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Simon May 2021
"Being Processed Overload", doesn't come with many benefits, when your already tolerant of one thing, and one single thing...ONLY...!
By any chance, what do you think that one single ONLY thing is...?
Well, it's nothing more than what's come beforehand, or afterwards...
After all, what becomes fully "silence" at the end of the day, is nothing more than what is generally written, or seen, or even displayed (fully), "between the lines".... And it won't make a single slither of sense, unless your willing (to give yourself that one single "affordable" chance), to not be in a state of "Processed Overload", anymore!
Implying, that the most obvious results ("had"), and ("will"), always hide from deep within the states in-between the things that "can be seen", and the parts (of those very "things", that for some strange reason haven't fully yet been discovered), had remained entirely significant in part towards those very things that..."can't be seen"). Hiding, (when you least expect them to do so).
So, the whole point of being processed overload, is the very claim, that you are witnessed to something that can't be entirely seen... Or else, you'd become entirely "Overloaded" with too many processes!
When you’re already dealing with enough as it is... Especially when those very states in-between are hard enough as it is to see ("from within"), to begin with.
It's a full contact sport (when life get's significantly rough for your own eyes to become terribly outwitted by all that processed overload)!
It's when a totally realistic testament for truth (in itself), when being faced with so much, (without enough benefits to help you grab hold onto what's entirely tolerant that comes and goes either beforehand, or even afterwards...) Eventually speaking, it is the very basic lesson of things being entirely...ruled out.
So, it doesn't keep sticking too you, like a VERY BAD THORN IN YOUR SIDE! Forevermore telling what you should and should not do. And lastly, forcing you to see reason, as nothing more then for "control" to be seen as a pure...illusion.
While being so discouraged of (once being able to see from within, "at one moment" beforehand, then entirely fully dropping afterwards, when met with yet another, "specific moment", that most important...)
This most potential realization, (if at all you have caught onto it by now, of simply being so, where you'd learn from it, as who knows...you haven't particularly been doing it to begin with, as of yet...) Then, it's safe to say, that (while you try and try some more, eventually coming around to some type of partially known/partially unknown progress being involved...), doesn't exactly mean there's a type of significant progress in your failures, (for simply being able to understand).
You understand because you think you've made progress with the main issue, which is now clear for...ALL TO SEE!
Then suddenly out of the blue, (and as if it hadn't already been obvious enough...) Things start eventually becoming baseless. Coming to a very abrupt "fixated" halt!
But that doesn't actually mean you have seen (and then most prominently, "recognize") "why you do it!" Which forces you to start believing that everything is truthfully..."unclassified." Enabling everything (you once held dear).
Typical beliefs (within your own once secured belief system), now suddenly become...flawed!
Since the only expectation, was other's approval (apart from your own). And if you’re not able to see what is obviously in the states from in-between, then you’re literally going to see a one-sided viewpoint of everything for the remainder of your life. Controlling you in a pure illusion... From never explicitly being able to see (the other half of that entire viewpoint), with a straight open-mind.
Meaning, lifestyles will remain forever warped!
And your own lifecycle will continue to both shift drastically. Which in tune will remain as the very same dramatic "repeat", forevermore!
For the lack of reason that slowly but surely keeps both flowing inward, and outward... But not in the right type of recognition for your very self to both handle with careful consideration towards that very recognition, or for that very basic of acknowledgements just so you can handle yourself as you make your way through the different "fields full of clutter" (that seem to forevermore block your sights from simply being able to see clearly), with careful consideration...for your own identity to bear!
Because at the end of the day, identity (especially one that is trying to ALWAYS find different ways to sense, then fail here and there...)
Is nothing more than a tired effort...full of such actions...that keeps significantly turning into consequences...full of doubt.
(However, it may never be real doubt happening, when the consequences are just blaming you for your past, AND present faults of a tired effort that can't use their own actions very well anymore, when you’re also not seeing clearly again, anymore, either). Except, when your own presently perfect and overused (always in the limelight) doubt that of course, starts "sugar-coating" the very truthful actions (when you know you obviously already did something wrong), with nothing more than a good old dose of...guilt! Your regular and normal perception of things becomes utterly...twisted! Mangled! Bent out of shape! Stringing you up and wrapping you ever so tightly! Abruptly popping out a random pitiful bow (like on a present) full of both negativity and unprecedented bad luck on top of an entirely disfigured and misshapen present! (Not to mention the very wrapping paper that had become this HUGELY distorted pattern, that influences you in such a wrong sort of way, because again... So, you won't see clearly!) Until there was nothing left but...silence!
Silence at the end of the day, is seeking pleasure (in the moment of doubt, which significantly amplifies guilt), without taking the necessary time to fruitfully take noteworthy details into account...), that you truly have been "duped" this entire time...by your already currently corrupted self...who had been entirely "compromised"...long ago!
(And here's the very sad, and worst part... You didn't even see it happen....) Totally not your fault. It's just lives very bad tempos full of those constant rhythmic beats (that turn entirely into HUGE gimmicks that detests the very pattern...), which doesn't become soiled...when it's (even worse then EVER before), where the very beats have been already weeping alongside your own strides full of hesitant footprints that don't relate to the same old size shoe of the many lookalikes of footprints that followed after the other.... Almost as if everything then started with a beat full of such a rhythm (that came and went, as it naturally would). Then become suddenly confused when it's nothing more than for the sensation/feeling to become abruptly filled...as an everyday common joke. Then...for a pattern literally too weep alongside moving forward ever so gently, (by gently striding with the slightest of common footsteps you could literally muster, where there's no such accumulation where everyday common footsteps could be seen...) But here's the catch (which comes with a GREAT kicker involved...), where you can seriously see it from within, (and not entirely from the outside of yourself). Which entirely distorts this very meaning to begin with.
Even if you had... It had already been too late! When you were truthfully blinded from the very...START!
If only whatever comes (beforehand), or fully starts tolerating the (state that comes beforehand), where the (state of coming afterwards), then of course comes...after, (that which "what is beforehand"), is then helpful enough in being simply portrayed as nothing more...than what you could have already fully expected.
Except, when you anticipate something even more wrong...because your very own expectations (about the very main situation at large/involved), had become unsteadily stranded for dear life. Drifted away, since the very compatibilities didn't match up correctly. (And while being potentially forevermore left adrift without so much as a single change of scenery, (since you'll always stay the same...) Because you simply didn't know how too! Or even worse, being so processed overload, that you have let everything grow around you like this constant "Underbrush"!
An Underbrush seems to always be full of such twists and turns! Overly protruding vines that both poke and ****, according to your very own limitations wasting away the only strength that you held bear for so long... You are just lucky enough...you had lasted this long...! A truest claim among such miracles, that can only tolerate itself long enough...before it truly realizes what's been in front of it's very self (this entire time). And at which time...forces you to again, realize (and then sadly force you to then in its entirety, to acknowledge...), at just how much you've been in the "wrong"...this entire time....
Which in doing so, HEAVILY influences the very reasoning right out from under your own logic, which makes your own reason EXPEL that very logic, and just...throws it directly straight out the window like it's some yesterdays unimportant choice of reasoning! (Even going as far as to then look at it like it's pure...trash!)
(When today, it isn't truly looked at as the very center of one's own ordeal!)
I mean, of course it is...but your now stuck in that very illusion, (where now thinking control is this very illogical, negative, immoral, etc.), piece of obstructed, and nonsensical piece of doo-doo! ...And that isn't right about ANYTHING! Except, for what you have yet to ("properly see").
Guilt then (forevermore) forms into doubt...and the same lifecycle repeats, repeats, repeats...REPEATS! Until it had ****** YOU DRY! Of every type of energy reserve, you had (within yourself), in order to now begin compensating the very same structure of energy again, (in your very self, by simply using back-up energy reserves, or whatever "juice" was left from those previously already still presently being ****** dry/infected energy reserves that had already been literally either fully, or at the very least, nearly ****** DRY in itself!), of everything it held within it's personal possessions from both ends of the same spectrum.
Just so you can then simply "use" in order to clear away the many obstructions that have spread FAR AND WIDE...!!!
But word of both warning, and that of course of...caution.... Is that it's not going to be some easy and sane type of task, where you are able to just miraculously cleanse...EVERYTHING!
Just so you can then become (even more) an inner victim of your own already corrupted self.
"Being Processed Overload", is a state of INTENSE "ramifications"...of being filled with an already unrecognizable consciousness!
Limiting yourself (by chance itself), is a necessary battle for the forthcomings of both an "inner war" to begin seemingly out of NOWHERE! And for the efforts (if there was actually ANY from the very start), to not simply follow thoroughly through from what was already too structurally important from the get-go.
Simply hinting at, if you can truly follow-through with that main logic, (if you haven't already "expelled" anything worthy of your own self, from not EVER AGAIN being actually able to equip yourself and combat the very such obstructed force from within...) Then you might just have that very chance at recognizing what had truly happened to you.
Robin Carretti May 2018
What happens
_ to space_
between us
This is the
human race
Ah, Vey?
Just pray

Overly smitten
But not seeing
  clearly picture-prey
He or she runs!!
Little darlings
here comes the sun

The lime doing the time
Falling trees of coconut
Feeling- overloved
Deviant artist
splat coconut milk

No Security Cat
comfort box
So out of recession
Killer fox__

Chocolatey coconut
Cleanse my mind detox
Almond Joy concession
Rise up Face Botox

He cannot
read you
Haywire always
wired up his words
Hurried Hazelnut
coffee if you mind
Over-sugared
Increased brain
functions bitter rinds
So commercialized
The Cocoa Puffs
Going bananas
monkey ***
Lexie Vamp Vex

Mr. Ed overload
of Oz colors baboon
Going up Air Balloon
So many airheads
The  Rainforest
GQ  he's gone IQ
((Quarterly Neck of the woods))
Not orderly Outback
Steakhouse
Dinosaurs
******
Vicarious

No shortcut
The nervous system
The fast have a drink
furious
Cracking a coconut
Her Safe__
*
6-6-6 combinations
Could crack her
Coconut oil neck her
City Girl call her

Intellectual brain
Singing
Gene Kelly
umbrella
Raining coconuts

(On Overload)
Strawberry Fields
This will be short
Yeah right forever
shortcake, not any sort

The trend of
coconut
Nearer because
of you I am
further
She was the
Brazilian Nut
With her
blind gut

((Coconut Houdini))
Island of Bali
Beauty of Judy
Somewhere so over it
rainbow

King Kong
Hairy chest banging
coconut drink slurping
Of girl talk
Strong New Jersey
Stamina


***** of Venezuela
Overload of
Prima, Donna's
Instant Karma
going to get them
Knocked them off
there feet
Where is my
John Lennon
He has the best beat
You will be tasting my coconut drinks every line your on to read
So take this trip please don't ask him for a sip you have the best drinks
with men of GQ what divine coconut  winks
Fenix Flight Jun 2013
Let me jump in the back
of that old pick up truck
and drive all the way to Alaska
where the cold wind there
will freeze my heart
so I cant feel this pain
that's killing me now

I'm trapped
in emotional overload
and I cant
seem to find my way out
I'm sitting here crying
suffering from all the
failures of my life

Happiness is such
a foreign concept to me
not a day goes by
where I don't at least
shed a tear or two

the smile that you see
plaster on my face
is about to crack
and show the
sorrow that I feel

I'm trapped
in emotional overload
and I cant
seem to find my way out
I'm sitting here crying
suffering from all the
failures of my life

Nothing I do
Is ever right
Everyone was telling the true
I'm nothing but a
waste of space

No matter what I do
it just ends up
falling through
failure should be my
middle name

I'm trapped
in emotional overload
and I cant
seem to find my way out
I'm sitting here crying
suffering from all the
failures of my life

I'm nothing
but a disappointment
to everyone in my family
I am what is called
the black sheep
no one is
ever proud of me

WHY can't for a change
I be good
WHY Can't I
be the golden child
Goddess WHY??

I fall to my knees
in a helpless
Misery

I'm trapped
in emotional overload
and I cant
seem to find my way out
I'm sitting here crying
suffering from all the
failures of my life
shayla ennis Dec 2019
sensory overload
to much noise
so much light

the living life
the dying

a heart beat
a breath
sensory overload

walking hurts
hearing agonizing
seeing to much

sensory overload

the light of day
the darkest of night
all to bright

the middle ground
none exist
were quit rains

sensory overload
disapear

scarlet rose
dec 17,19
written in view of experencees to symptoms called sensory overload
Benji James Jun 2018
My hearts on overload
My loves on overflow
But one hearts not enough
To express this love
So take my ***, my lust, my soul, my life, my mind
Cuz you're the one on it all the time
You steal my sight, I'm blind
Our two worlds will collide
Your touch is pure perfection
You take my affection and attention
But still, we are connected
Calm and collected

Girl I can't help but stop and stare
You got the looks, those lips, those eyes
You got me burning inside Ah!
You got me on the floor
Begging for more
Down on my knees
Charmed and spelled
Your perfume hits my senses
I become confused and senseless
Let down all defences

My hearts on overload
My loves on overflow
But one hearts not enough
To express this love
So take my ***, my lust, my soul, my life, my mind
Cuz you're the one on it all the time
You steal my sight, I'm blind
Our two worlds will collide
Your touch is pure perfection
You take my affection and attention
But still we are connected
Calm and collected

Ooh your so smooth
In the way that you move
Your the one that I choose
Your chemistry, magnetic
Your kiss, so sweet
When she hits your lips
Sugar runs through to your fingertips
Don't let the moment fade
Stay in the moment make it great
CHORUS
My hearts on overload
My loves on overflow
But one hearts not enough
To express this love
So take my ***, my lust, my soul, my life, my mind
Cuz you're the one on it all the time
You steal my sight, I'm blind
Our two worlds will collide
Your touch is pure perfection
You take my affection and attention
But still we are connected
Calm and collected

Your skin, so soft
When your gone, I'm lost
Your love, I'm on top
What you got, I want
When you hit it, don't stop
One love, one shot
To show them what you got.

