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"overwrought" poems
--- Will somebody please Slow down the train It's going through hills And rough terrain I tried to be the engineer But that didn't work This much is clear I can't run, I can't roam I can't DO LIFE ON MY OWN. I'm on a ride that I can't bear Filled with loneliness... despair Not knowing how, which way to turn I will go the way I've learned. I won't harbor hatred in my heart I know my love and I must part But I don't think of him as bad We've broken up, and that is sad But I want my family here on this site Know that lately I haven't been right... My mind is distraught And overwrought I can hardly follow My train of thought Please forgive me I'm slipping my gears I'm haunted by fears Have counted years I'm sure sorry this affects you It seems like I'm untrue I want all poets here on HP To very kindly PRAY FOR ME. SEND GOOD THOUGHTS In your own way. I will also be in prayer For I have now met The Engineer SoulSURVIVOR 5/4/2015
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May 4, 2015
May 4, 2015 at 4:00 PM UTC
The Train
Lennon told me Paul was strawberry George reminded me love trumps lord Overboard overcome overwrought Flower child fishtailed dovelike all aboard Come together Get yourself together Soldered together Like joint dance banners painted to promote teenage ******* to youth Tied us into our best days ahead of us Chained to our ***** we swung like gamers Untied to our integrity Wrecking wreaking havoc Ballooned on hubris Hemorrhaging ego unlocked spewing spite I respect good works deeds above good intentions Road paved with broken glass Don’t respect me when I’m gone Tell the folks it’s OK to sing along Let’s spend the night together Talk all night in the altogether Rather gather in clover and heather Happy Ringo’s nest a featherbed Laying lady laid cunning linguist ‘xplain to me in chiefly straight talk Who questions whom?
0
Sep 23, 2013
Sep 23, 2013 at 1:16 AM UTC
Happy Family
i. Fret not, mine antediluvian maiden, For thine lid's art ladened with the the encumbering of this last age. ii. Awakest, ariseth, mine filipina of aureole fushae; for the óres art numbered. iii. Yahweh's knocking at the ventricles of ourn being's; We knoweth the wisdom That God giveth, which Many hath searched- From king's to Queen's. iv. For we art his offspring- mine overwrought baby, For there art none if's nor maybe's; in his Righteous path. v. Verily, yea, the Moon Wilt turn ichor, the Waves as of now art Rising fast, the fish Art washing to the Shore's, the fowl of the heaven's art Falling to the earth. As spoken in Hosea Four-verse three. vi. Believeth in Yeshua mine lady, as the thousands Having visions and dream's; Like me, im a testament to The prophecy coming. vii. Don't be afraid of the mockery that Mayest come, for thine Blood like river's run Into the kingdom of the most high. viii. Soon O' soon we Shalt fly, like sparrow's to their abode; fly-free-spirited Gliding soul's, into the Dominion wherein we shalt know All, wherein the bomb's wilt not fall, and destruction doesn't Exist. A place of sworn bliss, where kisses art created By soulmates of the creator's making. ©Brandon Nagley ©Lonesome poets poetry ©Earl Jane Nagley dedicated ( àgapi mou) dedication
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May 12, 2016
May 12, 2016 at 10:08 PM UTC
En ripí ofthalmoú ( In the twinkling of an eye) greek tongue
You walk to the woods from the mountains too fast; trip over your feet when blades of grass nip at your heels and take up life amongst the low. Flotsam swirls in your wake; silt rises to meet you. The sun sets in deference to your arrival. You walk among a sea of azaleas and fire: bloody-thorned crown: smoke laying low over the ground protecting your footfalls, come to convince me of my damnation, spill mulch in my bed, and track lake water through my rooms. You walk with broken glass in your heels and blood on your cheeks, spilt milk smile and sickly sweet lips, cradling a dead bird and a lead heart in your hands with a gallows leash hanging off your neck, onto the ground. You walk into the house of my elders, the sacred burial ground, the meeting place, the palace, and the bar. You order a scotch on the rocks, a lapis circlet, a book full of secrets, dead man’s blood, and my heart. You walk backwards around the cherry blossom orchard and its overwrought signatures, harrumphing at arrogant petals and snickering birds: politic in reverse and rough lines in slow motion. There is something you forgot: it wears white linen and sits on a rose throne. You loved it, once. You walk to the mountains from the woods, barefoot and starving, caked in mud and licking the shine off your teeth. Your knees are bleeding. Your heart is bleeding
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Jul 9, 2018
Jul 9, 2018 at 11:29 PM UTC
Walking Backwards
Constant in-depth analysis Fear, anxiety, paralysis Over-thinking everything Never-ending internal linguistic string Of preposterous things Obstructing contentment Self-resentment Overwrought Stop thinking already Entomb unwelcome thoughts In a long forgotten cemetery Without a headstone
