass grow half as green.

What does it mean?

His arms around my neck, his cheek
snuggling so warm against my own ...

What does it mean?

If life's a garden, he's the fairest
flower ever sown,
the sweetest ever seen.

What does it mean?

And when he whispers sweet and low,
"What does it mean?"
It means, my son, I love you so.
Sometimes that's all we need to know.



First Steps
by Michael R. Burch

for Caitlin Shea Murphy

To her a year is like infinity,
each day—an adventure never-ending.
    She has no concept of time,
    but already has begun the climb—
from childhood to womanhood recklessly ascending.

I would caution her, "No! Wait!
There will be time enough another day ...
    time to learn the Truth
    and to slowly shed your youth,
but for now, sweet child, go carefully on your way! ..."

But her time is not a time for cautious words,
nor a time for measured, careful understanding.
    She is just certain
    that, by grabbing the curtain,
in a moment she will finally be standing!

Little does she know that her first few steps
will hurtle her on her way
    through childhood to adolescence,
    and then, finally, pubescence . . .
while, just as swiftly, I’ll be going gray!



The Sky Was Turning Blue
by Michael R. Burch

Yesterday I saw you
as the snow flurries died,
spent winds becalmed.
When I saw your solemn face
alone in the crowd,
I felt my heart, so long embalmed,
begin to beat aloud.

Was it another winter,
another day like this?
Was it so long ago?
Where you the rose-cheeked girl
who slapped my face, then stole a kiss?
Was the sky this gray with snow,
my heart so all a-whirl?

How is it in one moment
it was twenty years ago,
lost worlds remade anew?
When your eyes met mine, I knew
you felt it too, as though
we heard the robin's song
and the sky was turning blue.



Life Sentence or Fall Well
by Michael R. Burch

... I swim, my Daddy's princess, newly crowned,
toward a gurgly Maelstrom... if I drown
will Mommy stick the Toilet Plunger down

to **** me up?... She sits upon Her Throne,
Imperious (denying we were one),
and gazes down and whispers "precious son"...

... the Plunger worked; i'm two, and, if not blessed,
still Mommy got the Worst Stuff off Her Chest;
a Vacuum Pump, They say, will do the rest...

... i'm three; yay! whee! oh good! it's time to play!
(oh no, I think there's Others on the way;
i'd better pray)...

... i'm four; at night I hear the Banging Door;
She screams; sometimes there's Puddles on the Floor;
She wants to **** us, or, She wants some More...

... it's great to be alive if you are five (unless you're me) :
my Mommy says: "you're WRONG! don't disagree!
don't make this HURT ME! "...

... i'm six; They say i'm tall, yet Time grows Short;
we have a thriving Family; Abort! ;
a tadpole's ripping Mommy's Room apart...

... i'm seven; i'm in heaven; it feels strange;
I saw my life go gurgling down the Drain;
another Noah built a Mighty Ark;
God smiled, appeased, a Rainbow split the Dark;

... I saw Bright Colors also, when She slammed
my head against the Tub, and then I swam
toward the magic tunnel... last, I heard...

is that She feels Weird.


Keywords/Tags: child, children, childhood, son, daughter, grandchild, grandson, granddaughter, family, mother, father
Hands Apr 2011
I left the table feeling gross,
nauseous and swollen
and altogether overwhelmed.
My ring finger traced the curves
of my arms, twisted into the
light hairs running over like
infinite eddies of shallow streams.
The world reeled around me,
nightmarish carousels careening
through the dark,
spinning around and throughout
my head, my mind,
every single sentient thought.
Life had gotten too much
for me to handle, though,
suicide never quite worked.
Feet dragged across the ground,
rubbing the wooden surfaces
and creating friction,
creating heat.
I felt hot and
restrained there,
like too much of me-
far too much of me to hold in-
was cramped into that tiny corner.
I needed a way out,
an escape route
from the fire burning all around me,
carousel on fire and
carnival flaming
to the ground.
There was no panic in
the destruction, though
it lacked the methodical touch.
There was no reason to
panic or to worry about it
as all had come to go
as it pleased and had planned
without any great
forethought of my own.
I wanted to burn down my temple,
turn the offerings to ash
and destroy all my gods and idols
that I had collected.
I itched and scratched
at a sensation unable to be traced,
of a small hovering
caught within the air
trapped within the hairs
upon my goose prickled arms.
I took my pillars in my hands
and smashed them to the ground,
satisfied at the crumbled
limestone and pretense
that lay scattered around me.
"This is what I need,"
I told myself calmly,
"total destruction.
Revolution."
And so as I had
revolted myself at the table
my mind revolted against
my body as my soul
revolted against my mind,
making the itch to scratch
a greater prickling feeling
than before.
Needles, hot and heavy,
traced the outlines of my arms,
felt the ridged contours
of my spine.
There were eyes on me
as materiality caused my body
to revolt against my soul,
making me disgusted
and fat in my indulgence.
I was bloated and needed
to be punctured,
to release the pressure.
I felt stabs all across me,
causing screams to erupt
from my mouth in almost-pleasure
and surely pain.
Pricking against me
were knives and daggers
where needles had been.
I felt the pressure recede,
the great angry mass
of rotting fluids within
spilling out of the holes poked
within my body,
mind,
and soul.
They had broken through,
broken me down,
revealed the decomposed
and near-dead individual within.
Suicide hadn't worked
and neither had ignoring it.
"Total desctruction,"
I repeated,
"total destruction."
And so I jumped
on his back, clawing at his face,
his chest,
kicking his stomach
as he punched my top.
My finger bent
in a happy sort of violence,
and I was all too pleased
with my feigned surprise.
He fled, retreated
to his cave of
lonely, musky isolation
and delusional regret
as I ran,
up the stairs and past the curves,
flying into what
was once my bedroom
and grabbing for my coat,
the one without my last name.
Putting it on,
I walked slowly to
the back door,
unlocking it gingerly,
as though the key might ignite
into millions of different colored fireworks
at any second wasted.
I descended the steps
in the way a monarch does
in his last hours,
the way a priest might as he
watches his house-
no,
his whole religion
crash to his feet.
Calm.
Demure
with the knowledge that
this world was not meant
to support it this long.
And so
the spirits of frustration,
the roasted spine and
too-afraid shadow flew out of
the debris before me,
to be caught in the
forever kinking and
knotting curls upon my head,
an infinite mess of
paradoxical equations
to be fully examined
by no one but themselves.
These ghosts of myself
hastened my flight,
spirited me off
on a mad run down the street,
ring finger throbbing from the scars of war,
I soon discarded this itch as I had
the last one,
as my ring finger was meant to be ****,
unadorned and
free of any promises
that it knew it could never keep.
A car stopped and picked me up,
drove off to a familiar place
full of smoke and magic,
friends that felt
about as sick as I had.
We partook in the
mystic rituals, knowing
they meant very little,
anymore.
We drove around,
watching the steam before the headlights
dance in the dark like
overjoyed spirits making love.
The road seemed endless
as the lines rolled into
then out of view,
forever reeling in
infinite streams of shallow
yellow on black.
Finally, our priestess departed
and I was given a new place to sleep
and not made to sit at
a table like before.
My ring finger smiled in agreement
as we figured our new place
in a world without religion,
bodies,
minds,
or souls,
carousels to mock us,
or flames to ******.
No threat of anger and destruction
boiling over within myself
to erupt on everyone around.
Just
stark sheets,
clean walls,
the drumming
in my legs,
and the throbbing
freedom held within
my ring finger
as it traced the curves
of my arms.
I left consciousness feeling clean,
refreshed and renewed
and altogether reborn.
Lorenzo Creaghe Jan 2015
My ancestors (i hesitate to even call them such)
came to this land centuries ago
they came with nothing
hoping to start a new life
but this is not about my proud heritage
not about immigrants following the
American Dream (Nightmare would be more accurate)

No
my ancestors
my White Anglo Saxon Protestant ancestors
descended upon this pristine landmass
like so many parasitic WASPs
injecting their prey (the people, the land) with venom
laying their eggs that would **** the hosts upon hatching

No
my ancestors
who helped perpetrate an ethnic cleansing
the likes of which 20th century fascists could only dream of
did so under the title of Manifest Destiny
divine right
their religion masking opportunistic genocide

