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Dorothy A Oct 2013
Everything faded to black. He had a hard time remembering just what the hell happened. He wasn't sure of downing some random pills from of the medicine cabinet-- his first attempt to end it all. Making sure he would not recover-- if the pills didn't do the job-- he had already devised the set up of the noose in his bedroom. Definitely, he didn't recall anyone cutting the rope, forcing him down to the floor.

Lacie joked with him. "Dude, you've got nine lives! You must really be a ****, fricking cat in disguise! That's why you'll eat those nasty tuna fish sandwiches they serve in the nuthouse! "

Chris grinned at her.  He had to agree. To refer to it as the psych ward at the hospital made it seem like more of a jail term, but calling it "the nuthouse" lightened up the severity of the situation. As grave and nearly tragic as everything  had become, it was kind of laughable to him.  He supposed he had more chances than a cat's fabled life. It all seemed so crazy that it must be funny.

Well, what could he say? He had flirted with death, but unwillingly managed to escape its grip. "Pathetic..."--he commented. "I don't not even know how to die well..."

Chris  eventually realized that he had been rushed to the hospital, but wished it wasn't true. Since then, everything was either a total blur or a bizarre state of mind . Even waking up in his room was like a remotely vague memory, almost like a long ago dream that might not really have happened.

Maybe, he was somewhat aware that his sister was screaming in shock and horror at the sight of him, shouting out downstairs to her boyfriend to help her. But the walls were turning red, a glowing scarlet- red, with an added fiery orange and yellowish-gold-- all joined together in pulsating embers. He was quickly losing consciousness. It was like some, bad acid trip. Not that Chris knew this firsthand, but it sure was like something he saw on TV or at the movies.

And now he was the star of the horror show.

Did he die?  Death was what he planned on, so waking up was not a relief, or a reality back into motion--just the opposite. It was as if being awake was the real nightmare, a delusional time when everything was not true, and was only an scary, offbeat version of the life of Chris Cartier.

The bad acid trip continued. He recalled hospital staff rushing about him, seeming like real people-- sort of. Then they morphed into fish in scrubs. From overhead, an IV was dripping into his arm. Tubes were shoved down his throat. His vital signs were displayed on a screen that made beeps and sounds, increasing the chaos and adding to the mayhem to his mind. Soon, the vital signs machine started talking to him that he was a "very bad boy" and other such scoldings.

He was thoroughly freaked out. If he was still alive, he'd rather be dead.

He wanted to run. One of the fish pushed him back down and muttered out undecipherable utterances-- like underwater gibberish . Then that fish used its slimy fins to inject him with a needle in his arm. The other fish circled around him like fish out of water--with opening and closing mouths-- as if gasping for air.

As they surrounded him as rubber monkeys shot out from the walls and bounced all over the room. On top of all this madness, the florescent lights above were flickering on and off, in sync to the wild music, like the drum beats of a distant jungle. It was one bizarre tangle of events, a freaky, crazy, out-of-control ride in which reality could not be distinguished from the animation and mass confusion. It was one overpowering ride that he would much rather forget.

When Chris got out of critical condition, he found out that he could still not go home. That would take a few weeks more. Dr. What-The-Hell's-His-Name assured him that he needed to start on the path to his psychological healing--just as grave as the physical--right here in a safe place.

It didn't seem so safe to him.

The enemy wasn't what was out there in the world, but the big, bad wolf was actually him. He had to be protected from the true culprit--himself-- and that was a mind-blowing concept. Just what did he get himself into?   

He never had been a patient in a hospital before. In all his twenty-six years, he didn't so much as even have his tonsils out. Feeling now like a prisoner,, he was still scared out of his mind-- as if it was day one all over again. When was he going to get out of here? Chris began to fear that they would never let him out. No professional had a definitive answer, as only time would tell of his improvement.

Man, why couldn't he just be dead?

His parents visited almost everyday, but it was of no reassurance to him. His mother always left in tears, and his father was lost for words. This was nothing new. When it concerned their troubled son, they felt inadequate to help him. The best his dad could say was, "Hey, Chris, we're pullin' for ya". That was of no comfort, whatsoever, like he was some fighter in a boxing ring that his old man had a bet placed on . His mom always clung to him as she said goodbye, like she needed the hug more than he did, saying to Chris through her sobs , "Miss you....love you". Her emotional state just unsettled him to the core, and he was worried for her more than for himself.    

At best, his outlook was grim. But then he met Lacie Weiss, and things started looking up.

Lacie was one of the quietest psych patients in the ward, always sticking to herself. But then he found himself sitting right next to her in group therapy, and they hit it off. He had no idea that she had a fun side. She usually looked apathetic and quietly defiant to society, a nonconformist in the form of a Goth, with edgy, dyed black hair, dark eye make-up and some ****** piercings of the eyebrow, tongue and nose. Her look was quite in contrast to his light blue eyes and sandy-brown hair. Chris never was into Gothic, viewing those who were as spooky creeps.  

It was obvious that Chris was scared and confused. Now although trying to seem tough and stoic, Lacie seemed so little, almost fragile, yet obviously trying to hide her broken self together. Petite and somewhat girlish in appearance, she was barely 5 feet tall. Chris was 5 feet 11 and a half inches, close enough to the six foot stature that he wanted to be. Only a half inch less really didn't cut it for him, though, even though his slim build gave the impression of a lankier guy. He would have loved to be as tall as the basketball players he so emulated. But such was life. He was never used to having the advantages.  

At first, Lacie never opened up, not to a single soul. Like Chris, she certainly acted like she didn't need this place, and nobody was going to help her--or be allowed to help her. As stony and impenetrable as she tried to be, group therapy it was hard to disappear in. Everyone was held accountable for opening up, and the leader was going to see to it.  No way, though, did Lacie want to crack or look weak in her turtle shell composure, in her self-preservation mode. So it was agony for her.

She first spoke to him, whispering loudly to him, onc,e in the group circle "This is all *******!"

Hanging with Chris was the one salvation that she had in this miserable experience. They both could relate more than he ever realized. They both really liked motorcycles and basketball. He had his own Harley, and it was something he loved to work on and go on long rides with it, his own brand of therapy.  In spite of how she looked, Lacie was also actually close to his age. He was twenty-six. and she was twenty-two.

They first broke the ice with casual introductions. "No, the name is not pronounced like Carter", he corrected her about his last name. "It is like Cart-EE-AY...... It's French".

"Yep", she replied. "Like mine is the same way, but as German as brats and sauerkraut,  Ja dummkopf?"

Chris gave her a weird look. She continued, "My mom's dad was from Germany, and I got my mom's name. Ya don't say it how it looks. You would say Weiss like Vice, but I couldn't give a **** how anybody says it. Nobody gets it right and original, anyhow." Her dark brown eyes flashed at him as she said, " But I think I like Chris Cutie, myself, better than Cartier.....cutie it is for me. Huh, cutie pie? "

Chris laughed hard. She was pretty coy for a die-hard Goth. She batted her eyes playfully at him and winked."You're worth being in here for, ya know", he told her, blushing, still laughing at her silly remarks.

She studied his face in response, all laughing aside. Suddenly, her mood turned solemn.  "I'll bet".

They began hanging out in the commons, walking down the halls for exercise, and swapping stories of their plights. Chris quickly found that she Lacie wasn't so steely and unapproachable as the day he first saw her.  And she discovered that he was more than a pretty boy.

"My parents weren't home when I tried", he told her one time after lunch was done. They were sitting in a corner, trying to be as private as possible. "Twenty-six years old...and I still live with them. Yeah, that's my life. I got a twin brother, and he's moved out and doing alright for himself. My sister's younger, is going to college. Wants to be a doctor".

Lacy didn't have any siblings to compare herself to. "Must be cool to have a twin", Lacie said. "I always wondered how that would be to have two of me running around! Scary, huh, dude?"

Chris shook his head. "No, it's nothing like that. Jake and I aren't identical. We are just a two-for-one deal...I mean  is that my parents got two babies in one, huge-*** pregnancy. Jake and me don't even act like twins. Half the time, I don't want to be around him."

No, it wasn't like his cousins, Adam and Alan, who were identical friends, mirror images, and best of friends. Chris never identified with that kind of brotherly relationship. He and Jake never dressed alike, or knew what the other one was thinking. And Chris felt that his brother always felt superior to him. He was the popular one. He was the ambitious one who landed a great job in computers, as a system analyst.  To add to Chris's feelings of inferiority, his little sister, Kate, had surpassed him, too. She was acing most of her classes, and boarding away at college. She was well on her way to becoming a doctor.    

"So if your mom and dad weren't around...who saved you?" Lacie asked. She stared into his eyes with such a probing stare that Chris almost clammed up. Just thinking about that day was overpowering.

"Uh...my sister and her boyfriend were hanging out in the basement. She was home from college, and I didn't know it. My parents were out-of-town. Our dog, Buster, was acting funny. He knew something was up..."

Chris stopped abruptly, but went on. "Kate, my sister, explained to me that she saw me in my room, getting up on a step ladder. She says she yelled at me to stop. I don't remember...but I guess..I guess I was going to do it anyway, and she wouldn't be able to stop me....stop me from...so I hurried up and jumped off before she could stop me."  

Lacie could almost picture it, as if she was there with him. She said, "But she did stop it. She saved you."

"Yeah", he agreed. "Buster started it all...barking, alerting my sister to come upstairs from the basement, and upstairs by my room...." All of a sudden, he felt so weird, like he was having an out-of-body experience.

"Hey, it's OK", Lacie reassured him. "It's over now. You aren't there anymore".

Chris started to cry, but tried not to. "If it weren't for Brian, Kate's boyfriend....she would not of had the strength to hold me up by herself, and cut the rope, too. I must have been like dead weight, and Brian grabbed a kitchen knife and told her to stay cool about it. Yeah, sure, like that could have been possible ! She was trying to keep the rope slack, while trying to save my sorry ****...and she was scared, shitless! "

Lacie opened up, too, relating her tragic past. She had an unbelievable tale, one hell of a ride herself.  It was amazing how detached she was when relating it, though. "Well" actually I got to fess up" "I'm not really an only child....I mean I am...but not really. I know that sounds weird---hey--but I am weird. Oddly unusual is the story of my life-- even before day one. "

Chris had no idea what she was talking about. "What are ya' trying to say?"

She added another surprising bombshell. "Also,  I have a two-year-old boy. His name is Danny. He don't see his dad--ever. The guy's a waste of space. Anyway, my mom has him. She can afford him more, and can do a better job raising him than me. Well, she does OK money-wise. Anyhow, my mom deserves him because she lost everything. And I mean EVERYTHING! Her whole fricking family practically wiped out!"

The shock that Chris had on his face-- his widened, blue eyes and open mouth were expected.   Most people had a hard time believing her.

She explained, calmly, "I mean she nearly died--way before I was born--in a car accident. And her two, little boys were with her in the backseat...and they died that day. "

Chris looked pale. "That is so awful!" he said, hoarsely, barely able to say it.

"Yeah", she continued. "Not a **** thing she could do about it, too. She was like in a million pieces. I know a part of her died right there and then, too. I just know it.  You know, dude, my mom was once really, really coasting along, just doing fine. A typical wife and mother-- a bit older than me now-- life was good. Her little boys were just cute, little toddlers--like Danny. I found out from my grandma that she was  pregnant, too, just a month or two. Nobody could have imagined it coming. She was just driving--doing nothing wrong-- when some idiot broadsided her.  I don't know if it was a guy or a lady, if they were jacked up on ***** or drugs, but they were speeding like a demon out of Hell. Her husband was at work and wasn't around."  

The boys were Benjamin and Gerard, but Lacie couldn't remember their names, for her mom could barely mention them without breaking down. It was an unbearable loss.

Chris was so horrified, amazed that Lacie related this like it was someone else's story. She was almost too cavalier about it.

"And they died ?!" he asked.

"Yeah....*****, don't it? Pure, pure agony. Downright Hell on earth. My mom had to learn to walk again. It took about year, I think."

"Oh, no! What about the baby she was supposed to have?"

"Miscarriage. Worse yet, the **** doctor told her she'd never be able to have kids again. She lost everything, man! Her husband couldn't handle it and left her. **** on top of ****, on top of more ****, on top of more. If it wasn't for her parents, and her sister's help, she would never have made it.

"But she had given birth to you, right? Or were you adopted?"

"Yeah, she gave birth to me. I was her miracle baby, and she didn't give a rat's rear end if my dad wanted me or not. He'd send her money, once in a while, but he wasn't really into either of us. Who cares though? She didn't give a **** what he thought. I was her baby. Truth is, before I came, she ended up slitting her wrists--just like me. What was the use? At first, there was nothing to live for. But now she has Danny.

"And you!" Chris quickly pointed out.

"Dude, are you kidding me? I have been NOTHING but grief for her, a real pain in her ***!"

Unlike her deceased, half-brothers, Lacie grew up before her mother's eyes, from a shy girl to a ******* rebel. Since the age of twelve, she would sneak drinks from her mom's liqueur cabinet. Eventually, she smoked *** and tried ******* and ******. Dropping out of the eleventh grade, she soon away from home, living with friends or boyfriends ever since.  Thankfully, she wasn't doing drugs when she conceived Danny. And her drinking wasn't as prevalent as it was in her teen years of partying and binge drinking. That didn't mean that her drinking problems magically disappeared, or that she was cured. Immediately, though, when she knew she was pregnant, she refused to touch a bottle, but it was just a white knuckle process that was effective momentarily--a band aid on a more serious wound. And going months without a drop of alcohol didn't deaden her urges--quite the opposite--as it only made her crave what she could not have. Often, her fears caught up with her--of especially becoming
first step

when he looks at a woman he searches for qualities that attract him because he wants to desire her yet this tendency creates an imbalance or disadvantage he is rendered weak to a woman’s beauty or whatever traits he idealizes self-realizing this propensity he looks away from women years of disappointment neglect change him he becomes afraid of women gynophobic

2

when she looks at a man she searches for qualities she is critical of because she wants to be impervious to his power she is suspicious of all men their upper body strength penchant to be in control misperception of women as property misogyny emotional immaturity neediness to be mommyed selfishness insensitivity or over-sensitivity depending she wants to be treated with equal respect a loving nurturing relationship she is suspicious of all people their alternate realities passive aggressive behavior co-dependence craziness

3

he sees her then looks away she suspiciously notices nothing happens they go back to their separate homes alone always home alone grown calm in resignation yet disbelieving of this destiny saddened by this fate both worry about future she looks at her face naked body in mirror her stomach churns feels sad sickening remembers time when she was more carefree he puts one foot in front of other then walks tries to remember who taught him to walk how many times did he fall who taught him to laugh where did his sense of humor go

4

he sees her thinks she is lovely resists the urge to turn away he smiles says hello she notices nervously smiles her shaky voice articulates louder than a whisper hi

Tucson 2-step

they are standing in line at a café on 4th avenue he is directly behind her she is lanky wearing white background faded colors patterned summer dress thin straps over bare shoulders long brown hair few gray strands small unfinished tattoo on left calf leather slip-ons 1 inch heals he is at a complete loss for words thinks to make remark about the weather decides not to overhead fan stirs hot humid July air barista girl asks what she would like her eyes scan blackboard menu behind counter she hesitates remarks help him i need an extra moment to decide he steps up to counter money in hand orders small to go Arnold Palmer half black current lays $3 on counter mentions change goes in tip jar thank you barista girl moves fast he lifts cup from counter glances at woman still deciding then at barista girl says have a wonderful day turns walks out door dawns on him woman grows hair under her arms his 2nd most compelling female physique adornment fetish oh god he thinks to himself should i wait for her to make up her mind then approach try to craft conversation at least find out her name no i’m too weak in this moment she is so lovely let her go

2

she orders double Americana in small cup to go room for soy milk thinks to herself he did greet her perhaps their paths will cross on street why did he run off so fast she glances toward front of café notices window seat changes her mind instructs barista ******* 2nd thought make it for here digs through purse realizes she left wallet in truck explains to barista girl she needs to run out to her vehicle to retrieve wallet forgotten under front seat the air on the street is heavy dense she smells her own perspiration looks north then south does not see him walks to truck feels exhausted appetiteless almost nauseous wishes she did not order a drink thinks to get behind wheel drive home go to sleep