My hearts on overload
My loves on overflow
But one hearts not enough
To express this love
So take my ***, my lust, my soul, my life, my mind
Cuz you're the one on it all the time
You steal my sight, I'm blind
Our two worlds will collide
Your touch is pure perfection
You take my affection and attention
But still, we are connected
Calm and collected

©2018 Written By Benji James
Styles Mar 2017
Slowly unfold,
as you fold into me.
Two explosions that explode
imploding our senses with sensory overload
too intersections that intersect invisible
connected through connectivity
magnetized magnetically
galvanized genetically
when energized
this pleasure is derived
riveting her visibly
I convulse as you implode
Extinguishing our misery
With pleasure beyond measure
Thirst quenched physically
satisfied, apparently.
im·plo·sion
Cunning Linguist Nov 2013
Loaded down with swag, you could say I got some baggage
Now tag me in your post - host server overload with traffic
Havoc, I smashed it I'm smokin on that hash **** its magic I'm laughin,
***** where the **** my brain go?
Oh I know **** I got so braindead before I wrote this
I'm monumental, moving boulders
Deport this *****, jumpin borders
Spit my lyrics so hot just like you was sippin Folger's
Burn your tongue? I burned my face,
You in a race?
Huh, ***** don't even try to run

Your nightmares are my fantasy
I make your dreams rip at the seams
Best believe it I'm the reason
You be losing sleep
Unfeasibly
Freddy who? Man **** that dude
This ain't no ****** "Elm Street"
11-12 Better check yourself
**** with me I killed it
You're in my world now *****

And grab your crucifix
Ha! AND PRAY TO GOD *****

Oh ****, break in the beat
I can't be defeated so don't leave your seat
So many drugs my heart feels complete
Lungs replete with the cloud of a thousand burning trees
Smokeapalooza, my brains on vacation
maybe it's a factor, all the inhalation
Snoozing you loser?
Got it going on,
Got more bombs than a marathon in Boston
AND IF YOU THINK THAT **** WASN'T A FALSE FLAG GO BACK TO SLEEP

I'm a self confessed bongaholic by definition
Cro-Magnon, I'm stone-age in terms of cognition
though hopefully I can get some ignition, generate some sparks
My colorful rhymes stand in stark contrast
against this black and white palette
all these so called artists paint with
Oh and blunts are great, ******* Wiz Khalifa
pearl another one and I'm feelin golden
withholding nothin, so I'm puffin til I'm huffin

straight baked like space muffins
something you can't relate or replicate,
so don't defame, or deface my status as
realest ***** in the rap game
no malarkey;
you have a better chance swimming with sharks b

breaking bad
take a line of that Walter White to my head
til my brains are frying like eggs at breakfast
hear just a little sizzling
**** bro I'ma wake up dead

David Banner he don't know swag
Lil' B holla that he own swag
Overflowin with all these newfags
I /b/ like :bitchplease: I ******* made swag

I'm beautiful man super cool
and all all the ******* love me
most popular boy in school
I have everything I want
it seems -
in my dreams,
******* **** me
My ADD is so infuriating
which is at least partially
why my primary hobbies
are screaming rapping and smoking ****
DeeDeeK May 2012
I want to make love with you
wildly, savagely, viciously
insatiable need crowds out all thought
except for how you feel to me
it's more than lustful carnal craving
raw passions threaten to explode
we're one, together in that moment
senses burning, overload
hearts pounding, muscles shaking
salty sweat, bodies aching
driven into breathless frenzy
release, that moment stopped in time
once more, to feel that you are mine
Robin Carretti Aug 2018
Earth
Worth
Darth
*  777* Goth
Whats worse both
Even Steven Universe
Will I ever find

  *Peace
/ Curse

Coming to terms with
Cancer doesn't care
Did Heaven
become
A disease ending up
Absolutely nowhere

Lotto like death
Poison mushroom
Exit button mushroom
Alarm
Claustrophobic
Thanks for space

Comic.com race
Demonic
Shrooming
Baby mushroom
cooing
Fantasy Island of
Alice in Wonderland
mushrooms to chew
Rabbit hole stew
What a mush
washy of lush
Being taken
Stroke of a brush
All our money-losing
Clouds white and brown
chairs
One mans poison Pubs is
cute baby cubs pleasure
Moving Buffy slayer City
Jungle  Jane single
Poison *** in the city

Pollution give me

My London Fog
Poisoning mushroom
The Prince the princess
being kissed by a frog
What! the magic mushroom?
for migraines
Herbal cure
medicinal
remedy taking planes

LSD healing drive
Mushroom for the brain
The Godly tribe


Trees are being
chopped down
Everything from
generation
Handed down
Laughing stock of
Computer clowns
I am not feeling the vibe

Shitake what does it take
Like a fungus

Tasting someone's poison
Mushroom soup he is
wearing his graduate cap
What a mushroom head

Ladies of Venus group
Coastal storm in my
wedding bed

Riders of the storm
Stan the evil door or
Jimmy Morrison
Nicole with her Kidman
Are you kidding me
I am assuming
The good earth
Is being devoured
Every hour I feel
like writing
Who is buying mushrooms
Slivered like a snake
Making room for Go Daddy
Poisonous suits of Grooms

Healing hand is
Godly skywriting
The silence of
the Lamb
Moms Lambchops
Steamed fresh mushrooms
Stranded with most
expensive lipstick
Money withdrawal
My Drugs like a
good book fictional

Only in my dreams
Did I ever see poison
mushrooms
Something is being
planted in my showroom

Artwork Arsenic and lace
Whole place faces of mushrooms
Homemade Butternut squash
Nose of a button mushroom
  Near the vegetable
Stand his hand
lands he started
Eating my mushroom's
Marsala mushroom
sauce
Grilled Chicken and
bacon salad overload
of mushrooms
I never promised you
a rose garden
In our College Dorm
Pool games no drugs
of mushroom

Trees and Snow White
poison apple she is cute
as a button
Throwing apples compared
To oranges who would
be glad they got stuck
with poison
mushroom
Good earth what is possible

Poison brain watching
Cable whats accountable
Midterms all nasty germs
The world is poisoning
our mind brainwashed
I left one nasty mushroom
behind I won't bite
Poison is everywhere if you let it come your way it is in our plants it is the way a person galavants how the time flew. I don't even have money to buy the most expensive shoe. I see a lot of mushroom gravy  Mom make homemade gravy every Sunday Its an Italian thing. We rarely have mushrooms  He always dresses like little boy blue this is not a fairytale we feel poisoned by so many things even watch out poison mushrooms better not be in your meal
the money is like a drug but got poisoned
Ads for Christmas specials
Litter magazines and such
Oooh another Christmas Carol
Tiny Tim has a new crutch

A Christmas Story musical
The Rockettes on TV
I'd rather watch old re-runs
Of Andy Williams 'neath the tree

The stores are stocked, the lights are bright
There's tinsel everywhere
There's Romney and Obama Christmas tags
I mean is this really fair?

There's Kingdom of Thrones nativities
And guess who plays the baby
There' s something wrong inherently
When you stop to buy it...maybe.

Christmas got away from us
It's more commercial than I've seen
There's more crap on the shelves these days
Than there is at Hallowee'n

It's only just September
and I'm already done in
by my Christmas Season overload
I can't believe the state I'm in

What happened to Goodwill to Men
And Seasons Greetings at the mall
They've been replaced by anger
And gift cards that are given out by all

This year I have decided
to change how I celebrate this silly thing
I'm going home to bed right now
And I will Hibernate till spring !!!
Ahmad Cox Apr 2012
Trickling madness pours through my mind
I see myself from a tunnel view
I see everything in my mind
Hyperactive light show
I can't come down
Getting swept darker in the madness
Deeper into my head
Riding the waves as they overcome me
Feeling lost in my own body
Overload has come
I don't know how to get off of this ride
All I know is that I can't stop
My mind is aflutter with no where to go
All I can think of
Is when will this madness end
When will my mind be able to rest
From this sensory overload.
Matt Revans Oct 2015
My autism's a part of me,

But it is apart, you see.

...

Who are you?

With your ‘normal’ view.

Are you just one thing, or are you a person

With thoughts & feelings, that are your own unique version.

Preferences, ideas, talents, and dreams?

That are bound by senses that meet at their seams.

Are you fat, short sighted or visually impaired?

Are you ever wondering why I just stood and stared.

Those may be the things that I saw the first time I meet you,

But you’re more than just your ‘normal’ diagnosis…. True?

As an adult, you have control over how you’re defined.

Your normality means your perceptions are refined.

So why would you single out one characteristic of mine that you can make known.

As a child, I am still unfolding, I’m not fully grown.

Neither you nor I yet know of what I am capable.

If you think of me as just one thing, then one thing’s inescapable.

You run the danger of assuming I have no chance of achieving.

And my heightened senses know this, it’s only you you’re deceiving

For I am not endowed with any ordinary sense.

You need to know this before I commence.

You take for granted sight, sound, taste, touch and smell.

Never once realising that these things can be as painful as hell

For me.

You see.

My world often feels hostile, and makes me so fearful.

I may appear withdrawn or belligerent, whilst others are cheerful.

Or mean to you, or antagonistic,

Defending myself, then going ballistic.

You tell me we’re going on a trip to the shops

And out of the world my safety net instantly drops.

My hearing, you see, is hyper acute.

But I’m put in the car, though I loudly refute.

At the shops, walls of people jabber and whoop.

The loudspeaker booms and adds to the soup.

Music blares and lashes and whooshes.

Tills beep and cough, a coffee grinder swooshes.

The meat cutter screeches, a baby starts wailing,

I’m starting to malfunction and am rapidly flailing

As trolleys pass creaking, and fluorescent lights hum.

I’m starting to panic, but also turn numb.

My brain can’t filter the input, the voltage is massive

I’m in overload with no chance of staying passive.

My sense of smell is stratospheric.

That fish on the counter is NOT atmospheric.

The man in front hasn’t showered today,

That Stilton cheese – someone take it away!

A baby goes past, it’s ***** needs changing.

Things are going faster and turning deranging

They’re mopping up pickles on aisle two with some bleach and a rag.

My stomach is churning, and I’m starting to gag..

And there’s so much hitting my eyes!

This trip has turned into the world's worst surprise.

The fluorescent light

Is not only too bright,

it’s that flicker.

The space seems to be moving, getting quicker and quicker.

The pulsating light bounces off everything and distorts what I am seeing.

I don’t know what I’m doing, or saying, or being.

There are too many items for me to be able to focus.

The world starts to drain me of my internal locus.

My eyes try to compensate by tunnelling my vision

Fans on the ceiling, twist my senses into nuclear fission.

All this affects how I feel just standing there,

and I can’t even tell where my body is in space, do I care?

You’re yelling at me now, and shaking my shoulder

But the fiery fog is down and is starting to smoulder

It isn’t that I don’t want to hear your instruction.

I just can’t understand, due to mass self-destruction.

You're shouting now, but what does "£$%^&&% NOW! !£$%^&*" mean?

My senses will **** me in a collusion so obscene.

Once we’re back at the kids home, it all feels less absurd.

And now when you speak, I can hear every word.

Simple instructions, that I know off by heart.

And I cling onto these so I won’t fall apart.

You tell me what you want me to do next and I’m able to reply.

Now I’m happy and it’s easy for me to comply.

Now I’m OK and I’m running about

And performing my ritualised songs, which I shout.

Then a visitor grabs me saying, “Hold your horses, cowboy!” – This means danger!

I can’t stop the horses, I’m me, not the Lone Ranger!

And I’m thrown into panic when what you mean is, “Stop running.”

But I don’t know that! Those stampeding horses are coming!!

That’s my life, you see, it’s not “a piece of cake”

When there’s no dessert in sight and you’ve made a mistake.

When you say, “its pouring cats and dogs,” I see pets flooding from the sky.

Tell me, “It’s raining hard,” so I won’t fear the animals will die.

Puns, sarcasm and allusion

Simply generate confusion.

Tell me facts and keep things clear

So I can live, yet not in fear.

It’s hard for me to tell you what I need when my senses are reeling

When I don’t have a way to describe what I’m feeling.

I may be hungry, frustrated, frightened, or perplexed.

But I can’t find the words, and lash out, angry and vexed.

Be alert for my body language, or my gestures and obsessions

Then you’ll handle my feelings like your own treasured possessions.

Watch out for me compensating for not knowing the right word

By mimicking my favourite film star, or something just as absurd.

Rattling off words or whole scripts, which will leave you confounded

That I’ve memorised from Disney, because they make me feel grounded.

They may come from the TV, or speeches, or a book

And though they make people give a funny look

I just know that saying them gets me off the hook.

Show me, show me! I’m visual, you see.

And I’ll understand rather than you just telling me.

And be prepared to show countless times.

I’m listening, despite my ritualised rhymes.

Visual supports help me move through my day.

They relieve me of the stress and I feel OK.

I don’t have to remember what’s happening next

For I operate on a visual text.

This makes for smooth transitions in my life

And we’ll finally progress without anger or strife.

I need to see something to learn it, because spoken words are like steam to me;

They evaporate before my mind's eye, and are gone instantly,

Before I even have a chance to make sense of them,

They've died in the ether, leaving me in mayhem.

I don’t have instant-processing skills.

Instructions and information are my life giving pills

Images can stay in front of me for as long as I need,

and will be just the same in years, for they'll never recede.

Without visual help, I live the constant frustration

of knowing that I’m missing big blocks of information,

Not to mention falling short, by being a misfit

And I'm helpless to do anything about it.

Unlike other people, I'm unable to learn

If it's normal interaction for which you do yearn.

I’m constantly made to feel that I’m not good enough

And people are stern and people are tough.

They think I need taking in hand and need fixing.

Never knowing the world and my brain are tranfixing

I avoid trying any new things, for I'm sure I'll get 'dissed'

And another grown up will be angry and get 'real ******'.

But no matter how “constructive” you think you’re being.

Look for my strengths, though they're hard for the seeing.

There is more than one right way to do most things.

