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CautiousRain Sep 2016
Palpitating palpitating
boom boom bust
a little bit of water makes a metal heart rust
palpitating palpitating
boom boom pow
your gears wound up but you don't know how
palpitating palpitating
boom boom crush
too many repairs make a weak heart mush.
It's one of those days
175

I have never seen “Volcanoes”—
But, when Travellers tell
How those old—phlegmatic mountains
Usually so still—

Bear within—appalling Ordnance,
Fire, and smoke, and gun,
Taking Villages for breakfast,
And appalling Men—

If the stillness is Volcanic
In the human face
When upon a pain Titanic
Features keep their place—

If at length the smouldering anguish
Will not overcome—
And the palpitating Vineyard
In the dust, be thrown?

If some loving Antiquary,
On Resumption Morn,
Will not cry with joy “Pompeii”!
To the Hills return!
I.

Thou aged unreluctant earth who dost
with quivering continual thighs invite
the thrilling rain the slender paramour
to toy with thy extraordinary lust,
(the sinuous rain which rising from thy bed
steals to his wife the sky and hour by hour
wholly renews her pale flesh with delight)
—immortally whence are the high gods fled?

Speak elm eloquent pandar with thy nod
significant to the ecstatic earth
in token of his coming whom her soul
burns to embrace—and didst thou know the god
from but the imprint of whose cloven feet
the shrieking dryad sought her leafy goal,
at the mere echo of whose shining mirth
the furious hearts of mountains ceased to beat?

Wind beautifully who wanderest
over smooth pages of forgotten joy
proving the peaceful theorems of the flowers
—didst e’er depart upon more exquisite quest?
and did thy fortunate fingers sometime dwell
(within a greener shadow of secret bowers)
among the curves of that delicious boy
whose serious grace one goddess loved too well?

Chryselephantine Zeus Olympian
sceptred colossus of the Pheidian soul
whose eagle frights creation,in whose palm
Nike presents the crown sweetest to man,
whose lilied robe the sun’s white hands emboss,
betwixt whose absolute feet anoint with calm
of intent stars circling the acerb pole
poises,smiling,the diadumenos

in whose young chiseled eyes the people saw
their once again victorious Pantarkes
(whose grace the prince of artists made him bold
to imitate between the feet of awe),
thunderer whose omnipotent brow showers
its curls of unendured eternal gold
over the infinite breast in bright degrees,
whose pillow is the graces and the hours,

father of gods and men whose subtle throne
twain sphinxes bear each with a writhing youth
caught to her brazen *******,whose foot-stool tells
how fought the looser of the warlike zone
of her that brought forth tall Hippolytus,
lord on whose pedestal the deep expels
(over Selene’s car closing uncouth)
of Helios the sweet wheels tremulous—

are there no kings in Argos,that the song
is silent,of the steep unspeaking tower
within whose brightening strictness Danae
saw the night severed and the glowing throng
descend,felt on her flesh the amorous strain
of gradual hands and yielding to that fee
her eager body’s unimmortal flower
knew in the darkness a more burning rain?

                    2.

And still the mad magnificent herald Spring
assembles beauty from forgetfulness
with the wild trump of April:witchery
of sound and odour drives the wingless thing
man forth in the bright air,for now the red
leaps in the maple’s cheek,and suddenly
by shining hordes in sweet unserious dress
ascends the golden crocus from the dead.

On dappled dawn forth rides the pungent sun
with hooded day preening upon his hand
followed by gay untimid final flowers
(which dressed in various tremulous armor stun
the eyes of ragged earth who sees them pass)
while hunted from his kingdom winter cowers,
seeing green armies steadily expand
hearing the spear-song of the marching grass.

A silver sudden parody of snow
tickles the air to golden tears,and hark!
the flicker’s laughing yet,while on the hills
the pines deepen to whispers primeval and throw
backward their foreheads to the barbarous bright
sky,and suddenly from the valley thrills
the unimaginable upward lark
and drowns the earth and passes into light

(slowly in life’s serene perpetual round
a pale world gathers comfort to her soul,
hope richly scattered by the abundant sun
invades the new mosaic of the ground
—let but the incurious curtaining dusk be drawn
surpassing nets are sedulously spun
to snare the brutal dew,—the authentic scroll
of fairie hands and vanishing with the dawn).

Spring,that omits no mention of desire
in every curved and curling thing,yet holds
continuous *******—through skies and trees
the lilac’s smoke the poppy’s pompous fire
the *****’s purple patience and the grave
frailty of daises—by what rare unease
revealed of teasingly transparent folds—
with man’s poor soul superlatively brave.

Surely from robes of particoloured peace
with mouth flower-faint and undiscovered eyes
and dim slow perfect body amorous
(whiter than lilies which are born and cease
for being whiter than this world)exhales
the hovering high perfume curious
of that one month for whom the whole years dies,
risen at length from palpitating veils.

O still miraculous May!O shining girl
of time untarnished!O small intimate
gently primeval hands,frivolous feet
divine!O singular and breathless pearl!
O indefinable frail ultimate pose!
O visible beatitude sweet sweet
intolerable!silence immaculate
of god’s evasive audible great rose!

                    3.

Lover,lead forth thy love unto that bed
prepared by whitest hands of waiting years,
curtained with wordless worship absolute,
unto the certain altar at whose head
stands that clear candle whose expecting breath
exults upon the tongue of flame half-mute,
(haste ere some thrush with silver several tears
complete the perfumed paraphrase of death).

Now is the time when all occasional things
close into silence,only one tree,one
svelte translation of eternity
unto the pale meaning of heaven clings,
(whose million leaves in winsome indolence
simmer upon thinking twilight momently)
as down the oblivious west’s numerous dun
magnificence conquers magnificence.

In heaven’s intolerable athanor
inimitably tortured the base day
utters at length her soft intrinsic hour,
and from those tenuous fires which more and more
sink and are lost the divine alchemist,
the magus of creation,lifts a flower—
whence is the world’s insufferable clay
clothed with incognizable amethyst.

Lady at whose imperishable smile
the amazed doves flicker upon sunny wings
as if in terror of eternity,
(or seeming that they would mistrust a while
the moving of beauteous dead mouths throughout
that very proud transparent company
of quivering ghosts-of-love which scarcely sings
drifting in slow diaphanous faint rout),

queen in the inconceivable embrace
of whose tremendous hair that blossom stands
whereof is most desire,yet less than those
twain perfect roses whose ambrosial grace,
goddess,thy crippled thunder-forging groom
or the loud lord of skipping maenads knows,—
having Discordia’s apple in thy hands,
which the scared shepherd gave thee for his doom—

O thou within the chancel of whose charms
the tall boy god of everlasting war
received the shuddering sacrament of sleep,
betwixt whose cool incorrigible arms
impaled upon delicious mystery,
with gaunt limbs reeking of the whispered deep,
deliberate groping ocean fondled o’er
the warm long flower of unchastity,

imperial Cytherea,from frail foam
sprung with irrevocable nakedness
to strike the young world into smoking song—
as the first star perfects the sensual dome
of darkness,and the sweet strong final bird
transcends the sight,O thou to whom belong
th ehearts of lovers!—I beseech thee bless
thy suppliant singer and his wandering word.
Trembling hands,
palpitating heart
my vision starts to fall apart
my leg wont stop shaking
No, im not faking,
I'm just nervous.
Song one
This is a song about tarzanic love
That subsisted some years ago,
As a love duel between an English girl and an African ogre,
There was an English girl hailing along the banks of river Thames
She had stubbornly refused all offers for marriage,
From all the local English boys, both rich and poor
tall and short, weak or strong, ugly and comely in the eye,
the girl had refused and sternly refused the treats for love,
She was disciplined to her callous pursuit of her dream
to marry a mysterious,fantastic,lively,original and extra-ordinary man,
That no other woman in history of human marriage ever married,
She came from London, near the banks of river Thames,
Her name was Victoria Goodhamlet Lovehill, daughter of a peasant,
She came from a humble English family, which hustled often
For food, clothing, and other calls that make one an ordinary British,
She grew up without a local boy friend, anywhere in the English world,
She is the first English girl to knock the age of forty five while a ******,
She never got deflowered in her teens as other English girls usually do
She preserved her purse with maximal carefulness in her wait for a black man,
Her father, of course a peasant, his trade was human barber and horse shearer,
Often asked her what she wants in life before her marriage, which man she really wanted,
Her specification was an open eyesore to her father; no blinkers could stave the father’s pale
For she wanted a black tall man, strong and ruggedly dark in the skin, must own a kingdom,
Fables taken to her from Africa were that such an African man was only one but none else,
His glorious name was Akhatembete kho bwibo khakhalikha no bwoya,
When the English girl heard the chimerical name of her potential husband,
She felt a super bliss in her spine; she yearned for the day of her rendezvous,
She crashed into desperate burning for true English love
With a man with a wonderful name like Akhatembete kho bwibo khakhalikha no bwoya.


Song two

Rumours of this English despair and dilemma for love reached Africa, in the wrong ears,
Not the human ears, but unfortunately the ears of the ogres, seasoned in the evil art,
It was received and treated as classified information among the African ogress,
They prevented this news to leak to African humans at all at all
Lest humans enjoy their human status and enjoy most
The love in the offing from the English girl,
They thus swiftly plotted and ployed
To lure and win the ******
From royal land;
England.




Song three

Firstly, the African ogres recruited one of their own
The most handsome middle aged male ogre, more handsome than all in humanity,
And of course African ogres are beautiful and handsome than African humans, no match,
The ogres are more gifted in stature, physique, eugenics and general overtures
They always outplay African humans on matters of intelligence, they are shrewder,
Ogres are aggressive and swashbuckling in manners; fear is none of their domain
Craft and slyness is their breakfast, super is the result; success, whether pyrrhic or Byronic,
Is their sweetest dish, they then schemed to get the English girl at whatever cost,
They made a move to name one of their fellow ogres the name of dream man;
Akhatembete khobwibo khakhalikha no bwoya,
Which an English girl wanted,
By viciously naming one of their handsome middle-aged man this name.

Song four

Then they set off 0n foot, from Congo moving to the north towards Europe abode England,
Where the beautiful girl of the times, Victoria Goodhamlet Lovehill hail,
They were three of them, walking funnily in cyclopic steps of African ogres,
Keeping themselves humorously high by feigning how they will dupe the girl,
How they will slyly decoy the English village pumpkin of the girl in to their trap,
And effortlessly make her walk on foot from England to Africa, in pursuit of love
On this muse and sweet wistfulness they broke out into loud gewgaws of laughter,
In such emotional bliss they now jump up wildly forgetting about their tails
Which they initially stuffed inside white long trousers, tails now wag and flag crazily,
Feats of such wild emotions gave the ogres superhuman synergy to walk cyclopically,
A couple of their strides made them to cross Uganda, Kenya, Somali, Ethiopia and Egypt
Just but in few days, as sometimes they ran in violent stampedes
Singing in a cryptic language the funny ogres songs;

Dada wu ndolelee!
Dada wu ndolelee!
Kuyuni kwa mnja
Sa kwingile khundilila !