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Nov 7, 2013
Nov 7, 2013 at 1:50 AM UTC
Without A Headstone
Thou still unravish'd bride of quietness, Thou foster-child of silence and slow time, Sylvan historian, who canst thus express A flowery tale more sweetly than our rhyme: What leaf-fring'd legend haunts about thy shape Of deities or mortals, or of both, In Tempe or the dales of Arcady? What men or gods are these? What maidens loth? What mad pursuit? What struggle to escape? What pipes and timbrels? What wild ecstasy? Heard melodies are sweet, but those unheard Are sweeter; therefore, ye soft pipes, play on; Not to the sensual ear, but, more endear'd, Pipe to the spirit ditties of no tone: Fair youth, beneath the trees, thou canst not leave Thy song, nor ever can those trees be bare; Bold Lover, never, never canst thou kiss, Though winning near the goal yet, do not grieve; She cannot fade, though thou hast not thy bliss, For ever wilt thou love, and she be fair! Ah, happy, happy boughs! that cannot shed Your leaves, nor ever bid the Spring adieu; And, happy melodist, unwearied, For ever piping songs for ever new; More happy love! more happy, happy love! For ever warm and still to be enjoy'd, For ever panting, and for ever young; All breathing human passion far above, That leaves a heart high-sorrowful and cloy'd, A burning forehead, and a parching tongue. Who are these coming to the sacrifice? To what green altar, O mysterious priest, Lead'st thou that heifer lowing at the skies, And all her silken flanks with garlands drest? What little town by river or sea shore, Or mountain-built with peaceful citadel, Is emptied of this folk, this pious morn? And, little town, thy streets for evermore Will silent be; and not a soul to tell Why thou art desolate, can e'er return. O Attic shape! Fair attitude! with brede Of marble men and maidens overwrought, With forest branches and the trodden **** Thou, silent form, dost tease us out of thought As doth eternity: Cold Pastoral! When old age shall this generation waste, Thou shalt remain, in midst of other woe Than ours, a friend to man, to whom thou say'st, "Beauty is truth, truth beauty,--that is all Ye know on earth, and all ye need to know."
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3k
Ode On A Grecian Urn
Thou still unravish'd bride of quietness, Thou foster-child of silence and slow time, Sylvan historian, who canst thus express A flowery tale more sweetly than our rhyme: What leaf-fring'd legend haunts about thy shape Of deities or mortals, or of both, In Tempe or the dales of Arcady? What men or gods are these? What maidens loth? What mad pursuit? What struggle to escape? What pipes and timbrels? What wild ecstasy? Heard melodies are sweet, but those unheard Are sweeter; therefore, ye soft pipes, play on; Not to the sensual ear, but, more endear'd, Pipe to the spirit ditties of no tone: Fair youth, beneath the trees, thou canst not leave Thy song, nor ever can those trees be bare; Bold Lover, never, never canst thou kiss, Though winning near the goal yet, do not grieve; She cannot fade, though thou hast not thy bliss, For ever wilt thou love, and she be fair! Ah, happy, happy boughs! that cannot shed Your leaves, nor ever bid the Spring adieu; And, happy melodist, unwearied, For ever piping songs for ever new; More happy love! more happy, happy love! For ever warm and still to be enjoy'd, For ever panting, and for ever young; All breathing human passion far above, That leaves a heart high-sorrowful and cloy'd, A burning forehead, and a parching tongue. Who are these coming to the sacrifice? To what green altar, O mysterious priest, Lead'st thou that heifer lowing at the skies, And all her silken flanks with garlands drest? What little town by river or sea shore, Or mountain-built with peaceful citadel, Is emptied of this folk, this pious morn? And, little town, thy streets for evermore Will silent be; and not a soul to tell Why thou art desolate, can e'er return. O Attic shape! Fair attitude! with brede Of marble men and maidens overwrought, With forest branches and the trodden **** Thou, silent form, dost tease us out of thought As doth eternity: Cold Pastoral! When old age shall this generation waste, Thou shalt remain, in midst of other woe Than ours, a friend to man, to whom thou say'st, "Beauty is truth, truth beauty,--that is all Ye know on earth, and all ye need to know."
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50
I have missed your company. Enveloped in strange faces, The only coterie I keep of late Is that of your overwrought descant. Oh, James Douglas. What happened to your dream? DO NOT DESPAIR, FRIEND The words you once transcribed Your intoxicating, Or was it intoxicated Ragtime Linger in the subconscious of a generation, an unnoticeable haversack Traveling Seeing Traveling Watching every ounce Of the determinate world Seeing Acting as The portmantoligism of my conscience And what is left of my intellect Until I realize that my Crippling loneliness, Is the only palatable fruit of disillusionment. See, Christine? Anybody can use big words to write about the 20th Century.