It may look like I don’t want to play with the other kids on the swings

But it may be that I simply do not know how to start

They just think I'm weird, and set me apart.

Teach me how to play with others.

Remove my autistic shrouded covers.

Encourage other children to invite me along.

They might learn something of value from my life's different song.

And rather than spend my day as separate, secluded.

I might show an ethereal delight at being included.

I do best in games that have a clear beginning and end.

Random play is something my fears won't transcend.

And just one other thing, a sort of confession

I cannot interpret a ****** expression

Or body language, or other peoples' emotion

So in group situations I'm resigned to demotion.

I want to learn, I want you to teach me.

Reach into my mind and help me to see.

If I laugh when Tommy falls off the climbing frame,

It’s that I don’t know what to say, nastiness isn't to blame

Talk to me about Tommy’s feelings and teach me to say,

“Are you hurt, Tommy, I'll get teacher, then you'll be okay?”

If you don't I'll meltdown or blow-up, and get in a stew

And this is a thousand times worse for me than for you.

For my mind will go into overload

My sense of equilibrium will start to off-road.

For I'm well past the limit of my social ability.

As those off road lights glare at my own disability.

If you can figure out why my meltdowns occur, they can be prevented

And my behaviours will abate, less frequently lamented.

Keep notes about me and a pattern may emerge.

As your understanding of me will gradually converge.

Remember that everything I do is a form of communication.

It tells you, when my words cannot, how I’m reacting to each situation.

My behavior may have a physical cause.

Think for a moment, just have a pause.

Food allergies and sleep problems can affect my behaviour.

Just look for signs, for you might be my Saviour.

Because I may not be able to tell you about these things.

That blunt my affect and cause my mood swings.

Throw away thoughts like, “If you would just—” and “Why can’t you—?”

You didn’t fulfill every expectation your parents had either, that's true.

And would you like to witness a constant rewind.

Of the traumatic deficits by which you're defined?

I didn’t choose to have autism.

Or to live with this division

Remember that it’s happening to me, not to you.

But without understanding, my chances remain few.

With love and support, my horizons are broader

But I can't live my life by other peoples order.

Patience. Patience. Patience, are the three words we need to live by

For my dreams to be reached, and my confidence fly.

View my autism as a different ability

Rather than as a freak show disability.

Look past what you may see as limitations and feel for my strength

I may not be good at eye contact or conversations of length

But have you noticed that I don’t lie, or cheat at a game

Or pass judgment on people, and make them to blame?

I rely on you, if you can make me your personal vocation

All that I might become won’t happen without you as my foundation.

Be my advocate, be my guide

Be my strength, stand at my side.

Love me for who I am, and not what you know

And we’ll see just how far I can go.

Matt Revans 2014
©Copyright
Ceeam Jul 2016
Biodiversity, an abstract term used in natural science,
Meaning diversity of life in a diversity of places.
Tonight I really feel all the compliance,
With this term occuring in my life in so many cases.

I have both positive and negative associations,
If I relate biodiversity to my own life.
It kind of explains all the complications,
On the road to when and where I thrive.

When I look at myself in the mirror,
I see the diversity in my face.
Both soft like a mother and severe like an emperor,
And my hair looks like it's from another race.

It is curly and it is dark,
While my skin is quite pale.
Blue eyes which sometimes brightly spark,
But other times greyish and frail.

Some moments I feel hyper,
like I'm going to explode.
I talk, walk, jump and stir,
and my brain says 'overload'.

Other moments however I feel calm and peace,
I lay down just quietly watch the sun.
Concentrated on every breath I release,
A warm ambiance like that of a mum.

Some mornings I feel like I'm the sexiest ******* the planet,
I take a red dress and let it slip over my hips.
Walk on 15 cm heels like my feet are made of granite,
And merely hope to use my red coated lips.

Other times even my jogging pants don't seem to fit,
I feel like the uggliest girl in town and only see disgust.
I watch useless YouTube videos infinite,
Because everything else feels like a must.

I can go on with this poem for a long time,
But it makes no sense.
It is just that with this rhyme,
I put on paper the doubts, thoughts and experience.

The biodiversity in me,
I like it and I do not.
But what I more and more see,
Is a swarm of different butterflies rather than an intwined knot.

Life is so **** special,
Intense and deeply exciting.
I think it is crucial,
Not to do too much hiding.

Enjoy the biodiversity in yourself,
Like a beautiful forest on a hill.
So many different species,
Crowded, changing and intertwined, but together, still.
Dorothy A Aug 2010
Phone in your home
Phone with you on the road
Three way connections
Incoming calls, not one, but another-aka call waiting
Phones with caller ID
Cordless phones
Hands free phones
Toothy phones sticking out of people's ears
Picture phones...say cheese!
Phone texting instead of talking
Hello? I cannot hear you!

Television and movies in your home
DVD players in your car
Watch those images on your computer
Watch them on your cell phone
Television in the airport
Television in the restaurant
Television at the gas pump
Television in the grocery store line
What's next? Television in the operating room?

Music on your home stereo
Music on your car radio
Store it all on your traveling ipod
Melodious cell phone rings everywhere
Your mp3 player and new computer speakers
Your favorite cable music channels
And plenty of music blasted in the stores
Can't I just have a thought to myself?

Don't forget computers!
Instant messaging
Junk mail in cyberspace
All your shows and movies
always at your instant access
Computer dating
Computer stalkers and hacking
Computer crashes I foresee
because computer bugs and viruses
are trying to invade my soul!
And I feel sick!

I can't get that music out of my head!
I think my ears are ringing!
You've heard of couch potatoes
I think I'm a mouse potato!
How is that for a human spud?
Yes, I admit I'm addicted to my PC!
That I spend more time with technology
than I do with the human race!

I should be burnt out
like old hardware
that is on extreme overload
Not made of wires and steel
but of flesh and blood
I am designed!

But I can't stop!!!

The technology of the future is now here!
I know what George Jetson was saying when he said:
JANE! GET ME OFF THIS CRAZY THING!
Allen Wilbert Sep 2013
Reunited

Walking down a path, where no man should ever go,
its dark, cold, damp and I'm moving very slow.
Feeling the walls that are covered in slime,
too many things happening at the same time.
So much hidden deep down in my soul,
not sure if I can escape this black hole.
Things I've done can never be told,
Sometimes life gets put on hold.
If only these things, I could mention,
it would relieve so much tension.
So many things, I just can't say,
if I did I'd be put so far away.
I've reached the point of no return,
next one who gets in my way, I'm gonna burn.
Getting more angry by the minute,
bought some guns in case I have to shoot.
This giant duffle bag is getting quite heavy,
I wish I still had my 57 Chevy.
Back then life was great,
Wife, kids, house, fence with a gate.
Then one stormy night, a car went off the road,
since that night my brain started to overload.
Fell into a deep depression,
lost my job, thanks to the recession.
Lost my house, lost my car,
all my dreams are now to far.
Walked into the place, I used to work,
hated my boss, he was such a ****.
Grabbed my guns and started to shoot,
all the blood was staring to pollute.
Shot as many as I possibly could,
don't know why, just thought I should.
Losing everything drove me insane,
I'm not making excuses for my brain.
Not long after there were hundreds of police,
there was no offering of a sign of peace.
They barged in and I resisted arrest,
I was shot several times in the chest.
I wanted to die, but always in style,
all I could see was my families smile.
Now we're back all reunited,
I have never been more delighted.
No one I shot that day ended up dying,
just some blood and a lot of crying.
sinderella Jan 2014
in the worst possible state of mind
there's so much I regret
wish I could leave it
stuck in a maze
caught up
in a daze
****,
get me out
of this place
before all hell
breaks loose
and I accidentally
might break me
as well as you

I have this pain
in my chest
sleep never works
I can never rest
I can feel the strain
the colliding emotion
it's drowning me again

I can feel the pressure
it's hard to measure
is it this much?
or the opposite
of all this?

thought overload
feels like my heart
is going to explode

I have no function
new year but still
I'm broken
and lost
getting caught up
in too much ****

trying to find myself
but it's so rough
picking myself up
from the ground
that's already tough

feels like my heart
has had enough

I'm falling apart
at the seams
losing myself
like I do
in my nightmares
as well as my dreams

suffocating in thought
breaking as we speak
I'm losing it
as we talk
© sinderella.

I'm just not okay.
Frostley Oct 2015
She is the vindictive snow
Beautiful, cold causing her chilling touch to leave me numb
She creates an overload of dopamine for me
But like I said she left me numb
She compressed limerence upon me
The concentric feelings I have for her  linger
This contours her opaque heart
Leaving her pliable words lay rendering in my mind
She applies this solvent to it leaving me broken
Forlorn she left me
Yet, the tactile, numbing sensation keeps me going
For she is the one I love
Causing our hearts to be diptych artwork off our hinges.
Big Virge Aug 2021
Folks This Is NO JOKE... !!!
A Creative OVERLOAD...
Is Something That Now Flows...
  
When My Mind Goes INTO ZONES...
Where Words And Verse...
Make My Hands HURT... !!!
  
Because of ALL The Notes...
That I Now Type In Prose... !!!
  
I Now DON'T Even Write...
Cos I Just DON'T Have The Time... !!!
To Use... Paper And Pen...
To Write These New Poems... !!!
  
So Now New Tech Like Using Phones...
Now Fuels My Creative OVERLOAD... !!!
  
It’s... CRAZY Folks... !!!
Because I Really DON'T KNOW...  
WHY My Mind’s So Prone... ?!?
  
To KEEP Creating Things...
Like These Writings... !!!!!
  
That Simply Just Keep Coming...
Like **** Girls Who Ride Like...
........ Riders HUNTING........
  
For That ESSENTIAL Something...
That SATISFIES Their World... !!!
  
And Creates An OVERLOAD... !!!
of Juices That Run FLUID...
Without The Need of Cupid... !!!
  
Or Arrows Shot Through Hearts... !!!
Like Verse I Now Impart...
That Comes To Me So FAST... !!!
  
That USAIN Couldn’t Pass...  
When Hearing... “ On Your Marks “... !!!
  
Because My Thinking Moves...
QUICKER Than Tap Dancers Shoes...
When They Are In The Groove...
  
Just Like My Mind...
When It’s Time To Find...
..... Creative Lines.....
That Are Built To SHINE...
Like... BRIGHT SUNSHINE... !!!
  
When I Think of Rhymes...
That Are SHARP And Inclined...
  
To Let My Thoughts...
Spread FAR And WIDE... !!!
  
Just Like The **** Thighs...
of Women Who Are FINE...
  
Who Create Those OVERLOADS...
of YES... TESTOSTERONE... !!!!!
  
Now You See My Thinking Feeds...
My Mind With Poetry...
Sometimes SO ****** QUICKLY... !!!
  
That I LOSE Flows...
That Were Really DOPE... !!!
  
Because Sometimes...
My Mind CAN’T Cope... !!!
With ALL The Quotes...
And The Things I Know... !!!
  
Because The TRUTH Is Folks...
That In These Times...
Where Artistic Minds...
Due To Having NO Live Shows...
  
Are COMPLAINING That...
Their Creative Tracks...
Are Those That Have Now SLOWED... !!!
  
Well I DON'T Know...
What’s Wrong With These Folks... ?!?
  
Who USED To Go On Tours...
And REPEAT What They Did...
... The Night Before... !!!
  
Because Right Now It’s NO JOKE... !!!
When It Comes To... CREATIVITY...
  
This NEW CRAZY REALITY... !!!
Has Given ME... A...
  
... “ Creative OVERLOAD “... !!!
I certainly am having no trouble, in finding new material to write about, in times like these, how can a true artist, or writer, not ... ???
Mateuš Conrad Nov 2016
could you ever, with your ears, express a piece of music, as: fluffy? dark soho's piece is fluffy; and by god i was the pretentious one at the beginning of the 20th century critical of the emerging music... but i'm the one merging at the beginning of the 21st century: and it's a T.S. Elliot scenario: the overload of rhythm: industrial core due to the industry being foetal sieg heil! and so many have fallen for the nostalgia trap... it's not coming back: against the thump thump gyroid reproductive muscular we emerge from... for whatever lack of drums in the orchestra: we're paying for it with an excess of techno techno Bob the goldfish cardboard box dance sequence... or as some would suggest: filling in the gap about the joke concerning a triangle being a part of the orchestra and the person educated in it, rather than the harp.

