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RAJ NANDY Apr 2015
Dear Poet Friends, being fond of Art, I wanted to compose on
this topic for a long time in a simplified form! Egyptian Art and
Architecture influenced the Early Greeks, who in turn influenced the Romans and other civilizations! Initially Art and architecture, religion and culture, were all closely inter-related! Real distinction emerged with the Italian Renaissance. Here I have used only a portion of my personal notes. Hope you find this interesting to read! Sorry for the length! Kindly give Comments after you have managed to read the entire portion in your spare time. Thanks, -Raj

INTRODUCTION TO THE STORY
OF WESTERN ART IN VERSE:
          PART ONE
    * BY RAJ NANDY

INTRODUCTION
Art over the centuries has been variously defined,
But an all embracing definition is rather hard to find!
Ayn Rand defined Art as a recreation of reality according to
artist’s values, his view of existence, and choice;
Who recreates by a selective rearrangement of the elements
of reality, and not simply out of a void!
Study of Art History is a study of man’s creative evolution;
A progress of his wakened consciousness, and a restless
striving towards perfection!
The progress of his mind, taste and skill, which has gradually
evolved through past traditions;
Finding ultimate expression in his multi-faceted creations!
I commence this story from its earliest days, and mention those
Ancient Civilizations which influenced Art in many ways.
Art has been greatly influenced by religion, culture and history;
Therefore, knowing these aspects becomes necessary to
fully appreciate this Art Story!

PREHISTORIC STONE AGE ART:
Let us take a ride on the magic carpet of History, down
past millenniums to begin our Art Story;
Right into the ancient Paleolithic, Mesolithic and Neolithic
Eras of the Stone Age,
When early humans left their creative imprints on rock
surfaces and on walls of caves!
Long before the evolution of any proper coherent speech
or communication,
In some 350 caves of France and Spain are seen paintings
of large wild animals like horses, antelopes and bison;
Bearing witness to the story of gradual human evolution!
The cave paintings of Chauvet, Cosquer, and Lascaux, date
between 8000 and 1700 BC,
Drawn by nameless and faceless people who emerged from
an inhospitable Ice Age;
Those nomadic tribes who were hunter-gatherers living in
pre-historic caves!
The Story of Art therefore begins before recorded History,
Pieced together by scholars with the help of science and
archeology!
During the Neolithic Period beginning around 8,000BC,
Ancient man became gradually sedentary, engaging in
agriculture and animal husbandry!
With these nomads settling down in small communities,
Art became mystical and monumental in range;
As seen in the megalithic (large stone) structures of the
famous Stonehenge!
This type of post and lintel structure is also found in ancient
Egyptian architecture, and later in Greece as its special
feature!
Art History spans the entire history of mankind,
Right from the pre-historic days, up to our modern times!
Man’s everlasting quest for immortality lies etched on
rocks and raised stone edifices, defying marauding Time!

MESOPOTAMIAN ART (3500-300BC) :
Let us now travel fast forward on our magic carpet to reach
the Fertile Crescent,
Where the Tigress and the Euphrates Rivers flow, to the
Ancient Civilization of the Sumerians! (3500-2300BC)
The birth of civilization has been traced to Southern
Mesopotamia, where the Sumerians built their first cities,
As the earliest River Valley Civilization around 3500 BC!
It was a period when writing got invented in its earliest
Cuneiform form;  (around 3400 BC)
When Patriarch Abraham established the worship of a Single
God, in a revolutionary religious reform! (Judaism)
Mesopotamian Civilization as the source of our earliest
surviving Art dates back to 3500BC;
When major civilizations like the Sumerian, Akkadian,
Babylonian, Hitties, Assyrian, and the Persians, in this
chronological sequence, contributed to Art History!
Mesopotamian Art in general glorified their powerful rulers
and their connection with divinity;
Reflected on their city gates, palace complexes and ziggurats,

are scenes of both victorious wars and their prosperity!
Art was then highly functional and repetitive; depicting
love of beauty, a sense of order, and power of hierarchy,
- in their sculptures and motifs.
However, no signatures were ever found bearing the name
of the Artist!
It is interesting to note that both the potter’s wheel and the
cart wheel, made their first appearance around 3500 BC
and 3200 BC respectively;
With the Sumerians contributing to art and culture, and the
progress of Human Civilization immensely!
(Ziggurats are semi-pyramid like structures with steps, a temple complex located in the center of all ancient Sumerian cities-states! Saragon the Great of Akkad from the North, defeated the Sumerians in the South, & united entire Mesopotamia around 2300 BC, for the first time in Mesopotamian History, & they ruled for 200 years.)

ANCIENT EGYPTIAN ART :(3000 BC -500BC)
Next we travel to an isolated area of north-east Africa,
Where the White Nile flows down from Lake Victoria.
The Nile enters Upper Egypt traveling through Sudan,
Is joined by the Blue Nile at Khartoum to become one!
Continues its flow north through Egypt Lower, flowing
into the Mediterranean as the World’s longest river!
Historian Herodotus had called Egypt ‘the gift of the Nile’;
Ancient Egypt became a rich treasure trove of art and
architecture for all times!
The Nile valley area was protected by the desert on its
east and the west;
In the north by the Mediterranean, and towards the
south by a rugged mountainous terrain!
Annual flooding of the Nile along with an effective
irrigational network,
Ensured Egypt’s prosperous stability, congenial for her
many innovative architectures and art works!
Egyptian Art got shaped by her geography, mythology
and her polytheistic religion;
Also by their preoccupation with after-life and belief in  
the immortal soul’s continuation;
Thus elaborate funeral rites were performed by priests for  
the body’s preservation by mummification! *
(
’KA’= was a real astral twin or stellar double of an Individual, which continued to exist even after death, requiring the same sustenance as the humans, so food offerings were made in the coffins! ‘BA’= shaped like a human-headed bird, composed of non-physical attributes of an Individual. ‘BA’ collected the deceased’s personality after death from the mummified remains & united it with the ‘KA’, making a person complete; thereby making it possible for the person to be reborn as ‘AKH’ (Star), - in its ultimate unchanging form, to join Osiris in the ‘Happy Fields’! Since this journey to the next world was fraught with danger, magical funerary spells & rites were performed by the priests, with incantations from the ‘Book of the Dead’, inside the funeral chamber of the Pyramid!)

Art During Old, Middle, and New Kingdom Period:
Egyptian Art was concerned with ensuring continuity of the
universe, their Gods, the King and the people;
A projection into eternity a version of reality pure and free
from all earthly evil!
Therefore in ancient Egyptian society, conformity over
individuality was always encouraged;
Artists worked in groups with conservative adherence to
rules, order and form,
And all individual artistic initiatives strictly discouraged !
Their earliest pyramids the Mastaba, the Step, and the Bent
Pyramids were all prototypes;
While the Great Pyramid of Giza built for Pharaoh Kufu,
- was the first true pyramid which still survives!
Art comes down to us as ‘funerary art’ designed for the tombs,
Which was to accompany the royalty in their journey to an
afterlife, with its symbolic forms!
This symbolism is seen in their paintings, statues and architecture;
In vibrant color codes of their paintings as a special feature!
Where White was the symbol of purity, Black for death and night;
Green for vegetation or new life, Blue for water and the sky;
Red for life and victory, and Yellow like Gold as the flesh of the
Gods and also the Sun God ruling the sky!
Thanks to Jean-Francois Champollion’s translation of the Rosetta
Stone, (1822)
We are able to decipher many mysteries of the Ancient Egyptian
with the cracking of the Hieroglyphic Code!
Larger than life statues with poise and austere harmony at the
Luxor Temple complex survive;
Symbolic of the individual’s status, while creating zones of
strangeness for imagination to thrive!
(
’Matsaba’= Egyptian for ‘bench’, referred to bench shaped pyramids;
“Step Pyramids” = were like benches placed one on top of the other in
a tapering form going up vertically!)

The Old Kingdom Period covers a five hundred years span
of Ancient Egyptian History, (2686-2181BC)
Known as the ‘Age of Pyramids’, with Pharaohs from the
Third to the Sixth Dynasty!
“The World fear Time, but Time fears only the Pyramids”,
- is an Ancient Egyptian Proverb;
Whose ‘heterogeneous structure’ made it earthquake
proof, making Time to reluctantly serve! #
Here we find formalized figures with long slender bodies,
idealized proportions and large staring eyes;
Where Kufu’s Great Pyramid of Giza raises its mighty head
as the highest, on the west bank of the Nile;
And the mighty Sphinx guard the entrance to those ancient
royal tombs, though defaced, still survive!
These pyramids were like Pharaoh’s getaways to eternity,
An insurance to an afterlife of peace and prosperity!
(# Pyramids with stone blocks of different sizes & shapes made them
Earthquake resistant; & use of pink granite in the inner chambers
made them erosion resistant against Time!)

The Middle Kingdom Period (2040-1650 BC) :
Following 150 years of civil disorder Theban ruler Mentuhotep
the Second, reunified Egypt and ruled up to Nubia, (Sudan)
And began the Classical Era when Block Statues appear,
indicating political stability;
When artisans worked with bronze and copper alloys, designing
exquisite jewelry!
Kings now preferred to be buried in secret tombs, Pyramids
having lost their appeal,
And work began on the west bank of the Nile, in the Valley of
Kings!
(
Inside those rock cut ‘funerary temples’ on the East bank of the
Nile, opposite Ancient Kingdom of Thebes ; Pharaohs from the
Early and Late New Kingdom Periods were buried, including
Tutemkhamen.)

Early New Kingdom Period (1550 -1295 BC):
Between the Middle Kingdom and this Era, Art remained
static for almost a hundred years,
When the Hyksos from the Near East fought the weak Theban
Rulers!
In 1550 BC Theban Prince Ahmose reunited Egypt, and was
succeeded by able rulers, who ushered in the Golden Age!
Art works continued to maintain its basic traditional style,
With successive Kings from the 18th Dynasty consolidating
their kingdom’s wealth and power all the while!
But Egypt witnessed a change with an innovative style in Art,
When Amenhotep IV in 1353 BC became King, initiating a
fresh start!
This king changed his name to ‘Akhenaten’, the spirit of Aten,
-- ‘The disk of the Sun’;
Abandoned the pantheons of Gods with Aten as the ‘sole God’,
and a religious revolution had begun!
His new capital city of Amarna, 200 miles north of Thebes,
Got decorated with a new kind of art work to make it complete!
The statues now appear more realistic displaying emotions,
With fluidity of movement, unlike those rigid earlier creations!
The artistic talent of this Amarna Period gets best exemplified,
In the exquisite bust of Nefertiti, Akhenaten’s Great Royal Wife!
Regarded as ‘icon of international beauty’, a great archeological
find ! **
(
Discovered by a German team of Archeologists in 1912 at Amarna! This 19 inch long limestone Nefertiti statue weighs around 20 kg, now housed in Berlin Museum; comparable only to the artistic Golden Mask of Tutankhamen!)

