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"paraphernalia" poems
**Expectations are the baggage we carry Getting cumbersome, with each passing day We always get the unexpected from it Our back seems to be crumbling under the burden Weaving a web of expectations, and getting entangled Unable to ameliorate the obfuscated mind Reciprocating, with the intention of fulfilling expectations Our steps become heavily laden, unable to walk Even though a life beckons without the paraphernalia We have already walked away from it, with our expectations** © Amitav (Radiance)
0
May 12, 2014
May 12, 2014 at 12:00 AM UTC
Expectations
eye did.   As my prejudices expected, the odd assortment of "characters"were all present and not to be unaccounted for...a romantic comedy on a good Friday, attracts the believers, the well wishers, the ones who think if only the world was.. and I was not re or so tired of life, unemployed, lonely, damaged in some manner of being... not too many young, just a few... theater darkness is a masque, with a risqué chance of oh no, I've been witnessed by the non-believers. the infirm with their mobile caretakers and paraphernalia were there.  Odd couples, were there.  If there was one unifying common characteristic, I selected this one.  We all needed haircuts. eye don't know why but it made me think about going to get one's haircut, and the rituals that requires....and it is and is not a bit like being in a almost totally private world inpublic, where you, the individual and some outside force majeure, hairdresser, movie screen engages and temporarily transforms you.  That is why, I, went to the movies on a Friday afternoon, to be transformed and not reformed, in public, in private...
0
Apr 4, 2015
Apr 4, 2015 at 4:30 AM UTC
Who goes to an early afternoon movie on a Friday?
There's this burning desire, that's igniting my heart, It tangles my throat, my stomach and rips himself out. I call that flame passion, it's probably caged. From all the venom that surrounds this horrid, ****** place. I feel like a puppet, with short and tough strings They want me to do what is right to their means. All this makes me sick, may I please throw up? This place was so beautiful, what could have gone wrong? It isn't that hard, we've all been deceived, By two hateful men, one who doesn't even belong here. It's also our fault, we should have seen through All the paraphernalia those two put up for you. Now one of them's gone, the other won't die, And we're left to this mess, with and *** to the ward. This donkey isn't working, most of us saw it coming All he's brought are tears, death and more problems. This desire wants to fight, and overcome this all We could use a little help so this will blow up. For now all we have is prayer and love, Let that desire resist and the light will show up.
0
Mar 13, 2014
Mar 13, 2014 at 1:42 AM UTC
Burning Desire
Gates climb News and paraphernalia Modern communication Internet on vacation Today, rural Australia Goes awol in valleys, hills As seeking when hiding Frustration biding Trees, various pitfalls An Insufficient population Say Cannot build towers Excuses bely hours Trying, for connection Work with what's known Try cavalier solutions   It's the execution When, creativity shown First try computer waving Above head I'm shaking Signal not taking Despite, the swaying Next option lying on floor Hint of access, fleeting Patchy greeting So slow, won't store Then stand on top of bed Try to reach high ceiling Wobbly feeling Response, still lead Despite heat, go outside The temperature violent Connection silent If Home far, just beside Time past, similarly stung Found access best rate The paddock gate Balancing, top rung Troop to gate hopes keen As Searing heat, metal Stand and settle Tightly, cradle machine Process long, time lost A Connection success Finally access But who, counts cost? Eventually, its loaded mail As Balancing hold keen Humorous scene As Sway, in light pale Internet access by Gates Not Bill, Steve, Microsoft Hung steel aloft So basic, surely debates Climbing for a signal now Is the practical response Sadly ensconced As Rural, area know how But surely it must be time When access essential Internet critical Yet today, gates climb
0
Jan 17, 2015
Jan 17, 2015 at 7:45 PM UTC
Gates climb
The rustic sheet of a door screams as we pull it like a scab We step inside this warehouse can Two floors - we're holding hands His eyes lit like a crescent Moon - excited, he yells "daaad!" Our head, like swaying swing We see it all, tongue in cheek Like controls without the freak It's so much fun it stings An asymmetric wasteland Convenient and distorted The walls - bleak and boarded A symbolic sleight of hand This is where we feel My father's on the catwalk Like paranoia paraphernalia My son's grip tightens, it's the only thing that's real Absolute felicity To realize what I have in the confines of my hand Imperfection in the making - he doesn't understand Skylarking permissably A reverie to remember His smile - sifting through his eyes Warm, he maneuvers like the flies He was born in December Moving closer to my father He's amidst the in-between Consistently foreseen His motion is no bother He steps along the ply Somehow keen in his demeanor Four-years-old, but greener Tossed and turning - it's the gleaner The sheet has been disturbed He's falling to his death I'm blanketed in sweat This cannot be deserved My father's eyes - they match my own I tear through the distance Foreseeing and consistent My father is a witness The fear - he's fighting falling We've never known it more His tiny hands just wishing there were nails Collective - we're losing all things I grasp a finger as he falls but not enough to bring him back My son approaches pavement as it fills my throat the same I look him in the eyes as they melt away in pain My body wakes without my mind - hysterically screaming  "DAAAD!"