Ehe kuyuni Mulie!
Ehe kuyuni mulie!
Omukhana oyo
Kaloba khuja lilia !
They then laughed loudly, farted cacophonously and jumped wildly, as if possessed,
They used happiness and raucous joy as a strategy to walk miles and miles
Which you cover when moving on foot from Congo to England,
They finally crossed Morocco and walked into Europe,
They by-passed Italy and Spain walking piecemeal
into England, native land of the beautiful girl.

Song  five

When the three ogres reached England, they were all surprised
Every woman and man was white; people of England walked slowly and gently
They made minimum noise, no shouting publicly on the street,
a stark contrast to human behaviour and ogre culture in Africa, very rambunctious,
Before they acclimatized to disorderly life in England, an over-sighted upset befell them
Piling and piling menace of pressure to ****,
Gripped all the three ogre brothers the same time,
None of them had knowledge of municipal utilities,
They all wanted to micturated openly
Had it not been beautiful English girls
Ceaselessly thronging the streets.



Song six

They persevered and moved on in expectation of coming to the end,
Out-skirt of the strange English town so that they can get a woodlot,
From where they could hide behind to do open defecation
All was in vain; they never came to any end of the English town,
Neither did they come by a tumbled-down house
No cul de sac was in sight, only endless highway,
Sandwiched between tall skyscraping buildings,
One of the ogres came up with an idea, to drip the ****
Drop by drop in their *******, as they walk to their destiny,
They all laughed but not loudly, in controlled giggles
And executed the idea minus haste.

Song seven

They finally came down to the banks of river Thames,
Identified the home of Victoria Goodhamlet Lovehill
The home had neither main gate nor metallic doors,
They entered the home walking in humble majesty,
Typical of racketeering ogre, in a swindling act,
The home was silent, no one in sight to talk to
The ogres nudged one another, repressing the mirth,
Hunchbacked English lass surfaced, suddenly materialized
Looking with a sparkle in the eye, talking pristine English,
Like that one written by Geoffrey Chaucer, her words were as piffling
As speech of a mad woman at the fish market, ogres looked at her in askance.

Song eight

An ogre with name Akhatembete khobwibo khakhalikha nobwoya opened to talk,
Asked the girl where could be the latrine pits, for micturation only,
The hunchbacked lass gave them a direction to the toilets inside the house,
She did it in a full dint of English elegance and gentility,
But all the ogres were discombobulated to their peak
about the English latrine pit inside the house,
they all went into the toilet at the same time,
to the chagrin of the hunchbacked lass
she had never seen such in England
she struggled a lot
to repress her mirth
as the English
never get amused
at folly.




Song nine

It is a tradition among the ogres to ****,
Whenever they are ******* in the African bush,
But now the ogres are in a fix, a beautiful fix of their life
If at all they ****, the flatulent cacophony will be heard outside
By the curious eavesdroppers under the eaves of the house,
They murmured among themselves to tighten their **** muscles
So that they can micturated without usual African accomplice; the tweeee!
All succeeded to manage , other than Akhatembete khobwibo khakhalikha nobwoya,
Who urinated but with a low tziiiiiiii sound from his ***, they didn’t laugh
Ogres walked out of privities relaxed like a catholic faithful swallowing a sacrament,
The hunchback girl ushered them to where they were to sit, in the common room
They all sat with air of calm on their face, Akhatembete Khobwibo khakhalikha nobwoya,
led the conversation, by announcing to the girl that he is Victoria’s visitor from Africa,
To which the girl responded with caution that Victoria is at the barbershop,
Giving hand to her father in shearing the horses, and thus she is busy,
No one is allowed to meet her, at that particular hour of the day
But he pleaded to the hunchback girl only to pass tidings to Victoria,
That Akhatembete Khobwibo khakhalikha nobwoya from Africa
Has arrived and he is yearning to meet her today and now,
The girl went bananas on hearing the name
The hunch on her back visibly shook,
Is like she had heard the name often,
She then became prudent in her senses,
And asked the visitor not to make anything—
Near a cat’s paw out of her person,
She implored the visitor to confirm
if at all he was what he was saying
to which he confirmed in affirmation,
then she went out swiftly
like a tail of the snake,
to pass tidings
to her sister
Victoria.


Song ten
She went out shouting her sister’s name,
A rare case to happen in England,
One to make noise in the broad day light,
With no permission from the local leadership,
She called and ululated Victoria’ name for Victoria to hear
From wherever she was, of which she heard and responded;
What is the matter my dear little sister? What ails you?
Akhatembete Khobwibo khakhalikha nobwoya is around!
She responded back in voice disturbed by emotional uproar,
What! My sister why do you cheat me in such a day time?
Am not cheating you my sister, he is around sited in our father’s house,
Is he? Have you given him a drink, a sweet European brandy?
My sister I have not, I feared that I may mess up your visitors
With my hunched shoulders, I feared sister forbid,
Ok, I am coming, running there, tell him to be patient,
Let me tell him sister just right now,
And make sure you come before his patience is stretched.





Song eleven

Victoria Goodhamlet Lovehill almost went berserk
On getting this good tidings about the watershed presence,
Of the long awaited suitor, her face exploded into vivacity,
Her heart palpitating on imagination of finally getting the husband,
She went out of the barber shop running and ululating,
Leaving her father behind, confounded and agape,
She came running towards her father’s main house
Where the suitor is sited, with the chaperons,
She came kicking her father’s animals to death,
Harvesting each and every fruit, for the suitor,
She did marvel before she reached where the suitor was;
Harvested ten bananas, mangoes and avocadoes,
Plums, pepper, watermelons, lemons and oranges,
She kicked dead five chicken, five goats, rams,
Swine, rabbits, rats, pigeons and hornbills,
When she reached the house, she inquired to know,
Who among them could be the one; Akhatembete Khobwibo
Khakhalikha no bwoya, But her English vocals were not guttural enough,
She instead asked, who among you is a key tempter go weevil car no lawyer?
The decoy ogre promptly responded; here I am the queen of my heart. He stood up,
Victoria took the ogre into her arms, whining; babie! Babie, babie, come!
Victoria carried the ogre swiftly in her arms, to her tidy bed room,
She placed the ogre on her bed, kissed one another at a rate of hundred,
Or more kisses per a minute, the kissing sent both of them crazy, but spiritual craft,
That gave the ogre a boon to maintain some sobriety, but libido of virginity held Victoria
In boonless state of ****** feat, defenseless and impaired in judgment
It extremely beclouded her judgment; she removed and pulled of their clothes,
Libidinous feat blurring her sight from seeing the scarlet tail projecting
From between the buttocks of the ogre, vestige of *******,
She forcefully took the ogre into her arms, putting the ogre between her legs,
The ogre’s uncircumcised ***** effectively penetrated Victoria’s ****** purse,
The ogre broke virginity of Victoria, making her to feel maximum warmth of pleasure
As it released its germinal seed into her body, ecstasy gripped her until she fainted,
The ogre erected more on its first *******; its ***** became more stiff and sharp,
It never pulled out its ***** from the purse of Victoria, instead it introduced further
Deeper and deeper into Victoria’s ******, reaching the ****** depth inside her with gusto,
Victoria screamed, wailed, farted, scratched, threw her neck, kissed crazily and ******,
On the rhythms of the ogre’s waist gyrations, it was maximum pleasure to Victoria,
She reached her second ****** before the ogre; it took further one hour before releasing,
Victoria was beaten; she thought she was not in England in her father’s house
She thought she was in Timbuktu riding on a mosquito to Eldorado,
Where she could not be found by her father whatsoever,
The ogre pulled Victoria up, helped her to dress up,
She begged that they go back to the common room,
Lest her father finds them here, he would quarrel,
They went back to the common room,
Found her father talking to other two ogres,
She shouted to her father before anyone else,
That ‘father I have been showing him around our house,’
‘He has fallen in love with our house; he is passionate about it,’
Akhatembete khobwibo khakhalikha nobwoya was shy,
He greeted the father and resumed his chair, with wryly dignity.


Song twelve
An impromptu festival took place,
Fully funded by the father of Victoria,
There was meat of all type from pork to chicken,
Greens were also there in plenty, pepper and watermelons,
Victoria’s mother remembered to prepare tripe of a goat
For the key visitant who was the suitor; Akhatembete,
Food was laid before the ogres to enjoy themselves,
As all others went to the other house for a brainstorming session,
But the hunched backed girl hid herself behind the door,
To admire the food which visitors were devouring,
As she also spied on the table manners of the visitors, for stories to be shared,
Perhaps between herself and her mother, when visitors are gone,
Some sub-human manners unfolded to her as she spied,
One of the ogres swallowed a spoon and a table fork,
And Akhatembete khobwibo khakhalikha nobwoya,
Uncontrollably unstuffed his scarlet tail from the trouser,
The chill crawled up the spine of hunchbacked girl,
She almost shouted from her hideout, but she restrained herself,
She swore to herself to tell her father that the visitors are not humans
They are superhuman, Tarzans or mermaids or the werewolves,
The ogre who swallowed the spoon remorsefully tried to puke it back,
Lest the hosts discover the missing spoon and cause brouhaha,
It was difficult to puke out the spoon; it had already flowed into the stomach,
Victoria, her father, her mother and her friend Anastasia,
Anastasia; another English girl from the neighborhood,
Whom Victoria had fished, to work for her as a best maid, as a chaperon,
Went back to the house where the ogres had already finished eating,
They found ogres sitting idle squirming and flitting in their chairs
As if no food had ever been presented to them in a short while ago,
One ogre even shamelessly yawned, blinking his eyes like a snake,
They all forgot to say thanks for the food, no thanks for lunch,
But instead Akhatembete announced on behalf of other ogres,
That they should be allowed to go as they are late for something,
A behaviour so sub-human, given they were suitors to an English family,
Victoria’s father was uneasy, was irritated but he had no otherwise,
For he was desperate to have her daughter Victoria get married,
He had nothing to say but only to ask his daughter, Victoria,
If she was going right-away with her suitor or not,
To which she violently answered yes I am going with him,
Victoria’s mother kept mum, she only shot miserable glances
From one corner of the house to another, to the ogres also,
She totally said nothing, as Victoria was predictably violent
To any gainsayer in relation to her occasion of the moment,
Victoria’s father wished them all well in their life,
And permitted Victoria to go and have good life,
With Akhatembete, her suitor she had yearned for with equanimity,
Victoria was so confused with joy; her day of marriage is beholden,
She hurriedly packed up as if being chased by a monster,
You are going to ask: and where are the lilacs?
and the poppy-petalled metaphysics?
and the rain repeatedly spattering
its words and drilling them full
of apertures and birds?
I'll tell you all the news.

