Hello Poetry
Submit your work and get some sparkles! Create free account
"parson" poems
Under a spreading chestnut-tree The village smithy stands; The smith, a mighty man is he, With large and sinewy hands; And the muscles of his brawny arms Are strong as iron bands. His hair is crisp, and black, and long, His face is like the tan; His brow is wet with honest sweat, He earns whate’er he can, And looks the whole world in the face, For he owes not any man. Week in, week out, from morn till night, You can hear his bellows blow; You can hear him swing his heavy sledge, With measured beat and slow, Like a sexton ringing the village bell, When the evening sun is low. And children coming home from school Look in at the open door; They love to see the flaming forge, And hear the bellows roar, And catch the burning sparks that fly Like chaff from a threshing-floor. He goes on Sunday to the church, And sits among his boys; He hears the parson pray and preach, He hears his daughter’s voice, Singing in the village choir, And it makes his heart rejoice. It sounds to him like her mother’s voice, Singing in Paradise! He needs must think of her once more, How in the grave she lies; And with his hard, rough hand he wipes A tear out of his eyes. Toiling,—rejoicing,—sorrowing, Onward through life he goes; Each morning sees some task begin, Each evening sees it close; Something attempted, something done, Has earned a night’s repose. Thanks, thanks to thee, my worthy friend, For the lesson thou hast taught! Thus at the flaming forge of life Our fortunes must be wrought; Thus on its sounding anvil shaped Each burning deed and thought.
0
5.7k
The Village Blacksmith
Under a spreading chestnut-tree The village smithy stands; The smith, a mighty man is he, With large and sinewy hands; And the muscles of his brawny arms Are strong as iron bands. His hair is crisp, and black, and long, His face is like the tan; His brow is wet with honest sweat, He earns whate’er he can, And looks the whole world in the face, For he owes not any man. Week in, week out, from morn till night, You can hear his bellows blow; You can hear him swing his heavy sledge, With measured beat and slow, Like a sexton ringing the village bell, When the evening sun is low. And children coming home from school Look in at the open door; They love to see the flaming forge, And hear the bellows roar, And catch the burning sparks that fly Like chaff from a threshing-floor. He goes on Sunday to the church, And sits among his boys; He hears the parson pray and preach, He hears his daughter’s voice, Singing in the village choir, And it makes his heart rejoice. It sounds to him like her mother’s voice, Singing in Paradise! He needs must think of her once more, How in the grave she lies; And with his hard, rough hand he wipes A tear out of his eyes. Toiling,—rejoicing,—sorrowing, Onward through life he goes; Each morning sees some task begin, Each evening sees it close; Something attempted, something done, Has earned a night’s repose. Thanks, thanks to thee, my worthy friend, For the lesson thou hast taught! Thus at the flaming forge of life Our fortunes must be wrought; Thus on its sounding anvil shaped Each burning deed and thought.
Continue reading...
48
O what is that sound which so thrills the ear Down in the valley drumming, drumming? Only the scarlet soldiers, dear, The soldiers coming. O what is that light I see flashing so clear Over the distance brightly, brightly? Only the sun on their weapons, dear, As they step lightly. O what are they doing with all that gear, What are they doing this morning, morning? Only their usual manoeuvres, dear, Or perhaps a warning. O why have they left the road down there, Why are they suddenly wheeling, wheeling? Perhaps a change in their orders, dear, Why are you kneeling? O haven't they stopped for the doctor's care, Haven't they reined their horses, horses? Why, they are none of them wounded, dear, None of these forces. O is it the parson they want, with white hair, Is it the parson, is it, is it? No, they are passing his gateway, dear, Without a visit. O it must be the farmer that lives so near. It must be the farmer so cunning, so cunning? They have passed the farmyard already, dear, And now they are running. O where are you going? Stay with me here! Were the vows you swore deceiving, deceiving? No, I promised to love you, dear, But I must be leaving. O it's broken the lock and splintered the door, O it's the gate where they're turning, turning; Their boots are heavy on the floor And their eyes are burning.
