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"panache" poems
The world is small even heaven isn't big but an uncreated Word is, an expression of love and promise! The tale of the beginning the tale of the end without the ending. Soon God said it 'Qun' be bang it couldn't be bigger indeed. Everything small and big the complete creations panache came to be so big! The body is small the soul came in the front and every soul big banged in one go. All heard the same Word it was only one that sets the tone for the first to the last so sweet it took everyone’s heart! The death wouldn’t touch the soul that already died but couldn’t die. Revived there and then instantly, hearing the 'Qun' the uncreated melody! Crooned up even through the dead-end surged up to the other side of the black hole. Like a waxing Moon passed over, crossing the asleep body in the shadow, yet in the making! Unable to resist it, the first big bang didn’t happen amidst the material entity not in the star, milky way or in the galaxy. Adam was yet to be in the body the physical ear was yet to hear it! Unlike the tuned in abyss soul there that harks and the clouds rise and rain only to revert back to the sea showering the shallow terraqueous body. He said ‘Qun’ again and the first physical big bang on the matter takes place in Fathima’s joint interlacing her live soul and pre-design body. It cuts through the irrational pi in between the soul and body so that gel in melody! With pure love without a condition that shall keep up perpetuating the body! Nature that was yet to be, gets a mirror in its entirety and bangs big hearing an echo of ‘Qun’ be, says the Almighty it comes to be and shall perish only to be an eternal body!
0
Aug 12, 2018
Aug 12, 2018 at 10:27 PM UTC
Qun: Love is Unconditional
The world is small even heaven isn't big but an uncreated Word is, an expression of love and promise! The tale of the beginning the tale of the end without the ending. Soon God said it 'Qun' be bang it couldn't be bigger indeed. Everything small and big the complete creations panache came to be so big! The body is small the soul came in the front and every soul big banged in one go. All heard the same Word it was only one that sets the tone for the first to the last so sweet it took everyone’s heart! The death wouldn’t touch the soul that already died but couldn’t die. Revived there and then instantly, hearing the 'Qun' the uncreated melody! Crooned up even through the dead-end surged up to the other side of the black hole. Like a waxing Moon passed over, crossing the asleep body in the shadow, yet in the making! Unable to resist it, the first big bang didn’t happen amidst the material entity not in the star, milky way or in the galaxy. Adam was yet to be in the body the physical ear was yet to hear it! Unlike the tuned in abyss soul there that harks and the clouds rise and rain only to revert back to the sea showering the shallow terraqueous body. He said ‘Qun’ again and the first physical big bang on the matter takes place in Fathima’s joint interlacing her live soul and pre-design body. It cuts through the irrational pi in between the soul and body so that gel in melody! With pure love without a condition that shall keep up perpetuating the body! Nature that was yet to be, gets a mirror in its entirety and bangs big hearing an echo of ‘Qun’ be, says the Almighty it comes to be and shall perish only to be an eternal body!
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41
I write like a poet I speak the words of a song I sing like an angel …who tends to get the notes wrong. I’m funny and friendly Or I pretend to be I’m weird but I’m witty I guess that’s just me. I wear my sneakers To parties with dresses I paint on the walls And I make frosting messes I suppose I’m annoying But I bet you are too. I guess that’s my panache. How about you?
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May 1, 2013
May 1, 2013 at 9:39 PM UTC
Annoying.
The day on a high reaches the peak over the pyramid. Shrouded in twilight now tucked in light pushes the envelope. The whole panache of stars came out in the pitch dark. The North Star is on the way oh do me a favour I will tell you why. Veil the angle of dawn in the black shades of the night. There are dark caves even inside the pyramid scientists, trained eyes yet to tread on that way. Put on it only an instance of your kohl the daylight is already a burnt mole. Light in the wrap in the night your muslin veiled silken moonlight is enough to find the tuberose’s earth. If the tucked away sun crops up once again over the morning’s rose petals. Again it will dive deep into the angle after an angle in the black hole of the night. A far cry from the glowing firefly eyeing blindfolded behind the moon perfectly beyond every looking star. Until the master arts in silk black finds the true pencil not in visualising but catching the views of the sunrise through the lens of the rose pollens’ kohl-eyes.
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Dec 19, 2021
Dec 19, 2021 at 1:48 AM UTC
Master Art In Silk Black
She cooks her dishes with such panache and zest, as if both are  two new  dishes for me to taste, her dainty waist, arrested my eyes, then the mind ****** thunder thighs, all I want is to stick to her all over like curry paste.
0
Mar 15, 2016
Mar 15, 2016 at 10:10 AM UTC
This cook is more dainty than the dish
Ah the inevitability of it all Made a cup of tea… teabag broke toast… burnt it milk in the cereal was off shower water went cold Couldn’t find my jeans…in the wash Had to wear cords Missed my train Late for work Boss NOT happy Stella cancelled dinner said she had to work late Charlie rang to see if I was going to the footy He said Stella said she was going When???????????? I asked Just a minute ago he said Ah the inevitability of it all Missed my deadline I was preoccupied Called and had it out with her **** off she said You can **** off too Missed my train Home late Checked mail Stella sent me a ticket to the footy…. A surprise she said Ah the inevitability of it all Married her on a Sunday Had our first child on a Monday Divorced on a Tuesday There’s got to be a better way Joined online dating scheme Now I lie with panache And she sure knows how to tease me And please me… Ah the inevitability of it all
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Sep 8, 2010
Sep 8, 2010 at 12:43 PM UTC
The inevitability of it all
Above the forest of the parakeets, A parakeet of parakeets prevails, A pip of life amid a mort of tails. (The rudiments of tropics are around, Aloe of ivory, pear of rusty rind.) His lids are white because his eyes are blind. He is not paradise of parakeets, Of his gold ether, golden alguazil, Except because he broods there and is still. Panache upon panache, his tails deploy Upward and outward, in green-vented forms, His tip a drop of water full of storms. But though the turbulent tinges undulate As his pure intellect applies its laws, He moves not on his coppery, keen claws. He munches a dry shell while he exerts His will, yet never ceases, perfect **** To flare, in the sun-pallor of his rock.
