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"pacts" poems
Alone I stand, Forgotten how to trust, A title I am brand, For the knife in my back ****** In envious lust, A pack once thought, Once united as one, A battle together once fought. Till our pack shrivelled down to none, Now alone, In haunting silence, No pacts just on my own, In daunting defiance, Forgotten, With all the loyalties won in wars, My trust wilted and rotten, Torn by deceits hateful claws, A Wounded wolf still raw, A lone wolf forever will I be, A wounded wolf with scars I wore, A lone wolf for everyone to see.
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Dec 3, 2012
Dec 3, 2012 at 1:24 PM UTC
Lone Wolf
Holocaust Poem: "On The Slaughter" by Chaim Nachman Bialik loose translation/interpretation by Michael R. Burch Merciful heavens, have pity on me! If there is a God approachable by men as yet I have not found him— Pray for me! For my heart is dead, prayers languish upon my tongue; my right hand has lost its strength and my hope has wilted, undone. How long? Oh, when will this nightmare end? How long? Hangman, traitor, here’s my neck— rise up now, rise and slaughter! Behead me like a dog—your arm controls the axe and the whole world is a scaffold to me although we—the chosen few— were once recipients of the Pacts. Executioner, my blood’s a paltry prize— strike my skull and the blood of innocents will rain drenching your pristine uniform again and again, staining your raiment forever. If there is Justice—quick, let her appear! But after I’ve been blotted out, should she reveal her face, let her false scales be overturned forever and the heavens reek with the stench of her disgrace. You too arrogant men, with your brutal injustice, suckled on blood, unweaned of violence: cursed be the warrior who cries "Vengeance!" on a maiden; such cruelty was never contemplated, even by Satan. Let innocents’ blood drench the abyss! Let innocents’ blood seep down into the congealing darkness, eat it away and undermine earth's rotting foundations. Al Hashechita ("On the Slaughter") was written by Chaim Nachman Bialik in response to the ****** Kishniev pogrom of 1903, which was instigated by agents of the Czar who wanted to divert social unrest and political anger from the Czar to the Jewish minority. The Hebrew word schechita (also transliterated shechita, shechitah, shekhitah, shehita) denotes the ritual kosher slaughtering of animals for food. The juxtapositioning of kosher slaughter with the slaughter of Jews makes the poem all the more powerful and ghastly. Such anti-Semitic incidents prompted a massive wave of Eastern European emigration that brought millions of Jews to the West. Unfortunately, there have been many similar slaughters in human history and the poem remains chillingly relevant to the more recent ones in Israel/Palestine, Rwanda, Bosnia and Kosovo. Keywords/Tags: Holocaust, poem, Bialik, translation, slaughter, massacre, God, prayer, executioner, hangman, blood, innocents, justice, false, scales, injustice
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Mar 12, 2020
Mar 12, 2020 at 4:00 AM UTC
Chaim Nachman Bialik "On The Slaughter" translation
Holocaust Poem: "On The Slaughter" by Chaim Nachman Bialik loose translation/interpretation by Michael R. Burch Merciful heavens, have pity on me! If there is a God approachable by men as yet I have not found him— Pray for me! For my heart is dead, prayers languish upon my tongue; my right hand has lost its strength and my hope has wilted, undone. How long? Oh, when will this nightmare end? How long? Hangman, traitor, here’s my neck— rise up now, rise and slaughter! Behead me like a dog—your arm controls the axe and the whole world is a scaffold to me although we—the chosen few— were once recipients of the Pacts. Executioner, my blood’s a paltry prize— strike my skull and the blood of innocents will rain drenching your pristine uniform again and again, staining your raiment forever. If there is Justice—quick, let her appear! But after I’ve been blotted out, should she reveal her face, let her false scales be overturned forever and the heavens reek with the stench of her disgrace. You too arrogant men, with your brutal injustice, suckled on blood, unweaned of violence: cursed be the warrior who cries "Vengeance!" on a maiden; such cruelty was never contemplated, even by Satan. Let innocents’ blood drench the abyss! Let innocents’ blood seep down into the congealing darkness, eat it away and undermine earth's rotting foundations. Al Hashechita ("On the Slaughter") was written by Chaim Nachman Bialik in response to the ****** Kishniev pogrom of 1903, which was instigated by agents of the Czar who wanted to divert social unrest and political anger from the Czar to the Jewish minority. The Hebrew word schechita (also transliterated shechita, shechitah, shekhitah, shehita) denotes the ritual kosher slaughtering of animals for food. The juxtapositioning of kosher slaughter with the slaughter of Jews makes the poem all the more powerful and ghastly. Such anti-Semitic incidents prompted a massive wave of Eastern European emigration that brought millions of Jews to the West. Unfortunately, there have been many similar slaughters in human history and the poem remains chillingly relevant to the more recent ones in Israel/Palestine, Rwanda, Bosnia and Kosovo. Keywords/Tags: Holocaust, poem, Bialik, translation, slaughter, massacre, God, prayer, executioner, hangman, blood, innocents, justice, false, scales, injustice