ah, the blank, and i have to work on it: let's imagine i was just
cooking a pork stew for my father and you don't
bother to ask why someone's surname is written
Raßer - and you don't know how
to pronounce it: and you end
up with razors - which you end up saying
racer - or how about sharpening
the s into a zed - how's that?
this is surgical activity while you you're
at at the butchers: necromancy aplemty:
when god speaks, the devil whispers -
American divergence of the pronoun
y'all / you all -
                           we the safeguard
and they the paranoia -
                                    take it slow,
imagine yourself living in Alaska:
you're exposed to the elements
and Prometheus isn't handy:
  all you have is west London drool
that later translates into easter in London,
Ld: isn't even an postal code:
given Greenwich, bellybutton on the world
they're bound to abuse / feel special
                 about, it's just a John Bishop
          Scouser type of beating.
                  ya - i say i aye, you frostbite of
culture, ya yarn ball of ****!
    oh 'ere we go: the red-coats are hunting
foxes: sort of scenario -
   the sooner they ******* a killing
the better for me: 'ave that one with a grizzly:
             some say the longer the yawn
the greater the applause -
      yo! Yogi! turntable of Las Vegas
says you better gamble on hibernating in the
effing Hermitage!
  - we say a lot of y'all when we imply the
plural, don't we? terrible, ****** thuggish
'n' all, to say it.
   i have five pages worth of notes,
and even though i'm drunk,
i came across a foundation, i'll never be ask happy
at i am right now,
   i signed a copy of my book (look! i don't
have a publicist, i don't have the ******* swagger,
i have the inferno that says:
  when the writing dries up, get a proper job;
if the writing doesn't dry up?
             you're less than necessary than a
supermarket shelf-stacker...
                 there are succumbing reasons that
explain the affair later) -
      no i'm about to sell my first copy -
  i say to her: when you working this circuit next?
Friday night? i'll tell you how much i'm selling
for, well: i'll never be this happy: ever -
it really doesn't matter how much for how little:
   i'm not exactly a family animal: farmed -
i'm political: through and through -
   by the time i finish this whiskey i'll be
demanding something new...
    i don't think your able limbs do idle chores:
i just think admire that they do them
and hardly complain: i blame it on the workers'
encouraged banter - and that's called solidarity.
still, right now, it's all about
dark soho's: dark moon in stonehenge -
       or why you never take l.s.d.
   question arises with Bach...
and polyphony - again, non-linear polymers:
   back when the Germans were at it
music sliced through the air
                   - or the modernity of lost
string (quartets) and woodwinds -
          only the thing plucked rather than in slicing
stroked kept from the strings:
    it was truly a devolution via brass -
   you can have the iron age,
but this is the brass age -
                   and subsequently the evolution
or filling the void of orchestral percussion,
which began with jazz: how orchestra was stripped
of woodwinds and strings and elevated
the humble triangle and enforced drums
and the rhythmic transcendence of limb and heart
and less ear and mind -
           oh the spontaneity thus involved:
forever the enigma of the composer's ability
to say much more than *A
, when saying in A# -
oh hell: music used to be the Mongolian horde
of all things imaginable,
                  the screams, all the entrenching
embodiment of battle: soothed -
  but in our apathetic guises: music is a variant
of the once exfoliated, thus hushed:
music is expressing a war in waiting - or a war
that's not to be - once music music ascribed
wind and tornado toward its elemental composition -
these days there is less wind, and more earthquake:
we are exposed to a trembling -
           an overt percussion methodology:
that's not fire and the storyteller / poet by
the lonesome huddling of nomads by the fire
with oud and recitation of the to come Quran:
we are experiencing a complete reversal of wind:
here we have dark soho's tectonic cardiovascular:
over stating the percussion until the eventual
obliteration of breath, and subsequently
the flatline of the heart's rhythm: to reach the zenith
of a flatline: beehive musicology.
         it's all earth: and the quaking
rather than a waking into.
                  sure: to the alien ear outside the populace
of those that listen to that kind of "****":
but let me assure you:" you can intellectualise
anything beyond the guilty pleasure:
or else - care to disclose your opinions about doggy?
once we were slicing and ******* -
these days? we're hammering, Soviet committee
said: hammer hammer hammer...
            gravitational drilling against the Catholic
lessons of worldly-detachment akin to a Gagarin:
and all the world's problems morphed into
an image of moving away from earth...
    far far away...       well: we're grounded, like it
or not.
              i love that: y'all -
                          it's as if we all need to agree, ~.
and what better way to actually open a poem up
if not to say how prose is a miser and poetry
the mad spender, or compose: he had / another thought
he wished to take / but...
           originally
                    he had
                  another thought he wished to take
                 but...
saving an Amazonian tree, suggesting that: one by one.
i'll sell my first copy on Friday,
i just need to know how much money was put
into printing it -
   and it will be the happiest i'll ever be -
who cares that it's only 1... if i were selling
100,000 copies i'd be thinking of buying a Mercedes
to do away with the capital...
      oh right, the poem (six pages of notes):
the question, what does it all mean?
       i'm thankful that the all means very little,
or at least enough for physicists to take a bother
in answering:
               i'm just thankful to say that at least
bites / bytes / isolated units have more meaning
than the whole... i.e.?
do i care what the universe means, more so
than i known what the word darkened means?
                 pause for thought -
the well established organic search engine that memory
is: and never will be: an algorithm (engine) -
           still the organic variation of accessing it
reveals Rodin's statues -
                        post-Rodin (Rho-dan: ****** iota!
why so naked in the first place?!) -
            the point where it's not so much enigmatic that
you wish to replicate: but entomb, and mould
a statue worthy of the perpetuated cut-short
and mediating the idea that thought has also
the faculty of imagining and memorisation
that hardly translate into being via ergo...
       if that's the case: you're demented via the
ergo of memory... and deluded via the ergo of
imagining -
                      or Frankenstein / Disney respectively:
but never the extinguished cogito, somehow,
oddly enough:
                          and by the way - no one is going
to question my opinions because dialectics was
giving the hemlocks... my opinions
will only become passed around like Bulgarian
Versace copyright thefts, or because they
were never ideas: attachment .pdf
                   will never entertain someone else's thought,
or because they were originally always opinions
will be consecrated on the attachments of .jpeg:
ever wonder why the crucifix always
mobilises so much emotional foundation to
react and protect a torture-filled instrument
worthy of worship? me neither.
                but that's the whole beginning:
we ensured our memory is eroded by an easily
accessed algorithm - we prefer the goggles to
mensa -
                   and if i were a technophobe: e ah e ah oh...
McDonald would turn out to be McTrump:
'cos' i wouldn't be using it.
              then how to synchronise the senses:
you surely can't leave one the prime consumer of
all the things around you:
     i guess that as stated: you can't live out a life
whereby one is polarised, and the others recessively
make your thinking into potato -
   then again: not polarising one of your senses
will leave you thinking that old fantasy that
you live in a hologram "reality": which i mean by saying:
if one of your pentagram limbs isn't polarised
like a blind person, your thought will claim a sixth
sense status - and subsequently you'll experience
either a second chance of allowing one of your senses
to be stressed / polarised, or all your senses will become
overpowering your non-sense: that's thought into submitting
to a polarity / vector: kindred of
the manual worker feeling his trade take
perfect replication -
a composer polarised by "hearing" -
a painter polarised by "seeing" -
a poet polarised by "speaking" -
a chef polarised by "tasting" -
   a perfumer polarised by "scenting" -
and within the sixth sense extension:
a politician polarised by "thinking" -
  the first antonym suggestion comes within the latter's
parameter: mobilising or puppeteering:
would i care to find variations for the latter? no.

     interlude... opening of page 3 of notes on a windowsill...

and how often is soul ascribed a sensual dimension?
i guess as many a time thought isn't ascribed one:
necessarily made into nonsense.
soul? what do i mean by that? the part of you
that isn't indestructible, but, rather,
the part of you that feels that ease: the uninhibited
correlation (verbiage necessary, darling,
if you want the gist of it) -
when at ease you're not really ascribing to yourself
thinking, but a narrative -
  hence your notion of being indestructible,
or young.
      when thinking is easy we're not actually thinking,
we're narrating, hence the majority of us
are clogs in the machine, and once the machine works
we're upbeat about it, because we prefer to narrate
ourselves into life than think ourselves into it:
primarily because (even i included):
we lack a public addressal attache to make
vague concerns over our: inhibitions -
we are entrusted with inhibitory encrusting
for the sole purpose (we should be afraid of
suggesting): let's see who falls off the ferris wheel
first and we can entrust our congeniality toward
the joke: thank **** it wasn't me, later...
          but still:
if were were really intended to think
rather than narrate we'd be given global warming
solutions everyday...
   there's nothing in us that suggests an 'ought',
a moral choice to later say: thought
                      that could fish-hook us out of
kissing the narrative goodbye -
  narration is an undisturbed faking of thought -
as such the 'ought' is never thought of:
because there's a narrative going on
that's more important than anything requiring
even the most basest obligation.
       we are never obliged to be, because we are
never obliged to think: it's strange how the
two are anti-synonymous due to the ergo disparity:
as if one produces the other, or the former
the latter.
              thinking you're good never precipitates
into being good - and vice versa:
   for all i know i know fake rather than falsifiable
saintliness: the power of the scientific
  suggests that i should be Baron von Scorn
when it comes to the ignorance of testifying
         against people who abhor science
and reproduce, nonetheless, with failure to
transcend deformities: because deformities are
glorified and all forms of ability demonised:
so it looks quasi-Vatican-e.
                   preface to a Michelin star:
start with a ******: work your way down:
enjoy your meal, bygones-be-bygones:
you very happy people.
                  but i never understood why
the idea of thought has never the opinionated phrase:
me, exponentially, to no book's avail!
        p.s. as to be ever written!
    thought conscripts man to rubrics -
for example? examinational candélabre -
  some call it i.q., other's call it: for god's sake man,
****** shoot! shoot!
                        and the flying toes and digits:
thumbs away: booh booh Blitz.
                        first thought: that Jersey song:
fifth of November - that Fawkes ****
who almost.... n'ah.
                            in case you're narrative:
thought has its narrative: it's transcendental -
phenomenology comes into play with
narratives and Lady Gaga and how you're an
"individual": thought is acquired trying to transcend
atomic electron orbits that says: electron clouds -
or it's there, but it isn't there, but it's not there,
but it's there: huh?
                         narration conscripted to the rubric
of school exams at school: palpitations, sweat,
nerves... in this scenario thinking is actually
regurgitation -
                          actually we're still doing the Elvis
Costello hope: while narrating we pass from
these shackles of having to think lessons through
when in fact: we're gearing to having no need
in having to learn them primordially, period!

the paranoiac "they" are eroding our protective
membrane -
    they begin with memory -
         it's not that we care to remember certain things,
but by educating us in the Pythagorean theorem
they're not necessarily dressing us in bow ties either -
they need to implant an abstract educational
thought to replace our natural assimilation into
a narrative that we ourselves have created -
       they need to create erosion within our
memory to stop us coagulating our sense of memory
within a framework of us imagining backwards
rather than forwards:
      the cinema of the mind means memory utilises
imagination to do cartwheels backwards
rather than forwards: because forwards is always
a Disney pharmacology of the neon hyper colouring.

or how they made us escape the "Alcatraz"
of the couch of cognitive narration into an
iron maiden of thinking -
                    in this realm narrating is disparaging
from thinking: narrative is a comfort zone:
thinking is a discomfort zone -
                       but neither me nor you will
become a Newton in terms of narrating the ideas:
so why the hell would they want us to think?!
       concerning Heidegger:
the problem is not that we're not thinking -
the solution is that we're narrating and have
no urge to write books, and thank god for that!
               or man, as the pentagram of the senses,
reversed into thought as the sixth sense calamity
and reversed back as that sense missing
and the tetra exemplified...
         when learning what is the weakest point,
the audio or the optic-receptive stimulation?
                         i mean, the senses over accuse
thought's complexity as if it were a sense akin
to them, hence the suggestion nonsense;
well of course, thought is actually non-sensory -
     i just suggested that when thinking
i'm not polarising any of the penta -
         i'm suggesting that when thinking i'm
invoking the tetra - as if blind or deaf -
but that means i'm deviating from the superstition
that a sixth correlative mediatory balance exists
between the two dichotomies -
                            the senses will always treat
obscure thinking as if obscure narratives:
even though i know how much a price of bread
costs in the 21st century -
                              what i'm saying is that
the nonsense assertion is also true for the other:
not having had the chance to polarise one
of its senses to point toward the artefact use of
wh
Fifteen inches LCD
Electronic mouse
And bunch of scratches of sheets.

There were roof lines
Valleys and ridges
Encircling the overlapping layers
Some are frozen, some are hidden.

Estimation and calculation
Uttering numbers
With various actions.

3D walls
Inserting commands
Subtracting openings
Including doors and windows.

The formula was easy
To multiply and subdivide
Real aesthetical features
Future renovation
For firm edification.

(6/30/14 @xirlleelang)
Would you tell me how you feel

Would you touch me and be real

Would you move your hand below

Would you move it nice and slow



Would you go down and lick

Would you let your tongue flick

Would you swallow it whole

Would you taste it flow



Would you want to be on top

Would you move and never stop

Would you feel me deep inside

Would you let me come and slide



Would you want us to overload

Would you allow me to explode

Would you let me stay in there

Would you, would you dare
CRAZY DAISY Jun 2016
Touch my heart
with your starry sky
and wrap me
in your velvet black
the cries of the wicked
singing at our feet
hoping for scraps
from the holy table
beat them down
with your
righteous hand
and hold fast
to the original beliefs
dip me in your
cosmic fluid
letting it
refresh my soul
as you sit perched
to strike
any who defy you
and blame it on
a simple brain overload
Nigel Morgan Apr 2013
As he walked through the maze of streets from the tube station he wondered just how long it had been since he had last visited this tall red-bricked house. For so many years it had been for him a pied à terre. Those years when the care of infant children dominated his days, when coming up to London for 48 hours seemed such a relief, an escape from the daily round that small people demand. Since his first visits twenty years ago the area bristled with new enterprise. An abandoned Victorian hospital had been turned into expensive apartments; small enterprising businesses had taken over what had been residential property of the pre-war years. Looking up he was conscious of imaginative conversions of roof and loft spaces. What had seemed a wide-ranging community of ages and incomes appeared to have disappeared. Only the Middle Eastern corner shops and restaurants gave back to the area something of its former character: a place where people worked and lived.

It was a tall thin house on four floors. Two rooms at most of each floor, but of a good-size. The ground floor was her London workshop, but as always the blinds were down. In fact, he realised, he’d never been invited into her working space. Over the years she’d come to the door a few times, but like many artists and craftspeople he knew, she fiercely guarded her working space. The door to her studio was never left open as he passed through the hallway to climb the three flights of stairs to her husband’s domain. There was never a chance of the barest peek inside.

Today, she was in New York, and from outside the front door he could hear her husband descend from his fourth floor eyrie. The door was flung open and they greeted each other with the fervour of a long absence of friends. It had been a long time, really too long. Their lives had changed inexplicably. One, living almost permanently in that Italian marvel of waterways and sea-reflected light, the other, still in the drab West Yorkshire city from where their first acquaintance had begun from an email correspondence.

They had far too much to say to one another - on a hundred subjects. Of course the current project dominated, but as coffee (and a bowl of figs and mandarin oranges) was arranged, and they had moved almost immediately he arrived in the attic studio to the minimalist kitchen two floors below, questions were thrown out about partners and children, his activities, and sadly, his recent illness (the stairs had seemed much steeper than he remembered and he was a little breathless when he reached the top). As a guest he answered with a brevity that surprised him. Usually he found such questions needed roundabout answers to feel satisfactory - but he was learning to answer more directly, and being brief, suddenly thought of her and her always-direct questions. She wanted to know something, get something straight, so she asked  - straight - with no ‘going about things’ first. He wanted to get on with the business at hand, the business that preoccupied him, almost to the exclusion of everything else, for the last two days.