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3.1k
The Bird With The Coppery, Keen Claws
"Surreal skeptic, cynical cryptic! Licentious lecheries fabulist façade fantasias. Wild eyed spectral serene. Dream of catenary concoctions, ethereal salacious conjugation, bridge the gap in metaphysical mystique. Erotica erectile errantry’s exserted protuberance is a kinesiology kleptomaniac with his embark embargo extraditions and his eventuation evocative execrations, a positive amalgamated anathema android of a terminus thrall. The shadow in the shade of the silhouette sojourn. The bailiff’s rakeness rails incarnate, unicorn railway nails and all. He will paint mirador bartizan panorama tableaus all over your proximity parameter perimeter peripherals. Force the enmity to acquiesce into impunity.” “Why this is not but an ogling ogre of an oligarchy omelet” she shrieked as he continued to tickle her. “Down here at the bizarre bazaar we all believe in the blasphemous farcical fugueness,” he said. “Positive orchestration renditions of transpositional interlude.” “Come here,” she said “let my clambering clamorous clangor write you a wield wile treatise expose’.” “The legions of Chinga da are battling the hoards of Gunga din saying ‘kinetic supremacy temporize tractive fluent’ , it’s sheer genocide. That plasty goop nosed Gumby ****** Gunga doesn’t stand a chance. Coax cacophony clout, catatonic phonics, grizzly grotto grouches all”, She squealed. “Now you’re gumption dreaming”, he chimed. “Chutzpah panache spontaneous generation complicity, gambit alluvium aloof succor.”
0
Jan 13, 2013
Jan 13, 2013 at 7:17 PM UTC
Salacious
"Surreal skeptic, cynical cryptic! Licentious lecheries fabulist façade fantasias. Wild eyed spectral serene. Dream of catenary concoctions, ethereal salacious conjugation, bridge the gap in metaphysical mystique. Erotica erectile errantry’s exserted protuberance is a kinesiology kleptomaniac with his embark embargo extraditions and his eventuation evocative execrations, a positive amalgamated anathema android of a terminus thrall. The shadow in the shade of the silhouette sojourn. The bailiff’s rakeness rails incarnate, unicorn railway nails and all. He will paint mirador bartizan panorama tableaus all over your proximity parameter perimeter peripherals. Force the enmity to acquiesce into impunity.” “Why this is not but an ogling ogre of an oligarchy omelet” she shrieked as he continued to tickle her. “Down here at the bizarre bazaar we all believe in the blasphemous farcical fugueness,” he said. “Positive orchestration renditions of transpositional interlude.” “Come here,” she said “let my clambering clamorous clangor write you a wield wile treatise expose’.” “The legions of Chinga da are battling the hoards of Gunga din saying ‘kinetic supremacy temporize tractive fluent’ , it’s sheer genocide. That plasty goop nosed Gumby ****** Gunga doesn’t stand a chance. Coax cacophony clout, catatonic phonics, grizzly grotto grouches all”, She squealed. “Now you’re gumption dreaming”, he chimed. “Chutzpah panache spontaneous generation complicity, gambit alluvium aloof succor.”
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1
Maieutic dreamer, the ecstatic euphorias of cerebral cortex’s ****** matrix are pandemic.  Extravagant exorbitances of flirtatious flamboyance and flippantly flighty flit-ness.  But what of stint-ness snities?  Excruciating exacerbations of laboriously beleaguering hypercritically meticulous tediums.   Synaptic syntax is fervently intense like a feral phrenic frenzied ****  Ruminating humanity’s collective consciousness gives me hysterical deliriums.  We’re frenetically febrile, atrociously impetuous impudents who don’t know our id conclusion from our impromptu innuendo juncture.  And what of the organizational principles of our subconscious continuums?  Do we only dream about dexterous articulation?  Can we become the agile acuity we envision or do we wallow in the drifty drivel of dour droll’s dreary?  What’s to phatic say about futurity fatidic’s forlorn wanton?  We need chutzpah, moxie savvy’s panache.  Is there no such thing as a universally acceptable ontological deontology?  Probity is as obvious as due yesterday, ethology’s entelechy the omnipresent reward.  Elan vital is not subjective, it’s objective.  Explicating epiphanies of social contiguity’s prospectus so innate as to be irrefragable.  Not perhaps the oligarchies of eclectic synectics, but perhaps the pugnacious audacities of emote to exude aimed imbue.  Assay relay’s convey, foray delay purveys inveigh.  Perhaps if we are all cogently fecund with our vituperatively vociferous the holocaustial cacophony of our obstreperously abstruse will be just what the grotto grouch gumption ordered.  Infusing all with the capability of  aspiring to higher powers and yet not forgetting the mystery of self and others.  I know I know what an ingratiating sycophant on the introjection.  Gambits of alluvium aloof impunity when we all know immunity is Epicurean absurdity, but I already covered that on the phrenic aimed holocaustial cacophony.  Seriously of we all enunciate so on the diction of mesomerism's to punctual.  Why can’t that be the essence of accidence ambience acoustics, the arbitrational attenuation of actuator's aorist.  We are not ethereal, we are corporeally preternatural and the sooner we all learn to respect each other to that the sooner we can get down to the sublimely surreal in oneiromancy’s apotropaic panaceas.