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36
Too many eyes watching Too many ears listening Too many ideals capsizing Too many thoughts sinking... And dreams drowning. Too many drops fallen Too many smiles forsaken Too many times beaten Too many hearts left shaken... And promises broken. Too many questions asked Too many answers hidden Too many faces masked Too many hands bitten... And people forgotten. Too many words said Too many pacts fade Too many boundaries laid Too many rules made... And games played. Too many secrets entombed Too many feelings consumed Too many ill thoughts bloomed Too many enemies groomed... And hate campaigns resumed. Too many... A plethora too many Too many... We choose not to see Too many... Taken far too lightly Too many... There's just *too many, too many...*
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Nov 14, 2014
Nov 14, 2014 at 3:42 AM UTC
Too Many, Too Many
i loved you, right a love unreturned, unrequited but alas, still stoked by little miners with hearts of brass their iron faces grimacing at the task, little beads of lots of sweat dripping down their taut frowns. so what i meant to say is that i love you, right, and it’s a love that still burns, bright, enough to bring the boys home but let’s be honest it wouldn’t best the sun, but **** it’s a terrible light, it throws everything into a soft relief where pretty, soft voiced sheep say pretty, soft voiced things like ‘it’s okay to feel this way’ ‘i want you to be happy’ ‘she sounds amazing’ and other things that normal people tell me mean that either i don’t love you or i’m moving on. they don’t understand though, i mean, i love you, right, though all that sheep **** makes it sound as if i’m waving you off, smashing the celebratory champagne on your bow, waving you off into the distance with a lacy hanky, joyful tears cascading down my powdered cheekbones, i’m greedy maybe even, needy, a disgusting word and even if i make pacts with myself to the order of ‘he can do so much better’ ‘i am damaged goods’ and other associated half truths i’d be a liar if i said that i would kick you out of bed or even rebuke the slightest of advances, no i’d take my chances and i cannot bear it, really i’d touch you and whatever wholeness whatever someone else would parse as clean or pure or holy wouldn’t disintegrate, no wouldn’t tarnish, no would most probably just implode under the combined pressure of emotionally-mentally-fucked-in-the-head-doe (where the **** do you think the miners got all that coal) so, yes… wait. no? i love you, right but just ignore it enjoy the lights please remember them tell your friends and cherish them until they are taken by death, drink, dementia but i’m sure your mum, teacher, or television long ago informed you that bright lights are detrimental to vision so think of your future and forget now if you’re tempted by how i look at you remember how sunburn seems innocuous until you see your skin and sunscreen pretty useless ‘til you learn the sun will win and the best way to avoid dainty melanoma is to go inside and lock your door and act like you don’t know her.
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Oct 9, 2012
Oct 9, 2012 at 11:51 PM UTC
Left
i loved you, right a love unreturned, unrequited but alas, still stoked by little miners with hearts of brass their iron faces grimacing at the task, little beads of lots of sweat dripping down their taut frowns. so what i meant to say is that i love you, right, and it’s a love that still burns, bright, enough to bring the boys home but let’s be honest it wouldn’t best the sun, but **** it’s a terrible light, it throws everything into a soft relief where pretty, soft voiced sheep say pretty, soft voiced things like ‘it’s okay to feel this way’ ‘i want you to be happy’ ‘she sounds amazing’ and other things that normal people tell me mean that either i don’t love you or i’m moving on. they don’t understand though, i mean, i love you, right, though all that sheep **** makes it sound as if i’m waving you off, smashing the celebratory champagne on your bow, waving you off into the distance with a lacy hanky, joyful tears cascading down my powdered cheekbones, i’m greedy maybe even, needy, a disgusting word and even if i make pacts with myself to the order of ‘he can do so much better’ ‘i am damaged goods’ and other associated half truths i’d be a liar if i said that i would kick you out of bed or even rebuke the slightest of advances, no i’d take my chances and i cannot bear it, really i’d touch you and whatever wholeness whatever someone else would parse as clean or pure or holy wouldn’t disintegrate, no wouldn’t tarnish, no would most probably just implode under the combined pressure of emotionally-mentally-fucked-in-the-head-doe (where the **** do you think the miners got all that coal) so, yes… wait. no? i love you, right but just ignore it enjoy the lights please remember them tell your friends and cherish them until they are taken by death, drink, dementia but i’m sure your mum, teacher, or television long ago informed you that bright lights are detrimental to vision so think of your future and forget now if you’re tempted by how i look at you remember how sunburn seems innocuous until you see your skin and sunscreen pretty useless ‘til you learn the sun will win and the best way to avoid dainty melanoma is to go inside and lock your door and act like you don’t know her.