0
Aug 3, 2018
Aug 3, 2018 at 3:00 AM UTC
Dreamboy
The rustic sheet of a door screams as we pull it like a scab We step inside this warehouse can Two floors - we're holding hands His eyes lit like a crescent Moon - excited, he yells "daaad!" Our head, like swaying swing We see it all, tongue in cheek Like controls without the freak It's so much fun it stings An asymmetric wasteland Convenient and distorted The walls - bleak and boarded A symbolic sleight of hand This is where we feel My father's on the catwalk Like paranoia paraphernalia My son's grip tightens, it's the only thing that's real Absolute felicity To realize what I have in the confines of my hand Imperfection in the making - he doesn't understand Skylarking permissably A reverie to remember His smile - sifting through his eyes Warm, he maneuvers like the flies He was born in December Moving closer to my father He's amidst the in-between Consistently foreseen His motion is no bother He steps along the ply Somehow keen in his demeanor Four-years-old, but greener Tossed and turning - it's the gleaner The sheet has been disturbed He's falling to his death I'm blanketed in sweat This cannot be deserved My father's eyes - they match my own I tear through the distance Foreseeing and consistent My father is a witness The fear - he's fighting falling We've never known it more His tiny hands just wishing there were nails Collective - we're losing all things I grasp a finger as he falls but not enough to bring him back My son approaches pavement as it fills my throat the same I look him in the eyes as they melt away in pain My body wakes without my mind - hysterically screaming  "DAAAD!"
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48
Starfish are versatile Humans are weak Starfish have such a placid lifestyle One of which we never speak They are free to do as they please Without rhyme or reason Drifting through the seven seas Never suffering such ****** treason What kills us so violently They survive Our minds, traitors, stalking silently They have none; so they thrive What leaves us so broken To the starfish is a game But they don’t end up unbroken For this they gain their fame Like a little modern hydra Of a less vicious sort Loosing just a little paraphernalia It’s arms the starfish must abort A part of it that it that it looses So that it could be free All we humans are left with at bruises Left by insecurity Every day the starfish stars anew Free from worry, free from woe To such luxuries we bid adieu And so we lead ourselves to the gallows Yet not for one moment can we regret Our greatest curse; our most beautiful blessing We pay to this world a hight debt A price we pay for all of our guessing We claim to be free But it's almost lie In the harsh reality We are free to live or die
0
Sep 30, 2014
Sep 30, 2014 at 11:22 PM UTC
The Arms of a Starfish
In a world full of more complex emojis The simple smiley face stands alone The one that adorned shirts and other paraphernalia long before the iPhone It conveys a simple message too Happiness Something we all want, and need But in the digital age, it's hard to tell by this colon and apostrophe When someone is truly happy After all It's not our chosen punctuation that conveys how we feel inside It's our actions And you can't understand those through the phone
0
Jun 1, 2015
Jun 1, 2015 at 12:58 AM UTC
:)
One of the most humorous conditions that a creature could burden itself with is a somnambulant desire to be to it’s own liking . Maxillary extrapolation although a positive political expectorant is likewise a practical partiality . I prefer to  be philanthropically phenological although rational impedance is my histophysiology .  My present participle is practical pragmatism and tertiary transcendentalism .  Xenoplasticly speaking I feel alone but plausibility is a probationer in reflective self awareness .  Atrociously impetuous I proceeded amidst heinously horrendous heckledom .  Adequate inflection is a relevant relative to retaliatory regression but I digress .  Paraphernalia is a practitioner to plausibility’s cause and should be assimilated through cognizance  not perfunctory preferentialism . Hegelian humanitarianism must supersede political subterfugalism or all may be lost in quagmire .
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Jul 24, 2014
Jul 24, 2014 at 3:48 AM UTC
Paraphernalia
Love's misunderstood By the heart That’s unable to feel We give the meanings So many tags Yet, love’s above all We trivialize And jeopardize Expectations galore None that Love wants Above all our Laid down rules It’s akin to freedom We seem to burden It with materialistic Paraphernalia Love is rustic Most simple of feelings Complicated over the ages Converted to a drama Scripted by falsity It’s above those words Revealing the soul To a pristine feeling Thrown into murkiness Sinister deals Much effort to malign Beautiful Love Let Love be Away from Convoluted thoughts
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Feb 8, 2015
Feb 8, 2015 at 8:53 AM UTC
Love Misinterpreted
I’m old enough to know but too young to know better the state says I’m an adult as of May but I still don’t know what I want to be when I grow up, except for still carrying around my Blankie. Teddy Bear holds up the pipe to my lips I can’t do it on my own, I’m not so good at this, he says breathe deep Baby, I’ve got you. The fuzz on his face is rough when he kisses the top of my head. Taj and Tibby walk in holding hands “Baby!” he smiles and leans down to kiss me “Hey little one” she says and hugs me tight. Lauren and Luke come out of their room and give me big smiles. Everyone is glad I am home and I exhale grey smoke because I am glad too. I am the baby, but I am also the best cook. While I clang pots in the kitchen my man pours champagne and turns on the new speakers. Chicken Piccatta for dinner, because when you feed people, it’s the best way to tell them you love them. The flimsy laminate floors are sticky, the practically cardboard walls are dusty, the room like a cave is dark even with the blinds cracked open but Taj makes us laugh and we dance to the music. Kitchen table cleared of drug paraphernalia becomes the flimsy garage-sale/side-of-the-road version of the dinner table I grew up with. The people crowded onto its edges a kind of family.