0
4.2k
O What Is That Sound
If you wake at midnight, and hear a horse’s feet, Don’t go drawing back the blind, or looking in the street. Them that ask no questions isn’t told a lie. Watch the wall, my darling, while the Gentlemen go by! Five and twenty ponies, Trotting through the dark— Brandy for the Parson, ‘Baccy for the Clerk; Laces for a lady, letters for a spy, And watch the wall, my darling, while the Gentlemen go by! Running round the woodlump if you chance to find Little barrels, roped and tarred, all full of brandy-wine, Don’t you shout to come and look, nor use ’em for your play. Put the brishwood back again—and they’ll be gone next day! If you see the stable-door setting open wide; If you see a tired horse lying down inside; If your mother mends a coat cut about and tore; If the lining’s wet and warm—don’t you ask no more! If you meet King George’s men, dressed in blue and red, You be carefull what you say, and mindful what is said. If they call you “pretty maid,” and chuck you ’neath the chin, Don’t you tell where no one is, nor yet where no one’s been! Knocks and footsteps round the house—whistles after dark— You’ve no call for running out till the house-dogs bark. Trusty’s here, and Pincher’s here, and see how dumb they lie— They don’t fret to follow when the Gentlemen go by! If you do as you’ve been told, ‘likely there’s a chance, You’ll be given a dainty doll, all the way from France, With a cap of Valenciennes, and a velvet hood— A present from the Gentlemen, along o’ being good! Five and twenty ponies, Trotting through the dark— Brandy for the Parson, ‘Baccy for the Clerk; Them that asks no questions isn’t told a lie— Watch the wall, my darling, while the Gentlemen bo by!
0
3.3k
A Smuggler’s Song
If you wake at midnight, and hear a horse’s feet, Don’t go drawing back the blind, or looking in the street. Them that ask no questions isn’t told a lie. Watch the wall, my darling, while the Gentlemen go by! Five and twenty ponies, Trotting through the dark— Brandy for the Parson, ‘Baccy for the Clerk; Laces for a lady, letters for a spy, And watch the wall, my darling, while the Gentlemen go by! Running round the woodlump if you chance to find Little barrels, roped and tarred, all full of brandy-wine, Don’t you shout to come and look, nor use ’em for your play. Put the brishwood back again—and they’ll be gone next day! If you see the stable-door setting open wide; If you see a tired horse lying down inside; If your mother mends a coat cut about and tore; If the lining’s wet and warm—don’t you ask no more! If you meet King George’s men, dressed in blue and red, You be carefull what you say, and mindful what is said. If they call you “pretty maid,” and chuck you ’neath the chin, Don’t you tell where no one is, nor yet where no one’s been! Knocks and footsteps round the house—whistles after dark— You’ve no call for running out till the house-dogs bark. Trusty’s here, and Pincher’s here, and see how dumb they lie— They don’t fret to follow when the Gentlemen go by! If you do as you’ve been told, ‘likely there’s a chance, You’ll be given a dainty doll, all the way from France, With a cap of Valenciennes, and a velvet hood— A present from the Gentlemen, along o’ being good! Five and twenty ponies, Trotting through the dark— Brandy for the Parson, ‘Baccy for the Clerk; Them that asks no questions isn’t told a lie— Watch the wall, my darling, while the Gentlemen bo by!
Continue reading...
36
Once of a bride was I by a belle informed; Who, on the very night of their honeymoon Upon sighting her groom's dower, screamed And would not let him in for his ***** boon, Until she's taken thru the script the following Morn by her parson's wife in cool counselling. Many things in morals and etiquette do Parents their children ever and anon teach Except on this single unfolding issue Will they falter to them plainly preach: The act of marriage in its detailed image, Cause it's found nay on their nurturing page. An African mother will quiver her girl to lecture, For instance, in the subject under review, But will leave it to the Omniscient Nature To instruct her like cry to a curlew. So the bride's mom will not to her say: This is how you should roll in the hay. Neither will a father his son likewise tell Explicitly of this duty--this too I know-- How to make his led-to-the-altar angel Fly on cloud nine during their maiden show. My pa never me of this nuptial scene told, How in bed my lady I should stylishly hold. Yet instinct, that great ancient teacher, The green Adam and ****** Eve taught On man's debut moment of ecstasy ever, And did lead him to her piquant spot, Whilst one another they caressed for affection, Premiering for all couples conjugal copulation. And the animals who do not the wisdom Of man have, even every diminutive creature, How each by divine smarts in their kingdom-- Like the fish in the sea of their rapture-- Do with themselves mate with none Giving them tutorials nor showing them **** To close this up where it had first started: The *iyawo after the pending deed was done, As it should betwixt man and wife, delighted Was and with glowing warmth did thence burn In the hearth of her *ókò with ultra joy, Who at the beginning of performance was coy.