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93
This is a time of separating paths but pacts need not be broken. You and I will know. Know all the cars that cross the border past the weathered sign. Welcome To A Brand New Place I can see your face reading the words but your lips don't move your eyes don't blink. Stand over the bridge and let pebbles fall into the river. I needn't hold on to these former times I find they remain. This is a time. Blessed are those able to relinquish control to the trees. Blessed are the trees whose falling leaves fertilize the soil. You sit there steering wheel in hand facing something and saying so this is God I am a mere child once more.
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May 2, 2015
May 2, 2015 at 6:08 PM UTC
Border Towns
I'm a captured tooth nerve amalgam appeased restrained in containment by my keeper then I can be a prisoner escaping the jail my warder has lost the keys of control on dark days my fathoms swirl in murky mass infused with blinding kelp on good days my porthole shows clearness of eye the glass reflects well just to confuse my ores composition is misunderstood the translation metamorphic changing minute by minute hour by hour these ones are buggers my microscope isn't good with definition will I or wont I who knows my borders are contested being diplomatic I make pacts and treaties no monicker is required the tried and tested gentleman's agreement that will do   my margins can be thick or thin comments fit in usually they range between insult and praise depending on the mood I oft go to open cut mines to find common minerals which are useful on a daily basis real effort is called for when I delve into deep shafts sometimes gems are quarried precious ones to behold well enough said a letter is to be written dear meditative home we're returning soon if we're delayed after hours p.s. leave the porch light on
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Oct 16, 2013
Oct 16, 2013 at 5:52 AM UTC
Metaphors For Thoughts
Promises are words, Not bonds. As with other words They can be shallow Empty Sarcastic Meaningless. So beware of promises, Especially the implausible. Fortunately, Everyone can promise, Even you. So promise them back, Give what they deserve. Promises are words, Not pacts.
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Sep 29, 2010
Sep 29, 2010 at 2:45 PM UTC
Promises
Aflutter by Michael R. Burch "This rainbow is the token of the covenant, which I have established between me and all flesh."—Yahweh You are gentle now, and in your failing hour how like the child you were, you seem again, and smile as sadly as the girl (age ten?) who held the sparrow with the mangled wing close to her heart. It marveled at your power but would not mend. And so the world renews old vows it seemed to make: false promises spring whispers, as if nothing perishes that does not resurrect to wilder hues like rainbows’ eerie pacts we apprehend but cannot fail to keep. Now in your eyes I see the end of life that only dies and does not care for bright, translucent lies. Are tears so precious? These few, let us spend together, as before, then lay to rest these sparrows’ hearts aflutter at each breast. Published by The Lyric, Poetry Life & Times and The Eclectic Muse NOTE: This is a poem about a couple committing suicide together. The “eerie pact” refers to a bible verse about the rainbow being a “covenant,” when the only covenant human beings can depend on is the original one that condemned us to suffer and die. That covenant is always kept perfectly. Keywords/Tags: Gentle, heart, flutter, aflutter, death, dying, suicide, euthanasia, pact, tears, hospice, hemlock, arsenic, rest in peace
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Mar 4, 2020
Mar 4, 2020 at 3:42 AM UTC
Aflutter
Bonobos chimps Live conflict free Through mutual *** Dogs make pacts Through playing games With instagram smells Cats connect Gland to gland Cheek to cheek Worker bees Leaf-cutter ants Naked mole rats Honey hive Tropical trail Tunnel twists We obstruct We confound We distract each other Our entropy portrait shows The not civilized need To nurture our nature