King Tutankhamen (1336-1327 BC):
Akhenaten’s unpopular rule was short-lived, with those humiliated
Theban priests calling him the ‘Heretic King’!
A nine year old boy Tutankhamen (‘The living image of Amun’),
was next to succeed him!
King Tut restored the worship of Amun, in a back-lash against
Akhenaten;
Shifted the royal palace back to Thebes, with the religious center
at Karnak once again!
King Tut’s short ten year’s rule remained buried in 3000 year’s
of Egyptian History,
Till Howard Carter found his richly laden intact tomb, in the
Valley of the Kings! (1922)
King Tut’s priceless and exquisitely carved golden face mask,
reflected the exalted standard of art work;
Weighing ten kilos, inlaid with semi-precious stones, and eyes
made of obsidian and quarts!
With the King’s early death, the 18th Dynasty of Pharaohs came
to an abrupt end,
And the 19th and 20th Dynasties of the Late Kingdom Period
commenced!
The famous rock temple of Abu Simbel now got built, under the
warrior and builder Ramses II, one of Egypt’s greatest Kings!


Pharaoh Ramses-II of the Late Kingdom Period :
Here I sweep across centuries of Egyptian History, to mention
King Ramses-II’s contribution to our Art Story!
In Shelly’s famous poem titled “Ozymandias of Egypt” he is
immortalized; (Greeks called Ramses-II “Ozymandias”!)
And as the Pharaoh associated with Moses in the movie “The
Ten Commandments”, he is popularized!
Egyptian Art is intrinsically bound with its religion, pyramids,
hieroglyphs, and architecture;
With a concentrated focus on ‘afterlife’ as its special feature!
In 1270 BC young Ramses took over from Seti the First,
And his rule for a period of 66 long years did last!
As the third Pharaoh of the 19th Dynasty, he had ruled with a
firm hand;
Recovered lost territories from the Hittites and the Nubians,
- earlier captured Egyptian lands!
He enlarged the territories of Egypt ensuring prosperity and
stability;
Became renowned as the famous Warrior and Builder King
of Ancient Egyptian History!
Ramses-II had expanded most of the temples, as recorded in
the artistic motifs and hieroglyphic symbols;
Here a special mention must be made of the Temples of Luxor,
Karnak, and Abu Simbel !

Temples of Luxor and Karnak in Ancient Thebes:
Ancient Thebes was located on the eastern bank of the Nile,
where the modern City of Luxor stands;
Thebes was once the capital of the 11th and 18th Dynasties,
And the power and religious center of all Egyptian land!
Gets mentioned in the 9th Book of Homer’s ‘Iliad’ where “heaps
of precious ingots gleam, the hundred-gated Thebes”!
Excavation work began in Thebes during the late 19th century;
And the gradual unearthing of the Temples of Luxor and
Karnak, added a new dimension to Egypt’s Art Story!
It must be remembered always, that the Ancient Egyptians in
those early days,
Structured their temple architecture to the point of ‘Sacred Art’!
With their knowledge of astronomy and geometry, they
aligned their temples so perfectly,
That the light of the rising sun fell on the temple’s innermost
sanctuary! (Temple of Abu Simbel is a great example,)
Where the Egyptian priests, who were also the artists, healers,
mathematicians, astronomers and scribes;
In dimly lit incense-filled sanctuaries performed the sacred rites!
The temples symbolized the cross roads of the cosmos, where
the divine and the mortal met in perpetual harmony!
These divine scenes were integrated into the very fabric of the
Egyptian society through chants and rituals;
With cosmological symbols of magical hieroglyphs, which
priests alone could transcribe in those days!
(
Thebes began to decline rapidly after Alexander the Great
established the port-city of Alexandria as Egypt’s new Capital
around 332 BC !)

Luxor Temple built by Amenhotep-III, was dedicated to God
Amun, his wife Mut and son Khonsu, - the Theban Triad;
Tutankhamen and Ramses-II expanding the temple during the
New Kingdom Period!
Creator God Amun became assimilated with the Sun God Re;
Was worshipped in Thebes, and in the cult centers of Luxor and
Karnak, - as Amun-Re!
The walls and columns of these cult temples were decorated
with carved and painted relief,
Depicting the interaction with Gods, and military exploits of
Egyptian Pharaohs and Kings!
The sun temple of Amenhotep-III at Luxor has many columns
resembling papyrus bundles,
Symbolic of the primeval marsh from where Creation was
believed to have unfolded !
A Sphinx Alley excavated between Luxor an
Dawn of Lighten Jan 2014
Ilion Gray:
http://hellopoetry.com/-ilion-gray/
my personal call sign, Kronos/Cronus
Obviously the Titan among the writers of the Hello Poetry,
He has probably the highest viewership, and most commented amongst the poets.
It becomes very evident after reading his work why he is the Titan of poets,
And reading his poem is like historical masters revisited among mortals.

Harlon Rivers:
http://hellopoetry.com/-harlon-rivers/
my personal call sign, Poseidon
Poseidon was very fitting with Harlon River,
due to the symbolic nature of the water in their names.
I have only read few of this gentleman's work,
But I can assure you his work is very much a gift to the audience,
And like Poseidon that gift is fire to humanity.

K Balachandran:
http://hellopoetry.com/-k-balachandran/
my personal call sign, Zues
After thinking and pondering,
K Balachandran is the Zues of hello poetry.
His work is always top notch,
And it has so much layer of meaning in his ink.
I admire his compassion in his work,
And his generous response.

Nat Lipstadt:
http://hellopoetry.com/-nat-lipstadt/
my personal call sign, Apollo
Nat is this exciting charismatic youthful writer like Apollo,
And his vigor is unmatched with his writing.  
His writing is passionate,
And has such strength.
It is so hard not to notice his work,
But when you do read his work,
You will know why I had him as Apollo of Hello Poetry.

Soul in Torment:
http://hellopoetry.com/-soul-in-torment/
my personal call sign, Hermes
His work is like a trickery,
When you think you got it,
You see another layer in his work.
To read his 10w poem,
As simple as it may seem,
You will do double take to see more meaning  in 10w.

Timothy:
http://hellopoetry.com/-timothy/
my personal call sign, Dionysus
Probably the most festive,
and warm poems you will ever read.
Timothy not only write awesome poems,
But also gives lot of positive feed back to many.
More I thought about Timothy's work,
It just made sense to have him as Dionysus.

KMae:
http://hellopoetry.com/-kmae/
my personal call sign, Gaia
Another Titan among the Hello Poetry,
And like Gaia, KMae is like the Mother Earth of poets.
Her wisdom and knowledge is vast,
And her writings are warm and very expressive.

Shaqila:
http://hellopoetry.com/-shaqila/
my personal call sign, Athena
Her 10w is so amazing,
I became Dumbfounded by her work,
Because it's so thought provoking.
She has vast repertoire of her style,
and it is unmatched by many I have read.
I can only wonder now a days how she is doing,
Since she has been Mia for awhile now.

Olivia Kent:
http://hellopoetry.com/-olivia-kent/
my personal call sign, Hestia
Very down to earth,
And calm resting of poets.
If you want a ink with purity,
Check her work out!

Sally A Bryan:
http://hellopoetry.com/-sally-a-bayan/
my personal call sign, Hera
Her work has so much strength,
And love with thoughtfulness,
It felt only right to align her with Hera.
Highly recommend to those who seek love and warmth,
And very hospitable response as well.

CA Guilfoyle :
http://hellopoetry.com/-ca-guilfoyle/
my personal call sign, Artemis
Just like Artemis,
And her work is untamed beauty.
Graceful and amazing to read,
Her work is innocent,
But very strong.
Try to catch her work,
But beware, her newer inks are harder to come.

Jasmine:
http://hellopoetry.com/-jasmine-9/
my personal call sign, Aphrodite
Her work is elegant,
And quite beautiful.
Has a perfect feminine quality about her writing,
And gives lovely expression that empowers love!

Noose:
http://hellopoetry.com/-the-noose/
my personal call sign, Hade
Always great with darkness,
And convey disparity like no other,
Hade perfectly convey Noose's work.
If you ever want to read decay at it fullest glory,
Noose has this covered for you.

Atul 'Drona' Kaushal
http://hellopoetry.com/-atul-drona-kaushal-1/
My personal call sign, Cupid
Probably one with most profound love poetry I've read
And his work is dedicated love poems.
His work are marvel to gaze upon,
And strong display of Eros.
Highly recommend for those who like to read love poems,
If not, check his best poem of all "Angel?"

Pradip Chattopadhyay
http://hellopoetry.com/-pradip-chattopadhyay/
My personal call sign, Helios
In my eyes poet Pradip seem to be the sun of the poets,
Always filled with bright energy.
Very mystical in this poet's ink of ray.
If you want a poem that will brighten your day,
I recommend Pradip's poems!
Please don't take it too personally to my call signs, just wanted to add dimension to my writings with individual characters, and by adding a layers to convey the best description with gods and goddesses metaphor.  Some were really hard to distinguish with the characters, and some were already taken by others.   With limited 12 gods, it wasn't perfect, while some were dead on!

This is to recognize some of the best poets I have met and read, and while everyone is good in their own rights, these few people really stood out for me as the pantheons of Hello Poetry.

This may change after 2014 review in 2015, and make a completely different list when the time comes.  Who knows, I might just stop after this one!