When they were settled in what was J’s working space ten years ago now he was immediately conscious that although the custom-made furniture had remained the Yamaha MIDI grand piano and the rack of samplers were elsewhere, along with most of the scores and books. The vast collection of CDs was still there, and so too the pictures and photographs. But there was one painting that was new to this attic room, a Cézanne. He was taken aback for a moment because it looked so like the real thing he’d seen in a museum just weeks before. He thought of the film Notting Hill when William Thacker questions the provenance of the Chagall ‘violin-playing goat’. The size of this Cézanne seemed accurate and it was placed in a similar rather ornate frame to what he knew had framed the museum original. It was placed on right-hand wall as he had entered the room, but some way from the pair of windows that ran almost the length of this studio. The view across the rooftops took in the Tower of London, a mile or so distant. If he turned the office chair in which he was sitting just slightly he could see it easily whilst still paying attention to J. The painting’s play of colours and composition compelled him to stare, as if he had never seen the painting before. But he had, and he remembered that his first sight of it had marked his memory.

He had been alone. He had arrived at the gallery just 15 minutes before it was due to close for the day.  He’d been told about this wonderful must-see octagonal room where around the walls you could view a particularly fine and comprehensive collection of Impressionist paintings. All the great artists were represented. One of Van Gogh’s many Olive Trees, two studies of domestic interiors by Vuillard, some dancing Degas, two magnificent Gaugins, a Seurat field of flowers, a Singer-Sergeant portrait, two Monets - one of a pair of haystacks in a blaze of high-summer light. He had been able to stay in that room just 10 minutes before he was politely asked to leave by an overweight attendant, but afterwards it was as if he knew the contents intimately. But of all these treasures it was Les Grands Arbres by Cézanne that had captured his imagination. He was to find it later and inevitably on the Internet and had it printed and pinned to his notice board. He consulted his own book of Cézanne’s letters and discovered it was a late work and one of several of the same scene. This version, it was said, was unfinished. He disagreed. Those unpainted patches he’d interpreted as pools of dappled light, and no expert was going to convince him otherwise! And here it was again. In an attic studio J. only frequented occasionally when necessity brought him to London.

When the coffee and fruit had been consumed it was time to eat more substantially, for he knew they would work late into the night, despite a whole day tomorrow to be given over to their discussions. J. was full of nervous energy and during the walk to a nearby Iraqi restaurant didn’t waver in his flow of conversation about the project. It was as though he knew he must eat, but no longer had the patience to take the kind of necessary break having a meal offered. His guest, his old friend, his now-being-consulted expert and former associate, was beginning to reel from the overload of ‘difficulties’ that were being put before him. In fact, he was already close to suggesting that it would be in J’s interest if, when they returned to the attic studio, they agreed to draw up an agenda for tomorrow so there could be some semblance of order to their discussions. He found himself wishing for her presence at the meal, her calm lovely smile he knew would charm J. out of his focused self and lighten the rush and tension that infused their current dialogue. But she was elsewhere, at home with her children and her own and many preoccupations, though it was easy to imagine how much, at least for a little while, she might enjoy meeting someone new, someone she’d heard much about, someone really rather exotic and (it must be said) commanding and handsome. He would probably charm her as much as he knew she would charm J.

J. was all and more beyond his guest’s thought-description. He had an intensity and a confidence that came from being in company with intense, confident and, it had to be said, very wealthy individuals. His origins, his beginnings his guest and old friend could only guess at, because they’d never discussed it. The time was probably past for such questions. But his guest had his own ideas, he surmised from a chanced remark that his roots were not amongst the affluent. He had been a free-jazz musician from Poland who’d made waves in the German jazz scene and married the daughter of an arts journalist who happened to be the wife of the CEO of a seriously significant media empire. This happy association enabled him to get off the road and devote himself to educating himself as a composer of avant-garde art music - which he desired and which he had achieved. His guest remembered J’s passion for the music of Luigi Nono (curiously, a former resident of the city in which J. now lived) and Helmut Lachenmann, then hardly known in the UK. J. was already composing, and with an infinite slowness and care that his guest marvelled at. He was painstakingly creating intricate and timbrally experimental string quartets as well as devising music for theatre and experimental film. But over the past fifteen years J. had become increasingly more obsessed with devising software from which his musical ideas might emanate. And it had been to his guest that, all that time ago, J. had turned to find a generous guide into this world of algorithms and complex mathematics, a composer himself who had already been seduced by the promise of new musical fields of possibility that desktop computer technology offered.

In so many ways, when it came to the hard edge of devising solutions to the digital generation of music, J. was now leagues ahead of his former tutor, whose skills in this area were once in the ascendant but had declined in inverse proportion to J’s, as he wished to spend more time composing and less time investigating the means through which he might compose. So the guest was acting now as a kind of Devil’s Advocate, able to ask those awkward disarming questions creative people don’t wish to hear too loudly and too often.

And so it turned out during the next few hours as J. got out some expensive cigars and brandy, which his guest, inhabiting a different body seemingly, now declined in favour of bottled water and dry biscuits. His guest, who had been up since 5.0am, finally suggested that, if he was to be any use on the morrow, bed was necessary. But when he got in amongst the Egyptian cotton sheets and the goose down duvet, sleep was impossible. He tried thinking of her, their last walk together by the sea, breakfast à deux before he left, other things that seemed beautiful and tender by turn . . . But it was no good. He wouldn’t sleep.

The house could have been as silent as the excellent double-glazing allowed. Only the windows of the attic studio next door to his bedroom were open to the night, to clear the room of the smoke of several cigars. He was conscious of that continuous flow of traffic and machine noise that he knew would only subside for a brief hour or so around 4.0am. So he went into the studio and pulled up a chair in front of the painting by Cézanne, in front of this painting of a woodland scene. There were two intertwining arboreal forms, trees of course, but their trunks and branches appeared to suggest the kind of cubist shapes he recognized from Braque. These two forms pulled the viewer towards a single slim and more distant tree backlit by sunlight of a late afternoon. There was a suggestion, in the further distance, of the shapes of the hills and mountains that had so preoccupied the artist. But in the foreground, there on the floor of this woodland glade, were all the colours of autumn set against the still greens of summer. It seemed wholly wrong, yet wholly right. It was as comforting and restful a painting as he could ever remember viewing. Even if he shut his eyes he could wander about the picture in sheer delight. And now he focused on the play of brush strokes of this painting in oils, the way the edge and border of one colour touched against another. Surprisingly, imagined sounds of this woodland scene entered his reverie - a late afternoon in a late summer not yet autumn. He was Olivier Messiaen en vacances with his perpetual notebook recording the magical birdsong in this luminous place. Here, even in this reproduction, lay the joy of entering into a painting. Jeanette Winterson’s plea to look at length at paintings, and then look again passed through his thoughts. How right that seemed. How very difficult to achieve. But that night he sat comfortably in J’s attic and let Cézanne deliver the artist’s promise of a world beyond nature, a world that is not about constant change and tension, but rests in a stillness all its own.
Jennifer Dyann Aug 2010
A thought in the mind with an intuition of the soul.
Why?
Why do we write?
What we write.
When we write.
The cause.
The emotion.
The start of it all.
A large door backed up with emerging traffic.
Are you wanting to let others through?
Revealing your mind,
Your ultimate motive.

Was it euphoria?
That feeling when nothing made you feel higher.
No person or thing could take you down from your throne.
For one moment in time you could pass on that stimulation.
By bringing together, pen and paper,
You've began--
No turning back now.
Your mind-set back to that very moment.

Was it anger?
That feeling when nothing has made you feel so irate.
You've reached your boiling point,
Red with fury.
Your brow out of alignment.
Your utensil lashing out on paper as if it were your own mouth.
Screaming to the world at the top of your lungs.
If only they knew.

Was it nervousness?
That feeling when you just want to crawl up in a ball and die,
Hide back in your little corner.
Just writing about it sends beads of sweat down your forehead.
The time the whole world has eyes on you when your fearful eyes are so very blank.

Was it anticipation?
That feeling when you've almost reached the peak of the plot.
You know it's coming.
Chills are sent down your spine,
Wanting to share this excitement with everone surrounding you.

Was it sadness?
The sorrow, pain, and suffering.
You weep and want others to feel as if they were right there with you.
To build a lasting compassion.
To gain a sense of struggle,
A sense of not knowing if it will ever get better.
To feel for you.
Finding the reason for that long face through your writing.

Was it the kind action of lending a hand?
Through your thoughts,
Your voice on paper.
To touch lives.
To embrace a being without a single touch.
To listen without any attention.
To comfort without showing your physical affection.
That passion.
That motivation.
That satisfaction of someone coming up to you and saying, "Thank you."

Was it your mind purely running wild?
Story after story.
Thought after thought.
Creating characters by the hour.
Minute.
Second.
Its racing had reached no end.
One solution,
Slabbing it all on paper.
Who else to listen, but an audience.
Too many thoughs and ideas to keep inside.
Cerebral overload.

Was it simply an experience?
Yearning for the reader to be right there beside you,
At that very moment in time,
At that place,
With that person,
Saying those things,
With that look upon their face.
That feeling,
In your gut,
With that person,
At that place,
At that moment in time.

Was it knowledge?
To inform the reader possible facts.
Statistics.
Dates.
Times.
Your background.
How you became a writer.

The motivation.
The incentive.
That gut-wrenching feeling,
Deep inside of you,
Screaming to get out.
Pounding the walls of your mind to escape,
To let others in.

What you write.
When you write.
Why you write.
Why?
A thought in your mind with an intuition of your soul.
Mateuš Conrad Jan 2017
i can't believe i came across this today,
but i am certain did...
   an experience so vague i couldn't believe,
i actually experienced dyslexia,
call it quasi call it pseduo... but it was very
much akin... from the book's narrative...
but not from the footnotes, i read the footnotes
at perfect cognitive speed, but perhaps
returning to the narrative i did experience
a slack of the + (add) of how words are
dissected and quickly put back together...
  yes, that other arithmetic with very little
breathing room, yes, that thing without
a soul... the word... or god...
    i turned custard brain, fudge...
     i felt like watching the gymnastics at
the para-olympics... and if i was going for a cheap
joke / english black humor i'd probably
laugh at that... but since this is the most
perfect ideal, i can't only make that comparison.

and so it was, i sat there doing nothing productive,
nothing... counting sheep to encourage
day-dreaming...
       so i said: 'i'll read a book', like i might do
on the whim in my grandparent's house
(one of the many reasons i decided to be "canadian" -
and establish a firm belief in bilingualism -
since if i didn't speak the tribal tongue
i wouldn't be rummaging in my grandfather's
library... and stealing books from him...
  well, exporting them to england, where he said
on my last visit: your library is bigger than
mine, isn't? well... it can fill a double-bed
   and be stacked at about 300cm up...)
    maybe the fact that being immersed in the tribe:
polish on the radio, on the television,
the fact that i can be without the internet for
weeks on end and have no quick-canvas outlet for
my earned tongue is the reason i could read
Kraszewski's* Dei Ira / bozy gniew / god's wrath...
    (there is too much subtle differences between
capital iota and little-town lambda -
   or why iota had to have the dot above it, anyway) -
so dei ira looks better... which is why i'm
not orthodox about using capital instances all the time...
   what a whirlwind...
         but prior to that i was watching
a david jacoby film - love is the devil: study for
a portrait by francis bacon...
                                         and all i could think of:
what marvel, to have a **** shoved up your ***
and speak so beautifully...
  have such a vast array of narratives...
     i can only assume that experiencing **** ***
gives you the other man's **** shoved into
your mouth that acts like a tongue and speaks
      so many truths as could be possible,
as in Freudian dream: when a woman wears a hat...
a talking ****** on her head from slurping
at the vaginal grotto of another woman...
     such a marvel though, homosexuality, esp.
the type of homosexuality that has art to express
rather than a civil partnership, civil rights...
  i mean, i could watch this stuff for days and never
yawn or need to watch protests and marches...
  just the image of what is best described
   john william waterhouse's
   painting hypnos and thanatos...
      i can't help but see it like that...
         francis plays the female role, his model the evident
dominant male... and sure, francis having his
**** punctured for what could be best described
as diarhhea either side of the equator does so...
it's as if he is eloquent enough / intelligent to allow
this to happen, for another man to speak through
him somehow... the model's phallus in francis' ****
becomes the model's tongue in francis' mouth...
    which becomes the stage for hypnos and thanatos...
in that francis' tongue becomes a phallus in
the mind of the model: and it whispers him nightmares
in his sleep... a vicious cycle indeed...
           that's the homosexuality that's highly regarded
by me, not the confetti functional type that
    exploits science and social norms and can no longer
lend itself to art, to transcending the taboo...
      with homosexuality divorced from art...
i can't see anything profound by gays from now on...
i really can't... if there is no art in this deviant
love, no art is worth being expressed by this
once glorious realm that has grovelled into the gutter...
so let's start once more: with Onan!