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Oct 12, 2018
Oct 12, 2018 at 11:52 PM UTC
CIVILIZATION
The continuous pondering of life after death has recently plagued our existence This might be a hindrance for our previously unfailing pious persistence Thoughts arise that cause an imbalance in the tumultuous mind Free you, they might, of the pacts into which you yourself do bind Magnanimous flatulence shall reign unbridled upon the fields of plenty But the door to unanimous qunatipulation shall come unhinged on the count of twenty Promiscuity leads to a mind frame disgusted by a joyous initiation Humongous amounts of gelatinous goo shall be written off as depreciation Pig tails and concubines disperse with molecular ease While the dead paperweights converse heatedly in Cantonese May these words sit upon you, heavy as the dark interstellar skies May your brain be confounded, let no infallible logic suffice
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Oct 16, 2013
Oct 16, 2013 at 9:29 AM UTC
Weekly ranting and ravings of an unbalanced mind
One year down the road, two years back behind. Neither has a sign saying closed, not that we would pay it any mind. Indecision is killing us choking so hard we can barely breathe. I buried all of our trust and then beg you not to grieve. While it’s always been you I adore I can’t decide if I love or hate myself more. It eats me alive just like cancer but I know and I show, us both the real answer. Try to illustrate your soul but my pallet’s lacking the tones. I tried to pay the tickets and toll by trading sticks and stones. A promise I should’ve kept, but sometimes it’s just too hard, and so I watched as you wept just as predicted by the tarot card. While it’s always been you I adore it’s been the wrong side I’ve been fighting for. I chose my tactics and my plays, to get through that it’s true, It’s still you all time and always. She says “don’t call me kid, don’t call me baby, when you do that **** it makes me feel crazy.” “You can’t even look me square in the face, and you’ve always had an accent I just couldn’t place.” She says “don’t call me kid, don’t call me love, you took everything that I ever dreamt of all of it is now poisoned laced, or you tried to erase but it can’t be replaced.” I could never put her on a shelf; These aren’t feelings I’ve ever felt just for anyone else. I’m sure she knows **** well, for her I’d crawl my body through hell. All time and always.
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Aug 5, 2025
Aug 5, 2025 at 10:23 AM UTC
Promises & Pacts
It’s not always ***** And glass slippers Handsome gloved fingers impeccably asking for Just one dance There aren’t always fairies with good intentions And neatly pressed dresses Popping out from Rose bushes while you cry to A mother grave Sometimes dirt under fingernails Doesn’t come off Sometimes you learn to live by Snatching crusts thrown in Hot fires so you Reach in to hunger And come out with scarred fingers covered in ashes Chores are not always performed By animated, peeping creatures And instead you know their presence in the dark as Whispered tails run over your ratty hem It’s not always a fairy-tale Sometimes you sing harshly To the tune of a whip on your back As the words **** from the cinders Ring in your ears But sometimes clever fingers steal material Working late into the night And pacts made with older Magic’s Help you bewitch a prince so he sees Only you And sometimes you get to watch blood fall On your wedding dress as your tormentors eyes Are plucked out by winged doves And you do feel happy In the sunlight Until in the dark, again Hands run over you, whispering then Biting like the rats And you realize, lying back That you have traded one form of servitude For another And happily-ever-after has Only just begun.