This isn't completely finished, but for now this will do.  If I want to add more stuff I maybe inclined to do so, but with limited times as of late due to work we shall see where my attention spanned will take me.
Julian Oct 2016
Afflatus screams in mellifluous moonlight by a placid pond
Disturbed slightly by a miracle on ice deloused at a heavy price
Pantechnicons swarm as ghosts maraud around the outskirts of the forest
Suddenly the resurrected memories of renegades become conscientious
Angels swarm with fluttered wings invisible to the albatross of opprobrium
They concert themselves with chirpy dreams, itinerant crumples of amnesia creams
Marigolds are miracles at the most opportune time to be called a hysteria
Asserting the divinity of trinkets applauded that litter history with euphoria
Flinch my core, drunk on the travesty of stodgy moralism unfurled zero kelvin cold
But Salt Lake City towers above my contemplations and UFOs make themselves known
Every city this big is well in eternity and maternity very well known
Shelter not from husbandry, for Babylon is no longer idolatry
Stemwinders and poltroons with prisons crooned
Tyrannosaurus Rex still terrorizes aliens and humans alike on a stranded dark side of the moon
Pink is the ****** of Mayweather and Mayflower, so rigid in rock-a-by-baby tunes
Now is "Never" but TV time "When The Music’s Over" is Bang Bane rather than Boom
Hostage tickets of English hecklers proclaiming my royalty serenade the forest green
I hear their laments of the rumors ballyhoo obscene
Imagine a forest bright, trepidation of unlikely marauders of Viking spite
Spates of jinx own the tanks, sharks (jaws of these aliens in time "Thriller") evanesce as fluttered cameras blink
Marigolds are really miracles as euphoria that plangent has never been so bold
It owned the night and owed nothing of fright to hear aliens chirp ******* penetrated so tight
To hear the orchestra of God’s minions applaud my albatross receding in plight
The swiftest musketeer aims his gun at an AIMed pun
The renegade blackmail is the rut of a guttural wedding of a none and a nun
How sad that she waits, as a ragamuffin of eternal wraiths
That speak to her dreams specifically as a barnacle waif
Genius eludes the moment of sinking eternity and Van Gogh alpenglow
Cracked screens reap grime and grim preachers that reap what they sow
Accentuated stature of imposture clutters legends urbane with glowing silt
Rigmarole of laughingstock circus with the strangest 25-year old days of a dead man Wilt
It was the steward of a day too strange to forget
It was the Newark of a Jersey of Gretzky #99, a hard-won bet
Histrionic of history, an underappreciated music is a well-worn divinity
The best music ever is the best music of time-traveled complicity
Sadly lost on inferior ears is the plangent flow of sonorous pantheons
Lost on an island of good taste in a world that prizes prosaic mellow eons
Rather than delicate paeans with hummingbird simplicity
I resent how rare my taste is in an olfactory of waste
How rare a smell is that yegg harder to lambaste
Don’t gibber the jibe of jive-talking stalk
The scarecrow in Back to the Future is a ******* heckler hawk
Rarefied abduction of stolen keys of NYPD sprees
To drivel the wharf of piedmont rifts in Heaven’s eternal leaves
Time to step back from the sidewinder missive
Time to crack the gravy epistle so dismissive
Non-linear experiments in time and memory crave recognition
Finally I learn that house arrest is a Home Alone good enough for a virtual reality prison
Michael Marchese Apr 2017
Prometheus ignites to spark this
Molotov to make his Marxist
On swine Fuhrer's Faux News tweet
Hashtag it #GorbachevWallStreet
'Cuz Putin's puppet Pinochet's
Whipped Creme de Kremlin's CIA  
From JFK to Allende
Like Russian roulette ricochet
I'll Trotsky through McCarthy's brains
Leave slain these ****** sugar Keynes   
Discred' the Fed’s six-figureheads
With strikes at dawn more red than Debs  
Still breakin' breads with Mulan Bouges
Makin' men of Khmer Stooges
Seein’ Rouge when Al Spans Greens
Potemkin loan wolf ponzi schemes
Who count the sheep like Philippines
Then Black Pearl Harbor GRANMA’s dreams...

Of Marilyn Monroes in store
Just off-shore ****** who **** the poor
A Glass of Steagall's broken trust
Half emptier than bowls of dust
In rust beltways still spewin’ fumes
As factories become Khartoums
No carbon footprint tax the hint
Of Amazon decays in Flint
Just pop the caps and drown in debt
Like Kent State drinkin' to forget
That cuttin’ class engenders race
Leaves glory, gold and God's disgrace
To slaughter Moor than Reconquista  
From Marti to Sandinista     
With Zapata sharin’ crops  
Till my Mexica heartbeat stops

I'm Pancho infiltratin’ villas
The Magilla of guerillas
In the midst of Congolese  
Same colonies, just different thieves
To me, my breed’s of landless deeds
So how you like ‘dem Appleseeds?
FReeducatin’ caves of youth
Fed Citizen’s United Fruit
‘Cuz now my open eye of Horus
Battle cries Grito de Lares
Che is centered in these veins
So my Ashoka takes the reigns
These Iron paci-Fists pack hits
Like Jimi on some Malcolm ****
Still Hajj mirages I barrage
The Raj with sheer Cong camouflage

Deployin' Sepoys on viceroys
And pol desPots’ in the employs
Of Tweedledums who run the slums
With country clubs of loaded guns
These Betsy Deez bear arms to school
Till no kids fly kites in Kabul
So gas-mask your Sharia flaw
I'll Genghis Khan Sheikoun it raw  
'Cuz refugees are rising
And we're anti-socializing
Subsidizing private party plans
Who take commands from ***** hands
These grand old klans coup klux control
Your diamond minds with mines of coal
An oil Standardized existence
Solar powers my resistance

******* sun of Liberty  
My fear itself is history  
Rewriting wrongs of Leo’s creed
In culture’s blood and vulture’s greed
An alt-right/all-white cockpile   
Stockpilin' human capital
In tricklin’ contests over spoils
Of the cotton-ceded soils
Jingos chained to Cruci-fictions
Swallowin' good Christian dictions
I spit Spanish Inquisition
Trippin' Socrates sedition
Droppin' Oppen's fission quest
For "now I am become death"
'Cuz G-bay pigs in-Fidel's sites
Flew U-2's into my last rites

These Saddamites, I smite Assad
Then spread 'em like Islamabad
Convert for-profit prison tsars
From Escobars to Bolivars 
Like currency in Venezuela
Current police-state favela
Where 9/10th's of your possession's
Worth less than your Great Depression’s
Upscale bail ‘em outs of jail
With Dodd-Frank banks too big to fail
Your FDA-approved psychosis
From Campos’ daily dose of
More defense? Here’s my two cents
These slave wages ain’t excrements
So just say no to Reaganomics    
Got us hooked, but not on phonics

Just that Noriega strain
Of Contras stackin' crack contain
Like MAD dogs who trade weapons-grades  
For Ayatollah hate tirades
On “don’t ask, don’t tell” plague ebonics
Drug crusAID Jim Crow narcotics     
Warsaw rats injected, tested,
Quarantined, and then arrested
Guess the J. Arbenz' lens
Still Tet offends their ethnic cleanse
Still Wounding Knees of Standing Sioux
Till Crazy Horses stampede you   
For Mother Nature’s common ground
My Martin Luther’s gather ‘round
Is hellbound sounds of Nero’s crown  
Let's burn this Third World Reichstag down

Vox populyin’ to remove ‘ya
Like Lumumba then Nkrumah
So some Pumbaa kleptocrat
Declares himself the next Sadat
To hide supply-side Apartheid
Increase demand for genocide
So check your factions in Uganda  
Tune into Hotel Rwanda
Come play pirates with Somalis
Then desert ‘em like Benghazis
Thirst for blood so French Algiers  
It boils mine in Trails of Tears  
My destiny unManifest-
Oppressive Adam-Smitten West
So pay your overdues to Mao
I’ll Mussolini Chairman Dow

Then flood this 9th ward Watergate
With killing fields of glyphosate
I'll redistribute IMF’s
With leftist depth so deft it’s theft
I’ll My Lai massacre these lines
With sweet Satsuma samurhymes
I'll make these Madoff Hitlers squeal
With that Bastille New Deal cold steel
Now feel that Shining Pathos wrath
Drop Nagasaki aftermath
On Nanjing kings and dragon’s Diems
With ****** bodhisattva zens
To show you how I pledge allegiance
With razed flags still rapt in Jesus  
Laosy liars pogrom psalms
Can’t Uncle Phnom my Penh’s truth bombs

On heroes shootin' ******
My fix is un-American
Tiananmen democracies
To Syngman Rhee hypocrisies  
Theocracies drive me Hussein
With Bush league’s mass destruction claim
So I dig laissez pharaohs graves
With pyramids of Abu Ghraibs
Then nail their coffers closed like Vlad
I AM THE GHOST OF STALINGRAD
My hammer forged in winters past
My sickle reaps the shadows caste
By pantheons of penta-cons
Whose Exxons lead to autobahns
When liberal Arts of War and Peace in
Free speech teach my voice of treason
“Fascism will come to America wrapped in a flag and carrying a cross”
-Sinclair Lewis
Graff1980 Dec 2014
You crossover the cutting board
Quick witted leather fitted
Eyes blasting beautiful rainbows
Muscle rippling with truth
Capes and cowls
Heroes and villains
Smiles and scowls
A league of Avengers
A modern mythology
Patterned after past pantheons
DC to Marvel
The same side of two twisted coins
The same lie that I love to enjoy
Fiction intertwined with philosophy
Violence intertwined with morality
Leaving me with these power fantasies
Of superhero friends and families
You’re on my tv, movie screen
In my comic books, novels,
And even in my dreams
Cali Mar 2013
it's too late to fret
about decisions made
and ties cut, past tense.
it's hard to see it
without the glaring minutiae
of my demise.
I'm scanning the walls
for a change of subject-
Polaroids and butterfly carcasses,
city skyline sketches
and old cigarette advertisements
in gilt gold frames;
satisfy yourself.

my mind is saturated
with degenerate cogitation-
a stew of pantheons
and painstaking nihilism.
my bones are brittle
and begging to break
and my eyes are growing heavy,
with the weight of it all.
Vernarth says: "Give me some milk, and I will be the son of Zeus, perhaps as a means in everything and not a whole of which I never thought...!"

Wonthelimar from the Boedromion brought the arrows that Zefian brought, they brought the sleeping bodies of winter to the lap of the spring Boedromion, crossing the lines from spring to winter in the cycle that went directly to the Mercurial Ambrosia of the Cinnabar. Were they discreet detached arrows that he had thrown into the sky and did not return? but if in the rooms, and in the animalism stages that made the duty of rejoicing at the ****** of the Telesterion.  Wonthelimar being once more re-looted, before starting the works of the temple of the Megaron Áullos Kósmos, he returns to the cavern of Chauvet Wonthelimar. It distanced itself from the contravention of Apollo and Artemis towards an olive tree, originating in the arrows of Zefian, to mark the new cardinal points of the zenith, starting with the first two arrows that are placed in the bowstring, each one belonging to trajectories from north to south and the other two that were again violated with the arc of the stormy East, to launch the arrows from east-west with limits of southern magnetism. He carried in his belongings "The Iberian Rings", which would be the migration to the cardinals and points where the Megaron of Vernarth would be exactly, arguing that the phalanges of Zefian would be ordered in Syntropia and organic chaos in Patmos, Pythagorean proportions would be made, in essences of numbers that idly advanced in the temporal steps of Wonthelimar that mobile became of religious arrows and of the Mercurial Ambrosia of the Cinnabar, to help him with the most insightful points of the Constellation of Capricornus.  Zefian's tendency was one of evident delight after the bowstring being pulled, for phantasmagoric existence; presuming that where they fell would be the beginning of the storms that would originate the Állos Kósmos Megarón, for late courts imposed from a cosmos, which was directed by committing itself to its will and from a doubtful Vestal god advocating to associate with hospitable Canephores, such as Vestal Virgins of Roman bilocation, and quantum parapsychology of the dreaded in-between-tale alive that boils back in the arrows that had not yet fallen, and did not know their whereabouts. Like plates or serial hosts that were evoked from where the origin of the Universe was broken, to open towards the Duoverso contravened organic, vigorous and in anti-scorch to the divine celestial origin as a parameter of *****-ovule, rather in eonic instances in the fireplace of Hestia, running in eternities to vast volumes of light-years.