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Feb 17, 2012
Feb 17, 2012 at 12:21 AM UTC
Babydoll
Complex innards of the female form, Unrealised by the male definition of the world. Intensity grabs a hold, Locking me harshly onto the cracks in-between. There's no such thing as enough. More and more till faces are torn. Slit in two. Sown up. Slit in four. Sown up. And so on. There's no needle, skin, key. All useless paraphernalia. Inserted into the flesh, Then poured out at death. Empower myself with the force of control. Uncontrolled self-control  lost to control of others. Sunken by unwanted wanting of the sub-conscience. Never to be fixed or forgotten, Just left lingering in the abyss, Eating away at you as you distaste yourself. Visitations upon our corrected correctors, Bringing solace for short periods. Thrown fiercely under the bed to be forgotten again. Convicted to lives of self-mutilation, Self-deprivation, self-contemplation. Hidden behind glistening eyes, just lies. Stand, sit in ****** lanes peering up at the moon. Lungs slowly growing blacker, laced with tar. Hindsight is a curse, ignorance-bliss. All held inside a shaking fist, shaking unwillingly. Unwillingly shaking, kicking walls To knock down, insane with powerless power. Unhinged, unattached. Inside, growls to torture. Outside, smiles to assist.
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Jan 19, 2012
Jan 19, 2012 at 12:19 PM UTC
Dynamic Dynamite
The thick formaldehyde air keeps me awake. Eight hours on fluorescent lights and lemon water pins me to this stiff, rigor mortis chair. Her stifled screams a ward away distract me from counting the ceiling tiles again. Clocks ooze down the wall, time melting in sync with EKGs and IV drips. and I, alone with my blanket and Harry turn to ask him how long we’ve been here why the sky is blue how much a soda from the cart might cost if she’ll be okay. But he just stares blankly with his cold gorilla eyes omniscient in his eternal silence. So I hug him closer to my chest, plastic fur scratching at the soft spot under my chin. Dad paces back and forth along the linoleum, crushing grandmother’s pearls between his teeth like candy mints. and I, alone with my blanket and Harry idly wonder what he’ll pack in my lunchbox tomorrow. It takes me back - this dilapidated Christmas card from ’99, tucked neatly away in a drawer of condoms and last year’s candy corn. A family photo from OR #12 wasn’t “appropriate”, So we chose one from the year before. Three faces plastered on the blood red backing, Season’s greetings through gritted teeth. I throw it back into the box with other useless paraphernalia I should have never kept. Reaching deeper, digging through years like bare fingers through stale grave dirt, I find her hospital bracelet. Twist it between my fingers. Wrap it tight around my wrist, breathe in the familiar formaldehyde scent. and I, alone with my blanket and Harry idly throw it away.
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Jun 18, 2012
Jun 18, 2012 at 10:55 AM UTC
Idle
The thick formaldehyde air keeps me awake. Eight hours on fluorescent lights and lemon water pins me to this stiff, rigor mortis chair. Her stifled screams a ward away distract me from counting the ceiling tiles again. Clocks ooze down the wall, time melting in sync with EKGs and IV drips. and I, alone with my blanket and Harry turn to ask him how long we’ve been here why the sky is blue how much a soda from the cart might cost if she’ll be okay. But he just stares blankly with his cold gorilla eyes omniscient in his eternal silence. So I hug him closer to my chest, plastic fur scratching at the soft spot under my chin. Dad paces back and forth along the linoleum, crushing grandmother’s pearls between his teeth like candy mints. and I, alone with my blanket and Harry idly wonder what he’ll pack in my lunchbox tomorrow. It takes me back - this dilapidated Christmas card from ’99, tucked neatly away in a drawer of condoms and last year’s candy corn. A family photo from OR #12 wasn’t “appropriate”, So we chose one from the year before. Three faces plastered on the blood red backing, Season’s greetings through gritted teeth. I throw it back into the box with other useless paraphernalia I should have never kept. Reaching deeper, digging through years like bare fingers through stale grave dirt, I find her hospital bracelet. Twist it between my fingers. Wrap it tight around my wrist, breathe in the familiar formaldehyde scent. and I, alone with my blanket and Harry idly throw it away.
