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Johnny Zhivago Aug 2013
Spanish influenza
walking pneumonia
icepick headache
common cold
whooping cough
Diabetes
anorexia
getting old

flat foot
bad back
heel spur
heart attack
spasticus
autisticus
tongue tied
amb(i)dextrous

my weakness
is my forte
my sickness is  my skill
my illness
is my realness
it makes my life a thrill


Trying to fight this
bronchitis
gangrene
runny nose
frostbite
tooth decay
hat hair
broken bones

bed bound
shell-shocked
flea ridden
sinusitis
cholera
dropsy
eliphantitis
out-all-nightis

wom­b fever
winter fever
black water fever
remitting fever
ship fever
jail fever
camp fever
or schizophrenia

scarlet fever
tuberculosis
American plague
rock n roll
Wheezing
Paralysed
Got gas
In both holes

rabies
scabies
rickets
and SARS
man flu
bird flu
swine flew
from Mars

multiple sclerosis
tennis elbow-sis
stomach ulcers
and leukaemia
night blindness
hypothermia
lung cancer
sickle-cell anaemia

French pox
Lockjaw
Polio
Gout
Nostalgia
Dropsy
Knocked right
Out

Stuttering
Bellyacher
Anti-social
Leprosy
Sleep walker
Sleep talker
Absent minded
OCD

Tourettes, ****
Pyromania
tonsillitis
Conjunctivitis
Food poisoned!
Warted over
My Psoriasis
(Will I survive this?)

Measles
Malaria
Meningitis
Migraine
Scrum-pox
Worm fit
Water on
the brain

apparitions
seeing things
rattly chest
bad breath
la duzi
tormentation
inflammation
black death

measles
malaria
migrane
mumps
leprosy
lice and
leg bone
lumps

kleptomania
bubonic plague
black *****
feeling ****
bone shave
falling sickness
wanna stop
just cant quit

Huntington's and
Parkingson's and
Hare-lipped
Hay fever
Typhoid fever
Glandular fever
Night fever
And Hysteria

intellectual
dyslexia
dysfunctional
family
cancer crab
stillborn twin
bad blood
epilepsy

Parking spot
disabilities
all the wounds in
all the militaries
pity thee with
lost agility
lost babes or
infertility

ear infection
starvation
Hepatitis
E to A
smallpox
chicken pox
cow pox
what a day

tuberculosis
stuttering
panic stricken
star struck
scurvy
shingles
headless chicken
bad luck


paranoid
in the void
premature
*******
stomach ulcers
feeble pulses
chronicled
*******

autistic
gallstones
double-jointe­d
wrists and knees
consumption
bad digestion
quinsy palsy
ticks and fleas

amnesia
typhus
amnesia
heart failure
radiation
cholera
amnesia
bad behaviour

Hypochondriac?
By gosh, no!
Poorly are ye?
‘Fraid so.


nostalgia
        suffer me
wanderlust
suffer me
insomnia
suffer me
loneliness
let me be



god
complex
mother
complex
father
complex
ego
complex

­

its complicated
im superior
its complicated
im inferior
its complicated
im a short man
got ingrown hairs
got a bad tan



im suffering
ocd
im suffering
obesity
im suffering
jealousy
xenophobia
and nosebleeds



stokholm
syndrome
toxic shock
syndrome
got it down
syndrome
irritable bowel
syndrome

yellow nail
syndrome
stevens-johnson
syndrome
restless leg
syndrome
shoulder-hand
syndrome

lambert-eaton
syndrome
mi­ddle-lobe
syndrome
mobius
syndrome
pickwickian
syndrome

post rubella
syndrome
riley day
syndrome
straight back
syndrome
ulysess
syndrome



alcoholics
we are prone
drug addicts
we are prone
mind benders
we are prone
fortune spenders
we are prone



My illness, my illness
My illness is my realness

*Pick it up
Tide it over
Fight it off or
Cave in

Save it
Suffer it
Pass it on
When its Raining

bleed him
restrain him
shave his
head

he went from being
quite well
to being quite
dead.
unfinished but did you bother to the end?
Martyn Thompson Aug 2011
i - Introduction:
ii - Lismore Park
iii - The Road to Maidenhead
iv - Town Square
v - Contradiction, contraband
vi - Saturday Afternoon
vii - The Circus Comes to Town (Sunday)
viii - The Show
ix - The ringmaster
x - The Fracas
xi - An incident at Upton Park
xii - No ball games
xiii - New found…
xiv - Nearly done
xv - Another time…

i - Introduction:

Come friendly bombs you’ve still to hit
The place whose name means quagmire
The town, the place that’s left bereft
Of soul, of spiritual fire.
But hurry, hurry, please be fast
For the crack dealer plies his trade
With slight of hand and cunning
A ghetto he’ll have made

The peroxide perms have now all grown
And muster outside shops
To wait for the be-suited sales rep
With his rocks and his alco-pops
They’ve all spawned offspring of their own
Fifteen-year-old cradle pushers
Who sold their souls in return for hope
To thirty year old cradle snatchers

Come friendly bombs it’s plain to see
The vacant, empty faces
The lifeless eyes, the pallid skin
The love that leaves no traces
The love that lasts a knee trembling minute
Outside Harry’s and Sluffs
A love that smells of emptiness
O they cannot get enough

Come with me, look over there
To the sculpture in the mall
The stainless tree with it’s stainless birds
And stainless birdsong call
A bird sings and the town all stops
To see from where this sound will show
A bitter disappointment when learned
It was played on the radio

Community service on the airwaves
To draw the crowd together
A song played, a one hit wonder
Reminds us nothing is forever
The sterile radio station plays on
Opiates to which we should yield
And bare our souls and be grateful for
The song of Bedingfield

ii - Lismore Park

The sight of a child playing in the street
Is one of day’s gone bye
But Lismore Park sees them out in droves
Stealing cars and getting high
The twelve year old sent out to play
Whilst mother takes a knap
But really she’s having it away
For a fiver and a brown wrap

The party at the house next door
That never seems to stop
The men all come and go and paw
Girls in this knocking shop
But halt weary traveller, stop!
Come sit and rest your back
The bench awaits you on the green
And the deluded maniac

The man who knows what’s wrong with you
And how to make it better
As long as he keeps his soul filled up
With cheap White Lightening cider
Six large cans for a five-pound note
From the corner shop near the school
An offer really not to be missed
And to make the drunkards drool

A songbird sits on the climbing frame
And sings his cheerful tales
A tune too much for our dear lush
The maniac exhales
The songbird sings and fills the air
With a loving string of notes
That reminds the sitters on the bench
There may still be a hope

A radio plays ‘that’ song again
Should you dare to forget the rhythm
The bird has flown away now
Fed up with this hypnotism
The airwaves are now filled with dross
Thanks to the flat opposite the green
The weary traveller moves on
“Better days has this place seen”

iii - The Road to Maidenhead

O friendly bombs do try to miss
The sweet blossom, the fragrant smell
The flowers, the green grass of the parks
The havens in this hell
Be careful around the Jubilee River
With it’s wildlife and sculpted hills
For a walk in this very man-made place
Will surely heal your ills

But spare no mercy for the superstores
That pollute and destroy our thoughts
“If it’s not on the shelf, we haven’t got it…”
The familiar assistants’ retort
Take no prisoners with the office blocks
That lay empty year after year
For they clutter up the atmosphere
And have no value here

O friendly bombs, o friendly bombs
The cabbages are all grown
They read the Sun and sing along
To the radio’s dreaded drone
Whilst in their vans they speed on by
Jumping all the lights
To price a job – a small brick wall
Based on a thousand nights

The car showrooms… the car dealers
Stack ‘em high and sell them cheap
Chop-chop salesman, soften ‘em up
The rewards are there to reap
Finance, part exchange or cash
Anyhow you like
“No sir, not me sir…
…I’d prefer to use my bike”

The bustle of the weekend crowds
The steamy traffic queues
Stare too hard at that red car
And suffer the abuse
Overtake the blue one now
And make him toot his horn
See him raise his voice in anger
To satisfy his scorn

iv - Town Square

Saturday morning, seven o’clock
The town begins to wake
A pair of sleeping winos
Dream about their fate
They plan their morning sermon
But who will really care
For what they say means nothing
Less than their icy stare

The busker and the balloon man
Wait to take their turns
To entertain and irritate
And suffer being spurned
By a thousand shady shoppers
Who’ve heard it all before
And probably given hard earned cash
To make them play some more

The trickster and the barra’ boys
Set up all their stalls
Selling mobile phone covers
And fake branded hold-alls
Adorn your phone with logos
Hankies for a pound
“Yes sir, we’re here on Sundays…
…(Providing there’s no police around)”

Grab a baked potato and sit
And watch the folk go by
Some will have you in hysterics
Some will make you cry
The man on his double-glazing stand
In his suit and in his tie
The perspiration on his head
Watch him wilt and fry

The songbird settles on the wall
And sings to our delight
A merry sonnet that will inspire
Dreams we’ll have that night
The wino shouts his sermon now
The bird has paused his song
This post-war sprawling Hooverville
Muddles slowly along

v - Contradiction, contraband

On the steps of the library he screams aloud
Through a mist of smuggled gin
“You’re all fools, the lot of you is ****
I’ve not committed sin…”
“It’s not my fault I’m a lush… a drunk
I don’t choose to live this life”
“You’re all wrong in carrying on
It’s you what’s caused my strife”

In his wretched form he abuses the world
Pooh-poohing this and that
A skunk telling the world it stinks
The polemic polecat
“Society has robbed me of everything
And left me less than whole”
“The only day that’s good is Thursday
When the postman brings me dole”

On Friday he meets his dealer
To fuel his pickled mind
The man with the van on Saturday
With the spirit and the wine
By Monday, he’s all skint and broke
The weekend has passed him by
He takes his place on the library steps
We shake our heads and sigh…

Every week the same routine
The same routine again
Like clockwork his life ticks on by
The suffering and the pain
But he tells us it’s all our fault
We’re the ones not right
But it’s very easy for him to say
The man who’s so contrite

The children watch him puzzled
It’s more than they can bear
“It’s very rude…” their mothers say
“To stand like that and stare”
But what, do they expect their young
To ignore this fool a mumbling?
For they will see it for what it is
A stormy weather warning

vi - Saturday Afternoon

I sit on a wall in Slough with friends
Sharing the Dutch export
Watching and laughing at the world
And it’s variety of sorts
A happy bond that we all share
The joy of simple things
Come friendly bombs and gather round
Watch us while we sing