No
my ancestors
laid the foundation
for the greatest country in the world
where ALL (White, English, Heteronormative, Cisnormative, Land-owning, Slave-Owning, Women Hating , Native-American-Murdering, Capitalistic, Perverted) MEN are created equal

No
my ancestors
partook in genocide
condoned slavery
oppressed women (and every other divergent identity)
destroyed the environment
and did so with such arrogance
such unheard of righteousness

No
my ancestors
were the lifeblood of America
the lifeblood of oppression
and that blood runs through my veins
the screams of American-Indian Warriors
of African Slaves
of Women labeled Witches and Gays and People of Color and anyone who opposed the hideous behemoth, anyone who dared to be different

their screams echo in my head
and i am ashamed
at a round table a regal man sat
he of finest epicurean palate
neath his feet twas a lowly rat

no junk food twas on his plate
only the best in culinary serves
he of finest epicurean palate

the rat ate of a crumb's conserve
which twas more telling of his position
only the best in culinary serve

the king feasted on grand nutrition
he became more bloated of tummy
which twas more telling of his position

after he partook of all so yummy
the poor rat twas left in starvation
he became more bloated of tummy

for he'd have no repast of salvation
the poor rodent twas left in starvation
at a round table a regal man sat
neath his feet twas a lowly rat
Arjun Tyagi Sep 2014
I

The Baron owned,
All that was upon the moor.
He summoned the nobles,
To his Manor for a tour.

Some came in twos,
While others arrived in ones.
But all came forth,
To attend the Baron's ballroom dance.

Ushered in, by servants,
Away from the cold's kiss.
Inside, hot as a beast's maw,
Chill from spines to warmth did transit.

Tapestries hung,
Calling for their pathos.
Heavy as sleepless eyelids,
Depicting war, victories and chaos.

Arched ceiling and stairways,
A gargoyle here and a golem there.
Musty yet polished, the light shone,
On the statues' head with no hair.

The Baron led the way,
Boasting of the *Opus Francigenum
.
The guests savoured in delight,
Every word and each tenor.

The Manor De Baptiste,
Sprawling from outside.
The greatest wonder ever seen,
By nobles of the countryside.

Wine was brought forth,
Flowing not unlike the Dordogne.
Filling heads, emptying sense,
Semblance of a drunk in morn.

After traversing
A considerable number of steps,
They arrived at the doors to the fabled
Ballroom of expensive tastes.

One by one,
The guests were herded inside.
Some milled about, some danced,
No small doing of wine, some only tried.

As the night passed,
The fervour did not.
Candle lit faces swaying,
To the sounds of mellow songs.

Portraits of fathers gone and
Fathers before them bore witness,
To the sultry evening of joy.
The nobility unfamiliar with distress.

He looked on, the Baron.
Occasionally sipping his own wine.
Never tasting the stock provided
To the "nobles", the swine.

Hundreds now within,
Impervious to worldly events.
Were soon to discover,
Cries of laughter would turn to laments.


II

The monstrous clock struck thrice,
On its ivory gong.
The ebon pendulum suspended,
With the abating of the song.

His voice shushed all,
The Baron, he spoke thus;
"Nobles, gather around, if you would,
Listen to my tale, you must."


The guests by now, fever
Rising and swelling in their chests,
Came ahead to receive,
What they assumed to be some jolly jests.

" You will all die shortly."
In absence of a suitable response,
And to please their gracious host,
The guests showered him with applause.

Reader, be aware,
The wine was not just.
It was more and it was less,
Brewed from an evil lust.

Bane of the valley, the Baron,
In his forest he had his final ****.
Six hundred and sixty six,
Children, mothers and fathers, their bodies still.

A penchant for death,
An emissary for the Dark.
The Baron's necessities
With the years grew stark.

For each life his Forest claimed,
The flesh was brought to the Manor.
Servants collected the cursed blood,
Bodies hung like carrion banners.

"On the eve preceding this,
I arranged for wine exquisite.
From my own personal vineyard,
Partaking in the vintage, a requisite!"


The unknowing, innocent
Lambs in his den.
Still aloof of the liquid in their throats,
Wishing the glorious taste would not end.

And as sudden as a viper,
One noble retched blood.
Fetid emission reached noses,
And thus began the flood.

Within minutes, the expulsion spread
Much like the cursed blood in their veins.
The nobles had partook in unholy crime,
Life of innocents they had drained.

"More!"
A united voice cried out.
The blood had reached its peak,
The murmurs had turned to shouts.

The wild ecstasy filled the room,
A frenzy palpable in the vicinity.
Each guest staring at the Baron,
As the clock entered the Hours of Trinity

"Die"
He whispered like a lover's caress.
And so they did,
Under enchanted duress.

The guests, imbibed with evil
Of the Forest, snapped at each other.
No onlooker in a riot of death,
That night, like beasts they were butchered.

Eyes were gouged, nails and teeth,
Faces torn apart.
A crimson smile extended to some,
From neck to the heart.

Ladies so graceful,
Now murderous under the influence.
Descending upon their counterparts,
Tearing, ripping body and limbs.

Upright feet were the sole ones,
Not drowning in the sea of maroon.
Other extremities of the body,
Like driftwood under the ocean moon.

Not soon, excruciatingly, they fell,
Till one pillar of red stood.
Under the candlelight, black
Devoid of an eye, fingers, lips and a foot.

She staggered to the Baron,
Gripped his legs in divine embrace.
"Up ma cherie", a command,
To Death personified in grace.


"You shall mind my keep forevermore"
A champion born of bloodlust.
Assigned to nurture the Forest, his child.
A newfound mother, in her the Baron's trust.
The Baron's Forest is a complimentary poem if readers are interested.
Poetoftheway Jan 2015
with bodies relaxed,
but eyes observant,
they sell
five dollar bags of
***** weedy poetry

mixed clientele,
there is no age or gender or ****** preference
discrimination,
certainly none requiring critical taste,
in the buying and selling of
***** weedy poetry

commercial savants,
organized by topic,
available for purchase
love, depressing, rants and whines,
discounts for pre-owned
anti boyfriend rhymes

in his day, they say,
Whitman partook,
ferried up from his Brooklyn nook,
William Carlos Williams too,
from New Jersey came,
better to understand
the most common patois

they'll do custom stuff,
the suppliers,
mix and blend  all
kinds of ****,
their database exponential,
give them the
requisite hashtags,
and within it,
in it,
thirty minutes,
no more,
they'll requisition,
providing an acquisition -
you'll get your
name-your-own-hash,
Freedom
to entitle your own
***** weedy poetry

or you could grow you own
on the window sill
in the earth of your discarded
despair
With a golden dish in my right hand
I came to get my fill
Of honeysuckle pleasures
On hidden vines
There waiting for my tender touch
Sweetness I did find
Under the marble steps
Of my will

That old cunning devil flew right by me
My conscious saw him first
A shift of black
Lifting up in airy flight
Yet still I sought out my reward
Though his face I could see
My dish, would be filled
That night

I thought of waiting for my pleasure
Then in a lullaby I rehearsed
I convinced myself to reach out anyway
As I came to get my fill
Of all those hidden treasures
So I sang my song
And put my conscious
In reverse

With a golden dish in my right hand
A shift of black in my heart
I partook of those honeysuckle pleasures
Yet no sweetness did I find
In those hidden vines
When from my own will
I did depart
Copyright *Neva Flores @2010
www.changefulstormpoetry.blogspot.com
http://user.adme.in/blog/browse/u/Changefulstorm
Michael R Burch Apr 2020
Kindergarten
by Michael R. Burch

Will we be children as puzzled tomorrow—
our lessons still not learned?
Will we surrender over to sorrow?
How many times must our fingers be burned?

Will we be children sat in the corner
over and over again?
How long will we linger, playing Jack Horner?
Or will we learn, and when?

Will we be children wearing the dunce cap,
giggling and playing the fool,
re-learning our lessons forever and ever,
never grasping the golden rule?

Keywords/Tags: kindergarten, golden rule, lessons, timeout, corner, dunce cap, fool, foolish, flunk, graduate, mrbchild



Mother’s Smile
by Michael R. Burch

for  my mother, Christine Ena Burch, and my wife, Elizabeth Harris Burch

There never was a fonder smile
than mother’s smile, no softer touch
than mother’s touch. So sleep awhile
and know she loves you more than “much.”