I lived in a suburb,
a suburb of Madrid, with bells,
and clocks, and trees.

From there you could look out
over Castille's dry face:
a leather ocean.
My house was called
the house of flowers, because in every cranny
geraniums burst: it was
a good-looking house
with its dogs and children.
Remember, Raul?
Eh, Rafel?         Federico, do you remember
from under the ground
my balconies on which
the light of June drowned flowers in your mouth?
Brother, my brother!
Everything
loud with big voices, the salt of merchandises,
pile-ups of palpitating bread,
the stalls of my suburb of Arguelles with its statue
like a drained inkwell in a swirl of hake:
oil flowed into spoons,
a deep baying
of feet and hands swelled in the streets,
metres, litres, the sharp
measure of life,
stacked-up fish,
the texture of roofs with a cold sun in which
the weather vane falters,
the fine, frenzied ivory of potatoes,
wave on wave of tomatoes rolling down the sea.

And one morning all that was burning,
one morning the bonfires
leapt out of the earth
devouring human beings --
and from then on fire,
gunpowder from then on,
and from then on blood.
Bandits with planes and Moors,
bandits with finger-rings and duchesses,
bandits with black friars spattering blessings
came through the sky to **** children
and the blood of children ran through the streets
without fuss, like children's blood.

Jackals that the jackals would despise,
stones that the dry thistle would bite on and spit out,
vipers that the vipers would abominate!

Face to face with you I have seen the blood
of Spain tower like a tide
to drown you in one wave
of pride and knives!

Treacherous
generals:
see my dead house,
look at broken Spain :
from every house burning metal flows
instead of flowers,
from every socket of Spain
Spain emerges
and from every dead child a rifle with eyes,
and from every crime bullets are born
which will one day find
the bull's eye of your hearts.

And you'll ask: why doesn't his poetry
speak of dreams and leaves
and the great volcanoes of his native land?

Come and see the blood in the streets.
Come and see
The blood in the streets.
Come and see the blood
In the streets!
unto thee i
burn incense
the bowl crackles
upon the gloom arise purple pencils

fluent spires of fragrance
the bowl
seethes
a flutter of stars

a turbulence of forms
delightful with indefinable flowering,
the air is
deep with desirable flowers

i think
thou lovest incense
for in the ambiguous faint aspirings
the indolent frail ascensions,

of thy smile rises the immaculate
sorrow
of thy low
hair flutter the level litanies

unto thee i burn
incense,over the dim smoke
straining my lips are vague with
ecstasy my palpitating ******* inhale the

slow
supple
flower
of thy beauty,my heart discovers thee

unto
whom i
burn
olbanum
Spencer Dennison Sep 2014
The truest bliss you impart upon me
sends a shiver down each column of my spine,
etching track marks over all my body,
a drug no-one can perfect or refine.
Your visage leaves lightning bolts on my eyes
and a heart palpitating in my chest.
Your body silhouetted in night skies
melts my deepest poetry to mere jest.
When we touch, it smashes my composure
into oblivion and far beyond.
When we lock eyes, I'm chilled from exposure
but for certain, only I feel this bond.
Although I strive for a day we would meet,
with the others, I could never compete.
Sonnets are my newest fascination, even in Iambic Pentameter. I'll try to post more than one daily.
samantha Sep 2014
I wanna ****
i flip the beans way too much to angry the farmers
as they want to harvest in volume
its simple i don't get laid
known by my crouch work
suspicious nocturnal habits

she walked in
blue jeans
faded t, algae cap, luscious lips
an energy of the easy life,
had me palpitating
that look as if she was made to look at me just from between my thighs

'Irregular heartbeat, you, the pass byer"
i almost posted
SNS about to ****** me
with questions i wasn't ready to answer
then she crossed my mind again
had me palpitating
that look as if she was made to look at me just from between my thighs
And it was at that age...Poetry arrived
in search of me. I don't know, I don't know where
it came from, from winter or a river.
I don't know how or when,
no, they were not voices, they were not
words, nor silence,
but from a street I was summoned,
from the branches of night,
abruptly from the others,
among violent fires
or returning alone,
there I was without a face
and it touched me.

I did not know what to say, my mouth
had no way
with names
my eyes were blind,
and something started in my soul,
fever or forgotten wings,
and I made my own way,
deciphering
that fire
and I wrote the first faint line,
faint, without substance, pure
nonsense,
pure wisdom
of someone who knows nothing,
and suddenly I saw
the heavens
unfastened
and open,
planets,
palpitating planations,
shadow perforated,
riddled
with arrows, fire and flowers,
the winding night, the universe.

And I, infinitesmal being,
drunk with the great starry
void,
likeness, image of
mystery,
I felt myself a pure part
of the abyss,
I wheeled with the stars,
my heart broke free on the open sky.
The young maricones and the ***** muchachas,
The big fat widows delirious from insomnia,
The young wives thirty hours' pregnant,
And the hoarse tomcats that cross my garden at night,
Like a collar of palpitating ****** oysters
Surround my solitary home,
Enemies of my soul,
Conspirators in pajamas
Who exchange deep kisses for passwords.
Radiant summer brings out the lovers
In melancholy regiments,
Fat and thin and happy and sad couples;
Under the elegant coconut palms, near the ocean and moon,
There is a continual life of pants and *******,
A hum from the fondling of silk stockings,
And women's ******* that glisten like eyes.
The salary man, after a while,
After the week's tedium, and the novels read in bed at night,
Has decisively ****** his neighbor,
And now takes her to the miserable movies,
Where the heroes are horses or passionate princes,
And he caresses her legs covered with sweet down
With his ardent and sweaty palms that smell like cigarettes.
The night of the hunter and the night of the husband
Come together like bed sheets and bury me,
And the hours after lunch, when the students and priests are *******,
And the animals mount each other openly,
And the bees smell of blood, and the flies buzz cholerically,
And cousins play strange games with cousins,
And doctors glower at the husband of the young patient,
And the early morning in which the professor, without a thought,
Pays his conjugal debt and eats breakfast,
And to top it all off, the adulterers, who love each other truly
On beds big and tall as ships:
So, eternally,
This twisted and breathing forest crushes me
With gigantic flowers like mouth and teeth
And black roots like fingernails and shoes.
I.

Hear the sledges with the bells—
Silver bells!
What a world of merriment their melody foretells!
How they ******, ******, ******,
In their icy air of night!
While the stars, that oversprinkle
All the heavens, seem to twinkle
With a crystalline delight;
Keeping time, time, time,
In a sort of Runic rhyme,
To the tintinnabulation that so musically wells
From the bells, bells, bells, bells,
Bells, bells, bells—
From the jingling and the tinkling of the bells.

II.

Hear the mellow wedding bells,
Golden bells!
What a world of happiness their harmony foretells!
Through the balmy air of night
How they ring out their delight!
From the molten golden-notes,
And all in tune,
What a liquid ditty floats
To the turtle-dove that listens, while she gloats
On the moon!
Oh, from out the sounding cells,
What a gush of euphony voluminously wells!
How it swells!
How it dwells
On the future! how it tells
Of the rapture that impels
To the swinging and the ringing
Of the bells, bells, bells,
Of the bells, bells, bells, bells,
Bells, bells, bells—
To the rhyming and the chiming of the bells!

III.

Hear the loud alarum bells—
Brazen bells!
What a tale of terror now their turbulency tells!
In the startled ear of night
How they scream out their affright!
Too much horrified to speak,
They can only shriek, shriek,
Out of tune,
In a clamorous appealing to the mercy of the fire,
In a mad expostulation with the deaf and frantic fire
Leaping higher, higher, higher,
With a desperate desire,
And a resolute endeavor
Now—now to sit or never,
By the side of the pale-faced moon.
Oh, the bells, bells, bells!
What a tale their terror tells
Of Despair!
How they clang, and clash, and roar!
What a horror they outpour
On the ***** of the palpitating air!
Yet the ear it fully knows,
By the twanging,
And the clanging,
How the danger ebbs and flows;
Yet the ear distinctly tells,
In the jangling,
And the wrangling,
How the danger sinks and swells,
By the sinking or the swelling in the anger of the bells—
Of the bells—
Of the bells, bells, bells, bells,
Bells, bells, bells—
In the clamor and the clangor of the bells!

IV.

Hear the tolling of the bells—
Iron bells!
What a world of solemn thought their monody compels!
In the silence of the night,
How we shiver with affright
At the melancholy menace of their tone!
For every sound that floats
From the rust within their throats
   Is a groan.
And the people—ah, the people—
They that dwell up in the steeple.
    All alone,
And who toiling, toiling, toiling,
  In that muffled monotone,
Feel a glory in so rolling
  On the human heart a stone—
They are neither man nor woman—
They are neither brute nor human—
    They are Ghouls:
And their king it is who tolls;
And he rolls, rolls, rolls,
         Rolls
A paean from the bells!
And his merry ***** swells
With the paean of the bells!
And he dances, and he yells;
Keeping time, time, time,
In a sort of Runic rhyme,
To the paean of the bells—
    Of the bells:
Keeping time, time, time,
In a sort of Runic rhyme,
  To the throbbing of the bells—
Of the bells, bells, bells—
  To the sobbing of the bells;
Keeping time, time, time,
  As he knells, knells, knells,
In a happy Runic rhyme,
To the rolling of the bells—
Of the bells, bells, bells—
To the tolling of the bells,
Of the bells, bells, bells, bells,
  Bells, bells, bells—
To the moaning and the groaning of the bells.
NUMB, half asleep, and dazed with whirl of wheels,
And gasp of steam, and measured clank of chains,
I heard a blithe voice break a sudden pause,
Ringing familiarly through the lamp-lit night,
“Wife, here's your Venice!”
I was lifted down,
And gazed about in stupid wonderment,
Holding my little Katie by the hand—
My yellow-haired step-daughter. And again
Two strong arms led me to the water-brink,
And laid me on soft cushions in a boat,—
A queer boat, by a queerer boatman manned—
Swarthy-faced, ragged, with a scarlet cap—
Whose wild, weird note smote shrilly through the dark.
Oh yes, it was my Venice! Beautiful,
With melancholy, ghostly beauty—old,
And sorrowful, and weary—yet so fair,
So like a queen still, with her royal robes,
Full of harmonious colour, rent and worn!
I only saw her shadow in the stream,
By flickering lamplight,—only saw, as yet,
White, misty palace-portals here and there,
Pillars, and marble steps, and balconies,
Along the broad line of the Grand Canal;
And, in the smaller water-ways, a patch
Of wall, or dim bridge arching overhead.
But I could feel the rest. 'Twas Venice!—ay,
The veritable Venice of my dreams.