The friendly bombs you call upon
Are they straight off the shelf?
It’s my belief, my firm belief
The bomb is in yourself
Ticking slowly by and by
Just waiting for the code
To trigger you and trip the switch
To make the bomb explode

We watch the people from where we sit
The hellholes they’ve all made
They don’t live they just exist on
The edge of a razor blade
Stop! Step back and take a look
It’s not too late to change
And become what you really want to be
An icon of your age

Over now to Langley Park
To sit and bathe in the sun
O friendly bombs please wait a while
Until this day is done
But what will tomorrow bring my friends?
And will it come too late?
Something that may save us all
The bombs may have to wait

A sedate sleepy Saturday
Away from all the crowds
Share a joke, a ****, a smoke
And laugh together loud
The sun warms our sombre souls
As on our backs we lie
Staring as the clouds roll by
United under the sky

vii - The Circus Comes to Town (Sunday)

Halt now, wait awhile please
Stop the counting down
Today the air is charged with joy
The circus comes to town
Must have arrived last night we think
Under cover of dark
And settled down and pitched it’s tents
In the grounds of Upton Park

The queue to purchase tickets
Trails far along the road
No. 53 offers cups of tea
From outside her abode
The crowds are mum, they say not a word
As they wait their turns to go
Inside the circus big-top tent
And sit and watch the show

We settle down and take our seats
With an ice-cream and a coke
But wait, where are the circus clowns?
Is this some kind of joke?
A wall of mirrors fades into view
And puts us in a spin
Reflecting all the bright lights
The colours and the din

The ringmaster enters, cracks his whip
And hands out little slips
“Everyone’s a winner” was
On every body’s lips
The clowns they all appear now
With a modicum of fuss
Hold on just a minute now!
The clowns we see are us

A spotlight points up to the gods
At the top of the trapeze
A giant money spider glides
Down with greatest ease
He touches each and everyone
All paralysed with fear
And hands out ten pound notes to all
Then promptly disappears

viii – The show

A strongman strolls out slowly with
A length of iron bar
A leopard spotted leotard and
Moustache sealed with tar
He looks around the big top with
A menace and a sneer
Surveying all the audience
He seeks a volunteer

The white van man he raised his hand
The tattoo on his arm
Said this man must not be crossed
To do so would mean harm
The strongman bent the iron bar
Across the van man’s back
Then invited him to strike him down
An unprovoked attack

The van man clenched his hand and hit
And hurt his mighty fist
A statue of the strong man shattered
Turning into mist
The van man stood and stared in fear
The mist it gathered round
And carried out our hero driver
He hardly made a sound

No-one clapped we all just stared
Our faces ghostly white
The strongman re-appeared and looked for
A second stooge that night
No-one raised a hand in fact
No-one said a thing
The strongman shrugged and vanished…
Empty was the ring

A knife thrower was the next to appear
And seek the help of one
With nerves of solid steel and courage
Secondly to none
Down came a fallen woman
Who said she had no fear
A knife was thrown and pierced her skin
Her right large ear-ringed ear

ix – The ringmaster

A second knife it struck her chest
She didn’t seem to weep
She didn’t seem to be in pain
Although the knife was deep
A third knife struck her arm and then
A fourth it struck her head
The knives that should be missing her
Were hitting her instead

Horrified the crowd looked on
Without a fuss or row
The woman now all full of blades
Politely took her bow
She then went back and took her seat
And never said a word
Not another word she said
And not a word she heard

A magician was the next to charm
And thrill us with his tricks
He pulled a rabbit from his hat
Then sat it on some bricks
He then threw watches at this beast
That grew to a great size
The rabbit caught them all and juggled
Them to our surprise

But here’s the rub when we all looked
At places on our wrists
No watches were there to be seen
A cunning little twist
The magician cracked a whip and put
The rabbit in a stew
Which vanished there before our eyes
Vanished out of view

The magician he announced that he
Alone did have this plan
To mystify and amaze us all
With his clever hand
Indeed he was the ringmaster
That owned this circus troupe
That terrified and petrified
Our frightened little group

x – The Fracas

A swarm of bees engulf us now
And cover us with honey
The ringmaster cracks his whip again
The bees all turn to money
Then suddenly the fight begins
As we grab this flying stash
Filling up our purses now
With the hard-grabbed cash

The ringmaster, a clever man
Calms us with his sigh
“There’s plenty here for everyone
…And more than meets the eye”
Suddenly a flock of doves fly
Sweetly through the air
They then attack the baying crowds
Pulling at their hair

Then with a deafening bang, a crack
A flash of burning light
We all cascade towards the floor
The circus out of sight
Confused we all stare around
Thinking it absurd
This bizarre spectacle should vanish
Gone without a word

I look from face to face to face
Whatever could this mean?
We all are laughing nervously
How stupid have we been?
We talk about the day’s events
We talk and talk some more
A voice booms from out the sky
“I’ve opened up the door”

“I’ve brought you all together now
To pander to your greed
To watch you take from fellow man
Deny him what he needs”
I reach in to my pocket
For the money I did place
It reads “Admission: 1 adult
To The Human Race”

xi – An incident at Upton Park

That week the local paper ran
An exclusive full-page ad
“Faland’s Travelling Circus Troupe”
“The most fun ever had”
But no review was there to read
To tell of our event
The strange encounter with this circus
To which we all went

The following Sunday we meet up
In groups of three or four
Since that incident in Upton Park
The spectacle we can’t ignore
No-one knows quite what it means
I don’t think that we’ll ever
Understand all that happened here
That brought us all together

Perhaps there is a deeper message
Given on that day
Faland may be telling us
That we have lost our way
He simply used us all as tools
To illustrate our folly
That had now become too serious
A risk to things so jolly

Every week now we all gather on
This hallowed piece of land
And this is very odd because
Nobody makes the plan
The idea comes to all of us
A self-ignited spark
And draws each of us in turn
To meet in Upton Park

We picnicked then we all played games
Then talked about the rain
We toasted our new friendships
And vowed to meet again
The bombs, the bombs they’ve all slowed down
Compassion saved the day
This newfound love we now all have
Must surely pave the way

xii - No ball games

The joy did not take long to spread
Across our grimy frowns
And bring a little sunshine
To lighten up this town
Happiness is upon us now
The whole of Slough-kind
Depending on how you look at it
And on your state of mind

The lush upon the library steps
The wino on the bench
The Publican and Landlord
The ***** serving *****
They all wear smiles and laugh a lot
And speak of wondrous things
A songbird perches on the fence
And merrily she sings

The children, o the children
How they sing and dance
Always being friendly
In any circumstance
They have no care for politics
You’ll see it in their face
They want to play with everyone
Who’s in the human race

Meanwhile back in Upton Park
The townsfolk meet again
But there’s no talk of horror
Or suffering and pain
Instead though how a monument
Should be erected in our names
And pulling down the signs
That read ‘No Ball Games’

The bombs have all stopped ticking now
And line up by the wall
And every now and then they clang
Just to remind us all
If we get too complacent
And don’t respect our friends
We’re marking down the seconds
To our bitter end

xiii – New found…

We shared our food and shared our tales
Life stories we all told
They made us laugh they made us cry
Left us warm and cold
The suffering we did speak of
Helped us understand
How fellowman and woman kind
Dwelt in other lands

We laughed at tales of folly
And stories of the past
Stories that we are in awe of
Stories that will last
For another thousand years or more
And travel on the wind
A gentle breeze that talks to us
Thrilling to the end

Gathering momentum
Our stories travel far
Picked up and told by new folk
Under glowing stars
They bring warmth and humanity
Softened by the rain
They travel back to each of us
To be re-told again

Who’d have thought this loving joy
This beacon in the dark
Would begin upon the grass
Of hallowed Upton Park
The greed has gone or mostly so
Now happiness is here
We’ve seen the light and now must spread
Our messages of cheer

Looking back it hardly seems
We could have been that way
Not caring if each other lived
To see another day
This new found near Utopia
Must spread across the land
And we must stand to offer all
Our warm and guiding hand

xiv – Nearly done

The story is now almost told
Of how a strange event
Saved us from our selfish selves
A message heaven sent
With cunning tricks and sleight of hand
The error of our ways
Was written up in greasepaint
Shining through the haze

A strange di
I wrote this in about 2004 - loads of literary influences in this poem. It speaks for itself really. Having read through it, I think I ought to revise / review and re-write some of it, but this is the original.... yay!!
Mistah Kurtz—he dead.

      A penny for the Old Guy

      I

We are the hollow men
We are the stuffed men
Leaning together
Headpiece filled with straw. Alas!
Our dried voices, when
We whisper together
Are quiet and meaningless
As wind in dry grass
Or rats’ feet over broken glass
In our dry cellar

Shape without form, shade without colour,
Paralysed force, gesture without motion;

Those who have crossed
With direct eyes, to death’s other Kingdom
Remember us—if at all—not as lost
Violent souls, but only
As the hollow men
The stuffed men.

      II

Eyes I dare not meet in dreams
In death’s dream kingdom
These do not appear:
There, the eyes are
Sunlight on a broken column
There, is a tree swinging
And voices are
In the wind’s singing
More distant and more solemn
Than a fading star.

Let me be no nearer
In death’s dream kingdom
Let me also wear
Such deliberate disguises
Rat’s coat, crowskin, crossed staves
In a field
Behaving as the wind behaves
No nearer—

Not that final meeting
In the twilight kingdom

      III

This is the dead land
This is cactus land
Here the stone images
Are raised, here they receive
The supplication of a dead man’s hand
Under the twinkle of a fading star.

Is it like this
In death’s other kingdom
Waking alone
At the hour when we are
Trembling with tenderness
Lips that would kiss
Form prayers to broken stone.

      IV

The eyes are not here
There are no eyes here
In this valley of dying stars
In this hollow valley
This broken jaw of our lost kingdoms

In this last of meeting places
We ***** together
And avoid speech
Gathered on this beach of the tumid river

Sightless, unless
The eyes reappear
As the perpetual star
Multifoliate rose
Of death’s twilight kingdom
The hope only
Of empty men.

      V

Here we go round the prickly pear
Prickly pear prickly pear
Here we go round the prickly pear
At five o’clock in the morning.

