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"pallor" poems
you are inches measured by miles away bulldozing oriental food you don't intend on eating around your plate and i am imagining the translation of asking for a broom in a foreign language for when you shatter over small talk or the first sentence to start with "so" breaks you into shaking that i can feel from across the table and i am thinking now about tectonics and how you must be daydreaming of being submerged in a book back home or gripping tightly to bedsheets begging for familiar warmth i can tell by the way you are looking at me that you are feigning our salutation embrace seconds drowned in ankle deep water and i wonder if you see my hands as jackhammers and if the reason why you hug so hard but only for a moment is to be as sharp as possible so that i do not smell your perfume or notice that you aren't wearing any and why there are few suprises in the safe you claim is a mouth where shades of plush pink hide a sickly pallor and i continue to look over brick & mortar borders and think how maybe she is thinking of kissing but certainly not me not these apologies nailed to my face i give myself a moment of benefitted doubt that you sometimes picture your frame under mine and if your clavicles would crack if i were to touch them i am sorry that i am a victim of imagination but i swear i chalk it up as the forgotten feeling for when you look up and the person you are looking at is gazing directly at you you have painted yourself as a mosaic in my mind as a mess of dust & incoherent words that all sound like please in my ears but that doesn't explain why my hands are the ones that are shaking when i imagine you imagining me in the spaces of yourself where you've forgotten you could put someone
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Feb 26, 2014
Feb 26, 2014 at 7:32 PM UTC
you sometimes bite your lip during laughter
you are inches measured by miles away bulldozing oriental food you don't intend on eating around your plate and i am imagining the translation of asking for a broom in a foreign language for when you shatter over small talk or the first sentence to start with "so" breaks you into shaking that i can feel from across the table and i am thinking now about tectonics and how you must be daydreaming of being submerged in a book back home or gripping tightly to bedsheets begging for familiar warmth i can tell by the way you are looking at me that you are feigning our salutation embrace seconds drowned in ankle deep water and i wonder if you see my hands as jackhammers and if the reason why you hug so hard but only for a moment is to be as sharp as possible so that i do not smell your perfume or notice that you aren't wearing any and why there are few suprises in the safe you claim is a mouth where shades of plush pink hide a sickly pallor and i continue to look over brick & mortar borders and think how maybe she is thinking of kissing but certainly not me not these apologies nailed to my face i give myself a moment of benefitted doubt that you sometimes picture your frame under mine and if your clavicles would crack if i were to touch them i am sorry that i am a victim of imagination but i swear i chalk it up as the forgotten feeling for when you look up and the person you are looking at is gazing directly at you you have painted yourself as a mosaic in my mind as a mess of dust & incoherent words that all sound like please in my ears but that doesn't explain why my hands are the ones that are shaking when i imagine you imagining me in the spaces of yourself where you've forgotten you could put someone
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57
You said you would **** it this morning. Do not **** it. It startles me still, The jut of that odd, dark head, pacing Through the uncut grass on the elm's hill. It is something to own a pheasant, Or just to be visited at all. I am not mystical: it isn't As if I thought it had a spirit. It is simply in its element. That gives it a kingliness, a right. The print of its big foot last winter, The trail-track, on the snow in our court The wonder of it, in that pallor, Through crosshatch of sparrow and starling. Is it its rareness, then? It is rare. But a dozen would be worth having, A hundred, on that hill-green and red, Crossing and recrossing: a fine thing! It is such a good shape, so vivid. It's a little cornucopia. It unclaps, brown as a leaf, and loud, Settles in the elm, and is easy. It was sunning in the narcissi. I trespass stupidly. Let be, let be.
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11.5k
Pheasant
One Summer's night looking out the    back window at the back garden My! I couldn't get over it, how bright it     was You'd think the sun was still shining The Big Moon casting its ghostly pallor     over everything Like an Enchantress's dark spell The strange cold beauty of it, it held     me enthralled I could only stand there watching,     silently in awe; Suddenly, a peculiar thought came     into my head I smiled at its outrageous suggestion Then grabbing my sunglasses and my     old deck chair I went out into the garden and sat right down there underneath the stars Bathing in the silvery light of the     moon's cold rays, Well I tell you, all the night creatures going about their night business They all did a double take "Hey, that's the funny human bloke, what's he     doin' out this late", Even the cat came over and rubbed her eyes," Wait a minute ", she said, " this isn't right, you're not supposed to     come out at night ": Sensing their curiosity and their     general discomfiture I lowered my shades and looking at them all gathered there in the shiny     bright dark, I said " Don't worry gang, don't be alarmed,     no! don't be aghast It's only.... well, it's only Great Art.                          II I don't know But it seems Wherever I go Great Art is never far behind In tow.