0
Nov 28, 2011
Nov 28, 2011 at 4:43 AM UTC
Left to Instinct
Once of a bride was I by a belle informed; Who, on the very night of their honeymoon Upon sighting her groom's dower, screamed And would not let him in for his ***** boon, Until she's taken thru the script the following Morn by her parson's wife in cool counselling. Many things in morals and etiquette do Parents their children ever and anon teach Except on this single unfolding issue Will they falter to them plainly preach: The act of marriage in its detailed image, Cause it's found nay on their nurturing page. An African mother will quiver her girl to lecture, For instance, in the subject under review, But will leave it to the Omniscient Nature To instruct her like cry to a curlew. So the bride's mom will not to her say: This is how you should roll in the hay. Neither will a father his son likewise tell Explicitly of this duty--this too I know-- How to make his led-to-the-altar angel Fly on cloud nine during their maiden show. My pa never me of this nuptial scene told, How in bed my lady I should stylishly hold. Yet instinct, that great ancient teacher, The green Adam and ****** Eve taught On man's debut moment of ecstasy ever, And did lead him to her piquant spot, Whilst one another they caressed for affection, Premiering for all couples conjugal copulation. And the animals who do not the wisdom Of man have, even every diminutive creature, How each by divine smarts in their kingdom-- Like the fish in the sea of their rapture-- Do with themselves mate with none Giving them tutorials nor showing them **** To close this up where it had first started: The *iyawo after the pending deed was done, As it should betwixt man and wife, delighted Was and with glowing warmth did thence burn In the hearth of her *ókò with ultra joy, Who at the beginning of performance was coy.
Continue reading...
42
Dear Mother, dear Mother, the Church is cold, But the Ale-house is healthy & pleasant & warm: Besides I can tell where I am use’d well, Such usage in heaven will never do well. But if at the Church they would give us some Ale. And a pleasant fire, our souls to regale: We’d sing and we’d pray all the live-long day: Nor ever once wish from the Church to stray. Then the Parson might preach & drink & sing. And we’d be as happy as birds in the spring: And modest dame Lurch, who is always at Church Would not have bandy children nor fasting nor birch And God like a father rejoicing to see. His children as pleasant and happy as he: Would have no more quarrel with the Devil or the Barrel But kiss him & give him both drink and apparel.
0
3k
The Little Vagabond
Out on the marsh on a lonely night The wind soughs through his rags, The hat that’s pinned to his painted face, Flutters and soars, then sags, His eyes are wide and his mouth is grim As an owl is put to flight, And nothing but shadows will venture there For the Scarecrow rules the night. And back in the manse in a window seat The Parson’s daughter sits, She stares at the fluttering coat-tails, but In truth, is scared to bits, She watches the sails of the windmill turn And creak and groan in the gloom, As clouds come stuttering over the marsh In the rays of a Harvest Moon. The father is out in the donkey cart To tend to his aging flock, He’s left Elizabeth waiting there By the tick of the hallway clock, But out on the moors and beyond the marsh There rides one Highway Jack, A frock coat topped with a bunch of lace And a gold trimmed tricorne hat. He’s whipped the horse to a lather In a retreat from a new affray, For the magistrates have gathered Vowing to ride him down that day, The redcoats wait in the village Inn For the sound that they know too well, When the curate sees the approaching horse He’s to toll the old church bell. But the curate lies in a drunken fit On the floor of the old church nave, And soon, by matins his soul will flit From life to an early grave, Elizabeth sits in the window seat And thinks of the coin and plate, As the highwayman dismounts, and ties His horse to the manse’s gate. He beats on the door, ‘Please let me in, I’m weary and faint, that’s all. I wouldn’t abuse your person, but I fear my back’s to the wall.’ She leaves the seat and she slides the bar For bracing the oaken door, ‘I dare not, sir, I fear for my life, You’re safer out on the moor!’ Their voices echo across the marsh Like fear, distilled in the night, And something shudders out in the gloom And lurches to left and right, It seems forever, but now a sound Tolls out, like a final knell, For something, out in the church tonight, Is tolling the steeple bell. He barely makes it back to his horse When the redcoats stand in line, Their muskets fire a volley of shot And his coat turns red, like wine. They go to the church when the deed is done To say, ‘You have done well!’ But the curate lies on the cold stone floor, The Scarecrow tolled the bell! David Lewis Paget
0
Jul 30, 2013
Jul 30, 2013 at 10:30 PM UTC
The Scarecrow