So more than “much,” much more than “all.”
Though tender words, these do not speak
of love at all, nor how we fall
and mother’s there, nor how we reach
from nightmares in the ticking night
and she is there to hold us tight.

There never was a stronger back
than father’s back, that held our weight
and lifted us, when we were small,
and bore us till we reached the gate,
then held our hands that first bright mile
till we could run, and did, and flew.
But, oh, a mother’s tender smile
will leap and follow after you!

Originally published by TALESetc



The Desk
by Michael R. Burch

for Jeremy

There is a child I used to know
who sat, perhaps, at this same desk
where you sit now, and made a mess
of things sometimes.  I wonder how
he learned at all ...

He saw T-Rexes down the hall
and dreamed of trains and cars and wrecks.
He dribbled phantom basketballs,
shot spitwads at his schoolmates’ necks.

He played with pasty Elmer’s glue
(and sometimes got the glue on you!).
He earned the nickname “teacher’s PEST.”

His mother had to come to school
because he broke the golden rule.
He dreaded each and every test.

But something happened in the fall—
he grew up big and straight and tall,
and now his desk is far too small;
so you can have it.

One thing, though—

one swirling autumn, one bright snow,
one gooey tube of Elmer’s glue ...
and you’ll outgrow this old desk, too.

Originally published by TALESetc



A True Story
by Michael R. Burch

for Jeremy

Jeremy hit the ball today,
over the fence and far away.
So very, very far away
a neighbor had to toss it back.
(She thought it was an air attack!)

Jeremy hit the ball so hard
it flew across our neighbor’s yard.
So very hard across her yard
the bat that boomed a mighty “THWACK!”
now shows an eensy-teensy crack.

Originally published by TALESetc



Picturebook Princess
by Michael R. Burch

for Keira

We had a special visitor.
Our world became suddenly brighter.
She was such a charmer!
Such a delighter!

With her sparkly diamond slippers
and the way her whole being glows,
Keira’s a picturebook princess
from the points of her crown to the tips of her toes!



The Aery Faery Princess
by Michael R. Burch

for Keira

There once was a princess lighter than fluff
made of such gossamer stuff—
the down of a thistle, butterflies’ wings,
the faintest high note the hummingbird sings,
moonbeams on garlands, strands of bright hair ...
I think she’s just you when you’re floating on air!



Tallen the Mighty Thrower
by Michael R. Burch

Tallen the Mighty Thrower
is a hero to turtles, geese, ducks ...
they splash and they cheer
when he tosses bread near
because, you know, eating grass *****!



On Looking into Curious George’s Mirrors
by Michael R. Burch

for Maya McManmon, granddaughter of the poet Jim McManmon aka Seamus Cassidy

Maya was made in the image of God;
may the reflections she sees in those curious mirrors
always echo back Love.

Amen



Maya's Beddy-Bye Poem
by Michael R. Burch

for Maya McManmon, granddaughter of the poet Jim McManmon aka Seamus Cassidy

With a hatful of stars
and a stylish umbrella
and her hand in her Papa’s
(that remarkable fella!)
and with Winnie the Pooh
and Eeyore in tow,
may she dance in the rain
cheek-to-cheek, toe-to-toe
till each number’s rehearsed ...
My, that last step’s a leap! —
the high flight into bed
when it’s past time to sleep!

Note: “Hatful of Stars” is a lovely song and image by Cyndi Lauper.



Sappho’s Lullaby
by Michael R. Burch

for Jeremy

Hushed yet melodic, the hills and the valleys
sleep unaware of the nightingale's call
while the dew-laden lilies lie
listening,
glistening . . .
this is their night, the first night of fall.

Son, tonight, a woman awaits you;
she is more vibrant, more lovely than spring.
She'll meet you in moonlight,
soft and warm,
all alone . . .
then you'll know why the nightingale sings.

Just yesterday the stars were afire;
then how desire flashed through my veins!
But now I am older;
night has come,
I’m alone . . .
for you I will sing as the nightingale sings.

Originally published by The HyperTexts



Lullaby
by Michael R. Burch

for Jeremy

Cherubic laugh; sly, impish grin;
Angelic face; wild chimp within.

It does not matter; sleep awhile
As soft mirth tickles forth a smile.

Gray moths will hum a lullaby
Of feathery wings, then you and I

Will wake together, by and by.

Life’s not long; those days are best
Spent snuggled to a loving breast.

The earth will wait; a sun-filled sky
Will bronze lean muscle, by and by.

Soon you will sing, and I will sigh,
But sleep here, now, for you and I

Know nothing but this lullaby.




Oh, let me sing you a lullaby
by Michael R. Burch

for Jeremy (written from his mother’s perspective)

Oh, let me sing you a lullaby
of a love that shall come to you by and by.

Oh, let me sing you a lullaby
of a love that shall come to you by and by.

Oh, my dear son, how you’re growing up!
You’re taller than me, now I’m looking up!
You’re a long tall drink and I’m half a cup!
And so let me sing you this lullaby.

Oh, my sweet son, as I watch you grow,
there are so many things that I want you to know.
Most importantly this: that I love you so.
And so let me sing you this lullaby.

Soon a tender bud will ****** forth and grow
after the winter’s long ****** snow;
and because there are things that you have to know ...
Oh, let me sing you this lullaby.

Soon, in a green garden a new rose will bloom
and fill all the world with its wild perfume.
And though it’s hard for me, I must give it room.
And so let me sing you this lullaby.



Success
by Michael R. Burch

for Jeremy

We need our children to keep us humble
between toast and marmalade;

there is no time for a ticker-tape parade
before bed, no award, no bright statuette

to be delivered for mending skinned knees,
no wild bursts of approval for shoveling snow.

A kiss is the only approval they show;
to leave us—the first great success they achieve.



With a child's wonder
by Michael R. Burch

for Jeremy

With a child's wonder,
pausing to ponder
a puddle of water,

for only a moment,
needing no comment

but bright eyes
and a wordless cry,
he launches himself to fly ...

then my two-year-old lands
on his feet and his hands
and water explodes all around.

(From the impact and sound
you'd have thought that he'd drowned,
but the puddle was two inches deep.)

Later that evening, as he lay fast asleep
in that dreamland where two-year-olds wander,
I watched him awhile and smilingly pondered
with a father's wonder.



Chip Off the Block
by Michael R. Burch

for Jeremy

In the fusion of poetry and drama,
Shakespeare rules! Jeremy’s a ham: a
chip off the block, like his father and mother.
Part poet? Part ham? Better run for cover!
Now he’s Benedick — most comical of lovers!

NOTE: Jeremy’s father is a poet and his mother is an actress; hence the fusion, or confusion, as the case may be.



Tall Tails
by Michael R. Burch

for Jeremy

Irony
is the base perception
alchemized by deeper reflection,
the paradox
of the wagging tails of dog-ma
torched by sly Reynard the Fox.

These are lines written as my son Jeremy was about to star as Benedick in Much Ado About Nothing at his ultra-conservative high school, Nashville Christian. Benedick is rather obvious wordplay but it apparently flew over the heads of the Puritan headmasters. Samson lit the tails of foxes and set them loose amid the Philistines. Reynard the Fox was a medieval trickster who bedeviled the less wily. “Irony lies / in a realm beyond the unseeing, / the unwise.”



The Watch
by Michael R. Burch

for Jeremy

I have come to watch my young son,
his blonde ringlets damp with sleep . . .
and what I know is that he loves me
beyond all earthly understanding,
that his life is like clay in my unskilled hands.

And I marvel this bright ore does not keep—
unrestricted in form, more content than shape,
but seeking a form to become, to express
something of itself to this wilderness
of eyes watching and waiting.

What do I know of his wonder, his awe?
To his future I will matter less and less,
but in this moment, as he is my world, I am his,
and I stand, not understanding, but knowing—
in this vast pageant of stars, he is more than unique.

There will never be another moment like this.
Studiously quiet, I stroke his fine hair
which will darken and coarsen and straighten with time.
He is all I bequeath of myself to this earth.
His fingers curl around mine in his sleep . . .