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Mar 17, 2018
Mar 17, 2018 at 8:25 AM UTC
Great Art
In the rectory garden on his evening walk Paced brisk Father Shawn. A cold day, a sodden one it was In black November. After a sliding rain Dew stood in chill sweat on each stalk, Each thorn; spiring from wet earth, a blue haze Hung caught in dark-webbed branches like a fabulous heron. Hauled sudden from solitude, Hair prickling on his head, Father Shawn perceived a ghost Shaping itself from that mist. 'How now,' Father Shawn crisply addressed the ghost Wavering there, gauze-edged, smelling of woodsmoke, 'What manner of business are you on? From your blue pallor, I'd say you inhabited the frozen waste Of hell, and not the fiery part. Yet to judge by that dazzled look, That noble mien, perhaps you've late quitted heaven?' In voice furred with frost, Ghost said to priest: 'Neither of those countries do I frequent: Earth is my haunt.' 'Come, come,' Father Shawn gave an impatient shrug, 'I don't ask you to spin some ridiculous fable Of gilded harps or gnawing fire: simply tell After your life's end, what just epilogue God ordained to follow up your days. Is it such trouble To satisfy the questions of a curious old fool?' 'In life, love gnawed my skin To this white bone; What love did then, love does now: Gnaws me through.' 'What love,' asked Father Shawn, 'but too great love Of flawed earth-flesh could cause this sorry pass? Some ****** condition you are in: Thinking never to have left the world, you grieve As though alive, shriveling in torment thus To atone as shade for sin that lured blind man.' 'The day of doom Is not yest come. Until that time A crock of dust is my dear hom.' 'Fond phantom,' cried shocked Father Shawn, 'Can there be such stubbornness-- A soul grown feverish, clutching its dead body-tree Like a last storm-crossed leaf? Best get you gone To judgment in a higher court of grace. Repent, depart, before God's trump-crack splits the sky.' From that pale mist Ghost swore to priest: 'There sits no higher court Than man's red heart.'
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Dialogue Between Ghost And Priest
In the rectory garden on his evening walk Paced brisk Father Shawn. A cold day, a sodden one it was In black November. After a sliding rain Dew stood in chill sweat on each stalk, Each thorn; spiring from wet earth, a blue haze Hung caught in dark-webbed branches like a fabulous heron. Hauled sudden from solitude, Hair prickling on his head, Father Shawn perceived a ghost Shaping itself from that mist. 'How now,' Father Shawn crisply addressed the ghost Wavering there, gauze-edged, smelling of woodsmoke, 'What manner of business are you on? From your blue pallor, I'd say you inhabited the frozen waste Of hell, and not the fiery part. Yet to judge by that dazzled look, That noble mien, perhaps you've late quitted heaven?' In voice furred with frost, Ghost said to priest: 'Neither of those countries do I frequent: Earth is my haunt.' 'Come, come,' Father Shawn gave an impatient shrug, 'I don't ask you to spin some ridiculous fable Of gilded harps or gnawing fire: simply tell After your life's end, what just epilogue God ordained to follow up your days. Is it such trouble To satisfy the questions of a curious old fool?' 'In life, love gnawed my skin To this white bone; What love did then, love does now: Gnaws me through.' 'What love,' asked Father Shawn, 'but too great love Of flawed earth-flesh could cause this sorry pass? Some ****** condition you are in: Thinking never to have left the world, you grieve As though alive, shriveling in torment thus To atone as shade for sin that lured blind man.' 'The day of doom Is not yest come. Until that time A crock of dust is my dear hom.' 'Fond phantom,' cried shocked Father Shawn, 'Can there be such stubbornness-- A soul grown feverish, clutching its dead body-tree Like a last storm-crossed leaf? Best get you gone To judgment in a higher court of grace. Repent, depart, before God's trump-crack splits the sky.' From that pale mist Ghost swore to priest: 'There sits no higher court Than man's red heart.'
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50
Often I think of the beautiful town That is seated by the sea; Often in thought go up and down The pleasant streets of that dear old town, And my youth comes back to me. And a verse of a Lapland song Is haunting my memory still: “A boy’s will is the wind’s will, And the thoughts of youth are long, long thoughts.” I can see the shadowy lines of its trees, And catch, in sudden gleams, The sheen of the far-surrounding seas, And islands that were the Hesperides Of all my boyish dreams. And the burden of that old song, It murmurs and whispers still: “A boy’s will is the wind’s will, And the thoughts of youth are long, long thoughts.” I remember the black wharves and the ships, And the sea-tides tossing free; And Spanish sailors with bearded lips, And the beauty and mystery of the ships, And the magic of the sea. And the voice of that wayward song Is singing and saying still: “A boy’s will is the wind’s will, And the thoughts of youth are long, long thoughts.” I remember the bulwarks by the shore, And the fort upon the hill; The sunrise gun, with its hollow roar, The drum-beat repeated o’er and o’er, And the bugle wild and shrill. And the music of that old song Throbs in my memory still: “A boy’s will is the wind’s will, And the thoughts of youth are long, long thoughts.” I remember the sea-fight far away, How it thundered o’er the tide! And the dead captains, as they lay In their graves, o’erlooking the tranquil bay Where they in battle died. And the sound of that mournful song Goes through me with a thrill: “A boy’s will is the wind’s will, And the thoughts of youth are long, long thoughts.” I can see the breezy dome of groves, The shadows of Deering’s Woods; And the friendships old and the early loves Come back with a Sabbath sound, as of doves In quiet neighborhoods. And the verse of that sweet old song, It flutters and murmurs still: “A boy’s will is the wind’s will, And the thoughts of youth are long, long thoughts.” I remember the gleams and glooms that dart Across the school-boy’s brain; The song and the silence in the heart, That in part are prophecies, and in part Are longings wild and vain. And the voice of that fitful song Sings on, and is never still: “A boy’s will is the wind’s will, And the thoughts of youth are long, long thoughts.” There are things of which I may not speak; There are dreams that cannot die; There are thoughts that make the strong heart weak, And bring a pallor into the cheek, And a mist before the eye. And the words of that fatal song Come over me like a chill: “A boy’s will is the wind’s will, And the thoughts of youth are long, long thoughts.” Strange to me now are the forms I meet When I visit the dear old town; But the native air is pure and sweet, And the trees that o’ershadow each well-known street, As they balance up and down, Are singing the beautiful song, Are sighing and whispering still: “A boy’s will is the wind’s will, And the thoughts of youth are long, long thoughts.” And Deering’s Woods are fresh and fair, And with joy that is almost pain My heart goes back to wander there, And among the dreams of the days that were, I find my lost youth again. And the strange and beautiful song, The groves are repeating it still: “A boy’s will is the wind’s will, And the thoughts of youth are long, long thoughts.”
