"parable" poems
What puts a smile on my face
is a smile on yours
When we sit and talk
and your problems you pour
I like you even more
when the same you do for me
When you say, "I understand,"
you're the friend of the century
I welcome your presence
because every moment counts
Time with you is like love
taken in large amounts
There's no such thing as too close
You never stray too far
What I really like about ya
is that you know who you are
You never spend your time
trying to convince others
that you are nice and kind
You just let them discover
We know where we stand
Outsiders need not apply
They see not what I do
when looking at your eyes
We connect on a level
different than most
You're my constant guest
I'm proud to be your host
You and me together
is so uncomparable;
what dreams are made of
or a love parable
Apr 30, 2014
Apr 30, 2014 at 5:26 PM UTC
sometimes i wonder if god keeps a record
of all the times i have been left,
all the times i have been unable to leave.
i wonder if he thinks to himself,
"when will she learn?"
as if he feels my heartache too.
i picture god with a furrowed brow,
hunched over a typewriter,
beginning me again and again,
a mountain of crumpled paper at his feet.
but somehow -
he always ends up at the same point in the story
where i am all ****** palms
and half-hearted hallelujahs
propped up on bruised knees.
spitting up blood & teeth at his feet screaming,
"IS THAT ALL YOU'VE GOT?"
but he doesn't answer.
and i catch myself wondering if the silence
is his way of punishing me for making a deity out of you.
after all, the bible says he is a jealous god.
i could've sworn there was a verse somewhere
that said you weren't allowed to love anyone other than me.
but now that i think about it,
i probably took it out of context.
if i could add a parable to those already existing,
it would be how your chest
felt like church under my head,
and how i thought to myself,
"this is how it would be if he loved me back."
or how you fled my bedroom like a crime scene.
i am still bleeding.
i won't tell you how many times
i cracked my heart in half
trying to be what you wanted.
how my lips on your skin felt judas.
now i am waiting for god to begin me once more,
hoping he'll leave you out of the plot this time
because i don't think i could stand to lose you again.
see, rumor has it he knew you'd leave
and has been trying to make it up to me
since before we'd even met.
my song is one of repentance.
the wood finish from abandoned pews
rotting under my fingernails.
i made sacrifices you didn't ask for.
i have never known
whether my inability to abandon people
is more a strength or a weakness
but so far everyone i've ever loved
has turned into an exit wound,
and myself into a flickering no vacancy sign.
- m.f.
Jul 31, 2014
Jul 31, 2014 at 6:04 PM UTC
Lone walker,
In the midst of the crowd his heart was always alone.
Sank into the belly of tribulations,
Unlike the missionary journey of Jonah he was vomited into
more woes.
Like how a beautiful mountain in a wilderness thirst for tourist
So his heart was hungry for love.
If loneliness is synonymous to poverty then he deserved this cross.
Lone walker,
He lonely walked on thorns, struggled with everything, sweated blood.
He lived a life of trapped miners in a cave miles below fresh air.
Lone walker,
Rain of respite barely shower on his path.
Sun bit his skin, dews often united with his tears,
For there was no even a free den for him to rest his head.
His days were worse than the trials of Job,
For he had not even a wife to encourage him to curse God and give up the ghost.
Like an eaglet without a falcon, he was accustomed to crying for his dying talents that was hidden too deep for any scout to discover.
To him the world was empty and void of helpers
Until a moment came when he decided to abort his worries, fears and his ugly past.
In a flash he recalled the parable of the talents,
In a speed of lightning he stood and put his hidden gift into use.
I key my mind into the eyes of the reader of his biography,
As I stood in the midst of his children offspring in his burial ceremony fit for kings,
With the assurance that he is not walking alone to heaven or hell indeed
And surely his once lonely heart would be filled with merriment and peace.