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42
On the long continuous bench in Audobon park, New Orleans, I sat watching the Siren statue. Her hand high with proud strength of her metallic near-immortality. Her cherub children sitting on bronze turtles, holding separate items of ritual in their hands, perhaps a conch, perhaps a lute. As the Siren stood on her globe, a murky green orb of a thing, there were lovers and birds, children and historians with photographic memories in their voguishly composed hands, crouching, cropping, and framing images as infinite as the bronze statues. I wondered. If our memories were as sound as granite, and our hearts as pure as the water that froths at a Siren’s feet, would we enjoy and enjoin our attempts, our passions, to act as our own scaffolding to our existence? Would we appreciate the small things, pleasures of love, photographs and amazement that only those bound to and cursed by time could possibly appreciate? Have you actually seen the faces of these bronze castings, once earthly golden in hue, but now terrorized with their own emblems of decay in sheen of turquoise tarnish? Those smiles of the Siren on her globe, her frolicking cherub chums with eternal infantile fists and oceanic paraphernalia, are not the smiles we should ever want to understand. There was a breeze. Somewhere in the leaves of an old photo album, across the globe beneath the Siren’s feet, sits an island I call home. Amongst them, the photos of the young boy who always questioned and liked answers all the same now was by and beside himself. His smile eternally saved for the memories of souls yet to come, and no less by the loving eyes of a mother, with voguishly composed hands.
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Apr 6, 2013
Apr 6, 2013 at 2:46 PM UTC
Something in the Sparkle of Reflection
On the long continuous bench in Audobon park, New Orleans, I sat watching the Siren statue. Her hand high with proud strength of her metallic near-immortality. Her cherub children sitting on bronze turtles, holding separate items of ritual in their hands, perhaps a conch, perhaps a lute. As the Siren stood on her globe, a murky green orb of a thing, there were lovers and birds, children and historians with photographic memories in their voguishly composed hands, crouching, cropping, and framing images as infinite as the bronze statues. I wondered. If our memories were as sound as granite, and our hearts as pure as the water that froths at a Siren’s feet, would we enjoy and enjoin our attempts, our passions, to act as our own scaffolding to our existence? Would we appreciate the small things, pleasures of love, photographs and amazement that only those bound to and cursed by time could possibly appreciate? Have you actually seen the faces of these bronze castings, once earthly golden in hue, but now terrorized with their own emblems of decay in sheen of turquoise tarnish? Those smiles of the Siren on her globe, her frolicking cherub chums with eternal infantile fists and oceanic paraphernalia, are not the smiles we should ever want to understand. There was a breeze. Somewhere in the leaves of an old photo album, across the globe beneath the Siren’s feet, sits an island I call home. Amongst them, the photos of the young boy who always questioned and liked answers all the same now was by and beside himself. His smile eternally saved for the memories of souls yet to come, and no less by the loving eyes of a mother, with voguishly composed hands.
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5
You're so dangerous with your profane paraphernalia Your pelvis postures pandering favor The line of your stomach embossed by the fire is like a pasture for me So paranoid with your pacifistic lust As you proceed to please me with your posture so slightly And I attempt to pursue oh so politely You make me perk up like a peacock just with one peak You're aware of every petty palpitation you can feel just under my sleeve You play me like a piano, so plush with your lust politics Pandering for a pardon of my ***** talk poignancy I part you like Pluto from your orbits serene hum I'll pleasure you, pleasure you until you're purple like a plum A pastimes poetises to be written with pleasing lead You plan every move like a predator in my bed You're polarizing, plump, and pampered like a pageant doll Pilfering every plausible pause with a pose of voice, your moan Seizing the post with your post - modern pompous pouncing Prompted like Pisces to postulate your prognosis Lifting your posterior like the pun of a phaliccy Pillaging me like a pandemic, a plague Something to be paraded by paganistic plauds Your pale skin is like playwear for sins You're pinning me plastered with the play of your grin Such a pretty motion picture to paint in the prison of your promise
0
May 17, 2014
May 17, 2014 at 1:41 AM UTC
P****
"Who am I, mother? Who am I and what do I do?" –Norman to his mother Norma, "Bates Motel" And so it goes, a split self - the protagonist defending the darkness as Bizarre murders satisfy obsessions of a mothers love, taking a Chefs knife, stabbing victims to death. Dualistic wars within, a helpless man whose mother taught him of the "Evils of women," instilling her own moralities of their wickedness. Fostering the antagonistic personality of his mother Giving to his incomplete soul a sense of wholeness. Hidden behind the boy next door innocence, a terrified man Incarcerated; locked & bolted Juddering with fear - promising to adhere - set free said to be "cured." Kleptomania returns; unearthing bodies from their graves, stealing skulls; a comforting souvenir, as Loving anyone meant destroying them also. Multiple personalities dominate him Norman Bates becomes Norma; his mothers persona, crawling into her skin Originating from their very kiss, kick starting a timeless love affair Paraphernalia of skins tanned, butchered conquests -keepsakes turned to art & now protecting an un Quiet mind Reasons pertaining to mental insanity Sectioned to institutions Taxidermy as a young boy fascinated his mind Urges to **** & fill, feeding euphoric highs, & even Vertigo. Women thrilled him; their smell lingered on each garment he kept. Xenos to himself; who, am I mother? Youth denied, cried away Zenith ended; his final resting place behind the bars of Mendona Mental Health Institution, 1984. © Sia Jane