From the medrones that grow in the Nyons massifs, the Seven Ibic Rings were established.

Ibic 1: "The first was from the initiation of Wonthelimar and brought purity, for all who needed him and were visiting in the dark, and then he would find the light when he left the cave alive if he was accepted."
Ibic 2:” He was guided by Vlad Strigoi in the priesthood center on his shelves with the Chiroptera, and in excess of the mercurial ambrosia for the purpose of energizing the Tsambika Cinnabar.  Having all the protocol of Transylvania and eternity with the waters of Antiphon Benedicts”.
Ibic 3: "From the Eygues, the waters evaporated for healings of the tormented initiatory processes of raising the four Arrows of Zefian, to indicate the zenith of the Megaron."
Ibic 4: “This ring was from the antlers of Wonthelimar, here they wore the oikos or threads of Gold from Orphi, for the Himation and investiture to anoint the body of Vernarth, bringing the aerial atmospheres of the Alps and Ida as a complement to Mycenae- Aldaine ”.
Ibic 5: "This piece of metal speaks of the fifth plasmic element that would contract the universe and the Hyperdisis galaxy, to elevate it to Vernarth's neurological and Duoversal hyper brain twinned to the Mashiach."
Ibic 6: "It is the sixth piece of crowns of Kafersesuh, bringing the pollinations of the Lepidoptera, for the central stage of the investiture under the gloom of Hellenika and Theoskepasti."
Ibic 7: “It is the grave voice of the Cinnabar and the Antiphon Benedictus, together with the Lenten fast of all the hoarse voices, which inquire about the true phoneme and photon of divine mass light, to build the Áullos Kósmos. From here the purification will go up in synchrony through the final growth medron, up to the millimeter shoulder of the square meters assembly, which will illustrate the Megaron´s Acrotera  "

Ellipsis - Parapsychological Regression Marielle Quentinnais year of the Lord 1617

Wonthelimar was transmigrating to Chauvet, but the Pontias wind carried him from Nyons to Avignon, encountering filigree by Raymond Bragasse; a Former Dominican priest of Cathar descent. He always drenched himself in the estuaries of the Rhone, which came from the Saint Gotthard massif; being master and lord of dreams and of the breaking curses of the despicable administrators of the house of God, and of the Antipopes in Avignon.
Wonthelimar heard voices from some parapets babbling in the parapsychological regression of Vetnarth, on August 4, 1617, when Klauss Ritkke was found cleaning the main stained glass window; he heard heated dialogues between a Friar and a Gentleman, who was once an assistant to the clergy. Klauss could come closer and hear his conversation more clearly, until Friar Andrés, muttering, demanded indulgence from Raymond Bragasse, one or the other.

Raymond Bragasse Says: “My lord Wonthelimar; what grace has brought us together here in the middle of the Pontias, between hopes and reforms!”

Wonthelimar responds: "Your flight is a spell of the grace of André Panguiette, who will find us again. How many times with hope I fought to reform you Raymond... Oh Virga ac Diadema  sed Diabolus...!! Oh, ****** the devil smiled...!!

Raymond replies: “It is a major question to live if in something I have failed, take me to the sulfurous emanations of Hell. But my faith lies moldy at the bottom of the sea, a sacred myth of my truth..., and of my beloved Marielle...! There are fifteen thousand demons that possess my body... fifteen thousand demons for attacking the sacred mystery of the Holy Rosary...! Marielle was my light, my Edenic Eve, an admirable land. Now, she is my spell, my stubbornness or my constant sharp bleeding, without knowing where it has to pass...? I still remember that night, that gloomy night, renouncing my final vows of faith and the consecration of my soul. I broke my ties and ecclesiastical chores, all for Marielle, a noble descendant of the Quentinnais. I would never believe such regret in my destiny. I did love her, but her misfortune knew me. When I approached the edge of her house that night, I entered through the kitchen window. All were asleep, except for the albiceleste reflection of the last death throes of the deadly round of Quentinnais Mansion. I was thinking of rescuing her and saving something from those cheeks kissed by me, but her heart disease dried up his heart and her lungs. It is still possible to recall the last roses that I brought into her hands, they danced with her along with the hymn and the old dirge of the sleight of hand made by the monk, along with the cartomancy plays settling the minute of taking her into darkness, with her beautiful bare feet. What a pain, I could not rescue her from her, and death was dispossessing her! Her parents hated the mere fact of having her heart ruled by an impious priest, so I turned to the pagan and dark gods, to heal Marielle, and her heart to transplant it for mine. Since that day, I continue to burn in a polysatanic hell, to take out the little breath of goodness, and seize the transparent liquids that plague her existence and her serene metallic Diadem..."

Friar André Panguiette upon learning that his great friend possessed by the Devil would fall into some endemic evil infection...; Evil endemic to his love, he crossed himself when he saw that he became a horrible being. The jumbled leaves in the garden were transformed into Bible sheets torn from their bindings and fillings, the wrinkled ***** Saints slid down their columns, the sky proclaimed hemorrhages and the wind oozed foul gases, which in the firmament sprouted in clots of clots on the Papal House of Avignon. Fray Andrés, threw the rosary on the neck of the possessed person, and asked the Demons who were they most afraid of...? The demons answered this question, screaming and falling vertically down the central nave... they went down and flew!

Wonthelimar induces: “From that moment, you and Marielle would cross their gazes closely and love each other. In the following minutes of Pentecost, the two of them went alone to sit on the bench on the banks of the blessed wind that caressed their profiles, as if plotting to unite one with the other. Raymond effusively kissed her; he drew her to him, believing he sensed an eventual and sacrilegious separation from her. This is how it happened when François Quentinnais surprised them...:

François Quentinnais: With this example, you have provoked my anger Marielle...! Hundreds of men like me would react like this when they saw my daughter in the arms of whom until recently, she was hugging God!

Marielle: Father, I beg you for mercy, Raymond of precept sent a letter renouncing his vows!

When the soul of Marielle was entrusted, Raymond escaped seconds before shattered, he did not tolerate the nonexistence of Marielle; vegetating rotten grass of the estuary, emerald swallowed by fire. In a purely inorganic state, Raymond walked away from the mansion, walked through the leaden mountains, and on the cruise he walked through the walnut trees in whose scarlet pods the intense cold of the esplanade howled. The almond trees cracked a baritone muezzin, which one day he wanted to go there, but could never reach the east. His beard reddened, his nails were like ram's horns, and his also reddish hair at the ends of it had black tulips. His clothes turned gray just like his eyebrows, and his breath smelled of nurse sewers of the black plague, the dry flow of his voice announced monosyllables, thus he purged his pain from town to town, from house to house, everyone quarreled with him, and then they were exasperated by kicking him out. Until in June 1617, caravans of people started from the southern town of Avignon, escaping the flames of angry soldiers of the crusades. The fleeting townspeople carried on their banners the inscription... INRI. On the other side, they carried the cross and a colorful coat of arms that in the lower corner said Siccidemy. Then, there Raymond opened his bruised eyes, unable to contain the recovered memory of him, between gunshots, screams, sobs, and screams, the hundreds of steps that were heard around him, led him to tear and save his life. In an instant of stillness, he found himself surrounded by people until one of them took him into his arms to hydrate his mouth. We are Albigensian, and you... Who are you?

Raymond replied: “I fled in search of a miracle that could save a beloved being. I used to call myself Raymond, now I don't know what name to go by. I fled, but I had to face the situation, even having acted behind the back of the Church”. An Albigensian says: “The clergy have also believed that our sect has acted behind the back of the Church. However, his powers and his government have registered absolutism within Christendom”. Another Albigensian says; “We seek the establishment of ancient Christianity, we deny the existence of purgatory, the importance of rituals, clerical organizations and the possession of goods by the clergy. And for this reason, we have been expelled from our lands, from our homes, our children have paid for the Sacred Inquisition, in the hands of those who one day... baptized with blessed water”.

It was on June 18, 1617, the Albigensian fugitives were besieged in Montlimar. The Argentine crosses gleamed like dogs eager to bite the enemy. The open-minded Albigensians gathered together with Luzbel, who floated on a calypsigenic cloud. Raymond and the others piled up essences in the fuels to start the pact, after this event François Quentinnais answered negatively, and strongly took her daughter by her hand, pulling her sharply to the float. The horses slip their hooves before the sloping pastures carpeted by tiny Calypso flowers; the mayoral pressed his thin lips, also raising his shoulders, so as not to hear the despotic cries of Monsieur François. As for Reverend Raymond, he could be seen crying silently, accompanied by late halos of the luminosity of the final and sad day. Sorrows and regrets dislodged his bones that underwent violent arthrosis, populating his body in a sedentary lifestyle and irritation. I myself say Wonthelimar, I am the one who carries Marielle's love in me, I am your Raymond. Remember that night that...: "When the monk retired to pray, you stormed the bedroom, and uttered Marielle..., Marielle:," wake up, in vain I fear to leave without your divine voice. Marielle, what do you have...? I don't think your father's impure will blind your eyes to not see me, or he ripped your sweet voice to not name me...? ".

The Albigenses resigned to the spell, their adherents had largely been reduced, only ten or twelve remained. That later they fled from Montelimar escaping to the west, crossing the enchanted Rhone. The Siccidemy troops mutilated the last demonized Albigensians; nothing would help for their lives, everyone would bleed except the group that fled with Raymond. For several days they wandered the Cevennes plateau, provisioned themselves in Montpellier, and arrived in Carcassonne on July 20, 1617. Little could they remain here, since the congregation of Santo Domingo, without distinction, attacked the population decimated by the crusaders? What a regrettable exodus for Raymond with his black flock fleeing from where his feet laid hope! Twenty-two days of bitter flight, and everywhere the crosses, until Raymond decides to separate and go back to Avignon. He takes a  sailboat off the shores of Narbonne in the middle of a stormy gray day, in his bitter journey he dreams of being born again and having Bethlehem as a lineage, on July 23 of the same year, he lands in the waters of Marseille. When he was discharged from the port, he undertook a light journey to Avignon, near Arles, thousands of fellow citizens started from the hosts of King Godfred of Bouillon, the nobles cooperated by revealing the mobs that gathered in the city, the Hussites, and the Waldensians; Iconoclast heretics, fighting fierce battles. The crusaders took the offensive and tried to prevent them from burning their sacred images, which had already been torn to pieces throughout Gaul. Raymond, distant, helped the most serious, he was afraid of being confused by one of them, it was better to hide in the Cathedral of Arles. Upon entering, he felt a dizzy ***** that shone timidly in the hands of his performer... it was a little girl who, when looking at him, named him Dionysus..., demi-god, save us! Raymond fell into a daze, and falling into a dream that told him of barbaric actions, with masked fellow citizens lying neutral in their gestures, and suddenly angels revealed to him that they were looting the pantheons of Avignon, to burn the rosaries of the saints. Bereaved in their graves, some Albigenses exhumed the bodies of relatives related to the Clergy.