0
May 29, 2019
May 29, 2019 at 11:35 AM UTC
Importunacy? or The Apotheosis of Oneiromancy's Apotropaic Panaceas
Maieutic dreamer, the ecstatic euphorias of cerebral cortex’s ****** matrix are pandemic.  Extravagant exorbitances of flirtatious flamboyance and flippantly flighty flit-ness.  But what of stint-ness snities?  Excruciating exacerbations of laboriously beleaguering hypercritically meticulous tediums.   Synaptic syntax is fervently intense like a feral phrenic frenzied ****  Ruminating humanity’s collective consciousness gives me hysterical deliriums.  We’re frenetically febrile, atrociously impetuous impudents who don’t know our id conclusion from our impromptu innuendo juncture.  And what of the organizational principles of our subconscious continuums?  Do we only dream about dexterous articulation?  Can we become the agile acuity we envision or do we wallow in the drifty drivel of dour droll’s dreary?  What’s to phatic say about futurity fatidic’s forlorn wanton?  We need chutzpah, moxie savvy’s panache.  Is there no such thing as a universally acceptable ontological deontology?  Probity is as obvious as due yesterday, ethology’s entelechy the omnipresent reward.  Elan vital is not subjective, it’s objective.  Explicating epiphanies of social contiguity’s prospectus so innate as to be irrefragable.  Not perhaps the oligarchies of eclectic synectics, but perhaps the pugnacious audacities of emote to exude aimed imbue.  Assay relay’s convey, foray delay purveys inveigh.  Perhaps if we are all cogently fecund with our vituperatively vociferous the holocaustial cacophony of our obstreperously abstruse will be just what the grotto grouch gumption ordered.  Infusing all with the capability of  aspiring to higher powers and yet not forgetting the mystery of self and others.  I know I know what an ingratiating sycophant on the introjection.  Gambits of alluvium aloof impunity when we all know immunity is Epicurean absurdity, but I already covered that on the phrenic aimed holocaustial cacophony.  Seriously of we all enunciate so on the diction of mesomerism's to punctual.  Why can’t that be the essence of accidence ambience acoustics, the arbitrational attenuation of actuator's aorist.  We are not ethereal, we are corporeally preternatural and the sooner we all learn to respect each other to that the sooner we can get down to the sublimely surreal in oneiromancy’s apotropaic panaceas.
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1
_Acceptance that in this life Blood and sinew define me And yet my mind can fly, Doesn’t come easily. To find the pivot point, The sweet spot where form and fancy Co-exist in perfect balance, Eludes me most of the time. To lose myself in the dreck of daily life dulls my spirit; To reject the limitations of my reality Leaves me stranded in the in between spaces Where discontent, longing and self-doubt flourish. Engaging in this power struggle Between my earth and my ether Leads me to gainsay one half of my whole, Either or, vice versa, within or without. To find a ***** in my own armour, To prise open the gap, To embrace the paradox which is this person named “I”, And walk the tightrope with panache...aha!_
0
Oct 21, 2021
Oct 21, 2021 at 7:02 PM UTC
IN BETWEEN
Sonnet pour mon épagneul anglais Nils De son smoking de noir vêtu, mêmes quand il court dans les rues, à un artiste de gala il semble emprunter le pas Ton ventre est blanc comme une hermine. Sur ton museau blanc, une truffe Son dos de noir tout habillé. Sur le front, il se fait doré. De « prince », il s’attire le nom Tant sa démarche est altiere ; mais de « Nils », il a le surnom, Car autant qu’un jar, il est fier. Assis, il paraît méditer, Sur le monde sa vanité. De ses yeux noirs il vous regarde, Comme un reproche qui s’attarde. Quand il court, parmi les genêts, Il fend l’air comme un destrier ; Et le panache de sa queue En flottant, vous ravit les yeux. Mon épagneul est très dormeur, Et aux sofas, il fait honneur. Mais lorsque se lève le jour, A se promener, il accourt. Quand il dort, il est écureuil, mais jamais, il ne ferme l’œil. Un léger murmure l’éveille Tant aérien est son sommeil. Il semble emprunter le pas Lorsqu’un aboiement le réveille De sa voix, il donne l’éveil. Et les chats, les chiens maraudeurs, Il met en fuite avec bonheur. Lorsque dans mes bras, il vient, Son pelage se fait câlin. Et la douceur de sa vêture Lui fait une jolie voilure. Sur ma table, sa tête repose Lorsque je taquine la prose, Comme pour dire ; même par-là, je veux que tu restes avec moi. Sous ma caresse, il se blottit, comme le ferait un petit. De ma tristesse, il vient à bout, tant le regard qu’il pose est doux. Paul d’Aubin (Paul Arrighi), Toulouse. *** Poème à ma chienne Laika dite «Caquine» Tu as un gros museau, Cocker chocolatine, Des yeux entre amandes et noisettes Teintés  d’une humeur suppliante. Ta fourrure est quelque peu rêche Mais prend l’éclat de la noisette et le reflet du renard roux. La caresse se fait satin. Ma fille Célia t’appelle : «Caquine» Pour des raisons que je ne peux Au lecteur dévoiler ici, Mais toute ta place tu tiens. A ta maitresses adorée Tu dresses ton gros museau Et te blottis pour la garder En menaçant ceux qui approchent. Tu es peureuse comme un lézard, Et sait ramper devant Célia. Mais ton museau, sur mes genoux Au petit déjeuner veille et guette. Quand je te sors, tu tires en laisse Jusqu’à m’en laisser essoufflé, Après avoir d’énervement Dans ta gueule, mes chaussons saisis. Sur les sentiers de senteur, Ton flair à humer se déploie. Tu es, ma chienne, compagnie. De mes longues après-midi. Paul d’Aubin (Paul Arrighi), Toulouse.
