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"parter" poems
Has anyone heard about her? This magnificent girl, my fangirl parter, the other half to the photography duo? If so, please contact me. Todays her birthday, and yes I'm a few hours late, but I'd like to say a very Happy Birthday to my dear friend. She has helped me through tough times, and has been through a lot herself, but she's a survivor. She's MIA, and I need my friend back... Well, I hope she is doing well, she's finally becoming a teenager (but totally not a normal stereotypical one, who needs normal anyways?) and I'm so proud. -tear- She's come a long way and I've had the privilege of knowing her personally. Hope you're okay and that you see this, Maha. Tata for now ;) -Creep
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Jan 22, 2015
Jan 22, 2015 at 8:23 PM UTC
Happy Birthday, Maha Salma!
What is it about **** that attract men and women. Is it the ******* the sights, the sounds or is it their fantasy. Is it their neurotic or ****** styles of motion that leaves them at awww, or the sizes of disbelief. What is it that attracts men and women. Is it lonlyness, cellabsy or the lack of. Is it ok to watch **** during a bachlor or bachloret party. With your partner for ****** arousment, a boring day, or because your parter no longer particapates, or just because. Yes some hate it, yet most love it. **** **** **** **** **** **** Even the word **** sounds ***** yet **** Why is it hard for people to pull their eye's away even though they say it's disgusting. **** From the funny mustaches and the funny beats in the 70's. To the ****** implacations, to live websites. There's teasing **** soft **** hard core **** group **** ****** hurting **** painful **** **** beyond belief. Me, yes I have watched **** but never paid for it. Yes, I've surfed the sights. But why, curiosity ? Who's to say.
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Jan 13, 2015
Jan 13, 2015 at 10:13 AM UTC
**** (for adult eye's only)
Trapped in the rabbit hole, forever a lifelong journey To meet and greet the cards and paint the roses red. Sipping tea from cups that look more like forks. Where has the Hatter gone, along with his parter the Hare? And what of Mr. Dormouse? He's gotta be in there. The Queen of Hearts has faded away, like a palpitation. The Cheshire cat has spent his nine, giggling in the dark. Dare we speak of Tweedle-dum and Tweedle-dee? They got a domestic partnership, and live forever as combs. Then we come to the White Rabbit, who seemingly late had to be eaten, and tasted rather great. The most pleasing thing to my mind Was that the flower bed, soft for chattering lilies and roses Was now harder than fruitcake, severing their vocal chords. Now they just stood there, silent and foreboding. All the while, I was the hub of Wonderland. That's what you get when an Amazon goes down the Rabbit hole. (Inspired from Lewis Carroll's Alice in Wonderland and Through the Looking Glass)
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Feb 9, 2013
Feb 9, 2013 at 11:39 AM UTC
In the Rabbit Hole...
To the limits! And the heaves are harmed, in our lungs and arms. Tendons flexed on their utmost, and breath at play in the drowned coast. To the shores! And the leaves are left as specks of colour, from the moors. and vacations left the hinterlands of the decayed, breathless holler. For the greater good we stood as imagined heroes, Yet for happenstance to lend a chance in our woes, required a great many motifs to clamour and climb In glamourous time to the raised butte of a finishing sublime. Modulate the past and harmonize the future. Together tapestry'd, akin to patchwork suture. We weren't raised this way. To remain forever at play, workhorses neigh. And sawing brilliance and sawdust eyes, rapier wit with no equal. But together a two-parter, to the shores to see the sea quell. Wildfire lick like lit flame. Burn it all down and give me the blame. It's a carried burden worth the worry. In mountains some exist as prideful barons. Barring the loss of their barren, their smiles turn smirks of heathen carrions. Which is fine, and the motif licks again. And the motive is sublime; it's only sin. Cherish the children and their rue of thresher-born, Thomas Ligotti and his party of philosophy, but I'm too caught in histrionics to allow the matter to matter. Beyond the kicking feet of the mirthful pitter-patter, pitted against the coming solstice of time saving; forward and back and ouroboros we may. Hold on tight to this singular day. Ignorant of the causes of our own decay. Lost during summers covered in spittle and seaspray. Only to mount a return, a loss, to the area most unaccepting of the cost. To the mountaintops! **** what you see, and reap what you sow. Push the mountains down into the crow, and call out for the all the denizens below, "Here's another landslide." As you call; Heave, and ** Pile them neat and plant a seed, of a tree that hasn't belonged or had a chirped song in a placidity.