I saw the grey dawn shimmer down the stream,
And all the city rise, new bathed in light,
With rose-red blooms on her decaying walls,
And gold tints quivering up her domes and spires—
Sharp-drawn, with delicate pencillings, on a sky
Blue as forget-me-nots in June. I saw
The broad day staring in her palace-fronts,
Pointing to yawning gap and crumbling boss,
And colonnades, time-stained and broken, flecked
With soft, sad, dying colours—sculpture-wreathed,
And gloriously proportioned; saw the glow
Light up her bright, harmonious, fountain'd squares,
And spread out on her marble steps, and pass
Down silent courts and secret passages,
Gathering up motley treasures on its way;—

Groups of rich fruit from the Rialto mart,
Scarlet and brown and purple, with green leaves—
Fragments of exquisite carving, lichen-grown,
Found, 'mid pathetic squalor, in some niche
Where wild, half-naked urchins lived and played—
A bright robe, crowned with a pale, dark-eyed face—
A red-striped awning 'gainst an old grey wall—
A delicate opal gleam upon the tide.

I looked out from my window, and I saw
Venice, my Venice, naked in the sun—
Sad, faded, and unutterably forlorn!—
But still unutterably beautiful.

For days and days I wandered up and down—
Holding my breath in awe and ecstasy,—
Following my husband to familiar haunts,
Making acquaintance with his well-loved friends,
Whose faces I had only seen in dreams
And books and photographs and his careless talk.
For days and days—with sunny hours of rest
And musing chat, in that cool room of ours,
Paved with white marble, on the Grand Canal;
For days and days—with happy nights between,
Half-spent, while little Katie lay asleep
Out on the balcony, with the moon and stars.

O Venice, Venice!—with thy water-streets—
Thy gardens bathed in sunset, flushing red
Behind San Giorgio Maggiore's dome—
Thy glimmering lines of haughty palaces
Shadowing fair arch and column in the stream—
Thy most divine cathedral, and its square,
With vagabonds and loungers daily thronged,
Taking their ice, their coffee, and their ease—
Thy sunny campo's, with their clamorous din,
Their shrieking vendors of fresh fish and fruit—
Thy churches and thy pictures—thy sweet bits
Of colour—thy grand relics of the dead—
Thy gondoliers and water-bearers—girls
With dark, soft eyes, and creamy faces, crowned
With braided locks as bright and black as jet—
Wild ragamuffins, picturesque in rags,
And swarming beggars and old witch-like crones,
And brown-cloaked contadini, hot and tired,
Sleeping, face-downward, on the sunny steps—
Thy fairy islands floating in the sun—
Thy poppy-sprinkled, grave-strewn Lido shore—

Thy poetry and thy pathos—all so strange!—
Thou didst bring many a lump into my throat,
And many a passionate thrill into my heart,
And once a tangled dream into my head.

'Twixt afternoon and evening. I was tired;
The air was hot and golden—not a breath
Of wind until the sunset—hot and still.
Our floor was water-sprinkled; our thick walls
And open doors and windows, shadowed deep
With jalousies and awnings, made a cool
And grateful shadow for my little couch.
A subtle perfume stole about the room
From a small table, piled with purple grapes,
And water-melon slices, pink and wet,
And ripe, sweet figs, and golden apricots,
New-laid on green leaves from our garden—leaves
Wherewith an antique torso had been clothed.
My husband read his novel on the floor,
Propped up on cushions and an Indian shawl;
And little Katie slumbered at his feet,
Her yellow curls alight, and delicate tints
Of colour in the white folds of her frock.
I lay, and mused, in comfort and at ease,
Watching them both and playing with my thoughts;
And then I fell into a long, deep sleep,
And dreamed.
I saw a water-wilderness—
Islands entangled in a net of streams—
Cross-threads of rippling channels, woven through
Bare sands, and shallows glimmering blue and broad—
A line of white sea-breakers far away.
There came a smoke and crying from the land—
Ruin was there, and ashes, and the blood
Of conquered cities, trampled down to death.
But here, methought, amid these lonely gulfs,
There rose up towers and bulwarks, fair and strong,
Lapped in the silver sea-mists;—waxing aye
Fairer and stronger—till they seemed to mock
The broad-based kingdoms on the mainland shore.
I saw a great fleet sailing in the sun,
Sailing anear the sand-slip, whereon broke
The long white wave-crests of the outer sea,—
Pepin of Lombardy, with his warrior hosts—
Following the ****** steps of Attila!
I saw the smoke rise when he touched the towns
That lay, outposted, in his ravenous reach;

Then, in their island of deep waters,* saw
A gallant band defy him to his face,
And drive him out, with his fair vessels wrecked
And charred with flames, into the sea again.
“Ah, this is Venice!” I said proudly—“queen
Whose haughty spirit none shall subjugate.”

It was the night. The great stars hung, like globes
Of gold, in purple skies, and cast their light
In palpitating ripples down the flood
That washed and gurgled through the silent streets—
White-bordered now with marble palaces.
It was the night. I saw a grey-haired man,
Sitting alone in a dark convent-porch—
In beggar's garments, with a kingly face,
And eyes that watched for dawnlight anxiously—
A weary man, who could not rest nor sleep.
I heard him muttering prayers beneath his breath,
And once a malediction—while the air
Hummed with the soft, low psalm-chants from within.
And then, as grey gleams yellowed in the east,
I saw him bend his venerable head,
Creep to the door, and knock.
Again I saw
The long-drawn billows breaking on the land,
And galleys rocking in the summer noon.
The old man, richly retinued, and clad
In princely robes, stood there, and spread his arms,
And cried, to one low-kneeling at his feet,
“Take thou my blessing with thee, O my son!
And let this sword, wherewith I gird thee, smite
The impious tyrant-king, who hath defied,
Dethroned, and exiled him who is as Christ.
The Lord be good to thee, my son, my son,
For thy most righteous dealing!”
And again
'Twas that long slip of land betwixt the sea
And still lagoons of Venice—curling waves
Flinging light, foamy spray upon the sand.
The noon was past, and rose-red shadows fell
Across the waters. Lo! the galleys came
To anchorage again—and lo! the Duke
Yet once more bent his noble head to earth,
And laid a victory at the old man's feet,
Praying a blessing with exulting heart.
“This day, my well-belovèd, thou art blessed,
And Venice with thee, for St. Peter's sake.

And I will give thee, for thy bride and queen,
The sea which thou hast conquered. Take this ring,
As sign of her subjection, and thy right
To be her lord for ever.”
Once again
I saw that old man,—in the vestibule
Of St. Mark's fair cathedral,—circled round
With cardinals and priests, ambassadors
And the noblesse of Venice—richly robed
In papal vestments, with the triple crown
Gleaming upon his brows. There was a hush:—
I saw a glittering train come sweeping on,
From the blue water and across the square,
Thronged with an eager multitude,—the Duke,
And with him Barbarossa, humbled now,
And fain to pray for pardon. With bare heads,
They reached the church, and paused. The Emperor knelt,
Casting away his purple mantle—knelt,
And crept along the pavement, as to kiss
Those feet, which had been weary twenty years
With his own persecutions. And the Pope
Lifted his white haired, crowned, majestic head,
And trod upon his neck,—crying out to Christ,
“Upon the lion and adder shalt thou go—
The dragon shalt thou tread beneath thy feet!”
The vision changed. Sweet incense-clouds rose up
From the cathedral altar, mix'd with hymns
And solemn chantings, o'er ten thousand heads;
And ebbed and died away along the aisles.
I saw a train of nobles—knights of France—
Pass 'neath the glorious arches through the crowd,
And stand, with halo of soft, coloured light
On their fair brows—the while their leader's voice
Rang through the throbbing silence like a bell.
“Signiors, we come to Venice, by the will
Of the most high and puissant lords of France,
To pray you look with your compassionate eyes
Upon the Holy City of our Christ—
Wherein He lived, and suffered, and was lain
Asleep, to wake in glory, for our sakes—
By Paynim dogs dishonoured and defiled!
Signiors, we come to you, for you are strong.
The seas which lie betwixt that land and this
Obey you. O have pity! See, we kneel—
Our Masters bid us kneel—and bid us stay
Here at your feet until you grant our prayers!”
Wherewith the knights fell down upon their knees,

And lifted up their supplicating hands.
Lo! the ten thousand people rose as one,
And shouted with a shout that shook the domes
And gleaming roofs above them—echoing down,
Through marble pavements, to the shrine below,
Where lay the miraculous body of their Saint
(Shed he not heavenly radiance as he heard?—
Perfuming the damp air of his secret crypt),
And cried, with an exceeding mighty cry,
“We do consent! We will be pitiful!”
The thunder of their voices reached the sea,
And thrilled through all the netted water-veins
Of their rich city. Silence fell anon,
Slowly, with fluttering wings, upon the crowd;
And then a veil of darkness.
And again
The filtered sunlight streamed upon those walls,
Marbled and sculptured with divinest grace;
Again I saw a multitude of heads,
Soft-wreathed with cloudy incense, bent in prayer—
The heads of haughty barons, armed knights,
And pilgrims girded with their staff and scrip,
The warriors of the Holy Sepulchre.
The music died away along the roof;
The hush was broken—not by him of France—
By Enrico Dandolo, whose grey head
Venice had circled with the ducal crown.
The old man looked down, with his dim, wise eyes,
Stretching his hands abroad, and spake. “Seigneurs,
My children, see—your vessels lie in port
Freighted for battle. And you, standing here,
Wait but the first fair wind. The bravest hosts
Are with you, and the noblest enterprise
Conceived of man. Behold, I am grey-haired,
And old and feeble. Yet am I your lord.
And, if it be your pleasure, I will trust
My ducal seat in Venice to my son,
And be your guide and leader.”
When they heard,
They cried aloud, “In God's name, go with us!”
And the old man, with holy weeping, passed
Adown the tribune to the altar-steps;
And, kneeling, fixed the cross upon his cap.
A ray of sudden sunshine lit his face—
The grand, grey, furrowed face—and lit the cross,
Until it twinkled like a cross of fire.
“We shall be safe with him,” the people said,

Straining their wet, bright eyes; “and we shall reap
Harvests of glory from our battle-fields!”