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6.8k
My Lost Youth
Often I think of the beautiful town That is seated by the sea; Often in thought go up and down The pleasant streets of that dear old town, And my youth comes back to me. And a verse of a Lapland song Is haunting my memory still: “A boy’s will is the wind’s will, And the thoughts of youth are long, long thoughts.” I can see the shadowy lines of its trees, And catch, in sudden gleams, The sheen of the far-surrounding seas, And islands that were the Hesperides Of all my boyish dreams. And the burden of that old song, It murmurs and whispers still: “A boy’s will is the wind’s will, And the thoughts of youth are long, long thoughts.” I remember the black wharves and the ships, And the sea-tides tossing free; And Spanish sailors with bearded lips, And the beauty and mystery of the ships, And the magic of the sea. And the voice of that wayward song Is singing and saying still: “A boy’s will is the wind’s will, And the thoughts of youth are long, long thoughts.” I remember the bulwarks by the shore, And the fort upon the hill; The sunrise gun, with its hollow roar, The drum-beat repeated o’er and o’er, And the bugle wild and shrill. And the music of that old song Throbs in my memory still: “A boy’s will is the wind’s will, And the thoughts of youth are long, long thoughts.” I remember the sea-fight far away, How it thundered o’er the tide! And the dead captains, as they lay In their graves, o’erlooking the tranquil bay Where they in battle died. And the sound of that mournful song Goes through me with a thrill: “A boy’s will is the wind’s will, And the thoughts of youth are long, long thoughts.” I can see the breezy dome of groves, The shadows of Deering’s Woods; And the friendships old and the early loves Come back with a Sabbath sound, as of doves In quiet neighborhoods. And the verse of that sweet old song, It flutters and murmurs still: “A boy’s will is the wind’s will, And the thoughts of youth are long, long thoughts.” I remember the gleams and glooms that dart Across the school-boy’s brain; The song and the silence in the heart, That in part are prophecies, and in part Are longings wild and vain. And the voice of that fitful song Sings on, and is never still: “A boy’s will is the wind’s will, And the thoughts of youth are long, long thoughts.” There are things of which I may not speak; There are dreams that cannot die; There are thoughts that make the strong heart weak, And bring a pallor into the cheek, And a mist before the eye. And the words of that fatal song Come over me like a chill: “A boy’s will is the wind’s will, And the thoughts of youth are long, long thoughts.” Strange to me now are the forms I meet When I visit the dear old town; But the native air is pure and sweet, And the trees that o’ershadow each well-known street, As they balance up and down, Are singing the beautiful song, Are sighing and whispering still: “A boy’s will is the wind’s will, And the thoughts of youth are long, long thoughts.” And Deering’s Woods are fresh and fair, And with joy that is almost pain My heart goes back to wander there, And among the dreams of the days that were, I find my lost youth again. And the strange and beautiful song, The groves are repeating it still: “A boy’s will is the wind’s will, And the thoughts of youth are long, long thoughts.”