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Feb 17, 2013
Feb 17, 2013 at 11:38 PM UTC
The Lizard King
It should’ve been Bagan – she always loved Bagan, Myanmar. look, woman. I am a dog outside your home, overwrought and disarmed, hunting for bones. inverse moon over Pasig tonight and I am on my 4th bottle of beer already, barking without teeth. raged behind the typewriter with nothing but a visibly veiled waiting this stance so obscure, so absurd like the abrupt life of candle-flame. I was the lover and you cared for flame: now the fire is dead and there is nothing left for the sea to lambast, erased by the shores of feel. symphonies out on the streets like leprous children scrunched deep in the mire of the streets for alms. it is now my 5th bottle and I **** on the stone-gnome in my mother’s lawn and she will know of the reek of this pungent disbelief – scorn me for my heavy drinking but what is a man to do when he is as destroyed as the morning outside?
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Dec 18, 2015
Dec 18, 2015 at 7:10 AM UTC
Bagan
I bought myself a gun today. I’ll give you a moment to process the mental paper work. Is he serious? Is this guy for real? Is this a metaphor? Is it loaded? Are these questions you might ask? Isn’t this supposed to be a poem? I said I bought myself a gun today. Do you feel better? Safer? Do I seem more dangerous? Are my words more weighted now-- with violence? with virility? with *********** Are you looking at my crotch for an extra bulge? How do you feel about me now knowing that I’m packing? I bought myself a gun today, And just like that I’m a gangsta upholding the second amendment. I’m a citizen of the constitution holding up my right to bear arms, and raise my hand in a fist-- a fist, that’s gripped in tension a fist that’s an extension of man and invention and I really should mention I can blow your ******* head off without the slightest intention. I bought myself a gun today, Are you scared: that I don’t know how to use it? That it might want to use me? That I might become overwrought with emotions, and respond to an argument “Arnold” style with, an, “I’ll be back?”-- that I might settle things once and for all with my noisy neighbor in a language he might finally understand? Are you scared? I bought myself a gun today. Does that make you worry? You know what the statistics say, That I have a better chance of shooting myself, than some intruder, or mugger, or ****** or therapist even. Are you worried about my self-destruction? that I might I might accidentally have an accident? Or, maybe, you may think, that it might be on purpose? that I might be singing the, “Barrel-in-the-mouth blues?”-- not just fantasizing about ‘em, but singing ‘em with a with my mouth wide open, and feeling them for real for real: feeling the cold steel ‘cross my tongue, choking on the taste of cordite, really singing, “I can’t breathe,” and how much this ***** and having the means to put and end to it all-- Are you worried about that? If you are then don’t, ‘cause I’m not thinking about that at all. I bought myself a gun today. Wouldn’t it be great if we all could say: I bought myself a gun today.
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Jul 31, 2016
Jul 31, 2016 at 11:04 PM UTC
I Bought Myself a Gun Today
I bought myself a gun today. I’ll give you a moment to process the mental paper work. Is he serious? Is this guy for real? Is this a metaphor? Is it loaded? Are these questions you might ask? Isn’t this supposed to be a poem? I said I bought myself a gun today. Do you feel better? Safer? Do I seem more dangerous? Are my words more weighted now-- with violence? with virility? with *********** Are you looking at my crotch for an extra bulge? How do you feel about me now knowing that I’m packing? I bought myself a gun today, And just like that I’m a gangsta upholding the second amendment. I’m a citizen of the constitution holding up my right to bear arms, and raise my hand in a fist-- a fist, that’s gripped in tension a fist that’s an extension of man and invention and I really should mention I can blow your ******* head off without the slightest intention. I bought myself a gun today, Are you scared: that I don’t know how to use it? That it might want to use me? That I might become overwrought with emotions, and respond to an argument “Arnold” style with, an, “I’ll be back?”-- that I might settle things once and for all with my noisy neighbor in a language he might finally understand? Are you scared? I bought myself a gun today. Does that make you worry? You know what the statistics say, That I have a better chance of shooting myself, than some intruder, or mugger, or ****** or therapist even. Are you worried about my self-destruction? that I might I might accidentally have an accident? Or, maybe, you may think, that it might be on purpose? that I might be singing the, “Barrel-in-the-mouth blues?”-- not just fantasizing about ‘em, but singing ‘em with a with my mouth wide open, and feeling them for real for real: feeling the cold steel ‘cross my tongue, choking on the taste of cordite, really singing, “I can’t breathe,” and how much this ***** and having the means to put and end to it all-- Are you worried about that? If you are then don’t, ‘cause I’m not thinking about that at all. I bought myself a gun today. Wouldn’t it be great if we all could say: I bought myself a gun today.