Out on the marsh on a lonely night The wind soughs through his rags, The hat that’s pinned to his painted face, Flutters and soars, then sags, His eyes are wide and his mouth is grim As an owl is put to flight, And nothing but shadows will venture there For the Scarecrow rules the night. And back in the manse in a window seat The Parson’s daughter sits, She stares at the fluttering coat-tails, but In truth, is scared to bits, She watches the sails of the windmill turn And creak and groan in the gloom, As clouds come stuttering over the marsh In the rays of a Harvest Moon. The father is out in the donkey cart To tend to his aging flock, He’s left Elizabeth waiting there By the tick of the hallway clock, But out on the moors and beyond the marsh There rides one Highway Jack, A frock coat topped with a bunch of lace And a gold trimmed tricorne hat. He’s whipped the horse to a lather In a retreat from a new affray, For the magistrates have gathered Vowing to ride him down that day, The redcoats wait in the village Inn For the sound that they know too well, When the curate sees the approaching horse He’s to toll the old church bell. But the curate lies in a drunken fit On the floor of the old church nave, And soon, by matins his soul will flit From life to an early grave, Elizabeth sits in the window seat And thinks of the coin and plate, As the highwayman dismounts, and ties His horse to the manse’s gate. He beats on the door, ‘Please let me in, I’m weary and faint, that’s all. I wouldn’t abuse your person, but I fear my back’s to the wall.’ She leaves the seat and she slides the bar For bracing the oaken door, ‘I dare not, sir, I fear for my life, You’re safer out on the moor!’ Their voices echo across the marsh Like fear, distilled in the night, And something shudders out in the gloom And lurches to left and right, It seems forever, but now a sound Tolls out, like a final knell, For something, out in the church tonight, Is tolling the steeple bell. He barely makes it back to his horse When the redcoats stand in line, Their muskets fire a volley of shot And his coat turns red, like wine. They go to the church when the deed is done To say, ‘You have done well!’ But the curate lies on the cold stone floor, The Scarecrow tolled the bell! David Lewis Paget
Continue reading...
65
That night your great guns, unawares, Shook all our coffins as we lay, And broke the chancel window-squares, We thought it was the Judgement-day And sat upright. While drearisome Arose the howl of wakened hounds: The mouse let fall the altar-crumb, The worm drew back into the mounds, The glebe cow drooled. Till God cried, “No; It’s gunnery practice out at sea Just as before you went below; The world is as it used to be: “All nations striving strong to make Red war yet redder. Mad as hatters They do no more for Christés sake Than you who are helpless in such matters. “That this is not the judgment-hour For some of them’s a blessed thing, For if it were they’d have to scour Hell’s floor for so much threatening. . . . “Ha, ha. It will be warmer when I blow the trumpet (if indeed I ever do; for you are men, And rest eternal sorely need).” So down we lay again. “I wonder, Will the world ever saner be,” Said one, “than when He sent us under In our indifferent century!” And many a skeleton shook his head. “Instead of preaching forty year,” My neighbour Parson Thirdly said, “I wish I had stuck to pipes and beer.” Again the guns disturbed the hour, Roaring their readiness to avenge, As far inland as Stourton Tower, And Camelot, and starlit Stonehenge.
0
2.5k
Channel Firing
and the parson on the village green greets the people and blesses them with peaceful images of an all encompassing eternity and the parson senses in the shadows ominous and deadly ...rumblings masters of slavery and lusted hatefilled afternoons invading his time and space but he keeps on smiling on the village green for the souls of his people must feel "the peace" but then the WAR comes to the village green and the parson, in horror sees the building flames destroy the village and the people and the sense of eternal peace and the parson himself and his faith and now it has happened to the village green and the WAR itself what did it mean? NOTHING! NOTHING BUT DESTRUCTION to each and every thing (and the parson on the village green greets the people and blesses them with peaceful images of an all encompassing eternity) AMID THE WAR SONGS AND THE FLAMES
0
Jul 24, 2010
Jul 24, 2010 at 1:23 PM UTC
the parson on the village green
When icicles hang by the wall, And **** the shepherd blows his nail, And Tom bears logs into the hall, And milk comes frozen home in pail, When blood is nipp’d, and ways be foul, Then nightly sings the staring owl, To-whit! To-who!—a merry note, While greasy Joan doth keel the *** When all aloud the wind doe blow, And coughing drowns the parson’s saw, And birds sit brooding in the snow, And Marian’s nose looks red and raw, When roasted ***** hiss in the bowl, Then nightly sings the staring owl, To-whit! To-who!—a merry note, While greasy Joan doth keel the ***
0
2k
Spring And Winter II
After Friday choir practice in the church after the other members had gone to the vestry to ready themselves for home she stood in the darkened church looking at the altar and the high windows where only moonlight shone through and she said to you we’ll stand here one day and get married maybe and say our vows and there will be our families and friends and the parson will say kiss the bride and you will and she smiled and looked at you standing in the quiet church and you said some years off maybe we’re only fourteen and still at school and we’ve got to get pass your mother yet like trying to get a ball by a fat goalie who fills the net but she just shook her head and smiled and said don’t be so negative look on the positive side look to the future with bright eyes and it seems strange now and sad to look back at that night with you and she standing in that aisle in semi-dark while outside in the night sky fate was working out a different answer where you would marry others and she would die from cancer.