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Sep 2, 2009
Sep 2, 2009 at 7:46 PM UTC
Sleeping with mice
I was terrified of my reflection once.   I would scratch my self to tear apart every imperfection, every flaw , every single defect. Unhappy with myself That every night I would be Making pacts with the Devil to become beautiful . Then devil listened and he brought me you.... To tear me apart into shreds To strip my innocence The beauty I did not appreciate It was your greatest appetite Demonic eyes Should have never looked Piercing lips Should have spoke up Hateful touch Should have scream You were evil And I danced among every movement I hate you You were gargoyle every night standing it's post by my bed To scratch my helplessly body I hate you I wish I appreciate my innocence because then I don't think the devil's angel would have ever pay me a visit
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Mar 29, 2015
Mar 29, 2015 at 7:36 AM UTC
I wish
with unencumbered pink flourish she strips knickers down and dress shruggled brisk over her head a flit of no patience for my timid bow she clocks my eyes senses are abled then blasted overwhelm with her **** light it radiates exposed armpits huff glowing mist her groin blazes at me stricken to match but my male has no luminosity and no athlete or brute *** form either she must have liked our bar dance or the alcohol defect or she might even have bin soft for the random humour i worded her wooded way she reflects and we are minded and shyly i lump off my boots scuffle my clothes to the ground and embrace for the pacts effect everything becomes animal our playful selves step in take sleeve over us makes us kinetic cadaverliers strobic and i’m all muzzle and snout oder out of control and slurring eyes and hooked hands grubbing foreign soft hummocks and we brandish the moon and charge on frantic stimulus it's all fleshed out in front of us this splay
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May 18, 2024
May 18, 2024 at 11:43 AM UTC
nuzzle
The past is the time that we have lived already; the times we've made our mistakes and the times we've created memories. The past is the time that doesn't last. We only know how important it was after it's done. But why can't we just realize the good things while they're happening? If we could freeze time, everything would turn out perfectly. Our past consists of many moments we reminisce of, but those moments wouldn't have happened without some people. The people we create bonds and friendships with, and if you're lucky you'll create the most amazing friendship with one person; and you never know, but that person might just end up being your hero. You'll love everything about them; their smile, their personality, their words or even their voice. You'll share your interests such as songs, poems or even just whatever makes you H.A.P.P.(Y) These people are the people that you would do anything for. You would do whatever it takes just to make them happy. And this person would give up their happiness just to see you smile. I guess my point is: memories would not be made without the people who mean the world to us. Don't get me wrong, I love my life and how it's turning out, all I'm saying is that I think it's okay to re-live those moments that gave you butterflies and shivers. So take the risks; ask that person to dance at the school dance, tell that person how you really feel about them, make pacts so that you know your friendship will last forever. Take the risks, before it's too late. They say "you can't start the next chapter of your life if you keep re-reading the last one" But the truth is, I don't know if I'm ready to let go of the past, and frankly, I don't know if I ever will be.
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Dec 13, 2013
Dec 13, 2013 at 4:08 PM UTC
What is the past?
The past is the time that we have lived already; the times we've made our mistakes and the times we've created memories. The past is the time that doesn't last. We only know how important it was after it's done. But why can't we just realize the good things while they're happening? If we could freeze time, everything would turn out perfectly. Our past consists of many moments we reminisce of, but those moments wouldn't have happened without some people. The people we create bonds and friendships with, and if you're lucky you'll create the most amazing friendship with one person; and you never know, but that person might just end up being your hero. You'll love everything about them; their smile, their personality, their words or even their voice. You'll share your interests such as songs, poems or even just whatever makes you H.A.P.P.(Y) These people are the people that you would do anything for. You would do whatever it takes just to make them happy. And this person would give up their happiness just to see you smile. I guess my point is: memories would not be made without the people who mean the world to us. Don't get me wrong, I love my life and how it's turning out, all I'm saying is that I think it's okay to re-live those moments that gave you butterflies and shivers. So take the risks; ask that person to dance at the school dance, tell that person how you really feel about them, make pacts so that you know your friendship will last forever. Take the risks, before it's too late. They say "you can't start the next chapter of your life if you keep re-reading the last one" But the truth is, I don't know if I'm ready to let go of the past, and frankly, I don't know if I ever will be.
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21
At playtime, we skipped hand in hand making whispered pacts of forever when the bell rang, we ran towards the sound or maybe it was away from it it doesn't matter our breath would smoke as we hit the cold air, our shoes would catch and click along the pavement as we went the weight of our secrets would press through our skin, through the soles of our feet as we placed them, one foot in front of the other foot, onto the tarmac leaving footprints with our pain but we didn't care, as long as we could skip, hand in hand tomorrow
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Dec 11, 2014
Dec 11, 2014 at 7:34 AM UTC
Playtime
Lead me along to the end of the line Where I’ll take all my woes and leave them behind Step by step the world draws near When time resumes so will the fear Fight, fight, fight It burns, this raging of the light These walls have stood strong from the day they were risen So now begins the cataclysm It shakes and shakes, right to the hollow in my heart It break and breaks, the walls begin to part With silver string I try to tend Frantic stitching meant to mend Silver straining to hold the pacts Struggling to close the growing cracks But in the end the walls cannot hold In the end my defenses fold And in and in the tides invade The one thing that all have obeyed The time, the time It is here Now there is no stage for fear The stone does crumble The earth does rumble Dodge the rocks as they tumble For here is the wave as it washes through Even if you have not a clue Wave your arms and kick your legs Swim the currents you must brave So I swim, I swim for the shore Sink fingers in the beach, aching and sore I’ve lost the silence I knew before Wild and untamed life abound Terrifying beauty does surround Ecstasy and agony walk hand in hand As I roll to my back on this bed of sand The gilded cage is torn asunder Bared to the world, this splendid wonder You led me along to the end of the line Hiding from the world was my crime Take a deep breath Prepare for immensity Take a big step Because courage is necessity
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Jun 15, 2014
Jun 15, 2014 at 3:41 AM UTC
The Wave
Maybe the wind has blown you Or the waves have washed ashore A song of love by two hearts Written in a romantic harbor They perfected each memory, As countless as the grains of sand, Breathed devotion as deep as the sea In this tropical dreamland They weaved a vow of love As vast as the boundless sky And promised to stay with much fervor Beyond the end of time Some pacts fade with the changing season But love made in this harbor stays And so any hearts that here make a vow Remains in love, forever and always.
