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I saw an aged Beggar in my walk;
And he was seated, by the highway side,
On a low structure of rude masonry
Built at the foot of a huge hill, that they
Who lead their horses down the steep rough road
May thence remount at ease. The aged Man
Had placed his staff across the broad smooth stone
That overlays the pile; and, from a bag
All white with flour, the dole of village dames,
He drew his scraps and fragments, one by one;
And scanned them with a fixed and serious look
Of idle computation. In the sun,
Upon the second step of that small pile,
Surrounded by those wild, unpeopled hills,
He sat, and ate his food in solitude:
And ever, scattered from his palsied hand,
That, still attempting to prevent the waste,
Was baffled still, the crumbs in little showers
Fell on the ground; and the small mountain birds
Not venturing yet to peck their destined meal,
Approached within the length of half his staff.

Him from my childhood have I known; and then
He was so old, he seems not older now;
He travels on, a solitary Man,
So helpless in appearance, that from him
The sauntering Horseman throws not with a slack
And careless hand his alms upon the ground,
But stops,—that he may safely lodge the coin
Within the old Man’s hat; nor quits him so,
But still, when he has given his horse the rein,
Watches the aged Beggar with a look
Sidelong, and half-reverted. She who tends
The toll-gate, when in summer at her door
She turns her wheel, if on the road she sees
The aged Beggar coming, quits her work,
And lifts the latch for him that he may pass.
The post-boy, when his rattling wheels o’ertake
The aged Beggar in the woody lane,
Shouts to him from behind; and if, thus warned,
The old Man does not change his course, the boy
Turns with less noisy wheels to the roadside,
And passes gently by, without a curse
Upon his lips, or anger at his heart.

He travels on, a solitary Man;
His age has no companion. On the ground
His eyes are turned, and, as he moves along,
They move along the ground; and, evermore,
Instead of common and habitual sight
Of fields, with rural works, of hill and dale,
And the blue sky, one little span of earth
Is all his prospect. Thus, from day to day,
Bow-bent, his eyes forever on the ground,
He plies his weary journey; seeing still,
And seldom knowing that he sees, some straw,
Some scattered leaf, or marks which, in one track,
The nails of cart or chariot-wheel have left
Impressed on the white road,—in the same line,
At distance still the same. Poor Traveller!
His staff trails with him; scarcely do his feet
Disturb the summer dust; he is so still
In look and motion, that the cottage curs,
Ere he has passed the door, will turn away,
Weary of barking at him. Boys and girls,
The vacant and the busy, maids and youths,
And urchins newly breeched—all pass him by:
Him even the slow-paced waggon leaves behind.

But deem not this Man useless.—Statesmen! ye
Who are so restless in your wisdom, ye
Who have a broom still ready in your hands
To rid the world of nuisances; ye proud,
Heart-swoln, while in your pride ye contemplate
Your talents, power, or wisdom, deem him not
A burden of the earth! ’Tis Nature’s law
That none, the meanest of created things,
Of forms created the most vile and brute,
The dullest or most noxious, should exist
Divorced from good—a spirit and pulse of good,
A life and soul, to every mode of being
Inseparably linked. Then be assured
That least of all can aught—that ever owned
The heaven-regarding eye and front sublime
Which man is born to—sink, howe’er depressed,
So low as to be scorned without a sin;
Without offence to God cast out of view;
Like the dry remnant of a garden-flower
Whose seeds are shed, or as an implement
Worn out and worthless. While from door to door,
This old Man creeps, the villagers in him
Behold a record which together binds
Past deeds and offices of charity,
Else unremembered, and so keeps alive
The kindly mood in hearts which lapse of years,
And that half-wisdom half-experience gives,
Make slow to feel, and by sure steps resign
To selfishness and cold oblivious cares,
Among the farms and solitary huts,
Hamlets and thinly-scattered villages,
Where’er the aged Beggar takes his rounds,
The mild necessity of use compels
The acts of love; and habit does the work
Of reason; yet prepares that after-joy
Which reason cherishes. And thus the soul,
By that sweet taste of pleasure unpursued,
Doth find herself insensibly disposed
To virtue and true goodness.

                                  Some there are
By their good works exalted, lofty minds
And meditative, authors of delight
And happiness, which to the end of time
Will live, and spread, and kindle: even such minds
In childhood, from this solitary Being,
Or from like wanderer, haply have received
(A thing more precious far than all that books
Or the solicitudes of love can do!)
That first mild touch of sympathy and thought,
In which they found their kindred with a world
Where want and sorrow were. The easy man
Who sits at his own door,—and, like the pear
That overhangs his head from the green wall,
Feeds in the sunshine; the robust and young,
The prosperous and unthinking, they who live
Sheltered, and flourish in a little grove
Of their own kindred;—all behold in him
A silent monitor, which on their minds
Must needs impress a transitory thought
Of self-congratulation, to the heart
Of each recalling his peculiar boons,
His charters and exemptions; and, perchance,
Though he to no one give the fortitude
And circumspection needful to preserve
His present blessings, and to husband up
The respite of the season, he, at least,
And ‘t is no ****** service, makes them felt.