0
Mar 18, 2012
Mar 18, 2012 at 3:37 PM UTC
AFTER ALL SAID AND DONE.
'Why did the lady in the lift Slap that poor parson's face?' Said Mother, thinking as she sniffed, Of clerical disgrace. Said Sonny Boy: 'Alas, I know. My conscience doth accuse me; The lady stood upon my toe, Yet did not say--"Excuse me!" 'She hurt--and in that crowd confined I scarcely could endure it; So when I pinched her fat behind She thought--it was the Curate.'
0
1.6k
Willie
I'm a tool pondering skyscapes. Fondling a memory Left behind On sunset marquees. It raced into the horizon like A toad on the road. A neon dream waving farewell. Exploring mindsets: An act in caressing Bloodbath tesseracts. A roundhouse rollercoaster, Spinning at velocity of perfume Hitting nasal perforations. Core memories surface along spine cutlets, No longer intrinsic Doubt. I'm settling for more. Time is a moment Too long to endure. Hindsight is A parson's lake passage; A mad monster yet to be tamed; A grain of salt to a fresh wound made; Moments of grace from a fake great ape. Blue morons slide Into Mormon jovial footsteps. Derided ice forestry into King's cloaked ancestry. A sad fisherman sailing Ceaselessly out to sea. And yet here I am Talking to you, Eyelight through obelisks In hotbox barricades. Hiding behind A past of newspapers. Headline reads 'ONLY DEVINE' 'TRADE REIGN WARNS JEWELS' 'PRINCE THREATENS ECONOMY ... AND CROWN.' Wipe the frown, Draw the sword. Don't be ignored anymore.
0
Aug 22, 2017
Aug 22, 2017 at 5:17 PM UTC
Momentary Overture
From a little town in Iowa, Came an average common lad He’d accepted Christ as Savior, ‘cause he knew that he was bad. But as he grew to manhood, Walking with the Lord, He knew that God had called him To preach the Holy Word. From his King James Bible, He studied very hard, Memorizing Scripture And praying to the Lord. He knew the time was coming, Not very far away, And wanted to be ready, For preaching on that day. Now listen to his message, It’s true and it’s straight, You’ve got to trust in Jesus, To enter Heaven’s gate. The best of men are sinners, Says Romans three and ten, And on their way to a devil’s hell, Unless they’re born again. Yes listen to the Preacher From that Iowa town, Listen to his message, He’s preaching all around. He calls you to the altar, To repent of sin So open up your heart’s door Invite the Savior in. (Revelation 3:20) So come now ‘ol proud sinner And humble your proud heart Hear the Savior calling you, From your pride depart. The day of judgments coming So kneel before the cross, And trust in Christ as Savior ‘Er your soul is lost.                                  10/10/08
0
Jan 29, 2016
Jan 29, 2016 at 7:04 PM UTC
THE PREACHER MAN FROM IOWA -by G. E. Parson
Who fell asleep in her headphones plugged into Abalone shells a repeating sequence of ocean swells on this frequency, smoke signals-- Don't touch that dial While the land-locked pulpit-boy's preaching denial; Push up that skirt, fashioned out of swans' feathers scattered over the parson's house It's hallowed ground you're jumbled upon bleeding out oceans on the parish lawn.