Tucson 3-step tango

she feels disappointment by her recent writings as if she is reaching a more sophisticated audience and setting a higher standard for her work yet she is not living up to her ambitions her recent writings smell of her past writings too emotional the damaged woman wounded child she wants to write more introspectively with detached humor that only comes from keener intelligence she slams her laptop shut decides to go to Club Congress for a ****** mary or margarita but Club Congress is haunted with small town cretins losers wannabes she considers Maynard’s decides Maynard’s is too safe suburban yuppyish finally gives in to thought of glass of pinot noir at Plush next comes what to wear jeans in mid-July desert heat is unacceptable perhaps loose fitting thin cotton white summer dress thin leather belt ankle high indian moccasins hair in ponytail no pigtail braids no ponytail no makeup maybe little ylang ylang oil no she thinks about her recent writings

2

i am one breath away from crying in every moment one breath away from flying m.i.a. in every moment one breath away from destroying everything there is beauty in ugliness beauty in decrepitude disease beauty in harm hurt suffering beauty in greed injustice betrayal beauty in corruption contamination pollution beauty in hate cruelty ignorance beauty in death we spend our whole lives searching for a good death we spend our whole lives searching for eternal love this modern world is too much for me over my head the horrors of this place are beyond words unspeakable voice inside maybe mom yells quit your whining or dad hollers stop complaining i am trying to smile through tears one breath away from giving in one breath away from becoming stranger to myself winter spring winter spring there is beauty in nothingness we spend our whole lives searching for ourselves learning who we are not finding grasping secrets from dark paths light trails winter spring winter spring i am one breath away

3

she sits alone at bar at Plush glass of pinot noir glass of ice water in front of her 2 bearded older men eye her from other end of bar she ignores them glances at her wristwatch tries to look like she is waiting for someone music from speakers antiquated rock standard it is early friday hours from dusk moderate middle aged crowd mingle wait for local jazz trio to begin she thinks about her recent writings wonders is it too late for love considers lesbian affair from 5 different perspectives 5 woman’s voices each describing same lesbian affair in 5 opposing accounts hmmm she sips dark red wine from glass chases it with ice water she considers a story about a gang of female bikers who ride south to Mexico

4

the Americans came through here last night crossing border illegally climbing over our fences digging tunnels beneath our barrier walls littering along their trail they travel in packs of every skin color carry guns knives explosives wear leather boots some are shirtless tattoos dyed hair mischievously smiling conceitedly stealing when in question murdering they rob our homes slaughter our chickens ransack gardens loot our harvest you can still smell the stink of their fast food breaths

5

she swallows the last dark red wine from glass chases it with ice water local jazz trio begins to play as bar fills with more people she decides to walk home one foot in front of other wonders who taught her how to walk how many times did she fall she laughs to herself

Tucson square dance

TPD 10-18 unconfirmed data report

7 post-University of Arizona female graduates go to Cactus Moon for several drinks and dancing then drive to Bashful Bandit for more drinks and dancing 2 women get into scuffle victim Brittany Garner female 23 years of age race #5 (Native American, Eskimo, Middle -Eastern, Other) 5’ 2” long black hair cut-off blue jean shorts clingy light blue top falls hits head on side of bar dies of fatal blow to skull forensics report crushed occipital lobe assailant Stacy Won female 31 years of age race #4 (Asian) 5’6” black jeans black leather jacket red helmet Honda motorcycle still at large

witness accounts

Jess Delaney female 33 years of age race #2 (White) 6’ tight black pencil skirt white sleeveless undershirt no bra 3” heels blond ponytail “that squirting little **** deserves everything she got she lied told Stacy i’m a ***** i never cheated on Brittany i don’t understand we were all having a good time getting buzzed and dancing we should never have left Cactus Moon **** Kerrie thought some biker dude might be hanging around the Bandit hell maybe the Bandit was a biker bar once but now it’s just a college sink hole full of drunken frat boys when Monique flashed a little *** they went crazy cheering and buying us shots it just got out of hand never should have happened the way it happened Stacy didn’t mean to **** Brittany it’s ****** up i want to go home please let me go home”

Sabrina Starn female 29 years of age race #2 (White) 5’8” trendy corporate gray suit black pumps red shoulder length hair “i have to be at work at 8 AM Stacy was drunk out of control she gets crazy when she drinks Brittany was trash talking pushing all Stacy’s buttons then Stacy accused Brittany of sleeping with Monique and all hell broke loose i didn’t see what happened i was in the powder room it’s a terrible tragedy unfortunate accident can i please be released i need to sleep this is madness”

Kerrie Angeles female 27 years of age race #1 (Hispanic) 5’ 6” black pants white shirt black hair cut stylishly short silver crucifix around neck red fingernails “when we got to the Bashful Bandit i was ***** soaking between my legs thinking about a cowgirl at Cactus Moon ready to **** anyone i saw fantasized pulling a train with those frat boys Monique had been kind of quiet at Cactus Moon but when we got to the Bashful Bandit she lit up dancing wild unbuttoning her top jacket Sabrina went to the ladies room to snort coke with biker dude Kerrie wanted but he wasn’t into her then Brittany started saying crazy stuff accusing Stacy of stealing Monique from Jess Jessie goes through women heartlessly she doesn’t give a **** about Monique Jessie knows if she wants Monique back she can simply fiddle a finger my guess is Stacy is half way to Argentina she never meant to **** Brittany i’m going to miss her real bad she was a good kid”

Ann Skyler female 28 years of age race  #2 (White) 4’ 11’’ green white red Mexican peasant skirt black t-shirt black high-tops hair in messy bun “i’m confused i saw them dancing laughing grinding up against each other Rage Against the Machine came on then Nine Inch Nails the room felt quaking dizzy claustrophobic then they were pushing each other shoving yelling frat boys cheering the next thing i knew Brittany was supine on the floor blood pouring out maybe she just slipped hit her head i don’t know what to think i feel real sad confused sick to my stomach scared”

Monique Smithson female 24 years of age race # 3 (Black) 5’ 9” blue jeans jean jacket cowboy boots nose ring braided pigtails “Stacy had it in for Brittany from the start i saw it in her eyes at Cactus Moon she made several clever toxic remarks they snapped at each other i never thought it would escalate to ****** poor sweet Brittany was always so susceptible i was looking down adjusting my jeans over my boots when it happened i heard felt a big thump glanced up Brittany was lying there lifeless blood spilling everywhere Stacy ran out fast i heard her bike engine take off in a hurry”

Rodeo Drive Tucson

matt’s hats tom’s tools & tobacco lou’s liquors fred’s beds frank’s planks bill’s drills jane’s drains & panes chuck’s check cashing cheryl’s barrels hank’s tanks tina’s trucks & tractors walt’s asphalt sean’s pawn rick’s rifles mom’s guns terry’s tires charlie’s harleys rhonda’s hondas jim’s rims art’s parts gus’s gasoline mike’s bikes frank’s feed gwen’s pens ann’s cans nancy’s nursery joes‘s clothes jess’s dresses bert’s skirts steve’s sleeves paul’s shawls michelle’s shells & bells al’s pails & snails sam’s hams & jams patty’s pancakes phil’s chili don’s donuts betty’s spaghetti bob’s burgers alycia’s quiches jean’s beans jerry’s berries anna’s bananas andy’s candies cathy’s taffies tony’s ponies roy’s toys kim’s whims marty’s parties jill’s pills rick’s tricks alice’s palace debbie’s disposal dave’s graves

Quinta Waltz de Tucson

she is definitely displeased profoundly disappointed in her latest literary efforts she dreams aches to create deeper discourse higher insight more thoughtful philosophical inquiries about life’s challenges beauty a better world overpowering love inspiration instead she writes paperback television trash stupid inadequate answers to solemn questions she wonders if she is too scratched dented to find love her ******* are definitely changing she is deeply disturbed not ready for menopause too young for menopause she wants to remain a fertile woman with smooth skin wet ******

2

her neighbor Leslie awoke to horrible morning Leslie’s 6 chickens were assaulted overnight precious Mabel dragged off feathers everywhere trail down the street other hens cowering slumped together with wilted necks 3 of them with puncture wounds Leslie carried them one by one inside washed their wounds hugged them cried who did this terrible act a neglected abusive neighborhood cat or some desert predator why didn’t Leslie wake to sounds of savage marauding now this creature knows hen’s whereabouts when will it return for more massacre what modifications need to be enforced to ensure their coup before nightfall

3

she wants to remain a hen keep producing eggs does not want is not ready to enter the next **** stage of this **** existence it was fun being pretty for men inspiring them to say do whacky things she wants to remain a hen she is definitely displeased profoundly disappointed in her latest literary attempts “Tucson square dance” (self-referential) ****** bit about Americans came through here last night in “Tucson 3-step” ****** "Rodeo Drive" tepid perhaps the pinot noir lowered her standards everything is becoming nothing she cannot sleep tosses turns thrashes sheets in humid heat of her lonesome bed is she is too scratched dented to find love she worries for Leslie

4

tomorrow is another day they say the rain will come last year’s monsoon never came the baking sun smothered her garden died one by one sleepless she will miss tomorrow’s pilates class the infrequent delightful chatty breakfast afterwards she dreams aches of deeper discourse higher insight with detached humor that only comes from keener intelligence more thoughtful philosophical inquiries about life’s challenges beauty a better world overpowering love inspiration she crossed the line tonight her ******* are definitely changing

Tucson 666

he decides to shave eighth to quarter inch length salt and pepper beard a.k.a. unshaven look he has worn for years and grow full mustache the whiskers on his upper lip are darker with sparse gray at first no one notices after weeks the mustache gradually fills evoking many contrasting remarks several women loath it several men admire it girl at grocery store suggests he grow Fu Manchu so she can tug on it shopgirl says he looks like Charlie Chaplin downstairs neighbor from Turkey explains most Turkish men traditionally wear mustaches he read mustaches masculinize and empower men especially men in authoritative positions he thinks back to the 1960’s when many hippie males grew mustaches then in the 70’s gay men fashioned mustaches then in the 80’s cops adopted mustaches he wonders why a swatch of hair beneath nose is so provoking examines his visage in mirror discerns the mustache confers a Pepé le Pew quality or European accent to his appearance he remembers when he was young hippie with many amorous episodes how his mustache preserved the scent of a woman but there are no women in his life for many years do post-menopausal women possess scent? he feels indecisive whether to retain it or be rid of it

2

she observes her figure in mirror thinks to herself maybe her ******* are not changing perhaps it’s all in her head she inspects the little lines forming near her eyelids studies her features for signs of aging hardly any silver strands in long brown hair she examines neck ******* arms elbows fingers tummy hips pelvic region thighs knees shins calves ankles feet detects subtle changes thinks to herself my ******* are possibly slightly changing turned 40 in March married briefly in late teens no children a 15 year old dog beginning to suffer veterinarian promises to warn her when the time comes she wonders why it is so difficult finding fitting mate men sleep with her several times then move on maybe she is not such a great lover perhaps she would be better if one of them stuck around perhaps she is a lesbian the whole ide
Su-Ling Wong Jul 2010
Oh Motherland, do you hear my cries?
I yearn for your land, the way of the familiar,
the spasms of light and fire.

The rushing taxi cabs against my body,
the way it touched me,
oh I wish you saw, Motherland.

The forceful grips around my thighs
the way there was a monster in my eyes,
the solemn silence of the city night.

The buildings were like that of Gomorrah,
overpowering and outlining each of the shadows,
laying down with legs split like all the sinners.

Oh Motherland, do you still care?
somehow I think your support is unimpressive,
if you only knew the way I was captivated.

I only knew that I did some wrong,
in escaping,
in dissipating into suburbia.
Oh, I wish you knew, Motherland.
© Su-Ling Wong, 2010
Mena Mulugeta Jul 2018
It’s deeper than that.
It’s deeper than the ocean.
It’s this feeling I can’t bare.
My heart thumping so quick

Adrenaline rush when I heard the
Words that you were gone.
Altitude is so high I can’t even cry.
12 Empire State buildings tall, and
I still really couldn’t reach my soul.
My emotions overpowering many things
Wishing you were here,
wishing there was a golden stairway to heaven.
I would climb milestones
just to hear your voice.
I wish I could come up home,
and sit down just to see your reflection.

You’re shining brightly
with flashes of light.
Looking like an Angel
I feel your presence.
  Things are unreal
  time is not ours,and
Forever you will be in my heart.
Rest In Peace to you beautiful souls.
May all you beautiful souls Rest In Peace Beruk
it's getting scarier by the HOUR
OUR world will never see PEACE
PIECE by piece we're overpowered
overpowering us as our fears increase

we sit idle as hatred BREWS
BRUISED by the war torn SCENE
SEEN as only pawns to lose
losing all of our hopes and dreams
i capitalized the homophones for beginning writers, who may not know what a homophone is
matt d mattson Aug 2013
When I saw her
The first woman with the first wide eyes
Bright and light and dark and deep
With life and mystery
My heart beat like the first hand struck the first drum
And the first song was sung
In dark caves of ten times ten thousand years ago

When I first breathed that first scent
My sight stopped
My mind stopped
My mind was my body and my hands and my gut
And my legs extending to the ground and the earth and time
And it slowed down like an ice age beginning
Then it melted into warm fire
Where it burned

The first touch of the first woman
Was electrical chemical radioactive bliss
Every piece of matter in me wanted to move and dance and shake and fly apart
The spark from the start of her heart beat
Crossed through the fibers and
Traveled down the pathways of her body
Down the chemical electric synapses
Through her arm and jumped across to my hand
And traveled up and started a new beat
It was a faster, and stronger beat
And it beat
And it beat
Like the first dance,
Shook with the slap and smack of ground and hands and feet

Oh the first woman was all women
And then there were other women
And they were people
Flesh and blood
And minds and thoughts
And feelings that I could not feel
Good and bad and indifferent
With hangups and problems
Blemishes and baggage
I met women coming
Women going
Here and there
Now and then
For coffee, for beer,
One evening or ten
I met scientists, nurses
bartenders and baristas.
Living lives I didn't mind
Giving time when it was mine
Asking for things I couldn't find

Then I saw You
All of you
In time and space and speed

I caught the scent of you
Your fragrance and perfume
And the primal musk of you
That fatal lusts allure

I felt you
The gravity of your body from across the room
Your electro-magnetic force pulling
Pressure of the displaced particles pushing
As you walked so slowly towards me

And time stopped
Light and sound and movement were captured
Captive to your hypnotic sway
Prisoner to your power over my perception
You moved through the still air
And it swept aside like a curtain as you passed
The world was quiet

And then it pounded  
The pressure of it filled the air and everything around it
As you moved closer,
Like ride of the Valkyries
Rising and crashing in waves
It rose as you moved towards me
You carried it in your wake
And then it was a crescendo
A vast overpowering transcendent orchestral cacophony
Of immense intense sound and light and energy erupting
Cymbals crashed and horns blew and strings snapped under the pressure of the vibrations
Brilliant fireworks exploded in the black sky of your brown eyes
As you stopped a few feet from me

And time was stopped
You were the first woman
You were all women
You are
The only woman
Ivy Rose Apr 2014
I feel as though I am losing you to a snake.

One who's venom has the ability to warp your mind.

I feel as though I am losing your heart to its bite.

A strong overpowering sensation of pure manipulation.

I feared that when I awoke this morning you would no long be mine, but in fact hypnotized by every scale and slither.

And while you are still resting soundly, arms wrapped around me,

She whispered in your ear last night.

(i. r)
Erin Hankemeier Apr 2014
"The best people possess a feeling for beauty,
The courage to take risks,
The discipline to tell the truth,
The capacity for sacrifice.
Ironically, their virtues make them vulnerable
Yet, they are often wounded,
Sometimes destroyed."
- Ernest Hemingway
This quote by Ernest Hemingway, is an overpowering quote with immense meaning. It means that people have the power, courage and beauty to live and be strong, but they are often wounded or destroyed in the process. People are able to sacrifice, and yet still live, but they will always be vulnerable to be  shattered.

This is a quote, so therefore, MY opinion is MY opinion. :) Please no mean comments!