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Aug 5, 2018
Aug 5, 2018 at 4:24 AM UTC
Stop Mountaintop Removal or: Cease the **** of Mother Nature
To the limits! And the heaves are harmed, in our lungs and arms. Tendons flexed on their utmost, and breath at play in the drowned coast. To the shores! And the leaves are left as specks of colour, from the moors. and vacations left the hinterlands of the decayed, breathless holler. For the greater good we stood as imagined heroes, Yet for happenstance to lend a chance in our woes, required a great many motifs to clamour and climb In glamourous time to the raised butte of a finishing sublime. Modulate the past and harmonize the future. Together tapestry'd, akin to patchwork suture. We weren't raised this way. To remain forever at play, workhorses neigh. And sawing brilliance and sawdust eyes, rapier wit with no equal. But together a two-parter, to the shores to see the sea quell. Wildfire lick like lit flame. Burn it all down and give me the blame. It's a carried burden worth the worry. In mountains some exist as prideful barons. Barring the loss of their barren, their smiles turn smirks of heathen carrions. Which is fine, and the motif licks again. And the motive is sublime; it's only sin. Cherish the children and their rue of thresher-born, Thomas Ligotti and his party of philosophy, but I'm too caught in histrionics to allow the matter to matter. Beyond the kicking feet of the mirthful pitter-patter, pitted against the coming solstice of time saving; forward and back and ouroboros we may. Hold on tight to this singular day. Ignorant of the causes of our own decay. Lost during summers covered in spittle and seaspray. Only to mount a return, a loss, to the area most unaccepting of the cost. To the mountaintops! **** what you see, and reap what you sow. Push the mountains down into the crow, and call out for the all the denizens below, "Here's another landslide." As you call; Heave, and ** Pile them neat and plant a seed, of a tree that hasn't belonged or had a chirped song in a placidity.
Continue reading...
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In the center of town The center of town The center The town The bleak sky oppressing the citizens not caught in the tidal waves of blood left over in the streets where the quad-group had been The buildings reduced to rubble In the wake of the far-larger beast Po had picked scent Tinky had bled another dry Lala was in full speed dash And Dipsy was pouncing on another victim Godzilla knew not of the approaching group Instead, otherwise focused on ships hailing bullets As he swatted yet another jet He picked up scent But by then It was far too late The group was upon him And the desired what he held inside: His... insides I won't describe the battle. We shall call it climactic. I won't describe the ending We'll call it dramatic I won't describe this poem We'll call it insipid I hope you enjoyed this two-parter Now to drown myself in alcoholic liquid.
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May 14, 2014
May 14, 2014 at 12:30 AM UTC
Part two-bee-do-be-doo
A fading light, A heroic night, to come. To live. To dance. To move along. Shadows briskly walking In the dark. We scheme and plan, to leave our mark. Every trick is a treat. And every scream, we meet, A new ghost, goblin, and other fools. Who needs candy when I know you'll never leave? My parter in crime, on All Hallow's Eve.
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Dec 13, 2010
Dec 13, 2010 at 3:10 PM UTC
All Hallow's Eve
Now, I always wait For the other shoe to drop Good things aren't for me But I fight these thoughts Incumbent storyteller Perhaps, he is wrong
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Mar 30, 2019
Mar 30, 2019 at 11:49 PM UTC
High Coup #33 (a two-parter)
Being in love with you is like being on a see-saw. It's not much fun to ride one unless you have someone to sit on the other side. One is always up, and one is always down. And that's just how it's meant to be. You can try your hardest to be on equal levels of happiness, knees shaking and smiles failing to either rise, nor fall. It's never going to be like that. One is always up and one is always down. Feet planted firmly in the ground. And then for a few minutes you are soaring and looking at your parter with tears in your eyes. Whether of happiness or sadness that doesn't matter anymore. Because regardless, there is someone who loves you on the other side. Matching you stride for stride. Like swing-sets at sunset and monkey-bars. I guess we all learned love at the playground.
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Jan 24, 2019
Jan 24, 2019 at 11:01 PM UTC
Learning Love at the Playground