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Feb 1, 2015
Feb 1, 2015 at 8:21 AM UTC
******
"Who am I, mother? Who am I and what do I do?" –Norman to his mother Norma, "Bates Motel" And so it goes, a split self - the protagonist defending the darkness as Bizarre murders satisfy obsessions of a mothers love, taking a Chefs knife, stabbing victims to death. Dualistic wars within, a helpless man whose mother taught him of the "Evils of women," instilling her own moralities of their wickedness. Fostering the antagonistic personality of his mother Giving to his incomplete soul a sense of wholeness. Hidden behind the boy next door innocence, a terrified man Incarcerated; locked & bolted Juddering with fear - promising to adhere - set free said to be "cured." Kleptomania returns; unearthing bodies from their graves, stealing skulls; a comforting souvenir, as Loving anyone meant destroying them also. Multiple personalities dominate him Norman Bates becomes Norma; his mothers persona, crawling into her skin Originating from their very kiss, kick starting a timeless love affair Paraphernalia of skins tanned, butchered conquests -keepsakes turned to art & now protecting an un Quiet mind Reasons pertaining to mental insanity Sectioned to institutions Taxidermy as a young boy fascinated his mind Urges to **** & fill, feeding euphoric highs, & even Vertigo. Women thrilled him; their smell lingered on each garment he kept. Xenos to himself; who, am I mother? Youth denied, cried away Zenith ended; his final resting place behind the bars of Mendona Mental Health Institution, 1984. © Sia Jane
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30
on the margin the paraphernalia employed to obtain the sweated inspirations to tell these lies randomized stories, factuelle (feminine) pestle and mortar martyrs, crushed together, drink in her form, the S curves of her shape, my fav place, on a long list of favs, and she says; hey poetry man! which renders my 100 or so senses, that radiate, congregate, infantuate rendering moi delightfully attentive, and I think: Solitude: Be All well and good, wells and veins awaiting for spelunking & mining for the nexus of the next line, but when she summons me, with a cherished honorific I am sundered by words deep felt, and the next line forgotten, disappeared and for multiples,of poems, that die heart busted broke when she call poet, come, it is like living in a gearbox Stuck in Fifth, that message of multiplex pixels, so engaging and so many container conceptual structures, those poetic burst and bust out,, gnawing to be released free, ***** solitude, it’s her attitude that gives more than I can handle… and the poems are about the conjoining of the mutuality of our: soliciting solitude attitude
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Aug 4, 2024
Aug 4, 2024 at 11:03 AM UTC
soliciting solitude attitude
I'm not a great man, But, I've been here and there, and I've learned a lot. Like how not to get shot, And where to buy *** I've bent every misdemeanor law, Some would call me a libertarian, I say democracy is a farce, Keep your vote, and leave me out of it. Most of what I know is useless idiosyncratic observation. For instance, I know how many days it takes to hide 73 pipes, and other miscellaneous paraphernalia. My father was raised in the depression, He refused to let us throw anything out, And we had a chest of drawers, full of old junk. Watches without bands, and any piece of scrap paper, That had free space on it. Last years receipt, dry cleaning tickets, etcetera... And, Subsequently, It rubbed off on me, And I hate throwing anything out. I don't buy new stuff, until the old stuff goes bust. I had a 10 pound Toshiba satellite, for 8 years, Until the plug jack came loose, and I fried the sucker. So when my doctor told me I had to quit smoking... Everything, I had forty plus years of accumulated paraphernalia. I gave a pipe, to friends who were interested, But it wasn't enough. I hear you saying it now, "You irresponsible old lunatic!" And you're right, but I look at it a little different. You might call it promoting lawlessness, I say a law that is obsolete should be repealed. Walk down the street, you'll see the dime bags, and blunt wrappers everywhere. No need to promote something that will happen anyway. Teens will smoke, so I hid a bunch near high schools. Up at Rutgers, I hid one in ten different buildings, A few outside of the police station, and the courthouse, And one in the bushes of my snobby neighbor. Any place I could think of, I hid a pipe. Rebellion be ****** I did it because I felt good, Like a simple ********** A stolen cherry, in the supermarket. Sowhatsthepoint? Crime isn't cool kiddies, But, as long as you steer clear of felonious activity, They won't send you to real **** ****** jail. Even your grandma, probably jaywalks from time to time. Oh if you stumble on one of my pipe hiding spots, Don't touch it until your old enough.