More quotes to come!... Enjoy! :)
Dominique Jul 2018
I pop a pomegranate seed.
It bleeds,
Delicate fuchsia delight,
Citrus scented, warm, bright,
Full of nectar and promise
(now wasted)

I pop another one,
In a soft cove on my arm-
A slight dip between two veins -
And watch the blushing drop
Edge closer to my elbow. Stop.

A third time,
With the fury of fear
Tiptoeing listlessly in my mind,
Like raindrops on a rooftop.  
It is sweet, and ******,
A waste of time but an act of god
Nonetheless.

I crave the sound and texture of it,
So a fourth time comes around.
By now, the citrus is overpowering
But I keep going,
For the sake of purity,
For the sake of the shock of vibrance
On deathly pale skin.
  
When my arm is covered in juice,
I give up.
There's no sense in envying the wasted.

Scarlet sticks.
Tammy M Darby Jul 2013
On the molded plastic black keys
Tip- tap tipping away  
Smiling wickedly
With self-satisfaction
Words deliberately in a sociopathic array

Crazed Eyes agleam
Thoughts rambling across the planets
In and out of reality
Both far and away

Each letter vibrates with its own life
The deranged wordsmith's release
So the clicking and typing
Systemic vacant sounds
Never seem to cease

To the mad poet
The combinations of descriptive words
Overpowering
Promotes the disease
Hypnotizing
Beguiling
Calling in a sweet voice
To the mad poet
In letters A to Z


This poem is copyrighted and stored in author base. All material subject to Copyright Infringement laws
Section 512(c)(3) of the U.S. Copyright
Act, 17 U.S.C. S512(c)(3),

Tammy M Darby
Paul Hansford Aug 2018
The first cold letters, alone on the page.
A quick pencil found them,
and the lively and beautiful syllables blossomed.
The pale book felt the pencil,
and the terrifying, hot words entered.
The lines grew, living and sensitive,
gleaming as never before,
and I knew the unheard lines!

First, a tiny and unselfconscious sound.
A noun struggled to appear among overpowering words.
A strong, golden adjective ran out,
a short, fragrant adjective, beautiful in the early spring.
A young verb grew among tiny blue conjunctions,
and a fortuitous adverb understood, instinctively.

The first sentence dreamed of trees, and a sad cloud.
It dreamed a grey rain,
and the tall trees felt the rain.
There was a first and unknown river,
imagined, inconsequential, like snow in summer.
A red bird glided beyond reach,
as if it had never happened.
The soft sounds fitted the lines,
and the quick bird cried,
Remember the short rain!
Remember the sad poem!
This one was a "collaboration" between myself and an app that I imported to my computer. First I entered lists of nouns, adjectives and adverbs (including adverbial phrases), then clicked to start the process.  The computer didn't "compose" the lines that you see here, but it gave me lots of ideas, and I had to work quite a lot on them. Streams of sentences poured out onto my printer, most of them complete nonsense, and when I had enough I pressed Stop, and started the process of weeding out the *******, editing the more promising lines, and re-arranging the order. My favourite line is "There was a first and unknown river," which I could never have dreamed up by myself.
ashley May 2013
Patted into sticky spheres of tender delight and spotted with chocolate chips.
I watch carefully as they melt into the dough.
The smell of overpowering joy wafes throughout my tickled
nostrils, and having to wait another second for them to cool
is anything but bearable.

All I can think as they rest on a plate before me is,
“They’re mine, ALL MINE!”
I grab one and let it explore my impatient
taste buds as it travels down the dark tunnel
and into a tomb of pure happiness.

Like a mother to a child, I hold you tight
(Into my stomach, that is). How can something
so small cause so much explosive
excitement to travel through my veins?
Chocolate chip cookies are little bites of heaven.
Had to write this for english, so why not post it?
The pathway to the hidden falls,
greenest trees and ivy walls,
Humid day and rain a threat,
Forest living, thick and wet.

Pebbles on this path to be,
Never ending, fast to me.
Flip flops make an obstacle,
For me to keep the pace we go.

The peach in hand is almost eaten,
When roaring waters reveal this Eden,
The water falls so quick approaching
seems to stick my memory's poaching.

We climb the uphill train of rocks,
more like boulders, need for socks,
Majesty miracle's tickle my senses,
Like watching babe ruth swing for the fences.

Something here is overpowering
behind the force field something is flowering,
Wet smooth rocks lay geometric,
something alive and something electric.

Native American premonitions,
Thoughts of the beginning of all of this swishin',
Waterfall dreams sparkle like diamonds,
Foam and water, slippery minded.

Brain chemical explosion.
Somethings been bound.
Something is gone
something I found
Burned in my imagination
is this place that I visited
on my vacation.
Johnny Raven Jun 2013
Upon the wings of madness
Slipping between the cracks
           Of Morbid Dreams
With mystery spinning eyes
Possessed by midnight darkness
Left awake by the watchful moon
An angel bleeds with tearless
Cries      Unraveling loneliness,
             Twisted by reality
Like the image of an innocent
                  Slaughtered
Battered and torn from piercing
                      Thorn
Expressing a fiery, vacant stare,
Lost forever - captured within
         Deaths overpowering
             S I L E N C E


*- Johnny Raven
  © Copyright 2003
Tammy M Darby Jul 2013
It is said by smell
Impossible be detected
I am here to say they are quite mistaken
For it is as heavy as night blooming jasmine
Overpowering
Intoxicating

The smell of white calla lilies
Heralds the coming of death
Announcing another soul from life taken
Despair  indeed has a scent

Lain on a headstone in reverence
The wreath of flowers
Posses a perfume of its own
Depression and loss infiltrate the heart
A cologne that permeates the air
There is I can assure you
A fragrance of despair

This poem is copyrighted and stored in author base.  All material subject to Copyright Infringement laws
Section 512(c)(3) of the U.S. Copyright
Act, 17 U.S.C. S512(c)(3),
Tammy M Darby
Farah Hizoune Apr 2014
I had hoped to find on this trip to Morocco, like countless great ones before me, the scent of my youth, to create the volumes of my own tale. To find beauty in the colors of my heritage, to reinvent all that I am and all that I am destined to be. The joy of knowing that some of the greatest writers, artists, musicians, poets, have found solace, inspiration and true peace in the country I am blessed to call my home is unmatched. I wanted to be able to hold the sunshine in my soul, the world in my mind and the fateful nonchalance of destiny in my heart.

From what little I saw of Paris from the aisle seat on the relatively small Airbus 370 was magical. It was a glimmering and sparklingly beautiful city that filled me with a nostalgia that was not my own, but of the stories I'd read set in 1941 Paris. I pictured Henry Miller and Anais Nin meeting there in secret along le Rue de Provence. The fear that I held within when I stepped through customs into le Royaume du Maroc was smothering. There has to be a word for the fear of new beginnings, the fear of your heritage.. But as soon as I was out of the airport and in the back seat of my fathers rented Dansia, driving down the scenic coastal highway, I found my relief.

The relief came from the overbearingly-beautiful smell of honeysuckle and jasmine, with slight undertones of burning *******. It hit me and I no longer felt that overpowering fear. I started gulping for air, this time not because of a panic attack, but for memories sake. I never wanted to forget that smell. It smelled like my childhood, something long dormant, suddenly released. All of the places that I had ever tried to fit into and this was the closest to perfection. The beauty of the beggars, the commotion of the families of six packed tightly into the back of a speeding fruit truck, the droves of young punks taking over the sidewalks, they all brought me instant comfort.

The drive from Sale to Harhoura was, to put it lightly, riche. They were modernizing my roots with bypasses and tunnels built underneath of centuries-old, roman-built fortresses. New sidewalks and high dollar condominiums built on the edge of a brand new, man-made medina. The water was occupied by artesian fishing boats and the frail, brown men who powered them for measly pay or a days meal. My father was uncovering all of the wonders of his country in a booming, baritone voice. Showing me old stomping grounds and schools, and teaching me the history of everything we passed.

The vernal equinox, waning crescent moon on my first night was one of the most beautiful things I'd ever been privy to. Unable to be adequately described or properly photographed with the tools I possessed. It was the color of a blood-orange toadstool, hanging dubiously on the horizon. Barely visible but for the every-other peeks between the shantytown. It was enough to move me to tears and to fill me with a childlike wonder about the lunar beast and it's meaning relative to my being. She hung there, heavy and forbearing of the adventures I was about to partake in and the layer of my soul that was yet to be discovered. When I lost her I became frantic, craning my neck every which way just for one last glimpse at her celestial magnificence. When I lost her I gained realization - that although something was not with me, it was always there, watching over and hanging in time.

My first real day in Morocco was well spent, sleeping until 3pm, buying a SIM and minutes for my cell (of which I used all almost immediately on nonsense communication), and smoking hashish in the locale café. The hashish and the rolling techniques were very intriguing, I watched astutely for future reference. They used cigarette tobacco and white Moroccan hash and rolled it into a paper with the cigarette filter on the end. I wondered about what the people I was with and around me were talking about, due to my lack of fluency in either Arabic or French and their broken English that was too much effort to decipher.

What I really craved was a nap and to know where my father was since he had disappeared early in the day with my step mother, which was less of a surprise and more of an annoyance. The Marlboro cigarette smoke was extremely dense & bothersome and it became hard to breathe. I stood out there and everywhere like a token, sore thumb of an American, despite my demure outfit of boyfriend jeans, white tee shirt and Louis Vuitton scarf tied around my head á la Lou Lou de la Falaise in 1970.

On day three, I went to visit my potential 6 month employer. His vision was impressive. Khalid ran a small, local travel agency in Centre Temara, specializing in appealing to the nouveau-riche of America & Europe. His tours were of quality rather than quantity and consisted of showcasing the small co-ops of Morocco, argan oil production being one of the biggest. American sows will eat up any exotic cosmetic product that claims anti-aging benefits. They're all trying to fight time to keep the attention of their ******, manic-depressive spouses. My position in the company, if I stayed, would be to appeal and connect with the American market, to take my honed, Yankee accent and throw pretty words at the yuppie clientele. It wasn't a bad gig but it felt like I would be ******* my heritage. Aside from that I was dying to go on the tours myself.  

My father was still battling me on the never-ending war of my outfit choices. Again, despite jeans, leather sandals & my favorite mans' t-shirt. I think it may have been the heart-shaped sunglasses he disliked, or maybe it was just too early in the AM. For him it was all about "blending in", "not attracting attention", "sameness". It almost brought me to tears to hear him say those words. It wasn't in my nature to go with the masses. Twenty-three years of uniqueness and he was trying to strip it from me under the guise of "protection from harassment of any sort".

To me, it was natural to want to adorn myself with bright colors, sheer fabrics, intricately designed scarves not traditionally worn as head pieces. He dropped the topic but I knew it wasn't the end in the twenty-three year old argument. We were in the middle of life, I wanted my dress to reflect the elation and bustle around me. Everything was full of depth and ornate decoration. From the stones we walked upon, with their repetitive, diamond patterns, to the grand architecture  of what would be considered "the slums" in America.

I was trying to convince my father that I would be a great candidate for a moped or a motorcycle. He wasn't buying it, something about heart attacks and my lack of attention span. The beauty of the travel agency was that there was a small cosmetic tie-in via the argan oil and rose water co-ops. I was given the outlines for his guided tours and asked to edit them, which I was more than happy to do. Following a small me once back home, my cousin and I headed to La Plage de Temara.

The beach, how do I put this kindly, was less than spectacular, but the view was breathtaking. Once you got passed the scattering of soiled diapers and broken glass bottles from the vagrant winos, there was mile after mile of cerulean blue Mediterranean sea outlined by a coast made of porous volcanic rock. The hazy, white, almost-Grecian inspired homes that were stacked against the bank were technically dingy but beautiful still. I was praying for the sun to burn away my psoriasis and the brand new, but entirely expected, mosquito bite on my cheekbone.

The shoreline was terrifyingly littered with human detritus that almost ruined the picturesqueness of the scene. I waded in up to my kneecaps, saw a roll of toilet paper drifting like a jellyfish and ran out as fast as I could. After about an hour of sunbathing, we walked through the run-down, once beautiful coastal beach town, Casino. Our destination? The rooftop of one of the abandoned buildings to meet with a friend of my cousins. My first impression of the domicile, with its staccato flooring and the multicolored, crumbling walls, was trepidation.

The open plan of the rooftop, line with hand-strung bamboo walls & open wrought-iron roof was very Rabat. The view, an over-whelming 360 aerial, of the bounding city and the crystalline, raging sea. The cooing doves flapped about lackadaisically from roof to roof, landing near me on the branch of a blackened, dead rose tree. The high walls of the dilapidated homes were lined with broken glass bottles to thwart trespassers and graffiti artists. Although, it didn't stop them from defacing the outside walls with proclamations of "FAMINE OR FREEDOM", "BLACK ARMY 06" & "BEAUTIFUL DEATH" .

There was one, lonely grazing sheep tied to a frayed, red rope claiming him as a family meal. I could relate. Albeit, here the slavery was less pronounced. Everywhere I looked, I found inspiration, which is the closest thing to freedom we human animals can hope for.

As I prepared my bag the night before I was to head to Marrakech, my head was filled with visions of the spectacular. I had read stories and seen pieces on the fabled city and all of the magical things there was to be seen. It was a 4 hour, beautifully scenic drive down the auto route through hilly countryside and passed the city of Casablanca, covered in a dense brown haze. The difference in the quality of the air once you go out of the city was hard to believe. The one complaint I have to write about this 'god's country' is that the inhabitants have no respect for the land.

I don't mean that they don't appreciate the food that comes to fruition or the sea that supplies the freshest fish. I'm talking about their complete and total disregard for littering. When I drove passed the outskirts of Casa and saw a beautiful village with a backdrop of the famous Atlas Mountains, surrounded by a summit of garbage, I had to ask myself, "why?". Why do the people of a gracious and humble culture, not to mention an endemically CLEAN culture, throw their disgusting waste wherever they want? I'm straying off topic, but you understand my woe.

We arrived in Marrakech in brilliant time, around 1 PM, just in time to throw on my high-waist bikini & hit the pool. After sunbathing for a few hours, I readied myself to be astonished by the wonders of Djema el-Fna, the Mosque at the End of the World. In simple jeans and a tee-shirt once again, we headed out around 6 o'clock. The square was packed full of tourists from all over the world, of all ages, races, sexes.

When we entered into the square I was quite disturbed by the looks on the faces of the locals. They had the dejected look of what reminded me of the Chateaux Marmont, like 100 years lived in only 25. Like love lost and lack of options. There was nothing magical about the aggressive competition of the young and old men alike, vying for a bit of coin from some idiot tourists. The Barbary apes in captivity, dressed stupidly and piteously in women's clothing, the children of 4, 5 & 6 hustling those god ****** tissues, sickened me. The beauty of the place lay in the landscape, surrounded in the West by snow-capped cordillera.

There were charming things about the center, the smells of the many cooking tents, the sunset that left me gasping, and at night the stars shone and the moon was bright, but it all felt jaded. The old city was awash with men selling the exact same things for a higher price the farther in you walked, the jewelry was cheap and there were so many mopeds in the alleyways that it was dangerous to not pay attention for a moment. All in all, I saw the reason that UNESCO saved the location as an officially protected "cultural space", but I saw no magic, no story tellers, nothing  bewitching of the spirit. Sure, there were snake charmers, but half of them were fake. It was all smoke and mirrors.

The day following, my party and I took a guided tour into the High Atlas. Now this, this is where the enchantment laid, miles of blue-brown rock, stretched the length of as far as you could see all around. We had to travel into the mountains about an hour through deep country and the Marrakech of the locals, the real Marrakech. Through the towns that the government created when the foreigners started coming in, in droves of poisonous tour busses, and inflating the native infrastructure.