0
Oct 1, 2013
Oct 1, 2013 at 3:58 PM UTC
deux poémes pour mon épagneul king Charles et mon Cocker anglais
Sonnet pour mon épagneul anglais Nils De son smoking de noir vêtu, mêmes quand il court dans les rues, à un artiste de gala il semble emprunter le pas Ton ventre est blanc comme une hermine. Sur ton museau blanc, une truffe Son dos de noir tout habillé. Sur le front, il se fait doré. De « prince », il s’attire le nom Tant sa démarche est altiere ; mais de « Nils », il a le surnom, Car autant qu’un jar, il est fier. Assis, il paraît méditer, Sur le monde sa vanité. De ses yeux noirs il vous regarde, Comme un reproche qui s’attarde. Quand il court, parmi les genêts, Il fend l’air comme un destrier ; Et le panache de sa queue En flottant, vous ravit les yeux. Mon épagneul est très dormeur, Et aux sofas, il fait honneur. Mais lorsque se lève le jour, A se promener, il accourt. Quand il dort, il est écureuil, mais jamais, il ne ferme l’œil. Un léger murmure l’éveille Tant aérien est son sommeil. Il semble emprunter le pas Lorsqu’un aboiement le réveille De sa voix, il donne l’éveil. Et les chats, les chiens maraudeurs, Il met en fuite avec bonheur. Lorsque dans mes bras, il vient, Son pelage se fait câlin. Et la douceur de sa vêture Lui fait une jolie voilure. Sur ma table, sa tête repose Lorsque je taquine la prose, Comme pour dire ; même par-là, je veux que tu restes avec moi. Sous ma caresse, il se blottit, comme le ferait un petit. De ma tristesse, il vient à bout, tant le regard qu’il pose est doux. Paul d’Aubin (Paul Arrighi), Toulouse. *** Poème à ma chienne Laika dite «Caquine» Tu as un gros museau, Cocker chocolatine, Des yeux entre amandes et noisettes Teintés  d’une humeur suppliante. Ta fourrure est quelque peu rêche Mais prend l’éclat de la noisette et le reflet du renard roux. La caresse se fait satin. Ma fille Célia t’appelle : «Caquine» Pour des raisons que je ne peux Au lecteur dévoiler ici, Mais toute ta place tu tiens. A ta maitresses adorée Tu dresses ton gros museau Et te blottis pour la garder En menaçant ceux qui approchent. Tu es peureuse comme un lézard, Et sait ramper devant Célia. Mais ton museau, sur mes genoux Au petit déjeuner veille et guette. Quand je te sors, tu tires en laisse Jusqu’à m’en laisser essoufflé, Après avoir d’énervement Dans ta gueule, mes chaussons saisis. Sur les sentiers de senteur, Ton flair à humer se déploie. Tu es, ma chienne, compagnie. De mes longues après-midi. Paul d’Aubin (Paul Arrighi), Toulouse.
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78
The Buddhists Teach There is a door Between the conscious and the unconscious On the threshold of awareness Where, from this sleepy place Mind-door takes in space A snap-shot of what’s around The shapes and the sounds Be it red, blue or brown Sensory fed and felt and judged A conceptual conclusion Based on memory and illusion Served up ofttimes with a bit of confusion The sixth sense of inclusion Transcending time and allusion. Knock, knock. Who’s there? The unaware From where? Memory Lane What a pain Insane and mundane Tainted and sainted Familiar and unfamiliar It’s the object and the flavor It only makes sense To bring in the other scents Can you feel it   Through my poetry? Because I have no other way      I’m sending you the sweetest berry In bloom And tea scented perfume For some lazy afternoon. Starting out so poetic Descended into the prosaic I’d like to stay in those high-minded places Between the sheets of my faces I’m at peace and war with myself No one else. I know I shouldn’t get attached Shrug it off with panache When I think about impermanence Makes me cringe and   create another circumstance A twirling happenstance A devil’s dance A devilish lance It’s getting better Like frankincense Then it fades Like the past tense How does one let go When clinging’s become a way of life? A hunting knife couldn’t pry My pathetic fingers lose Holding on to A hangman’s noose I’d scream and rail Holding on To the nail That pierced my travail As life stomped and pounded grounded me down But, I wouldn’t let go. Oh no, not me Fool that I am Was it a question of pride? A fear of the night The ego chasing its’ tale Personal blackmail? A forgotten memory A mishmash Lack of mindfulness A Pandora's box? Nonetheless, I confess A little bit of everything. I tell myself Baby steps Baby steps Baby’s need to let go And fall and get up Or they won’t learn to walk Or talk or grow up It’s baby talk And baby steps Knock, knock Who’s there No one Then come on in Naked and all alone   Rest on the threshold of time Rest on the threshold of awareness But, In all fairness Don’t expect it to last Such is the nature of impermanence Only the bliss shall remain. You can find it once again. When you learn to let go. But, Don’t listen to my advice As you can see I’m still holding on for dear life.