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Aug 24, 2012
Aug 24, 2012 at 9:18 AM UTC
Hiding Pipes
I'm not a great man, But, I've been here and there, and I've learned a lot. Like how not to get shot, And where to buy *** I've bent every misdemeanor law, Some would call me a libertarian, I say democracy is a farce, Keep your vote, and leave me out of it. Most of what I know is useless idiosyncratic observation. For instance, I know how many days it takes to hide 73 pipes, and other miscellaneous paraphernalia. My father was raised in the depression, He refused to let us throw anything out, And we had a chest of drawers, full of old junk. Watches without bands, and any piece of scrap paper, That had free space on it. Last years receipt, dry cleaning tickets, etcetera... And, Subsequently, It rubbed off on me, And I hate throwing anything out. I don't buy new stuff, until the old stuff goes bust. I had a 10 pound Toshiba satellite, for 8 years, Until the plug jack came loose, and I fried the sucker. So when my doctor told me I had to quit smoking... Everything, I had forty plus years of accumulated paraphernalia. I gave a pipe, to friends who were interested, But it wasn't enough. I hear you saying it now, "You irresponsible old lunatic!" And you're right, but I look at it a little different. You might call it promoting lawlessness, I say a law that is obsolete should be repealed. Walk down the street, you'll see the dime bags, and blunt wrappers everywhere. No need to promote something that will happen anyway. Teens will smoke, so I hid a bunch near high schools. Up at Rutgers, I hid one in ten different buildings, A few outside of the police station, and the courthouse, And one in the bushes of my snobby neighbor. Any place I could think of, I hid a pipe. Rebellion be ****** I did it because I felt good, Like a simple ********** A stolen cherry, in the supermarket. Sowhatsthepoint? Crime isn't cool kiddies, But, as long as you steer clear of felonious activity, They won't send you to real **** ****** jail. Even your grandma, probably jaywalks from time to time. Oh if you stumble on one of my pipe hiding spots, Don't touch it until your old enough.
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52
the vastness of an empty soul demystifies the Grand Canyon and shrinks the universe to microscopic molecules barely able to manipulate energy matter that doesn’t matter madder than a hare in March balance skewed undue pressure seasonal disfunction disorder ordering medication naturalization seeking citizenship in an isolation township serving only self-pity to the self-destructive – squatting, gargoyle surveyor on the job soaking in the loathing basking in the glow caused by the discontent of others opioid android locked in the void unemployed laughing at misery in mercy centers meticulously mimicking the miscreants impersonating pain seeking to blend – ostracized miser in designer jeans obscene in drag queen regalia “whiskers from under his pancake make-up” wake-up Godiva, locate the paraphernalia mammalian musculature hide the heart of a snake as she slithers across the floor searching for the perfect surfactant ….her scaly skin itches, uncomfortably tearing my lip skin in the din of her poorly lit closet – together in terror, the admission seems worth the cost lost in the sweet melody of sobbing children and clattering dishes shattered visions misgivings estrangement entangled with commitment obligations oblivion and orange peals appealing to a higher power unanswered questions hover inconsequential adding to the ozone depletion and altered climate owning blame for all the world and her problems I sit with shoulders slumped –
0
Jun 24, 2014
Jun 24, 2014 at 12:23 PM UTC
easy to say, hard to do
If you stare out of a window Across a bleak garden some September morning If the neem tree in the garden reminds you of home Vast, old, timeless If you remember playing under a neem tree in Allahabad And you can almost hear the laughter of children as they play In the heat of a sultry afternoon in June And because the window is small and barred and cannot open Because you want to breathe freedom Because you want to shower without them watching Because you silently swallow your screams Because your mind is starting to get fuzzy Because your tongue is starting to slur Because you have started drooling Because your fingers shake when you write Because the words Ritalin Prozac Depakote Lithium Have started sounding like poetry Because you feel your resistance slowly dying Because you start to say the words they want to hear Because you know the glazed look in the eyes of others Is in your eyes too Because this confluence of muscle and bone is wasting Because you sleep for hours Because you now smile at your doctors Because you scream when the ECT paraphernalia is wheeled in Because no one cares Because once you’re labeled, you will be forever Because asylums were once freak shows Because asylum is not what it means You go back to staring Staring Staring Staring Staring Staring Staring Staring
0
Feb 29, 2016
Feb 29, 2016 at 1:05 PM UTC
Staring
State of union as we're unified, we're lateral parallel, paraphernalia in our religions to add to this televised broadcast forecasting short cuts and short comings Sure— I'm running out of excuses tongue-loosened painfully, but who thought, the chief that is, invited everyone to our ghost dance they stand and applaud, Me at the helm of our podium they **** and they gawk, you at my breast plate the air I drink is futile I cough, But Is it kosher? Nova Scotian landscapes supplementing dinner, The candles on your dessert,  reminds me of our fire, We once had, We flicker, Once singular now plural -- yes adulting made us thorough, through the rigours, I feel different YOU'RE TRIGGERED, them posts traumatic symptoms I remind you of frequently, I listen I sin again, I sin again Differently, You take me back, Religiously, And say, meditation is key, Khalad would be proud emotionally I'm wolverine -- Untouchable, But that was yesterday and I'm trynna say, Sorry I'm trynna be unguarded as a point guard off the inbound, Pointing to your tilted crown — Adjust it to your coils Flag a waiter down, Beef is not what I wanted nor pleasant to your palette major key — take the salmon Overall I think we're better now, I asked my mom about you and my aunt about your culture What you really need is closure Instead of asking for permission, settled for forgiveness, you sweep your pride away in the name the victim, Treat me like I treated you Treat me like you're bullet proof, Treat me like those systematic flaws -- Unforgivable You left me?