Raymond was sweating his hands and forehead, he struggled to get to the Quentinnais mausoleum, straining his precognition, he crossed the interdepartmental courtyard, he continued to haunt the packed pyramidal cypress trees and suddenly a lion-faced him dealing with a snake; with the symbolic image of the Quentinnais. He saw the slab desecrated, on whose horizon his Beloved Marielle slept. His skin prickled... it was the Iconoclasts avenging their own, with strong breaths he squeezed his hand, wanting to wake up... so it happened, he got up pushing the crowds that were holding him back, but his strength was growing. He rode a roan steed, in three bridles that he gave him he flew towards Avignon; his mount seemed to be a hot air balloon that flew with great dynamism. Raymond in his own painful station would moan his hand, his eyes; his legs creaked like the legs of the Pegasus that carried him fast.

Ellipsis Second Sequence Mausoleum Quentinnais

Finally, he arrives in the second parapsychological sequence, noting that Avignon was in ashes, takes the reins and immediately goes to the Quentinnais mausoleum, upon arrival, he appreciates several Albigenses committing crimes, dismounts, and runs screaming towards the defilers; he faced them with stakes, some demonized had to cut their throats, arriving in time to defend the remains of Marielle. For long hours he was with her alone, thinking about what to do, Raymond knew that he could not revive her, so he had no more redress than to invoke Luzbel, who this time revealed her true and evil personality as ruler of the evil spirits.

Raymond: Dear Luzbel, millions of Canaanites looked up at the altitude representing you; today I will do the same from here and beyond the solid roof of the mausoleum! Bring Marielle to life, come and twist her cheeks, since without her! I have had to live all this to protect myself from suffering. Since Pentecost, he hadn't been physically close to her. Now I need her... well, I lynched her...! Beelzebub making him believe that she was Luzbel, ordered him to extract her heart!

Beelzebub: “In Montlimar, I saw volcano crests arrive in such failure of my envoys. But it will not be repeated, and for it to be so, I entrust you to take out the heart of your beloved and tear the eyes from her that saw your gaze. Then open your chest with this dagger, I will draw your blood and heart, to moisten the heart of your Marielle. And finally, I ask you to bring a lip to me to enchant her lips in lilies. "

Raymond: “opinion accepted... that's the way I'll do it!
Being dominated by the spell, Raymond abided by every step dictated by the supposed that Luzbel lived difficult moments since he was a good day, but so many thousands of years of living in darkness, and in the midst of punishment that violently changed his mind. Justo Raymond carried the body in his arms so that the ritual would culminate. Luzbel snatched his beloved from him and with laughter he vanished.

Beelzebub says Mortal fool! Don't you see that I am Beelzebub; chief of the evil spirits and the guide of the Albigenses, Hussites, and Waldensians? Never invoke me in the Mausoleums, here betrayal triumphs. Now a Quentinnais will be my image on earth, giving her the doubt of doing well for many centuries.

Beelzebub took his beloved away, leaving the rosary wrapped in soft tulle next to the scapular in his hands. Raymond cringed in pain, and in an act of madness scratched his face. Poor Raymond, he told himself...!  That in himself he found no reason to live. He left the mausoleum at dawn looking around every corner in case he saw Marielle lost in his sight since recently. He was exhausted; he remained after the confession that was delayed too much because the events that took place in the Pantheon, in a way pretended to be the events that Raymond inexhaustibly narrated. And in a way, he feared for his life at that time unknown, by the mouth of some hidden place they documented his bitter inability to do well, and that he would fall under Raymond's curse. At this moment, Raymond lay lying on the banks of the Pantheon, from that day on, he did not know about the days, he only existed at night and he did not socialize with anyone, his madness sowed hatred for everything sacred and infernal, he dealt with the Holy Rosary found a magical find, until one day a new one reached her ears; she was referring to some crusaders who had intervened in Jerusalem when it was invaded by Saladin. A certain Frederick Barbarossa was drowned in Sicily by..., "Wonthelimar", who with the Diadem of a woman Seized the island of Iconium. This was the other new one that enlivened his spirit. This greatly surprised the worn Raymond, suspecting that the kidnapper of his beloved might be in cahoots. And as the news continued to hear her, it was said that her sacred beliefs allowed her to continue undercover, in order to continue for a long time, even in the other attacked city that would be Nice. He signed to the limit, for centuries that will serve us in future generations…, suffocating the iconoclasts.

The poppies moved from north to south through the Provencal regions. The oceanic eastern Gods Makara's in tumultuous pyramidal ships descended legions and escorts, to aid Raymond's farewell at Nice. At twelve o'clock at night, the prophetic edict of the Lord would be fulfilled, here the last words of that chimerical episode were received, and he feared that until then a first descendant of Raymond; he became a statue in ignitions of the reborn underworld. The Diadem will be transport and refuge, as for Wonthelimar he said doubtfully…; I think he is nothing more than the deviant Beelzebub, who with optical retractable eyes, in Montlimar disguised the initial in double V..., Wonthelimar, but I was wrong! Wonthelimar already transmigrated to Raymond, staying on the banks of a stream, with nausea he regurgitated his underlying spirit state from the lyrical crust. His mouth unsheathed the most diverse and heterogeneous chronolites; Parasitized dust in pieces of temporary stone, flowing in disciples, quarantine fragments, in marriages by sinuous water. Raymond slapped his thighs in anticipation of throwing up there. His blatant, incisive alienation took over his will, with inherent crickets singing to her in isolation from him, shining his conscience, and residing in the grace of the Holy Grail. The conquest of the earthly system amputated the Andromeda Amygdale; Constellation-illusion and spouse of Perseus, who is mysterious vehicles of the solvent Grail, kept him tied to Raymond. Deafening roars erupted from the earth pits, and the mass of the mountain hung above the trees, pseudo purple and violet rays bombarding sarcophagi all over Nice.

Wonthelimar: “Since this day I have been boiling in a polysatanic hell! The Ibex picked me up from the surroundings of the Pantheon and the Quentinnai mansion, where I have never been a human again, only an Ibex in the Chauvet cavern. Thanks to the herds of goats that adopted me that I have been able to bear their pain by taking refuge in the darkness of all times, which never transpires in the past, present, and future? Now I have come in this re-location, to reorder Vernarth's parapsychology, which you are too, and who has never been able to overcome the pains of love, even beyond pale death! "

From that moment, the shadow of Heracles is seen among them, encouraging them to be part of the gods, and of the feasts of the beautiful Ankles of Heba. Thus the words redecorated them both amid the thick fog, in Avignon. Afterward, Wonthelimar left and left Raymond to continue in Marielle's darkness to the end of the world. The blister day and the scorching night, thought one of the other in constant profit, for the good of finding them in the Kalijoron..., the well of the divine light of Eleusis, for those who rest in naive peace in the face of cunning, and the decorum of the gentle dialogues in the comedies of the exceptions, after crossing the Nile, with tributers collecting the faults of the gods, or else with horrific screams that would make them prey to an imaginary Gorgon.

Wonthelimar was now going after the “Íbics Ring”, which were left in the Chauvet cavern, by some Iberian tribes of the early Neolithic age, who were on their way out desecrated the cavern with ****** in the orbit of the Ortho Heliacal. From here, in the last goal, they reach the darkness where the vampire bats were terrified to see them with their eyes in mercurial ambrosia, which enveloped them with the gums in each one as they approached in the sound of night hunger arrests, next to the betrothal death brought by the darkness of the Strigoi, in lost wanderings of their wills following the search for the panescalm sheds, which carried human chiropterans for the regions of Transylvania, subjected to distinctions and exactions of Climate Changes. From here the bronze spear Dorus of Vernarth would go to the right hand of Wonthelimar, to shield him, and to put celery-foot feet on the ineffable Kanti steed, with certain renown of Eacid of Achilles stirring up hops and low bottoms of the mineral aquifer at the base of the den. In a quick figurative gesture of Achilles, Wonthelimar passes his right hand over his nose, noticing that lights trickled from the Auriga and the Automedon that came by order of Drestnia to provide aid to him, and to rescue the Iberian Ring Eagles, to transport them to the cove of the Mound of the Profitis Ilias.

In the eternity of the noise, Vlad Strigoi is in solidarity with him and gives him lightly from the bottom of the final flow of the bilges of his panescalm, condensing air of Gaseous Gold, in Pan-Hellenic regions, and in the Valdaine regions sixty-seven kilometers from that mountain area very close to Avignon. The infected zones of physical virtue were divided into micro-regions that were compressed before Wonthelimar merged into micro space within the cavern, to abandon the burning furnaces that came alongside his interpersonal goodness, in the metaphysical transfer of darkness, and of the wicked gentlemen drawing him towards the Parasha or Parashot of the Torah, so as not to be attracted as a human to ******-emotional implications or manipulations, who will snoop in growing voices in the voids of the cavern, and in the failing anxieties of the pompous and ancient effigy tarred from Hades. Wonthelimar limps superlatively with some nervous leave, but eager to apprehend the Ibic Rings. After the Benedictus antiphons were seen coming out of his chest, they were iridescent in magenta and mordoré for those who are ibex, always hiding under the goat epidermis, sponsoring happiness practices, one and the other after their vicissitudes in a cyclical mystery classroom. On the plains, you can only see haze and the experimental change when leaving everything in the hands of those who die without rainwater and bagel, in the most absolute solitude, amidst rocks that will never and never be reconverted, less into mid-plains giving terrifying compliments on flower baskets that stink of wandering Wonthelimar clones… not being!

Wonthelimar with Kanti, they emigrate from the cavern of Chauvet in their reminiscences, standing out from the voids and invocations of Raymond in unfinished by filling space in the hearts of both. Heading southeast towards Patmos with the Ibic Rings on his bracelets, wrapped in Vernarth's Himathion for his investiture!
Wonthelimar  Ibic Rings
I want to write a poem
but I have to write code instead
There can be a kind of poetry in code
especially my code
I'm proud of the elegant design
of my loops and logics
my streamlined systems
My code flows

pulling the User along effortlessly
guiding them gracefully from one end of the black box to the other
and out again
No Errors
My code flows

secret haikus left in comment blocks
for other programmers to find
like digital hieroglyphics on virtual cave walls
test data populated with pantheons and
mystical chants from faraway lands
My code flows

water of ones
in sea of zeroes
pouring through me
from aether to mind to muscle to machine
bit by bit
block by block
stacked upon stack
module into module through function and parameters passed
My code flows

flows through me
until the integer flips
the Boolean switch
change of state
status update
now compiled and crystallized
Executable
and then passed on
leaving me
out of my hands
disseminated to The Users
like a prayer to a congregation
I hear the clicking fingers of their choir
singing the song of my code
now flowing through Them
Seek that you do not fear your Mortality;
for it seems rather foolish to fear anything
but especially so such an inevitability;

fear not Mortality;
Mortality is a question
and the answer is Life;

many fail to respond;
they may indeed live
but they have no lives;

they sacrifice their time
to Pantheons external
rather than devoting their fleeting time
to the one internal;

fear not ephemerality;
it is an opportunity
but like any other,
it can be, and often is,
overlooked- ignored- misused-
squandered.