Dec 21, 2013
Dec 21, 2013 at 6:47 PM UTC
Pushing a key oh how it brings me glee;
Content even happy in simple existence;
Many may not want to be just like me,
For a dry dreary job takes a work of persistence,
But each button I press is a step to success.
Merely a man without a choice,
Only a puppet with no voice
As I wait for direction with keen apprehension;
I stare at the screen first perplexed then distraught;
I see no coworkers it fills me with tension;
What was that? Was it just a thought?
A voice in my head, now it fills me with dread.
He must choose to make a choice,
To give his mouth a voice
“Stanley,” says he, “walked out his office”;
‘Stanley’ is that honestly my own name?
This voice I don’t trust, I will be very cautious;
I shut my closed door so all will stay the same;
The voice has not parted, I’m back where I started;
How?
The end is never the end is never the end
“Stanley,” says he, “walked out his office”;
Shall I play with him in his own little game?
My other decision was not quite that flawless;
I walk outside and am filled with no shame;
“Rejoice, you’ve made the one right choice”.
Now he’s a man in a world of choice,
The one employee that has a voice
I come to two doors and feel a great sensation;
“Walk through the door that's to your left”
What should I think of his clear calm narration?
I walk to the left, trying to be quite deft;
“You must not try to be uncouth, my words they simply speak the truth”.
Does he really have a choice?
Are the words his own real voice?
The constant dictation is no consolation;
I am led into a secret new door;
What I now see is a mind control station
But how do I know what is real anymore?
Does this place control me, or the voice within me?
This is the chance to make a choice,
His opportunity to put forth a voice
"Will you close down the station boy?
"Or put its full force into motion?
What choice do I have but to follow the story?
'Mind control', I'm dismayed at the notion;
I think I heard the voice inside me just scoff,
I turn the station off.
Only a character in a fixed plot line,
He does not see a contrasting sign
Now I am free but it brings me no glee;
Maybe I should have put up some resistance;
Merely existing means nothing to me;
I must now question my unclear subsistence;
The voice has not parted, I'm back where I started.
A man with a choice,
He has a voice
Nov 16, 2014
Nov 16, 2014 at 11:53 AM UTC
The cheese-mites asked how the cheese got there,
And warmly debated the matter;
The Orthodox said that it came from the air,
And the Heretics said from the platter.
They argued it long and they argued it strong,
And I hear they are arguing now;
But of all the choice spirits who lived in the cheese,
Not one of them thought of a cow.
4.8k
Spring comes little, a little. All April it rains.
The new leaves stick in their fists; new ferns still fiddleheads.
But one day the swifts are back. Face to the sun like a child
You shout, 'The swifts are back!'
Sure enough, bolt nocks bow to carry one sky-scyther
Two hundred miles an hour across fullblown windfields.
Swereee swereee. Another. And another.
It's the cut air falling in shrieks on our chimneys and roofs.
The next day, a fleet of high crosses cruises in ether.
These are the air pilgrims, pilots of air rivers.
But a shift of wing, and they're earth-skimmers, daggers
Skilful in guiding the throw of themselves away from themselves.
Quick flutter, a scimitar upsweep, out of danger of touch, for
Earth is forbidden to them, water's forbidden to them,
All air and fire, little owlish ascetics, they outfly storms,
They rush to the pillars of altitude, the thermal fountains.
Here is a legend of swifts, a parable —
When the Great Raven bent over earth to create the birds,
The swifts were ungrateful. They were small muddy things
Like shoes, with long legs and short wings,
So they took themselves off to the mountains to sulk.
And they stayed there. 'Well,' said the Raven, after years of this,
'I will give you the sky. You can have the whole sky
On condition that you give up rest.'
'Yes, yes,' screamed the swifts, 'We abhor rest.
We detest the filth of growth, the sweat of sleep,
Soft nests in the wet fields, slimehold of worms.
Let us be free, be air!'
So the Raven took their legs and bound them into their bodies.
He bent their wings like boomerangs, honed them like knives.
He streamlined their feathers and stripped them of velvet.