I had notions of grandiose to come and realizations of just what a small part I played in a large production. I had left selfishness on the air France flight into Rabat and quickly learned that peace is a relative thing here. People were not going to stop asking you questions but you realize that if they weren't questioning you it meant that they didn't give a ****. I felt loved undivided and genuinely, nothing comparable to the falsities I had thought were love previously. I learned of real beauty and to welcome, not fear it. That there were sad things in this world, yes, but I was a lucky one. I could not afford depression because I was taking it from the ones who had the right to own it. I still held my dark passenger inside but she's was lighter and quieter, she no longer bogged me down or spit vulgarity at all that I contacted. I still felt longing for my lost, lost lover as I would always but he no longer brought pangs at the thought of his eyes. I looked virginal in all white linens against a cerulean Mediterranean back drop, I felt virginal as I had taken no man in a month. I had been scrubbed and cleansed and covered to attain my rebirth and I had never felt the emotions that unearthed me. I clamored for more life, I hungered for it.

The way I used to be weak for him, I now craved strength with a sense of urgency for everything. I had new eyes for the world and the world, for me. I felt the pull and flow of the Andalusian and Berber blood that poured through my veins and nothing, not even not even the scorn from strangers calling me a daughter of the devil for my ensemble, could deter me from owning it. I had maddening notions that I was omnipresent, akin to a demi-goddess. I was earth, sun, ocean and blood - but unlike my peers and relations I was the only one who could find contentment in the peacefulness of silence. Still I would have liked so much to kiss you, with your full mouth and straight teeth, after a year of absence. For you to grab me by my neck and pull me into you hungrily, in the way only distance can make you sick for me. I fell asleep on the way back from Spain and I was awoken by me uncontrollably calling your name in my sleep. Yet how I longed to strike out on my own and meet a man of my future. I would not, like my dream, lie chaste and whole while in gods country and wait for you. No matter the poems I've writ nor the words I've scribed indicating so. I wanted something deeper and more deserving, though I will always love you, of my fullness and my crass, broken nature. My journeys were worth writing in diamond ink on golden pages and I needed someone who lived to review them at the peak of their worth.

I had mostly humdrum days in between which bled together until the day my father left for the states, sans me. It was an emotional scene and I was reminded about just how unprotected I really was without him. I took journey to Fes the following day with my Aunt and grandparents. It was a breathtaking drive through rough terrains from which masses of vegetation magically sprung forth to feed a nation. There were fields of wildflowers, all red peonies, brilliantly yellow buttercups, butter-colored daisies, intricate and massive wedding lace. Thousands upon thousands of sacred olive trees littered the landscape, it was perfectly picturesque. We journeyed into the 2,000 year old city and you could feel it's pulse. The stench was my only complaint, a mixture of ripe sea-water and rotten meat in some areas. It was a standard medina with hundreds bustling about, the most distinguishing difference being the beauty of the architecture. You had a feeling of heaviness from the age on the buildings and the locals looked as if they had been there since the beginning. I was in a pure state of wonder and vowed to look everything up about Fes that I could during my next peaceful wifi moment. We bartered and shopped and went as far into the twisting alleyways as we felt comfortable. For lunch we traveled into a small outer lying town in the hills and had the best kefta I
this is just the beginning
Martin Narrod Apr 2014
I used to think that all of them were just bodies. She-figures, they came and went, facilitating infinite happiness and following with hellacious heartbreak, aorta explosions galore. They pass. I stay. She goes. I remain. We all take a trip, but she falls asleep while I follow the road, I sing the song, make the lyrics up as the 101 heads West, and I careen against the Pacific. I see silvery-white plumes of whale breaths spouting, they break the rocks of my rock and roll. When the levee breaks, we'll have no place to go- I'm going back to Chicago.

California. Line 5. Verse 1. She is born in Arkansas, in Denver, in New York City, in the back of a taxi cab, her parents waiting for a table at Earth Cafe, 1989. There are concerts, balconies, elevator shafts, and on benches. The gain rises, the volume up and up and up, I offer her a cigarette, I ask her if she likes my dress, I show up with two palms full of a flame, and I say hello. Browsing in high-definition, the water is warm, my feet are planted and I have everywhere to go. Classical emporium of light fill me with ease, greatness, and belief. She asks me if I'm gay. Every great confusion can be proven to be fortuitous with enough time on hand. I kiss in cars, in bathrooms, and barrooms, in hallways, on staircases, on beds, church steps, and legs. I touched a leg, ran my fingers through her hair, my thumbs curved to the height of two ears alongside a size B head. I love art *****. i burn candles, and I swirl the wax around until the walls wear masks of white. I check-in to a hotel. I stop to buy wild flowers on the side of the road, or to climb down a ravine, we open a page into an enormous patch of strawberries, wind-surfers, and the golden Palo Alto beaches. I am in Bronzeville, on my way to Bridgeport, I am riding the train, browsing magazines, and singing new songs in my head. My lips are wet with excitement and the musings of the Modern Art Museum and the gift of a first kiss; behind the statue on Balcony 2, near the drinking fountain, the Eames couch, and two lips meeting anew. Bravery in twos.

Chapter 1, Verse 2. The chorus is large and exciting. New plastic shining coats. Smocks patterned with the Random House children's stories that we played with as children. We didn't wear gloves, or hats, or pants, or our hearts on our sleeves. I was up to my knees in hormones and very persuasive. My fifth birthday was at the Nature Center, you chased me into the boys' bathroom and kissed me with your wet and four year old lips in the second stall from the door. I eased up maybe 2% since then. The speakers are a little bit fuzzy, it's like listening to the spit of someone's tongue cascade the roof of their mouth while they pronounce the British consonants of the 90s. Said and done and saving space.

I am saving up for Grace. A crush in the mid 2000s, black hair, long legs, and the only brunette for a decade before or after. We played doctor, with the electric scalpel we turned our noses red with Christmas time South American powders. A safe word for an enemy, the sun for an enemy too. You bolted out and took my early Jimi Hendrix Best Of compact disc case too. While we're at it, you took my Michael Jackson cassettes as well. I go mid-range, think Kiri Te Kanawa in the whispers of E.T.'s Elliot. Stuffed-animal closet party for seven minutes in heaven. Your family came with butlers while mine came with over-educated storage. A blue borage sky in the intestines of life, a splinter in the shanty-town of invincible daily struggles- both of us were born again in O'Hare Airport's Parking Level D. Too many nonsensical arguments in two-tone grayscale ripping open the packaging of a course about trysting in your twenties.

Your stomach's history is overpowering. It is temperamental, mettled by spirits and sleepless nights, borborygmus, wambles, and shades of nervousness you were never comfortable speaking openly about. The history of your ****** was privatized, in options and unedited films shot over and over candidly by a mini DV desk camera, nine months to read you wrong to weep in strong wintry walks back and forth from The Buckingham to the Dwight Lofts, Room 408 without a view. All of your secrets in a little miniature of a notebook, bright cerise red. You captured teardrops in medicinal jars meant for syringes. You tied strings to your fingers, named your field mouse Ginger, and introduced your mother as Lady Darling. Captain with stingray skin, the hide of Ferris Bueller with the coattails of James Bond, dusted with daisy pollen, and clearly weakness. You ate me like bitter herbs on Thursdays, and like every other woman I've ever met, on Tuesdays you always kept me waiting.

I have wings for everything. Yellow wings for a woman in a yellow dress, Red, White, and Green wings for Bernice from Mexico City, Purple wings for  Mrs. Doolittle the doctor who worked at Taco Bell, the Jamaican priestess who was traveling through Venice Italy- we smoked hash with the grandchild of James Joyce on the Northern pier against the aurulent statues of Apollo and Zeus, Cupids' collection of malevolent tricks, SleepingB Beauty's rebuttal in fending off GHB attackers, my two dear friends who were kidnapped in clothes, abandoned in the ****, and only remember eating chocolate donuts with sprinkles and the bruises and dirt on the insides of their thighs. Nothing clever. Nothing extraordinary. Everything sentimental, built to withstand soot, sourness, and early female bravado.

You know how to play the piano so you've said, but i only have the CD you gave me to prove it. I do have evidence of your addiction to men and *******. I have your collection of dresses with tags still on them (but every woman has some of those), there is the post office box in Kauai, the Halloween card from last November and the two videos I have stored on an external drive in a nightstand adjacent to the foot of my bed. You sleep atrociously, talk too quickly, and **** like your father abandoned you when you were five. Your talent for taking photographs is like your skill-set for playing the piano, but I don't have the CD to prove it. You don't believe in social media, social consistency, friendships, or hephalumps and woozels- with the exception of the classes we shared together in college, I've never seen you outside of the most glamorous of fashion. You hate flats, hats, and white wine, and for as sad as you can seem to be at times, I've only had you cry on me once. While we were on the phone, three days after your mother hung herself. That's when I last left California, and I haven't been back yet.

I love a Kristine, but once a Britni, a Brandi, a Joni, a Tina, Kristina, Kirsten, Kristen, and a Katherine and Kathryn too. I know rock stars who are my dearest friends, enemies who I share excellent taste in music with, and parents who've always had my back but show it in lashings of the tongue and of the belt. It's been two years and three states since I was two sizes smaller than I am now. I've never considered the possibility that I was the main character and not the supporting actor, but due to recent developments in antipathy and aesthete, reevaluation, and retrospective nostalgia. All of this is about to change.

I am me still evolving without my usually stolid and grim ****** features. i bare brevity to situations existing that would **** most or in the least paralyze a great many. There is one for every hour of every day, and one for every minute in every hour, second in every minute, and more than the minutes in every day. No one has a second chance, shares a different time, or works off a different clock. I have been called the master of the analog, king of the codependent, and rook to queenside knight. I share a parabola for every encounter, experience, and endeavor. I am three minutes from being a cadaver, one drink away from a drunk, and one thought away from being completely alone. I think upright, i sleep horizontally, and I love infinitely. I am the only finite constant i have ever known. I am the main character, the script, satire, sarcasm, and soundtrack are mine.

"I don’t care if you believe it. That’s the kind of house I live in. And I hope we never leave it.”
There's A Wocket In My Pocket by Dr. Seuss
Omnis Atrum Aug 2012
not all who cry out are in pain
not all who are lost long to be saved again,
not all that are alone feel betrayed
but everyone feels afraid.
not all are afraid of a broken heart
not all are scared of misspeaking their part,
not all are petrified at the thought of dying
but everyone fears crying.
not everyone hides how they really feel
not everyone denies that all this is real,
not everyone covers the empty void
until their heart is destroyed.

to long lost to be called alone
but these tears now seem like home,
why in the world do i feel so forsaken
when i'm the reason my heart is breaking?
i am the one who remembers her so well
memories of happiness now feel like hell,
maybe because i know that i will never be again
closer to the one i love than 'just a friend',
even so happiness sometimes fills my veins
or maybe i just have a numbing of the pain.
i try to stay so strong that no one can see
that this hurt seems to be killing me,
so i rise up and wipe the tears from my eyes
and make it go away with a closet full of lies.
i tell myself that i hated your every kiss
and that you couldn't possibly be worth all of this,
and that i never missed you a day at all
and was never filled with bliss at the ring of a phone.
that the love that we felt could not have been true
and love's not the reason i can't think of anyone but you,
that this was the only way for all of this to unfurl
i tell myself that you are nothing but some confused girl.
some girl that feared a love greater than we could understand
only remembering my failure and faulty misdemands,
how many times we did what we knew was not right
but the desire seemed way too strong to fight.
even now i know i could not fix with a thousand rhymes
because no mortal can go back and do battle with time,
i can't quite explain to you how i really feel inside
only that i can't count how many times i've cried.
not out of self pity like so many believe
but because i know i'm the one that made you hate me,
so here are the tears that i've kept bottled up in my soul
and here's the imperfect person who can't feel whole.
here's all the apologies that i could possibly mutter
when i think back on what i did i can only shudder,
what kind of love did i think i knew
when again and again i found myself hurting you.
i'm not quite sure what it is that i want you to understand
my thoughts are scattered like the breeze-blown sand,
i know that i can't tell you exactly how i feel
because even still i don't know if feelings so strong are real.
i don't deserve a single passing moment of your time
because what i did i believe should be crime,
i corrupted the greatest love that I could ever know
and now that it's lost i have nothing to show.
only hollow echoes of 'i love you' s that made me whole
only an empty void where you existed in my soul,
only seas of teardrops to quench my unending thirst
but remembering your smile has got to be the worst.
Remembering your smile when you saw me draw near
remembering that when you were near me i felt no fear,
remembering you tell me that you felt it too
the love that we were so positive was true.
but as i have fallen away from who you remember
it seems to love you now could only hinder,
it only slowed you down from the wonder you became
i only hope after this your smile is the same.
hope when no one is around you that you feel no pain
that nothing but bliss flows through your veins,
that you find someone that deserves such a girl
the one i love more than any other in the world.

too overwhelmed to express exactly how i feel
but now i wonder if when you see me,
do you remember that what we had was real
or have you pushed it out of your memory?

is this longing and hoping just a joke
that everyone else knows the punch line to,
or have you heard a single word i've spoke
when i tell you that i can't not love you?

my eyes are all out of tears (my dear)
and i can't let you be my greatest fear (can't you hear?)
but i can't seem to make you go away (please don't stay)
so i'm stuck here again in my dismay (one more day)

i'm tired of feeling empty all the time
but you're the only one i can call my own,
so i sit here and write rhyme after rhyme
in hopes that one day i won't be so alone.

i'll take back every word i said, i swear
do you know you're still in my heart,
you're in my heart because i keep you there
because without you i'm torn apart.

my eyes are all out of tears (my dear)
and i can't let you be my greatest fear (can't you hear?)
but i can't seem to make you go away (please don't stay)
so i'm stuck here again in my dismay (one more day)

but i feel that tomorrow might change everything
maybe when i wake up you'll be here by my side,
and the world will stop so choirs of angels can sing
about a love so strong that it will never die.

About a love so purified by loss and tears
that i can't get rid of it no matter how hard i try,
so yet again you're the source of all my fears
and my tears flow freely as i cry.

an uncontainable ethereal essence dampens my soul
a lacking love that disappeared into the darkest hole,
though life's blood was flowing through my heart was cold
because of a story that has been too often told.
the realization of unattainable hopes tore me to shreds
how hard did i fight to free those feelings from my head,
to awaken visions of ecstasy instead of passing life
but it took time to realize i caused all my strife.
the gap extended, cutting off me from me
until i realized i'm not the person that i see,
determination extinguished an impure love from within
denial allowed me to forget all my sin.
though now as dark and as distant as i may be
i cannot force myself to carry a single memory,
but my footsteps slow because i no longer run away
now void of the hope of "someday, someday".
passion all spent they'd have us repent our consent
but only in error could they misconstrue my intent,
once again i clear my head until i feel relieved
but i now believe that bliss, not pain, is conceived.

holding in all that i know i should exhale
these situations make me feel so frail,
losing touch with reality once again
finding myself where i've never been.
frustrations almost make me give up
just want to say "enough is enough",
show you everything that i hold back
so that you can see how much you lack.
wish i could cease this painful game
leave it all as it was before i came,
but the impact you've left i can't deny
but i don't know how to say goodbye.
nor do i want to as you can tell
as much as i love this it hurts like hell,
if you could only see all that i hide
and all that will always be hidden inside

as i'm lying here wondering what i did with all the time that passed by
still staring at the empty pillow beside me but the pain is gone,
i just wish that for one last time i could look you in the eye
and apologize for all the times I did everything wrong.
as i'm lying here in realization that the chains no longer hold my wrists
and the freedom like the wind pushes me out into the world,
i thought in err for so long that you were the reason for me to exist
but now visions of you are replaced by the great wings that have unfurled.
so smile every second knowing you have the angel you deserve
knowing that you are safe with him the horizon will swallow me whole,
the only favor i would ask of you is to love him without reserve
and if you love then love with heart, mind, body, and soul.

it now seems that i have lost something in the overpowering dark
some small bit of myself that once gave my soul its spark,
that which still lingers is the fear that i will never find what i have lost
it seems that whatever price that there is to pay i cannot afford the cost.
and so i sit and pray hour after hour in yet another sleepless night
thought i expend all energy and force of will i cannot win this fight,
the doubt that i had once conquered has returned to reclaim
and it seems after all the progress that was made it is still just the same.
just as i feel as if the world has taken what i hold dearest to me
in an instant i feel relief and wonder what has caused this to be,
and then through the darkness i see the shadows slowly part
for even the darkness cannot stand between hope and my heart.
and as i stand numb in wonder what caused all of this to end
i realize that this hope is contained within my truest friend,
her smile brings back to me so many of the memories of old
and though my body is freezing, my heart is no longer cold.

it is surprising how quickly the sweetness of love turns bitter when you cast it aside. how fast smiles turn to blank stares with no emotion whatsoever. how fast a person full of nothing but hopes and dreams can be made jaded and cynical.

i look upon you and see only eyes that emanate cold
the eyes that chill me to my soul and leave me weak,
there is only a void that occupies the space of the soul you've sold
and from my lips are stripped the words that i would speak.

with the last breath that i could manage to sigh
i let go of everything that i had tried to deny,
because you could never be worth all of this
so the memories of you i quickly dismissed.