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85
Revel in space, yet not darkled, still the **** and span of things that breeds airlessness; The trees are evenly cut, and their overgrowth seems like a forethought. Where I am from, we eat fish with our bare hands and our furniture, from bodies of sandalwood, crushed with the scent of peregrines. The morning makes you conscious of space, and altogether the height of trees syncopates to a nauseating stillness. In the awning hours, leaves punctuate the ground – the cicada with its machinistic song prowls, spills like water from a broken vase toppled by me years younger, raw, agile, deftly windless,   wounded in love, lovingly wounded, perhaps if there is a word for it, then let me have my way, easily fraught with its meaning:    a casualty. Sometimes the timeworn folks would light cigarettes underneath the canopy of a mango tree to banish ants and send them back   to their queens – roosters in their wrinkled stations croon in stasis, a song for the somnolent. I become what the seasons evict. Constancy. Rearing weight and gravity from nocturne. Tears are communal. They make us aware of the weight of the Earth. Somewhere, a funebre stilts through the silence, and the jangle of little pieces spells out fortuity, men in huddles mending pain by the sleight of hand, a toss of a card, spinning in its imaginary axis: fate,    feigned and fine-tuned to belief that it is controllable, a variable, or a tabulation marred by frailty. From where I am from, people stride through the streets naked, soldering baskets filled with fruits gossamer from the harvest, children suckling their mothers, the music of sweeping metastasizes throughout the afternoon, and the same clouds contort themselves to afford wry proposition: it is a day tender with wonder, its allure overwrought, its sheen unremarkable.   The funebre leaves with a necessary abundance of absence. All the leaves depart from their mothering boughs,   collapsing on the dreary back of the loam like penitence. Like how once when you were young, you tinkered with the fresh scab of your wound and felt the pain confine   itself there, a part of you, that has now healed, but is still       available for the world to break once again.
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Jan 30, 2016
Jan 30, 2016 at 4:47 PM UTC
A Funebre In Plaridel, Bulacan
Revel in space, yet not darkled, still the **** and span of things that breeds airlessness; The trees are evenly cut, and their overgrowth seems like a forethought. Where I am from, we eat fish with our bare hands and our furniture, from bodies of sandalwood, crushed with the scent of peregrines. The morning makes you conscious of space, and altogether the height of trees syncopates to a nauseating stillness. In the awning hours, leaves punctuate the ground – the cicada with its machinistic song prowls, spills like water from a broken vase toppled by me years younger, raw, agile, deftly windless,   wounded in love, lovingly wounded, perhaps if there is a word for it, then let me have my way, easily fraught with its meaning:    a casualty. Sometimes the timeworn folks would light cigarettes underneath the canopy of a mango tree to banish ants and send them back   to their queens – roosters in their wrinkled stations croon in stasis, a song for the somnolent. I become what the seasons evict. Constancy. Rearing weight and gravity from nocturne. Tears are communal. They make us aware of the weight of the Earth. Somewhere, a funebre stilts through the silence, and the jangle of little pieces spells out fortuity, men in huddles mending pain by the sleight of hand, a toss of a card, spinning in its imaginary axis: fate,    feigned and fine-tuned to belief that it is controllable, a variable, or a tabulation marred by frailty. From where I am from, people stride through the streets naked, soldering baskets filled with fruits gossamer from the harvest, children suckling their mothers, the music of sweeping metastasizes throughout the afternoon, and the same clouds contort themselves to afford wry proposition: it is a day tender with wonder, its allure overwrought, its sheen unremarkable.   The funebre leaves with a necessary abundance of absence. All the leaves depart from their mothering boughs,   collapsing on the dreary back of the loam like penitence. Like how once when you were young, you tinkered with the fresh scab of your wound and felt the pain confine   itself there, a part of you, that has now healed, but is still       available for the world to break once again.
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44
Go, dumb-born book, Tell her that sang me once that song of Lawes: Hadst thou but song As thou hast subjects known, Then were there cause in thee that should condone Even my faults that heavy upon me lie, And build her glories their longevity. Tell her that sheds Such treasure in the air, Recking naught else but that her graces give Life to the moment, I would bid them live As roses might, in magic amber laid, Red overwrought with orange and all made One substance and one color Braving time. Tell her that goes With song upon her lips But sings not out the song, nor knows The maker of it, some other mouth May be as fair as hers, Might, in new ages, gain her worshippers, When our two dusts with Waller’s shall be laid, Siftings on siftings in oblivion, Till change hath broken down All things save beauty alone.