Anon there rose a vapour from the sea—
A dim white mist, that thickened into fog.
The campanile and columns were blurred out,
Cathedral domes and spires, and colonnades
Of marble palaces on the Grand Canal.
Joy-bells rang sadly and softly—far away;
Banners of welcome waved like wind-blown clouds;
Glad shouts were muffled into mournful wails.
A Doge was come to be enthroned and crowned,—
Not in the great Bucentaur—not in pomp;
The water-ways had wandered in the mist,
And he had tracked them, slowly, painfully,
From San Clemente to Venice, in a frail
And humble gondola. A Doge was come;
But he, alas! had missed his landing-place,
And set his foot upon the blood-stained stones
Betwixt the blood-red columns. Ah, the sea—
The bride, the queen—she was the first to turn
Against her passionate, proud, ill-fated lord!

Slowly the sea-fog melted, and I saw
Long, limp dead bodies dangling in the sun.
Two granite pillars towered on either side,
And broad blue waters glittered at their feet.
“These are the traitors,” said the people; “they
Who, with our Lord the Duke, would overthrow
The government of Venice.”
And anon,
The doors about the palace were made fast.
A great crowd gathered round them, with hushed breath
And throbbing pulses. And I knew their lord,
The Duke Faliero, knelt upon his knees,
On the broad landing of the marble stairs
Where he had sworn the oath he could not keep—
Vexed with the tyrannous oligarchic rule
That held his haughty spirit netted in,
And cut so keenly that he writhed and chafed
Until he burst the meshes—could not keep!
I watched and waited, feeling sick at heart;
And then I saw a figure, robed in black—
One of their dark, ubiquitous, supreme
And fearful tribunal of Ten—come forth,
And hold a dripping sword-blade in the air.
“Justice has fallen on the traitor! See,
His blood has paid the forfeit of his crime!”

And all the people, hearing, murmured deep,
Cursing their dead lord, and the council, too,
Whose swift, sure, heavy hand had dealt his death.

Then came the night, all grey and still and sad.
I saw a few red torches flare and flame
Over a little gondola, where lay
The headless body of the traitor Duke,
Stripped of his ducal vestments. Floating down
The quiet waters, it passed out of sight,
Bearing him to unhonoured burial.
And then came mist and darkness.
Lo! I heard
The shrill clang of alarm-bells, and the wails
Of men and women in the wakened streets.
A thousand torches flickered up and down,
Lighting their ghastly faces and bare heads;
The while they crowded to the open doors
Of all the churches—to confess their sins,
To pray for absolution, and a last
Lord's Supper—their viaticum, whose death
Seemed near at hand—ay, nearer than the dawn.
“Chioggia is fall'n!” they cried, “and we are lost!”

Anon I saw them hurrying to and fro,
With eager eyes and hearts and blither feet—
Grave priests, with warlike weapons in their hands,
And delicate women, with their ornaments
Of gold and jewels for the public fund—
Mix'd with the bearded crowd, whose lives were given,
With all they had, to Venice in her need.
No more I heard the wailing of despair,—
But great Pisani's blithe word of command,
The dip of oars, and creak of beams and chains,
And ring of hammers in the arsenal.
“Venice shall ne'er be lost!” her people cried—
Whose names were worthy of the Golden Book—
“Venice shall ne'er be conquered!”
And anon
I saw a scene of triumph—saw the Doge,
In his Bucentaur, sailing to the land—
Chioggia behind him blackened in the smoke,
Venice before, all banners, bells, and shouts
Of passionate rejoicing! Ten long months
Had Genoa waged that war of life and death;
And now—behold the remnant of her host,
Shrunken and hollow-eyed and bound with chains—
Trailing their galleys in the conqueror's wake!

Once more the tremulous waters, flaked with light;
A covered vessel, with an armèd guard—
A yelling mob on fair San Giorgio's isle,
And ominous whisperings in the city squares.
Carrara's noble head bowed down at last,
Beaten by many storms,—his golden spurs
Caught in the meshes of a hidden snare!
“O Venice!” I cried, “where is thy great heart
And honourable soul?”
And yet once more
I saw her—the gay Sybaris of the world—
The rich voluptuous city—sunk in sloth.
I heard Napoleon's cannon at her gates,
And her degenerate nobles cry for fear.
I saw at last the great Republic fall—
Conquered by her own sickness, and with scarce
A noticeable wound—I saw her fall!
And she had stood above a thousand years!
O Carlo Zeno! O Pisani! Sure
Ye turned and groaned for pity in your graves.
I saw the flames devour her Golden Book
Beneath the rootless “Tree of Liberty;”
I saw the Lion's le
Eliza Jane Oct 2013
late nights and homesick hearts never make for a quiet soul
excessive coffees and quilted secrets make the heart beat fast,
palpitating, jumping, murmuring hyperbolic hopes

late nights and homesick hearts can only be softened
when one's soul is at peace,
hopeful,
restful,
joyful.
K Balachandran Jul 2015
The soliloquy of the night,
what we think as
falling stars and meteors,
make time and space immaterial
in the transmission of pain across light years.

Sitting here alone, a sentinel
to pain's interplanetary travel,
and witness of it transforming
in  to other forms, eloquent,
I hear them when my eyes,
acquire a sense, primordial
receive the dark waves
of pain in my veins
a volcano palpitating to blow up
in to  fireworks of emotions.

Everywhere eyes could travel, is filled
by night, thick, gooey, agglutinated;
then the meditative darkness,
dreams up a beam of  gentle light,
out of its deep transcending yearning,
to speak to itself,to get  an alchemy work on that pain
then, the pain itself becomes a haunting journey with words
this ,is how  my love, my songs
in the midnight of my lonely soul, are born.
Neha D Oct 2014
He doesn't need Intra Ocular Lenses,
To dismember my defenses.
Without a Stethoscope,
He can hear my heart,
He won't have to take an MRI scan,
To know where to start.
He won't need to inject a syringe,
To romantically unhinge,
My every multiplying cell,
Into a palpitating craze.
He won't need a lubricating gel,
To ****** and amaze.
He won't require to operate
Nor investigate,
Me from head to toe,
To plainly know,
That I'm besotted,
my insides knotted,
My better sense clotted,
In deep rooted feeling,
Of immense love.
Àŧùl Jun 2013
There they threaten the theologians,
Broadly breaking buoyant blueprints,
Here how humorously humongous,
Under upmarket upholstery undone,
Scaring supermarket's shopkeepers,
Zealously zooming zestfully zapping,
Its importantly impossible irreligious,
Around aroused automatic aromatic,
Giving goodness getaway goosebumps,
Cheekily chronologically caring cans,
Ergonomically exacting expenditure,
Madness making missionary mission,
Naughtily naked nonsense newspapers,
Xylophone's xylophonetic xylems' xyla,
Young-young youthful Yankees yankin,
Gladiators gladly going Godless givers,
Windows woefully wishing weddings,
Peacefully palpitating peeping people,
Fruitfully fitting fabulous framework,
Doubtlessly doubt doubtfully dubious,
Jacking Jillian's jackets jammy jokers,
Kids' kidneys kleptomaniacly kindling,
Ergonomically economically earliest,
Institutionalized Indian instinctively,
Jacking Jill's jolly junkies javelinas,
Victorious Victorians visiting visas,
Loveliest lonely lovebirds lost lives,
Obnoxiously overrule omnipotence.
Just a product of my idle brainstorming.
My HP Poem #321
©Atul Kaushal
CH Gorrie Jul 2012
Around me architectural mastery:
sycamores, embankments, enduring ionic pillars.
I round a walkway bordered by trees,
enamel thawing, gliding off their low leaves.
Beneath the late-May’s pounding sun,
through the glittered trees’ reaches,
a gazebo crackles into sight.
Children in their prime, sunbathers, a wistful portraitist
encircle it carelessly:
a leisured chimney; the billows of life.
The foliage escapes into the river,
purplish, palpitating, cyclic creases
receive the dewy notes.
Kayaks licking acacia-gum-edged
ripples sputter and slip
through reverberations
of leveled white-water terraces.
Blackcurrants in clotted cream
slide on the plush lips of a young passerby.
The 8 above a doorway
dances motionless, silent in my periphery;
“Nicolas Cage just sold the spot”
pops from unknown lungs
inside the Circus crowd.

Unacknowledged, half-proud
hands built the Roman baths
alone, closed-in by such grace,
forgotten, then as now.
I wander these ancestral lanes
more or less alone, the same.
K Balachandran Mar 2017
You won't recognize them I bet,
your secrets, even in broad day light,
if they walk towards you smiling,
wearing dark glasses to hide their eyes
in a humid day.They now wear clothes
of different styles to take you for a ride,
even cross dress and change the accents,
they play games with your hazy mind
--the secrets you once buried deep under.

They stand peeping behind blinded windows
prowl as shadows soliciting behind half open doors,.

Time flies in a hurry like migratory birds left behind,
you have to strain your ears too much
to hear even the faint foot falls of the past!

Old memories have changed their manners
they try to distract one with invented details
Like the muffled voices in an attic dark,
on a fateful day so long, your old secrets
speak an archaic tongue, that needs to be interpreted.

One has to be artful as the turbaned village elders
who would for your astonishment interpret
the vocabulary of lizard calls, key to nature's intents.

Or the trained eye of an elder who in flashes
of meteor falls, reads the secret messages of universe.
To get a true sense of your own secret
you have to tread the places they hide.

Make them shed their crusted hides
by which they conceal their true color,
which one has been waiting to see,
with a palpitating heart, walking back
to where one walked once, long forgotten.
That is why elders on days of yore
would exhort, embarrassingly repeat too,
not to have any hidden secrets that hurt
even if breathtakingly beautiful like a courtesan.

In some moment one won't  expect
dreadful they could turn and become witches,
with fiery eyes, dreadlocks, and long nails.
Isabelle Nov 2016
Familiar eyes staring at him
Instantly she was gone with the crowd
Haunted by her melancholic gaze
Like an animal, followed her scent from miles

He ended up in a small ice cream parlor
Dug dug dug dug dug dug dug
His heart singing a song of nervousness
He’s just 2 feet away from her

----------
Four years ago, a boy met a girl..

“Two vanilla ice cream in the largest cone please”
The boy is in queue after her
Out of nowhere stars will light up the room
Only for the two of them

“Vanilla ice cream is my favorite”
“Good, I hate it” he answered back


And the conversation continued
Inside and outside the ice cream parlor
They just clicked for each other
They just..