Between the idea
And the reality
Between the motion
And the act
Falls the Shadow
                                For Thine is the Kingdom

Between the conception
And the creation
Between the emotion
And the response
Falls the Shadow
                                Life is very long

Between the desire
And the spasm
Between the potency
And the existence
Between the essence
And the descent
Falls the Shadow
                                For Thine is the Kingdom

For Thine is
Life is
For Thine is the

This is the way the world ends
This is the way the world ends
This is the way the world ends
Not with a bang but a whimper.
Dean Eastmond Oct 2014
I'm a tongue of emerald
piercing the moon shadowed
skin of your paper neck,
paralysed, paralysed, paralysed,
painted red and almost immortal.
Oh darling, you are all mine,
from your saxophone kisses,
to every leaf you octoberly
watched fall.

you caught my broken glass
and treated it like diamond.
Akemi Apr 2017
Barbiturate is one of the few drugs capable of killing you painlessly, so of course the state has banned it. Instead we get paracetamol, a ****** over-the-counter painkiller that leaves you in pain for up to five days while your liver and kidneys shut down. Suicide prevention is a ******* joke. Secular appropriations of Christian values that assume life is worthwhile, whether you desire it or not. It’s long been known that rates of suicide rose dramatically with the birth of modernity—techno-scientific paradise for the middle-class which stresses efficiency over existence. New forms of automation, the human body disciplined into repetitious acts, the partitioning of workspaces so that no single worker could operate the whole—so that any worker could be fired and replaced with the minimum amount of training necessary for capital to continue circulating. The body is individualised, scrutinised, and punished by rich kids playing panopticon, so that any mass agitation is coerced into silence through the threat of destitution.

Slitting your wrists barely succeeds and more likely than not leaves you with tendon and muscle damage. Catalytic converters in cars now convert carbon monoxide into harmless CO2 and H2O. Drowning is one of the most painful ways to die. You cannot escape. The state places helpline numbers around suicide spots to treat life after the fact, rather than at the source of suffering. Vocal band-aids, ****** ******* aphorisms that seek to revert you back into a happy state-serving commodity. Things will get better. Life is worth living. Think positive. Alienation is omnipresent. Neoliberal discourse requires you to be subservient to the greater system of capital and the easiest way towards this is the instilment of comfort, of pleasant nullity, the circumscription of emotional capacity and reflectivity. Suicidal thoughts are abnormal, because life is worth living. Eat your packaged food item and watch Netflix.

For a drop into water to be fatal, it has to be 250 feet. Try to aim for your head to maximise brain injury. The most prominent suicide spot around here has a drop of 100 feet. They cordoned it off anyway. Your life doesn’t belong to you. The first time I tried to suicide my mother asked ‘why would you do that?’ as if it was the dumbest thing in the world. The second time, the doctor looked at me in an exasperated manner and prescribed me lots of drugs. Geettt bettterrrr. Nobody cares about you, they simply want you to return to normal. Normality as in serving your parents, serving your friends, serving the state, and serving the market. Normality as in not questioning social norms and institutions. Normality as in get a stable job (i.e. compete against other workers in an exploitative, undemocratic system that values and inculcates self-serving desires), get married (preferably to someone of the opposite *** who is middle-class and imbibes European culture), get pregnant/get someone pregnant (but only once or twice, because anyone who has more children than that is backwards), invest in housing (those students and lower-class families need to learn how the world works; really, it’s a benefit to take their money), watch sports (to instil national pride in your children; no son, we didn’t colonise the Pacific Islands, keep watching the man with the wooden stick hit *****), eat out every week (preferably exotic restaurants), go see the world (preferably exotic locations, so you can be served by exotic people, take in exotic sights, then leave without considering where any of your money has gone to, whether any of it has reached the slums, whether the beach you lay on is accessible to the people living there, or whether it has been privatised by the tourist firm so that only rich tourists like yourself can lie on it), join a club (those capitalists were innocent, it was the indigenous folk that were making a ruckus over the new golf course; it’s not like we’ve been colonising their land and culture for the past three centuries), donate to charity (but never any charity desiring systemic change; that’s crazy), consume, always consume (keeps the economy going; why question the desire for infinite growth in a world with limited land, resources and markets?), replace your phone every year (those poor workers in Asia need our help), repeat to the point of nausea.

The most successful method to suicide is a shotgun to the head; high calibre, slug rounds. Of course, with all these methods, the chance of failing may leave you disfigured, paralysed, mentally disabled or physically crippled (spinal damage, broken limbs, failed organs), with no guarantee that your family, or even your state, will allow for euthanasia. After all, the popular discourse paints suicide as selfish—an irony, considering liberalism places the self first and society second. It is viewed as sinful regardless of context—deontologically detached from anomie, alienation, material deprivation, social pressures, psychological affectations, any cause or structure. Life is worth living. This ignores that the subject is situated in existence. The subject moves through existence to live. Life, then, is the totality of the subject’s interactions. It cannot be universalised into a single state or judgement that merges all subjectivities into a catch-all worthiness. Worth is dependent of the subject.

I don’t know why I’m writing this. Maybe I just want everyone to **** themselves, because the world is ****** and the majority of people are ******* it worse. Most people think being nice makes them good. They turn blind to the systems of oppression they partake in. A while ago my mother was asking if I’d heard about the mass suicides happening at Foxconn, the largest electronics manufacturer in the world. This year she showed me her new iPhone. I don’t ******* understand. I don’t understand how people can be outraged at humanity abuses, yet do ******* nothing to help or change their ways. Yes, market solutions are ******* ****, but these commodities are still coming from somewhere, and while capitalism is in place, our money is still flowing back. I don’t understand how people can be concerned about ecological issues, then pour dishwashing liquid down the sink every night, dissolving the gills, eyes, and organs of fish in rivers and oceans. I don’t understand a ******* thing. I feel physically sick most days. I can barely function outside of university, because engaging with real people, in real systems, just reminds me of how careless, worthless, and disgusting they are. When I first turned vegan, my dad simply said plants are living too. Well no ******* **** dad, why didn’t you ask me my reason for turning vegan, rather than simply repeating the dumb **** everyone else says? If you were stuck on a desert island. Well I’m ******* not. I’m stuck on this **** world filled with nice people who don’t give a **** about anything. I’m stuck every week walking the same roads, to the same university, where I become more and more distanced from reality through abstract philosophical theories that no one else cares about. I’m stuck walking through the supermarket every week, to purchase overpriced commodities produced by transnational corporations I don’t support, but nonetheless have to buy to survive. What alternatives I buy are mocked because it's so funny being ethical in our day and age. Because it’s so much more normal eating pies, and drinking beer, and treating women like objects, and affirming nationalistic sentiments of white supremacy, and making fun of ethnic minorities while they’re incarcerated, and beaten, and killed. All lives matter, the liberal conservatives cry out, while doing ******* nothing to help any cause. I don’t understand this world, and I have no desire to be in it if this is all there is.
SassyJ Jul 2018
I though he carried the light
where words would illuminate
driving me to a euphoric ******
a man without a face or a trace
unhindered in a double live and lies
a bubble of psychotic psychic surety
his passion was an addiction
my reservations moved a notch
addicted to a body of ideology
the stances of philosophical terms
uncovering ancient possibilities
the unfelt mysteries of history
veiled in icicles of pretence and lies
as if a Marxist, a closet bourgeoise
The stoicism of present bargains
questioning Socrates and morality reasons
a fatal dose ,examining the unexamined
as colourful as his mind blew my inner glow
he was lost in sad and low dialogues
afraid to face the earthly shallow shadows
yet his spirits moved deep within mine
and it paralysed and fed on my energy
and his delusion became my seduction
but he woke my inner poetic tongue
letting it caress all his inner wounds
A shadow hiding behind Frankenstein’s
a sly monster who lied to my eyes
ghosting in with the a pen that weakens
romancing with letters of a fiery doom
a penpal whom I met within my lowest
but whose words lay in a deep unending quarry
his warmth I could never ever tell
his kiss only a draft on the dewy grass
A true story by  Thula Bopela**