Fear not your Mortality
for it is an opportunity
to transcend this reality;
life is a sacred and holy opportunity;
(and these words, from an atheist!)
it's up to you to make the most of it.
Worry and Fear are misuses of Imagination.
Corpus Mortalis in the Greek, Hellenic, and Egyptian pantheons, in the vaults they were filled with marble by all the gangs that tried to find them, because it would soon be the longest night in the Aegean world, where it was propitious to indicate places where to spend the night because the Corpus mingled with the Souls of Trouvere in the Apennines, Ghosts of Shiraz from Jaffa, Almas Christi from Leros with the Gerakis, and finally the souls of the Necropolis of Helenikká to support all believing proselytes of the Hexagonal Birthright. They were attracted to the theorization of fragmented intelligence in every being that fears their own, without the opinion of those who leave them alone and hostages in their isolation, and of a corpus characterized by persuasion in the first objects of twilight, which only left distinguish the moons of the nails and not that of the firmament, the intelligence became lethargic and closed itself in its own object of ideology, of the individual and of the gods who administered everything without a Corpus Mortalis, rather they challenged three-quarters of the day, and three-quarters of their spiritual acuity, to resist the siege of space that disrupts the pause in the hour that excludes all gadgets, to counteract the detonated and not rescued exception of the challenge. The voices of the Moiras were tuned in with Circe, under Zefian's ordering principle, who was already delivering the ergonomic ****** of the fourth arrow, to leave it in the carelessness of Vernarth and Saint John already revived, encompassing and assuming three-quarters of the day they glossed to attract them the threshold that behaved in immovable demiurgic, where men stopped being men with intelligence, rather they dialogued about initiations of the cosmos, but without human centrism that acquires it for a dialogue of Timaeus, wherever they may be. the non-existent things, where he splatters her with nuances of science would bring serious stenches of his erudition. The saga was made of the Ekev of causality that explores from an understood cause already issued, but of the Samaritan philanthropist who shone more at this time, than anyone who closes his eyes so as not to open it after the eternal Aegean night. The philanthropic sense was sensitized with reason in the hands of Zefian, after delivering the Saetas knowing that his personality trilled from the Timaeus, not to disagree with it from a human conscience, but from bilocation of the Beit Hamikdash, attributing his conception with low resources of whoever restrains him by rationalizing, but is under the clinical resource of the one who is recovered from his stuttering and dyslalia.

The Argive constructor Tecton already came with his builders, while the Corpus Mortalis hit who or who would hammer from the plexus, or who or what would be the first network of his linear for the Vóreios de Zefian, adjusting to the beginning of a Corpus Mortalis when it began the constructive principle of the Argivo tecton. The arches were deconfigured in irrational measures, which with their sixth sense they could foresee from the trace of the Platonic Philebus, as he nodded with a refined tiresome bustle, but he appropriated it in presupposition, going to settle where everyone goes together to pick the berries of the field frank, next to the Mataki who was already putting an end and closing the Phaedo that was encircling, with the feverish organization of the trembling desire of the philosophical den, not determining to die like Corpus Mortalis in the breviaries of the ellipsis, where everything remains in nothingness or in the outcast of the one who treasures it with more contingents of memory, and of the same one who is reborn from the slags, having had an insight that remains empty in the cliffs, under the figure of a marked man who revives in the lightning bolts that enabled royal wisdom, while his Corpus Mortalis was leaving with his soul that was embracing vast fields of his thesis. Where what he removes when he pulses from the heart, he adds what the dying person adds, although it is not known where he is going, it will summarize his ontology more than a prison inhabitant who poses free on his profane neighbor from the rhetoric that manifests position in his trajectory who will remember him and will not locate him in the next scene of the challenge of a new life. The Phaedo is on the ex-Voto of him with two institutionalized powers, he will have to know who will dare to cure him of his sieges and his demons that resurrect him but not make him his captive. The spell already inaugurated that knowing or deciding in the nomenclatures of a Platonic Demiurge, who from all past life made it ulterior, but not processed from the Seventh Heaven, between both coincidences from an astral magistracy that will take him through the lawsuit of self-exorcism, wild for the greatest mountains that protect him when he wants to warn, that beyond them he will come umpteenth more monumental than themselves, but with his, Phaedo contained in his soul written and rewritten by him and by his Corpus Mortalis.
Corpus Mortalis
We adore the hour
Of enduring madness
We are crude and cruel
Like tigers in the morning
We are food for the gods
Who stayed too long
And strayed too far
From their solitary pantheons
We are the shadows of Psyche
Tirelessly shorn from our bodies
We are retired armies
These conglomerates of hatred
Fed up with feminine values
We are salivating angst
We are manic depressive virgins
Coercion is comical
This is evil incarnate
Sardonic solitude shrouds You
In it's vision-less vicissitudes
We are used to being used
And fed ignorance like food
We are bored and longing
For some muscles to flex
So we could attest to our problems
I contest your victory
And seek meaning in expression
Anger is reflexive yet still we beg to differ
Our questions rejected
By an authority we entrusted
To naively negate our egos
We collect puzzles and never solve them
We form alliances with psychedelic buffalo
While meditating butterflies chart
Their ancient transmigration patterns
We are pinnacles of virtue in vitriolic prisons
We administer to the needs of the ordinary soldier
We are shouldering too much responsibility
For if you were entrusted with love
Then please don't abuse it
We are bundles of wood
Woven together like fragile tapestries
We are strategies unused
We are moody lovers confused by each other’s apathy
Our lack of touch erupts into violent volcanoes
Spewing fumes in our bedrooms
We are ****** handed
Balancing on our fingertips
While plummeting a thousand feet
To the bottom of endless seas
We are cheap like sheet-rock and shelves
Upended in an earthquake
We are all that we tell each other
We are purely made from stories
Defending our allegorical right to exist
We are so ******* boring
That our own made-up gods
Can do nothing but laugh
At the infinite ignorance of our species
We are a genus of ingenious desperation
Who gave measurement such an important trophy
That we are beyond permanently broken
And can now fatefully begin authentically working
On fixing our sights, minds, hearts
Hands and bodies upon uniting
With our deepest spiritual longing
I gave up stroking my ego a long time before I met you
What’s next will you expect me to beg for your indulgence
We are making amends for the ways
We dissected our reality
It's a tragedy that the objectification of objects
Leads to a such a Complex Elegance:
These isolated sediments are perplexed at our own self-vehemence

What a way to begin
The end of our undoing
Begs for our compassion
We are not allowed to forget
So we go to sleep
And whenever we awake
You immediately take
Our breath away
To protect against
The faintest chance
Or hint of our remembering
Absent Minded Dec 2009
I know it's out there,
everywhere but in my hand
anywhere but in my blood
somewhere just outside my reach
crushing my ability to see the blue blue sky
tearing at the very fabric that keeps me whole and in line with the stars as they circle the moon

While you and he and she
scurry to earn and die
in a fully respectable fashion
you surely go in haste
under appreciating the paces and rhythms of my earth
unaware that mans made time trickles through your theories
unconscious of the many corridors and pantheons untraveled

I see the relics of my exploration- I just can't return without the map...
the one that fuels the ride, navigates my skies and brings me home

so that I can feel what I must feel
so that my time, my time
passes me by
on my own terms
not the terms of another
who knows not my heart
who knows not my mind
who knows not my soul
Orion Schwalm Jul 2010
Glacial, the gaze of wintry viridian irides
Silken, the heavenly flesh
Lurid, the flames of a paradise awry
Mourning all the sinister angels have blessed
With their tainted perfection, their hideous lies
Hope shines so thinly in an eonian land barren of all love
Great men become emptied, the tormented cry
Amidst desolation, a beautiful dove
Becomes alive, voicing a longing call
Amongst forgotten pantheons, a saviour resides
Though, broken, gashed, beaten, and threshed
Awakened by beautiful birdsong, driven to reply
Was this an augury? He must strike out to answer this call from above
 To redeem some grace, from the woe of it all
Stupid rhyme scheme.
I would not identify myself as religious, perhaps spiritual but if you were to ask me what of spirits I would reply: psychological projections, merely memory. So perhaps I am sentimental rather than spiritual.
I acknowledge all pantheons and can respect their traditions:
God, Allah, Brahma; their prophets, Gautama Buddha and so on;
But a god is a construct of the mind and the prophets were enlightened men of their time. I would call this belief Henotheistic Constructivism.

I do enjoy some drugs recreationally yet I also find spiritual elements to the use of some substances. Some people encounter these elements when they pray or meditate. I find it in the use of psychedelics. I see little difference in the method used to access this mode of consciousness, whatever you call it: divine, spiritual, mystical, religious, and so on. We are all looking for/towards the same state-of-being.

I do not discriminate between drug abuser and religious fanatic: both search for truth, propelled by belief, finding meaning in their seeking. Both drug use and religious belief should be conducted responsibly.
(I fear the apotheosis of an object/subject/prophet/profit.
I hold nature to be the only entity/concept worthy of divine status.)
Cellar D'or Mar 2015
Over the edge beyond the waterline
Where sea and sky are wielded by colour,
Beyond our sights into the vacant brine
Hangs stars dull shined unmarked by our scholar.  
Bright Sol, cast through the cold winter weather
Upon stone charts of soil come beckoning,
Around the hemisphere, boats in tether
Pierce cascading shimmering reckoning.
Guardian Helios guiding lightning
Through atmospheres familiar to our eyes,
Bring pantheons archaic, frightening
And make us venerate Gods by our lives.
Our anchors oscillate, locked by the pier,  
Our minds contorted, engulfed by the fear.
Stanley Wilkin Dec 2016
I feel I have to make my defence
Regarding those who over several millennium
Believe they can speak for me;
I do not need to name names, do I? You know
Exactly who I mean. What can I do?
I speak briefly to someone once and, before
I know it, we’re ***** buddies-they claim to
Know my inner-most thoughts,
My opinions on every subject from what
Clothes to wear to who to marry.

Do I not have more important things to think about?
The well-being of an entire universe to evaluate
On a daily basis?
How you treat one another is your concern-
Just keep me out of your bigotry and spite,
My name out of your books, my voice out
Of your heads. I am not who you claim me
To be; I am far better and, at certain times, far worse.
I am both nothing and everything!

You can nevertheless be assured-
I do not lead your armies, support your murders,
Sanctify your suicides, bless your hatreds.
I do not inhabit your words,
Your statues, your art, nor am I the knowing
Voice in your head or the gnawing pain
In your heart. Own what is yours!