The memories left that still exist
Make me wonder just what I’ve missed,
In wasted time remembering your smile
But to see it once more would make it all worth while.
So many feelings I’m still forbidden to feel
Forsaken to the point that I wonder if they’re real,
But all wonder collapses if I look into your eyes
And I can no longer hold in my muffled cries.
Yet you do not care, so distant and cold
What was it that warped and burnt your heart of gold,
You never deny that all I say is right
But you fight your feelings with all your might.
So I now refuse to fight this anymore
Even though I see it’s wrong in my heart’s core to fight this anymore
Even though I see it’s wrong in my heart’s core,
The foundation crumbled, leaving rubble at best
And I leave your life with this one last request.
If you ever think back to feelings we once knew
Just know, although not perfect, the love we felt was true,
And though we may never feel the same thing again
If you ever need me, I’ll be here, as a friend.

For all the love that I once held
Within my gentle grasp,
I’d let go of everything else
To feel that love again at last.
For all the hope that I once knew
When I saw it in your eyes,
I knew it would never return
when you couldn’t hold back your cries.
For all the hours that I’ve lost
Wishing that you were here
Only to see your beautiful face
And forever hold you near.
For all the times that I’ve been forced
To lose you once again,
The pieces of my heart are on the floor
And won’t fit together or mend.
For all these things that I’ve said
I’ll never rethink those thoughts,
There’s just too much pain within your arms
This lesson I’ve now been taught.

A love that you don’t feel
Within your bitter heart,
All the time I’ve wasted
Just to get back to the start.
Before I knew your beauty
Though endless as it seems,
I only see you smiling
As a figment in my dreams.
Before I felt abandoned
Lost in the deep, dark abyss
Before I even longed for your touch
And to feel your gentle kiss.
Before I knew just how it felt
To feel nothing at all,
But with that numbness I know
That you initiated my fall.

How many nights will I stand outside your window
Constantly hurling rocks and stones,
And how many times will they disappear
Destroying my hope and leaving me alone.
How many tears will run down my cheeks
Creating another salty sea,
Only for the waves to rise up
Until I feel like they’re drowning me.

In the darkness of the night
come the tears that i can't fight,
but the glare of morning sun
reveals another battle won.
I can't overcome the love i've lost
or that our paths have uncrossed,
I hope that the emptiness that i feel
is only a figment, and not for real.
I get lost in the memories made
if only so that they will never fade,
and as i reach out my hand to her
she disappears, the illusion blurs.
But she was there for a moment in time
I can still see her as i write this rhyme,
and i know that everything will be fine
because in my heart, she is still mine.


don't think about the pain you feel inside
stray from shallownes and foolish pride
and as your tears swell up so blue
forget the things that anguish you

please don't leave my side again
even if we're only friends
you left an emptiness in my heart
that wasn't there at the start
the loss of you i cannot bear
you act like you still don't care
maybe this is hopeless yet
thoughts of you i can't forget
how does it feel to not feel at all
these thoughts through my mind crawl
i'm not able to forget you yet
i blame these feelings i always get
do you ever lie awake
and let your feelings overtake
the thought process in your mind
no you're too gentle, far too kind
please don't leave my side again
even if we're only friends,
you left an emptiness in my heart
that wasn't there at the start

yet again my timing is off
i'm denying the fact that all is lost
where must i begin, what must i do
to make everything better with you
please take the time to take away
all that i lose in the words that i say
if you could only hear what i feel inside
you would understand what i've slowly realized
i'd break my heart before i hurt your own
but maybe i'm better just being alone
these feelings i feel, i know they won't last
and i'll think of nothing else until they have passed
they consume every thought i create
and to my heart my mind relates
all these facts i wish were untrue
a thousand apologies to make amends with you
why should i be the one to apologize
my words rang sweetly throughout my mind
but now even words cannot take away
all i have lost that cannot be regained

entrapped in my head are all these thoughts
of promises you made way back then
the tears that swell my pain has bought
only to believe your promises once again
your sparkling eyes that made me believe
every single world that left your lips
i never thought that you would deceive
but my hope covered my heart like an eclipse
you made me feel that you loved me too
you made me think i was understood
but when i found your words rang untrue
it revealed the bad beyond the mask of good
just like a single red rose smells so pure
until the blood from your finger spills
all my problems only you could have cured
until all my thoughts of love you killed
just like the winter nights feel so cold
until you find someone to hold close to
you left those caring words untold
and my heart was turned cold under the moon
entrapped in my head are all these thoughts
of promises you made way back then
the tears that swell my pain has bought
only to believe your promises once again.

I think there is something on your mind
some memories that you've left behind
you think i feel feelings that i can't face
which gives me the need to leave this place
you succomb to the knowledge that you hear
with simple sources as sound as the air
you run from the reason from which sadness falls
and in the end there's nothing left at all

Another small tear cascades down my cheek
i'm all alone with all these people surrounding me
the sadness grows and the waters start to rise
i'm the only one sinking in my sadness, i'm surprised
the waters rise as i slowly start to fall
i doubt that anyone even notices at all
the sorrows you have given me have brought my demise
if you could've only seen the hopelessness you put in my eyes
it's all over now and all is lost
the struggle for happiness was worth more than it cost
another small tear cascades down my cheek
and i'm lost in all the pain you have given me

all alone before we met
but those are times you'd like to forget
and as he drifted away
you were alone by day
you always felt that he cared
but still felt trapped and ensnared
and nothing you could do
could bring him closer to you
he thought he left you behind
but that was all in his mind
there is nothing left that he can do
to bring him up to level with you
he thought it was all a game
trying to win fortune or fame
but somewhere along the line
he pushed your heart aside
brushed all of your tears aside
so he could have his foolish pride
but you always knew in the end
that it would just happen again
no emotions he feels
like this whole world is surreal
and as he drifted away
you were alone by day

so lost inside these thoughts you've given to me
of hope and all these feelings i can't believe
it would have been best to say nothing at all
because
Nat Lipstadt Jan 2018
based on the essay below received from Liz Balise**

all poems and their accompaniment sauces begin with onions
start by fouling the air, bringing forth only unrestricted tearings
then...

the slow cooking elicits the sugars hid within,
the unpleasant odor, refined into something
minted new sweet and savory.

so too, the poem must simmer, slow cooked,
harmonizing the caramelizing,
even if some ingredients
claim the first born birthright of the eldest first essential,
despite the collective harmonizing.

the ripened color of the blood red tomatoes,
the ruddy cheery sanguinity of
certain words in each poem,
are the coloration of its entirety -
the ones your never forgive for never letting you forget them!

what matters not but how, the daring to substitute the new how,
how you chef see it and color it with the crazy way how
you beckon us over one by one to the big *** for a tasting
accepting critiques and suggestions, a thousand pinches
of your salty sweet essences.

and the recipe is dog stained and pointy corner ear-edged,
cause you cannot exactly write it down, and you bend the corner
for every substitution and variation,
cause every poem
made to taste the how of us,
each one a subtle different.

everyone understands metaphor,
even the society of the reticent ones in the back row,
just say the “trapdoor of depression” and they’ll nod knowingly,
so say to them a poem is a metaphor for you,
and spaghetti sauce is how you see, recreate in words,
how you need to add an ingredient of yourself
to this one,
a word, a phrase, becomes you in it, in you,
you in it are both poet and poem
and a simmering new and different
————————————————————————-


A Well Written Essay— The Spaghetti Sauce Method
As a teacher and a learner, I have always wanted to see the "nuts and bolts" of everything. Yes, it slows the process down, but the learning is more complete, and a person becomes capable of making endless connections of understanding, branching to other  creative possibilities. Writing like dancing, and all that is worth learning, deserves all of the pieces and steps of the process.
I remember telling my students every year that grammar could indeed be a dry bone, but necessary in the process of good communication. Told them that I would teach writing by the "spaghetti sauce method" (Visualize their perplexed faces here.). "A well-written essay should be like a really good sauce-- smooth, fine textured, with a complete harmony of meat, sweet, tomato, and seasonings-- not one overpowering the others, but all in marvelous union of great flavor and aroma."
I continued, giving the example of my mother's
(God rest 'er) Irish spaghetti sauce" as a contrast. "Mama would throw in onions, peppers (if she had ‘em), hamburger, salt and pepper, fry it all in corn oil, and mix with two cans of plain tomato sauce. This was all okay with me," I went on,“ till I experienced the epiphany of garlic, basil, oregano, pork neck bones and a cup of wine; in the kitchen of an Italian neighbor, who walked me through the process and ingredients of real Italian sauce that was simmered for hours."
I continued to nudge them with the comparison: "Excellent writing is more than talent and passion, otherwise a tirade of curses, knotted ideas, and copied paragraphs of someone else would always do.” "No," I went on, "It is clear thought, captured, slow-cooked in the labor of mind and understanding— and in good time, expressed, in a way that others can comprehend -- with great attention to the cardinal rule: It is not as much WHAT you say-- but HOW you say it."
Through the year I focused on one or two aspects of better writing at a time for each paper. It was an uphill battle, often teaching against the mediocrity of the expectations in the PA State Standards of Assessment. It would add ten hours to my work week to grade and comment on a set of a 115 papers.
Mateuš Conrad Nov 2016
.i. if Kant could have his von Kleist... well... who else to juggle juggernauts if not me? as a task of redeeming that poor soul who succumbed to the terminator of all poetic ambitions, with his systematisation off-the-page, as eccentric and punctual as a sunset on a sundial at 16:11... and in case either the spring of sunrise, or the autumn of sunset... but so many hours after exacting a sunset... that gluttony of the eyes to stare at it... 16:11 is the zenith of a sunset in november the 15th... much prolonged when warmer... supersized sun when setting in summer, and all that whiskey-copper wiring for the eyes to stare at it: oh for goodness sake, who really cares for Ikea likened assembling of words... we're not putting together a coffee table, we're looking for Darwinistic entrapment, we're scared of the aeons and yawns... we're trying to create a Darwinistic entrapment saying what segregates us from apes! that's how anti-Darwinism works - if they can easily call you a poet and a technophobe... then that hardly makes you a merchant with a Quran... to encapsulate the language of our modernity we're doing everything against writing the onomatopoeia of our beginning... monkey ooo! monkey ooo ah ah! or a gorilla grunting and then snorkeling... we're encapsulating our language more and more... because beginning with ape and then looking at history, and then looking at the consensus of the contemporary: Darwinism's greatest enemy is not theology... it's history... Darwinism and history are not compatible... oddly enough Darwinism and theology are compatible, simply because they are dynamically equal for the case of furthering both arguments in debate... but Darwinism is an odd starting point to argue, given that physicists argue from the perspective of prior to dinosaurs, prior to all things formed.

how can i begin this? it will leave me having to
write it for two days,
the anti-narrative sketch first, then filling in
the gaps sober... just to get second opinions...
i might have to cook a quasi-Hungarian borscht
and fry up a few potato flattenings to a crispy
yum... first the narrator comes in to describe what's
in store, a bit like a translator comes in and says
of Joyce: that's Irish... well, yeah.
               hence the italic preface...
as some would say, the person who wrote these
sketches worked quicker that an algorithm in asking
and also quicker to copy & paste the required
atomic encoding... e.g. ч and ch
                   э and euro and epsilon...
      once upon a time there was nothing prior
to Copernicus, then the somersaults came,
    h ч y        what coordinates where?
    well of course perfecting the encoding of something,
if things weren't stated awry there would be
no optometrists either...
                  it's not hard to read, it's hard to
remember how to read, given that being literate reached
the omnipresent velocity, the new powers had to
include some new power struggle...
mingling Latin and Runes, Greek and Cyrillic...
     and the proto-Latin of additional diacritical marks...
they exposed the entirety of humanity to literacy
within the framework of post-industrial society,
after hitchhiking a ride on the 19th century donkeys
they suddenly had to reveal their power-secret of
being literate, and by the account of women:
corset bound and bored in salons...
      but something else appeared that didn't really fascinate
them: that over-complication of Latin with
punctuation marks above letters: or diacritical
distinction, crowns over letters, subatomic particularisation
of once favoured: universal applicability...
as a narrator? i have to make a complicated
introduction, the sketch lends itself to do so,
it suggests that not all writing can be as simple as
a nursery rhyme, not all writing can actually
    **** memory, not all writing desires being remembered,
not all writing can be remembered,
                in the mediation of the two chiral opposites
there's fiction, which is suspended in an armchair of
pleasurability... but on the opposite side of a nursery rhyme
or a well versed poem? writing akin to arithmetic...
  something truly painful for those competent with
lettering, but not really competent with ten digits...
      as a narrator who has already read the sketch,
i'm trying to not write a "filling in the gaps" to the sketch
like an art-critic might do to a painting deviating from:
brushstrokes were employed. well... d'uh!
variation of italics as in transcending the pause that
implies a condescending variation of taking a pause,
also excluded are: dot, comma, hyphen, semicolon
and colon.                         dot-dot-dot is not joining up
the dots: it implies a variation of how to anticipate
a punchline: drummed: tu-dum wet snare!
     i am actually a narrator who is trying to find
that other part of me that might digest this sketch properly,
     and return fully competent to pick up another
sketch... if ever there was a narrator in this sketch,
it has to be me, after the sketch has been scripted,
and i am left to suggest a need for a dot-dot-dot connectivity
of the strokes of the pen...
i warned myself: do not overdo the introduction in italics,
you know how picky people are...
whether pickled pineapple of cucumber...
i swear Turks invented pickling chillies...
         oh look! an inflatable gazebo filled with helium!
no one's laughing: only because i didn't mention vegina.
narrative puritanism? you get distracted a lot...
but this sketch is really a thesis for narration,
all i have to do is find the antithesis of narration in it:
an actual narrative!          it stretches for ~30 pages...
   well that's me turned archaeologist with a Grecian urn
with a snap of the finger... because that's how this
sketch looks like: ancient -
                         but understandably modern.
              so .  ,  - and ;
        were racing... out came the world record
             9.58(0)         the full-stop is the bracket-bound
0... i.e. it actually happened: hence the pinpoint...
or in Formula 1 a timed nonsense of ave. m/ph
     noted to three decimal points: 130.703...
                                    or chicane cha chicane cha cha!
as said, this is an actual representation of a narrator
encountering this sketch: so before you lose your head...
i've lost mine!
  look at the correlation though!
we've gone way past atoms with the atomic bomb
and encountered subatomic particles...
    we're not going to get beyond subatomic particles
because we're going to encounter the already apparent
reality of obatomic particle: namely our bodies,
   the perceived ******* (ob- is the antonym
                                                  prefixation of sub-):
             that's were the microscope adventure ends,
    and this is parallel to cutting up a second with
three decimal points, as the safetynet suggests:
                                                              π / 3.14;
yep, the obstructive - hence we can't spontaneously
combust... but then again Goethe's Werther did:
  out of love... down the spiral: you sweet little *******.