0
Dec 6, 2011
Dec 6, 2011 at 8:40 PM UTC
The Rector Counts Lost Gulls
A parson's wife I never thought I'd be, Attending bazaars, pouring tea. Not my style, woe is me. One day Art awoke and said to me, A minister I plan to be, How good am I, follow me! Oh God, I said, don't do this to me. What did I ever do to thee? I don't want this, why me? God, surely you don't want me. I'm going to fight, can't you see. It's Art who's seen the light, not me. Young and innocent I went. To my fate I was sent, On this adventure Art was bent. Studying and learning, Art did work, And in the background I did lurk. Like a puppet I did **** Raise six kids, scrimp and save, Go to church, feel like a slave. Don't rock the boat, here comes a wave! Break the mold, do your own thing, Said my conscience, on the wing. Be yourself, fly and sing. Belly dancing I took, to Art's delight. A rebel in a bra, that was my fight! I'd go but I'd kick and scratch and bite. Stereotyped I would never be. A woman should be free To be herself, like you and me. Now I'm happy, I've found my life. Here amongst the calm and strife, I'm a parson's wife.
0
Jan 31, 2013
Jan 31, 2013 at 7:31 PM UTC
Parson's Wife
my life so fragmented like these passing highway lines foot to floor the coalescing neon of this dark city - a beautiful place for a ceremony. my best man beneath the hood - my most trusted, honored friend assures me that this ceremony will be memorable, it will be the best thing i've ever done. i look down the aisle and i can see her... my beautiful bride shimmering silver along side the pavement parson waiting for our vows dearly beloved we are gathered here today among the congregation of shattered glass - til death do us part i do.
0
Aug 8, 2010
Aug 8, 2010 at 4:07 PM UTC
marriage with a guardrail.
GRAMPA THE SOFT BALL PLAYER ………by Jerry Howarth 5/26/16 Grampa is a legend in the softball world He was voted into the Softball Hall of Fame When ever Grampa was scheduled to pitch It broke the attendance record every game. Grampa was a fast ball pitcher For the Perry Baptist church team. He was having fun, just messing around, But with every game Grampa picked up steam. He began to experiment releasing the ball, making it curve left & right, drop and rise, He even learned to make a slow pitch, Making it difficult for the batter’s eyes Grampa had a favorite trick he loved to play The crowd thought it was super great! The ball started out fast then changed slow “How slow did it get Grampa?” “So slow the batter swung three times before it crossed the plate. Well Grampa’s pitching became so well known The major leagues began competing with many others, Offering Grampa Millions of dollars. Grampa developed a fast ball so fast that… “How fast was it, Grampa Parson?” It was so fast it was beyond measur’n. Now Grampa had what he called his Roller coaster pitch that no one could ever hit It was such a crazy pitch, he had it patented So no one else could copy and use it Grampa was now playing on a professional team, making over a million bucks a year, His agent made a deal for $20,000 a game Every time he pitched a no hitter Every game he played was a no hitter, Thanks to his patented pitch At $20,000.00 a game Grampa was getting really, really rich! But back to Grama’s special pitch, It was greatly irritating to every batter They were determined to knock that ball Right down Gramp’s kooka-defrater Hear the crowd yelling, whistling, and clapping Coming up to bat is the world home run king! Here it comes, that, fast, slow pitch The home run king gives three mighty swings. Three strikes an yer out, the rules of the game It’s the first time in the history of soft ball fast pitch, that a batter strikes out on just one pitch This poem cannot end without a mention About Grampa batting power That’s right, Grampa hit a ball so hard, It sailed about a thousand miles or so It broke out a window in the Trump Tower. YEAH It did! And broke Donald’s favorite champagne drinking glass. Well this is enough humble bragging about When Grampa G. E. Parson was a Grandson And I hope the reading of this poem Was a lot of fun ! -Grampa G.E. Parson
0
Jan 26, 2018
Jan 26, 2018 at 7:50 PM UTC
PLAY BALL !!