I have no idea whether the white man I am writing about is still alive or not. He gave me an understanding of what actually happened to us Africans, and how sinister it was, when we were colonized. His name was Ronald Stanley Peters, Homicide Chief, Matabeleland, in what was at the time Rhodesia. He was the man in charge of the case they had against us, ******. I was one of a group of ANC/ZAPU guerillas that had infiltrated into the Wankie Game Reserve in 1967, and had been in action against elements of the Rhodesian African rifles (RAR), and the Rhodesian Light Infantry (RLI). We were now in the custody of the British South Africa Police (BSAP), the Rhodesian Police. I was the last to be captured in the group that was going to appear at the Salisbury (Harare) High Court on a charge of ******, 4 counts.
‘I have completed my investigation of this case, Mr. Bopela, and I will be sending the case to the Attorney-General’s Office, Mr. Bosman, who will the take up the prosecution of your case on a date to be decided,’ Ron Peters told me. ‘I will hang all of you, but I must tell you that you are good fighters but you cannot win.’
‘Tell me, Inspector,’ I shot back, ‘are you not contradicting yourself when you say we are good fighters but will not win? Good fighters always win.’
‘Mr. Bopela, even the best fighters on the ground, cannot win if information is sent to their enemy by high-ranking officials of their organizations, even before the fighters begin their operations. Even though we had information that you were on your way, we were not prepared for the fight that you put up,’ the Englishman said quietly. ‘We give due where it is to be given after having met you in battle. That is why I am saying you are good fighters, but will not win.’
Thirteen years later, in 1980, I went to Police Headquarters in Harare and asked where I could find Detective-Inspector Ronald Stanley Peters, retired maybe. President Robert Mugabe had become Prime Minster and had released all of us….common criminal and freedom-fighter. I was told by the white officer behind the counter that Inspector Peters had retired and now lived in Bulawayo. I asked to speak to him on the telephone. The officer dialed his number and explained why he was calling. I was given the phone, and spoke to the Superintendent, the rank he had retired on. We agreed to meet in two days time at his house at Matshe-amhlophe, a very up-market suburb in Bulawayo. I travelled to Bulawayo by train, and took a taxi from town to his home.
I had last seen him at the Salisbury High Court after we had been sentenced to death by Justice L Lewis in 1967. His hair had greyed but he was still the tall policeman I had last seen in 1967. He smiled quietly at me and introduced me to his family, two grown up chaps and a daughter. Lastly came his wife, Doreen, a regal-looking Englishwoman. ‘He is one of the chaps I bagged during my time in the Service. We sent him to the gallows but he is back and wants to see me, Doreen.’ He smiled again and ushered me into his study.
He offered me a drink, a scotch whisky I had not asked for, but enjoyed very much I must say. We spent some time on the small talk about the weather and the current news.
‘So,’ Ron began, ‘they did not hang you are after all, old chap! Congratulations, and may you live many more!’ We toasted and I sat across him in a comfortable sofa. ‘A man does not die before his time, Ron’ I replied rather gloomily, ‘never mind the power the judge has or what the executioner intends to do to one.’
‘I am happy you got a reprieve Thula,’, Ron said, ‘but what was it based on? I am just curious about what might have prompted His Excellency Clifford Du Pont, to grant you a pardon. You were a bunch of unrepentant terrorists.’
‘I do not know Superintendent,’ I replied truthfully. ‘Like I have said, a man does not die before his time.’ He poured me another drink and I became less tense.
‘So, Mr. Bopela, what brings such a lucky fellow all the way from happy Harare to a dull place like our Bulawayo down here?’
‘Superintendent, you said to me after you had finished your investigations that you were going to hang all of us. You were wrong; we did not all hang. You said also that though we were good fighters we would not win. You were wrong again Superintendent; we have won! We are in power now. I told you that good fighters do win.’
The Superintendent put his drink on the side table and stood up. He walked slowly to the window that overlooked his well-manicured garden and stood there facing me.
‘So you think you have won Thula? What have you won, tell me. I need to know.’
‘We have won everything Superintendent, in case you have not noticed. Every thing! We will have a black president, prime minister, black cabinet, black members of Parliament, judges, Chiefs of Police and the Army. Every thing Superintendent. I came all the way to come and ask you to apologize to me for telling me that good fighters do not win. You were wrong Superintendent, were you not?’
He went back to his seat and picked up his glass, and emptied it. He poured himself another shot and put it on the side table and was quiet for a while.
‘So, you think you have won everything Mr. Bopela, huh? I am sorry to spoil your happiness sir, but you have not won anything. You have political power, yes, but that is all. We control the economy of this country, on whose stability depends everybody’s livelihood, including the lives of those who boast that they have political power, you and your victorious friends. Maybe I should tell you something about us white people Mr. Bopela. I think you deserve it too, seeing how you kept this nonsense warm in your head for thirteen hard years in prison. ‘When I get out I am going to find Ron Peters and tell him to apologize for saying we wouldn’t win,’ you promised yourself. Now listen to me carefully my friend, I am going to help you understand us white people a bit better, and the kind of problem you and your friends have to deal with.’
‘When we planted our flag in the place where we built the city of Salisbury, in 1877, we planned for this time. We planned for the time when the African would rise up against us, and perhaps defeat us by sheer numbers and insurrection. When that time came, we decided, the African should not be in a position to rule his newly-found country without taking his cue from us. We should continue to rule, even after political power has been snatched from us, Mr. Bopela.’
‘How did you plan to do that my dear Superintendent,’ I mocked.
‘Very simple, Mr. Bopela, very simple,’ Peters told me.
‘We started by changing the country we took from you to a country that you will find, many centuries later, when you gain political power. It would be totally unlike the country your ancestors lived in; it would be a new country. Let us start with agriculture. We introduced methods of farming that were not known I Africa, where people dug a hole in the ground, covered it up with soil and went to sleep under a tree in the shade. We made agriculture a science. To farm our way, an African needed to understand soil types, the fertilizers that type of soil required, and which crops to plant on what type of soil. We kept this knowledge from the African, how to farm scientifically and on a scale big enough to contribute strongly to the national economy. We did this so that when the African demands and gets his land back, he should not be able to farm it like we do. He would then be obliged to beg us to teach him how. Is that not power, Mr. Bopela?’
‘We industrialized the country, factories, mines, together with agricultural output, became the mainstay of the new economy, but controlled and understood only by us. We kept the knowledge of all this from you people, the skills required to run such a country successfully. It is not because Africans are stupid because they do not know what to do with an industrialized country. We just excluded the African from this knowledge and kept him in the dark. This exercise can be compared to that of a man whose house was taken away from him by a stronger person. The stronger person would then change all the locks so that when the real owner returned, he would not know how to enter his own house.’
We then introduced a financial system – money (currency), banks, the stock market and linked it with other stock markets in the world. We are aware that your country may have valuable minerals, which you may be able to extract….but where would you sell them? We would push their value to next-to-nothing in our stock markets. You may have diamonds or oil in your country Mr. Bopela, but we are in possession of the formulas how they may be refined and made into a product ready for sale on the stock markets, which we control. You cannot eat diamonds and drink oil even if you have these valuable commodities. You have to bring them to our stock markets.’
‘We control technology and communications. You fellows cannot even fly an aeroplane, let alone make one. This is the knowledge we kept from you, deliberately. Now that you have won, as you claim Mr. Bopela, how do you plan to run all these things you were prevented from learning? You will be His Excellency this, and the Honorable this and wear gold chains on your necks as mayors, but you will have no power. Parliament after all is just a talking house; it does not run the economy; we do. We do not need to be in parliament to rule your Zimbabwe. We have the power of knowledge and vital skills, needed to run the economy and create jobs. Without us, your Zimbabwe will collapse. You see now what I mean when I say you have won nothing? I know what I am talking about. We could even sabotage your economy and you would not know what had happened.’
We were both silent for some time, I trying not to show how devastating this information was to me; Ron Peters maybe gloating. It was so true, yet so painful. In South Africa they had not only kept this information from us, they had also destroyed our education, so that when we won, we would still not have the skills we needed because we had been forbidden to become scientists and engineers. I did not feel any anger towards the man sitting opposite me, sipping a whisky. He was right.
‘Even the Africans who had the skills we tried to prevent you from having would be too few to have an impact on our plan. The few who would perhaps have acquired the vital skills would earn very high salaries, and become a black elite grouping, a class apart from fellow suffering Africans,’ Ron Peters persisted. ‘If you understand this Thula, you will probably succeed in making your fellow blacks understand the difference between ‘being in office’ and ‘being in power’. Your leaders will be in office, but not in power. This means that your parliamentary majority will not enable you to run the country….without us, that is.’
I asked Ron to call a taxi for me; I needed to leave. The taxi arrived, not quickly enough for me, who was aching to depart with my sorrow. Ron then delivered the coup de grace:
‘What we are waiting to watch happening, after your attainment of political power, is to see you fighting over it. Africans fight over power, which is why you have seen so many coups d’etat and civil wars in post-independent Africa. We whites consolidate power, which means we share it, to stay strong. We may have different political ideologies and parties, but we do not **** each other over political differences, not since ****** was defeated in 1945. Joshua Nkomo and Robert Mugabe will not stay friends for long. In your free South Africa, you will do the same. There will be so many African political parties opposing the ANC, parties that are too afraid to come into existence during apartheid, that we whites will not need to join in the fray. Inside whichever ruling party will come power, be it ZANU or the ANC, there will be power struggles even inside the parties themselves. You see Mr. Bopela, after the struggle against the white man, a new struggle will arise among yourselves, the struggle for power. Those who hold power in Africa come within grabbing distance of wealth. That is what the new struggle will be about….the struggle for power. Go well Mr. Bopela; I trust our meeting was a fruitful one, as they say in politics.’
I shook hands with the Superintendent and boarded my taxi. I spent that night in Bulawayo at the YMCA, 9th Avenue. I slept deeply; I was mentally exhausted and spiritually devastated. I only had one consolation, a hope, however remote. I hoped that when the ANC came into power in South Africa, we would not do the things Ron Peters had said we would do. We would learn from the experiences of other African countries, maybe Ghana and Nigeria, and avoid coups d’etat and civil wars.
In 2007 at Polokwane, we had full-blown power struggle between those who supported Thabo Mbeki and Zuma’s supporters. Mbeki lost the fight and his admirers broke away to form Cope. The politics of individuals had started in the ANC. The ANC will be going to Maungaung in December to choose new leaders. Again, it is not about which government policy will be best for South Africa; foreign policy, economic, educational, or social policy. It is about Jacob Zuma, Kgalema Motlhante; it is about Fikile Mbalula or Gwede Mantashe. Secret meetings are reported to be happening, to plot the downfall of this politician and the rise of the other one.
Why is it not about which leaders will best implement the Freedom Charter, the pivotal document? Is the contest over who will implement the Charter better? If it was about that, the struggle then would be over who can sort out the poverty, landlessness, unemployment, crime and education for the impoverished black masses. How then do we choose who the best leader would be if we do not even know who will implement which policies, and which policies are better than others? We go to Mangaung to wage a power struggle, period. President Zuma himself has admitted that ‘in the broad church the ANC is,’ there are those who now seek only power, wealth and success as individuals, not the nation. In Zimbabwe the fight between President Robert Mugabe and Morgan Tsvangirai has paralysed the country. The people of Zimbabwe, a highly-educated nation, are starving and work as garden and kitchen help in South Africa.
What the white man told me in Bulawayo in 1980 is happening right in front of my eyes. We have political power and are fighting over it, instead of consolidating it. We have an economy that is owned and controlled by them, and we are fighting over the crumbs falling from the white man’s ‘dining table’. The power struggle that raged among ANC leaders in the Western Cape cost the ANC that province, and the opposition is winning other municipalities where the ANC is squabbling instead of delivering. Is it too much to understand that the more we fight among ourselves the weaker we become, and the stronger the opposition becomes?
Thula Bopela writes in his personal capacity, and the story he has told is true; he experienced alone and thus is ultimately responsible for it.
Tori ward Jun 2013
standing in the middle
my mouth paralysed
I can't get my words out
Surrounded by hurtful words
One thing on my mind
Run away.
Run away, to poppy fields and mocking birds.
Fred Wakefield Oct 2012
Joints stiff, torso still,
Fingers bent, little will.
Rods strengthen my legs
Keeping me balanced.
I am totally hairless,
Eyebrows painted on.
Stuck in this body
No movement is my own.
I was created this size,
I’ve never grown.
To move I am aided
With callous roughness.
Dressed by others
Who couldn’t care less.
“Don’t look at me like that!”
This dress and hat I did not pick,
I cannot help my stance
And yet you stare
Without embarrassment.
And when naked
In the bright spotlight,
It does not deter you.
Some point,
Some laugh,
I get your looks,
But not your love.
It’s not easy
Being a shop mannequin.
Candy Flip Mar 2016
When I was a child, there was something mildly special about standing in the garden, late into the minutes leading up to my bed time. It was something about the thrill of disobedience, as if I were already an adult, making my own decisions.

This poem is about my testicles.

A thousand twinkling freckles gazed down at me. Joining the dots with a finger extended high as if gripping an imaginary pen, lines would appear. The celestial wrinkles of an old woman who wears these wrinkles with pride – the imprint left by a lifetime of smiles like how an old arm chair wears the imprint left by a lifetime of back-sides.