0
Dec 2, 2016
Dec 2, 2016 at 8:50 AM UTC
Insecure
State of union as we're unified, we're lateral parallel, paraphernalia in our religions to add to this televised broadcast forecasting short cuts and short comings Sure— I'm running out of excuses tongue-loosened painfully, but who thought, the chief that is, invited everyone to our ghost dance they stand and applaud, Me at the helm of our podium they **** and they gawk, you at my breast plate the air I drink is futile I cough, But Is it kosher? Nova Scotian landscapes supplementing dinner, The candles on your dessert,  reminds me of our fire, We once had, We flicker, Once singular now plural -- yes adulting made us thorough, through the rigours, I feel different YOU'RE TRIGGERED, them posts traumatic symptoms I remind you of frequently, I listen I sin again, I sin again Differently, You take me back, Religiously, And say, meditation is key, Khalad would be proud emotionally I'm wolverine -- Untouchable, But that was yesterday and I'm trynna say, Sorry I'm trynna be unguarded as a point guard off the inbound, Pointing to your tilted crown — Adjust it to your coils Flag a waiter down, Beef is not what I wanted nor pleasant to your palette major key — take the salmon Overall I think we're better now, I asked my mom about you and my aunt about your culture What you really need is closure Instead of asking for permission, settled for forgiveness, you sweep your pride away in the name the victim, Treat me like I treated you Treat me like you're bullet proof, Treat me like those systematic flaws -- Unforgivable You left me?
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59
I'll find you your answers in the bottoms of your cocktail glasses The solution to whatever keeps you up all night, I know the poison that plagues you, you know mine. I know your words are locked behind jail cell toothy smiles and smokey eyes, I know you don't remember I exist when you're not ******* me. "Get me drunk", you say. As if I'm your favourite bad influence. You love priya pressure like I'm a guilty pleasure... Like I'll teach you how to stray from pruned paths and get your hands and knees ***** and how to get stains out of cotton dresses Like I'll teach you how to **** yourself slowly Like I'll teach you to be the person your mother prayed you would never be Because you think you like *** drugs and gold toothed gangsters, you think you'll want to stick with me. I know this isn't who you really want to be. I know this isn't who we are. Our hands may reach for each other or others or paraphernalia or liquid lovers, but both know we're reaching for some thing further. Out of reach and out of our time. Out of the circle that came from a line. Out of the room when you're out of your mind, out out I need out
0
Apr 23, 2015
Apr 23, 2015 at 11:19 AM UTC
Bad Boy Ballad
Another night like so many others. A night made up of the dope laced hours that slowly  made up a life. A black cat laid curled in a tight ball on a worn wine stained carpet. The fluorescent light of the Atrium softly lit the otherwise darkened room. Quiet except for the hum of the refrigerator and the tiny waterfall that trickled away inside the Atrium. There was music playing,so low it was as if it was something that came from a dream. Two lost souls took their places at either side of the counter top and dove deep into their demons. Both quietly concentrated on their potions. The tiled counter top was littered with paraphernalia,empty beer bottles,ashtrays that needed to be emptied, lighters, burnt spoons,tin foil and empty plastic baggies. One chased the dragon, while the other desperately searched the crook of his arm for a vessel. There wasn't too much conversation. There was only one  goal here. And it didn't involve words. The silence was broken when one lost soul said to the other, "I don't dream anymore". The one with the harpoon in hand said. "You have to sleep" The dragon slayer replied as he exhaled yet another slayed beast. "When I sleep its like I die". The Archer said as he pressed the point up against a blue black dying vein. The black cat stood and stretched as a siren passed outside. Another dragon was slain as the siren faded into the night. The one with the point drew blood and smiled. The slayer chased another dragon,then looked over as the black cat climbed to the open window and out into the welcoming night. "Then that's the dream" the dragon slayer said then smiled a smile that only a poppies blood can produce. The harpoon handler looked up and grinned, then found his target and continued on with his quest for the warmth. He smiled to himself as he pushed on the stopper and once again played with death.