and everyday i awake wake with only one identifiable
fear: will i not write a single verse as of today?
it's not a case of a single day encapsulating my
fear, but that that crux day: furthered into a silence
that can't compensate the act of writing with
anything, other than sleep... i just can't seem
to smarten up concerning this very rational phobia...
    and having said that: here is the incision mark
denoting an interlude, and how: what are originally
intended to be of enso quality, cannot
   stand up to the biological tick-tock of needing
the loo...
     and do i think o'keefe's music foundation
by children is so much better than the original
done by tool concerning the song forty six & two?
yes, yes i do... just look at the kid on the bass guitar,
the fact that bass guitar is allowed to state a layer
of cake just above drums to set the rhythm
means the rhythm guitar doesn't have to solipsistic
******* and scale the everest of solo...
   it can remain in the rhythm section,
actually be worth a rhythm,
   the guitar doesn't need to overload into a solo...
the vocals belong to that domain...
   as long as the bass guitar is allowed to be heard
(unlike in metallica) - then i must be tone deaf!
revise me!
                    jazz knew the importance of every instrument,
and the need to be spontaneous, but also
the need to be anti-synchronisation,
  and therefore anti-muddle tsunami of:
all together now!
            n'ah, **** that **** (yes, the Vulgate is
coming along, i like the pooch, i don't care what things
i might say, the rude growl-bark is coming along:
so we can admire him licking his *****, and for no
other reason he's coming):
as in the birth of sexes... which the animals don't
seem to comprehend that much intently...
                 i can't like my ******* or **** one off...
but i know i can abstract a woman into
a hand and just pretend it's me doing the ****
crap with her... than myself included,
   or as i might add: never drink or *******
before the mirror... soon enough your reflection
becomes a bit odd, not because of what you do,
but because you hide so much perplexity before
you in Lucifer's daylight with which
  the moon Narcissus governs the moods...
that you start to look at your actual shadow
   with more clarity and fact...
  looking in the mirror is the reverse of looking
at your shadow under a street-lamp at night...
the mirror sort of becomes a shadow...
             the form becomes a bit (ha ha, what
an exagerration) vague... i look into
a mirror and i am but looking into shadow...
                   and i can't exactly recognise the eyes,
or make our geometric approximations
of a skull...
                      it's not even a case of a poor Yorrick
blah blah.
    or as the new governing body put it:
there are to be no mirrors contained within
the gates of Pandemonium...
        each to his own shadow, each to his own abstract...
   for the shadow will be deemed the new mirror...
   the new found glacier of, yes:
when salt water freezes, comes pure white floating
on the oceans... but must you freeze fresh water
and there's this matrix...
as in icecubes...
       dropping from a vendor machine...
and i knew i shouldn't have digressed so much,
but then again, if there was no ****** tick-tock
       rebellion, i probably wouldn't have revealed this much...
with ancient lore...
    who'd use the word Pandemonium these days,
if you're merely trying to call it: the Houses of Westminster...
well sure, accusation due: i prefer
a bunch of kids feeding me a nostalgia over a song
i heard aged 14... such is the power of the song 46 & 2
done to a... wait wait...
  i was talking about bass guitars and jazz...
(i could never get to like rap...
            i liked when the blacks deconstructed classical
music, but they did after: i'll never like,
mainly people of blackies and that general fanfare
of rap feeding tribalism) -
          the greatest aspect of jazz:
that on some recordings there's a chance to hear all
the instruments having a solo moment...
you'll hear a quintent solo:
  the piano, the drum, the saxophone, the horn,
the double-bass solo... each doing a solo...
not some erectile dysfunction of rock music from the 1980s...
i mean: each one will do a solo...
  and **** me, that's grand... and given there's no vocals
makes it all the better... but where, the ****, can i hear
jazz music being kept with such high regard as i
might find mozart pickled and even mummified
     to suddenly rise again and compose like i might hear
it on classical.fm... maybe acid jazz killed it...
   i can't seem to hear of one place where i can hear
the range of jazz music i have in my collection...
which probably mean's i'm lazy and don't fiddle about
with the radio fm and am channels... to "look" for jazz...
  i'm all applause though: jazz allowed for
deconstruction of classical music and paved the way
for the current state of polyphony in plateau...
    meaning: too much drum, too much ump-pst-ump-pst...
   jazz paved the wsay from orchestra,
   and yes, maybe because it was too impromptu
as it was necessary, that there was no jazz composer...
  there could have been no jazz script... no pre
           to what was otherwise alway and only: uno...
a once...
    sure Thelonious Monk did use an orchestra at some time...
  but if only someone decided to do a solipsism
and write out jazz like mozart wrote out
      concerto... but no... jazz descending from on high
and invoking african villages could never do to
its practitioners the deadly fate of breeding a jazz
composer...
                   it was the communal idea, the musketeer
unus pro omnibus, omnes pro uno:
   you could never allow a silent dictator like
a mozart dictating to a throng of people contained
within an orchestra... which later made the once
silent dictators very very vocal... speeches in Munich
alike...
           the fact that jazz has no script,
and the fact that if someone tries to play a Miles Davis
from script... is completely an ***...
     put him on a donkey (backwards)
                     donning a sanbenito and lynch him
to the nearest traffic junction to **** louder than
a car klaxon... that will do the trick...
       they did bother to script led zeppelin though...
    maybe it was the stiff competition that did it:
jazz. airy... breezy... but what a quick moment it was...
i'm almost jealous of the beat poets experimenting
with jazz musicians... but then i'm not:
i like to think of them as parasites...
   you know... those things feeding of spontaneity...
parasites... or dare i say: plagiarising leeches...
plagiarisng what? well, not the content, the context:
feeding of jazz spontaneity... not working from
old composers like Milton or Dante...
thank god for Ezra Pound and Sylvia Plath.

seems i have a ****** for a larynx...

perhaps i just seem to mean: i am a firm believer
in bilingualism... perhaps that's based on
some sort of religiosity,
    and let me tell you: it's born with
a schismatic nature, siamese, but not like a
siamese twin, in that it really needs a surgeon...
  it's a nucleus that's inherently schismatic...
i can't blame the english nation being
so lazy in its multicultural ethos,
i quiet like it: i don't live in a ghetto...
but forgetting my native tongue just so i could
sing a national anthem with conviction?
na'ah, that's not me...
            we'll come to Kraszewski's rex piast
in a minute, and it really was a genuine
experience of placebo dyslexia,
the one on the other side: should i have written
zilch...
      i believe in something quiet Canadian...
i don't believe in isolated communities,
   or ghetto tactic... i am a firm disciple of the advent
of bilingualism: forget the *** for just one day,
your genitals won't suddenly drop off with
gangrene scabs... you don't need a doctor
to say that...
                i mean: bilingualism as a concern
for incorporated culture, and the culture you were
born in... why can't these people just care to juggle
three testicles?
                   oh, elaphantisis got in the way...
sure, two oranges and a watermelon: makes sense...
no!
      have mutual respect, you come to me sprechen
Piast i'll speak Piast to you...
   well: given that polish and polish aren't that far apart,
i'd feel inclined to utilise
           idiosyncratic lingo...
   lingua genesis...
                children are so much easier to utilise than
angels: they have yet to experience anything at all
on the Socratic basis...
            so if i talk Piast to me, you will know what
i'm talking about?
     it doesn't matter if you do... i chose to be
a library, rather than an encyclopoedia of immigrants...
    there's not need to test me on general knowledge:
the stuff i "know" already gives me membrane...
     i respect both the culture of my birth and the skin
i am sometimes told to make sure is called tattoo,
and what i see before me, and quiet frankly:
i see nothing before me... a turban here,
    a sausage & mash there, a pint of guinness there,
noodles elsewhere... all in all: globalisation
and the elements: earthquakes... torandos...
   there isn't much to see in a poly-ethnic society...
there are too many major changes taking place
in a pyramid of non-ethnic ascriptive
         non-this-and-that pawns...
  it's not even painful: just a bit disgusting to watch...
  and yes i have access to a voult of monochromatic
society:
   you know how many ethnic minorities i spotted
in a train station in Warsaw? three...
two asians and one black woman...
              i haven't experienced the cold winters in Poland:
but i knew there was a limit...
         only about three apaches in a crowd of
albinos... which doesn't translate as:
    i was somehow content, it just meant
that most signs in Warsaw are written with a bilingual
bridge of Polish... and Ukranian Cyrillic...
plenty of Ukranian Mecca-bandits, for sure,
     but that's the end of the line with what
western Europe is doing to itself...
        every time i come back from Poland
i'm smeared with a rainbow of variety,
   it's either: i want to **** all these girlies
or i want to **** them... mostly the former,
  but you get the picture of experiencing the alternative
of the western experiment: since marxist economy
was "doomed" or simply expected to fail...
the economy finally seems reasonable with safety
for the old and the pension plans...
that marxist-culturalism had to emerge... if we are not
on the same dough plan of being content with a table and
a chair: might as well say we're all prone to don
a ******* afro.
                ***** are naturally curly, no?
going back "home" is always a weird experience, i tend
to read books there... like Kraszewski (who,
even the locals **** as being an unbearable bore
and joke that Joyce is easier read)... with his dei ire...
my grandfather just dropped it into my hands
as an experiment, thinking i wouldn't read it...
    well, in terms of translation Kraszewski is a myth-broker...
no one would read him,
  meaning: i'm kind of grateful that poles
seem to sorta: not exist, when it comes to citing examples
that include modernity and the history being
formed... i could sorta believe it if i were Estonian
or Lithuanian, or from Liechtenstein...
          but we're talking about a place with a large
enough population to be a major player in some
wordly conflict... Poland isn't that small...
    but yet it appears like it appeared from
the 18th century onwards... a state partitioned...
    and what i love about remaining tactifully bilingual?
i can talk about my native in a "colonial" tongue...
hence the " " definition: self-acquired...
             that's why i became spastic-fantastic reading
Kraszewski's rex piast - nothing came in,
i lost all trace of syllable construction, i read the books
so slowly i had one page done in about 10 minutes:
prolonging my musing of world powers, thrones
and crowns on a toilet...
        *******... another interlude.

can anyone see the, dodo project? i really just see a dodo project, yes: eine dodo projekt... i'm white, i'm male: can i be allowed to express these nouns in a pronoun, or am i schizophrenic prone? it seems i c
Andie Lately Dec 2011
Colors flood my vision
Sounds unimaginable
Achieving pleasure and pain
The world is spinning around
To the sound of music
Flashing lights give way
In a trance
Feeling the intensity of the spectrum
Immobilized
Sound waves pounding
Laying in a pool of color
Dazzled by the sound and color
Enchanted by its deliverance
Encompassed by neon lights
Ravaged by the beats
Overwhelmed
ConnectHook Sep 2015
۞  ۞  ۞  ۞  ۞  ۞  ۞  ۞  ۞  ۞  ۞    

When the Mahdi returns to smite Dajjal,
When the Antichrist in his temple of lies
is vanquished by lightning from God’s black skies
as the shuddering stars blink, waver and fall,
When JAH Rastafari, Lord Jesus (and Paul)
With Isaac and Ismael – even Jibril
Cash in on redemption and pay up the bill
(no longer in discord, but harmonized all) –
When the Jinn (and the tonik) have thrown in the towel
as libations are served by the Heavenly Host,
while Apollyon’s watchdog combusts with a howl
and the demons and dhimmicrats give up the ghost –
only then shall we learn not to entertain doubt.
But until that apocalypse: **vote the clowns out !
The signs of the arrival of Dajjal are emerging:
جن لوگوں نے دجال کے بارے میں پڑھا ہے انکے لئے یہ جاننا آسان ہے کہ دجال کا پورا سسٹم تیار ہو چکا ہے.
انکو لیڈ کریں گے اور زلزے جو آرہے ہیں موسم بدل رہا ہے یہ سب حدیثوں میں آچکا ہے۔ پاکستان میں سیلاب اور زلزلہ ڈینگی یہ سب اسی کا ایک حصہ ہے

۞  ۩  ۞
dare you to listen to THIS:
https://www.youtube.com/watch?v=6lww3LftQaw
“One of the effects of living with electronic information is that we live habitually in a state of information overload.”                                                      
                                                                                      Marshall McLuhan
So, let’s review:
Man is a thinking animal.
Stanley Kubrick took us to space to get us to think.
Marshall McLuhan:  “There are no passengers on spaceship earth. We are all crew.”
Hemetucky: what was I thinking?
The Rapture for the 1%:   The Language of the World and The Language of Enthusiasm explains why Sir Richard  Branson’s ****** Galactic will only be taking the richest among us to space.
Ian (Limey Futurologist) Pearson:  “Binary is already the dominant language on Planet Earth with today’s machines having more conversations in 24 hours than the whole of humankind since the birth of Eve.”
Larry Flynt:  “**** is the answer to everything.”
Goofy:  “Yeah, I ****** Minnie. I shagged her rotten, baby!”  
Winston Smith:  “Do it to Julia!”
McNugget Buddies:   “Parts is parts.”                                          
Stunod: “Donuts-a -spella backwards issa stunod.” Think about it.
Tony Soprano.  “You ****** stunod, it's a joke.” (Stunod:  in southern dialect Italian means stupid, or a stupid person) http://(www.urbandictionary.com) define.php?term = stunod  / buy stunod mugs & shirts
Marshall McLuhan:    “Jokes are grievances.”
Mike “The Situation” Sorrentino:  “Antonio Gramsci thought that Stalin and Bolshevism could save him and Italy from Fascism:  stunod.”
The Cloud:  My acceptance of the Cloud into my life and my changeling cyborg self is by no means a capitulation to the surfing life.
Paulo Coehlo:  “The God you seek; that someone who awaits you is you.”
Howard Beale:  “That’s the God *******.”
God:   “Because you’re on television, stunod!”
The Elders of Zion:  Nu?
Meir Kahane:  “Let us not suffer from a national amnesia that causes us to forget who and what we are. No trait is more justified than revenge in the right time and place. I know that American and Israeli elections must be limited only to those who understand that the Arabs are the deadly enemy of the Jewish state, who would bring on us a slow Auschwitz - not with gas, but with knives and hatchets. Vote for Newt!”