I leave him to dreams—calm, untroubled and deep.



The Tapestry of Leaves
by Michael R. Burch

for Jeremy

Leaves unfold
as life is sold,
or bartered, for a moment in the sun.

The interchange
of lives is strange:
what reason—life—when death leaves all undone?

O, earthly son,
when rest is won
and wrested from this ground, then through my clay’s

soft mortal soot
****** forth your root
until your leaves embrace the sun's bright rays.



The Long Days Lengthening Into Darkness
by Michael R. Burch

for Jeremy

Today, I can be his happiness,
and if he delights
in hugs and smiles,
in baseball and long walks
talking about Rug Rats, Dinosaurs and Pokemon

(noticing how his face lights up
at my least word,
how tender his expression,
gazing up at me in wondering adoration)

. . . O, son,
these are the long days
lengthening into darkness.

Now over the earth
(how solemn and still their processions)
the clouds
gather to extinguish the sun.

And what I can give you is perhaps no more nor less
than this brief ray dazzling our faces,
seeing how soon the night becomes my consideration.



Renown
by Michael R. Burch

for Jeremy

Words fail us when, at last,
we lie unread amid night’s parchment leaves,
life’s chapter past.

Whatever I have gained of life, I lost,
except for this bright emblem
of your smile . . .

and I would grasp
its meaning closer for a longer while . . .
but I am glad

with all my heart to be unheard,
and smile,
bound here, still strangely mortal,

instructed by wise Love not to be sad,
when to be the lesser poet
meant to be “the world’s best dad.”

Every night, my son Jeremy tells me that I’m “the world’s best dad.” Now, that’s all poetry, all music and the meaning of life wrapped up in four neat monosyllables! The time I took away from work and poetry to spend with my son was time well spent.



Miracle
by Michael R. Burch

for Jeremy

The contrails of galaxies mingle, and the dust of that first day still shines.
Before I conceived you, before your heart beat, you were mine,

and I see

infinity leap in your bright, fluent eyes.
And you are the best of all that I am. You became
and what will be left of me is the flesh you comprise,

and I see

whatever must be—leaves its mark, yet depends
on these indigo skies, on these bright trails of dust,
on a veiled, curtained past, on some dream beyond knowing,
on the mists of a future too uncertain to heed.

And I see

your eyes—dauntless, glowing—
glowing with the mystery of all they perceive,
with the glories of galaxies passed, yet bestowing,
though millennia dead, all this pale feathery light.

And I see

all your wonder—a wonder to me, for, unknowing,
of all this portends, still your gaze never wavers.
And love is unchallenged in all these vast skies,
or by distance, or time. The ghostly moon hovers;

I see; and I see

all that I am reflected in all that you have become to me.



Always
by Michael R. Burch

for Jeremy

Know in your heart that I love you as no other,
and that my love is eternal.
I keep the record of your hopes and dreams
in my heart like a journal,
and there are pages for you there that no one else can fill:
none one else, ever.
And there is a tie between us, more than blood,
that no one else can sever.

And if we’re ever parted,
please don’t be broken-hearted;
until we meet again on the far side of forever
and walk among those storied shining ways,
should we, for any reason, be apart,
still, I am with you ... always.



The Gift
by Michael R. Burch

for Beth and Jeremy

For you and our child, unborn, though named
(for we live in a strange, fantastic age,
and tomorrow, when he is a man,
perhaps this earth will be a cage

from which men fly like flocks of birds,
the distant stars their helpless prey),
for you, my love, and you, my child,
what can I give you, each, this day?

First, take my heart, it’s mine alone;
no ties upon it, mine to give,
more precious than a lifetime’s objects,
once possessed, more free to live.

Then take these poems, of little worth,
but to show you that which you receive
holds precious its two dear possessors,
and makes each lien a sweet reprieve.



This poem was written after a surprising comment from my son, Jeremy.

The Onslaught
by Michael R. Burch

“Daddy, I can’t give you a hug today
because my hair is wet.”

No wet-haired hugs for me today;
no lollipopped lips to kiss and say,
Daddy, I love you! with such regard
after baseball hijinks all over the yard.

The sun hails and climbs
over the heartbreak of puppies and daffodils
and days lost forever to windowsills,
over fortune and horror and starry climes;

and it seems to me that a child’s brief years
are springtimes and summers beyond regard
mingled with laughter and passionate tears
and autumns and winters now veiled and barred,
as elusive as snowflakes here white, bejeweled,
gaily whirling and sweeping across the yard.



To My Child, Unborn
by Michael R. Burch

for Jeremy

How many were the nights, enchanted
with despair and longing, when dreams recanted
returned with a restless yearning,
and the pale stars, burning,
cried out at me to remember
one night ... long ere the September
night when you were conceived.

Oh, then, if only I might have believed
that the future held such mystery
as you, my child, come unbidden to me
and to your mother,
come to us out of a realm of wonder,
come to us out of a faery clime ...

If only then, in that distant time,
I had somehow known that this day were coming,
I might not have despaired at the raindrops drumming
sad anthems of loneliness against shuttered panes;
I might not have considered my doubts and my pains
so carefully, so cheerlessly, as though they were never-ending.
If only then, with the starlight mending
the shadows that formed
in the bowels of those nights, in the gussets of storms
that threatened till dawn as though never leaving,
I might not have spent those long nights grieving,
lamenting my loneliness, cursing the sun
for its late arrival. Now, a coming dawn
brings you unto us, and you shall be ours,
as welcome as ever the moon or the stars
or the glorious sun when the nighttime is through
and the earth is enchanted with skies turning blue.



Transition
by Michael R. Burch

for Jeremy

With his cocklebur hugs
and his wet, clinging kisses
like a damp, trembling thistle
catching, thwarting my legs—

he reminds me that life begins with the possibility of rapture.

Was time this deceptive
when my own childhood begged
one last moment of frolic
before bedtime’s firm kisses—

when sleep was enforced, and the dark window ledge

waited, impatient, to lure
or to capture
the bright edge of morning
within a clear pane?

Was the sun then my ally—bright dawn’s greedy fledgling?

With his joy he reminds me
of joys long forgotten,
of play’s endless hours
till the haggard sun sagged

and everything changed. I gather him up and we trudge off to bed.



What does it mean?
by Michael R. Burch

for Jeremy

His little hand, held fast in mine.
What does it mean? What does it mean?

If he were not here, the sun would not shine,
nor the grass grow half as green.

What does it mean?

His arms around my neck, his cheek
snuggling so warm against my own ...

What does it mean?

If life's a garden, he's the fairest
flower ever sown,
the sweetest ever seen.

What does it mean?

And when he whispers sweet and low,
"What does it mean?"
It means, my son, I love you so.
Sometimes that's all we need to know.



First Steps
by Michael R. Burch

for Caitlin Shea Murphy

To her a year is like infinity,
each day—an adventure never-ending.
    She has no concept of time,
    but already has begun the climb—
from childhood to womanhood recklessly ascending.

I would caution her, "No! Wait!
There will be time enough another day ...
    time to learn the Truth
    and to slowly shed your youth,
but for now, sweet child, go carefully on your way! ..."

But her time is not a time for cautious words,
nor a time for measured, careful understanding.
    She is just certain
    that, by grabbing the curtain,
in a moment she will finally be standing!

Little does she know that her first few steps
will hurtle her on her way
    through childhood to adolescence,
    and then, finally, pubescence . . .
while, just as swiftly, I’ll be going gray!



Will There Be Starlight
by Michael R. Burch

Will there be starlight
tonight
while she gathers
damask
and lilac
and sweet-scented heathers?

And will she find flowers,
or will she find thorns
guarding the petals
of roses unborn?

Will there be starlight
tonight
while she gathers
seashells
and mussels
and albatross feathers?

And will she find treasure
or will she find pain
at the end of this rainbow
of moonlight on rain?

Originally published by Grassroots Poetry, Poetry Webring, TALESetc, The Word (UK)



Limericks and Nonsense Verse

There once was a leopardess, Dot,
who indignantly answered: "I’ll not!
The gents are impressed
with the way that I’m dressed.
I wouldn’t change even one spot."
—Michael R. Burch

There once was a dromedary
who befriended a crafty canary.
Budgie said, "You can’t sing,
but now, here’s the thing—
just think of the tunes you can carry!"
—Michael R. Burch



Generation Gap
by Michael R. Burch

A quahog clam,
age 405,
said, “Hey, it’s great
to be alive!”