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90
The sun Is glad to see your face, Your unseen grace, Your Hidden space, Your Silhouette now covered in sun beams. It seems You've been Packed away for a very long time Its almost a crime how you've Shielded yourself from his hydrogenity. The sun Is glad to see your smile Your pearly whites And colorless lips Soft, Too cold, needing, Craving, warmth. His Golden fingers graze your cheek And Bring life back to your pallor. Who knew Living as a recluse would make you so blue, So unidentifiable? He Brings you back from the dead Pulling your soul back out into your flesh. Fresh And healed, At least Temporarily But it is enough, His touch, To liven your now tanning skin To Make you akin to his own: A sunflower Trapped in the dark 3 inches tall instead of 3 feet Now starting to grow beyond skyscrapers with his aid, if his light is what's causing you to Stand up straight His heat is what is reviving your heartbeat A Crescendo from silence to a slight pitter patter Almost as soft as rain. Almost as if crying. If you listen hard enough, You just might hear it wimpering, waking up from it's hibernation. It Wants to go back to sleep But he Refuses to give up his efforts of recesitation For he knows it isn't for naught, For he knows that it is working, Your heart stirring Beating Louder as you step further out of the door frame Let him Cradle your soul with his firey hands Let him Bring you back from the dead. You Look so much more alive when you let him work his magic on you. The world Has missed you. Looking around, Your mind starts whirring, Analysing The outside world. The Green of the grass and the Blue of the sky, All Graces of the solar angel shining over you, Shining into you. Giving you sight, Giving you life, Giving you the things you couldn't have before. Let his Golden happiness seep into your freezing bones, And, Turn them into torches And burn brighter, in the daylight Than you ever did in the darkness.
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Feb 9, 2018
Feb 9, 2018 at 10:53 AM UTC
Silhouette in Sunbeams
The sun Is glad to see your face, Your unseen grace, Your Hidden space, Your Silhouette now covered in sun beams. It seems You've been Packed away for a very long time Its almost a crime how you've Shielded yourself from his hydrogenity. The sun Is glad to see your smile Your pearly whites And colorless lips Soft, Too cold, needing, Craving, warmth. His Golden fingers graze your cheek And Bring life back to your pallor. Who knew Living as a recluse would make you so blue, So unidentifiable? He Brings you back from the dead Pulling your soul back out into your flesh. Fresh And healed, At least Temporarily But it is enough, His touch, To liven your now tanning skin To Make you akin to his own: A sunflower Trapped in the dark 3 inches tall instead of 3 feet Now starting to grow beyond skyscrapers with his aid, if his light is what's causing you to Stand up straight His heat is what is reviving your heartbeat A Crescendo from silence to a slight pitter patter Almost as soft as rain. Almost as if crying. If you listen hard enough, You just might hear it wimpering, waking up from it's hibernation. It Wants to go back to sleep But he Refuses to give up his efforts of recesitation For he knows it isn't for naught, For he knows that it is working, Your heart stirring Beating Louder as you step further out of the door frame Let him Cradle your soul with his firey hands Let him Bring you back from the dead. You Look so much more alive when you let him work his magic on you. The world Has missed you. Looking around, Your mind starts whirring, Analysing The outside world. The Green of the grass and the Blue of the sky, All Graces of the solar angel shining over you, Shining into you. Giving you sight, Giving you life, Giving you the things you couldn't have before. Let his Golden happiness seep into your freezing bones, And, Turn them into torches And burn brighter, in the daylight Than you ever did in the darkness.
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81
And lights. She looked a little pale In the yellow light. The spots had been Changed to white. And when the white Couldn't hide her pallor, She asked the makeup To put on a brighter colour. They didn't ask if she had eaten. They tried once, Came back browbeaten. "Diet only for ma'am" Her abdomen perfectly satisfied; Her soul craving for more. And camera. The perfect shot Ended with a sweeping glance Across the set At her hero all decked In the knightly splendour. She was a princess whom He saved from a dragon. Little did anyone know That after a day's worth Of angry cameras panning Her face and scrutinising her life, She needed saving Mostly from herself. And action. This time, a thriller. She walks down the corridor set - Director's thumbs-up, To hunt down the culprit Who snatched her family. She gives the perfect action sequence, Complete with blood trickles. "An award winner, surely." She is done with the shoot And heads home, her van. Someone is waiting. He had been waiting since she left Him that summer. Waiting for an excuse, at first. Then acceptance. Then forgiveness. She gave it her best performance, But could not fake the relief When he approached with an apology And a gun.
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Mar 27, 2015
Mar 27, 2015 at 5:48 AM UTC
Lights, Camera, Action.
At midnight, in the month of June, I stand beneath the mystic moon. An ****** vapor, dewy, dim, Exhales from out her golden rim, And, softly dripping, drop by drop, Upon the quiet mountain top, Steals drowsily and musically Into the universal valley. The rosemary nods upon the grave; The lily lolls upon the wave; Wrapping the fog about its breast, The ruin moulders into rest; Looking like Lethe, see! the lake A conscious slumber seems to take, And would not, for the world, awake. All Beauty sleeps!—and lo! where lies (Her casement open to the skies) Irene, with her Destinies! Oh, lady bright! can it be right— This window open to the night! The wanton airs, from the tree-top, Laughingly through the lattice-drop— The bodiless airs, a wizard rout, Flit through thy chamber in and out, And wave the curtain canopy So fitfully—so fearfully— Above the closed and fringed lid ’Neath which thy slumb’ring soul lies hid, That, o’er the floor and down the wall, Like ghosts the shadows rise and fall! Oh, lady dear, hast thou no fear? Why and what art thou dreaming here? Sure thou art come o’er far-off seas, A wonder to these garden trees! Strange is thy pallor! strange thy dress! Strange, above all, thy length of tress, And this all-solemn silentness! The lady sleeps! Oh, may her sleep Which is enduring, so be deep! Heaven have her in its sacred keep! This chamber changed for one more holy, This bed for one more melancholy, I pray to God that she may lie For ever with unopened eye, While the dim sheeted ghosts go by! My love, she sleeps! Oh, may her sleep, As it is lasting, so be deep; Soft may the worms about her creep! Far in the forest, dim and old, For her may some tall vault unfold— Some vault that oft hath flung its black And winged panels fluttering back, Triumphant, o’er the crested palls, Of her grand family funerals— Some sepulchre, remote, alone, Against whose portal she hath thrown, In childhood many an idle stone— Some tomb from out whose sounding door She ne’er shall force an echo more, Thrilling to think, poor child of sin! It was the dead who groaned within.