**** Jagger:    “Get Yer Ya-Ya's Out” (40th Anniversary Edition, Rolling Stones)
Keith Richards +Fijian palm tree = Stunod.  
Marshall McLuhan:   “The more the data banks record about each of us, the less we exist.”    
Howard Beale: “If there's anybody out there that can look around this demented slaughterhouse of a world we live in and tell me that man is a noble creature, believe me: That man is not only full of *******, that man is  stunod.”
The Nam, Part I:   a demented slaughterhouse within a microcosm and grains of beach sand inside micro-Cosmo Kramer’s shorts. When I was in the Kingdom of The Nam I was always under the influence of some drug, mostly my own pure adrenaline when scared shitless--a frequent condition for me—not only my own piquant adrenal juice but other stuff like ****, hash, Thai stick, *****, amphetamines, H-Horse ******, quaaludes, horse tranquilizers and Russian *****. The drugs were always a welcome and needed friend, a respite from the horrors of war in Southeast Asia. To meditate & levitate, to transmigrate & navigate, to negotiate & regurgitate myself, I needed a head start if I was going to SLIDE through what would be called a wormhole today, making a three-dimensional movement between different parallel universes, a conquest of time and space. Cue our favorite narrator:
Rod Serling:  “You unlock this door with the key of imagination. Beyond it is another dimension--a dimension of sound, a dimension of sight, a dimension of mind. You're moving into a land of both shadow and substance, of things and ideas. You've just crossed over into the Twilight Zone.”
WWII, Part I:  A slider now, I SLIDE to my father’s war—the War in Europe in the years before V.E. Day, May 8, 1945. Suddenly I’m flipped right out of the jungle to Germania, to Deutschland in the winter of 1945. I am a P.O.W. of the Germans, sent out into the economy as slave labor. It’s February in Dresden, Germany, the Baroque capital of the German state of Saxony, the city called lovingly by her (****!) many lovers: “The Florence of the Elbe.” It was a long time ago, during the war and I Survived to Tell the Tale. I am a wet floppy Kilgore Trout; I’ve flopped right out of the Twilight Zone into what appears to be an underground meat locker in Dresden. There are animal carcasses hanging from the ceiling and the building is known as Slaughterhouse Number 5. I am a lucky ******* because even though I don’t know it yet, I’m in the safest place in the entire city. Cue the Bombing of Dresden, a strategic military bombing by the British Royal Air Force (RAF) and the United States Army Air Force (USAAF).  In four raids, 1,300 heavy bombers dropped more than 3,900 tons of high-explosive bombs and incendiary devices on Dresden. The resulting firestorm destroyed 15 square miles (39 square kilometers) of the city centre and killed many thousands, according to **** figures-- largely discredited by the victors who not only get the spoils but get to spin the history any which way but loose. Casualty figures were 200,000 and death toll estimates went as high as 500,000. Or maybe just 25,000 total, if you believe the ******* Anglo-American valkyries who unleashed the wrath of Khan’s Smoking Joe’s Barbecue Ribs and Hotlinks. Win a war, get a medal and a seat in Congress, maybe the White House; lose a war, get indicted. You’re going to Nuremberg, pilgrim, or the ******* Hague.
Kurt Vonnegut: “World War II was over and I was standing in the middle of Times Square with a Purple Heart on and a purple hard-on.”
Colonel Kurtz:  “We fight for the land that's under our feet, the gold that's in our hands, women that worship the power in our *****.  I summon fire from the sky. Do you know what it is to be a white man who can summon fire from the sky? ...What it means? You can live and die for these things, not silly ideals that are always betrayed  . . . I swallowed a bug. Who are you, captain?”
Willard:   “Please allow me to introduce myself, I'm a man of wealth and taste. I've been around for a long long year, stolen many man's soul and faith. Stuck around St. Petersburg when I saw it was a time for a change. Killed the Tsar and his ministers, Anastasia screamed in vain. I rode a tank, held a gen'rals rank when the blitzkrieg raged and the bodies stank. Pleased to meet you, hope you guess my name.”  
WWII, Part II:  The bombing of Dresden had to have been some kind of a violation of some International Code or Geneva Convention. But, of course, the bombers, the Victors, ran the Nuremberg show trials. The bombees didn’t get a chance to say much, didn’t want to make a fuss, seeing how generous the Army of Occupation was with their coal, gasoline, clothing and food handouts. But I was there when it was safe to climb out of the meat locker, and immediately got put to work on the après les bombes clean-up. I was there doing the ***** work, a corpse miner, tasked with collecting the fried grasshopper remains of so many unlucky Krauts who were simply burned alive, like heretics at the Inquisition. So it goes.
William Tecumseh Sherman: “War is Hell, Babaloo!”
Colonel Kilgore: “You can either surf, or you can fight!”
Sam Bottoms: “I dropped a tab of acid at the Do-Long Bridge, so I think I’ll surf for awhile: ‘I see a world in a grain of sand, and a heaven in a wild flower, Hold infinity in the palm of your hand, And eternity in an hour.’ Reading Blake: for years it was the only way I could block out the war, that and losing myself in a bunch of undercover assignments. Yeah, it was William Blake, I-Spy and lots more acid; that how I dealt with PTSD.”
The Nam, Part II, LT DAN:  “Good job, trooper; those ******* drugs got you coming and going, sliding so fast you’ve missed latrine duty 3 times this month. Now go get 5 gallons of diesel fuel and gasoline, mix it together and torch that ******* feces, soldier.”
** Chi Minh:  “This ain't no party, this ain't no disco, this ain't no fooling around.”
***** Friedman:   “The Democrats and Republicans are the same guy admiring himself in the mirror.”

Muhammad Hosni El Sayed Mubarak:   “Vote for Pedro.”
Drew Gilpin Faust, Harvard:    “Fight Fiercely!”
Marshall McLuhan:    “I wouldn’t have seen it if I hadn’t believed it.”
The Author:   I am a disaffected angry old man, formerly a disaffected angry young man; a Hopi-Italian Jew with Chinese offspring, namely my left-brained son, a mathematical genius but having a tough time dealing with idiots, the many truly stunod people in the world.  Then there’s my Rose, my sweet King Lear-jet daughter, like her half-brother, not yet finished paying for my sins. My offspring are haunted, visited upon daily by their father’s  ghosts, ghosts created, ghosts hovering over me, from wars hot and cold and peace lukewarm and cloudy, like the uranium ground contamination on the mesa, visited upon mothers and infants  and children who seek only a glass of cool water from the spring not to be glow worms in the dark, leukocytes made insane by something in the water. My sins, a father’s sins; things I did to curry favor, to ingratiate and advance myself with the 1%, things I did to get ahead in life, to get what I thought my father and others in the ancestral slipstream had failed to get, twice to the Rabbi for a get (Hebrew: גט‎, plural gittin גיטין), to get the edge my kids need now, the edge I never had, and life reduced to an exercise in ultimate combat, little more than a cage fight, man against man and God against all. The things I did for money and position shame me now. And shame is a large  source of my anger.  I will remain angry. I will hang on to my anger at God and myself and all who have been disappointed in me, by me, especially the cavalcade of short-term caretakers, women used, abused, left behind and forgotten. Why am I me? Sometimes I think that’s the way I’m programmed. But it’s okay, like Gaga: “I'm beautiful in my way 'Cause God makes no mistakes I'm on the right track, baby I was born this way' Cause God makes no mistakes, I'm on the right track, baby, I was born this way and will I continue to surf the Cloud: even though God is dead and I don’t believe you, or me, or them.
Basic: remember Basic?

10   A IS FOR ANGER NEXT 20
20   START STEP TWO ANGER KUBLER-ROSS INFINITE LOOP
30   GOTO 10
10   A IS FOR ANGER NEXT 20
20   START STEP TWO ANGER KUBLER-ROSS INFINITE LOOP
30  GOTO 10
10   A IS FOR ANGER NEXT 20
20   START STEP TWO ANGER KUBLER-ROSS INFINITE LOOP
30 A IS FOR ANGER NEXT 30
30  GOTO 10 Ad infinitum
Ben May 2013
The Morning After Part I
What the hell have I done? It feels like my temples are about to explode and the early morning light burns my eyes. My shirt is missing and I’m curled up on my Lovesac. I glance to the left to see Alice is sprawled out on my air mattress. She looks drained, even while asleep, and I think that I probably look a lot worse. Last night… What happened last night? It’s all just a jumble, my memories out of order. It’s a flash of colors, sounds, feelings and sensations, a blur in my mind. It feels like a tilt-a-whirl of sensory overload and I kind of want to puke. Then, like a dam breaking, fragments of memories flood my mind in a sickening torrent, too much, too much. ****. It’s starting to come back and that’s not even remotely helping, just making it worse. I feel even more confused and all I can think is What Happened…?

Ok! Let’s Party!
a three am party a trip edge
a witching hour emprise time to begin
a black and white strip of paper so thin
it looked so harmless, inconspicuous, even then
five hits for me, four hits for you,
placed under our tongues, we expectantly raise
eyes round the dark room for a white rabbits maze
or floating cat ears and Cheshire grin
the seconds pass, then minutes do spin
nothing
nothing
nothing shifts or shapes, bends or breaks
we wander to seats, choose movie to play
Scott Pilgrim Vs. The World comes to life on screen in a blaze
and…

Trip # Cats Everywhere
“WE ARE *** BOB-OMB 1 2 3 4 - !”
cats are crawling slinking stalking
their eyes are glowing growing pulsing
and bodies moving sinuously serpentine
flowing round the corners of my eyes
fleeing from sight like shadowy wraiths
insubstantial  sensory stimulation
hallucination

Trip # ****** Coma
“WE ARE *** BOB-OMB 1 2 3 4!”
Haven’t I seen this before?...

ringing blue lightning flashes razor sharp quick
cutting my mind in jaw breaking half
gasping for air I lunge forward hard
and break into silence, stillness, calm.
you have to remember to breathe
when things get fuzzy or funny or anytime now
otherwise sanity slips like water through fingers
or like rabbits down tunnels
on time to lost minds and messy motor control
****** coma, giddy, ecstatic, inescapable, unrelenting

Trip # I’m Melting
“WE ARE *** BOB-OMB 1 2 3 4!”
Haven’t I seen this before?...

I have to **** but the whole world is breathing
standing and swaying every step an adventure
entranced by the swirly dripping dropping walls
i barely stay balanced though trousers do fall
relief, ahhh, glance down what the ****!?
maniacal laughter rings through the room
I’m melting I’m melting in big drops and small
being pulled ever downward but never disappearing
warm like candle wax, thick and viscous
I’m leaving a trail of me on the floor

Trip # Music
“WE ARE *** BOB-OMB 1 2 3 4!”
Haven’t I seen this before?...

complex strains of sounds by vibrations
subtly influence the mood in the room
emotions experienced changing by song
upbeat pulse lively down tempo drops dangerous
I can feel the sound envelope my soul
Alice enraptured marries the music
sitting on moment to swaying the next
pressed up against me, blink, appears on by wall
(don’t drink and drive, take acid and teleport)
this controlling cacophony swells then settles
an ocean unseen deciding the trip

Trip # Alone
“WE ARE *** BOB-OMB 1 2 3 4!”
Haven’t I seen this before?...

Alice embarks on adventure to leave
a trip to the restroom a momentous maze
breathe deep and hold, keep it together
I slip from this plane to a place so strange
the chair is moving and so is her hat
were they ever just objects or always alive
pink and white fur slithers up in answer
caressing my arms sensual depraved
the laughter returns ever occurring involuntary
in fast rolling eyes at madness do gaze
I cavort around with fluffy new friends
tumbling and squirming wiggly worming
the fun never ends the fun never ends
“are you ok?” – Alice inquires
back after minutes turned hours
“is this how it feels to know you’re insane”

Trip # ******
“WE ARE *** BOB-OMB 1 2 3 4!”
Haven’t I seen this before?...

the blurry lights shimmer in colorful haze
I swim towards the surface lost in a daze
“hush now hush now you’re ok”
“how long was I out for” a question…a phrase
“ten minutes this time” “it felt like days”
harder to come back, feels like I’m drowning in rain
blood mixes clear with needle in vein
and fading to black and fading to grey
the blurry lights shimmer in colorful haze
I swim towards the surface lost in a daze
“hush now hush now you’re ok”
“how long was I out for” a question…a phrase
“ten minutes this time” “it felt like days”
harder to come back, feels like I’m drowning in rain
blood mixes clear with needle in vein
and fading to black and fading to grey
the blurry lights shimmer in colorful haze
I swim towards the surface lost in a daze
“hush now hush now you’re ok”
“how long was I out for” a question…a phrase
“ten minutes this time” “it felt like days”
harder to come back, feels like I’m drowning in rain
blood mixes clear with needle in vein
and fading to black and fading to grey
“I haven’t slept in eight days”
a half muttered phrase
“what are you saying, it’s been 10 minutes”
alice mouths back with questioning gaze
fade to black

Trip # Telepathic
“WE ARE *** BOB-OMB 1 2 3 4!”
Haven’t I seen this before?...
“mhm yeah like what like yeah what”
“mhm like yeah like what oh what like yeah”
“mhm yeah like what oh **** like what huh oh what”
“mhm yeah like what oh yeah like what mhm ****”
mhm yeah **** like what oh mhm yeah what”
“wait what?”
“****”


Trip # Blue Gum Matrix
“WE ARE *** BOB-OMB 1 2 3 4!”
Haven’t I seen this before?...

bubbles bubbles popping in pink
filling my mouth with cotton clouds
sugary sweet deliciously soft
seducing my mind into boiling blue bliss
I don’t notice the binary program lurking through unconscious thought
uploading software for changing perception
the transition to fiction so seamless like silk
I’ve jacked into the system with every chew
it’s twothousandwhatever in metrohive Tokyo
the future is different yet still feels the same
Alice sits solitary in darkened apartment
with wires like web strung throughout the room
all tracing with tracers glowing in ambience a glistening path
to electrical heaven, a desktop computer
my visual sensors are booting and loading
with mechanical perfection clarity arrives
a robot, I robot, created as A.D.E.M.
(Artificially Developed Emotional eMulator)
or A **** Excellent Machine (self-titled)
I sit up and blink as synapses fire
electrical currents carried on nanobig wires
I go move towards alice and watch binary code scroll
plugged into the network a direct hacker helper
this job’s objectives flash ‘fore my face
“we’ve got a big heist, security’s tight”
the scene’s fading out, cameras pan to the night

Trip # In Which I See the Future
“WE ARE *** BOB-OMB 1 2 3 4!”
Haven’t I seen this before?...