~ii. i'm actually too lazy to write the sketch and fill
in the blanks... so i'm going to fill in the blanks as i go along,
  or that's what's called the rebellious stance of narrator: mmm,
work in progress, could you see that coming?


ii. a beer in between glugs of whiskey - runes
combined in the ******* / sigma, variant of agliz or
the rune-zeta extended toward a dark shadow of the rebirth
of Ishrael: zoological enclosure; sigma *******
sigma ******* sigma *******, sigma *******...
rune-zeta... we cannot say there are ******
mathematicians and poets akin,
not then one optic encoding states
     a b c d e
         another states f u þ a r
yet another а б (ρ) в г
  α β γ δ:
for worth of gamma into a trill only because of
   a wave, that's ~ approx. on the side of the letter
   e.g. г & r.
   or rho upside down? what the ****?
did Voltaire write this? reading Candide,
i hope he ****** did!
you the problem is pixelated paper? if you know
how you enter a deciphering mode...
                    but you require a personal library to boot,
all that dos formatting,
                       well there's formatting in the humanity
outstretch of this white medium too...
after it isn't all ******* white when all the psychiatric
pills are white too... i have really found something better
than the Bermuda Δ...
       Greek, Latin, Cyrillic and Runes...
i could say neo or proto otherwise,
but i still haven't unearthed the sketch, that
is probably puzzling the Danes, with Cnut on the forefront...
                    but the arrangement of numbers is universal,
but it's not universal, given the particularity of
how language is encoded and why some people are
richer than others...
            but it's still a beer between glugs of whiskey that
makes more sense...
i said, retype the sketch and go to bed...
and i figured: that's probably the wisest of all possible
events stemming from this...
    that's ~27 pages of notes to retype... and i'm already
in a disclosure mode as to expect what's to be jargoned...


p. 1        cкεтч       /      σкεтχ
   necessity of                        (acute
a-       -the           (ism)
is that of language structure,
          only from the use of one's language does
a deity present itself: from within the noumenon
ground work, not the reverse, as in from
(pp. 2, 3)
                 a phenomenological exercise in
the use of language: Islam, Christianity, Buddhism, (etc.)...
       e.g. Islam is a phenomenon,
  it's not a noumenon: or a thing-in-itself...
  for the Islamic god to emerge from Islam's-in-itself
Islam will have to prevent itself from being-outside-itself...
or overpowering other in-itself contentions
but still: to no apparent success narrative of true intention
as satisfactory appropriation and hence lending itself
to a widespread nod of approval.
  challenging space: word compounding, or the space
between conjunctional deficiencies: nod-of-approval (e.g.).

p. 2    concussion (great film, Alec and Will, 2015, NFL)
concussion... Blitzkrieg Alzheimer's....
brain is fat.... dementia = attacking proteins...
  steroids... the noumenological use of language:
e.g. that ****** is an enigma,
therefore his views will not go viral,
and he'll not become fashion trendy...
it's not individualistic idealism, it's reality.
as will die sonne satan - orbis reach more than 5K
views... so... clap clap... clap, clap.
           what i meant about the a-     and -the
and the ism is following a sentence that sort of
does away with conjunctional fluidity,
apart from the big words, i treat all minor words as
categorically conunctional... and, the, a, is, to, too...
given the sentence: brain fatty *****,
brian organic giraffe wall... ******* hieroglyphic...
           stood above the rest, rest assured.
  dementia: invading protein cells
   (bulging prune of the opportune: purely
digestion?) no thought to eat or eat itself like,
cannibalistically. the brain is fatty...
not fat in muscle for mmm, schmile and flex
for the selfie. how about a protein inhibitor?
(by now, rewriting the sketch, i've lost the page count,
it's actually p. 5 of note paged toward 27).
how about the explanation that we're living in
times of post-industrialisation and thanksgiving
feminism? to me post-industrialisation has created
a class of meaningless white-collar workers
and no blues... it's what the Chinese blues call
the Amazonian nomads: ******* happy...
no amount of crosswords or sudoku will exert
your body to do things for others...
   no amount of mind games will actually tell your
brain to be equipped with: a bunch of hyenas... run!
dementia is a result of creating too many
white-collar jobs (thanks to feminism)
and exporting the blues to China (thanks to feminism
and: oh i broke a nail, can i get a Ching plumber to
fix my heating while i get a ****** to **** me up my
****?!) - maybe i'm just dreaming...
it's great to censor dreaming, i mean: you stop dreaming,
you get to see reality, and you don't even need to
read Proust on a ricochet.
  - so we have brain as fat, and invader cells as protein...
protein digests fat... and creates cucumbers out
of people... where do the carbohydrates come into play?
it can't be at the point of a.d.h.d., can it?
     i'm blaming post-industrialisation, the complete
disappearance of the blues (formerly known as the reds,
in the east) for the whites...
or that old chestnut of: my god you're goon'ah luv it!
   to till for worth from the sweat of yer brow -
funny funny funny... to earn your loaf of bread
you will toil...
                   and toil until you are physically assured
that not ghostly / mental life can enter your world /
books... that went well... didn't it?
   i should be tilling a potato plateau rather than
be bound to be writing this epic (by modern standards)
poem...
             but that's the curse of exporting all the blue
collar jobs to China, then importing mindless
white collar jobs to the west, what the hell do you think
would happen, not the pandemic of dementia?
if you do not exert the body, and then you do not
exert / exhaust the mind... do you think
you can secure a narrative with a post-industrial
westerner on the premise of that person simply being
able to solve a crossword? well... i believe in santa
claus too... but i don't believe in him giving out
presents... because to me, in my oh-so-called maturity
that's called an anagram of satan's clause: which is a legal
term for: i can turn civilisation into shrapnel
of what's said and what's to be said: and what's not to be
said. people can't expect to turn honest labour
for the recreational run on the treadmill in a gym...
and they can't expect photocopying in an office space
to replace Newton's curiosity, and then compensate
all this distraction with mind-games...
          can they? well... they did!

poets are gagged by writers of prose,
no wonder they write so sparingly,
      they are gagged in the sense that they write
as if asphyxiated: they need breathing room.


well sure, if he can revive the Polish steel industry
and i can go back to steel plates and pillars,
then the rust belt will get a polishing also.

or what's called: shrapnel before the waterfall of
narration: darting eyes, and poncy **** all the way through...

     muse... muse...

        well, how about we take the fluidity out of language?
declassify certain words into one grammatical broth,
say words like i and they
                              a  and the    are all conjunctions?
how about that? let's strip it bare, after all: what categories
of words exist for us to primarily speak (let alone think)?
     nouns, verbs, adjectives... adverbs?
       but all those words in between are so jungly classified
into a tangle that i'm about to sprout a handshake
          of a Japanese vine grip: and never let go...

an actual extract from the sketch:

      https that doesn't recognise UCS
                   and insists on IPA cannot be deemed
       encyclopaedic


              i need runes for this! i need runes for this idea!
i don't need transliteration right now...
                but hey! that's an idea, etymological transliteration...
bugly term, sure, but the previous night i was thinking
  of transcendental etymology, as you do, likened to
carbohydrates... so it was transliteration after all...
but a dead end when it comes to geometry and Pythagoras...
      
    three words... and they are computerised (i guess you
have to buy a decent book to decode this), a bit like
buying paint in a d.i.y. shop...
       16DE (dagaz / d) 16DC (ingwaz / ŋ / grapheme of n & j)
                  16DF (ōþala / Valhalla / o / ō = oo),
in total d'njoo / d'nyoo - even i concede the fact that this
is a ******* mind-******... it's a ****** congregation of
four optic encodings of phonos... i moved away from
the ancient greek fetish for the logos... i'm looking at
the phonos... not the logos with Heraclitus et al.
               φº θ þ фª f

ªgreek
  ºcyrillic                ever see a prettier pentagram?
                      i haven't.

(false original title:
škic / cкэтч / φº θ þ фª f: thespian pandemic - pending)

looking at the phonos is painful, actually painful,
it's like reading a book with a myopic pair of glasses:
a ******* aquarium blurry right there, befor...

- - - - - - - - - - - - - - - - - - - -

'e'? were you: was i, looking for an 'e'?

i can say this much...
what do you get when you mix a shot
of whiskey with a shot of bourbon:
i'm moving between bottles...
it's nearing christmas eve and i'm a ripe
taoist... i.e. i better this world:
by not having the world mind me...
on the odd occasion: oh... you're still here?!

yeah... i'm still here... i have glued-to-fascination
with my shadow... i'm just waiting
for the atom bomb to relieve me of a body
but ensuring my shadow is kept intact...
as if it were a Monet signature on a wall...

but i lament... the momentum has vanished...
i don't even know why i'm so idiotic as
to presume that: from the hour 22:00GMT
to the hours 00:00 circa 00:30GMT...
something will land into my lap,
my lisp... my cranium the oyster shell
my tongue the oyster...

it will not... i can't simply **** anything into
an existence that doesn't want to exist...
perhaps lurking in a canvas of:
"lost luggage" in an airport...
perhaps "there"...
i could be excused my... lethargy...

when was this written? back in 2018?
so i was thinking about teasing cyrillic even then?
wasn't i?
sketch cкэтч or?

what do you get when you mix a shot of whiskey
with some bourbon?
a Burguandian whisker...
i am not going to sound witty...
Ron's key...

that's still a cyrillic "or"... isn't it?
шкиц: škic...

i'm... deflated... nothing "new" has come my way...
i would have thought that...
reading some Knausgård would have /
could have... invigorated me:
reading him was supposed to be my:
dialysis my transfusion!
my zombie-go-to-literature...
it has proven an exhaustive enterprise
to begin writing again:
i became too comfortable
in reading - i almost forgot
the agony of writing...

alas... a contemporary of mine...
and someone well adjusted to prose...

notably: who would have thought
that death in june - the calling (MK II)
was something to be recorded in 1985...
for one: i wouldn't...

but i did begin: back in november 2016...
begin what? to tickle the cyrillic alphabet...
which is way before i discovered my reply
to the runes... to the ancient greek...
and this... "ancient", ahem... still in use...
latin script...

that script that went into the molloch couldron
of being invested in to code...
pristine as the hebrews cited:
how many holes in it?
to write onto a canvas of 0?
q Q R O o p P A a D d g b B...
which leaves...
W E T Y U I S F H J K L
Z X C V N and M "out of the equation"...

škic / cкэтч / φº θ þ фª f: thespian pandemic (pending):
i better rename it as... circa 2016...
that's way before i even acknowledged
the cyrillic text applying diacritical markers...
i thought them too crude at the time...

beside borrowing outright from greek...
the already at hand oddities of glagolitic,
notably: Ⱎ...Ⱋ...

it's only a single word i'm using...
i have abandoned all notions of metaphysics
in favor for orthography...
i'm not going to burden myself
with: what's after the physics...
i'm after: what's now...
in the respective tongues...
2 tongue deviations from
the original latin and greek...

what came with the runes and what
came with the glagolitic scripts...
what was ****** and had to succumb
to inter-breeding...

come 2020... i will have one clarification
to base my existence on...
pronouncing the growth of my ****** hair...
i will hope to aim at a length of beard
that will forever hide the neck...
i will aim at... somewhere to the level
of my heart... when i will then manage
to turn my beard into an orchestra's
nieche of violins when i procrastinate with it...

since 2016...
i have identified russian in ******...
i've seen it... finally!
зъaрт... i.e. żart
and the "hard sign" becoming a "soft sign"
in źrenica: зьрeницa...

i still think the russian orthography
is... as... primitive as the western slavic...

after all... зъ = ż...
зь = ź...
the balkan slavs have a caron...
which is neither a hard or a soft sign / acute...

their caron is... ч (č) or cz...
CHeaper in english...
and their caron is ш (š) or sz...
SHeep...
or the two together...
and always шч (šč): szczekam...
i'm barking...

pu-shch-air... a rare example in english
of the puщair...
but then lookie lookie 'ere:

CZACHA... skull...
ЧAХA...

perhaps this is my "revenge ****" on russia?
hey! boris the kremlin mascoot...
come and 'ave a look...
with how i disect your orthography
on the / with the language that asks
too many metaphysical questions and no
orthographic curiosities!

i'll meet you in Warsaw... given that you're
probably moving from Novosibirsk...
and i'm either in Stockholm...
Edinburgh or the outskirts of London:
Warsaw will be halfway for both of us...
you don't have to like Warsaw...
i only like it when the Ukrainian smugglers
and the Mongols appear
in the West Warsaw coach station...

smart as who? i am discovering this for
the first time myself...
i was only teasing it back in 2016...
way before i found the right sort of accents
in mother russian...

i do know that that crescent oddity:
above the ja: йa... is what it is...
if you only cut off the head in english... ȷ...
again: it's я given that most russians
are pulled toward an anglophile world-view...
they all see the window to europe...
the baltic and st. petersburg is somehow...
London... and the atlantic...
like hell it is...

i guess i feel it was a waste of time to
have re(a)d Kant, simply because:
i'm not here for the schematics...
i want to know how my thought my labyrinth
building architecture is coming along...
but with no one to talk to about it?

i found the categorical imperative most
dissatisfying... i didn't want to abide by universal laws...
poetry is already shoved out of waiting room
of the republic...
if my "poetry" is not a categorical imperative...
and it's not quiet a a hypothetical imperative...
it needs to be sharpened on a thesaurus
and some grammar...

categorical (adjective)... imperative (adjective)...
well two adjectives never imply much
if there's no noun involved...
and i'm pretty sure that... if i sharpen
the next word i'll compound with categorical-
in that hyphen construct that's only
allowed in oxford dictionary english:
since it's not: propergermannonhyphenfaustian:
i.e. carboxylic (carbo-xylic) acidity...

poetry doesn't belong in either
the categorical imperative focus...
nor the hypothetical imperative focus...

i.e. i must write a poem... to feel better...
i must write a poem... to organise my thoughts...
no! a poem is not a maxim is not a categorical
imperative! a language of poetry is not
a language of morality: it's a language
of experience - or a lack / a lackey's "sentiment"...

i need a... categorical: impetus!
it's not enough to have read kant's critique of pure
reason... it must also involved
having re(a)d the: groundwork of
the metaphysics of morals...
but i'm a democratic reader...
i need to hear the other voices...
i can't be a kantian scholar...
a snippet 'ere, a snippet v'ere (funny how
THETA disappears when making the posit:
THERE - ver!)

who needs metaphysical absolutes...
when orthography (or a lack of it)
in english... spreads open its legs...
and the tongue remembers its tongue-brain-phallus
stage of co-existence in the oyster?!

i'm pretty sure that a categorical imperative
is by no means a categorical impetus...
this had to be written,
but it had to be written in order to disregard
anything a priori... prior to it...
a poem is a shady concern for action or inaction...
it's a deviation from the cartesian crux:
res cogitans (thinking thing)...
into the cartesian levy (res extensa)...
it's an action of inactivity...
as much as it's an inactive activity...
"the rest"...

impetus is not an imperative...
an impetus sources its meaning in a per se
investement... of itself - in itself - for itself...
an imperative?
in pronouns... impetus: i want... i will...
imperative? you want... you will...

an impetus is self-dictative...
an imperative is: indicative...
someone would rightly claim...
those that mourn indicatively...
will don the right garments for the process
of mourning...
which is indicative and devoid of
the per se manifestation of mourning...
it is an imperative when compared to
the impetus to mourn -
which is self-dictative...
which does now shallow itself in
grief by making a socially agreed to fiasco
of a very specific choice of wardrobe...

basically: however you like it...
an IMPERATIVE ≠ IMPETUS...
the year is almost over and i want to break-off
the dust from the thoughts that fudge-packed themselves
as worthy of occupying the minor instance
of having to count a depth of:
not dead within the year of being written.
A feeling in my heart, fast as lightning striking the ground
So much passion, but you hear no sound
Losing all control
I can feel it in my soul
Determination is overpowering.

Close your eyes and feel it within
Let yourself travel to where you’ve been
Don’t stop till the world is in your hands
For then the world is under your command
Determination is adrenalizing.