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4.3k
The Sleeper
At midnight, in the month of June, I stand beneath the mystic moon. An ****** vapor, dewy, dim, Exhales from out her golden rim, And, softly dripping, drop by drop, Upon the quiet mountain top, Steals drowsily and musically Into the universal valley. The rosemary nods upon the grave; The lily lolls upon the wave; Wrapping the fog about its breast, The ruin moulders into rest; Looking like Lethe, see! the lake A conscious slumber seems to take, And would not, for the world, awake. All Beauty sleeps!—and lo! where lies (Her casement open to the skies) Irene, with her Destinies! Oh, lady bright! can it be right— This window open to the night! The wanton airs, from the tree-top, Laughingly through the lattice-drop— The bodiless airs, a wizard rout, Flit through thy chamber in and out, And wave the curtain canopy So fitfully—so fearfully— Above the closed and fringed lid ’Neath which thy slumb’ring soul lies hid, That, o’er the floor and down the wall, Like ghosts the shadows rise and fall! Oh, lady dear, hast thou no fear? Why and what art thou dreaming here? Sure thou art come o’er far-off seas, A wonder to these garden trees! Strange is thy pallor! strange thy dress! Strange, above all, thy length of tress, And this all-solemn silentness! The lady sleeps! Oh, may her sleep Which is enduring, so be deep! Heaven have her in its sacred keep! This chamber changed for one more holy, This bed for one more melancholy, I pray to God that she may lie For ever with unopened eye, While the dim sheeted ghosts go by! My love, she sleeps! Oh, may her sleep, As it is lasting, so be deep; Soft may the worms about her creep! Far in the forest, dim and old, For her may some tall vault unfold— Some vault that oft hath flung its black And winged panels fluttering back, Triumphant, o’er the crested palls, Of her grand family funerals— Some sepulchre, remote, alone, Against whose portal she hath thrown, In childhood many an idle stone— Some tomb from out whose sounding door She ne’er shall force an echo more, Thrilling to think, poor child of sin! It was the dead who groaned within.
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61
Droning a drowsy syncopated tune, Rocking back and forth to a mellow croon, I heard a ***** play. Down on Lenox Avenue the other night By the pale dull pallor of an old gas light He did a lazy sway . . . He did a lazy sway . . . To the tune o' those Weary Blues. With his ebony hands on each ivory key He made that poor piano moan with melody. O Blues! Swaying to and fro on his rickety stool He played that sad raggy tune like a musical fool. Sweet Blues! Coming from a black man's soul. O Blues! In a deep song voice with a melancholy tone I heard that ***** sing, that old piano moan-- "Ain't got nobody in all this world, Ain't got nobody but ma self. I's gwine to quit ma frownin' And put ma troubles on the shelf." Thump, thump, thump, went his foot on the floor. He played a few chords then he sang some more-- "I got the Weary Blues And I can't be satisfied. Got the Weary Blues And can't be satisfied-- I ain't happy no mo' And I wish that I had died." And far into the night he crooned that tune. The stars went out and so did the moon. The singer stopped playing and went to bed While the Weary Blues echoed through his head. He slept like a rock or a man that's dead.
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4.1k
The Weary Blues
I am lovely, O mortals! Like a dream carved in stone, And my breast where poets are bruised to the bone Formed to inspire each in their quintessence A love as eternal and silent as essence. I unite Ledaean pallor with a frozen heart, I scorn movement for it displaces my art, A riddling sphinx, on a throne in the sky; Never do I laugh and never do I cry. Poets, at the feet of my imperial pose, Which I seem to adopt from statues grandiose, Will consume their lives in studious indulgence; For I have, to enthrall those docile paramours Pure mirrors to enhance all beauties evermore: My eyes, my large, wide eyes of eternal effulgence!