A singular eye governs the sky, and through what I interpret as a flirty act of desire, winks at me, through a thirty day cycle. I let out a giggle, and wink back.

On the horizon, trees sway in a purposeful and rhythmic way, as if conducting a symphony meant just for me; the delicate harmony of distant car horn beeps, the melody of crickets and bird tweets, and the gentle percussion of snapped twigs and crushed leaves.

Blades of wet grass become fingers seductively passing between my toes. A gust of wind blows and like a comb, massages out the knots in my hair, whispering through a foreign tongue pros into my ear.

And I can feel it inside, a connection with the night. As passion builds, a bird takes flight, and I let out a confident breath: I am in love with life! I’m in love with the Earth, warm days and clear skies. I’m in love with nature: the birds and mammals, snails, slugs, spiders and flies.

I await a reply.

Which doesn’t come.

Years go by.

And then, half way through my puberty, when the world was not so alien and new to me, I had the sad epiphany that maybe this symphony of car horns and bird tweets was not meant for me.

That, if I were not standing precisely here, or had tragically lost both my ears, the trees would continue to conduct their tune, unstirred by the news that their audience had disappeared.

And with this realisation, came an audible, synchronised plop, as – like a penny – my two ***** simultaneously dropped as if recoiling, paralysed in shock.

Then in the following silence, a tumbleweed drifted by as if to imply some kind of mockery to the thoughts going through my mind.

But of course, it was just a coincidence. The tumbleweed, in its oblivious innocence has no knowledge of the context of my thoughts, like a bolt of lightning can’t appreciate its momentary grasp of dominance over an angry sky. Like an atom doesn’t appreciate the burden of the service it provides, like a poem doesn’t appreciate the metaphors woven purposefully between every line.

And how could I sleep at night knowing that a hurricane could slip into existence, tear its way through a village of innocents then ******* in an instant leaving no form of apology or reason?

This is the dilemma of owning a conscious mind in a world of impartiality.

And if you don’t mind, I’m going to divide this audience into two sides: those who are matured and wise, and when they look at the night sky, see those wrinkles reflected in their own eyes – and those who are young and naïve, to whom this insight may come as a surprise.

To the wise and mature, I assure you that we are all in fact slowly dying. The only reason you’re alive is through generations of successful breeding and surviving. God is dead, and love is a chemical compound produced in your head.

And to the young and naïve, I’ll leave you with this line: despite the pessimistic undertones this poem implies, if you just don’t worry, you’ll turn out just fine.
I will now write all my poetry in pros as I feel like it leaves more freedom for my presentation.
So winter closed its fist
And got it stuck in the pump.
The plunger froze up a lump

In its throat, ice founding itself
Upon iron. The handle
Paralysed at an angle.

Then the twisting of wheat straw
into ropes, lapping them tight
Round stem and snout, then a light

That sent the pump up in a flame
It cooled, we lifted her latch,
Her entrance was wet, and she came.
Sharina Saad Mar 2014
Noon when I started
Feeling dizzy
Strong waves hit the walls
in the stomach
exploding in any minute
I ran to the bathroom
Threw up everything
My tummy empty
Cool myself in shower
The water ran all over me
I could open my eyes
Shivering ... I couldn't see a thing
I crawled in the dark
Helplessly lying on the floor
staring at the ceiling fan
how fast it spins
How fast my world moves
I can't even think,
I can't even move
there's a fog in my mind
clouding  my brain
invisible hands choking my throat
My whole body is trapped
I am numbed
I am paralysed...
Mohd Arshad Oct 2014
Make a statue
Of your poem
If it got paralysed
It will die by standing
Notes (optional)
Julian Delia Sep 2018
Frozen in place I stood,
A deer caught in a hunter’s crosshair.
I never thought you would,
But you did; you killed me, right there.

I am angry at myself, most of all;
For staying when I should have left,
For not dodging the bullet and taking the fall.
Twice now, I found myself broken;
Carelessly adrift in life,
Like a raft on the ocean.
Too much pain this chest,
These monsters in my head
Feel like an obstacle I cannot best.

I don’t just want to be loved;
I want us all to love and understand one another.
‘It’s not possible, we’re too different,’
Those who wish to rebuttal will answer.
No, that is the distant path you chose,
I choose to keep my humanity close.

And yet, I cannot stop the terrifying flashbacks.
You made me feel like a train veering off its tracks.
Like a bridge that leads to a precipice,
Nothing but a cold, dark abyss.
Meet the millennials -
The most criticised generation,
Suffering from emotional stagnation,
Raised on a steady diet of instant gratification.

‘What do you want, then?’
I want us to feel the soil with our bare feet.
To associate freely with others we meet,
Not bow down to the pretension of the elite.
To embrace our soul,
Not shun it and drive it into a locked room;
To retrace our role,
Not simply run our life’s course to its doom.

We are being led astray,
Our hopes and dreams hidden away.
We have no room for thought, little to say,
For few want to go out of their way.
No criticism, no originality -
No witticism, no vitality.
We are criticised for criticising,
And we are ostracised when we act defying.

We are the paralysed;
Our fears leave us immobilised,
Anxiety and depression,
Killing variety of expression.
We languish in prisons
That we build for ourselves in our own head;
We have nightmarish visions,
Like a guild of the living dead.
A re-write of another failed poetryfoundation submission, because **** those guys.
Birdy Jul 2022
My father hid himself
within the smoke
underneath my ribcage

Sometimes he rattles his fingers
underneath my bones
and squirms his hands
around my ticker

He taught the monster under my bed
to crawl under my skin
and stick his filthy fingers
in the cracks of my brain
and break it in half

His name echoes the canals of my ears
and his shadow haunts every step
I wish I could’ve made
The day you blew smoke in my face I knew I'd be gone forever.
Clown Apr 2016
Enjoying it
For as long as it takes.
Trying to believe you
When you say this isnt fake.

You mean so much to me.
You're my hero, best friend.
You have a piece of me.
I just dont want this to end.

I'm so afraid
Paralysed with fear
That you will leave me
That you won't always be near.

Because you make me so happy.
Like I can fight the whole world.
This poem though, is getting sappy.
So I will leave it with these last words.
Copyrights: Sem Kristina
DW Oct 2015
Etched in his mind,
The internal war,
Haemorrhaging blood,
Hidden once more,

Slowly he’s dying,
His body too weak,
Paralysed lips,
Unable to speak,

Traumatic life,
Slipping away,
His heavy soul,
Aching today.

He witnessed it all,
The burden unseen,
Screaming their names,
Tortured in dream,

His cries settle,
His memory fades,
Wiping the tears,
For former comrades.

(Repeat)
For all the soldiers alive today, we will remember them too.
Lora Lee Sep 2017
Within the salty swirl of foamy loam
where depths collide with rushing tides
mystical creatures' hearts do roam
their secret desires, they so carefully hide

But one day among crystalline shadows of light
in shades of turquoise and emerald,
two beauties emerge from dark into bright,
and in their meeting a shared destiny heralds.

One with a voluptuous feminine grace,
swaying hips, fullness of ******* and velvet thighs
auburn-haired, with lips made of cherry
and her mellifluous voice her treasured prize.
The other a magical alchemy
of shapely woman and magnificent fish
her violet eyes and iridescent smile
would fulfill Poseidon's deepest wish.
With gemlike scales and long, lithe limbs
a glow lights up her mystic aura
yet behind it a sadness and longing for love
hide behind the coral reef's gentle flora.

Chancing upon each other,
at first hazy shadows
in the blue-green light
the Siren and the Mermaid
started to discover
that they shared a similar plight.

"Are my eyes really seeing what I think?"
breathed the Siren into the salt
"I've never seen a more beautiful creature,
I thought the chances would be nought"
"My name is Nerine," said the Mermaid. "For a sea nymph I truly am
who has roamed the oceans day and night
feeling more empty the harder she swam"
"And I, am Ula," declared the Siren, in a voice like crystals , fine-tuned
"They say that my voice is as clear and smooth as a sapphire
which is why I am called a 'sea jewel.'"
The two embraced and began to talk, speaking of their pasts,
their present and future
and both realized that they wished for spiritual and ****** mates
to mend their hearts that were achingly sutured
"Oh darling," said Ula
"Let us journey to the land of the forests
for surely as they day I was born
we may find our blessing a-waiting us
in the spell of the wondrous Unicorn"

And so a sacred pact was made
as they swore unto each other
that their vigour would not fade
until they found their one-horned lover
and with knowing eyes,
pressed palm to palm
the beauties made their choice
Nerine would give up her tail for legs
and Ula her singing voice

Foreheads together, arms raised in light
their prayer was spun to sky
and suddenly, the two enchantresses
found themselves on land, quite dry

Excited, giggling like nymphets
they jumped and twirled in delight
and set off for the forest green
For their hearts they were ready to fight

I feel their presence first
a Fey being knows another Fey being.
The magic of the Otherworld,
announcing arrival long before seeing.

Into view they came walking along the forest path,
fluid movements hinting at an elemental source.
Chitter-chattering, the same way that finches laugh,
feet strong, steady, never straying from their course.
Two carefree girls, making trails through my Green,
I feel a purpose brooding, so sound out a call.
They stop, gracious, as if surprised to be seen,
whispering these words as on their knees they fall.

“We are Sea-sisters of the ocean,
we are here to follow our notion.
Searching the forest in gentle kind,
for the Unicorn we wish to find”.

Hark! Hear your wild Lord speak,
listen as your mind he frees,
leading you on a fantasy journey,
through valleys and betwixt the trees.
His stories weave a forest dreamscape,
a sylvan land of purest Green,
leading you by a cautious hand,
he'll show you things you've never seen.
Twisted hazel and the mighty oaks,
meadows and glades of sweetest light.
Streams that catch the moons cool rays
and secrets held within the night.
But the Unicorn, a law unto himself,
is one thing this Lord cannot show,
a creature to be sought for alone,
so off through the forest you must go.

Following deer tracks and mystical ways,
strange paths that turn and twist.
Deep into the woods the wanderers stray,
yearning the fabled Unicorn to exist.

Then it happened, inclement weather,
rain soaked the bracken and heather.
So Nerine and Ula, a decision made,
took to shelter in a canopied glade.
The irony was, to them, quite plain,
creatures of the sea hiding from rain.
The forest floor did start to steam,
creating an eerie warm sylvan dream.