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Feb 29, 2012
Feb 29, 2012 at 3:49 AM UTC
Entwined Forever
I loved him and he loved poetry he loved me and I loved the rosary around his razor-nicked throat, I lit a candle for him below the window, and I let him in just as god told me not to, I let him in through frosted windows and blood pacts he found sick ways to keep my heart intact guns and langer's lines, his lips and poisoned wines he slid his hand into my pocket and took the church key wrote about a girl with blue eyes and told me it was me - and that night I had dream that he let me die he let me die, just as god had told him not to, he let me die.
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Jul 1, 2014
Jul 1, 2014 at 5:45 PM UTC
We broke our mirrors
Curling tendrils of darkness Grasp hold/ties knots Around vulnerable Fluffy girls Whispercreep Up veiny esophagus~ Choke hold on slimy tongues. Spread to limbs Phalanges like spears. Envelop whole spirits In pacts of starvation~ Death is fun. Bones are beautiful, Sharp lines and creases~ Curves don't compare Such incubi (leeches) Munch on self esteem Unzip their skin bags And leap out Leaving nothing But carcasses
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Mar 30, 2013
Mar 30, 2013 at 11:45 PM UTC
Sharp tongues
You send me a song every Wednesday, a soul offering; a slice of the strange radioactive lunatic madness - love- growing inside your wonderland. (It is not a cancerous tumour, please stop calling it that.) You say it is dark, the Arctic's lover; I say it is dark, like velvet punk music and stained checked shirts and almost-blood wine (in shared glasses); like the colour of your skin. Come on. We've both been more fascinated by the depths of the ocean than the blue glass surfaces. Isn't that why we fell into bottomless black holes and called it love? Isn't that why we branded ourselves poets, seared the red hot poker labels onto our backs, so that we wouldn't have to say we're just sad...? Yes, we are carefully disintegrating; the world already gave us a head-start by curling our spines into the snakelike 'S' It was preparing us for our careful meandering into a river mess: living. No doubt, in the pool depths of African evenings, you drink, vodka-tinged cereal or tea,   the glass Roobios surface reflecting a lover's face and the boredom of sadness. No doubt, I drink to you, coffee or warm milk, to try and wake myself into dying without a purpose. No doubt, we both drink the night itself. And let it fester in our veins, to curdle our blood into that same wine-shade of darkness. We drink. Virginia Woolf had courage, Sylvia Plath had courage, Ernest Hemingway had courage, you and I don't. We are too fearless to live. So we drink and clutch at each other desperately without reaching out a single finger. We form shotguns with our hands, make pacts, go home again. And drink. We are helping each other to die and live at the same time. We are helping each other to try fit the day too into our arteries. You send me a song every Wednesday; this song will save our existence.