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May 5, 2015
May 5, 2015 at 1:32 PM UTC
Translation: La Beauté (Baudelaire)
I Half of the fellow father as he doubles His sea-sucked Adam in the hollow hulk, Half of the fellow mother as she dabbles To-morrow's diver in her ***** milk, Bisected shadows on the thunder's bone Bolt for the salt unborn. The fellow half was frozen as it bubbled Corrosive spring out of the iceberg's crop, The fellow seed and shadow as it babbled The swing of milk was tufted in the pap, For half of love was planted in the lost, And the unplanted ghost. The broken halves are fellowed in a ******* The crutch that marrow taps upon their sleep, Limp in the street of sea, among the rabble Of tide-tongued heads and bladders in the deep, And stake the sleepers in the savage grave That the vampire laugh. The patchwork halves were cloven as they scudded The wild pigs' wood, and slime upon the trees, ******* the dark, kissed on the cyanide, And loosed the braiding adders from their hairs, Rotating halves are horning as they drill The arterial angel. What colour is glory? death's feather? tremble The halves that pierce the pin's point in the air, And ***** the thumb-stained heaven through the thimble. The ghost is dumb that stammered in the straw, The ghost that hatched his havoc as he flew Blinds their cloud-tracking eye. II My world is pyramid. The padded mummer Weeps on the desert ochre and the salt Incising summer. My Egypt's armour buckling in its sheet, I scrape through resin to a starry bone And a blood parhelion. My world is cypress, and an English valley. I piece my flesh that rattled on the yards Red in an Austrian volley. I hear, through dead men's drums, the riddled lads, ******** their bowels from a hill of bones, Cry Eloi to the guns. My grave is watered by the crossing Jordan. The Arctic scut, and basin of the South, Drip on my dead house garden. Who seek me landward, marking in my mouth The straws of Asia, lose me as I turn Through the Atlantic corn. The fellow halves that, cloven as they swivel On casting tides, are tangled in the shells, Bearding the unborn devil, Bleed from my burning fork and smell my heels. The tongue's of heaven gossip as I glide Binding my angel's hood. Who blows death's feather? What glory is colour? I blow the stammel feather in the vein. The **** is glory in a working pallor. My clay unsuckled and my salt unborn, The secret child, I sift about the sea Dry in the half-tracked thigh.
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3.9k
My World Is Pyramid
I Half of the fellow father as he doubles His sea-sucked Adam in the hollow hulk, Half of the fellow mother as she dabbles To-morrow's diver in her ***** milk, Bisected shadows on the thunder's bone Bolt for the salt unborn. The fellow half was frozen as it bubbled Corrosive spring out of the iceberg's crop, The fellow seed and shadow as it babbled The swing of milk was tufted in the pap, For half of love was planted in the lost, And the unplanted ghost. The broken halves are fellowed in a ******* The crutch that marrow taps upon their sleep, Limp in the street of sea, among the rabble Of tide-tongued heads and bladders in the deep, And stake the sleepers in the savage grave That the vampire laugh. The patchwork halves were cloven as they scudded The wild pigs' wood, and slime upon the trees, ******* the dark, kissed on the cyanide, And loosed the braiding adders from their hairs, Rotating halves are horning as they drill The arterial angel. What colour is glory? death's feather? tremble The halves that pierce the pin's point in the air, And ***** the thumb-stained heaven through the thimble. The ghost is dumb that stammered in the straw, The ghost that hatched his havoc as he flew Blinds their cloud-tracking eye. II My world is pyramid. The padded mummer Weeps on the desert ochre and the salt Incising summer. My Egypt's armour buckling in its sheet, I scrape through resin to a starry bone And a blood parhelion. My world is cypress, and an English valley. I piece my flesh that rattled on the yards Red in an Austrian volley. I hear, through dead men's drums, the riddled lads, ******** their bowels from a hill of bones, Cry Eloi to the guns. My grave is watered by the crossing Jordan. The Arctic scut, and basin of the South, Drip on my dead house garden. Who seek me landward, marking in my mouth The straws of Asia, lose me as I turn Through the Atlantic corn. The fellow halves that, cloven as they swivel On casting tides, are tangled in the shells, Bearding the unborn devil, Bleed from my burning fork and smell my heels. The tongue's of heaven gossip as I glide Binding my angel's hood. Who blows death's feather? What glory is colour? I blow the stammel feather in the vein. The **** is glory in a working pallor. My clay unsuckled and my salt unborn, The secret child, I sift about the sea Dry in the half-tracked thigh.