GRAMPA THE SOFT BALL PLAYER ………by Jerry Howarth 5/26/16 Grampa is a legend in the softball world He was voted into the Softball Hall of Fame When ever Grampa was scheduled to pitch It broke the attendance record every game. Grampa was a fast ball pitcher For the Perry Baptist church team. He was having fun, just messing around, But with every game Grampa picked up steam. He began to experiment releasing the ball, making it curve left & right, drop and rise, He even learned to make a slow pitch, Making it difficult for the batter’s eyes Grampa had a favorite trick he loved to play The crowd thought it was super great! The ball started out fast then changed slow “How slow did it get Grampa?” “So slow the batter swung three times before it crossed the plate. Well Grampa’s pitching became so well known The major leagues began competing with many others, Offering Grampa Millions of dollars. Grampa developed a fast ball so fast that… “How fast was it, Grampa Parson?” It was so fast it was beyond measur’n. Now Grampa had what he called his Roller coaster pitch that no one could ever hit It was such a crazy pitch, he had it patented So no one else could copy and use it Grampa was now playing on a professional team, making over a million bucks a year, His agent made a deal for $20,000 a game Every time he pitched a no hitter Every game he played was a no hitter, Thanks to his patented pitch At $20,000.00 a game Grampa was getting really, really rich! But back to Grama’s special pitch, It was greatly irritating to every batter They were determined to knock that ball Right down Gramp’s kooka-defrater Hear the crowd yelling, whistling, and clapping Coming up to bat is the world home run king! Here it comes, that, fast, slow pitch The home run king gives three mighty swings. Three strikes an yer out, the rules of the game It’s the first time in the history of soft ball fast pitch, that a batter strikes out on just one pitch This poem cannot end without a mention About Grampa batting power That’s right, Grampa hit a ball so hard, It sailed about a thousand miles or so It broke out a window in the Trump Tower. YEAH It did! And broke Donald’s favorite champagne drinking glass. Well this is enough humble bragging about When Grampa G. E. Parson was a Grandson And I hope the reading of this poem Was a lot of fun ! -Grampa G.E. Parson
Continue reading...
58
He sits with a stoic's resistance, his son in the casket lies there. No line of a tear mars his visage- the man with the Thousand yard stare. He sits in the front row of mourners, His dear sobbing wife by his side in silence he keeps his sad vigil and stares up at Christ crucified. The mourners pass by him in silence, touch his hand or say meaningless words, for his part he stares straight on through them as if nothings felt, nothings heard. The Parson commands us to silence and struggles to lead us in prayer- but half of the room has forgotten the words like the man with the thousand yard stare Death is my race's core competence dealing with life, we're but fair, but none living today keeps sorrow at bay not the man with the thousand yard stare.
0
Jan 1, 2012
Jan 1, 2012 at 10:52 PM UTC
The man with the thousand yard Stare
An unfortunate parson named Burch Had a penchant for flatus in church.      This caused not a few      Who sat in his pew To exodus in spiritual surch.
0
Dec 3, 2016
Dec 3, 2016 at 4:07 PM UTC
Why attendance may be down
I guess the image I had was corrupted I never mentioned filibusted. A seething whit I couldn't match from a advisory who met her match. The prose the verse it all unspun to show what really was undone. So ****** off the parson said and go home to your Steele bed or find a den that warms you more and forget the pain that came before.
0
Oct 1, 2012
Oct 1, 2012 at 4:13 PM UTC
aloof
In the cold damp stairway of the Tower I saw her: Lady Jane the nine days Queen. Unperturbed she walked right through me heading for the Tower Green. Escorted by an unseen Parson to the block, likewise unseen, Her translucent body bends before it Lady Jane, the nine Days Queen. How many times, I wondered then has this poor ghost played out this Scene bereft at once of crown and life there upon the tower Green
0
Nov 20, 2011
Nov 20, 2011 at 12:22 AM UTC
Lady Jane, the Nine Days Queen
On a mat of dust I veered away a Parson to my right the paradigm of a point, wouldn't we all like to be warm, rhetorical declination takes my data's worth.
0
Jan 17, 2013
Jan 17, 2013 at 1:19 PM UTC
Nero
Once you entered Diddling’s small church it cooled you both down from the summer heat outside Jane looked about her she’d been here many times before but wanted to you show you and let you feel the coolness and silence and peacefulness I came here first as a child she said but more often at St Mary’s at the other side of the village I wouldn’t have thought any place could be this quiet you said the church smelt of flowers and old plaster some one had placed a mixture of blooms in the vase by the altar she walked forward her hand brushing against the tops of the wooden pews on either side one could get married here she said if you had few guests and friends you said gazing at her dark hair pulled tight in a ponytail tied with red ribbon her light green dress fitted loosely her sandals held her bare feet maybe one wanted few guests maybe just a few witnesses and the clergyman she said softly turning to look at you her dark eyes captured you and held you fixed for a few moments one day perhaps she said doesn’t your father come here? you asked occasionally if the need arises she said mostly he’s at the other church come and stand at the front with me she said you walked towards her watching her eyes and her mouth the lips slightly open   you stood next to her at the altar end the light coming through the high windows above she smelt of lavender you could breathe it in your head swayed with it imagine us here she said pretend it’s our wedding day and we are here and the pastor and a couple of people as witnesses she held your hand in hers her warm flesh her thumb on the back of your hand stroking slowly would we sing hymns? you asked yes two she said closing her eyes and we’ll pretend the ***** played at the start and finish she added she sniffed the air and plenty of flowers   around us and bridesmaids? you said she thought in silence for a few moments yes two small girls from the village she said her hand got warmer the dampness linked you and who will give you away? you said father of course she said frowning she opened her eyes and looked at you too many people have come she said it crowds my mind and dream then let it just be us and the parson and two others you said she nodded and smiled it’s good to pretend and imagine she said maybe one day it will be real the sunlight played and danced upon the floor at her feet her thumb rubbed deeper in to your skin   and you both walked down the aisle in silence again outside came sound of warm summer rain.