0
Oct 9, 2018
Oct 9, 2018 at 12:30 AM UTC
Mind- door
The Buddhists Teach There is a door Between the conscious and the unconscious On the threshold of awareness Where, from this sleepy place Mind-door takes in space A snap-shot of what’s around The shapes and the sounds Be it red, blue or brown Sensory fed and felt and judged A conceptual conclusion Based on memory and illusion Served up ofttimes with a bit of confusion The sixth sense of inclusion Transcending time and allusion. Knock, knock. Who’s there? The unaware From where? Memory Lane What a pain Insane and mundane Tainted and sainted Familiar and unfamiliar It’s the object and the flavor It only makes sense To bring in the other scents Can you feel it   Through my poetry? Because I have no other way      I’m sending you the sweetest berry In bloom And tea scented perfume For some lazy afternoon. Starting out so poetic Descended into the prosaic I’d like to stay in those high-minded places Between the sheets of my faces I’m at peace and war with myself No one else. I know I shouldn’t get attached Shrug it off with panache When I think about impermanence Makes me cringe and   create another circumstance A twirling happenstance A devil’s dance A devilish lance It’s getting better Like frankincense Then it fades Like the past tense How does one let go When clinging’s become a way of life? A hunting knife couldn’t pry My pathetic fingers lose Holding on to A hangman’s noose I’d scream and rail Holding on To the nail That pierced my travail As life stomped and pounded grounded me down But, I wouldn’t let go. Oh no, not me Fool that I am Was it a question of pride? A fear of the night The ego chasing its’ tale Personal blackmail? A forgotten memory A mishmash Lack of mindfulness A Pandora's box? Nonetheless, I confess A little bit of everything. I tell myself Baby steps Baby steps Baby’s need to let go And fall and get up Or they won’t learn to walk Or talk or grow up It’s baby talk And baby steps Knock, knock Who’s there No one Then come on in Naked and all alone   Rest on the threshold of time Rest on the threshold of awareness But, In all fairness Don’t expect it to last Such is the nature of impermanence Only the bliss shall remain. You can find it once again. When you learn to let go. But, Don’t listen to my advice As you can see I’m still holding on for dear life.
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104
Maieutic dreamer, the ecstatic euphoria of cerebral cortex’s ****** matrix is pandemic.  Extravagant exorbitances of flirtatious flamboyance and flippantly flighty flit-ness.  But what of stint-ness snities?  Excruciating exacerbations of laboriously beleaguering hypercritically meticulous tediums.   Synaptic syntax is fervently intense like a feral phrenic frenzied ****  Ruminating humanity’s collective consciousness gives me hysterical deliriums.  We’re frenetically febrile, atrociously impetuous impudents who don’t know our id conclusion from our impromptu innuendo juncture.  And what of the organizational principles of our subconscious continuums?  Do we only dream about dexterous articulation?  Can we become the agile acuity we envision or do we wallow in the drifty drivel of dour droll’s dreary?  What’s to phatic say about futurity fatidic’s forlorn wanton?  We need chutzpah, moxie savvy’s panache.  Is there no such thing as a universally acceptable ontological deontology?  Probity is as obvious as due yesterday, ethology’s entelechy the omnipresent reward.  Elan vital is not subjective, it’s objective.  Explicating epiphanies of social contiguity’s prospectus so innate as to be irrefragable.  Not perhaps the oligarchies of eclectic synectics, but perhaps the pugnacious audacities of emote to exude aimed imbue.  Assay relay’s convey, foray delay purveys inveigh.  Perhaps if we are all cogently fecund with our vituperatively vociferous the holocaustial cacophony of our obstreperously abstruse will be just what the grotto grouch gumption ordered.  Infusing all with the capability of  aspiring to higher powers and yet not forgetting the mystery of self and others.  I know I know what an ingratiating sycophant on the introjection.  Gambits of alluvium aloof impunity when we all know immunity is Epicurean absurdity, but I already covered that on the phrenic aimed holocaustial cacophony.  Seriously of we all enunciate so on the diction of mesomerism's to punctual.  Why can’t that be the essence of accidence ambience acoustics, the arbitrational attenuation of actuator's aorist.  We are not ethereal, we are corporeally preternatural and the sooner we all learn to respect each other to that the sooner we can get down to the sublimely surreal in oneiromancy’s apotropaic panaceas.
0
Aug 27, 2015
Aug 27, 2015 at 7:19 PM UTC
Importunacy? or The Apotheosis of Oneiromancy's Apotropaic Panaceas
Maieutic dreamer, the ecstatic euphoria of cerebral cortex’s ****** matrix is pandemic.  Extravagant exorbitances of flirtatious flamboyance and flippantly flighty flit-ness.  But what of stint-ness snities?  Excruciating exacerbations of laboriously beleaguering hypercritically meticulous tediums.   Synaptic syntax is fervently intense like a feral phrenic frenzied ****  Ruminating humanity’s collective consciousness gives me hysterical deliriums.  We’re frenetically febrile, atrociously impetuous impudents who don’t know our id conclusion from our impromptu innuendo juncture.  And what of the organizational principles of our subconscious continuums?  Do we only dream about dexterous articulation?  Can we become the agile acuity we envision or do we wallow in the drifty drivel of dour droll’s dreary?  What’s to phatic say about futurity fatidic’s forlorn wanton?  We need chutzpah, moxie savvy’s panache.  Is there no such thing as a universally acceptable ontological deontology?  Probity is as obvious as due yesterday, ethology’s entelechy the omnipresent reward.  Elan vital is not subjective, it’s objective.  Explicating epiphanies of social contiguity’s prospectus so innate as to be irrefragable.  Not perhaps the oligarchies of eclectic synectics, but perhaps the pugnacious audacities of emote to exude aimed imbue.  Assay relay’s convey, foray delay purveys inveigh.  Perhaps if we are all cogently fecund with our vituperatively vociferous the holocaustial cacophony of our obstreperously abstruse will be just what the grotto grouch gumption ordered.  Infusing all with the capability of  aspiring to higher powers and yet not forgetting the mystery of self and others.  I know I know what an ingratiating sycophant on the introjection.  Gambits of alluvium aloof impunity when we all know immunity is Epicurean absurdity, but I already covered that on the phrenic aimed holocaustial cacophony.  Seriously of we all enunciate so on the diction of mesomerism's to punctual.  Why can’t that be the essence of accidence ambience acoustics, the arbitrational attenuation of actuator's aorist.  We are not ethereal, we are corporeally preternatural and the sooner we all learn to respect each other to that the sooner we can get down to the sublimely surreal in oneiromancy’s apotropaic panaceas.