Then he released them, Never to Return
Inscribed on their feet and wings. And so
We have swifts, though in reality, not parables but
Bolts in the world's need: swift
Swifts, not in punishment, not in ecstasy, simply
Sleepers over oceans in the mill of the world's breathing.
The grace to say they live in another firmament.
A way to say the miracle will not occur,
And watch the miracle.
Apr 22, 2014
Apr 22, 2014 at 1:59 PM UTC
There was once a parable,
an earthly story
portraying a message that would
be told in reference of our life:
A sower goes out to sow some seeds.
However, there were some seeds
fell on the wayside, and
were swallowed up by the birds.
Yet, some seeds fell next to the ricks,
but there was not enough earth
to keep the growth of the plant-
so, when the sun came out
the seeds were scorched from the earth
with minimum growth,
but without the roots
to carry on its growth process.
Yet, some seeds were placed in the thorns;
so, those seeds were choked by its death.
The last sower was able to find good land,
where seeds would grow to a hundred fold.
There is a mission:
When God asks us to plant seeds,
we are asked to have the oil with us.
Without the right concentration,
there are concerns of thorns
who can choke you up.
Because the thorns are sharp and dangerous,
only God has the power to devour
or to destroy them.
A thorn is stubborn, and will continue to process
threats of no promise, but the cuts it can process.
Some thorns can be hidden,
while a red rose blooms beautifully
on the branches of a rose bush,
there is no reason to believe-
the thorn bush wants you
to grab the beautiful rose
to dig into your skin
the anger it holds
for you.
Hence we have the earth to produce God's mission,
but without the oil and concentration,
there are only rocks that will go nowhere.
Yes, unless you plan to move the rocks out
of the way, those things will always remain.
Only God has the power to remove the
blockages out of our lives to make
success in His mission, not our own.
Rocks also causes pain. They are
heavy, stubborn to move, and are often in the way.
When dealing with rocks,
their mission is to block the truth
blind us for which what is said is to be
hypocritical to the naked eye.
However, what the rocks do not know,
they may block our message from reaping,
but God can remove that rock,
placing them where they will work better.
The rocks are the most stubborn for sending
a message when the rock says,
"Here I am try to move me,"
however, if you remove a rock from its place,
they too have a purpose, and knocks the
whole scenario outta-kilta.
The situation is that while seeds could grow,
they die off very quickly without roots.
The question is:
Does it take a brain surgeon
to help us decide where to plant seeds?
Do we need to express the dangers
of rocks and thorns?
Where do we lay our hearts?
Is our hearts in the thorns, being tangled and sliced-
or is our hearts being crushed by rocks?
Is our oil being dripped by the holding back of thorns,
or are the rocks dying the oil up?
Our hearts need to sow where there is promise.
Nov 15, 2014
Nov 15, 2014 at 4:24 PM UTC
Heaven and Hell: The Parable of the Long Spoons
Post written by Sofo
*What is heaven? What is hell? The parable of the Long Spoons explains very well what heaven and hell truly are.
One day a man said to God, “God, I would like to know what Heaven and Hell are like.”*
God showed the man two doors. Inside the first one, in the middle of the room, was a large round table with a large *** of stew. It smelled delicious and made the man’s mouth water, but the people sitting around the table were thin and sickly. They appeared to be famished. They were holding spoons with very long handles and each found it possible to reach into the *** of stew and take a spoonful, but because the handle was longer than their arms, they could not get the spoons back into their mouths.
The man shuddered at the sight of their misery and suffering. God said, “You have seen Hell.”
Behind the second door, the room appeared exactly the same. There was the large round table with the large *** of wonderful stew that made the man’s mouth water. The people had the same long-handled spoons, but they were well nourished and plump, laughing and talking.
The man said, “I don’t understand.”
God smiled. It is simple, he said. Love only requires one skill.