It became their new favorite place
He started to love vanilla ice cream too
No need to state the obvious
Their eyes spoke of affection and love

----------
He ended up in a small ice cream parlor
Dug dug dug dug dug dug dug
His heart singing a song of nervousness
He’s just 2 feet away from her

----------
It was the place where they first met
Where they first talked
Where they realized they like each
Where they confessed their feelings
Where their love turned as sweet as a vanilla ice cream

Two years ago when he last visited that place
Two years ago when he last tasted vanilla ice cream
Two years ago when he last saw her
Two years ago when they broke up
They ended in the same place where they have started

----------
Sweating despite the cold weather
Tongue seems to be tied
Palpitating heart, butterflies in his stomach
But it wasn’t her, it will never be her
Because she was gone, she was gone

----------
He wakes up from the bittersweet dream
It was just a dream, a dream, a dream
A beautiful yet a sad dream that will haunt him forever
And then he remembers, it is her 2nd death anniversary today

And instead of flowers,
Vanilla ice cream is what he brings on her graveyard


She will forever haunt him,
For their love is a love that is hard to forget
- A once in a lifetime kind of love..
#pcNovember2016boymeetsgirl
Zachary E Tenney Apr 2019
“Don’t consider my words the sick
ecstasy of a sick mind, but you are
for me perfection!”
- Fyodor Dostoevsky, The Idiot

I remember
I can taste blood
on the roof of my mouth

I remember her face the first time
I asked her to coffee
when it rippled in a minor
hemorrhage of surprise
like the request was unexpected
but maybe
I hoped
hoped for

holding fiery cider in her hand
she was word and color transfused
when she spoke
she was celluloid and strawberry blond
and her smile looked like water
racing over rubies and the years
that I had waited
to meet someone like her

her hair was tied back
in a hurricane of dim gold
her voice spun out veins of thought
fluid and manic as magma
but brilliant like serrated ice
I remember

the cardial whiplash
when she said she would like to do this again
the sanguine dreams that came
after giddy toss and turning
turned to sleep
the saccharine thought
that I might be with her

suddenly washing away
leaving only the clean sting
from the bluelit photograph
of her having coffee somewhere else

my sheets grew thicker
as I stared
I did not blink
I just drank in cold acceptance
of the stranger staring back beside her

as the palpitating hope stopped
and the sunk aorta darkened
there were no feelings
save the ones that
I remember

I can still taste blood
on the roof of my mouth
The word "haemal" means "of or relating to blood."
Girt in dark growths, yet glimmering with one star,
O night desirous as the nights of youth!
Why should my heart within thy spell, forsooth,
Now beat, as the bride’s finger-pulses are
Quickened within the girdling golden bar?
What wings are these that fan my pillow smooth?
And why does Sleep, waved back by Joy and Ruth,
Tread softly round and gaze at me from far?

Nay, night deep-leaved! And would Love feign in thee
Some shadowy palpitating grove that bears
Rest for man’s eyes and music for his ears?
O lonely night! art thou not known to me,
A thicket hung with masks of mockery
And watered with the wasteful warmth of tears?
Kara Rose Trojan Apr 2011
My personal déjà-vu-time memory-prompts that frame
The blurring patterns of today’s hubcap-wheels, spinning
Kaleidoscope flashbacks of bathtub playtime.

A gaggle of giggling girls babbling about
What used to matter : umbrella-popping chewing gum
With gallivanting jargon laced in crushes-hushed : boy-talk.  

Pillows : Comforters morphing, swarming like
Womb-entranced, half-cupped palms calmed
Palpitating mouths motoring off self-pitying rumble-grumbles.

How the clopping ball of opted-birr was a bent-mouth birdcall
Over-relished, over-zealous imploration : a round robin
Jumblemix of a jejune bombast for slap-sticked power.

By-and-by polysyllabic buds bloomed, baked, and wrinkled
Past-Gas’s long-gone jokes : those balmy snug-hugs guarding
Doltish vulgarity among the begrimed-glitch and old-grown-boring Jive.
K Balachandran Dec 2013
The coquettish full moon, on a cloudless clear sky,
apple of the eyes of lovers from far and wide,
impishly wicked you are, in that avatar enticing
your eyes seek only the one for whom your heart beats for.
At times you are an anorexic crescent wearing a misty veil,
flirting with fluffy clouds, you make each one go  crazy
Curiously I behold the village belle simple, peeping out-
of the window of her cottage, waiting for the lover,
who comes at odd hours with palpitating heart
My love, you are one of a kind, displaying myriad faces
an enchanting presence, I crave, each moment, in whatever form
how could I ever prescribe the way your love to reach me
your love is my never setting moon,
                                      whichever way you choose to express.
kk Jul 2018
imagine a calloused doubt.
cracked, chipped, clicking
like warped wooden floorboards.
soft from overuse
but still overrides willpower
in one palpitating breath.
grimy yet illusive
like your teeth after a day’s work,
collecting gunk that sidles up
to calcium companions,
crunching down on things
that become
so bland in the end.
doubt is offbeat,
monstrous footsteps hidden deep
off beaten paths,
its thudding is clammy and hurried,
aligned to the discordant jazz of
your alarmed body.
it tastes like
coppery heartbeats,
rising bile,
salt and mucus in the back of your throat.
it is a truly uncomfortable thing.
it stacks sweetly like buttercream pancakes
but crumbles you
with such a sour taste on your tongue.
imagine an agony that loves you.
i write about anxiety too much
kenye Feb 2013
Strip myself from amphetamines
Detox just to retox with anxiety
Manifested creativity
My madness got a hold of the pen again
palpitating shock waves of my manic imagination

I guess it's better to be aware of it
while the rest are possessed by self-destruction
or obsessed with reality distraction devices
Falling victim to their own vices
Held down by euphoric bliss
can't get enough self-ignorance

Shot up vain
to the ego's heartbeat
Submissive strains
on the evolution of reality
28 days late
The full moon's on the horizon of our own sanity
holding us down with gravity
While our howls take flight
in lycanthropy
K Balachandran Jan 2014
1
   **My dad suddenly walks in,
  as if nothing has happened,
   and he hasn't gone anywhere, leaving
six of us behind, notwithstanding-
all these years of absence and
pain unimaginable that changed us all
to see life in a new light that gets dim
without the lamp he held in front of us.
       A shadow transparent gets in to the room,
he stands near mom sitting inside her cocoon,
lost in an ancient evening, pensive, forlorn
as if she feels an absence, tangible right there.
Dad's absence stands silent, perhaps
curiously looking at her with loving eyes
that's how he was, after a period of absence.
The pantomime, tears my sense of reality
                   in to shreds, I sit upright,
with my hands pressed against my palpitating heart.
Do I see it really or hallucinate him looking,
wistfully at the coconut groves dancing
beyond the extending rice paddy billowing,
in front of our farm yard, sleepy these days,
for a moment I think time has
taken liberty to flow back
and everything is right there
where we'd love it to be.
             2
The absence was a hollow,
in the middle of everything,
breaking the mirror of reality
in to smithereens, the dark space,
in between sprang-
opening its mouth to swallow,
wherever one turned,
it stood in front defiantly,
posing a challenge at times,
it came behind hollering noiselessly,
bringing unbearable memories,
from moments hard to forget
spent in his company,
in my palmy days of yore.
                    3
Absence was fire within,
that needs no fuel to burn,
flood waters without a source,
that can wash away,
till one becomes nothing;
then little by little,
one comes in to terms with the absence
and at last it too is laid to rest,
and that eats a part of the soul,
causing bleeding in slushy green,
transparent white and blobs of sad black.
Just back after visiting mom, living in our village farm,
Driving back, was thinking about dear Hp friend Cyd (C A Guilfoyle)
who lost her dad recently,
my own dear departed dad of sweet childhood memories, came and touched me softly...
Fayre Nov 2020
***
I sipped my wine at the dinner table.

"Honey, please pass me the salt."
I looked up to see her staring back at me,
her eyes glistening in the candle light that burned ablaze.
The joy consuming the fire in her soul,
driving her with lustful intentions of passion and excitement.

I ate my meal at the dinner table,

"Honey, please pour me some wine."
I removed the cork with a 'pop' sound,
that echoed in the quiet room space.
Looking over at her now,
her voluptuous  lips chapped from dehydration.
I handed her a glass of wine and watched as she took a sip.
Her lips dampened now,
a burgundy color stained upon her lips;
I could almost taste her sweet kisses from hither
as she teased me with a smirk of pleasure.

I devoured my dessert at the dinner table.

"Honey, please bring  me some pudding."
I put down my spoon and reached for the bowl placed
in the center of the table that divided her and I.
I extended my hand to reach for the spoon,
but she stood up quite slowly and leisurely made her way round the dining room table;
her left hand index finger lightly caressing the table-top
as she walked around to meet me.

I found her to be standing right on-top of me.
My mind racing.
My heart palpitating.

She grabbed me by my inner thigh and massaged my neck
seductively,
moving in closer her eyes centralized my lips,
her body prepelling its way towards my cornered space.

She bites her lip and thrusts inwards on me now,
Oh darling, whisper sweet things into my ear drums now.

"***.", She said, spoken so gently.

"Alright", I said.
but before I left,

I sipped my wine at the dinner table.
William A Poppen Nov 2013
I felt an unusual twinge in my neck
as I turned toward you.

Heavy breathing signaled morning sleep
as my arm reached across your palpitating belly.

These casual cuddles, typical of the start of our day
emit a warmth unlike sunrays or furnace heat.

No use to wake you or tease apart your legs
for seldom do we play.

That may come after morning news is devoured,
bananas peeled and different morning hungers eased.  

Now i rise to consume small pellets of brown, pink,
grey and white chemicals compounded to keep me alive.

There is a stillness downstairs with greetings from a well-worn chair
contoured to support my soul.

Blades whirl overhead churning a breeze
my face accepts upon my forehead.

Now is my time of meditation, my attempt to
listen to whatever god pervades this universe.

There will be no answers, no jolts of insight or revelations,
only small particles of peace to cover my disquiet.

You will lumber down steps with effort accentuated by creaks
and moans that are more pronounced each day.

Our lips will touch confirming both obligation and willingness
to walk beside each other.

I wonder if you think there could be more?  
Could each gaze toward one another be longer?  