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1
A trinity of three styles one man no religion one morning over a lifetime Temporary (we tat too) Temporary love has no precision definition so if I say love you forever, as I do, know know just know this particular phrase is temporary, unique and forgivable as temporary as our permanent tattoo, the one embellishing you,   the one marking me, the two hearts tat that means we are a tat two If you begin a poem, a love, a tat with temporary, usually, but not always, you have already failed See http://hellopoetry.com/poem/if-you-begin-a-poem-with-i/ ~~~~~~~~~~~~~~~ Invalidation my living bones, twisted. my words, slurred, disfigured with a panache, that makes the mirror turn away, ashamed invalid. in valid. I have been invalidated, I spit at your too late heroics, unwanted. I spit at myself, for missing the moment, when choice was mine I would have self-destructed, freely, reborn in an act of self-validation, be my own living will, if only I had not been enslaved to my ********** Fear invalidation, the Cain mark of every failed man ~~~~~~~~~~~~ Bootyoir three day weekend has commenced. it's con-occlusion now in rapid descent mini-vacation, maxi-sensation. the only question remaining, present but debated, as yet undecided, whose turn is it to answer the doorbell, when the delivery guy brings our break~fast for it is forbidden, a transgress, to egress from the bootyoir, except for the call of nature, and naturally, I am calling you, comeback comeback hungry time it's time we co-authored some bootyoir poetry
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Jan 20, 2014
Jan 20, 2014 at 7:58 AM UTC
Trinity: Temporary Invalidation Bootyoir
A trinity of three styles one man no religion one morning over a lifetime Temporary (we tat too) Temporary love has no precision definition so if I say love you forever, as I do, know know just know this particular phrase is temporary, unique and forgivable as temporary as our permanent tattoo, the one embellishing you,   the one marking me, the two hearts tat that means we are a tat two If you begin a poem, a love, a tat with temporary, usually, but not always, you have already failed See http://hellopoetry.com/poem/if-you-begin-a-poem-with-i/ ~~~~~~~~~~~~~~~ Invalidation my living bones, twisted. my words, slurred, disfigured with a panache, that makes the mirror turn away, ashamed invalid. in valid. I have been invalidated, I spit at your too late heroics, unwanted. I spit at myself, for missing the moment, when choice was mine I would have self-destructed, freely, reborn in an act of self-validation, be my own living will, if only I had not been enslaved to my ********** Fear invalidation, the Cain mark of every failed man ~~~~~~~~~~~~ Bootyoir three day weekend has commenced. it's con-occlusion now in rapid descent mini-vacation, maxi-sensation. the only question remaining, present but debated, as yet undecided, whose turn is it to answer the doorbell, when the delivery guy brings our break~fast for it is forbidden, a transgress, to egress from the bootyoir, except for the call of nature, and naturally, I am calling you, comeback comeback hungry time it's time we co-authored some bootyoir poetry
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76
At the earliest ending of winter, In March, a scrawny cry from outside Seemed like a sound in his mind. He knew that he heard it, A bird's cry, at daylight or before, In the early March wind. The sun was rising at six, No longer a battered panache above snow... It would have been outside. It was not from the vast ventriloquism Of sleep's faded papier-mache... The sun was coming from the outside. That scrawny cry&mdasp;It was A chorister whose c preceded the choir. It was part of the colossal sun, Surrounded by its choral rings, Still far away. It was like A new knowledge of reality.
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1.8k
Not Ideas About The Thing But The Thing Itself
for jul she asks a-rat-a-tat sensible peppering of questions; “why do I give away my poems so easy and so fast, why me” the answer so readily apparent, so easy peasy lemon squeezy, my style is who you are! every-oft and every-then, a leader-reader believes my words so profound so entire so joyful wonderful! that title passes there and then a poem without a dedication but a-dressed-up-lovely without a ^hat,^  missing the zing of panache that makes its DNA complete, then someone comes along who loves it so more than enough, placing that rakish angled love with a bejeweled hat pin just so, and that hat makes the poem so much more, the jewel whispering confirmation vive la différence! so a dedication to/is purest dedication - exactly! and this one a jewel for the poem for jul be a just be cause 5:47am <•>
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May 13, 2018
May 13, 2018 at 9:29 AM UTC
why I dedicate poems (jewel for jul just be cause)
Ol' Mr Rilash the authority on panache and once chef of Ben-Ash, had neglected to trim his tash. It itched and made him scratch; Unhappy on upper lip. A plan, a plan it hatched. ...then one time in the kitchen on a snoozing Mr Rilash. His tash did something brazen, or silly or quite brash. It pulled away and dashed crawling through plates of mash and hopping over paprikash it made it to the window ledge via the crockery left stashed. Was it brave or was it rash, the escaping captive tash. Leaping and waiting for the splash, It saw it's trajectory down below; and landed squarely in the trash.