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2k
Envoi
So what if I'm outspoken My hearts been broken I'm not jokin,            my mind is awoken Soul is stolen,                must be an omen Words unspoken,        open and golden Not what I would have chosen ***** the heartache,       now I'm awake Looks so opaque,            you were fake It was a mistake just to partake Do a double take,        no more heartbreak Time to remake and fix the break Give and take,         now I'm awake Was so miserable,      unforgivable It's criminal,       be an individual So predictable,            you're an imbecile It's unthinkable,          not unconditional Unintentional,       you're unemotional Not original,         be considerable It's so pitiful,           not traditional I'm rational and very visual You ought to not get too distraught You got caught tied in a knot Like an afterthought,             you fought And brought the plot,          overwrought Maybe you forgot what you taught But I'm not distraught Over what you brought Just      some          food      for   thought...
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Nov 3, 2014
Nov 3, 2014 at 9:25 PM UTC
Food For Thought: The Awakening
What will happen what will be is something, that's quite new to me Every given outcome calculated, analyzed actions, as my mind, is now, paralyzed Simple mathematical adding ones, and twos a simple something, that I just can't do Standing face to face perplexed and overwrought caught in eyes so gray all answers to all questions as now all of them I've got
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Oct 26, 2017
Oct 26, 2017 at 11:06 AM UTC
It's right there, in her eyes..
I am as I am, my thoughts are nebulous and coherent, I am the reluctant believer, I am the optimistic skeptic, I prepare for the worst, and pray for the best, I am a product of my environment, but I also hope that I am more. I scoff at those who say that they know, be it the singularity that is deity, or the absence of divinity, his finite and plural nature, or the limitations of the father, as such I am a heretic, and so I blaspheme, relishing the jealousy of knowledge. As I stare into the eyes of the unknown, a canvas casting light on the firmament, I realize that the futility of thought is artifice, the cords wrapped tight around my sleeves, exist only in what I live, and what I choose to accept. I accept. And with this thought in mind, I reject the null, for I cannot accept the reality that I am given, for a world without end has no meaning if not for progress, if gain is finite and the continuity infinite, there is no point, the blade of Christianity is dull, and so too the endless strains of antagonists, horribly over-educated and overwrought. I reject. What separates God from man? Maybe it is the ability to arrange matter, it might simply be an issue of innate power, but it might also be the sustainability of material, the ability to see, for we may as well be blind, or perhaps it is simply a matter of punctuation. I accept, but so too do I reject, and gladly will I play the fool, if it will place the odds in my favor.
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Apr 20, 2014
Apr 20, 2014 at 1:04 AM UTC
The Optimistic Skeptic
I frequently fall with infatuation Facing assaults of accounts and allegations Precursored by overwrought thoughts of the distraught That they, the piqued and pained, were aware of my plot Harm I intended, only fuelled by lust Being insensitive and callous is but a must For I, the brutish devil who led you astray Have left you enveloped in utter dismay I dismantled your faith and replaced it with doubt, With this symbol of mine that carries much clout, Leaving my victims mourning in tears For I have give veracity to their fears The tears of my prey fabricate a rivers flow That only I, the acccursed Aquarius may know
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Nov 1, 2017
Nov 1, 2017 at 10:36 PM UTC
Aquarius
~for you, girl~ words have definitions; shades; moods, even within the contextual moment, the coloration sometimes is discolored, one person frantic is another’s normal passing fancy insanity quiet overwrought silliness frantic is a continuum’s conundrum and oft the hubbub coverhup lends a veneer of urgency importance when knowledge acquisition is iron irony, best when well chewed, quietly considered and consumed with the perspective of addition and subtraction what we know is more than yesterday, and less than what we will one day own, for the only purity of learning is that’s final refining is never ending the artifice of deadlines, gradation vis-a-vis all the rest, is not a distinction  worthy of distinguishing your human value is beyond compare exactly! the greatest of valued adders to the world body of understanding put the race of ego to one side, and so should we all, not be ****** in by the imposition of qualifiers you are quality, and that is the only qualification you will ever acquire and require and in my naïveté I reflect looking back and give you here the free use thereof, of its worth, you will determine but in summary judgement: always keep thinking ridicule is ridiculous but best when applied by oneself to oneself with a *** did I really think:say that?” and laugh out loud at our human foibles, especially our own, with a wry smile, admitting some of things we conjure up in all seriousness are are the funniest things we’ve ever heard
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Dec 5, 2024
Dec 5, 2024 at 11:13 AM UTC
The Frantic Life