And the girls so excited hugged and kissed
as a mighty beast emerged from the mist.
Slowly coalescing and so taking its form,
the raw masculine power of the Unicorn.

I had felt their presence as soon as they touched land,
emerging from the foaming waves, crawling hand in hand.
I heard the echoes on the ether, as they made their Sacrifice,
the resonance throughout feydom as they gladly pay the price.
I knew their wandering had led them a merry crooked dance,
and now they shivered before me, they think as if by chance.
But I am a law unto myself, the Unicorn of the trees,
roaming at will in the forest, showing myself to whom I please.
So these Maidens come from the sea where they were born,
two adventurous girls' brave quest to find the Unicorn.
Nerine and Ula looking awestruck statues in my presence,
rooted to the spot, rigid liked scared and paralysed pheasants.
Their deepest wish fulfilled, they marvel at my existence,
and I in turn marvel at their resilience and raw persistance.
But the Sacrifice means that the sea is no longer home,
tied well to the land, destined now to forever roam.
And what of love, their desires and lust to find a mate?
Well, for Nerine there is no choice, feelings came so late.
Parting from the Forest Lord, latent attraction she had felt,
and knew she would return his way, in his arms to melt.
The Siren Ula was very quiet, looking frightened and forlorn,
her greatest dream had always been to follow the Unicorn.
So now we walk together through glades beneath the Moon,
my primal urge keeps calling for her to sing a tune.

Sacrifice made, quest fulfilled, to her Lord, Nerine has gone.
Ula happily rides me, never once missing her Sirens Song.
And here, for now, is where this story sadly ends,
Nerine and Ula Sacrificed their gifts, forever sister-friends.


© Pagan Paul & Lora Lee (25/09/17)
Thank you, PP, for your time, flexibility and patience! This has been a lovely creative process. The end result was worth waitng for  :)
saffronne Dec 2022
i wish
i could give you the earth,
because you mean so much more
than it to me.
at night,
skin-to-skin we lay
our souls unite,
we were meant to be

i was falling asleep
when i heard you say
“are you awake?
i love you.”
paralysed by comfort,
but still half-awake
i replied in my mind
“i love you too”
wrote this one a couple months ago, only just now remembered i had a hello poetry account tho, so hey yall im back! does anyone even use this site anymore? lol
Rupert Pip Jan 2019
I’ve been watching the seasons change
from this lonely little bus stop shelter.
Waiting in limbo,
as the leaves turn from an animated green,
to the frost bitten crunch
of once was.
The landscapes danced dynamically before.
Trees swayed blissfully
over the vibrantly brushstroked canvas;
yet now they stand still.
Motionless.
Paralysed, like a Polaroid picture.
But in this time of waiting;
my momentary detention of movement;
a suspension of my heart’s desires.
I’ve observed as the scenery
turns to the deceased.
The dead.
The diminished.
And returns back
to the living
as it always does
and always will
eventually.
Just as seasons change, so will how we feel.
My ink bleeds when I give words to your silence.
My ink bleeds when I complement your presence.
My ink bleeds when I'm depressed by your absence.
Your eyes hold mysteries that I would love to untangle.
Happiness fills up the space inside your heart.
Until it finds a way to crawl out.
And beautifully express itself as a paragon of art.
It's amazing how these simple words mean so much.
Eyes close then lips gently touch.
I have no need for poetry when I have your touch.
Your love shows me how simply beautiful you are within.
I'm captivated by you - your lips, voice, smile and grin.
And ever since I met you.
I define beauty by only you.
In the rain of your presence my words form a rainbow.
My heartbeat has been replaced with the sound of your name.
Your love dissipated my pain.
Happily looking forward to the memories I am yet to gain.
I'm left paralysed by your voice.
Still amazed by your poise.
I found my true happiness in your eyes.
I hope you won't mind if I stare.
I hope all the beautiful words you yearn to hear.
All make their way to your ear.
My ink bleeds when I'm depressed by your absence.
My ink bleeds when I complement your presence.
My ink bleeds when I give words to your silence.
My ink bleeds when my heart experiences an emotional violence.
My ink bleeds.
Journey of Days Mar 2017
how was your day?
so, do you want the version where
I fought the dragons just after you left
fell off the cliff before coffee
was paralysed by fear after lunch
sweat an ocean
didn't speak to anyone all afternoon
curled up and waited for you to come home and ask...

how was your day?

fine. yeah, it was fine
how was yours?

@journeyofdays
"Fine" is the  lie you use when,  you know they probably won't understand.

Don't suffer on your own
Searle Jul 2014
As i lay asleep last night
my mind wondered through the window and out of sight
catching a ride on a passing crow
it went places i’ll never go

Gliding it passed over palms and rivers
swooping under waterfalls left me with shivers
rising on a warm sea breeze high
it watched the golden sun set and with a sigh

Returned begrudgingly to where bedridden i lay
paralysed, a vegetable as they say
Edward Coles Jun 2015
I remember the first time I *******,
I thought I was having a seizure-
or that I had somehow malfunctioned the Matrix
and had broken through
a fold of reality;
some white-noise ladder to greater plains,
throbbing, animal convulsions,
and a peak that only death
could overpower.

I remember crashing into shame
upon my return, versus the smug welcome
of oxytocin and my adult life;
not knowing to what extent
my ***** would dominate my mind;

you know, I cannot write a poem
without noticing my loneliness,
all the ******* I have left behind.
For that moment, in my New Found ******,
I was paralysed at the thought of a sober life,
and ever since that moment,
ever since that night,
I have been searching for those higher plains
in the lowest branches of myself.

Now I smoke my fill and redden my eyes
to bleed out old anxieties,
dry up old tears whilst softening scars
that I have collected over years
spent indoors, hiding from danger.
I remember the first time I *******,
how it came to me by accident,
a repeated motion of unknown emotions;
the undulations in her breath;
even now I still sit by myself,
and make love out of whatever is left.
(C) 26.05.2015
Mateuš Conrad Feb 2017
i actually like the way slavoj žižek understands fascism, given the fourth movement of Beethoven's ninth symphony... as it stands: i really had to take pleasure in my suffering... i once called it: an exquisite pain... it's not that acknowledging pain is difficult, what's difficult is taking pleasure in it... on a whim... nothing as flamboyant as baron sacher-masoch's take on it, transcending toward the ****** thesis... i am the grey matter, the everyday comparison to a factotum sort of analogue of what pain constitutes... and i'm actually free from depressive apathy... i am sometimes prone to laugh like i might be experiencing what the Fore women experienced... the kuru "disease", otherwise known as the creutzfeldt-jakob "disease"... yes... mm... uncontrollable laugher... akin to St. Vitus' dance... sydenham's chorea.. it's hard to see why there should be any cure to the experience... given that the experience is so liberating and has no materialistic mono-mania of a well tended to economy... cannibalism really has a great array of noun-arsenal... a bit like the poetry of Christianity it's akin to... to really believe this *******: you have to take it to the extremes and make every word: utterly isolated, and in a sentence utterly meaningless... it's like a swarm of wasps honing in on a body of a bear that mistook its ash-phlegm nest for a beehive feast... sometimes it happens... but sure as all else concerning: why not take pleasure in an anti-cross crucifixion, i.e. a sick-bed? sure, it's less theatre and many less marble statues worthy of a church... but, if according to žižek / rzirzek / really? ź ż vs. ž... a fascists takes pleasure from suffering... i must be in this club, since i do, the pain in my brain with its sizzling quiz of blood emeshed in synapses has moved to my *******... ******* ahoy! i sit in a chair, and when drink (esp. when drinking): they are goosebump prone, titilating me... amusing me... all the pain concerning my brain has moved into a pleasure reaction bound to the testicles... i couldn't have foreseen this waterfall if i didn't explore the word fascist beyond the communal horror of spotting an orthodox practitioner in either street or cyber-space...

e.g. the fore of papua new guinea
(ghee-knee... later the debated about
quinoa... apparently it's not qui-
       or french agree, we-noah...
  but something else... oh, it's related to a quiz
asking me whether i could possibly be a 5% liberal
elitist... well, if you were reading
the sunday times magazine: it would ask you
that... i did cut it apart as qui- -noa...
  but apparently it's pronounced:
kin-wah...                 once again my point:
you don't use highly concentrated phonetic
units, i.e. diacritical marks...
you're bound to leisure in this linguistic hell
of constantly "correcting" people....
just saying... what's the matter, toad stole
your burp?)

   and i really wanted to write a neat poem...
poems like this emerge,
you go to a shop, by the cheapest whiskey
two cans of beer and a bottle of cola...
it's early February... the cars parked
have the eerie circumstance of jack o'fogfrost
breathing onto the windows...
    your fingers itch from the cold...
you start to really see a skeleton walking
rather than something resembling protein
fat and carbohydrate...
    thankful for winter: to naturally imagine
a skeleton walk in the cold
   smoking a cigarette and drinking the beer
while the whiskey cools in your rucksack...
all you end up needing is
   a square mile, and outer English suburbia...
and a look into that forest you once frequented
walking as if with gauged eyes into
the custard darkness...
   then sitting on a stump, taking all the clothing
items from your torso and listening in
as something neared, cracked a branch
and you uttered into the forest:
  no animal would dare come so near...
      