I disagreed,
not feeling nifty,
babe though I am,
just pushing fifty.

Note: A quahog clam found off the coast of Ireland is the longest-lived animal on record, at an estimated age of 405 years.



Lance-Lot
by Michael R. Burch

Preposterous bird!
Inelegant! Absurd!

Until the great & mighty heron
brandishes his fearsome sword.



****** Most Fowl!
by Michael R. Burch

“****** most foul!”
cried the mouse to the owl.

“Friend, I’m no sinner;
you’re merely my dinner!”
the wise owl replied
as the tasty snack died.

Published by Lighten Up Online and in Potcake Chapbook #7



hey pete
by Michael R. Burch

for Pete Rose

hey pete,
it's baseball season
and the sun ascends the sky,
encouraging a schoolboy's dreams
of winter whizzing by;
go out, go out and catch it,
put it in a jar,
set it on a shelf
and then you'll be a Superstar.

When I was a boy, Pete Rose was my favorite baseball player; this poem is not a slam at him, but rather an ironic jab at the term "superstar."



Keep Up
by Michael R. Burch

Keep Up!
Daddy, I’m walking as fast as I can;
I’ll move much faster when I’m a man . . .

Time unwinds
as the heart reels,
as cares and loss and grief plummet,
as faith unfailing ascends the summit
and heartache wheels
like a leaf in the wind.

Like a rickety cart wheel
time revolves through the yellow dust,
its creakiness revoking trust,
its years emblazoned in cold hard steel.

Keep Up!
Son, I’m walking as fast as I can;
take it easy on an old man.



Haiku

The butterfly
perfuming its wings
fans the orchid
― Matsuo Basho, loose translation by Michael R. Burch

A kite floats
at the same place in the sky
where yesterday it floated ...
― Buson Yosa, loose translation by Michael R. Burch

An ancient pond,
the frog leaps:
the silver plop and gurgle of water
― Matsuo Basho, loose translation by Michael R. Burch



Poems for Older Children

Reflex
by Michael R. Burch

for Jeremy

Some intuition of her despair
for her lost brood,
as though a lost fragment of song
torn from her flat breast,
touched me there . . .

I felt, unable to hear
through the bright glass,
the being within her melt
as her unseemly tirade
left a feather or two
adrift on the wind-ruffled air.

Where she will go,
how we all err,
why we all fear
for the lives of our children,
I cannot pretend to know.

But, O!,
how the unappeased glare
of omnivorous sun
over crimson-flecked snow
makes me wish you were here.



Happily Never After (the Second Curse of the ***** Toad)
by Michael R. Burch

He did not think of love of Her at all
frog-plangent nights, as moons engoldened roads
through crumbling stonewalled provinces, where toads
(nee princes) ruled in chinks and grew so small
at last to be invisible. He smiled
(the fables erred so curiously), and thought
bemusedly of being reconciled
to human flesh, because his heart was not
incapable of love, but, being cursed
a second time, could only love a toad’s . . .
and listened as inflated frogs rehearsed
cheekbulging tales of anguish from green moats . . .
and thought of her soft croak, her skin fine-warted,
his anemic flesh, and how true love was thwarted.



Limericks

There once was a mockingbird, Clyde,
who bragged of his prowess, but lied.
To his new wife he sighed,
"When again, gentle bride?"
"Nevermore!" bright-eyed Raven replied.
—Michael R. Burch



Autumn Conundrum

It's not that every leaf must finally fall,
it's just that we can never catch them all.
—Michael R. Burch



Epitaph for a Palestinian Child

I lived as best I could, and then I died.
Be careful where you step: the grave is wide.
—Michael R. Burch



Salat Days
by Michael R. Burch

Dedicated to the memory of my grandfather, Paul Ray Burch, Sr.

I remember how my grandfather used to pick poke salat ...
though first, usually, he’d stretch back in the front porch swing,
dangling his long thin legs, watching the sweat bees drone,
talking about poke salat—
how easy it was to find if you knew where to look for it ...
standing in dew-damp clumps by the side of a road, shockingly green,
straddling fence posts, overflowing small ditches,
crowding out the less-hardy nettles.

“Nobody knows that it’s there, lad, or that it’s fit tuh eat
with some bacon drippin’s or lard.”

“Don’t eat the berries. You see—the berry’s no good.
And you’d hav’ta wash the leaves a good long time.”

“I’d boil it twice, less’n I wus in a hurry.
Lawd, it’s tough to eat, chile, if you boil it jest wonst.”

He seldom was hurried; I can see him still ...
silently mowing his yard at eighty-eight,
stooped, but with a tall man’s angular gray grace.

Sometimes he’d pause to watch me running across the yard,
trampling his beans,
dislodging the shoots of his tomato plants.

He never grew flowers; I never laughed at his jokes about The Depression.

Years later I found the proper name—“pokeweed”—while perusing a dictionary.
Surprised, I asked why anyone would eat a ****.
I still can hear his laconic reply ...

“Well, chile, s’m’times them times wus hard.”



Of Civilization and Disenchantment
by Michael R. Burch

Suddenly uncomfortable
to stay at my grandfather’s house—
actually his third new wife’s,
in her daughter’s bedroom
—one interminable summer
with nothing to do,
all the meals served cold,
even beans and peas . . .

Lacking the words to describe
ah!, those pearl-luminous estuaries—
strange omens, incoherent nights.

Seeing the flares of the river barges
illuminating Memphis,
city of bluffs and dying splendors.

Drifting toward Alexandria,
Pharos, Rhakotis, Djoser’s fertile delta,
lands at the beginning of a new time and “civilization.”

Leaving behind sixty miles of unbroken cemetery,
Alexander’s corpse floating seaward,
bobbing, milkwhite, in a jar of honey.

Memphis shall be waste and desolate,
without an inhabitant.
Or so the people dreamed, in chains.



Neglect
by Michael R. Burch

What good are tears?
Will they spare the dying their anguish?
What use, our concern
to a child sick of living, waiting to perish?

What good, the warm benevolence of tears
without action?
What help, the eloquence of prayers,
or a pleasant benediction?

Before this day is over,
how many more will die
with bellies swollen, emaciate limbs,
and eyes too parched to cry?

I fear for our souls
as I hear the faint lament
of theirs departing ...
mournful, and distant.

How pitiful our “effort,”
yet how fatal its effect.
If they died, then surely we killed them,
if only with neglect.



Passages on Fatherhood
by Michael R. Burch

for Jeremy

He is my treasure,
and by his happiness I measure
my own worth.

Four years old,
with diamonds and gold
bejeweled in his soul.

His cherubic beauty
is felicity
to simplicity and passion—

for a baseball thrown
or an ice-cream cone
or eggshell-blue skies.



It’s hard to be “wise”
when the years
career through our lives

and bees in their hives
test faith
and belief

while Time, the great thief,
with each falling leaf
foreshadows grief.



The wisdom of the ages
and prophets and mages
and doddering sages

is useless
unless
it encompasses this:

his kiss.



Boundless
by Michael R. Burch

for Jeremy

Every day we whittle away at the essential solidity of him,
and every day a new sharp feature emerges:
a feature we’ll spend creative years: planing, smoothing, refining,

trying to find some new Archaic Torso of Apollo, or Thinker . . .

And if each new day a little of the boisterous air of youth is deflated
in him, if the hours of small pleasures spent chasing daffodils
in the outfield as the singles become doubles, become triples,
become unconscionable errors, become victories lost,

become lives wasted beyond all possible hope of repair . . .

if what he was becomes increasingly vague—like a white balloon careening
into clouds; like a child striding away aggressively toward manhood,
hitching an impressive rucksack over sagging, sloping shoulders,
shifting its vaudevillian burden back and forth,

then pausing to look back at us with an almost comical longing . . .

if what he wants is only to be held a little longer against a forgiving *****;
to chase after daffodils in the outfield regardless of scores;
to sail away like a balloon
on a firm string, always sure to return when the line tautens,

till he looks down upon us from some removed height we cannot quite see,

bursting into tears over us:
what, then, of our aspirations for him, if he cannot breathe,
cannot rise enough to contemplate the earth with his own vision,
unencumbered, but never untethered, forsaken . . .

cannot grow brightly, steadily, into himself—flying beyond us?