Could I unbutton myself enough to see or would you scold me
for such an unrepressed display?
Still Crazy Aug 2014
no mean feat to reestablish,
palpitating those few seconds
when arms-in-motion wave frantic,
in desperation,
in fall-prevention mode,
comical and tragical,
a salty suite,
and the semi-familiar
taste of fall/failing
the freshest fear,
jalapeño hot on the tongue

some months ago,
the thinnest tightrope,
not an obstacle feared,
what I lacked for,
I could not say or now recall

the kindness of calm prevailed
now tension lines drawn,
under the feet,
around the neck,
high voltage wires that
no artist-survivor-breadwinner
can walk without trepidation
though you don't see my arms flailing,
there are faint marks on my soles,
parallelograms on my throat,
where fear has tested
the prowess of its equipment

my life retrospected,
have miracles
made and gained,
given and taken

nine lives used up so many times,
thought my allotment was
nine X nine to the power of nine,
stupid-stopped looking over my shoulder

the poems came so easy,
every phrase overheard was a
story explicated, and the insights slid
from throat to paper so fast
I did not count myself blessed,
just merely fortunate

well fortunes veer,
turn left bad right,
no direction home,
and what was easy,
now impossible

how the story final beds,
will keep you posted,
right now all I can predict
with 100% surety,
the fall is surely coming
for the summer-man

the sun cannot burn off
the fog that paralyzes his
ship to shore,
invisible the safety of port,
the horn sound more of a croak,
his voice, ashamed of failing,
has this man both
landlocked
and lost at sea
this poem was once centered
too
Janette Oct 2012
I am dream, made flesh!
Cut
from your design
Burning,
Inflamed,
Caressed by your
Love.....




Purrrrrring softly...
Naked heart-print's press upon the tissue
Of trembling thunder;
I bend
Beneath his breath
While he permeates
A rake of glittered stars
Across my skin;
The barrier
Between his tongue and my scent...


Scarlet
He holds me ... liquid,
Framed to his eyes,
Teased
******* hard;
The melt of ice, fed on
The heat of his tongue;
Shedding night's skin
In shades of twilight...



Dark, eyes gaze through mine
Caressing
Silken pleasures;
The moistness of a stolen kiss,
Willing, wet,
Tasting the tender;
Of palpitating curves,
Of Soft thighs, quivering
Moving
Slow enough to
Swallow...


A tigress, unleashed, beneath
Her tamer's trance
I vary my pose,
The audacity of my savage
Innocence
Meets his gaze,
River-wild and dark,
The moment.... opaque


Darkened silk;
The slide,
Palms down,
My skin alive at the burn
As hips gyrate
On the rub
Burning where shadows curve,
Creating the fire of
Hunger...


A writhe of craze
A pause to breathe
To shut hard
The breath of me
As he inhales
Slim ecstasies, skin
Seizures
Immersed in milky secrets
Weak, with love.....
I want the I am....to plant a seed inside your heart, so you will know....so you will always know, without question.....that I simply want.......Always...J
Cooking up a blizzard.
Lost and unguided tendrils of space hold me captive,
the trebles of your heart beating
leads me back to my my Home.
That infinite gaze of yours into my dilapidated eyes,
is like a portal to you to look into my soul.
You blanket all my darkness
With your semi-pixie cut.
You’re my tree of knowledge
I bask in it’s shade.
Powdered Sugar coating on cupcakes.
Your silk armour protects your vulnerability,
My sincere apologies to all the arrows that gaped through.
Cover me under your angel wings,
Dab away my streaming reservoirs and replace them
with pollen and sweet nectar.
Your wishbone sacramental daydreams and dreams.
I feel so lost without you.
Bandage my old wounds with your tender hands,
Kiss me with your lush lips
sending jolts of star dust upstream,
within my veins dancing with yours palpitating feet.
My shot of euphoria and bleeding antidote.
My poetry.
You, Kalon.
Let’s raise a toast to your
beauté remarquable éternel, mon soleil
your free spirit,
your beauty of a ghost,
your heart racing with joy,
your heart steaming up with reticent sadness,
build up anger that come crashing down
like a typhoon detaching from the human perspecta.
I miss you.
Your emotional mess and literal mess,
I’m your magic broom.
You, my inspiration.
You, my groove.
You, my you.
You. My everyone and everything.
You’re fun filled supressed omnipresent electric feel.
You, The only Solis in my galaxy.
I love you.
Sharing your grandoise orangy tinge yellow light.
Bottling up a few star
in a bottle of red wine,
For her Luna.
Solis is 21 a (000,000,000) today.
**You’re irreplacable.
Happy birthday my best friend/my lover.
Gabby K Jul 2013
STEP 1: Once it is all over,
And you are crushing your ribcage,
Hearing your brittle bones crack under the pressure,
As you try to nurse your battered, palpitating heart,
Remember.
Remember why you mustered up the courage,
To acknowledge the gentle, seductive voice
Beckoning your chest to open up,
Exposing your vulnerable insides,
Giving the wicked beast,
The chance to crush your heart once more.

STEP 2: Now run as fast as you can,
Before she can see you cry.
Ignore the burning sensation
Slithering up your flaming legs.
Dismiss your suffocating heart,
Begging you to release it
From your chest's tight grasp.

*STEP 3: Keep running.
© Gabby K 7/1/2013
Eleete j Muir Jan 2012
Piacular restitution suffering joyously
The fallen order of Lilith;
Sunsets secrets scribed defying
Laws pneumatic
A shamanistic seance peacefully
Rousing the foundation of our belief,
Dawns dreaming the fantasy of a seer-
Palpitating asystolic within my chest
The severed hand of God; twilights truth
A stone tablet descrying
My impetuous insubordination
Breathing light upon a black lily
My souls flayed flesh tear stained white
Descending into Hades
Unfathomable regions of despair
As I watch them kneel beside my bed
As if I am prey for those who pray for me
Walking through Persephones garden.



ELEETE J MUIR.
bleh Jan 2016
(not a poem i guess but eh)




Space keeps falling to the sides. I try to concentrate, - I mean, I make a token effort every now and again,- but concentration, fixation is always in terms of something external, something I'm not sure I can deal with.  I roll over and go back to sleep.



'Where's the flour?'
'Where you left it.'
'Which is where?'
'On the table. What you want it for anyway?'
'Which table?'
'Haha. The generic maple with the ugly-*** spandrels. What are you making?'
'You think we could afford that? Nah, it's like, faux-pine or some ****. And like muffins.'
'Oh good, there's banan's that need using up'
'No no, like, other muffins. Crumpets and such. Got any golden syrup?'
'I think there's some maple.'
'No, it's like, ply, I swear.'



I haven't moved in days. I need to. He'll come eventually and I don't want him to see me like this. Plus, I need to locate that smell. I can't have guests over with it here. I'm just not sure where it is though. I  feel like it's on my left arm when I’m in the middle of the room, but off to the right everywhere else. It's.. acerbic, but fermenting, like vegetables on the onset of rot but not quite there yet. Not that I know; I haven't moved in days. I don't want to smell it again. Also garlic, definitely garlic.



We visited the inland sea the other day. The hundred years since last time hadn't changed it one bit. The beached clay was brittle under the midday sun, and the cracking footsteps fragmented it into a hundred hexagons.
               'I hear a strain of the pathogen is airborne. It's only a matter of time now'
A group of tourists park up by the shore. A child holds out their arms and runs in small circles.



The corridor keeps flashing. And maybe spinning. It's hard to tell, the colour change starts at a different point each time and there's no discernible rhythm to it. You keep pacing up and down. I feel self conscious that you want to leave, but then again, you did show up unannounced. You shake the snowglobe disinterestedly. The fragments burn like molten static.
'Stop that. I feel like I’m vomiting spiders.'
'You're being dramatic.'
'None the less.'
'Don't worry; you'll get through it. The world is transitioning, and this is just motion sickness.'
'I know that, I didn't say I was worried, I said I wanted it to stop.'

'sorry'



We'd always go for a walk at night if we felt we needed to talk. It was an unwritten rule. The veil of amber filter let our more timid thoughts breath in the nebulous darkness. Stark daylight was always too suffocatingly real, and that was the one thing we were never allowed to be; real. You'd always talk superficially if we discussed personal matters. That day you did a one-third spin clockwise and faced my side, and talked grandeloquently, hammed up like on a stage. You gave an embarrassed smile and blew a kiss for the invisible audience. I always felt jealous of those nothings, those non-existent beings, that got to figure into your world.



'Christ it's warm today. I can't think.'
'so don't bother.'
I spin in the chair. Whooosh. Whooosh.



It's the end of a 6 hour shift. A customer, a mother in her odd thirties, was angry that a sale item was out of stock, like sale items always are: She'd only gone out of her way to shop at this store because of the advertised deal, and we had taken time out of her busy schedule under false pretence. Her child stared at the ground intensely, his eyes watering. I tried to imagine the situation through his eyes, to try and ground myself; to remain both present, but stable. She insisted on speaking to the manager. It's a relief really; He's a skeevy ****, but he at least knows when the customers are just there to start ****, and responds accordingly. He comes over, asks what the problem is. It turns out I entered the code wrong and the item was still available after all. He gets one from out the back, handles the transaction, says have a nice day and apologises for me and everything, and I just stand there blankly; I’d had the graveyard shift the night before and honestly I’m beyond feeling right now, but when she mutters 'dumb *****' as she turns away a tight feeling still twists in my gut anyway.
I come home and leave the door hanging open framed in the setting sun and just drop my bags in the hallway. You're in the kitchen, hunched over a workbench eating out of a mug.
'Whatcha having?'
'Cornflakes.'
'….Cornflakes?'
'Yep.' you pivot as I approach. 'corn..flakes.' you hold out the packet.
'coooornfllllakkkkkkkeeeessssss' I start laughing.
'coooornfllllaaaaaaaaaaaaaaaaaaaakes'
we chorus the term in groaning monotone, and I grab the packet out your hand and throw it down and violently stomp it into the ground with every non-energy I have left. You just laugh and egg me on, repeating 'cornflakes! Cornflakes!' in crescendo, ostinato. The satisfaction of each crunch gives me the drive to smash them further, and corn dust spills out of the pulverised cardboard and gets everywhere. In the end I’m panting, my face is a mess of tears, and I collapse over onto it and just roll, bathing in the glorious fragments of reconstituted mulch.



'They say another ice age is coming.'
'They also say we'll be swallowed by the sun'
'well, it's true.'
'Yeah, but which'll happen first? I need to know to dress accordingly.'
'Tunnel's up ahead'
'I know, I see it.'
I deliberately swerve to the side and speed up, changing back at the last moment.
'You know I hate it when you do that.'
'What, don't you wanna die together with me? Here and now? Immortalised, as if our existences actually meant something?'
'like Diana and the nameless chauffeur?'
'******* exactly.'
We step out onto the hill, frozen **** tufts breaking underfoot. It's cold as hell but the skies glittering. You get out the telescope you borrowed off your rich *** sister.
'I think that's Jupiter over there.'
'Pfft, Jupiter.'
'What?'
'What's the blankest space you can find?'
'Hmm.. that way?'
You point it in that direction. 'Look'
I stare into it, but it's hard to keep focus while shaking from the cold. You keep adjusting and asking ,’See anything?', eventually some hazy distortion comes into view.
'See, no matter where you look, there's always something there.' You're trying to sound eloquent. 'Even when it seems like you're drowning in nothing.'
I stand back. 'That's terrifying. I feel sick.' I try to breathe but it's shaky and shallow. I stare into the ground, but I can still feel it; the blaze of the myriad innumerable heavens burn into me. Their judging gaze pierces through me and tears me to shreds.  