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62
Did not have Dante laugh deeper, to see dead bones  in front of hell "While pride taught , to step on the skulls of food, When in the shade raised condemned, From a worm-eaten skull to a filthy bacon And he wiped it on his bleeding hair: shouted, the billions of villains in hell; while they  stepped in front of them! And he told the lively vengeance, In the mansion of eternal hopelessness! Goodbye! ... is to renounce in an agony The hope that still palpitate; Feeling that the eyes are blind, that it cools, The heart in the **** tear! That make hands, and the soul afflicta Like Agar in the desert, pray gloomy! ! Is it a ghastly sight of the skulls in hell? Do not tremble with dread, lift it from its ***** It was the burning head of a poet, Once in the shadow of the fair hair. When the reflection of fiery living This forehead was beautiful. There are the shadow s pallor covered their shadow s in agony; In these orbits - hollow, denigrated! -
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Feb 25, 2018
Feb 25, 2018 at 5:14 PM UTC
ghastly sight
Spanish La luna es pálida y triste, la luna es exangüe y yerta. La media luna figúraseme un suave perfil de muerta… Yo que prefiero a la insigne palidez encarecida De todas las perlas árabes, la rosa recién abierta, En un rincón del terruño con el color de la vida, Adoro esa luna pálida, adoro esa faz de muerta! Y en el altar de las noches, como una flor encendida Y ebria de extraños perfumes, mi alma la inciensa rendida. Yo sé de labios marchitos en la blasfemia y el vino, Que besan tras de la orgia sus huellas en el camino; Locos que mueren besando su imagen en lagos yertos… Porque ella es luz de inocencia, porque a esa luz misteriosa Alumbran las cosas blancas, se ponen blancas las cosas, Y hasta las almas más negras toman clarores inciertos! English The moon is pallid and sad, the moon is bloodless and cold. I imagine the half-moon as a profile of the dead… And beyond the reknowned and praised pallor Of Arab pearls, I prefer the rose in recent bud. In a corner of this land with the colors of earth, I adore this pale moon, I adore this death mask! And at the altar of the night, like a flower inflamed, Inebriated by strange perfumes, my soul resigns. I know of lips withered with blasphemy and wine; After an **** they kiss her trace in the lane. Insane ones who die kissing her image in lakes… Because she is light of innocence, because white things Illuminate her mysterious light, things taking on white, And even the blackest souls become uncertainly bright.
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3.4k
Al Claro De Luna (In The Light Of The Moon)
Spanish La luna es pálida y triste, la luna es exangüe y yerta. La media luna figúraseme un suave perfil de muerta… Yo que prefiero a la insigne palidez encarecida De todas las perlas árabes, la rosa recién abierta, En un rincón del terruño con el color de la vida, Adoro esa luna pálida, adoro esa faz de muerta! Y en el altar de las noches, como una flor encendida Y ebria de extraños perfumes, mi alma la inciensa rendida. Yo sé de labios marchitos en la blasfemia y el vino, Que besan tras de la orgia sus huellas en el camino; Locos que mueren besando su imagen en lagos yertos… Porque ella es luz de inocencia, porque a esa luz misteriosa Alumbran las cosas blancas, se ponen blancas las cosas, Y hasta las almas más negras toman clarores inciertos! English The moon is pallid and sad, the moon is bloodless and cold. I imagine the half-moon as a profile of the dead… And beyond the reknowned and praised pallor Of Arab pearls, I prefer the rose in recent bud. In a corner of this land with the colors of earth, I adore this pale moon, I adore this death mask! And at the altar of the night, like a flower inflamed, Inebriated by strange perfumes, my soul resigns. I know of lips withered with blasphemy and wine; After an **** they kiss her trace in the lane. Insane ones who die kissing her image in lakes… Because she is light of innocence, because white things Illuminate her mysterious light, things taking on white, And even the blackest souls become uncertainly bright.
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30
I was raised by a pack of fools Who proclaim Caucasians are the best. And are glad to fight, at the drop of a hint To put the whole matter to the test. They have an entire joke routine And descriptive names they repeat In minimizing and insisting that Their right to decent treatment isn’t real. There are references to some animals And unfunny comments about color. The statements about characteristics Of body and features always go together With a special set of gross anecdotes To cover any kind of non-Christian belief. And the refusal to consider equality As a decent attitude stands in bright relief. Beneath all this horror, not very deep, Lies a sickening river of hate and fear That fails to improve as education is Rejected year after disgusting year. Pointing out the error of their ways Might earn you a punch in the eye But the bigot hangs on to their rage And never gives fellowship a try. The American Bigot claims to be A staunch Christian all the way through Which forces them to hate and cheat And lie as much as Jesus would do. Of course, we know that Jesus was A preacher of love and acceptance But it seems that bigots never quite Made that Jesus’ acquaintance. So, here we can see we need to add Some terms to this kind of individual Whose relationship to peace and love Is at best slight, scant and residual. We also need to append to their titles Of masters of anger fear and prejudice The unhealthy pallor of indecency, Dishonesty, inhumanity and cowardice.
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Apr 4, 2016
Apr 4, 2016 at 11:33 PM UTC
BIGOTRY 101
I was raised by a pack of fools Who proclaim Caucasians are the best. And are glad to fight, at the drop of a hint To put the whole matter to the test. They have an entire joke routine And descriptive names they repeat In minimizing and insisting that Their right to decent treatment isn’t real. There are references to some animals And unfunny comments about color. The statements about characteristics Of body and features always go together With a special set of gross anecdotes To cover any kind of non-Christian belief. And the refusal to consider equality As a decent attitude stands in bright relief. Beneath all this horror, not very deep, Lies a sickening river of hate and fear That fails to improve as education is Rejected year after disgusting year. Pointing out the error of their ways Might earn you a punch in the eye But the bigot hangs on to their rage And never gives fellowship a try. The American Bigot claims to be A staunch Christian all the way through Which forces them to hate and cheat And lie as much as Jesus would do. Of course, we know that Jesus was A preacher of love and acceptance But it seems that bigots never quite Made that Jesus’ acquaintance. So, here we can see we need to add Some terms to this kind of individual Whose relationship to peace and love Is at best slight, scant and residual. We also need to append to their titles Of masters of anger fear and prejudice The unhealthy pallor of indecency, Dishonesty, inhumanity and cowardice.