Pan
by Michael R. Burch

... Among the shadows of the groaning elms,
amid the darkening oaks, we fled ourselves ...

... Once there were paths that led to coracles
that clung to piers like loosening barnacles ...

... where we cannot return, because we lost
the pebbles and the playthings, and the moss ...

... hangs weeping gently downward, maidens’ hair
who never were enchanted, and the stairs ...

... that led up to the Fortress in the trees
will not support our weight, but on our knees ...

... we still might fit inside those splendid hours
of damsels in distress, of rustic towers ...

... of voices heard in wolves’ tormented howls
that died, and live in dreams’ soft, windy vowels ...

Originally published by Sonnet Scroll



Leaf Fall
by Michael R. Burch

Whatever winds encountered soon resolved
to swirling fragments, till chaotic heaps
of leaves lay pulsing by the backyard wall.
In lieu of rakes, our fingers sorted each
dry leaf into its place and built a high,
soft bastion against earth's gravitron—
a patchwork quilt, a trampoline, a bright
impediment to fling ourselves upon.

And nothing in our laughter as we fell
into those leaves was like the autumn's cry
of also falling. Nothing meant to die
could be so bright as we, so colorful—
clad in our plaids, oblivious to pain
we'd feel today, should we leaf-fall again.

Originally published by The Neovictorian/Cochlea



The Folly of Wisdom
by Michael R. Burch

She is wise in the way that children are wise,
looking at me with such knowing, grave eyes
I must bend down to her to understand.
But she only smiles, and takes my hand.

We are walking somewhere that her feet know to go,
so I smile, and I follow ...

And the years are dark creatures concealed in bright leaves
that flutter above us, and what she believes—
I can almost remember—goes something like this:
the prince is a horned toad, awaiting her kiss.

She wiggles and giggles, and all will be well
if only we find him! The woodpecker’s knell
as he hammers the coffin of some dying tree
that once was a fortress to someone like me

rings wildly above us. Some things that we know
we are meant to forget. Life is a bloodletting, maple-syrup-slow.

Originally published by Romantics Quarterly



Just Smile
by Michael R. Burch

We’d like to think some angel smiling down
will watch him as his arm bleeds in the yard,
ripped off by dogs, will guide his tipsy steps,
his doddering progress through the scarlet house
to tell his mommy "boo-boo!," only two.

We’d like to think his reconstructed face
will be as good as new, will often smile,
that baseball’s just as fun with just one arm,
that God is always Just, that girls will smile,
not frown down at his thousand livid scars,
that Life is always Just, that Love is Just.

We do not want to hear that he will shave
at six, to raze the leg hairs from his cheeks,
that lips aren’t easily fashioned, that his smile’s
lopsided, oafish, snaggle-toothed, that each
new operation costs a billion tears,
when tears are out of fashion.
                                             O, beseech
some poet with more skill with words than tears
to find some happy ending, to believe
that God is Just, that Love is Just, that these
are Parables we live, Life’s Mysteries ...

Or look inside his courage, as he ties
his shoelaces one-handed, as he throws
no-hitters on the first-place team, and goes
on dates, looks in the mirror undeceived
and smiling says, "It’s me I see. Just me."

He smiles, if life is Just, or lacking cures.
Your pity is the worst cut he endures.

Originally published by Lucid Rhythms



Child of 9-11
by Michael R. Burch

a poem for Christina-Taylor Green, who was born
on September 11, 2001 and died at the age of nine,
shot to death ...

Child of 9-11, beloved,
I bring this lily, lay it down
here at your feet, and eiderdown,
and all soft things, for your gentle spirit.
I bring this psalm — I hope you hear it.

Much love I bring — I lay it down
here by your form, which is not you,
but what you left this shell-shocked world
to help us learn what we must do
to save another child like you.

Child of 9-11, I know
you are not here, but watch, afar
from distant stars, where angels rue
the vicious things some mortals do.
I also watch; I also rue.

And so I make this pledge and vow:
though I may weep, I will not rest
nor will my pen fail heaven's test
till guns and wars and hate are banned
from every shore, from every land.

Child of 9-11, I grieve
your tender life, cut short ... bereaved,
what can I do, but pledge my life
to saving lives like yours? Belief
in your sweet worth has led me here ...

I give my all: my pen, this tear,
this lily and this eiderdown,
and all soft things my heart can bear;
I bear them to your final bier,
and leave them with my promise, here.

Originally published by The Flea



For a Sandy Hook Child, with Butterflies
by Michael R. Burch

Where does the butterfly go
when lightning rails,
when thunder howls,
when hailstones scream,
when winter scowls,
when nights compound dark frosts with snow ...
Where does the butterfly go?

Where does the rose hide its bloom
when night descends oblique and chill
beyond the capacity of moonlight to fill?
When the only relief's a banked fire's glow,
where does the butterfly go?

And where shall the spirit flee
when life is harsh, too harsh to face,
and hope is lost without a trace?
Oh, when the light of life runs low,
where does the butterfly go?



Frail Envelope of Flesh
by Michael R. Burch

for the mothers and children of the Holocaust and Gaza

Frail envelope of flesh,
lying cold on the surgeon’s table
with anguished eyes
like your mother’s eyes
and a heartbeat weak, unstable ...

Frail crucible of dust,
brief flower come to this—
your tiny hand
in your mother’s hand
for a last bewildered kiss ...

Brief mayfly of a child,
to live two artless years!
Now your mother’s lips
seal up your lips
from the Deluge of her tears ...



Playmates
by Michael R. Burch

WHEN you were my playmate and I was yours,
we spent endless hours with simple toys,
and the sorrows and cares of our indentured days
were uncomprehended . . . far, far away . . .
for the temptations and trials we had yet to face
were lost in the shadows of an unventured maze.

Then simple pleasures were easy to find
and if they cost us a little, we didn't mind;
for even a penny in a pocket back then
was one penny too many, a penny to spend.

Then feelings were feelings and love was just love,
not a strange, complex mystery to be understood;
while "sin" and "damnation" meant little to us,
since forbidden cookies were our only lusts!

Then we never worried about what we had,
and we were both sure—what was good, what was bad.
And we sometimes quarreled, but we didn't hate;
we seldom gave thought to the uncertainties of fate.

Hell, we seldom thought about the next day,
when tomorrow seemed hidden—adventures away.
Though sometimes we dreamed of adventures past,
and wondered, at times, why things couldn't last.

Still, we never worried about getting by,
and we didn't know that we were to die . . .
when we spent endless hours with simple toys,
and I was your playmate, and we were boys.

This is probably the poem that "made" me, because my high school English teacher called it "beautiful" and I took that to mean I was surely the Second Coming of Percy Bysshe Shelley! "Playmates" is the second poem I remember writing; I believe I was around 13 or 14 at the time. It was originally published by The Lyric.




Children
by Michael R. Burch

There was a moment
suspended in time like a swelling drop of dew about to fall,
impendent, pregnant with possibility ...

when we might have made ...
anything,
anything we dreamed,
almost anything at all,
coalescing dreams into reality.

Oh, the love we might have fashioned
out of a fine mist and the nightly sparkle of the cosmos
and the rhythms of evening!

But we were young,
and what might have been is now a dark abyss of loss
and what is left is not worth saving.

But, oh, you were lovely,
child of the wild moonlight, attendant tides and doting stars,
and for a day,

what little we partook
of all that lay before us seemed so much,
and passion but a force
with which to play.



Kindergarten
by Michael R. Burch

Will we be children as puzzled tomorrow—
our lessons still not learned?
Will we surrender over to sorrow?
How many times must our fingers be burned?

Will we be children sat in the corner,
paddled again and again?
How long must we linger, playing Jack Horner?
Will we ever learn, and when?

Will we be children wearing the dunce cap,
giggling and playing the fool,
re-learning our lessons forever and ever,
still failing the golden rule?