Originally, I was a small-time local deity,
Lord of the mountain, brooks and olives.
Benevolent, ***** and shy.
Nothing special! One god amongst many
In and out of pantheons, attached to this
Goddess or that. Sometimes I was el of the
Desert, sometimes the family god in
The corner or staring out of the tent flap-
Inauspicious and insignificant!

I was happy then. I had none of the obsessive
Responsibilities of a universal god. I seduced
The local women, fathered thousands of mixed-children-
Part deity/part human-received the flow of eager
Sacrifice; the few remaining aurochs,
Bulls, deer and first born. The smoke always revitalised me!
Children’s flesh was always particularly nourishing!
For such extensive insurance for my continued interest
I protected each group who so honoured me, destroying
Their enemies, as well as their friends.
(But, oh, not now! I’m expected now to exterminate entire neighbourhoods,
Nations and cultures! Now I’m expected to be the murderer,
The sole master of death!)

I was without ideas! I accepted everyone, loathe to judge!
****** peccadilloes I found interesting, fun.
Adultery I saw as an aspect of marriage,
Homosexuality, the absorbing antitheses of the endless
Production of new life, from its sterile cusp
Seeping forth new ideas and artistic burgeoning.
I created beauty, adoring it. I danced to
Lively music, sang to beautiful songs.

In Egypt a disgruntled warrior-priest arose, preaching violence,
Preaching conquest. I trembled in his angry presence,
Shaken by his bloodlust. An excitable poet sang of his adventures,
Turning a 100 followers into thousands. The poets used my name-
One fashioned in gentleness-to encourage war.
Then, from the confusions of statehood, prophets emerged
Spreading their misery through my authority,
Grinding my benevolence under soiled sandals,
Telling others what to do, as if the words were mine-
Engaging in genocide with pitiless intention.
They flail my soul with madness!

And so on and so on; numerous messengers
Shouting of sin and retribution,
My voice reverberating with their words,
As I stand in the shadows like a serial killer,
Frightened of lamplight. With nothing
More to do, conforming savants
Described rules for life, a non-existent heaven,
Transcribed my thoughts from their own experiences
Created another reality, ignoring their own.



I am now terrified of my name
(EL, YHWH, Allah) Terrified of what it represents-
Burdened by its acquisition
By the bombastic and cruel.
I, who was once a god, now
Am captive, a prisoner of recitation.
Where once I had priests to beckon, they
Now beckon me. Where once I pronounced on
Goodness, I am now too alarmed to speak.
Where once I was the object of sacrifice
I am now the sacrifice itself.
Aetheria Jul 2014
Everything that was is on its way to dust
Like bones when we are gone
Our venues will remain
Shadows of life, of motion
Silent, halted.
And who to watch the dust settle?
But no one at all.

Everything that was is on its way to dust
Like a saintly veil
Dust goes where love was not
A reminder of neglect
Shadow of distraction
And who to watch the dust’s delicate descent?
But no one at all.

Everything that was is on its way to dust
Pantheons and pools, theaters and halls
Silent, empty.
And who to know the dust fell?
Who to reflect?
Except the shadows of the fallen
And no one at all.
Trevor Blevins Dec 2015
I.


I heard the words of two madmen
Telling me how to move through my recovery
And preaching on how to drink the prophetic nectar
For the cost of nothing but theoretical change.

I am clay in the hands of revolutionaries
Whose only violence was the execution
Of antiquated ideas,
Whose only wishes of censorship
Were rooted in the antiquated lies
Of their fathers before them...
The murderers of creativity.

The sermon I seek to follow
Is that by which the world
Is viewed through thick purple lenses,
And the glory of God is poured
Onto the landscape of life,
And into the souls rejecting the uniformity
Of selling each other for profit.

I'm sitting in the abyss as I claw madly
At the darkness for a companion
To share a hint of my humor,
The same humor I was told I sculpted
Out of invisibility.

Caffeine has become insufficient
For the sort of altered clarity
That my garden is planted above,
And I fear a Californian drought
Is about dry out this east coast.

I pay no mind to the geography
That you do not trace with your footsteps.

I pay too much mind to the geography
Where I last witnessed the lights strike your face,
And the reflection of your eyes
Signaled that I would soon walk out of Hell,
And lose sight of what kept me comfortable.

I am at the doors of eternity.

I must hallucinate you now,
With all your perfection wrapped around you,
While the water we aren't exploring yet
Is pulling you closer to every equator,
And yet, no farther at all from me.

I will define the pantheons above me
And I will blame every deity in due time.

You gave the lecture
That art was what encompassed our being
And you didn't have to convince me.

I know this connection
Better than the strongest adhesive,
But you failed to realize
That you are the pinnacle of art,
And all I can hope to do
Is make a proper interpretation.

Orbit around me while I try to make sense of you.


II.


You are a catalyst
At the heart of my poor decisions.

I should make a subconscious effort
To cast you onto the plane
Where I cannot fathom your existence,
And where poverty will enrich my wealth
As I forget you completely.

I have seventeen odes in my library
On the death of honesty,
How you won't forget the spell she cast,
And how it will always ******* up.

We are the victims of regulation.

You are the poster child
For the sin that is routine.

I am the bearer of standardized hatred,
And I will carry my burden through your castle,
Ruined with all the marble that you spend all day polishing,
And deciding your priorities, so stoic in nature,
I sentence you to burn in my place.

I turn my back on your eyes of monarchy.

I will bomb you, Empress,
By living without spite,
For how you asked me to punish you.
I couldn't comply because you knew not what you request.

I assure you I'm not impressed.

You cannot be placed in front
Of the collective firing squad,
Which inspired my cruelty long before
You decided to give up on me,
But your innate courage and arrogance
Still led you to make demands...

I severed the communication
And realized you never understood a word
Despite how you would mimic my words,
And demanded my affection
Without mind to the physical impossibility.

A clear proponent of solipsism you are,
Which is why you did not care to victimize me,
My executioner.

You tried to be merciful,
But merciful to yourself,
Slicing deeper into my disdain for you,
Sending the love of my miles to the guillotine,
And realizing you were imitating my constructive confusion,
But had no idea of how to contain it.

Perhaps there is a case for experience,
And my years among the madness.


III.


Evil in each of our hearts,
Yet the structure in the deepness
And darkness of your scorn
Has turned into torment for me,
And that's why I declare you alone insufficient.

You were so eager to profess how eloquent I was sounding,
Yet discredit me because I was a vacancy.

You knew I was *** without a body.

We had no rendezvous,
And you lied and said it was okay,
While staring over your shoulder and back at me,
And onto the assembly line upon which you told me I was an interchangeable part.

You alone told me I was free to wither.

There's an old power in my ear
And she knew her sway and influence
In telling me I better not die,
And that's where you truly lost me.

That was the moment where I knew
We had no future.
Elliott would be without his chance at life,
And the irony was enough to dissolve me then and there.

I have another select few words
And not all of them are clever anymore.

I do not aim to make you laugh,
Your conversation would not fulfill me.

I assure you I have a physical being,
Which cracked in half
At the resonance of this foreseen abuse.

You swear that it was the antiquity in my thinking,
The naivety in my convictions,
The loyalty and sense of commitment you had shed,
Yet aimed your flare cannon of ambivalence
Straight into my throat,
Forcing me to refuse my last supper.

I was sitting next to Kerouac,
Not Christ.

The sanctity you hated was a lie,
To clarify my sins.


IV.


You warned against dreams
Of planes plunging into the Willis Tower,
With steel supports weakening,
The hum of death tuned to eleven,
And the separation between us
Finally, finally expanded
In the only way left to do so.

My heart was in your casket.

You died along with endless dreams
Of fermented talent shows,
And the needles at which I cringe
Before they plunge into my eyeballs.

I awoke to your hand reaching out to me,
And distorting the constraints of modern linear time.

I felt your hand on my head
While you were dreaming of a metropolis.

Plotting was the only strong suit in my arsenal
And I had all the reason to believe
That this was the third winter,
And the world would not endure much longer...

Or perhaps it would endure without me,
Through some form of Utilitarian sacrifice...
But you were never a Utilitarian, sweetheart.

It was never in question.


V.

Stolen away,
And silent.
This hammock holds
So much more than my physical being.

I smashed my head
Against the ground
The night it opened up
And took me.

Hell was clean and orderly.

You told me to straighten up,
Without the slightest hint of irony in your voice
When you were trying to sound persuasive.

You are accidental
Down to the root of your purity
And there are canyon echoes
Shouting in both our heads tonight,
Begging to be put into action.

Gold lines my room,
The shimmer will keep me up.

You left candles lining my room
At the very moment you denied the angels
Which are buried inside my desk.

Lies were coating my eyelids.

I had to throw my common sense
Into the noxious dust storm
That you so tenderly termed eternal love...

And somehow it seemed like a holy deliverance,
Like I wasn't just clouded by serendipity
But that the oxygen was only now flowing,
And that this was meaningful.

You had to be the only genuine human
From a state which perpetuated superficial *******...
But for every ounce of encouragement
And tear drop of genuine compassion,
You confirmed that you were no better
Than a parasite, craving blood I did not produce...

The evolved leech you are,
You ripped yourself out
As to let me, Odysseus, have breath.

Very considerate
That you took the time
To throw me into the Thames,

Knowing I cannot swim.

We will all drown in solitude,
The peace is all that is optional.
Stanza 1:
The earth is spinning
And we are soaring
Violently tearing
Trembling.

Galaxies
spiraling,
Particles
barreling,
All toward
collision.

The mysterious,
our universe flaunts
daily arresting

Chorus 1:
Stare at the clouds and find solace.
Stare at the stars and find grace.

Stanza 2:
Travel back in time
under the blanket:
The cosmos

The Lions and Bears,
The serpents of old,
Our blanket

Covered our parents,
And covers us now.
Imagine.

Imagine a time
when lights lit the sky.
Watch closely.

The earth was our stage
To watch and be watched.
We’re moving.

Chorus 2:
We traveled in random courses.
Courses which carried our platform.

Stanza 3:
Picture the story
Drove them to glory,
The power.

Imagine a time
where narratives climb,
where stories are shared
by people;

Where collectives thrive
And people do feel
The stories.

The glories are theirs
The memories are
their passion.

Chorus 3:
Tales of bravery.
Tales of treachery.
Tales of liberty.

Stanza 4:
Step back, imagine
A desolate world.
No life here.

All that we heard was
The crashing of waves
Far away.

Explosions up above
Rolling in the clouds
Further still.

God may have formed it.
Gods may have born it.
Pantheons
Myriads

Chorus 4:
But mystery still calls:
There could have been nothing.

Stanza 5:
The resonating,
Reverberating,
Question captivates,
“Who the hell am I?”

The sky and the land
The oceans and sand,
The plains, the Tundra
Command us.

The birds and the herd
The fish and the crab
The cattle, the beast
Command us!