'You know, I think I read that Spinoza thought that consciousness is manifest in the ability of finite beings to continue persisting in and of their own will over time.'
'Doesn't that make a toaster more conscious than us?'
'Yeah, you don't say.'



We were twelve and at the department store. It was strange. I'd never taken the bus by myself to just hang out in town before. I always feel disorientated and light-headed in crowds so it had a strangeness; waves of apprehension cushioned by the homogeneity of it. one can be truly alone in a crowd; floating in a sea of otherness, where each gaze is no longer a signification of anything, but a warm static. We were among the aisles of a department store, in the toys and tacky house ornament section. Like, the junk you buy children and grandparents for their birthday. **** that you'd only attribute to people whom have no discernible qualities of their own. We were looking at snow globes. We kept trying to shake them violently enough so that the scene framed within would become entirely lost to the fog; it always felt so disappointing when clarity returned and things re-became what they were. I remember saying, 'I wonder if it tastes like real snow', I don't remember, It was stupid, I don't know why I said it, it sounded cool in my head. But you responded, that I remember, by taking the thing and smashing it against the concrete floor, and pouring out all the fragments into our hands. We tried them together and coughed and choked in laugher. It tasted awful, entirely unsurprisingly. On a rush you stuck one in your pocket, grabbed my hand, and we promptly left the store, and my heart was palpitating, it felt like all the rules, all the natural laws that had prefigured my world were crumbling, and I was terrified, trapped in the gaze of my mothers look of disappointment when we'd be inevitably caught, somehow watching me from its potential future, and I'd no longer be allowed to visit you but it was okay because I was here with you now in this moment and we were alone in this faceless mechanical place crumbling around us, and when we left, and no sirens buzzed, I felt sick with excitement at the unbounded possibility present in everything in every second. I cringe thinking back on it, and feel ashamed at finding such meaning, feeling such unabashed wholesale virtue in indiscriminate destruction, but sometimes, sometimes I still shake that snowglobe as hard as I can, till everything determinate is lost in haze, and I still feel a wave of comfort wash over me.



‘We’ve been walking for ages. you know where we’re going, right?’
‘It’s just up ahead. I swear’
‘You swear?’

‘I mean, I’ve only been there once before myself.’
‘****. This way?’
‘Wait-‘
‘What?’
‘Huh. Nothing. Sorry, I thought I heard a car coming.’


‘I think that’s the ocean?’
‘But.. aren’t we heading inland?’
‘You sure?’
‘Yeah, I swear.’



We're in your room. Your reading on your bed and I'm in the swivelly chair by the desk, pretending to work, but really we're just chatting, talking about.. something. Whatever. It was probably stupid, laughing at our own jokes, as always, catchphrases repeated till they loose all meaning. It's been a long day and honestly we're both too tired for coherence by this point, but the lack of effort lends the air an easy comfortability. But then suddenly.. Suddenly you stare into my eyes as if you're looking at me and it's somehow different, an intense gaze that I can't escape, as if you somehow found something located there, something fixed in those abyssal pupils. The feeling is overwhelming and terrifying. I am grounded, ripped into the prison of being and frozen static like a dumb animal transfixed in headlights: I am outside myself facing in, and I’m falling away. I pull you in and kiss you to escape; now, it is your touch that is fixed, your smell, your taste, and I breath a sigh of reprieve. You hold my back as I fall into you. I lace my fingers through the buttons in your shirt and feel the faint pulse of your flickering heartbeat. At once an ever-changing epiphenomena, and a calming rhythmic certainty. I vacantly tug at the buttons and your expression changes, gone is the feeling of suffocating questioning, but one of transfixed observation. Your touch is not a reaching out into something, but a continuation of yourself; I am an instrument of your lust, an extension. Holding me in your arm, you nervously run your hand down from my nape and trace my bra from the strap over the line of my breast. The lightness of your touch is a painful tickling and I push myself into you further, my thighs wrapping around yours. Your touch shoots a burning into me, not painful, but like glowing kindling, or the warmth of a blanket; an immanence, a retreat. I let my mind go blank and we continue; you fumble with my bra as I fumble with your belt. We're both shaking but too far gone to notice, too distant to care. The dry freeze of the night air contrasts your damp heat. You clasp me as you trace your hand under my skirt and I feel your arm brush my thigh. I tremble slightly at the sharp coldness of the damp cotton coming unstuck. After a stretching moment of awkward liminality, I feel you pass into me. It's a burning smoothness, distilled liquor. The rubber is an alien feeling, and for some reason I imagine myself as a giant balloon; a malleable featureless surface, filled with emptiness. I feel myself through the threshold of your presence and I am afraid; I am a boundary which encompasses nothing, and by your passing through I fear that I will be pierced; I will burst and out will flow an obsidian wind that will wither you to nothing, but it will keep coming, an endless torrent that will subsume the world and turn everything to desert, and the only way to save you is to keep it bound up as tight as I possibly can till my heart feels like burning metal, and I feel my tears land on my hand tightly clasping your shoulder. You ask through wavering breaths if I want to stop, but I shake my head; if you left now I would be caught and torn open; no, instead I subsume your undulations into myself; till the rhythm is as oceanic noise; a surface rolling located miles above a lightless motionless centre.



The pale green lamplight flickers. A nausea, tepid, but understated. The sentience of moss; an almost motionless drone, but the sense of unfolding. The corridor seems larger than it once was. Blank reflections harrowing accusations, mechanically indifferent but piercing; an alarm clocks wail. I lie still, I lie still. The buzzing repeats. I lie still. I am flowing, seeping through floorboards into the pores of the earth, into colonies of worms and I am lost and free, a motion, a multiplicity, pure form without the anxious drudgery of parts; pure alimentary canal, pure Elysium absolution. The flickering quickens and gets brighter. A pulsating light, a strobe, a beat frequency wavering behind vision. The liquid earth, saturated by light, hardens and dissolves. And 'I' am lost among the ruins, a vague memory of a sentiment. A nostalgic grief, an asphyxiated longing. I reach out to you desperately in the drag of the undertow, but you are the chalk of faded bones; cast to the winds centuries prior. A thousand years pass of blanket darkness, and a unitary bell rings. The flotsam batters against the temple gates. Debris collects in cracks, and my pieces are among them. I cling to retention, and return. I am cold sweat outlining the floorboards, the feeling of clenching before vomiting, repeated endlessly.



A few weeks after, turning off an avenue onto the main road, I see you. You're crossing, coming this way. It was bound to happen eventually. I bite back the moisture forming in my eyes and try to remain faceless. You suddenly change your trajectory, and hit the side of a car. It honks at you and you dodge around it. I allow a bitter smile to myself; the fact I can cause you such disorientating discomfit indicates I still mean something to you. Even if it's just a discomforting anxiousness, something beyond the boundary to be avoided, I have causal powers, extension; I can see my flicker of presence in you even now, even if I cannot for the life of me find it within myself. You run around and I walk straight. It's empowering; I can remain fixed, even if the torrent of the world flows around me. At that moment, I feel the indubitable strength to persevere. I am stronger than this world; I am stronger than you. But then, just as suddenly, the feeling folds upon itself and is gone. I felt solidified, just now, by the fact that I was the one that remained in this random encounter. I won, you lost. but Won how? With the ability to pretend that I can exist alone, in a world that means nothing to me? The ability to maintain a solid spectral façade, when underneath, scratching away under the skin, I contain nothing? To continue terrifies me. Knowing that I have the strength to continue terrifies me. That last thing I ever intended was to outlive you. I feel the world drain away from me, and yet I remain, left standing, alone, in a of realm of perpetual nothing.  



I feel sick

a hundred years pass in the cavity of the desert. Merchants make trade off raided materials and makeshift weapons. A library is burned. A soldier, wanders freely. An insect buzzes around his face. He darts about the place in annoyance, but it remains. He can't shake it. He closes his eyes. It's still there

I feel sick

the sun burns bright arrhythmic  clicking.  A late twenties couple go clothes shopping, however the child is hungry and will have none of it. Lunch is suggested. They are jocular about the decision, but feel an uneasiness about the indulgence. The air is saturated and dries
Kim Denise Aug 2015
What we had was too much coffee
that we mistook our palpitating hearts
as response on being together
when in reality,
it's just caffeine doing it's work.

But I can still taste you,

and it's the taste I will never forget.
ArominizedM Jun 2015
As I took a sip
left me needlessly wanting
more of cup of joe.
Kara Rose Trojan Dec 2014
My personal déjà-vu-time memory-prompts that frame
The blurring patterns of today’s hubcap-wheels, spinning
Kaleidoscope flashbacks of bathtub playtime.

A gaggle of giggling girls babbling about
What used to matter : umbrella-popping chewing gum
With gallivanting jargon laced in crushes-hushed : boy-talk.

Pillows : Comforters morphing, swarming like
Womb-entranced, half-cupped palms calmed
Palpitating mouths motoring off self-pitying rumble-grumbles.

How the clopping ball of opted-birr was a bent-mouth birdcall
Over-relished, over-zealous imploration : a round robin
Jumblemix of a jejune bombast for high-brow, White-men polemics

By-and-by polysyllabic buds bloomed, baked, and wrinkled
Past-Gas’s long-gone jokes : those balmy snug-hugs guarding
Based-vulgarity amongst the begrimed-teeth-******* and homegrown-Jive.
Steven Fortune May 2014
If you hear endearment in the plea
leave the echoed sigh of sympathy
and come with your libretto lungs
and lips of red zephyr absolution
to purify the black coughs of cumulus
evaporating the enclosure
of my satin-threaded fetters

A failed emblem of security
in solitary journeys

Come and lay your mortal coil
of seraphic incarnation
next to my imprisoned vessel
of corrupted humanness
Slow my palpitating hourglass
of ashen peace-of-mind
with organic visitations of
your marble maze shrines
Here I can placate my warped
direction with the porcelain decor
of your serene skin

Angel

Wrap your light around my being
like the sun around an icicle
then release me long enough
to euphemise the darkness in me
from de-light to silhouette enlightenment

Hear my plea
muffled by annulled identity
Be the angel
hiding in my boiled
satin threads
and reveal me
09 04 13

— The End —