Life Sentence or Fall Well
by Michael R. Burch

. . . I swim, my Daddy’s princess, newly crowned,
toward a gurgly Maelstrom . . . if I drown
will Mommy stick the Toilet Plunger down

to **** me up? . . . She sits upon Her Throne,
Imperious (denying we were one),
and gazes down and whispers “precious son” . . .

. . . the Plunger worked; i’m two, and, if not blessed,
still Mommy got the Worst Stuff off Her Chest;
a Vacuum Pump, They say, will do the rest . . .

. . . i’m three; yay! whee! oh good! it’s time to play!
(oh no, I think there’s Others on the way;
i’d better pray) . . .

. . . i’m four; at night I hear the Banging Door;
She screams; sometimes there’s Puddles on the Floor;
She wants to **** us, or, She wants some More . . .

. . . it’s great to be alive if you are five (unless you’re me);
my Mommy says: “you’re WRONG! don’t disagree!
don’t make this HURT ME!” . . .

. . . i’m six; They say i’m tall, yet Time grows Short;
we have a thriving Family; Abort!;
a tadpole’s ripping Mommy’s Room apart . . .

. . . i’m seven; i’m in heaven; it feels strange;
I saw my life go gurgling down the Drain;
another Noah built a Mighty Ark;
God smiled, appeased, a Rainbow split the Dark;

. . . I saw Bright Colors also, when She slammed
my head against the Tub, and then I swam
toward the magic tunnel . . . last, I heard . . .

is that She feels Weird.



Untitled

I sampled honeysuckle
and it made my taste buds buckle!
by Michael R. Burch



Poems about Man's Best Friend

Dog Daze
by Michael R. Burch

Sweet Oz is a soulful snuggler;
he really is one of the best.
Sometimes in bed
he snuggles my head,
though he mostly just plops on my chest.

I think Oz was made to love
from the first ray of light to the dark,
but his great love for me
is exceeded (oh gee!)
by his Truly Great Passion: to Bark.



Xander the Joyous
by Michael R. Burch

Xander the Joyous
came here to prove:
Love can be playful!
Love can have moves!

Now Xander the Joyous
bounds around heaven,
waiting for him mommies,
one of the SEVEN —

the Seven Great Saints
of the Great Canine Race
who evangelize Love
throughout all Time and Space.

                        Amen



Oz is the Boss!
by Michael R. Burch

Oz is the boss!
Because? Because ...
Because of the wonderful things he does!

He barks like a tyrant
for treats and a hydrant;
his voice far more regal
than mere greyhound or beagle;
his serfs must obey him
or his yipping will slay them!

Oz is the boss!
Because? Because ...
Because of the wonderful things he does!



Epitaph for a Lambkin
by Michael R. Burch

for Melody, the prettiest, sweetest and fluffiest dog ever

Now that Melody has been laid to rest
Angels will know what it means to be blessed.

                                                Amen


­
Excoriation of a Treat Slave
by Michael R. Burch

I am his Highness’s dog at Kew.
Pray tell me, sir, whose dog are you?
—Alexander Pope

We practice our fierce Yapping,
for when the treat slaves come
they’ll grant Us our desire.
(They really are that dumb!)

They’ll never catch Us napping —
our Ears pricked, keen and sharp.
When they step into Our parlor,
We’ll leap awake, and Bark.

But one is rather doltish;
he doesn’t understand
the meaning of Our savage,
imperial, wild Command.

The others are quite docile
and bow to Us on cue.
We think the dull one wrote a poem
about some Dog from Kew

who never grasped Our secret,
whose mind stayed think, and dark.
It’s a question of obedience
conveyed by a Lordly Bark.

But as for playing fetch,
well, that’s another matter.
We think the dullard’s also
as mad as any hatter

and doesn’t grasp his duty
to fling Us slobbery *****
which We’d return to him, mincingly,
here in Our royal halls.



Bed Head, or, the Ballad of
Beth and her Fur Babies
by Michael R. Burch

When Beth and her babies
prepare for “good night”
sweet rituals of kisses
and cuddles commence.

First Wickett, the eldest,
whose mane has grown light
with the wisdom of age
and advanced senescence
is tucked in, “just right.”

Then Mary, the mother,
is smothered with kisses
in a way that befits
such an angelic missus.

Then Melody, lambkin,
and sweet, soulful Oz
and cute, clever Xander
all clap their clipped paws
and follow sweet Beth
to their high nightly roost
where they’ll sleep on her head
(or, perhaps, her caboose).



Wickett
by Michael R. Burch

Wickett, sweet Ewok,
Wickett, old Soul,
Wicket, brave Warrior,
though no longer whole . . .

You gave us your All.
You gave us your Best.
You taught us to Love,
like all of the Blessed

Angels and Saints
of good human stock.
You barked the Great Bark.
You walked the True Walk.

Now Wickett, dear Child
and incorrigible Duffer,
we commend you to God
that you no longer suffer.

May you dash through the Stars
like the Wickett of old
and never feel hunger
and never know cold

and be reunited
with all our Good Tribe —
with Harmony and Paw-Paw
and Mary beside.

Go now with our Love
as the great Choir sings
that Wickett, our Wickett,
has at last earned his Wings!



The Resting Place
by Michael R. Burch

for Harmony

Sleep, then, child;
you were dearly loved.

Sleep, and remember
her well-loved face,

strong arms that would lift you,
soft hands that would move

with love’s infinite grace,
such tender caresses!



When autumn came early,
you could not stay.

Now, wherever you wander,
the wildflowers bloom

and love is eternal.
Her heart’s great room

is your resting place.



Await by the door
her remembered step,

her arms’ warm embraces,
that gathered you in.

Sleep, child, and remember.
Love need not regret

its moment of weakness,
for that is its strength,

And when you awaken,
she will be there,

smiling,
at the Rainbow Bridge.



Lady’s Favor: the Noble Ballad of Sir Dog and the Butterfly
by Michael R. Burch

Sir was such a gallant man!
When he saw his Lady cry
and beg him to send her a Butterfly,
what else could he do, but comply?

From heaven, he found a Monarch
regal and able to defy
north winds and a chilly sky;
now Sir has his wings and can fly!

When our gallant little dog Sir was unable to live any longer, my wife Beth asked him send her a sign, in the form of a butterfly, that Sir and her mother were reunited and together in heaven. It was cold weather, in the thirties. We rarely see Monarch butterflies in our area, even in the warmer months. But after Sir had been put to sleep, to spare him any further suffering, Beth found a Monarch butterfly in our back yard. It appeared to be lifeless, but she brought it inside, breathed on it, and it returned to life. The Monarch lived with us for another five days, with Beth feeding it fruit juice and Gatorade on a Scrubbie that it could crawl on like a flower. Beth is convinced that Sir sent her the message she had requested.



Solo’s Watch
by Michael R. Burch

Solo was a stray
who found a safe place to stay
with a warm and loving band,
safe at last from whatever cruel hand
made him flinch in his dreams.

Now he wanders the clear-running streams
that converge at the Rainbow’s End
and the Bridge where kind Angels attend
to all souls who are ready to ascend.

And always he looks for those
who hugged him and held him close,
who kissed him and called him dear
and gave him a home free of fear,
to welcome them to his home, here.
166

I met a King this afternoon!
He had not on a Crown indeed,
A little Palmleaf Hat was all,
And he was barefoot, I’m afraid!

But sure I am he Ermine wore
Beneath his faded Jacket’s blue—
And sure I am, the crest he bore
Within that Jacket’s pocket too!

For ’twas too stately for an Earl—
A Marquis would not go so grand!
’Twas possibly a Czar petite—
A Pope, or something of that kind!

If I must tell you, of a Horse
My freckled Monarch held the rein—
Doubtless an estimable Beast,
But not at all disposed to run!

And such a wagon! While I live
Dare I presume to see
Another such a vehicle
As then transported me!

Two other ragged Princes
His royal state partook!
Doubtless the first excursion
These sovereigns ever took!