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40
What passing-bells for these who die as cattle? Only the monstrous anger of the guns. Only the stuttering rifles' rapid rattle Can patter out their hasty orisons. No mockeries now for them; no prayers nor bells; Nor any voice of mourning save the choirs, – The shrill, demented choirs of wailing shells; And bugles calling for them from sad shires. What candles may be held to speed them all? Not in the hands of boys but in their eyes Shall shine the holy glimmers of goodbyes. The pallor of girls' brows shall be their pall; Their flowers the tenderness of patient minds, And each slow dusk a drawing-down of blinds
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3k
Anthem Of Doomed Youth
Above the forest of the parakeets, A parakeet of parakeets prevails, A pip of life amid a mort of tails. (The rudiments of tropics are around, Aloe of ivory, pear of rusty rind.) His lids are white because his eyes are blind. He is not paradise of parakeets, Of his gold ether, golden alguazil, Except because he broods there and is still. Panache upon panache, his tails deploy Upward and outward, in green-vented forms, His tip a drop of water full of storms. But though the turbulent tinges undulate As his pure intellect applies its laws, He moves not on his coppery, keen claws. He munches a dry shell while he exerts His will, yet never ceases, perfect **** To flare, in the sun-pallor of his rock.
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3.1k
The Bird With The Coppery, Keen Claws
slippery light boasts languid limbs gestating in mercurial puddelings awaiting the destruction of their tender shafts by some pale passing fle(she bears its ethereal glow on her pallor in the second of that truculent divergence )
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May 5, 2010
May 5, 2010 at 11:45 PM UTC
slippery light boasts
It's torture, The way that he stalks her, Mina, Mina, Like some childish chant, He calls her name, We chant too, Master, master, notice us, Love us, want us, worship us, Because we worship you, And I have seen seasons pass in an unblinking eye, How can I sleep when you are always awake? Entertaining guests in the parlour room, My pallor turns deathly when you speak her name, Your next engagement is the chill in my tomb, The fear I feel in her heartbeats makes my teeth hurt, They turn into fangs with the bitterness I spit, When you take her throat, I see red, But I cannot admit these things to my absent soul, By you I am vilified, Like Christ I'd rather be crucified, My wedding dress you nullified, Let light stream in and burn me alive, Burn me dead, After aeons since the first I thought this bond was unbreakable, 1, 2, 3, women you have guided into your hell, Still your thirst is unslakeable, - But what did I expect? Denn die Todten reiten schnell. (Translation: Because the dead travel fast.)
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Feb 26, 2015
Feb 26, 2015 at 5:40 PM UTC
Dracula's Bride
peril is not what i fear, i fear your death at such a scintilla of contentment how can i love you for such distorted exaltation, if it is love at all she has sunned only her heart, a weathered inamorata of gangrenous pallor timid and stark naked in the swirling moonlight, blood viscous and ripe to drink, she speaks at last: i cannot be your lover. in retrospect, the affair was a whim; lithe but so bitter love is not divine will, but tenacious valor as i have learned as anything have i disrupted your cadence?
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Apr 5, 2017
Apr 5, 2017 at 5:59 PM UTC
ride
Tonight, my god, tonight! I will meet you, the first and last time. Your cloak and dagger existence, your pallor of decay, your dark dreams. I will walk from this comfort to the hill by the moon. Water rushing somewhere below us. I will find you there. Patiently waiting. Chess board before you, sickle in hand. I will meet Death tonight. I will laugh at him, turn my nose at him. I will take the challenge. I will rise to the occasion. Tonight, my god Tonight! I will be immortal.
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Dec 15, 2010
Dec 15, 2010 at 5:24 PM UTC
The meeting.
He slumps, grumbling at the air a grunt, no more admittance of awareness minimising risk of developing interest grunt the glow across his face pale a reflective pallor shows us his day has spent him inside grunt nourishment calls a gutted feeling deeper than his alienation as food is not forthcoming he tries to sing grunt in letting go his newfound voice an interrupted squawk so disgusted he uhgs hiding himself again grunt daily untouched but for lonely nights when in consolation he hands himself to the bounty of the sickened screen grunt and gurgles in unity, at one with images which champion his waking hours, forcing him unconsenting and confused grunt
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May 14, 2013
May 14, 2013 at 9:14 PM UTC
The Grunt
Beach Goths melting into black puddles The tide's coming in It shimmers like a heavy metal Crucifix Paste wasted as it saturates in glitter The sun's warm pallor on the purest white Foundation UV rays penetrate like Guillotines, ghoulish things From a bygone era There's a hearse parked in the sand The tide's coming in For quite a maudlin little oil spill
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Mar 26, 2013
Mar 26, 2013 at 7:42 PM UTC
Beach Goths