~for you, girl~ words have definitions; shades; moods, even within the contextual moment, the coloration sometimes is discolored, one person frantic is another’s normal passing fancy insanity quiet overwrought silliness frantic is a continuum’s conundrum and oft the hubbub coverhup lends a veneer of urgency importance when knowledge acquisition is iron irony, best when well chewed, quietly considered and consumed with the perspective of addition and subtraction what we know is more than yesterday, and less than what we will one day own, for the only purity of learning is that’s final refining is never ending the artifice of deadlines, gradation vis-a-vis all the rest, is not a distinction  worthy of distinguishing your human value is beyond compare exactly! the greatest of valued adders to the world body of understanding put the race of ego to one side, and so should we all, not be ****** in by the imposition of qualifiers you are quality, and that is the only qualification you will ever acquire and require and in my naïveté I reflect looking back and give you here the free use thereof, of its worth, you will determine but in summary judgement: always keep thinking ridicule is ridiculous but best when applied by oneself to oneself with a *** did I really think:say that?” and laugh out loud at our human foibles, especially our own, with a wry smile, admitting some of things we conjure up in all seriousness are are the funniest things we’ve ever heard
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54
Restless in bed, the stir of warmth blossoming in his heart, the girl he loved has gone, drifted from his house to the field of vacant stares. Rainstorms brew in his mind, shifting from one end to the other, the current forming into a large sheet of distance damp with disconnection. He thinks of fire. As he rolls out of bed. Grabbing a cigarette from his ashtray, he lights up. Old habits stay kept in the roof of his mouth. Fresh air permeates through his nostrils as he steps out onto the front porch. He props his elbows on the balustrade, brushes against the grainy wood tarnished from the skywater. The sun droops below the gray cluster of clouds hanging over a horizon colored with blues, reds, and yellows. While he smokes on his cigarette he remembers the girl. Her name is a wrinkled photograph stored in a dusty shoe box. She has green eyes and curly red hair. Her body is shaped in an hourglass figure. She's tall and gaunt, but her legs are toned from running several miles on her treadmill each morning before the dark slips away into the fog of light. He grounds the cigarette out on the porch. He steps onto the driveway. There's a red Honda CRV parked across from the two-car garage. He hops in. The key turns. Booming engine roars out loud. The wheels churn backwards. He pulls out of the cul-de-sac. And he drives, drives, until he can remember the road map, the one that she stole from him to follow her dreams, and hopes, the aspirations that he had once shared with her. A thin, white film of mist belays across the windshield. And for a short second he wishes that he were dead. Dead so that he could have the perspective of an omniscient narrator to oversee everything, and everyone. But where is his girl? She's not the one who got away, she's the one who abandoned him, the night after he ate the sweet nectar, the fruit, little drops of dew splashing onto the back of his tongue. The red Honda CR-V careens down the interstate, windows down, subwoofers pumping with something similar to apprehension, tense with overwrought poems. The substance lacking from trying too hard, for something that wants nothing to do with him.
0
May 25, 2016
May 25, 2016 at 11:25 AM UTC
Drive
Restless in bed, the stir of warmth blossoming in his heart, the girl he loved has gone, drifted from his house to the field of vacant stares. Rainstorms brew in his mind, shifting from one end to the other, the current forming into a large sheet of distance damp with disconnection. He thinks of fire. As he rolls out of bed. Grabbing a cigarette from his ashtray, he lights up. Old habits stay kept in the roof of his mouth. Fresh air permeates through his nostrils as he steps out onto the front porch. He props his elbows on the balustrade, brushes against the grainy wood tarnished from the skywater. The sun droops below the gray cluster of clouds hanging over a horizon colored with blues, reds, and yellows. While he smokes on his cigarette he remembers the girl. Her name is a wrinkled photograph stored in a dusty shoe box. She has green eyes and curly red hair. Her body is shaped in an hourglass figure. She's tall and gaunt, but her legs are toned from running several miles on her treadmill each morning before the dark slips away into the fog of light. He grounds the cigarette out on the porch. He steps onto the driveway. There's a red Honda CRV parked across from the two-car garage. He hops in. The key turns. Booming engine roars out loud. The wheels churn backwards. He pulls out of the cul-de-sac. And he drives, drives, until he can remember the road map, the one that she stole from him to follow her dreams, and hopes, the aspirations that he had once shared with her. A thin, white film of mist belays across the windshield. And for a short second he wishes that he were dead. Dead so that he could have the perspective of an omniscient narrator to oversee everything, and everyone. But where is his girl? She's not the one who got away, she's the one who abandoned him, the night after he ate the sweet nectar, the fruit, little drops of dew splashing onto the back of his tongue. The red Honda CR-V careens down the interstate, windows down, subwoofers pumping with something similar to apprehension, tense with overwrought poems. The substance lacking from trying too hard, for something that wants nothing to do with him.
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43
I am no longer a portrait, I am a collage; I am water, the sky colours me Blue, a pinch of vermillion makes me blush Red; I am a mimic, a schizophrenic accomodating one too many minds in an overwrought head.