These people learned early on to share and feed one another. While the greedy only think of themselves… [Author unknown]
*Sometimes, thinking of our personal gratification, we tend to forget our interdependence with everyone and everything around us. Not to help our fellow human beings simply means harming our very selves, since we are all connected on a very deep level.
If you want others to be happy, practise compassion. If you want to be happy, practise compassion.* ~Dalai Lama
by Sofo
Apr 28, 2014
Apr 28, 2014 at 7:54 AM UTC
Because she wants to touch him,
she moves away.
Because she wants to talk to him,
she keeps silent.
Because she wants to kiss him,
she turns away
& kisses a man she does not want to kiss.
He watches
thinking she does not want him.
He listens
hearing her silence.
He turns away
thinking her distant
& kisses a girl he does not want to kiss.
They marry each other -
A four-way mistake.
He goes to bed with his wife
thinking of her.
Sher goes to bed with her husband
thinking of him.
-& all this in a real old-fashioned four-poster bed.
Do they live unhappily ever after?
Of course.
Do they undo their mistakes?
Never.
Who is the victim here?
Love is the victim.
Who is the villian?
Love that never dies.
2.9k
Oh, ponder, friend, the porcupine;
Refresh your recollection,
And sit a moment, to define
His means of self-protection.
How truly fortified is he!
Where is the beast his double
In forethought of emergency
And readiness for trouble?
Recall his figure, and his shade--
How deftly planned and clearly
For slithering through the dappled glade
Unseen, or pretty nearly.
Yet should an alien eye discern
His presence in the woodland,
How little has he left to learn
Of self-defense! My good land!
For he can run, as swift as sound,
To where his goose may hang high--
Or ****** his head against the ground
And tunnel half to Shanghai;
Or he can climb the dizziest bough--
Unhesitant, mechanic--
And, resting, dash from off his brow
The bitter beads of panic;
Or should pursuers press him hot,
One scarcely needs to mention
His quick and cruel barbs, that got
Shakespearean attention;
Or driven to his final ditch,
To his extremest thicket,
He'll fight with claws and molars (which
Is not considered cricket).
How amply armored, he, to fend
The fear of chase that haunts him!
How well prepared our little friend!--
And who the devil wants him?
2.8k
She expressed again
what others have known..
the ironing chore found
quietly calming
bringing sometimes
bliss to a day..
What is behind this
smoothing of wrinkles
which serves such
wellbeing and peace..?
Perhaps we find here
in striking resemblance
an old story..
night becomes day
martha becomes mary
as our wrinkles
are pressed..
With thanks to Bette
her example and sevice
and for this new
ironingboard parable...!
Jan 2, 2013
Jan 2, 2013 at 12:22 PM UTC
The days have blended into a poetic haze
of mismatched syllables, hanging participles
accented with a hint of discourage.
My purpose use to be therapeutic.
Each rhyme I wrote was a comma in my run-on sentences.
And for awhile, I could breathe. Each breath became less wheezy, uneven and strained.
After I gathered enough air, I dared to speak.
Me? How could I even have the audacity to think!?
To my disbelief, my words didn't fall on deaf ears.
The anxiety, shame, depression and fear woven
into every poem made me familiar in the minds of strangers.
These strangers made me feel human.
With quickness that's comparable to the slickness of a parable
I was ****** from a catapult into the essence of prose.
However, the latency between the beginning of my literary journey
and the discovery of my gift for poetry was afflicting my sensibility.
I succumbed to the bullying from hyperboles
and the taunting of iambic pentameter.
At times I was afraid to talk to neighbors
for fear of narrative structure overhearing.
Now, I am wandering in a fog
though the hills of unpublished work,
echoed only by the crunch of "not good enough" beneath my feet.
This was therapeutic. Now I use it to influence my movements.