“Be silent
Be still-

Be quiet
And feel-

Embrace mystery."
I hope you catch the rhyme scheme here
The pantheons demand the poets limn vision
‘Motionless inside dreaming still shores,
—I sleep lucid, prismic eternally awake.
In the absence of beta waves, alpha
—echoes unfold stretching into theta dives’.

Galactic chrysanthemums implode tearing—
liquid waves into writhing silver storms.
A thousand moons of mercury evaporate, reappear
and explode into black diamonds spray-painting
—cyclopean skies.

A supernatural alchemy beseeches, whispering inside
—my bloods dying, resurrected—breathing magic
that sips from rich ****** rivers; rushing through
distant canons of twisting blood vessels;
whereupon a billion red cells form aromatic pools—
igniting into an endless sea of bellowing fires.

‘Orphic, I am enchanted tasting a sorcerous nature,
angels conjuring eyes—burn mortal tinted memory shores,
bestowing ashes of what was, what is—the ‘I’ exhumed,
—raptly in deaths breath to unseen wisdom’.

Dust devils transform into ether crystal blown screens—
—bending, jostling, wrapping around nameless fluid planets,
luring my eye forth into dimensions lost, pulsing—
—only in sirens earendel song.

In black diamond stars, ‘spirits dream in frenetic pulses,
the cosmic lotus-eaters waiting in sky pearls—
—purveyors of ethereal dreaming, poets weaving
eternity before mortal life.


© ASPAR (A Sol Poet Arnay Rumens)
poetryaccident Jan 2018
Look to the purpose of your life
from the hate or the love
there is a choice to be made
the reason to wake each day
when the balm of sleep arrives
life is reset for a time
only to revisit once again
the vexes that haunt everyone

differences are made all too plain
between yourself and the world
in greater number than most could count
this abuses passion’s stance
the status quo seeks to resist
deviations from a baseline
the norm is sought in each box
look to see there’s more than one

here’s the joke in God’s eye
why she laughs your choice
or is it he, or group of they
the pantheons defy small mankind
destiny in these hands
asks dispute in followers’ stead
variation could be the spice
or deadly poison for all involved

back to purpose of your life
outside of norms and dogma’s angst
hate or love in settlement
where the flag will be set
such resolve is waking’s challenge
from realm of sleep to consciousness
the choice to live is your own
which way to turn is soul’s resolve

2018. Sean Green. All Rights Reserved. 20180126.
One thing I adore about social dancing is how it brings disparate groups together.  Age, race, and creed are mixed in an effort that defies potential conflicts.  This is not how much of the world works.  “Soul’s Resolve” is about the struggles of people getting along with each other.
Evan Stephens Oct 2019
Look at this Moor,
with his dolphin
held like a bagpipe
splitting with water,

while beside him
tourists stack three deep
grabbing at their beer,
pretending to ponder

the veiled Nile,
while their eyes slant
towards the open seats
at the cafe and the Aperol

that issues so freely
you'd think Neptune
was pouring it out, too.
The sun is wincing citrus

above the high windows
that overlook the plaza,
laughter cresting above
the tourist scrum, and

children scream with gelato
strung between their fingers.
People like to be close
to history, but not too close.

If the old stones spit water
pleasantly, so much the better.
Browse the pamphlet,
tell the wife it's Bernini,

not knowing that Bernini
once paid a servant
to take a razor to the face
of his mistress because

she slept with his brother,
because history's scrawled
as much in blood as in marble,
and the colossal Pantheons

of the world are easier
understood with a dizzy
laugh and eyes shining
with afternoon wine.
Michael Marchese Jun 2022
Was there in a former life
Mighty,
Exalted
Convictions
Ambitions
To pantheons vaulted
Me up to ascending
Empyrean visions
But lost my place
Somehow
To squalid conditions
Returned to the soil
To toil
And labor
And sharpened my edge
Of depravity’s razor
Sharp intellect
Circumspect
To be applied
For it only would yield
Fallow earth
Deified
biggestjoke Apr 2019
Pebbles at seaside, jostled by surf
set down with care, to rest on earth.

White spume covers an infinite field
a gossamer shroud o'er beauties yield.

Stillness between us, the heaven and earth
fog hangs low, her right by birth.

And yet hills break, great green shields
and precede sharp mountains, the pantheons bield.
B E Cults Nov 2019
go ahead, confuse drunk and stumbling
down **** soaked alleyways
with a victory march
ending at an aureate throne
that i would wager
looks as if it were set atop the dais by
the most righteously fickle of pantheons.
Mateuš Conrad Mar 2019
.                                                         me?
   apart from friday vinyl
sessions?
i feel i'm being ****** over
by a h. p. lovecraft
                                                 antithesis...

too much time spent
around the immigrant
irish, in england,
with no englishman
in sight...

           well... wouldn't you know:
the titanic sank...
a feeling associated with...
feeding swans toasted bred...

what i'm seeing?
a new god...
the ******* child of the titan
aphrodite...
aphrodite was the daughter
of titans,
she's classed as a titan,
and not a god...
i'm seeing her *******...
son, daughter, it,
whatever:  hermaphroditus...

flower power child...
can basically **** itself
silly...
     people were wondering what
happened to the old norse
gods...
   gave you solipsus:
             attaché of solipsism...
attaché of the sophists...
    attaché of the "ridiculous"...
   where was the answer to
sisyphus: that demigod,
                              son of Atlas?

so now we're living in a time
when the son / daughter
of Aphrodite is running, the, "show"...
               n'est pas?

trust an Eire armed with
a ******* banjo...
         dropkick murphys...
******* paddies...
   get it right, all the ****** time...

so, no, "this" (whatever
in the current theme of "now"
actually implies) isn't "happening"?

no... so we're all protected
under the guidance of the monotheistic
gods? allah will save us,
pater,
      or that variant: y.h.w.h.
will...
   only that... we're not dealing
with gods, akin to those of
the conquering semites,
thor never became a beelzebub...
odin never became a moloch,
nor hades, nor zeus...

      paganism and a clearly
structured categorical
   insemination of an ideology...
a base focus bias of categories
congregating
   into a motion,
spread beyond a single generational
gap,
   no... monotheistic
congregational focus...
no: workings of a movement
from the bottom up...
instead of a top to bottom
   "democratic" safeguard
                       of "sharing"...

why is it that the jewish god
couldn't, somehow,
integrate the gods of europe,
into a submission status
of fallen angels,
akin to moloch, or beelzebub?
so, why is it expected
that the gods of europe
will not find themselve
immune...
   when allah comes around?

i cradle the jewish god,
because i find his existence,
appealing,
in a purely phonetic sense...
he fits a square hole
like a cube...

          monkey logic...
allah?              no... not really...
still... in the reign
of hermaphroditus...
that ******* child of
aphrodite...
              no, there's no point
even wanting to explain
everything in a monotheistic
binary of: 1: god,
                            0: no god...
1 0 1 0 1 0 0 1 0 1 0 1 1 0...

            i'm coming back
to the old continent as if i ever
left it, once, two weeks in kenya...
spent a good deal of the two weeks
looking for cognac and a shade...
admiring the milk
of moonlight on ivory beauty's skin...
crying while falling asleep
looking at the sea nibble on the coast...
and then doing
the casual yoga of a tomorrow:
**** me, 'ere we go: repeat, repeat.

grammatical rigour of a german
philosopher,
but coupled with
the languid nonchalance of
a french humanist / psychologist...
that's what: english seems
to me; right about, now.

see...
     you can clearly reason with
modern day journalism,
that... constipated variation of history...
as long as you begin
the day to day explanation
with some mythology...

   **** me...
sisyphus, demigod,
son of Atlas?!
    within the confines of
the current journalist insomnia?

hermaphroditus,
the ******* song
of aphrodite?!
   within the confines of
the current transgender movement?

yeah: pulled both ideas
out of my ***...
    seeing how both the greek,
the plagiarism of the greek (i.e. roman)
and the norse pantheons
became immune
     to what yahweh
         gobbled down,
   eating up the semitic gods
akin to moloch
    and beelzebub...

              oddly enough:
or rather, "oddly engough"...
why should allah be given
the same monotheistic status
fixture to: overcome...
  
   it's not like the hindus will ever
allow their pantheon to be
desecrated...
          
                    hanging on a cross,
a long hanging fruit...
         i guess the time is ripe,
to insult what the jews insulted
to begin with...
         and later discovered:
the war against the mind,
is of equal measure
as the war against the body...

      but with the unearthed
nag hammadi library...
            eh...
                     i'm shuffling my feet...
like hell, i will not find
the slavic pantheon...
         except,
if i walk into the forest,
and start counting pine trees
like matchsticks...
   in an imaginary box,
     in a less imaginary mind...
in the concretes of the brain...

                 transcendence,
by only desecrating,
    once more,
something akin to the library of
Alexandria;
which implies,
each day, and every day,
subsequently,
    from what is garbage,
on part of journalism.
We adore the hour
Of enduring madness
We are crude and cruel
Like tigers in the morning
We are food for the gods
Who stayed too long
And strayed too far
From their solitary pantheons
We are the shadows of Psyche
Tirelessly shorn from our bodies
We are retired armies
These conglomerates of hatred
Fed up with feminine values
We are salivating angst
We are manic depressive virgins
Your coercion is comical
This is evil incarnate
Sardonic solitude shrouds You
In it's vision-less vicissitudes
We are used to being used
And fed ignorance like food
We are bored and longing
For some muscles to flex
So we could attest to our problems
I contest your victory
And seek meaning in expression
Anger is reflexive yet still we beg to differ
Our questions are rejected
By an authority we entrusted
To naively negate our egos
We collect puzzles and never solve them
We form alliances with psychedelic buffalo
And smile while meditating butterflies chart
Their ancient transmigration patterns
We are pinnacles of virtue in vitriolic prisons
Yenson Feb 2022
Perhaps if there was just one warm tender kiss
my heart would have remembered it
and tell me about it in moonbeams and sunrays

perhaps if there was sigh breathless scented gasp
my ears would have owned it
and sing it back to me in the eves of dewy reverie

perhaps if there was deep discuss in learned ways
my mind would glow in enlightenment
abated in pantheons of thoughts and wise eminences

perhaps if there was a hot embrace laced in truth
my soul would have supped emotions
and in giddiness seek enamoured silk divan to rest

perhaps if sapphire brown eyes had glistened dewily
mine would have shared starlight sparkle
and beckon Cupid to bring diamond encrusted lilies

perhaps even a whispered bouquet  of coquettish sway
would have tickled fancy with lavender's pull
and written stories of gold for Caesar and Cleopatra

There was nothing but the chanting goggle of a flowing brook
splashes of iridescent vapour in hazy mist
quick glimpses that faded as quick in interloping chimes of gusts

It left no calling prints and touched no spirit of deeper grace
it was hello and fare thee well
there may be a thousand splendid tales but this never found
a voice or vista to lament

— The End —