I question if the Royal Coach
Round which the Footmen wait
Has the significance, on high,
Of this Barefoot Estate!
Joilee Apr 2019
People say I'm smart, and they're not wrong, 
I have good grades, I know the difference between right and wrong, and I have common sense, 
but I couldn't see that you were a wolf in sheep's clothing. 
That you can have your way with anyone, 
and yes I understand that I partook in what we had called real.
Oh, brown-eyed boy, you're just like the rest; full of yourself, thinking you're not like the rest, but it's all ******* lies.
Brown-eyed boy, can't you see you hurt me?
Don't you see the lie is building up into the tallest wall, one I can't break down or climb,
so I wait, patiently, but I cannot take your ******* anymore,
Brown-eyed boy, you don't see me as someone who has feelings, you see me as a past.
I see that you don't want to crush me under your foot, but now you have me in a choke hold.
It's a hold only you can take me out of if you would grow up.
I'm tired of gasping for air, tired of others giving me borrowed air that doesn't belong in my lungs, so brown-eyed boy why can't you turn your filter off?
You keep it on to 'protect' others when it only breaks down. 
You use it to bend the truth into a phrase that you think we want to hear, but that's what is making this a ******* war zone.
You are what's making everyone's eyes turn red and fill with smoke. 
You caused the hatred that people feel towards one another in our ring of insanity.
I don't understand why people think your new rose is the main problem.
Oh, how no one wants to blame the brown-eyed boy for the anger, the sadness, they can't see through your ******* mask.
But brown-eyed boy, you ****** up.
Brown-eyed boy, you let everyone who can see, see your mask fall off.
You buried the dead iris that lost your interest.
You stomped all over something that deserves more than the ******* lies coming out of your mouth.
Brown-eyed boy, you understand what it means to not be an *******, you know, you see, but you somehow can't.
You somehow can't own up to your actions, or your lies, or your mistakes.
Maybe, brown-eyed boy, it's because I was a mistake, and if that's the reason, then why did you let it go on?
Why did you try so hard to make it work if you never wanted to go on with me?
Brown-eyed boy, I don't want to lose you, but I can't take the fake screen you put up for me.
I don't care if you like the rose more, I don't care if you hated iris' in the first place; I don't ******* care if your brown eyes can only see red in this world.
I care that you left me wandering in the dark with your lies tieing me down.
Brown-eyed boy, you left a mess.
Brown-eyed boy, I don't know what the truth is with you anymore, or if I should believe you.
I don't understand why you haven't stopped the rumors.
I do not get why you take me as an amateur who will leave it alone because I won't, until looking at you, being with a rose, doesn't spark my curiosity, until I know for certain that you're not scissors, cutting down flowers when you have lost the joy with them.
a luscious dawn stirred, his arrow was on fire
he went in quest of delight, vigorous was his desire

among the ruffled sheets, a delicious fruit lay
flaxen hair ever so bright, fueled his amorous desire

the mercury rose in his veins, he kissed he hungrily
with an ardor of might, strongly expressing his desire

his feasting spree was unrestrained, her gems were so enticing
more comely than any twilight, he was a pyre of desire

at commencement of day, he partook of bonfire passion
engaging her in a flaming light, powerful were his coals of desire
Valsa George Dec 2017
The poor boy knew Christmas beckoning at the door
He saw every house bright with many a lamp
And streets illumined with colorful lights and stars
But his tiny hut looked dismal n’ dark like a prison camp

With a suppressed sigh, he inhaled the festive air
His little heart grew weary and dim
There has never been a merry Christmas in his life
As the days advanced, he grew moody and glum

He, born into a cheerless, crammed shack
With parents so poor having very little means
To bring up their children and foster a family of seven
At a tender age, saw shattered all his budding dreams

Year after year, he had seen the city in dazzling lights
But never once on Christmas he could feel any glee
While the rest of the world partook of umpteen delights
Never his heart, from sorrowful thoughts, was free

When children of his age feasted on roasted turkey and ham
And their mothers baked Christmas cookies and cakes
He and his siblings had to be content with a meager fare
That left their cheeks wet with saline drops pooled in their eyes

Their house in winter was too damp and cold
No blankets had they to keep themselves warm and snug
They lay huddled together in biting chill
On the wooden floor on a worn out woolen rug

One evening, on a leisurely walk from school
The boy saw a man selling colorful balloons
With the little penny tucked safely in his trouser pocket
He bought a balloon and headed straight to the lagoons

There as he sat on the sprawling silver sands
A strange idea had come upon his little head
To send a letter to Heaven asking for some urgent help
Hoping Jesus would help, he too being born a poor kid

On a white paper he carefully scribbled these lines:
“Merciful God, look upon us, this miserable seven
Here in our humble hovel, we die of hunger and cold
On this Christmas, send us a little cheer up from heaven”

He folded the paper and fastened it to the balloon
Nevertheless he didn’t forget to put his full address
When the wind was strong, he let it go off his hands
And watched it soar high with his earnest plea for redress

Days went by and the awaited Christmas Eve arrived
While the world splurged in all gaiety and merriment
The poor hut remained dull and cheerless as before
The helpless parents were lost in grim bafflement

Abruptly, there halted a Mercedes before the hut
A man, old and graying with a graceful smile
Alighted with his hands loaded with Christmas gifts
Looking for the boy, he had travelled many a mile

It was during one of his daily strolls around the lagoon
That the gentleman saw a balloon suspended on a willow tree
The white paper tied to it made him curious
He took it up and saw an innocent’s earnest plea

The man so rich and kind was moved at heart,
He from his wealth decided to donate a large sum
To support that family of seven in dire straits
And give them the merriest Christmas with no trace of gloom

The little boy believed Jesus had answered his prayer
He came in the guise of a man, he had never before seen
With rising delight, he saw a star in the graying sky
It shone right over his head with a brighter sheen
Wish all my Hello Poetry friends the peace and joy of Christmas!
527

To put this World down, like a Bundle—
And walk steady, away,
Requires Energy—possibly Agony—
’Tis the Scarlet way

Trodden with straight renunciation
By the Son of God—
Later, his faint Confederates
Justify the Road—

Flavors of that old Crucifixion—
Filaments of Bloom, Pontius Pilate sowed—
Strong Clusters, from Barabbas’ Tomb—

Sacrament, Saints partook before us—
Patent, every drop,
With the Brand of the Gentile Drinker
Who indorsed the Cup—
Debra A Baugh Jun 2012
First time I looked into his eyes
my heart sighed, now that I
think back he made my soul
cry every time I felt him by my
side, especially when his hands
would glide gently upon my
thigh.

Opening my mind's chasm;
while he whispered how he'd
always love me through the
test of time, fore, he loves to
hear my sultry whine; as his
eyes wined and dined upon
each curved line.

And tingles ran up and down
my spine; those are the days
he blew my mind, purring like
a kitten; I knew from the first
time I looked into his eyes I'd
be smitten and those days I
wouldn't be forgetting.

His allure is so, sumptuously
fetching, my breath is still catching;
remembering his lascivious
twinkle and ***** smile; my body
reels back in time causing me to feel,
what he had in mind; I still crave
him like a connoisseur, the woman
he worshipped and adored.

Laying here in revelry thinking of
all the deviltry we partook in makes
me take a second look into my mind's
eye and long for his dreamy eyes to
feast all over again and I'd begin to
sigh, fore, as he slept those hands
would rest upon quivering thighs.

And I'd listen to his sleep laden sigh
dreaming of me his gentle rose; fore,
I'd stand in his eyes reflective pool and
pose; while he'd breathe in the scent
of my aromatic rose.
Ottar Oct 2013
good night little one,
you have been busy today,
good dreams little one,
you have laughed and played,
good rest little one,
you know you are loved,
the words you say
speak for themselves,
your laughter is so clean and clear
I want to hear you laugh some more,
read on with me until with your
own voice, you can make the sounds
and we then will rejoice together,
grow little one grow for you,
warrior princess fought an old
foe that needed to be vanquished,
and you soothed the savage beast
(grandpa(foe) and his dog(beast) )
rest for the evening after you have
partook at the supper feast,
for tomorrow,
you will have more growing to do, than today
you will understand the world one day sooner,
and we will
                   read,
                   and play ball,
                   oh I can't list them all,
                   we will build and drop towers right where they stand
and all will love you more,
as your hopes and dreams and possibilities
will wait out side your door,
discovery to your left
and awe to your right
cuteness factor ten,
lamp of learning
              burning bright.
Now shhhh, goodnight.


©DWE102013
for granddaughters every where

— The End —