Alice and I curl up as one
excessive I know on this excessive night
but excessively is as excessively done, the social norm
it’s experience together and not alone
that draws us closer to breathe in unison
a chance to express feeling in this
uncharted sensory undertaking
together hearts beat in arrhythmic understanding
a feeling of pleasure creeps down my spine
and spreads out in ripples turning to waves
crashing and breaking on the sweet shore of…
alone in the bathroom I reflect on actions
for minutes and hours and finally days
I watch myself age and age and go grey
tormented by thoughts of actions and actions
guilt like creeping mold consumes my visage
decrepit and wasted I stumble from chambers
to find five am clock arms right in my face…

The Morning After Part II**
****.
lysergic acid diethylamide.... an adventure every time
Emmy Jan 2014
Pause, panic, going insane
Sick feelings and chest pain
Sweaty palms and tired eyes
Can barely grip the pen
repeat
repeat no sinking in
Scream
scream inside to tell my brain quit thinking
Questions, sentences, numbers overload, overload I want to quit
Staring at pages, I scold myself to sit
Fight, battle and war till my brain is no more
Praying
praying to God to make it go away
Eating me whole
rush
rush don't stop, you'll never make it to the top
Paralysis
paralysis clenching my fists
They tell you no gain without pain, **** this I'm going insane
Shadows of failure, failure lurking in my mind
No, no stopping keep going
you're losing time
Perfection has a cost, your head is lost.
Hal Loyd Denton May 2013
They tell and show us about space debris this matter that freely floats in the vastness of space
There is a comparison to the inward being many emotional breezes come unannounced they
Live in these treasured sightings the wind undulating across the prairie grass it first is caught by
The eye then it is drawn down deep into the soul how much bigger and newer life it gets when
The great magnate of all life receives it invests in it truth value the outward being can never
Know take the common fire from a campfire the mystery rises from the crackle and the leaping
Flames no longer is it just chatter but it is soul talk produced in depths of wonder that emerge
At the surface level bestowing gold from common folds of life or the majestic views of
Mountain grandeur Vaulted sky
Shaded canyon breathtaking heights does the angry wind speak if so in a whisper the granite peaks austere and bleak seem to frown on the trees and lowly grass lands with their fertility and ease of growth. While he the monarch bristling with his cold barren armor of granite invites the stares the awe inspired gratitude of nature and mortal man he knows there dreams and thoughts how many have stood at the edge of wonder on his brow with fainted hearts. Their thoughts drift out and away ever upward reaching the clouds filled and clothed with mountain air brightly they are displayed in these untamable rays. Voices of the ancient ones still echo their wisdom still resounds in the summer thunder they visited and released many a tortured soul. Before Blind they stood before the closed door of their minds knowing there is a path but where can it be found. Riches unbound await the searcher who will go to any and all lengths to conquer unbelief freedom his guiding star he walks in great shadows. Mountainous men Jefferson Lincoln his stalwart companions stand with grandest stature takes from the mountain those teachings not found in musty universities. Thoughts born on creations morn formed and laid on this rocky foundation now for centuries they have bore the weight this colossus purified they are words more noble than gold. Share them invest them in the borderless world of human kind that circle the globe. Moses was familiar and consorted with mountains the angel made one his sepulcher. Waste not the golden hours they are the thread that sows life’s most exquisite moments together making a life. Turn aside seek the heights they will give you respect and honor words will flow that are uncommon they will fit any and all circumstances filling the empty void where hearts bleed without ceasing. Your voice will be like the cool mountain breeze soothing filled with substance and comfort
Is it molecular it is and so much more they tell us of the drive by shootings a wonderful place to
Draw this contrast is Los Angeles called the city of angels but the most beautiful is
Its Spanish interoperation Low hovering angels this loses if we say it but let a Mexican say it his
Inflection most perfect if he is saying it from love. Is there a seriousness here our blessing is not be in That crucible even New York is called the big apple but those in the know call it the volcano with all its Eruptions and pressures so does L A fall into this category in fact if you live on Pico Ave it’s a category Five tornado this is one of the most fought out streets in the turf war for space to sell the Bain to all Society drugs see the flame it consumes the guilty and the innocent view this common occurrence way To common how many small neighborhood chapels were filling with caskets instead of wedding Ceremonies look and listen a Mac Ten pistol grease gun thirty round capacity it has just started its Deadly chatter laying down a withering fire this isn’t battle ground conditions this is a neighborhood Strafing a car the widow’s blow out the shooter keeps the fire steady it starts plinking metal as it moves
To the front of the car off the car into a white small picked fence wood matching the spray of bullets as It Flies in all directions Chicago revisited instead of the Tommy gun chopper of probation you got a Crazed dope fiend punk without emotions the sight of fourteen year old Maria standing on the sidewalk Never registered or didn’t matter three red dots appeared on her bright blouse across her back the Center spot stopped her heart forever now these precious Spanish eyes closed never to  see her rightful Future instead of one day walking the Church isle in a wedding gown now she would lie in repose in White with the flowers not in a bouquet but neatly fixed in  her hair So robbed of youth and life her Budding life so filled with promise where angels hover yes this is the blackness the soul knows perpetrated by the evil one but
There exists a counter part to this evil the good gifts divinely wrought the walk by how many
Hearts have fallen to love by just the chance encounter of her loveliness just walking by you the
Hair flowing and glowing the face created in the throes of love and romantic overload
Spellbound was the creator what chance do you have a mere mortal we are not in casual
Observation the soul is processing this at deepest of levels magic is taken from theatrical
Surroundings to the open places of the heart and being of living two other places for instance
The sea shore a new vastness that overwhelms with delightful pleasure and promise

SeaThoughts

Oh stand thy great waters contained in thee is mirth and terror some you have beguiled and then
Have taken them to your depths of destruction but by your benevolence the sea breeze blows
Inland from this moisture rain is called from its dwelling place the earth is refreshed the tides
Have cosmic ties by gravity the lone solitary moon is entreated and responds one speaks if only
There was a love potion that I could give my beloved so she would respond to me favorably it
Can never be created it already exists go out into the mysterious night stand under a great tree its
Dark silhouette will be more bewitching than the days shade speak your heart as you do take her
Hand and stroll out into the moon beams that drew magic from the great waters as it passed over
Does not wonder advance in this light softer exquisite the hardness of life bows and retreats to
Wait the daylight hours where harshness has its intrepid way so it leaves you with the volumes’
Darkness of night every person desires excursions into intrigue shadows will touch your faces
As tender as the willow then the soft glare of the moons love the mind and heart as its signature
Equation that old crazy moon has moves that are centuries old that birth love every time romance
And her broadest throne follow and are attended by moon light to develop a relationship
Correctly don’t go to the artificial neon lights that are futile and tinged with wickedness but
Sea side strolls are the ultimate inducement a pure stimulus that thwarts the too often knotted
World that keeps everyone at odds with one another everyone knows a great deal of love and
Romance when they are younger to revisit those cherished memorable times that started your
Life of promise with your beloved is invaluable mature love needs to feel the saturation of sea
Breezes the moons ghostly sights will fill in deep shadows where hurts have collected they need
To be free so they can go back to the darkness that gave them life your lives shouldn’t be defined
by them But the deep calleth to the deep set sail for Trafalgar not to war with enemy ships but to
sign With tender’s hand a peace accord to stitch the soft fabric of love that life’s mean elements
can rend in this you will find the sea’s glory and the moons positive glow has become a true part
of your life it is time the spring of renewal is in the offing and it sways to love’s song this speaks
Of man and women’s love this speaks of God’s love they saw the works of the LORD, his wonderful deeds in the deep

Where God passes
The edge of forever where raw power is displayed
Walk the seascapes enter the story told in timelessness except for outer space it is the only place where man finds his mind freed so steep is the unending awe that without question he finally is able to present his self as the tiny speck lost is all ego all self importance he is open to the quest for ultimate truth. You perfect you’re thinking at the sea shore it is a storehouse that lends itself to grand thoughts no limitations hamper your endeavors aliveness engulfs you totally. Subdued moods excavate every shallow you start a down ward decent the deep cries out to your soul the part that never can be accessed on shore. The ground a foundation for raising up temporal structures your needs are served in waters that open as a mysterious gate the deeper the fathoms the more understanding is released. To abide in calm surface features of the sea what a waste take off the restraints become a voyager drift with churning twisting pressures they will give great reward for accosting your accustomed staid and uneventful living. Go deeper the mundane the so called important will be forced through your very pores as you continue calling the unknown manifest itself with great scrolls hidden beyond reach to those that plod along the sunny quiet banks. Life test all men you can face them unafraid armed with years not minutes of preparedness found alone in the struggle only found at sea. Pondered Plumbed in inexorable conditions that stretches changes a person’s character his stature tempered fired as steel in the caldron. We need leaders vibrant thinkers people who can and will accost hell in the very near future and come away victorious. They will have found their way through the untold deadly entanglements figuratively and real they’re not accustomed to ease and know perils at close quarters they learned them in great waters not in pools that have not the ability to stir you to your core you’re going to pour out your life in one form or another do it with sand and grit leave a scarred an effectual trail for others to follow not the light untraceable light footsteps of one who has never lived this just barely scratches the surface of the breezeless that tug and press the center and being of us all I wrote this to be another of the blessings that touch your soul

If there are any mistakes I will have to fix them in a bit I can only work at the computer for so long and I want to get this out
annh Dec 2021
Me,
Standing
Underneath
A swamp cypress
******* at an orange while the rain falls

~

Tacky fingered and smelling of citrus
T-shirt front stained
Warm with juice,
I taste
You.

‘When oranges came in, a curious proceeding was gone through. Miss Jenkyns did not like to cut the fruit, for, as she observed, the juice all ran out nobody knew where, ******* [only I think she used some more recondite word] was in fact the only way of enjoying oranges; but then there was the unpleasant association with a ceremony frequently gone through by little babies; and so, after dessert, in orange season, Miss Jenkyns and Miss Matty used to rise up, possess themselves each of an orange in silence, and withdraw to the privacy of their own rooms to indulge in ******* oranges.’
- Elizabeth Gaskell, Cranford
Holding my breath so I can take control.
Feelings unrest, I can’t seem to grow.
Problems unsolved, it’s an overload.
Losing my mind right before I explode.

I said I’m foretold to be the truth.
Swear an oath, but it didn’t bare any roots.
At any given moment one could lose his youth. Don’t know who he is cause he wears another mans boots.  
Walking irritations, bearing all the earnings of their fruits.
Limits are escalating and I’m tarring down the roof.
A Course to deviation, unable to see any other routes .
  Blind to temptations.
The struggle fits me like a  suit.

Holding my breath so I can take control.
Feelings unrest, I can’t seem to grow.
Problems unsolved, it’s an overload.
Losing my mind right before I explode.

Time is deteriorating, everyday life of a destitute.  
 Waters are evaporating and I’m thirsty for whatever’s absolute.
Problems eternally materializing, full of sorrow and solitude.
Emptiness continuously multiplying, like a disease it pollutes.
Visions are tremendously horrifying, wishing to **** the sound and become a mute.
The story’s are ultimately glorifying, ghoulish torment and Chaos to distribute.
Nothing but hesitation.
Loneliness overtaking, going through all these hoops.
Screams are instantly mesmerizing, the ending is what They Pursue.

Holding my breath so I can take control.
Feelings unrest, I can’t seem to grow.
Problems unsolved, it’s an overload.
Losing my mind right before I explode.
Soma Mukherjee Jul 2011
Once I met a lady in a store who looked at my daughter and asked me
what was wrong with her why was she behaving this way
I saw my daughter and told her nothing, she is just dancing to her favourite song
and this is also one of the ways she plays

She looked confused so I explained and told her she is autistic
For which the lady congratulated me as she thought I said artistic

She may have not heard it properly but she was right wasn’t she?
Both the words had so much in common if only world could see


Autistic is artistic cos they look at the world very differently from us
They paint or write or sing what they feel and create a beautiful buzz
An autistic’s perception of world is so different so unique
And like any other artist they  prefer to let their work speak
Most autistics/artists are still looking for the medium
they want to express their feelings in, what makes them comfortable
Or maybe what they are doing right now is their art,
their stroke, their poetry,
whether or not we find that agreeable

Are we mature enough to understand their art?
Are we talented enough to polish their skills?



Don’t ruin it for them by moulding them into something they are not.
You will lose them for ever, for they won’t be the same without their art
Guide them through this life, make them as independent
as you would any other child but give them space and time
Don’t rush them into this life, for every child autistic or not,
is a caterpillar in cocoon, and will only emerge when nature chimes
You won’t get a butterfly by breaking the cocoon,
or else they will neither be a caterpillar nor a butterfly
Give them time, nourish them make them feel loved
and see how your beautiful butterfly flies

Do we have patience to give them that time?
Do we not know what broken dreams feel like? *


Guide them give them the proper tools to move and grow
How to overcome obstacles that you have to show
Don’t overload them with your expectations or pampering’s,
For every child autistic or not is like a seed,
and overloading will be very hampering
Always remember too much spoils and too little leaves impoverished
They need just the right amount of everything you can offer
and oh the places these kids go when they feel loved and cherished
Care for them, they are part of you, involve them in your life
and participate in theirs with all your Arden
And see how they bloom into the most beautiful flower in your garden

Have you learnt and polished your skills to be good gardener?
Have you taken training to be a good coach?

I have a child with autism and I have had my share of
taunts, staring, worthless advices and criticisms,
But I never let those rule my life; for it would have been insult
to all those angels I met in this journey of autism
This is a long journey and we will fall and fail, a lot, I know that
But I will learn, get up and make corrections
and move ahead and not worry about the stat
I will get up every time and help my daughter get up too,
I promise to my child and myself
We will keep moving whether life offers us
an empty or a well-stocked shelf

When I see my child I see
-A budding artist,
- A butterfly emerging from a cocoon,
-A beautiful sprouting seed.
*

Yes I will give her all that she needs and enjoy the process.

— The End —