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Jan 9, 2017
Jan 9, 2017 at 4:09 PM UTC
The Runaway Moustache
It's easier to tell people what they want to hear than to hurt and maim with the truth not wanting to deliver the blow and the fear providing evidence and the inevitable proof Some people seek it for attention confirmation they're shunned and abused just always there, on vacation as everyone around them, is used Playing the game passive and angry flashing eyes that lie, with a smile all at the same time, pure lazy a lack of panache and/or of style It's a no win scenario day in and all day out watching them scheme as always the innocent victim un-pious and falsely devout
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Oct 7, 2018
Oct 7, 2018 at 12:12 AM UTC
Manipulations passive, still agressive
Growing or shrinking last star exit in mind New trend Is life the dead-end? Star casting kiss No exit to miss A friend Finding courage Circles and stars breath condolences Feeling nameless no picket white fences Eyes adored last glances Society- Supreme- be Forget me not Garden- of- Eden   Wish upon a star hidden? The last digging dandelion yellow ray   In the end no more suffering until the day Like poem book* open and end Something stiff glued together her life Paper- Mache Making amends Sales man Taking his last exit he picks desire She's The spitfire Rare- star sire Computing- reliving-  dying dreaming Don't settle for scheming The last star exit The last scripture Vivid mixture Mind storing like a cache Rare Robin bird great panache Recherche last meal al -dente Smell the last flower herbal- ritual Petals open up new portal Blue elf Viola sing like Mona Lisa *        *        *        * Autumn red wine star bridge Grenache field of mirage Seeing stars you fell Where's my falling angel Strong words vocal If its the last exit don't disconnect Dots.. and dots.. connect God casting Its written stars for all in our name Starry- end*
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Jul 26, 2023
Jul 26, 2023 at 11:53 AM UTC
The Last Star *Exit
Airwaves awash in the new gospel barrage: calling forth the neighbourhood hack, Abe Lincoln toon in towering hat,   the corporation is coming - will you not collaborate my friend? Everything good that you ever dreamed of is here: Marbonite floored flats with self-terraced roofs; The swankiest of cars, in imported hues; Your arm candy drools, now, brands, bigger brands! All in your grasp, now, in community gates shut safe as society decays. Skies spitting frogs? Pestilences amass? Listen to the Gospel according to Bane: in the desert, smell octane. Hallelujah, everything we make, from watches to headscarves - your underwear is cheaper sourced from the next so-lala-land. Forget your sources tiny of incomes varying: Bakers, cobblers, tinkerers, we also have a uniform for you. Oh you rustic tradition-bound bandy bumpkins! Abandon your alleyways, and welcome to the ghettos...where What you eat, to where to retreat: we cure everything from heartache to panache. Wash away your sins in wonder medicines; Waters can part, yes, see how the Pharoah is disarmed; Big city dreams, dream global manna beams. All that is needed for salvation, is a little bit of classification. Are you left-wing or right? Center-left or center-right? The powerdrill tearing down edifices resonating through noon. A crane arm's shadow hovering high by the moon. Tablets from skies now proclaim the new gospel for the land, the airwaves are awash of the miracle of Witwatersrand. The corporation is coming, to a store near you: Amen! Will you not, then, collaborate, my friend?
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Dec 13, 2013
Dec 13, 2013 at 5:22 PM UTC
The corporation is coming
Airwaves awash in the new gospel barrage: calling forth the neighbourhood hack, Abe Lincoln toon in towering hat,   the corporation is coming - will you not collaborate my friend? Everything good that you ever dreamed of is here: Marbonite floored flats with self-terraced roofs; The swankiest of cars, in imported hues; Your arm candy drools, now, brands, bigger brands! All in your grasp, now, in community gates shut safe as society decays. Skies spitting frogs? Pestilences amass? Listen to the Gospel according to Bane: in the desert, smell octane. Hallelujah, everything we make, from watches to headscarves - your underwear is cheaper sourced from the next so-lala-land. Forget your sources tiny of incomes varying: Bakers, cobblers, tinkerers, we also have a uniform for you. Oh you rustic tradition-bound bandy bumpkins! Abandon your alleyways, and welcome to the ghettos...where What you eat, to where to retreat: we cure everything from heartache to panache. Wash away your sins in wonder medicines; Waters can part, yes, see how the Pharoah is disarmed; Big city dreams, dream global manna beams. All that is needed for salvation, is a little bit of classification. Are you left-wing or right? Center-left or center-right? The powerdrill tearing down edifices resonating through noon. A crane arm's shadow hovering high by the moon. Tablets from skies now proclaim the new gospel for the land, the airwaves are awash of the miracle of Witwatersrand. The corporation is coming, to a store near you: Amen! Will you not, then, collaborate, my friend?
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She is the stained girl,  a diffident dreamer Who looks for the sun and the rain together Her  panache is to craft blissful memories Festooned with vivid thoughts, her accessories She is the stained girl,  a feeble believer Who relies on a happy ever after Yet scared to be seen from her cheerful facade, Something that would charge her of being a fraud She saunters in the midst of the piqued storms Resounding the hues of the jaundiced norms Like a bird highlighted with vibrant plumes To fly around the walls of perplexing rooms She wears the best maquillage, old and new To make everyone away from being blue She offers her hair, those gilded strands Yet they exploit her gift with their vicious hands She is the stained girl who seeks for uprightness Yet pain has shaped her with creased faithfulness In front of a looking glass, there I see That magnificent, stained girl looks like me.