0
Oct 26, 2012
Oct 26, 2012 at 6:12 PM UTC
Black
Give me stairs To attain some lofty pinnacle For stairs are sheer simplicity An elegant solution to reach some apogee Incapable of failure unlike the Mechanical complexities deriving from indolence Presumed superior to the apparent drudgery Of clambering upward unhurriedly and Thus assembled ultimately to fail and frustrate my overwrought soul While archaic stairs continue unwavering ever upwards   Give me stairs
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Dec 23, 2015
Dec 23, 2015 at 1:04 AM UTC
Give Me Stairs
My body is wet, and slick writhing from pain somewhere within and still there is a smile on my face, for every grimace for every single sin. I don't mean to be this way, it's a coping mechanism, long been taught and i live this daily battle, til my mind is subconscious and overwrought. I mean to love you, and i'm sorry if it's just too much, that it begins with some words, and it begs for my sublime touch. For i am superbly subliminal consciously, with every note i speak, and i cannot help that i love you, for my heart is tough but weak. And the crowds are laughing, the cupboard is lacking and bare, and i sit here and sigh, whilst you sit with them and stare. Wait for me to fall for you, then beg me to stay, tell i am beautiful, enlightening, precocious and rare, and then take it away. I can hear my heart pushing at the black of the sweat, and i am partially here nor there, and i am partially yours whether you want me, under the weight of your succinct stare. But your victory over me is not through the love for me that you wish, it is rather through your rejection, best served cold, in a hand for a dish. Nevermind my worries, nor my cares, I know i am of no consequence nor thought, of everything in your daily life, but trouble i seem to have brought. My dear, my darling, my love, my quarry, I seek nothing but silence with you, for i know at least your words, once uttered, is a missile projected from you. I am sweat and hard work, I am scary, new and everything you fear, but your rejection, though rough, is what i expected, my dear. There is nothing i can expect, you will not allow yourself to become tainted by me, and my devils they call to my aide, to show you the wrong side of being free. You are not willing through self righteous fear of being covered in the dirt of my love and care, and when you are not looking, i am always really, just here, and there. To want is to suffer, of this i know which is to be true, i was sent you in a lesson to learn, and i was meant to learn from, about, and in you. I have a wet, slick, black wanton spirit, there is no innocence in my blue eyes, for everything i love within myself, is equally something there to despise. There is no crowd now, there is abrupt silence in the dried up air, intake of acrid, wanton, holy breath, to see if you really do truly care. And this aint no love song, there are no guitar rifts or longing in the chorus of a singular word, i merely cannot understand you, to love you and my flight is as free as a bird. I am wet, and slick, from lack of sleep, there is something of you inside my head and every night i wish i was dreaming, but i think of you instead. My love, my quarrel, my fear, my future. Never have dis-pleasured someone so much, with a singular, single, millimetre of tingle of a touch.
0
Jul 28, 2013
Jul 28, 2013 at 6:16 PM UTC
At your displeasure
My body is wet, and slick writhing from pain somewhere within and still there is a smile on my face, for every grimace for every single sin. I don't mean to be this way, it's a coping mechanism, long been taught and i live this daily battle, til my mind is subconscious and overwrought. I mean to love you, and i'm sorry if it's just too much, that it begins with some words, and it begs for my sublime touch. For i am superbly subliminal consciously, with every note i speak, and i cannot help that i love you, for my heart is tough but weak. And the crowds are laughing, the cupboard is lacking and bare, and i sit here and sigh, whilst you sit with them and stare. Wait for me to fall for you, then beg me to stay, tell i am beautiful, enlightening, precocious and rare, and then take it away. I can hear my heart pushing at the black of the sweat, and i am partially here nor there, and i am partially yours whether you want me, under the weight of your succinct stare. But your victory over me is not through the love for me that you wish, it is rather through your rejection, best served cold, in a hand for a dish. Nevermind my worries, nor my cares, I know i am of no consequence nor thought, of everything in your daily life, but trouble i seem to have brought. My dear, my darling, my love, my quarry, I seek nothing but silence with you, for i know at least your words, once uttered, is a missile projected from you. I am sweat and hard work, I am scary, new and everything you fear, but your rejection, though rough, is what i expected, my dear. There is nothing i can expect, you will not allow yourself to become tainted by me, and my devils they call to my aide, to show you the wrong side of being free. You are not willing through self righteous fear of being covered in the dirt of my love and care, and when you are not looking, i am always really, just here, and there. To want is to suffer, of this i know which is to be true, i was sent you in a lesson to learn, and i was meant to learn from, about, and in you. I have a wet, slick, black wanton spirit, there is no innocence in my blue eyes, for everything i love within myself, is equally something there to despise. There is no crowd now, there is abrupt silence in the dried up air, intake of acrid, wanton, holy breath, to see if you really do truly care. And this aint no love song, there are no guitar rifts or longing in the chorus of a singular word, i merely cannot understand you, to love you and my flight is as free as a bird. I am wet, and slick, from lack of sleep, there is something of you inside my head and every night i wish i was dreaming, but i think of you instead. My love, my quarrel, my fear, my future. Never have dis-pleasured someone so much, with a singular, single, millimetre of tingle of a touch.