Dec 18, 2013
Dec 18, 2013 at 6:52 PM UTC
On a slow train
out of the Savannahs sudden exile,
the sunlight swallows me,
a calligraphy of days, hours, minuets, now
inscribed on my limbs,
syntax gives over to a dry, dry sound,
and parched, the aftertaste of sloe gin
inhabits my ribs, the lay of bones,
a labyrinth of absence,
and this velvet ache
at my wrists, a pure burning,
burning the memory red,
words swell and crumble with a kiss,
what absence, Soul of Winter,
what absence is this, spreading
over roadmaps, soliloquies, nights
stretch into mornings, always mornings,
as my fingertips pull daylight from an orange
in dream alphabets that soon dwindle
to vowels, the word, harbour, bends
the old alder beyond what it can bear,
so many ways, you say, to live like a prisoner,
at home, the rooms
are all windswept, reckless
chairs overturned , abandoned
in this, the evenings parable,
love is no more
than a syllable in a bottle
of shattered blue glass,
a poem written on the underside of a childs teacup,
their jump ropes curl like adders
at our feet, the thread
from where I dangle
in doorways and twilight,
as I bide time, perilous
over train tracks, your fingers
trace tally marks along my vertebrae,
the hollows darkening in a pathos
of blue rheumatism,
and in the carnivorous tremor
of my body breaking
like the spine of a book,
the paper gone pink at the edges,
like azaleas and bruises,
erosion, after all is the altar of the body,
and there are scars beneath my temple,
and this ache, still, in my wrists,
unbearable when it rains,
ghosts inhabit my lungs,
wrung from the silence of shut windows,
eternal clotheslines and linen
span for miles across the Savannah,
and the early frost is at last,
calling me home....
Jan 10, 2013
Jan 10, 2013 at 5:11 PM UTC
I went
to the mountains
searching
for my soul.
Found a
place to worship
like those storied
days of old.
A storm came
pulled me up,
threw me back
in bitter cold.
Talked to Jesus
asked forgiveness,
found redemption
heart grew bold.
When you need him
he will be there
like the good book
always told.
I went
to the mountains
I was searching
for my soul.
Dec 1, 2016
Dec 1, 2016 at 10:28 PM UTC
Bellicose angels chanter,"Never
Was and never more," upon
The totian breeze with clarity of peace;
A peregrine requitement of
Effulgent obsequies, tempered
With melancholy tortuously
Fetching lost codices whilst
Careening stars-of-Bethlehem
Nonchalantly whithersoever,
A parable of presence
A dirge paramount; perdurable
To the transcription of the
Orderliness Of Orcus'- unabridged,
The final heavenly sonnet.
ELEETE J MUIR.
Aug 20, 2013
Aug 20, 2013 at 8:31 AM UTC
Sticking me with needles again and again
Taking even more blood, need a pen?
To write down that you can't find the sickness
Well here's another symptom, Stress
I'll just leave I guess
No answers
No gain
No tests
No pain
Except the pain is so unbearable
Only another parable
Of doctors not knowing the cure
How many more weeks do I have to indure?
Of this sickness that won't go away
Maybe it will just have to stay
Oh great I'm feeling more pain
Maybe I should go to the doctors again....
I'm getting cut from a disease
How many more times until I appease?
Just get rid of the pain... Please!?
Oct 11, 2015
Oct 11, 2015 at 6:06 PM UTC
i was raised
by the greatest
generation.
at least,
that's what we
were told.
we were raised
at your knee,
told stories
of the American
Dream. "work hard,"
you told us, "obey,
consume, and god
will provide
for your every need."
you neglected
to mention
you'd borrowed
our only home,
a loan
you've since
squandered.
like the parable
of old,
you buried
your talent
in the sand—
along with your head.
dormant, you twiddled
your thumbs,
ignored the warning
signs of sky-rocketing
carbon emissions.
when you die
alone
you'll leave
behind a footprint
larger than your
tiny mind
could fathom.
it will echo
in the hallways
of your vacant,
dilapidated mansions.
you stood upon
the shoulders
of gods and giants,
but you gave us
a globe
unbalanced,
off-axis.
now, like Atlas,
we're left to carry
your burdens.
this yoke is heavy
and we are slight.
there's
no future
now, thanks
to you.
only prophecies
of nuclear holocaust,
economic collapse,
and the inevitable
heat-death
of the universe.