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Aug 20, 2015
Aug 20, 2015 at 6:22 AM UTC
Wednesdays
You send me a song every Wednesday, a soul offering; a slice of the strange radioactive lunatic madness - love- growing inside your wonderland. (It is not a cancerous tumour, please stop calling it that.) You say it is dark, the Arctic's lover; I say it is dark, like velvet punk music and stained checked shirts and almost-blood wine (in shared glasses); like the colour of your skin. Come on. We've both been more fascinated by the depths of the ocean than the blue glass surfaces. Isn't that why we fell into bottomless black holes and called it love? Isn't that why we branded ourselves poets, seared the red hot poker labels onto our backs, so that we wouldn't have to say we're just sad...? Yes, we are carefully disintegrating; the world already gave us a head-start by curling our spines into the snakelike 'S' It was preparing us for our careful meandering into a river mess: living. No doubt, in the pool depths of African evenings, you drink, vodka-tinged cereal or tea,   the glass Roobios surface reflecting a lover's face and the boredom of sadness. No doubt, I drink to you, coffee or warm milk, to try and wake myself into dying without a purpose. No doubt, we both drink the night itself. And let it fester in our veins, to curdle our blood into that same wine-shade of darkness. We drink. Virginia Woolf had courage, Sylvia Plath had courage, Ernest Hemingway had courage, you and I don't. We are too fearless to live. So we drink and clutch at each other desperately without reaching out a single finger. We form shotguns with our hands, make pacts, go home again. And drink. We are helping each other to die and live at the same time. We are helping each other to try fit the day too into our arteries. You send me a song every Wednesday; this song will save our existence.
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62
Her cheeks, alive with red wine, will catch eyes. Sized up/sighed off guys still spy from ringside. Sideline surfers curse. Analyze their worth. Turpentine and Turf giving birth to hurt. Her body is the Earth. Insides, the sky. Coincide: heaven. Mt. Olympus thighs. Miles high, priests would die or--least of all--feast. Bleating sheep cease to be. Lie still, deceased . . . A little . . . lying still. Shy beast survived. Rings: still-born. Pacts of love unpacked to die. Distilled vice, hiked-up skirts and hiccuped "Hi"s. Crying mind aside, high at hammered time.
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Oct 24, 2015
Oct 24, 2015 at 10:45 PM UTC
Fish and Steak Smoking in a Dive
no one is real all cares are centered around themselves when they will smoke their next cigarette who's lips they will place their's on tonight what girl they will fake a smile to what boy they will pretend they never loved no one is original all thoughts are synced together shave half theirselves away in pacts appoint the men they will claim the girl they will blame this has to be one big joke and i don't get the punchline
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Jul 30, 2011
Jul 30, 2011 at 10:48 AM UTC
cookie cutter pt.2
in traveling letters from you I feel that we too could visit Barcelona, or a far off European museum filled with righteous Athenian romances layered with Greek sculptures. In lieu of studying the curves of their form we’d rather find ourselves taking in our bodies, yours being far more interesting, forever, than those all beautiful, ivory, and headless. When I receive Frank O’ Hara in mornings over coffee rolling off your tongue and into a black roasted cloud; I smell even the greyest of overcasts—- our bodies pressing against solemn and still in some bright yellow cab wedged between the bustling bikes and buses of New York City. It is only appropriate because you are as aesthetically striking as a skyscraper, because your mind is as vibrant as every neon light guiding me like a moth straight back into your shape. When I receive Frank O’ Hara in our first apartment, may it be ideal or busted, begin with one block of prose framed against the entrance wall as the eggs cook contrarily, its yoke the orange color of evening light. Warm near the ashtrays centered for our guests filtering to and fro. Small in pacts and lovely like neighborhood flowers. We’ll press our bellies side by side, the corners of our bed holding and map Madrid, or even further to Japan, with our fingers tracing like constellations upon the rest of the empty spatial plaster. Left that way for only his words and the rest that is left between us; all that is naked and unspoken.
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Nov 30, 2012
Nov 30, 2012 at 1:38 AM UTC
When I Receive Frank O' Hara
Grandfather's are full of stories Fairy tales and rhymes Jokes from books and lots of laughs To keep your strong in your stride. They collect the coolest things From stamps to golf ***** Keeping things entertaining When you're bored or bouncing off the walls. They never tell a lie But sometimes stretch the truth long But how could they be Grandpa Without singing you a wild song? There's something in their smile That keeps you happy all around With a twinkle in their eye Their love knows no bounds. They have the knowledge of the world And some simple daily facts They keep your imagination running wild And always keep your secret pacts. Don't underestimate Grandpa's Cause they might lead you for a surprise They're strong, they're fast, they're super smart No one should mess with these guys. So remember to love your Grandpa And stop to hear a story or two Cause even when you think they won't They'll always look out for you!
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Nov 23, 2010
Nov 23, 2010 at 1:56 PM UTC
"Grandfather's" - I wrote this for my Grandfather