0
Mar 13, 2014
Mar 13, 2014 at 7:36 AM UTC
Conversation Between Hunters
Another night like so many others. A night made up of the dope laced hours that slowly  made up a life. A black cat laid curled in a tight ball on a worn wine stained carpet. The fluorescent light of the Atrium softly lit the otherwise darkened room. Quiet except for the hum of the refrigerator and the tiny waterfall that trickled away inside the Atrium. There was music playing,so low it was as if it was something that came from a dream. Two lost souls took their places at either side of the counter top and dove deep into their demons. Both quietly concentrated on their potions. The tiled counter top was littered with paraphernalia,empty beer bottles,ashtrays that needed to be emptied, lighters, burnt spoons,tin foil and empty plastic baggies. One chased the dragon, while the other desperately searched the crook of his arm for a vessel. There wasn't too much conversation. There was only one  goal here. And it didn't involve words. The silence was broken when one lost soul said to the other, "I don't dream anymore". The one with the harpoon in hand said. "You have to sleep" The dragon slayer replied as he exhaled yet another slayed beast. "When I sleep its like I die". The Archer said as he pressed the point up against a blue black dying vein. The black cat stood and stretched as a siren passed outside. Another dragon was slain as the siren faded into the night. The one with the point drew blood and smiled. The slayer chased another dragon,then looked over as the black cat climbed to the open window and out into the welcoming night. "Then that's the dream" the dragon slayer said then smiled a smile that only a poppies blood can produce. The harpoon handler looked up and grinned, then found his target and continued on with his quest for the warmth. He smiled to himself as he pushed on the stopper and once again played with death.
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55
An alien desire takes over Never felt before New awareness of existence When I obliterate the visible Fortify the mind from distractions So many structures Creating an ugly landscape Obfuscating the horizon Take control of the imagination To expunge the unnecessary Extravagant paraphernalia Overt exhibition of the trivial Making a jest of this rich life Veer away from the mindless journey Let the alien desire take over None but you can salvage yourself From the onslaught of false conformations Nothing of this will last Take refuge in the truth of nothingness Be aware of new existence In perfect ecstasy and coherence With the harmonious waves of universe
0
Apr 22, 2015
Apr 22, 2015 at 8:26 AM UTC
A New Desire
It’s that awkward time between 5 and 6 pm where his eyes are the colour of mocha brown stained novel pages and finger tips callused and crinkled with years of practicing and gripping too tight on a black biro pen. He turns the corner of the street and we make a narrow escape to the highway where careful mothers have their children strapped to seats wailing with voices so shrill yet so untouched and pure.. And I turn and I look out the window and plaster on a sad look like I’ve been copy pasted out of a sad music video about boys and breakups and lost loves, reminiscent of the paraphernalia of stories and soaps and television shows my mother used to watch. Slowly I turn and I feel a tap on my shoulder blades and he asks me if I’m ok but secretly I’m wishing and hoping that there’s more to life than this god forsaken city but I still say I’m fine anyway. "The city looks really nice this time of day" he says and I just don’t see it because everything around me is illuminated in fake fluorescence and wired in with the hands of a man who’s just lost his wife and swears his depression is just a phase. "Squint and you’ll see it" he insists but I can’t because the world is in monochrome and the concrete of the buildings are the tombstones of chivalry and manners, filled to the brim with office workers hunched over stacks of papers and lists. He turns left at the third intersection and laughs at a man squabbling drunk cursing the world on the side of the road and I hope he doesn't know that it was what I'd do if he let me grab the bottle of Jack from the trunk. "Goodnight and godspeed," he laughs and I say **** off" in exchange for a hug and so another day passes in the presence of car windows and rolling cityscapes.
0
Dec 9, 2013
Dec 9, 2013 at 10:03 PM UTC
Of Car Windows and Rolling Cityscapes
It’s that awkward time between 5 and 6 pm where his eyes are the colour of mocha brown stained novel pages and finger tips callused and crinkled with years of practicing and gripping too tight on a black biro pen. He turns the corner of the street and we make a narrow escape to the highway where careful mothers have their children strapped to seats wailing with voices so shrill yet so untouched and pure.. And I turn and I look out the window and plaster on a sad look like I’ve been copy pasted out of a sad music video about boys and breakups and lost loves, reminiscent of the paraphernalia of stories and soaps and television shows my mother used to watch. Slowly I turn and I feel a tap on my shoulder blades and he asks me if I’m ok but secretly I’m wishing and hoping that there’s more to life than this god forsaken city but I still say I’m fine anyway. "The city looks really nice this time of day" he says and I just don’t see it because everything around me is illuminated in fake fluorescence and wired in with the hands of a man who’s just lost his wife and swears his depression is just a phase. "Squint and you’ll see it" he insists but I can’t because the world is in monochrome and the concrete of the buildings are the tombstones of chivalry and manners, filled to the brim with office workers hunched over stacks of papers and lists. He turns left at the third intersection and laughs at a man squabbling drunk cursing the world on the side of the road and I hope he doesn't know that it was what I'd do if he let me grab the bottle of Jack from the trunk. "Goodnight and godspeed," he laughs and I say **** off" in exchange for a hug and so another day passes in the presence of car windows and rolling cityscapes.
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8