Jan 2, 2017
Jan 2, 2017 at 10:55 PM UTC
my ribs were pierced and the last
vestige of life kept pouring out.
and when the last word was said,
my body was lain among the mute.
I was a carpenter once, yet I will
Soon be carved from wood
To sit in silence like furniture,
all dressed up and well kept
with expressions on my face:
Of pain, of hope, of kindness.
But let us keep our eyes
on what cannot be seen.
What is visible is seldom what it shows.
A man I once knew kept with him a jar of seawater
He reasons that when he wakes up
He is reminded by the vastness of the sea.
And he embraces its fragrance:
Salt and water.
Can not a jar claim a portion of the sea as his?
Or to put it in perspective is it not the sea that embraces us?
Our mouths and minds are still, left open and dull in silence
Waiting perhaps in solitary meditations
or in many tongues we will talk.
and the crowd will call us drunk.
I and my other self are one.
But soon, after I have gone another will take my place,
he will embrace us like the sea
Even in places where no sea is in sight.
One thing is certain: salt.
The tasteless air will ink new births of sea.
Today let us clothe ourselves in the nakedness
of our adopted innocence. We will walk with the many
and again converse in the greater garden.
- 5 September 2018
Sep 4, 2018
Sep 4, 2018 at 1:43 PM UTC
when I go
it will be
impossibly late
and I’ll leave you
not multi-talented bars
or pairs of randy ingots
itching to procreate
in a splendid explosion
of golden delight
what I’ll leave you is
a stale-air larder
filled just this once
by dully packaged thoughts
and duller feelings
when I have them
they could only couple
if enlivened with musical prodding
or the sigh effecting benefits
from hands full of mood-altering
pharmaceuticals
so please yourself instead
and don’t
put them to any use
bury them deep
better yet
pile them high on Pyrrhic pyres
where the gathering scorch will send
down leaden puddles
while precious platinum curls rise
up to trickle trickster tears
my greatest possible reward
Sep 3, 2010
Sep 3, 2010 at 8:54 AM UTC
A farmer went to plant a crop
In his ready field
He threw it through and through the land
Preparing for his yield.
Some of his seed fell impotent
Upon a hardened ground
This seed was taken up by birds
Who quickly flew around.
Some seed fell on shallow soil
And sprouted quickly there
But there was no room for roots to grow
So the heat took up that share.
Some it fell in fertile loam
But there was other seed
As it grew it was choked out
By briars and by weeds.
Some of this land, however
Was harrowed quick and sure
The seed fell deep within it
And so the crop endured.
We all know this parable
That Jesus gave the crowd
They did not understand it
For they were not allowed.
But his stalwart followers
Asked the meaning of his words
They were of his kingdom
So this is what they heard...
The trodden soil was as a hardened heart
Which could not accept the Truth
And so it was devoured
By Satan. Foul. Uncouth.
This second soil was spurious
A sprinkling of dirt
Upon a rocky soil beneath
And so their Faith was hurt.
The Third had fatal mixture
Of good seed and of bad
The weeds were a distraction
And so the fruit was sad.
The final ground was fertile
Tilled by God's own hand
So 30... 60... 100 fold
Was the Harvest of that land.
The Word of God is like this Seed
It has much to offer
The Holy Spirit is its Wind
And Jesus Christ its Author.
SoulSurvivor
(C) 6/11/2016
Jun 12, 2016
Jun 12, 2016 at 1:18 AM UTC
David Foster Wallace told a tale of three fish. A large old fish and two young fish were swimming toward each other. When they met, the old fish said to the young fish, "How's the water. They swam on. Finally one little fish said to the other, "What's water?"