0
Jul 6, 2013
Jul 6, 2013 at 2:32 PM UTC
JANE AND YOU AND WARM SUMMER RAIN.
Once you entered Diddling’s small church it cooled you both down from the summer heat outside Jane looked about her she’d been here many times before but wanted to you show you and let you feel the coolness and silence and peacefulness I came here first as a child she said but more often at St Mary’s at the other side of the village I wouldn’t have thought any place could be this quiet you said the church smelt of flowers and old plaster some one had placed a mixture of blooms in the vase by the altar she walked forward her hand brushing against the tops of the wooden pews on either side one could get married here she said if you had few guests and friends you said gazing at her dark hair pulled tight in a ponytail tied with red ribbon her light green dress fitted loosely her sandals held her bare feet maybe one wanted few guests maybe just a few witnesses and the clergyman she said softly turning to look at you her dark eyes captured you and held you fixed for a few moments one day perhaps she said doesn’t your father come here? you asked occasionally if the need arises she said mostly he’s at the other church come and stand at the front with me she said you walked towards her watching her eyes and her mouth the lips slightly open   you stood next to her at the altar end the light coming through the high windows above she smelt of lavender you could breathe it in your head swayed with it imagine us here she said pretend it’s our wedding day and we are here and the pastor and a couple of people as witnesses she held your hand in hers her warm flesh her thumb on the back of your hand stroking slowly would we sing hymns? you asked yes two she said closing her eyes and we’ll pretend the ***** played at the start and finish she added she sniffed the air and plenty of flowers   around us and bridesmaids? you said she thought in silence for a few moments yes two small girls from the village she said her hand got warmer the dampness linked you and who will give you away? you said father of course she said frowning she opened her eyes and looked at you too many people have come she said it crowds my mind and dream then let it just be us and the parson and two others you said she nodded and smiled it’s good to pretend and imagine she said maybe one day it will be real the sunlight played and danced upon the floor at her feet her thumb rubbed deeper in to your skin   and you both walked down the aisle in silence again outside came sound of warm summer rain.
Continue reading...
152
Jane had climbed the Downs with you and had hardly spoken on the tiring climb along the dried up tracks on the way up and then at the top standing beside you she stared out across the countryside and said you can see where I live from here and she pointed out to the church down beneath and you said yes and took in the church and the house where she lived with the parson and his wife and tried to pick out which bedroom was hers and she said I like it up here away from the crowds and nearer to God and you studied her profile and her hair and the way she stood there in that summer dress and sandals and with that youthfulness and you wanted suddenly to kiss her and embrace her but you didn’t you just stood and studied her profile and moving closer you reached out your hand and touched hers and her hand was warm and as you squeezed it gently you sensed the pulse of life run through and the moment seemed to explode in your head in a myriad of colours and sounds and you rubbed your thumb along her wrist checking the pulse the life wanting her to be the one and pointing upward she said breaking through your dream look at the colour of that sky and feel the warmth of sun.
0
Feb 23, 2012
Feb 23, 2012 at 3:55 AM UTC
CLIMBING WITH JANE.
Old lame Bridget doesn't hear Fairy music in the grass When the gloaming's on the mere And the shadow people pass: Never hears their slow grey feet Coming from the village street Just beyond the parson's wall, Where the clover globes are sweet And the mushroom's parasol Opens in the moonlit rain. Every night I hear them call From their long and merry train. Old lame Bridget says to me, "It is just your fancy, child." She cannot believe I see Laughing faces in the wild, Hands that twinkle in the sedge Bowing at the water's edge Where the finny minnows quiver, Shaping on a blue wave's ledge Bubble foam to sail the river. And the sunny hands to me Beckon ever, beckon ever. Oh! I would be wild and free, And with the shadow people be.
0
May 11, 2015
May 11, 2015 at 1:53 PM UTC
The Shadow People. ("Complete Poems." Published by Herbert Jenkins.)