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Mar 18, 2016
Mar 18, 2016 at 9:53 AM UTC
The Stained Girl
"Surreal skeptic, cynical cryptic! Licentious lecheries fabulist façade fantasias. Wild eyed spectral serene. Dream of catenary concoctions, ethereal salacious conjugation, bridge the gap in metaphysical mystique. Erotica erectile errantry’s exserted protuberance is a kinesiology kleptomaniac with his embark embargo extraditions and his eventuation evocative execrations, a positive amalgamated anathema android of a terminus thrall. The shadow in the shade of the silhouette sojourn. The bailiff’s rakeness rails incarnate, unicorn railway nails and all. He will paint mirador bartizan panorama tableaus all over your proximity parameter perimeter peripherals. Force the enmity to acquiesce into impunity.” “Why this is not but an ogling ogre of an oligarchy omelet” she shrieked as he continued to tickle her. “Down here at the bizarre bazaar we all believe in the blasphemous farcical fugueness,” he said. “Positive orchestration renditions of transpositional interlude.” “Come here,” she said “let my clambering clamorous clangor write you a wield wile treatise expose’.  The legions of Chinga da are battling the hoards of Gunga din saying", "kinetic supremacy temporize tractive fluent" , "it’s sheer genocide. That plasty goop nosed porker of a Gumby ******* ***** monger Gunga doesn’t stand a chance. Coax cacophony clout, catatonic phonics, grizzly grotto grouches all”, She squealed. “Now you’re gumption dreaming”, he chimed. “Chutzpah panache spontaneous generation complicity, gambit alluvium aloof succor.”
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Dec 14, 2017
Dec 14, 2017 at 1:26 AM UTC
Salacious
"Surreal skeptic, cynical cryptic! Licentious lecheries fabulist façade fantasias. Wild eyed spectral serene. Dream of catenary concoctions, ethereal salacious conjugation, bridge the gap in metaphysical mystique. Erotica erectile errantry’s exserted protuberance is a kinesiology kleptomaniac with his embark embargo extraditions and his eventuation evocative execrations, a positive amalgamated anathema android of a terminus thrall. The shadow in the shade of the silhouette sojourn. The bailiff’s rakeness rails incarnate, unicorn railway nails and all. He will paint mirador bartizan panorama tableaus all over your proximity parameter perimeter peripherals. Force the enmity to acquiesce into impunity.” “Why this is not but an ogling ogre of an oligarchy omelet” she shrieked as he continued to tickle her. “Down here at the bizarre bazaar we all believe in the blasphemous farcical fugueness,” he said. “Positive orchestration renditions of transpositional interlude.” “Come here,” she said “let my clambering clamorous clangor write you a wield wile treatise expose’.  The legions of Chinga da are battling the hoards of Gunga din saying", "kinetic supremacy temporize tractive fluent" , "it’s sheer genocide. That plasty goop nosed porker of a Gumby ******* ***** monger Gunga doesn’t stand a chance. Coax cacophony clout, catatonic phonics, grizzly grotto grouches all”, She squealed. “Now you’re gumption dreaming”, he chimed. “Chutzpah panache spontaneous generation complicity, gambit alluvium aloof succor.”
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1
Treasury  Casino - 2:30 am From my seat in the smokers section I can see the Brisbane eye, the river, and the  performing arts center. Streetlights  are mans answer  to the cosmos "Everything you can do, I can make better." Once it was said that we were made in God's image. Now we can safely say that God was  made in our image. I am in a quiet place of the universe, the night stretches on visible through the stately wonderous walls carved of old wood  and sandstone. I am in a suede armchair, winged for pleasure. The ceiling in this room is twice as high as an ordinary room. Circular steel ***** hang down like a path of bubbles left  by a leviathan. My water was poured  with panache. Let me set  the scene for you: I'm in the  Treasury Casino, this building was once the QLD state treasury, it never changed really. Sitting next to  window that overlooks the river, a glass of water sits to my left. The room is the size of a double garage, maybe bigger. The floor and ceilings are made of old wood, the walls are decorated with a transparent gray fabric that remindsme of smoke. An old marble fireplace sits in a wall studded with tiny lights that resemble stars or candles. Above me is a series of hanging circular light fixtures that resemble a trail of bubbles left by a leviathan. This room was designed for,  and houses opulence.   The TV plays Eminem. Peter Garrett dances like a Parkinson's sufferer. And looks like Disco-Nosferatu. We have  killed the night and neon power and infomercials **** the romance once held by late night solitude.
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May 22, 2013
May 22, 2013 at 12:54 AM UTC
Brisbane Street Sketch 2
Treasury  Casino - 2:30 am From my seat in the smokers section I can see the Brisbane eye, the river, and the  performing arts center. Streetlights  are mans answer  to the cosmos "Everything you can do, I can make better." Once it was said that we were made in God's image. Now we can safely say that God was  made in our image. I am in a quiet place of the universe, the night stretches on visible through the stately wonderous walls carved of old wood  and sandstone. I am in a suede armchair, winged for pleasure. The ceiling in this room is twice as high as an ordinary room. Circular steel ***** hang down like a path of bubbles left  by a leviathan. My water was poured  with panache. Let me set  the scene for you: I'm in the  Treasury Casino, this building was once the QLD state treasury, it never changed really. Sitting next to  window that overlooks the river, a glass of water sits to my left. The room is the size of a double garage, maybe bigger. The floor and ceilings are made of old wood, the walls are decorated with a transparent gray fabric that remindsme of smoke. An old marble fireplace sits in a wall studded with tiny lights that resemble stars or candles. Above me is a series of hanging circular light fixtures that resemble a trail of bubbles left by a leviathan. This room was designed for,  and houses opulence.   The TV plays Eminem. Peter Garrett dances like a Parkinson's sufferer. And looks like Disco-Nosferatu. We have  killed the night and neon power and infomercials **** the romance once held by late night solitude.
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33
In the shape of your movement my tummy is stormed by jingles and foxtrots, it leaps a ballet as you punctuate air with glorious panache. It always tries to run everywhere when you come into view; all the tumbling roams at the slight tour of your smile.
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Dec 13, 2015
Dec 13, 2015 at 7:41 PM UTC
Stomach Talk