... (man has to drink, take a break...
         sneaky ******* get to see
a work in progress... lucky them...
           too much of a sober me)...
hey! i'm warming the stove, it's not going to
shoot out firecrackers made from words
into a
     hoghmony celebration.... oh look...
another googlewhack!
      http://tinyurl.com/z8xeqpsn
(billionth of another! this is how i play the "lottery")
ah freckle feckle ****... scoot for new years...
hogmaney...  hogmoney...
  hagmanny...
                 ­  ****! Hogmanay!
    what was i "saying"?
                            
ah wait... i know... i know...
i was watching this film goat (2016)....
with james francko doing cameo but mainly producing...
if anything could put you off going to
university, well, notably an american university
it's this film... now i drink, i really do, heavily...
but what went on in that film was nothing short
of happens when people lack any respect for liquor...
i could watch the roman empire in a zoo...
what i witnessed in this film was:
well... can't see a point of caging a lion,
but i can see all the reason for caging man...
but the problem arises with:
you can take children to a zoo...
          you couldn't even want a child
to experience this sort of Iraqi **** made in
America...
                       i drink, i really do...
i slurped on a prostitutes ****** when drunk...
hell... i even wrote this...
          and i am really starting to believe
that going to university was the worst mistake of my life...
i left it, educated as a chemist,
without a clear move toward a career as a chemist...
    would i care to learn the use of language
to university level? i.e. get an english degree?
      not if i were a middle-class woman
   who's daddy was a doctor or a dentist...
                            people from my background,
double that up with a father who works in construction
and me being of immigrant stock (when will i get
to say expat?) -
  it was the biggest mistake of my life...
you see... other immigrants start to get jealous...
     they say you have to die: for raising for head
above the water...
         a bit like they kicked the hell out of
Jamie Redknapp's career in football...
now he's a pundit... but not a football player...
they smacked him about...
good thing my grandfather was a Silesian miner
for some time... i decided to dig trenches...
yes, metaphor: write poems...
   because i still can't see what nature ordained me
to possess... and why these little hitlers decided wasn't
fair for their "sense of worth"... oh i can name them...
one of them, a childhood sweatheart of a friend,
egyptian / persian, used to call me during
weekdays and sing to me over the phone...
   apparently he could ******* 20 times a day...
i tried 4 times in one day... nothing came out...
      the other was an add on to being in school from
the age of 16 to 18... a paddy-sikh...
   loved barrington levy and driving a car while
******... loved the whole gansta gimmick...
a complete *******...
                           and to think i was fooled into their
little of jealousy... this will make absolutely no sense
to you... given we (a) never spoke outside the realm
of my tornado... and (b) had a coffee?
               well... let's just say: one stupid move on
my behalf while intoxicated on marijuana
aged 21 taught me all i needed to know...
  from the age of 21 through to the age i am now:
some could consider me a monk...
                 or that infamous word: cenobite -
oh i'm just obsessing about how i want to
put my top 3 picks into classic.fm's hall of fame,
and write 3. christopher young's something to think about,
2. christopher young's something to think about...
1. christopher young's something to think about...
as i realised the past two days...
  collecting a personal library of classical music
makes no sense... unless it's Händel... (æ, i.e. :)...
and classical music only makes sense
with a d.j., and yes: a radio...
            there's no point being poncy about classical
music when you collect it...
        unless it might be something by Hans Zimmer
or any other movie soundtrack...
      and you can just sit back, listen to the radio,
and the classics just come and come...
i spent today lying in bed, because classic.fm
was playing from about 6am to about 1pm...
  and then i extended it to 3pm because
of aled jones and the voice so necessary as
that of alexander armstrong... in between?
                     bill turnbull... a news anchor
if i'm not mistaken... couldn't handle it...
  no, not the voice: the choice of music...
but even such people are absolutely necessary...
and would anyone care to remember
the ****** megastore on oxford street?
  the classical music department?
does anyone remember is being sealed off by
   glass like an aquarium from all the other music
genre departments in the store?
   a bit like walking into a lunatic asylum:
everything had to be cork-lined waiting for a Proustian
novel... first you had to appreciate
and build up a palette for silence... before
some concerto could be "ate" like refined sushi...
    radio and classical music does work,
i might have made a mistake collective obscure tastes,
i.e. proto-folk examples in Polish and compositions
of German industrial music...
   i might have done that... yeah, so true with the jazz...
but you have to have a Houdini weak-spot...
so in bed... rummaging through the radio and
television listings and reviews...
   after doing a bit of a crossword (which i can't
for the love of god) and a 6 x 6 su doku...
        now that's definitely sunday activity...
looking through the radio and tv listings...
   esp. noting the day's programme of bbc radio 4...
well, it's not that i'm a convert, with a house
in south-west london...
                i just heard that england is famous
for its eccentrics... i wanted to experience
    the most eccentric practice on these isles...
      tending to a garden would have made sense...
if it wasn't February...
   so reading the listings and reviews was the next
best thing...
    what with confusing Aled Jones with Alex Jones...
that famous britpop bassist turned cheese-maker.

then how do you begin taking fatal
mortal steps, simply motivated by biological
dynamics? i could have ended that
servitude to the waterfall, or should
i correct myself: required it to continue...
      but then interludes in the case of opera
leave me peasant-like, most ignoble...
      there's the 15 minutes were no fame is mentioned,
and no one forces art to become advert...
   since we're talking of the thin-red-line,
i can't but help myself reading more book reviews
in English, than actual books in Polish...
because i care for the cognitive labourers,
i really do... i think they are needed
to bypass actual books, meaning they do all
the work... or should i say arbeiten?
well.. enough critics about, you get to
dissociate yourself from the actual origin...
     a bit like waving your hand at god
and embracing the "awe" inspiring profusion
of the human tongue becoming over-bearing...
not even bearing grudges...
  but no gratitudes either...
                it just is what you care to make of
germans the sole originators of
   the proto "bayeux" tapestry given a.i. -
but then you treat the germans as they
are currently given the sway,
and you awake a humanity in them:
a humanity only germans know how
to acknowledge: a collectivisation -
germans know no concept of individualism
akin to the late-removed isle Saxons...
i.e. the English... the English are always
blitzkrieg specific about the individual,
the fact that so many individuals get a chance to vote
leasves me with blisters of what i can best
estimate as noted to being conscience...
          the germans are best appropriate to
express the volk... the english are like stuffed
animals worshiping the name Byron... Milton...
Blake... Newton...
         and let's leave them there, because if they
finally manage a homogeny of an ethnic
accord to give a momentum unto it via their lack
cohesion... i am assured a passage to
the houses of parliament to laugh,
as a test of my carve to veto, rather than vote.
mainland europe calls them: the islanders!
you can't help but see a care to blow up
the tunnel la mange... the channel tunnel...
because if a 2nd ****** arose...
the tanks would flod that serene countryside...
     i come across foxes all the time...
once i picked a dead fox near the bus station
in romford using two bin bags from the nearby skip...
and walked with it home, weighed it,
just under 10 kilograms... i weighted myself first,
then with the dead fox enclosed in the bin bags...
then i walked with the fox and threw it into
a meadow... i was thinking along the lines:
at least the sanitation officer will have a day off..
  obviously i was tattooed with the idea that
i was some sort of shaman, given two people witnessed
me picking up the corpse...

900 gull herrings eating their own...
      chimanzees also take to a nibble...
        banana slug females are fond of eating
"******", when the mating gets heavy...
not ever, as ever, but with Darwinism had i ever
managed to see a woman like a mantis...
  sorry... looking at the ***-hole of nature like that
will eventually leave you paralysed and
not even awe-struck but fear-woken...
             because it really can't be so much a desire
to look at it as if it was necessarily needing
incorporation, but was necessarily incorporated
nonetheless...
         the ogasawara incident... 1945...
       yoshio had a fine fine palette...
                          cannibalism was never suggested
as equivalent of a war crime...
  and one said: human thighs tasted like chicken,
another said: a bit like raw tuna...
          judeo-christian food prohibitions...
    well... once the prohibitions come along with
the poetry... left can mean right...
and right will evidently mean left...
                 during the yuan dynasty...
         pedohpiles were more or less reductive in
their transgressions... they ate more: than they ******.
two freedoms then, china prone to omnivore status
and hindustan prone to vegetarianism...
               both examples lead to a success rate of
a billion examples...
                       it's only these pest-like infections of
mono-this omni-that are keen to always give their
i love yous as politico dictates...
  maxims even... so very fond they are: of their maxims...
they even infected their youth in the 21st century
stating that: no one is akin to us,
if not in his youth, having been ***** by abou10
10 favourite maxims... most kept, hardly any employed...
1261 edict: when children were asked to stop
plucking out their eyeballs...
   horror films are therefore, equivalent to soft-core
******... history is thrice over the real horror movie...
    but given our faculty of memory is so
(putting it mildly) "biased"... i think we're over-sensitive
in giving imagination the scenes from both
horror and Disney... we've already gave the former
and the latter we have just sold...
           but hey! a placentta fry-up like a setting sun,
illuminates with more choice of hue than
noon and the "dehydrated" shadow (yes,
i know, a better word would be suited, but i have
no time to ascribe it to a tailor-fitting, a neat and tidy
resonance... treat dehydrated as a dwarf shadow,
mingle that with photon and phonetic -
that light illuminates, and traps things into bites,
like H or He denote hydrogen and helium
respectively... and qui- and -noa denote
necessary argument of what sound goes where,
rightly)...

evidently i did take the quiestionnaire about
whether i am a liberal elite...
it had to be done... why would i otherwise read a sunday
newspaper?
            end result? 0-50 (norm), 51-100 (aspiring),
    101-150 (not quiet there), >150 (elitist snob)...
(ref. the 5%, charles murray, coming apart,
   the bell curve... superzips)
q1: what is the top prize in the thunderball and when
is it drawn?
   a1: i play the googlewhack lottery.
      alt. a1: 0 (alright), 5 (days rights), 10 (what is thunderball?)
             talk of chav tax...
q2: how many people in your vicinity voted for
    Brexit?
    a2: i just had an opinion... voting is cheap
when you can't express a ballot veto.
   alt. a2: 0 (all of them), 5 (one or two)... 10 (aghast at the question)
              a bit ******* obvious, no point explaining....
q3: what is your favourite dish on th
We lied we need change
When all we feel is rage
For the government we create
Who don’t feel shake if the economical price inflate

We lied we are happy
When we hide in the bathroom; crying
We lied we are living
When we are striving for surviving

We lied we are grown
When we are yet to be birth
We lied we are strong
And here we are; paralysed

We lied we are in traffic
When we’re still on our bed dreaming
We lied we are set
When with default setting; we’re breathing

We lied we want about-move
From politics of Jong-Un
From government of John Bull
And parliaments filled with masters of Kungfu

We lied we are in love
When the only thing we feel is lust
We lied we are loved
When the only feeling we procure is hurt

We lied we are loyal
When we lust only after the royal one
We lied we are loyal
And when the ox is gored; we run

We lied we are in paradise
When in filthiness we dine
Stuck in a big mess
Living in hell; but not minding our business

We lied we are responsible
When at the sight of challenge; we flee
We lied we are smart
Whereas we are trickening; coz at the sight of themisticoles; we flee

We lied we are beautiful
When our heart is filled with greed and hate
We lied we are pretty
When the pancaked look on our face is manmade

We lied we are the future
Saying we are the leaders of tomorrow
We lied; saying we are injured
Whereas we’re completely trapped in hollow

We lied we’re from the hood
So no one else to talk to
Coz our lifestyle is not good
And that leaves us in bad mood

We lied we are good
When at the depth of our heart; we’re bad
We lied we are confuse
When we’re stuck and which way? We cant conclude
*
We lied to survive the tide
And from the real part of life; we hide
Tell the truth’ man; be freed inside
Aye, Montecelli, that's the name.
You may have heard of him perhaps.
Yet though he never savoured fame,
Of those impressionistic chaps,
Monet and Manet and Renoir
He was the avatar.