Tear down the halls
Burn down the walls
Scream and shout
Till the lights go out
Determination is everything.
I see you from across the room
I've known you for years
But I get this feeling inside
Like I just met you
And as I watch you
You slowly walk towards me
And my insides start to melt
As you get closer, our eyes lock
And I feel things I've never felt
You move me, make me wobble
Once your close enough to touch
I can't help but giggle
You put a finger to my lip
And I secretly smile to myself
Your fingertips move down my arm
Softly landing on my hip
You caress my face with a gentle touch
Then get closer until there's barely a breath between us
My knees go weak
This is all just too much
I sigh and lean in to your mouth
Your lips surround mine
Removing all my doubts
I can feel it in your kiss
And a sudden bliss overwhelms me
This electricity is too hot to miss
I go in hard, I can't help myself
My arms around your neck,
I feel you losing control of yourself
No holding back
I can't help but want for more
And in a flash
We're lying naked on the floor
Fingers, legs, hands and arms
We're completely intertwined
From our souls to our hearts
I feel love to depths divine
And there's no greater sensation
Than when your body finally enters mine
It's an overpowering friction
I'm surprised we're not engulfed in flames yet
These sparks are flying
I've never been hotter
The sweat starts dripping
We've never been wetter
The passions an electric surge
And my body's on fire
I fight the urge
Taking myself higher and higher
I'm lost in you
In your touch, in your eyes
And I'm surprised how unafraid I am
A guilty pleasure with no shame
We climb together as one
A game that we'll both win
Reaching peaks we never knew existed
Crying out in ecstasy
Again and again

I sigh...
And sleep
Cuddled in your arms
Heart and body
Safe from harm
For and Inspired by DaSH ❤
she is definitely displeased profoundly disappointed in her latest literary efforts she dreams aches to create deeper discourse higher insight more thoughtful philosophical inquiries about life’s challenges beauty a better world overpowering love inspiration instead she writes paperback television trash stupid inadequate answers to solemn questions she wonders if she is too scratched dented to find love her ******* are definitely changing she is deeply disturbed not ready for menopause too young for menopause she wants to remain a fertile woman with smooth skin wet ******

2

her neighbor Leslie awoke to horrible morning Leslie’s 6 chickens were assaulted overnight precious Mabel dragged off feathers everywhere trail down the street other hens cowering slumped together with wilted necks 3 of them with puncture wounds Leslie carried them one by one inside washed their wounds hugged them cried who did this terrible act a neglected abusive neighborhood cat or some desert predator why didn’t Leslie wake to sounds of savage marauding now this creature knows hen’s whereabouts when will it return for more massacre what modifications need to be enforced to ensure their coup before nightfall

3

she wants to remain a hen keep producing eggs does not want is not ready to enter the next **** stage of this **** existence it was fun being pretty for men inspiring them to say do wacky things she wants to remain a hen she is definitely displeased profoundly disappointed in her latest literary efforts “tucson square dance” (self-referential) ****** bit about Americans came through here last night in “tucson 3-step” ****** perhaps the pinot noir lowered her standards everything is becoming nothing she cannot sleep tosses turns thrashes sheets in humid heat of her lonesome bed is she is too scratched dented to find love worries for Leslie

4

tomorrow is another day they say the rain will come last year’s monsoon never came the baking sun smothered her garden died one by one sleepless she will miss tomorrow’s pilates class the infrequent delightful breakfast afterwards she dreams aches of deeper discourse higher insight more thoughtful philosophical inquiries about life’s challenges beauty a better world overpowering love inspiration she crossed the line tonight her ******* are definitely changing
Oscar Mann Aug 2016
Silently the social media hero strikes again
The swift and ruthless keyboard warrior
Crushing political correctness
Debunking liberal drivel
Overpowering the opinions of the obsolete

He grows and grows
With every post
And tweets make him feel
Like the torrent of thoroughness
Raging through a landscape
That needs to be cleansed

Outside lies a hostile world
With prying, judging eyes
Online, a world of possibilities
Where virtual battle cries
Are the prelude of a rally
Between the devoid and the deluded

But through his own gaze
Focused on the reflection
On the computer screen
A social media hero rises
While outside, the world passes him by
The stars still shone last night, and tasted pretty like my last sonnet;
And I still loved thee; and imagined thee 'fore I retreated to bed.
Ah, but thou know not-thou wert envied by t'at squeaking trivial moon;
It seduced and befriended thee; but took away thy sickly love too soon.
Ah, t'at moon which was burnt by jealousy, and still perhaps is,
Took away thy love-which, if only willing to grow; couldst be dearer than his.
But too thy love, which hath-since the very outset, been mostly repulsive and arduous;
And loving thee was but altogether too customary, and at gullible times, odious.
Ah, but how I was too innocent-far too innocent, was I!
Why didst I stupidly keepeth loving thee-whose soul was but too sore, and intense-with lies?
And at t'is very moment, every purse of stale dejection leapt away from me;
Within t'eir private grounds of madness; but evaporating accusations.
Ah, so t'at thou desired me not-and thus art deserving not of me;
But why didst I resist not still-thy awkwardness, and glittering sensations?
Oh, I feeleth uncivil now-for I should hath been too mad not at the moon;
For taking away thy petty threads, and curdling winds, out of me-too soon.
And for robbing my gusts, and winds, and pale storms of bewitching-yet baffling, affection;
But in fact thrusting me no more, into the realms of death; and t'eir vain alteration.
Ah, thee, so how I couldst once have awaited thee, I never knoweth;
For perhaps I shall be consumed, and consequently greeteth immediate death; within the fatal blushes of tomorrow.
But still-nothing of me shall ever objecteth to t'is tale of blue horror, and chooseth to remain;
And I shall distracteth thee not; and bindeth my path into t'at one of thy feet-all over again.
Once more, I shall be dimmed by my mirthlessness and catastrophes and sorrow;
Yet thankfully I canst becometh glad, for all my due virtues, and philanthropic woes.

I shall be wholly pale, and unspeaking all over me-just like someone dead;
And out of my mouth wouldst emergeth just tears-and perhaps little useless, dusty starlings;
I shall hath no more pools or fits or even filths of healthy blood, nor breath;
I shall remembereth not, the enormous fondness, and overpowering passions; for our future little darlings.
For my love used to be chilly, but warm-like t'ose intuitive layers behind the sky;
But thou insisted on keeping silent and uncharmed-a frightfulness of sight; I never knew why.
Now t'at I hath returned everything-and every single terseness to my heart;
I shall no more wanteth thee to pierce me, and breaketh my gathered pride, and toil, apart.
For I am no more of a loving soul, and my whole fate is bottomless and tragic;
I canst only be a lover for thee, whenst I am endorsed; whenst I feeleth poetic.
I shall drowneth myself deep into the very whinings of my misery;
I shall curseth but then lift myself again-into the airs of my own poetry.
For the airs of whom might only be the sources of love I hath,
For t'is real world of thine, containeth nothing for me but wrath;
Ah, and those skies still screameth towards me, for angering whose ****** foliage;
Whenst t'ose lilies and grapes of my soul are but mercifully asleep on my part.
I wanteth to be mad; but not any careless want now I feeleth-of cherishing such rage;
For I believeth not in ferocity; but forgiveness alone-which rudely shineth on me, but easeth my painful heart.
I hath ceased to believe in my own hand; now furnished with discomfort;
But still I hath to fade away, and thus cut t'is supposedly long story short.
I hath been burned by thee, and flown wistfully into thy Hell;
But so wisheth me all goodness; and that I shall surviveth well.
And just now-at t'is very moment of gloom; I entreateth t'at thou returneth to her, and fasteneth yon adored golden ring;
For it bringst thee gladness, which is to me still sadly too dear, everything.

Ah! Look! Look still-at t'ose streaks of blueness-which are still within my poetry on thee;
But I shall removeth them, and blesseth them with deadness; so that thou shalt once more be young, and free.
For what doth thee want from me-aside from unguarded liberty, and unintimate-yet wondrous, freedom?
For thou might as well never thinketh of me during thy escape;
And forever considereth me but an insipid flying parachute-to thy wide stardom;
Which deserveth not one single stare; as thou journeyeth upon whose dutiful circular shape.
And a maidservant; a wretched ale *****-within thy inglorious kingdom;
Which serveth but soft butter and cakes, to her-thy beloved, as she peacefully completeth her poem.
The poem she shall forceth to buy from me-with a few stones of emerald;
To which I shall sternly refuseth-and on which my hands receiveth t'ose climactic bruises.
For she, in her reproof-shall hit me thereof, a t'ousand times; and a harlot me, she shall calleth;
And storm away within t'at frock of endless purpleness; and a staggering laugh on her cheeks.
And I-I shall be thy anonymous poet, whose phrases thou at times acquireth, at nighttime-but never read;
A bedroom bard, in whose poetry thou shalt not findeth pleasures, and to which thou shalt never sit.
A jolly wish thou shalt never, in thy lifetime, cometh anyhow-to comprehend-nor appreciate;
But should I still continueth my futility; for poetry is my only diligent haven, and mate.
In which I shall never be bound to doubteth, much less hesitateth;
For in poetry t'ere only is brilliance; and embrace in its workings of fate.
And sadly, a servant as I am-on her vanity should I needst to forever wait, and flourish;
To whom my importance, either dire profoundness-is no more t'an a tasty evening dish.
And my presence by thee is perhaps something she cannot relish;
I know not how thou couldst fall for a dame-so disregarded and coquettish!
To whom all the world is but hers; and everything else is thus virtual;
So t'at hypocrisy is accepted, as how glory is thus defined as refusal.
But sometimes I cometh to regret thy befallen line of glory, and untoward destiny;
I shall, like ever, upon which remembrance, desireth to save thee, and bringst thee safely, to eternity.
But even t'is thought of thee shall maketh me twitch with burning disgust;
For I hath gradually lost my affection for thee; either any passion t'at canst tumultously last.
And shall I never giveth myself up to any further fatigue-nor let thy future charms drag me away;
For I hath spent my abundant time on thy poetry-and all t'ose useless nights and days;
As thou shalt regard me not-for my whole cautiousness, nor dear perseverance-and patience;
Thou shalt, like ever, stay exuberant, but thinketh me a profound distress-a wild and furious, impediment.
Thou hath denied me but my most exciting-and courteous nights;
And upon which-I shall announce not; any sighs of willingness-to maketh thee again right;
nor to helpeth thee see, and obediently capture, thy very own eager light.

And when thy idiocy shall bringst thee the most secure-yet most amatory of disgrace, turn to me not;
I hath refused any of thine, and wisheth to, perfunctorily-kisseth thee away from my lot,
I shall writeth no more on thy eloquence-for thou hath not any,
As nothing hath thou shown; nothing but falsehood-hath thou performed, to me.
Thou hath given none of those which is to me but virulent-and vital;
Thou art not eternal like I hath expected-nor thy bitter soul is immortal.
Thou art mortal-and when in thy deft last seconds returneth death;
Thou, in remorse, shalt forever be spurned by thy own deceit, and dizzily-spinning breath,
And after which, there shall indeed be no more seconds of thine-ah, truly no more;
Thou shalt be all gone and ended, just like hath thou once ended mine-one moment before.
All t'at was once unfair shall turneth just, and accordingly, fair;
For God Himself is fair-and only to the honest offereth His chairs;
But the limbs of Heaven shall not be pictured, nor endowed in thee;
To thee shall be opened the gate of fires, as how thou hath impetuously incarnated in me.
No matter how beautiful they might be-still thy bliss shall flawlessly be gone,
Thou shalt be tortured and left to thy own disclosure, and mock discourses-all alone.
For no mortality shall be ensured foreverness-much less undead togetherness;
As how such a tale of thy dull, and perhaps-incomprehensible worldliness.
By t'at time thou shalt hath grown mature, but sadly 'tis all too late;
For thou hath mocked, and chastised away brutally-all the truthful, dearest workings of fate.
And neither shalt thou be able to enjoy-the merriments of even yon most distant poetry;
For unable shalt thou be-to devour any more astonishment; at least those of glory.
And thus the clear songs of my soul shall not be any of thy desired company;
Thy shall liveth and surviveth thy very own abuse; for I shall wisheth not to be with thee;
For as thou said, to life thou, by her being, art the frequented life itself;
Thus thou needst no more soul; nor being bound to another physical self;
And t'is shall be the enjoyment thou hath so indolently, yet factually pursued-in Hell;
I hope thou shalt be safe and free from hunger-and t'at she, after all, shall attendeth to thee well.

And who said t'at joys are forbidden, and adamantly perilous?
For t'ose which are perilous are still the one lamented over earth;
For in t'ose divine delights nothing shall be too stressful, nor by any means-studious;
For virtues are pure, and the walls of our future delights are brighter t'an yon grey hearth;
And be my soul happy, for I hath not been blind; nor hath I misunderstood;
I hath always been useful-by my writing, and my sickened womanhood;
Though I hath never possessed-and perhaps shall never own, any truthful promise, nor marriage bliss;
Still I longeth selfishly to hear stories-of eternal dainty happiness, for the dainty secret peace.
Ah, thee, for after thee-there shall perhaps no being to be written on-in yon garden;
A thought t'at filleth me not with peace, but shaketh my whole entity with a new burden.
Oh, my thee, who hath left me so heartlessly, but the one whom I hath never regarded as my enemy-
The one I hath loved so politely, tenderly, and all the way charmingly.
Ah! Ah! Ah! But why, my love, why didst thou turn t'is pretty love so ugly?
I demandeth not any kind purity, nor any insincere pious beauty,
But couldst thou heareth not t'is heart-which had longed for the one of thine-so subserviently and purely?
For I am certainly the one most passionately-and indeed devotedly-loving thee,
For I am adorable only so long as thou sleepeth, and breatheth, beside me,
For I am admired only by the west winds of thy laugh, and the east winds of thy poetry!
Ah, but why-why hath thou stormed away so mercilessly like t'is;
And leaving me alone to the misery of this world, and my indefinite past tears?
Ah, thee, as how prohibited by the laws of my secret heaven,
Thus I shall painteth thee no more in my poesies, nor any related pattern;
There, in t'is holy dusk's name, shall be spoiled only by the waves of God's upcoming winters,
In the shapes of rain, and its grotesque, ye' tenacious-and horrifying eternal thunders.
And thus t'ese lovesick pains shall be blurred into nothingness-and existeth no more,
But so shall thy image-shall withereth away, and reeketh of death, like never before.
For I shall never be good enough to afford thee any vintage love-not even tragedy,
For in thy minds I am but a piece of disfigured silver; with a heart of unmerited, and immature glory;
Ah, pitiful, pitiful me! For my whole life hath been black and dark with loneliness' solitary ritual,
And so shall it always be-until I catch death about; so grey and white behind t'ose unknown halls.
And shall perhaps no-one, but the earth itself-mourneth over my fading of breath,
They shall cheereth more-upon knowing t'at I am resting eternally now, in the hands of death.
And no more comical beat shall be detected, likewise, within my poet's wise chest;
For everything hath gone to t'eir own abode, to t'eir unbending rest.
But I indeed shall be great-and like an angel, be given a provisionary wing;
By t'is poetry on thee-the last words of mouth I speaketh; the final sonata I singeth.

Thus thou art wicked, wicked, wicked-and shall forever be wicked;
Thou art human, but at heart inhuman-and blessed indeed, with no charming mortal aura;
Thou wert once enriched indeed-by my blood, but thy soul itself is demented;
And halved by its own wronged purity, thou thus art like a villainous persona;
Thou art still charmed but made unseeing, and chiefly-invisible;
Unfortunately thou loathe scrutiny, and any sort of mad poetry;
Knowing not that poetry is forever harmless, and on the whole-irresistible;
And its tiny soul is on its own forgiving, estimable, and irredeemable.
Ah, thee, whose soul hath but such a great appeal;
But inanely strained by thy greed-which is like a harm, but to thee an infallible, faithful devil.
Thou art forever a son of night, yet a corpse of morn;
For darkness thriveth and conquereth thy soul-and not reality;
Just like her heart which is tainted with tantrum, and scorn;
Unsweet in her glory, and thy being-but strangely too strong to resist-to thee.
Ah, and so t'at from my human realms thou dwelleth immorally too far;
As art thou unjust-for t'is imagination of thine hath left nothing, but a wealth of scars;
I used to recklessly idoliseth thee, and findeth in thy impure soul-the purest idyll;
But still thou listened not; and rejected to understandeth not, what I wouldst inside, feel.
After all, though t'ese disclaimers, and against prayers-hath I designated for thee;
On my virtues-shall I still loyally supplicate; t'at thou be forgiven, and be permitted-to yon veritable, eternity.
i Dec 2014
i lost you, and with that,
                  i lost myself.