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78
Would that my life carried the pomp and confidence of a bombastic poem an overwrought daytime drama that bad action movie with the guy who’s too cool for this world Would that my rhymed greetings always trumpet a joyful salute blasting awake the tired and sad rendering all introversion moot Would that an invitation for a beer a my place be a more coveted prize than a free trip to space Would that every whipped up snack be a culinary masterpiece gasping in ecstasy my houseguests cling to their seats Would that the very tone of my voice render women to squirm and swoon render babies to giggle and songbirds to croon Would that any awkward silences be scrupulously sifted out cold cut conversations segued from hours to clipped and cleverly crafted banter Would that I’d compose the songs that bring young lovers close that wrench tears from the eyes of those more cynical than most Would that the clip of my canter be the cadence of the soundtrack of enlightenment Would that my goodbyes be an epic flood of emotion my friends and colleagues all so grieved to see me going Would that in life I be bigger than death and in death I be bigger than life. ... But what would all that be would that even be me?
0
Feb 12, 2013
Feb 12, 2013 at 10:54 PM UTC
Musing
⇜⇝⇜⇝⇜⇝⇜⇝ .madame's stifled feverish tittering, voice raucous as tamped in a corselet, translucent skin akin to pellucid drapery, overwrought hands entwined in champagne hair, madame's eccentricity is her lunacy. ⇜⇝⇜⇝⇜⇝⇜⇝ ⇜⇝⇜⇝⇜⇝⇜⇝ .the mellifluous static of the ebony radio, dulcet hallucinations imbricate in her Crumpet, ephemeral visionary of the erstwhile, Madame’s a suitable fandangle tenant of the bedlam. ⇜⇝⇜⇝⇜⇝ ⇜⇝⇜⇝⇜⇝ .madame scrutinized the greenwood through the crevice, appetency for the veil of sea smoke, imperceptive to her frenzy. ⇜⇝⇜⇝⇜⇝ ⇜⇝⇜⇝⇜⇝ .ensnared in an austere plight, madame’s urbane actuality, disenfranchised. ⇜⇝⇜⇝⇜⇝⇜⇝⇜⇝⇜⇝ ⇜⇝⇜⇝⇜⇝⇜⇝⇜⇝⇜⇝ .the exuberant dimension of reciting hysteria. ⇜⇝⇜⇝⇜⇝
0
Sep 18, 2018
Sep 18, 2018 at 1:24 PM UTC
.madame,
Some call me a genius. Some call me insane. My friends say I'm a tragedy. My parents say I'm just a little eccentric. Tell me what you think. I am nothing but a puppet. Being handled and tossed around. After awhile I'm just set aside. I'm diverting at first, almost enjoyable, but, in the end, a bitter pill to all. I apperceive no need to breath. I have to necessitate my lungs to swell with air, then to shrivel, and epitomize the essence of life. That's where my eloquence comes from, or it's the insanity. I'm not sure. In my frigid, obscured, irrecoverable mind, insanity is eloquence, eloquence is tragedy, and tragedy is beauty. I exist for the darkest of romances, the most distorted of lives. It brings me what's closest to a sense of your "well-being". I hate, therefore, I love. So if I love hate, then, I love circles. That's what my love is, a circle. The grasps of reality, though persistent, quickly overwrought and became transient to me not very recently, but not too long ago. I will abruptly tear down and rip to shreds any mark of social normality in or around me. Now, will you decide whether I live or die? Or shall I for you?
0
Feb 11, 2013
Feb 11, 2013 at 8:24 PM UTC
Untitled
Let’s ****** all the words social norms dictate we use. I’ll drown “beautiful,” you slit “relationship’s” wrists We can tag-team the execution of everyone’s favorite; “love.” Do you want to use the chainsaw                   or piranha tank? We will gleefully                  beat the **** out of—    stab mercilessly — whimsically hang—                             frolic & fire upon—              turn up the heat on—                          keep the electric coursing through— dance, continuing to pour gasoline over— each ******* overwrought dead-eyed limp word until the populace begs us to invent more. And we will. Only a few. We'll cackle as we toss the useless words away, saving the best for the language we're inventing for ourselves.
0
Dec 28, 2011
Dec 28, 2011 at 11:20 AM UTC
Word ******
Solitude may be a gift to any less than lucid mind-- A morning drug to purge my thoughts from restless night, And a nighttime pill to slow the daytime grind. But alas, here I sit alone, overwrought in isolation’s plight-- For the more I sit alone, the more my qualms take flight.
0
Dec 7, 2011
Dec 7, 2011 at 11:52 AM UTC
Solitude