He festered in a Marseilles slum,
A starving genius, god-inspired.
You'd take him for a lousy ***,
Tho' poetry of paint he lyred,
In dreamy pastels each a gem: . . .
How people laughed at them!

He peddled paint from bar to bar;
From sordid rags a jewel shone,
A glow of joy and colour far
From filth of fortune woe-begone.
'Just twenty francs,' he shyly said,
'To take me drunk to bed.'

Of Van Gogh and Cezanne a peer;
In dreams of ecstasy enskied,
A genius and a pioneer,
Poor, paralysed and mad he died:
Yet by all who hold Beauty dear
May he be glorified!
Edward Coles Feb 2014
In Morrissey fuel
and cigarette vice,
a map pinned up
with dreams of travel,
in eyes darkened
and swollen wrists,
in paralysed belonging
to established hypnotists
of hunger, of servitude
and self-discipline,
of not nurturing the childhood
nestled within,
and of friends now fable,
and of friends ill-spent,
now is the time
for the young man's repent.
Shay Kingsbury Mar 2010
So I just sat there and stared at the stars as the clouds rolled in to take it all away.
I saw it crumble apart in my hands, paralysed, yet so moved. There was nothing I could do,
I saw the fear in your eyes, a fear I'd never seen before, just as like in the realm of my nightmares.
Nightmares that plagued my mind, these nightmares showed such relevance to the thoughts
I've conducted like a symphony.
Classified Mar 2014
As the poison ran through her veins
She started to lose control
Couldn't breathe
Couldn't talk
Couldn't move
Couldn't think about anything else.
The worst part is that she poisoned herself.

But she won't die, nor will she be okay.
Because this poison is a different kind.

The poison is hopelessness
Being let down
Negative thinking
This poison is her own creation
Specific to her
And the people she cares about can poison her just as easily as they can breathe.


Now she's sitting
Motionless
Speechless
Thoughtless
Breathless
Because the poison has circulated
And it's reached her heart.

But she won't die, nor will she be okay
Because this poison is a different kind.

She physically feels sick
She wants to die
To **** herself
To cut
Drink
Drown
Hang
Shoot
Break
And cry
But she can't.

Because this poison has paralysed her.

This poinsion has taken away
her will to breathe, not her breath itself.
Her will to move, not her mobility itself.
Her will to talk, not her speech itself.
But it has replaced every thought with that of a blade
Or a rope
Or a gun
Or a bottle
Or a pill
Or a lake
Or a building


This poison has polluted we mind and mingled with her blood. The will to **** is a part of her now and there is nothing she can do to escape that.

Despite wanting to sleep for eternity six foot under
This poison cannot **** her
Only she can
And she is close
And willing
And weak enough to attempt.

She cannot think of anything else
And it's all her fault

She created this
She started it all.
If she had succeeded last year, she wouldn't be around to have created this poison.

So until she has hit rock bottom and has a chance at succeeding
She will try to drown her demons
Suffocate her demons
Bleed herself dry of the poison
Consume enough alcohol to alter the poison

But she won't die, nor will she be okay
Because this is a different kind of poison
And she is already dead inside.
This just happened. Sorry it's a crap piece.

P.S. feelings ****.
Android is bipolar and the polaroid is paranoid, I'm paralysed by all the lies and your dinner's in the fridge.

I'm cracking through the middle and the edges fray away and I'm loving every minute when will Auntie come to stay?

The treatment doesn't work and I wonder why they try, perhaps they'll give me some more capsules and I'll float off, getting high on all the fumes.

I love it and abhor it, want to **** it or adore it but can't make my mind a slave to the thing I want to ******, you can save me from the sermon of Mr Luther King the German though I knew he knows it all,
I just like to bang my head against the wall to make some sense, yet all is chaos.

Android's just the scam because the man is very shy and he hides inside his metal shell to watch the world go by and bipolar's a tombola, get a ticket win the prize, but still paralysed by all the lies, your dinner's in the fridge.
Teach me how to forget thee!
Ah, 'fore this silky moon do I pray,
so t'at th' sky shalt forgive me
andth grant but forgiveness to me
for the love I've thought of today.
T'is is still the love of thee,
and 'tis but translucent little soul
t'at refuses to leave the barren crates of
my heart. What a pampered, but
captivating creature! And what a shrill doth
it send through my spines!
O my thee, I beg, I beg with thousands
of teardrops that I shalt soon be freed of this love-
and it be carried away by some seething
clouds. But never shalt it leave me-never! T'is is
also but my delirious-and conscious expectation,
as realise do I hereth-t'at I shalt never enliven
myself again, without thee.
Everyone doth t'eir own stories, as special as t'ey are-
but mine, with thine, areth united together, bound
to each ot'er like crazy, as we mutually thirst for
one another more and more!
How t'is greediness shan't liberate me, and my doings-
from t'ese thoughts of thee, never!
For I am still incapable of heaving my legs
without thee-I am but a stiff lass, and paralysed
areth my senses-and their untarnished caprices,
in the moonlight and as the sunlight arises
on the following day when I ameth without thee.
How I disdain such contraventions! As my love is now
threatened by acute ambiguity-andth I know not
whether thou shalt ever miss or not miss me. But still
I do love thee! And as long as I breath I shalt
but long for thee-I am deafened by thy charms; and
pacified only by thy presence. I am calm and weary
in thy arms! But why ought it to be so difficult
to pour my love? Why is it that I am not to be destined
to cross thy paths-especially on t'ose days of precarious solitudes-
why wert thou but away from me? And even now, why can I
only think of thee-as an untouchable apparition,
whom I can cherish only in my dreams? My
dreams, my wild dreams, areth but vain resemblances of t'ese
superfl'us thoughts. My thee, my thee, I should desirously admit t'is:
thou art still th' only one I love, and shalt always be! Thou knowst,
my love, thou knowst it impeccably-look at my delicate
hands-yes, t'ese feeble hands! T'ese loving hands, my love!
T'eir young beauty is marred by thy absence-
here and now, unripe as it was, but
abhorred by thy demure unexistence-it withered and
wasth frightfully sent into unsullied gloom. Look at 'em-
how derived from isolation t'eir frailness hath been-
hark to t'eir suffering silence, my love! T'eir palms areth
but now lined with traces
of paleness, sullenness, and ferocity. Ferocity for pleasure,
my dear. Ferocious, and wicked desires for thy love-thy
love, only! But why doth t'ese things needta happen? What isth
my mistake-so t'at I cannot caress thy real flesh-but
th' picturesque one in my imagination-ah! Thou should believe me-
my love! I would love thee fervently-and greedily, I would kiss thee
just like a ****** rose cooes at its doubtful morning-I would
cuddle thee in my arms-as I hath always longed to do!
I would sit 'fore thee under brimming candlelight, andth th'
innocuous tree next to us-andth gleefully relate thee stories
of wondrous and adventurous affection. T'at affection so dear-my love!
Hark to t'eir tale-and th' heartwarming melodies of th'
nightingale. Th' nightingale t'at shalt bring mirth into our
bogs-bogs of endearment, fragments of promises, and rainbows of
glows-all t'at marks but our very own
chained love. Our forever love! Andst our eternal union-
just as thou and I shalt shoulder together. But wherefore art thou,
my love? Swarms of gentlemen hath I seen-with feather caps
and grinning lips in morning scenes-but thou art still th' one
t'at I seek, and long to heareth; how thou shalt fast bound down
th' stairs, and blend into th' sunny morning walk-for another flood of
salubrious errands-as every day shalt we do, until old do we
grow together, as one union, and one single, generous eternity.
Thou art th' only one I love.
Reece Oct 2013
"Sit down boy, you're tired and you must sleep"
The voice said to me as I walked the city street
Fuzzy steps taken to a bench I saw over yonder
Sleepily wandering, the streetlights I ponder
Passive disorientation, I'm lost it would seem
Consciousness becomes a trickle, as opposed to a stream
Dragging myself over shards of glass, paralysed and sleeping
A shadow 'neath the moonlight seems to be steadily creeping
Isolated in this park in the darkness on a sigma plateau
Dextromethorphan hallucinations are a spectacular show
I'm indifferent to the stranger, drowsy as he appears
Isolated in the nighttime winds, apathetic to his tears
Uncoordinated my head falling he takes a seat softly
Dissociative disorder makes me seem awfully frosty
Speaking of lands where the populace truly is free
Speaking unintelligible words, indirectly to me
The intrinsic disconnect of this generation scorned
As the sun rises in the sky, glittered clouds adorned
My head lulls lackadaisically, I'm feeling unwell
But my stomach is eased when I think of sweet Maybelle

[Hers is a Nabokovian tale of passion in proto-dystopian wastelands
The first time we kissed, I held her soft head tenderly in my hands
The serenade of rain pitter-patter on the ground, like her feet when she's near
and hearing her name is as cathartic as those old jazz records I hold so dear
But, oh my pretty Belle, your age is a concern to me (and the eyes of the law)
So to forget your sweet face, I pop pills neglectfully, passing out on the floor]

Lifting head slowly from the rough ground dampened
Four years passed and I'm wondering what happened
Fuzzy headed blues, clear my mind with OJ and ******
Walking fast to her house, cannot wait to see her
A rap-tap on the door with thoughts of romantic enumerations
What she said and what I saw defied every one of my expectations

My innocent Belle, with her cheeks rosy red,
looks me in the eyes, and wishes I was dead
She was beautiful
rolling of silken tresses
cascading her delicate shoulders
as if Niagara falls
i drawn of her beauty from afar.

She was unkind
her feet was bitten with wanderlust
i could never fetter those feet
with letters written
from her flighty dancing and bouncing.

She was skilled
she snowballed inspiration in her hands
caused diarrhea of ideas in my head
she laughed at me
while i made a mess
over my incompetence.

She was
a past, a history
abandoned her starving soul
till she left, died
and now my hands are left paralysed
paralysed in reminiscence
of her sweet voice...
Ellie Geneve Aug 2014
Your eyes.
Ooh those eyes!
The gates to my soul
They melt my tough disguise
They reveal my lies
For I cannot lie to those eyes.
Those eyes.
They hypnotise
leave me paralysed
and small in size
Those eyes.
Oh when I look into those eyes
I am instantly stripped from my disguise
And my ego dies.
Ooh those eyes.
They **** me.

— The End —