                             *
*i just gotta accept the fact that
                             the girl who is gonna leave her
                             taste on your tongue realizes
                             how lucky she is going to be
                             to just touch your lips and
                             make you laugh.
Tara Marie Oct 2014
The sun is setting
blissfully
and subtly touching the branches on this hill.
A flood of color is emerging from
heaven and enveloping the world in
heat.
All I am
on this hill
is a part of the grass.
Broken by the wind,
and taken by the rush of beauty.
All I am
on this hill
is and was, and will be.
And it is alright.
Because mother nature is resting her head.
Enlightening the world in an overpowering aura.
For a second
malice
is nonexistent
evil is
unheard of,
and every piece of good
seems part of this day, so fragrant.
All I am,
on this hill
is a stranger
glancing at the light.
Wk kortas Mar 2017
Well, why not me, I reasoned
(No surprise to friends and loved ones,
As I have always considered my time
On this spinning patch of rock
As something of a monument to the value of pragmatism)
But there were still the normal sine-wave vacillation
Between tenuous optimism and odds-driven grim reality,
Fanciful discussions of Chinese herbs and Mexican clinics
And, later still, of time frames and stock transfers,
All the while various folks attired in suits and clinic coats
Debating matters pertaining to the coda of my personal symphony
(Doing so as if yours truly wasn’t even in the room)
Until, deciding my input might be somewhat pertinent, I said
If it’s all the same to you, I would like to go home.

It was, in a sense, like getting back on an old Schwinn
(Fender dented, rubbing on the front tire just the least little bit,
The chain needing oil, grudgingly giving in
To the demands of the crank)
Sitting, unused but inordinately patient, next to the barn,
The whole notion of settling back into a pace you’d forgotten,
Like dialing back a metronome from allegro to andante
Without missing a beat or flubbing a note.
What’s more, there were the sensations you’d never made time for
While under the thumb of daily deadlines and train schedules,
Greeting you like friends you hadn’t seen for twenty years
But started gabbing with as easy as slipping on old jeans:
The scent of the lilacs, overpowering but borderline mystical,
The informal yet precise ballet of the cattails and jewelweed,
The fields of cows that, even though you know it can’t be the case,
Are populated by the same Bessie and Bossie
You taunted and pelted with watermelon as a child
(I have made it a point to proffer my apologies),
The dark, pine-choked hills,
Formidable but accessible, even comforting.
Sometimes, when I am not paying attention,
I catch myself all but tearing up,
And I say to myself, ever so softly,
As not to disturb the squirrels and the wrens,
I had almost forgotten.  Christ forgive me,
I had almost forgotten.



I’d assumed (sometimes, I can be astounded
At the full extent of my own foolishness)
That she would merely take a leave of absence;
She has, after all, an alphabet full of advanced degrees,
A rainmaker’s reputation and the billable hours to match.
Columbia and Harvard Law, after all,
But she grew up down the road just a piece in Ebensburg,
So this is all part and parcel of her as well
Hard coded in the DNA for better or worse, she’ll say,
All the while shaking her head and laughing softly.
Surely you don’t want to stay here, I’ll say,
Boorishly rational in the face of everything
Which would argue to be otherwise,
You’ve read enough Forbes and Fortune;
Altoona is dead, Johnstown is dying,
And she allows that, for a time, coming back
Was the source of some misapprehension on her part,
Until it dawned on her that on those rare occasions
It had occurred to her to glance skyward in mid-town,
She had seen faceless tiles of windows
Sufficient to sheet a Great Pyramid,
An Armageddon’s worth of angels and gargoyles in the cornices,
But she had not, even once, ever seen the stars.
A Strong sense of unease fills my mind and soul

my body trembles is it fear or the cold night

looking around at seemingly quiet streets

what waits in this darkness that engulfs me

once feeling safe and secure now I want to flee

evil exists all about in the form of human beings

cruel calculating driven by what often a mystery

few cause so much misery and horror in society

overpowering subtle in their persuasive false way

most want to live peacefully keeping evil at bay

do  you not feel it to that unseen lingering unease

always there ready to attack like a viral disease!

The Foureyed Poet.
Can you not feel the unease as humans blunder towards their destiny? The Foureyed Poet.
Lydia Samantha Aug 2011
And the beat drops me alone
It drops
It drops
It drops
And it echoes
In this tight space
Full of my belongings
Screaming solitude
sigh
And that echoes too
Matching with the rhythm
Of the bass
Trying to escape from the speakers.
Like I'm trying to escape
From this solitude
From these people
And like that
******* bass
I can't escape
I'm not equipped to escape
I can't be let out there.
Alone.
Even with people
I can't do it.
I don't know what I'm doing
Or what I want
But I know I'm hurt
And I can't tell you where
And I'm not sure I can tell you why
But I know that as long as I have this
Playing in the background
Overpowering my senses
Itching it's way into my scalp
I can forget.
I can forget.
I can lose myself in it
And forget the hurt
And forget the confusion
And forget everything
As long as I have this
**music
Nat Lipstadt Feb 2019
a man privately asks, can you help?
you say, sure-no-hesitation

let me think on it for a day or two, he says
yet you act even before he comes back,
too late, you say, when he returns,
too late, he repeats in puzzlement,
yup, my check is in the mail,
cause one senses the need is dire plus,
plus you well recall the immutable obligation when  
a vague commitment of “just ask” was inked in a long ago message,
a poem born from/in the days when you slept in the car on the street

this vague promissory,
a more enforceable judgement in your own court of law
than any state construct or the judgmental eyes of a silenced god

word, honor, do.

thus it begins, an unwritten contract inked,
an egregious interest rate of 0% proffered and agreed,
commences a plain white envelope trickle,
a check inside, by postal mail, slowly it came,
month by month, inch by inch, Niagara Falls ^

years go by, and then comes a day,
when the accompanying check and its gift wrapped note says,
Paid In Full!

and so much for the tedious minutiae...

like kindness, I do,
Thank You and Your Welcome
are high on my list of proofs of
daily human extensions existential,

Paid in Full,
now rests at the top of the list

let me be blunt, the thrill of being a party
to a deal with no handshake, just coated in the
honorable words waterproof sealant,
with a person I likely may never meet,
made me so better assured of whom many claim I am,  
a mathematical proof revered and kept mind inscribed,
it was an aspirational ****, an unforeseen monthly blunt,
the best feeling good smile,
a kick in the pants about what really matters

being paid twice over and me,
getting by far,
the humanity confirmation,
the better half of the deal

write too often of honor,
and yet, will instinctual do again,
again overpowering my rays of will,
for there is no deflection, only reflection

for the glorious riches gifted and received,
without compare
the return on my honorable investment the best ever


oh brotherhood, oh brotherhood,
I am paid in the currency coined from brotherhood...
^ from a Laurel and Hardy routine
yup, true story
"This above all: to thine ownself be true"
which denies the escape
of being false to any human.”
Akira Chinen Jul 2017
It's a cold heart that neglects what horror and darkness a person must go through to even think about suicide as an alternative to living, to a mind that has gone numb from the terror of drawing in another breath, to eyes that have gone blind to things that were once beautiful, to a person who has been gripped so tight by depression that the silence of being crushed under the weight of the earth is the last sound they want to hear.
Living can be hard, for anyone, no one is free from suffering, illness, death, we all have our battles, both private, public, family, etc... and at the end of the day in that moment between sleep and dream, all of of us are alone.  Alone with our demons and thoughts and prayers and despair, some more aware and some more blissfully not so.  The world is a scary ******* place right now, there is a **** load of bad things happening every moment of every ******* day.  It's not the devil running around **** *** naked spraying his jizzum of evil down upon our heads but it's the evil of mans own invention and indifference to each other.  We should be moving forward as a species and a community and a world... together.  And yet, somehow, with all our fancy tech and intellect and possibilities... we're not.  I'm not going to lie... daily headlines and newscast make me somewhat envious of those who found themselves able to pay the price for the luxury of suicide.  I mean, ******* come on... how can you not think every now and then... **** THIS PLACE!... it's truely a **** hole at times, people can be ******* horrible and are ******* horrible far too often.  Human misery spreads like cancer and the masses eat it up like it's a candy necklace wrapped around some ancient deities **** causing poisonous sugar to rush through their blood to fuel an ideology of hate so old no one could tell you when or how it started.  And the saddest part, sitting on the couch being ignored like a nerdy kid back in the 80's, is love...  and no one wants to sit by it and get cooties.  No, we're all to cool for that.  It's all about pretending to have good intentions and insta-gratification and self-degradation and hey hey hey look at me me me first and gimme gimme gimme...
This isn't everyone, and the world isn't absolutely beyond hope... but you would have a hard time arguing that the shadows aren't overpowering what little beauty there is left.
And that's hard knowledge to live with...
Then add on top of that, private and personal struggles no one else is aware of, or worse shrugs off or dismisses as nothing serious.  The signs aren't always easy to read... speaking from personal experience, it is far to easy to carry a lot of weight and fear and self loathing while wearing a plastic smile in public.   Some things seem too personal or embarrassing or what the **** ever to share sometimes and its just easier to say "I'm ok" than try to explain how terrible and dark and alone our hearts feel and our thoughts get.  It's real easy for the whole world to feel empty when that moment we experience between sleep and dream follows us through ever waking moment.   And it's easy to be mad and ****** and heartbroken when we read the word "suicide" in yet another headline... but what's harder is to imagine what that person must have been going through in that last moment between life and death.  It's harder to be human and feel compassion and empathy towards the departed, it's hard to walk up to the nerdy kid called love sitting on the couch and say, "****, I'm sorry I neglected you and ignored you"... but it's going to be harder and harder to read that headline over and over again.  So, for anyone, anyone at all, the couch love is sitting on is pretty ******* big and its nice and warm and cushy, so if your world feels empty, come sit down, we can talk, we can cry, we can just shut the **** up and be empty and alone together... what ever you need, I'll be here.
Twinkle Jan 2015
A futile battle enmeshed
Overpowering emotions struggle to stay afloat
Heaving a deep breath I sink in
Isolated in my despair
Sliced through bone and marrow
Pain wrenches my soul, vice in its hold

A fragrance wafts in
Electrifying my soul
Reverberating memories explode
Bursting to surface
Tender moments, the story of a heaped up soul

In every cell of my being I feel you
Emanating exuding your deep truth
Your touch like butterflies
Transcendental your love
Rewinding reel by reel
The story of an unsaid love

I see you close, though I bear you not
My heart lost inside your soul
Irreplaceable the magic
Weaved by those deep emerald embers
Wants each moment to unfold

I ease back and surrender once again
To the assurance of this bliss
Entrenched deeply in this moment
Serenity shrouds a warm blanket
Intense emotions lay calm, spent
My soul in glorious serenity elevates
You are undeniably a part of me
My paragon, my serenity
Issue forth bright light, vibrant colors
Adorn the deep dark night sky
Your love a painting a million hues
Panoramic and divine.

I LOVE YOU....
Imaginary poem..wishing every bit this were real.
Paul Holmes Jan 2012
Relaxing peacefully on her lap
Her fingers ran through his hair,
And,speaking soft, soothing words
Waves of calm caressed him there.

Delilah used her feminine wiles,
Honeyed words dripped from her lips,
A sense of serenity enveloped his soul
From her tender fingertips.

The secret of his amazing strength
Was reluctantly revealed to her ears
Leading to open the floodgates
Of times of sorrow and tears.

On her lap he continued to rest,
Unawares of her subtle scheming;
Carefully his luxuriant locks were cut
With scissors sharp and gleaming.

Little could Samson have known
The intentions of her black heart,
Her cunning and overpowering charm
Hit him as with a poisoned dart.

Samson’s strength suddenly left him,
As weak as a kitten he became,
Delilah had truly duped him,
Although it seemed to her a game.

As hard as granite was her heart,
No true feelings of love were there
Else, why would she hurt him
With no chance of any repair?

His life had a very sad ending,
Of this most people have heard,
It’s recorded for our perusal
Within the pages of God’s Word.

The lesson to be learned
From this ghastly episode
Is that disloyalty is as acid
That the heart can corrode.

Like a wilting yellow lily
Under the sun’s searing heat,
Samson’s strength melted
Into a pool of utter defeat.

Remember this we should
And be careful how we act
Lest our deceptive hearts
This drama we re-enact…
Shelby Apr 2019
death bursted into my room tonight
awakening a deep slumber
outstretching a cold boney hand
as if offering for me to go with him

I felt no fear or sadness
I have been waiting for death to greet me
I have admired him from afar
a lover who took no chance in courting me
Until he was ready to give me an embrace
That could be defined as loving and warm
but it was sinful and alluring

flickers of sparks in his eyes
ignited a fire in my soul
a passion that I had longed for
as my hand grabbed onto his
he pulled me close in the middle of the room

he began to dance to the tune
of our heartbeats synchronizing
a beautiful symphony rang love in our ears
craning his neck
he leaned in close
inhaling the shakiness of my breath
moonlight illuminated the poison dripping
from his puckering lips
as an offering to taste
what afterlife was

it held soft undertones of an earthy aftertaste
but an overpowering intoxicating sweetness left me hungry
for just one more dip
in his suicidal serenity

moving in one fluid motion
sweeping behind me
a boney hand placed on an unclothed forearm
slowly slid up my shoulder
as another arm was placed around both hips
he pressed himself tightly against me
icy breath grazed across my neck
making hairs stand up on my arms
as a moan escaped between closed lips
he whispered a seductive I love you
as he tucked hair behind my ear

the words I longed to hear
were met with a sharp knife
placed in open hands
and a crooked smile
spread across his face
it was at that moment
I came to the realization
to become his fully
my beautiful souls light
must burn out
to match his souls decayed state

no persuasion was needed
I longed for this moment
now the time was finally right
steady right hand raised
the elongated blade
"together forever..."
death breathlessly whispered
as a swift motion
punctured my abdomen
breath was taken out of my lungs
knees buckled
as death dropped me to the floor

tears of bliss flowed from my eyes
staining mascara streaks on flushed cheeks
I peer around the room to greet my lover
in another embrace with my final breaths
but im alone
left with a bloodied knife in hand
but this forbidden passion of a deaths dance
was only used to take ones soul
not give it the life it craved
laughing through the flood of tears
not even in death was I loved
K Balachandran Jul 2013
Somewhere in the lake
of deep sleep
is an island, dark and mysterious,
entangled mangroves here,  resist movements
where I snake in like a thief
excitedly breaking in to own house,
pretending to be an alien
and find
a body double living there
acting out one's secret-
fantasies and voluptuous desires.
I won't dare to speak aloud here,
where, the overpowering smell of
too ripe fruits of indecent passions waft.
The dark chamber,
the smoke filled ***** den of my mind,
is to  take secret refuge and be one
with a dream that flies me
to the border lands of psyche.
Tom Orr Nov 2012
Terrifying façade,
long and tall, overpowering
but frail.
Ready to crumble and fall.

Snide wire intertwined,
exit wounds in the concrete flesh.
Each thorn stood to attention,
unwelcoming guards of the now unwanted.

Block after block
of relentless alleyways,
like a labyrinth of colossal gravestones.
The sky opens.

Water rattles bullet-like,
upon the once majestic city walls.
The cathedral moans its last hymn
as the steeple betrays itself.

The descent prevails.
Jaclyn Arencibia May 2013
She didn't know, at least at first,
exactly what she was getting herself into...
all she knew was that it felt good,
when all else felt bad,
it was easier to retreat to the few good moments,
to escape the tragedy that was her life,
to feel better, special, important,
even to feel smart and at times, beautiful.

She was none of those things then,
instead she was unhappy, abusive, disrespectful, abrupt, and selfish,
and she didn't grow to improve for some time.

For some time, she kept being bad and knew that she was being bad.

She never wanted to kiss him,
never wanted to touch him, or see him naked,
because there was no attraction,
he just helped her feel safe and less alone.

Otherwise, she did feel alone, scared, and misunderstood.

These feelings were overpowering and she needed an out,
and she wanted an escape,
and she let him touch her for some time,
she just let it happen,
and sometimes she did want it,
she craved it,
with her insides begging for it.

Back then, she didn't know this was natural,
she just felt disgrace each time.

On an average day,
she decided she wasn't going to do it anymore,
she no longer wanted to feel the shame that accompanied the good,
and just like that it turned to bad.

He fought her on this and she fought back,
never giving in,
deciding never to fade out again.

In finding her strength and will to change,
she found herself.

Now, she lives with the company of contentment,
filled with serenity,
feeling special,
in different ways.

— The End —