This is as important a parable as Jesus ever uttered.
While none of the fish can escape the water, the crucial thing is to be aware of it. We can't escape the water of usury founded capitalist consumerism, but we can become aware of it and change how we swim.
Minimalism is a way of saying **** you to the water. It is a way of saying, I may have to swim here, but I will consciously choose how I swim. That's huge.
A minimalist says I will live on as little as possible. I will participate in proletarianized labour as little as possible. He says to the usurers, I will not feed you through debt. He chooses to live (well) on the cast-offs of consumer society. He says I will not watch your lies on TV. I will avoid the State as much as I can. I will fly (as much as still possible) under the radar. I will live my life. I will live my truths. I will be me.
This cannot be done perfectly. It can be done in many ways and to many degrees. The trick is to realize how it suits you and then do it. Learn to swim as you wish. Be your own fish.
Apr 11, 2015
Apr 11, 2015 at 8:50 PM UTC
Yesterday, a cloud burst in mythologies
and the rain fidgeted over the retreat
of a tidal pantheon; deities swept away
by a current, and we stood awhile, watching
the moon elbow out the dusk. Breathing
is burdensome when cars float on water
and corpses leak out of cavernous
basements. Every tablet, etched, in the cold
heart of building code was read again
and then again. It wasn't enough to blame
Aeolian whim or the raging riposte of Apollo,
now that we had marvelled away Gaia's
ozone skirt. Her amnion always leaked
in folkloric floods each time she birthed
a parable. She once asked Noah to build
an ark so he could ride her waves
and we scrape the sky to impale her
in shards where her womb is soft and yielding,
as we sour the air and burn the water and strip
her of her emerald sigh and melt her hills
and silt her wetlands. Mostly it was the asphalt
plastering her yearning that calcified her veins
and arteries, as she died slowly under our feet.
We could hardly fathom her sorrow for the tears
rolled off her torso like an oil slick
and rode far into the subway for sewers.
Sep 15, 2021
Sep 15, 2021 at 4:29 PM UTC
comedy
clandestine couples
clamerous cosmetics
coughing guffaws
garrulous giggles
gratefully grinning
grotesque charlatans...
tragedy
torrid transgressions
tornado turnabout
tempestuous tradition
transcendent puberty
punishing parable
poignantly
pointless.
Shakespeare.
wove both into
his weft of
words.
SøułSurvivør
(C) 5/12/2017
May 12, 2017
May 12, 2017 at 11:18 PM UTC
i see you
formulate in the sky,
until a permanent cloud remains,
for all to see.
You settle in a montaged dream sequence,
a sweeping sentiment of sweet innocence;
in the equilibrium of your natural habitat.
Just a rain clouds tears away.
A utopian notion,
broken reluctance inspired by emotions.
A colloquial calmness
confronts the surface,
we burrow
down,
deeper,
for the winter in preparation of the hibernate soul;
The harsh cold paradise takes toil into the parable.
In the midst of Nirvana with a frozen heart.
A lake remains.
The tears turn to rain and solidify likes scars.
The reign is over,
You melt into my arms.
Jan 24, 2016
Jan 24, 2016 at 2:12 PM UTC
tea leaves sit soggy, sad
forgotten at the bottom
of the cup
leaching, bitter tannins
now, forgetting the life they led
no one willing to read their fortune
no spilling of the secrets
they never truly had
just detrius now
from dust to dustbin
the cycle of a tea leaf
long or brief,
happy or sad
a parable, in hot water
once green and lush in colour
in essence, verdent's liquid fame
once used and now just *******
every life has limit, every limit claimed
as we sup, we suffer the race of time
running through our fingers
clamouring at our mind
one day we too,
will be *******
waiting for the dust,
one day we too
shall leach our liquids
in the unforgiving dust
Aug 3, 2018
Aug 3, 2018 at 12:52 AM UTC