Yet further.—Many, I believe, there are
Who live a life of virtuous decency,
Men who can hear the Decalogue and feel
No self-reproach; who of the moral law
Established in the land where they abide
Are strict observers; and not negligent
In acts of love to those with whom they dwell,
Their kindred, and the children of their blood.

Praise be to such, and to their slumbers peace!
But of the poor man ask, the abject poor;
Go, and demand of him, if there be here
In this cold abstinence from evil deeds,
And these inevitable charities,
Wherewith to satisfy the human soul?
No—man is dear to man; the poorest poor
Long for some moments in a weary life
When they can know and feel that they have been,
Themselves, the fathers and the dealers-out
Of some small blessings; have been kind to such
As needed kindness, for this single cause,
That we have all of us one human heart.
—Such pleasure is to one kind Being known,
My neighbour, when with punctual care, each week
Duly as Friday comes, though pressed herself
By her own wants, she from her store of meal
Takes one unsparing handful for the scrip
Of this old Mendicant, and, from her door
Returning with exhilarated heart,
Sits by her fire, and builds her hope in heaven.

Then let him pass, a blessing on his head!
And while in that vast solitude to which
The tide of things has borne him, he appears
To breathe and live but for himself alone,
Unblamed, uninjured, let him bear about
The good which the benignant law of Heaven
Has hung around him: and, while life is his,
Still let him prompt the unlettered villagers
To tender offices and pensive thoughts.
—Then let him pass, a blessing on his head!
And, long as he can wander, let him breathe
The freshness of the valleys; let his blood
Struggle with frosty air and winter snows;
And let the chartered wind that sweeps the heath
Beat his grey locks against his withered face.
Reverence the hope whose vital anxiousness
Gives the last human interest to his heart.
May never HOUSE, misnamed of INDUSTRY,
Make him a captive!—for that pent-up din,
Those life-consuming sounds that clog the air,
Be his the natural silence of old age!
Let him be free of mountain solitudes;
And have around him, whether heard or not,
The pleasant melody of woodland birds.
Few are his pleasures: if his eyes have now
Been doomed so long to settle upon earth
That not without some effort they behold
The countenance of the horizontal sun,
Rising or setting, let the light at least
Find a free entrance to their languid orbs.
And let him, where and when he will, sit down
Beneath the trees, or on a grassy bank
Of highway side, and with the little birds
Share his chance-gathered meal; and, finally,
As in the eye of Nature he has lived,
So in the eye of Nature let him die!
judy smith Apr 2016
From fairytale princess gowns to feathery mini-dresses, bold skinny trouser looks and showgirl sequins, Bridal Fashion Week had something for brides of every size, shape and style inclination.

White reigned, as did classic silhouettes to please the most traditional bride. For everybody else, there were splashes of color, plenty of fluttery floral applique and sparkle, sparkle, sparkle.

Highlights from the Spring 2017 collections:

CHRISTIAN SIRIANO FOR KLEINFELD

After a smaller, capsule collection for the famed bridal shop, Siriano teamed with Kleinfeld again on a broader range.

His show stopper was a pricey pink ombre ball gown with a sweetheart neckline and skinny straps. As an evening wear designer, Siriano said bridal was a natural fit. He created in a range of sizes up to 24 or 26 — and a range of price points from about $3,500 to about $19,000.

Noting most dresses can be modified, he showed a lot of sleeves. There were long lacy ones on a column gown and a structured, off-the-shoulder pair in satin, embellished with tulle and strings of pearl.

One of his mermaid gowns included cascading ruffles. He used four tiers of ruffle at the bottom of a white, tailored suit jacket with matching boot-cut trousers.

Siriano also offered a range of hem lengths, from well above the knee in an appliqued mini to a fitted tea length with an ornate high neck and dramatic train.

In a backstage interview, Siriano said he's enjoying his first full push into bridal with the 27 pieces for Kleinfeld after focusing most of the time on evening.

"But the customer is so different," he said. "There's not as many rules. You can get away with trying new things, doing new things. It's a little fantasy dream world."

And what will Siriano wear when he weds his longtime boyfriend, Brad Walsh, at their Connecticut house this summer?

"I don't know. Literally we've got nothing," Siriano laughed.

INES DI SANTO

This was a **** runway dominated by sheers holding lots of floral creations in place. Romance meets sensuality is how the Toronto-based designer likes it.

While many of her looks were fit for royalty, complete with extra-long trains, she also ventured into over-the-top. An ultra-short hem with just one long lace sleeve had tulle skirting that skimmed the floor in back and leggings mismatched with floral embellishment, offering the appearance of one bare and one covered.

Spring itself was her inspiration this time around.

"The flowers, the garden, the beautiful trees, the sky, the sun," Di Santo said in an interview.

There were other vibes, in a sleeveless illusion Palazzo romper, for instance, with an encrusted bodice and dramatic detachable bell sleeves.

"I went very soft, romantic. You can see through the layers of the lace, the legs, the tulle," she said.

Like other designers, Di Santo included fit-and-flare looks along with sheaths, A-line silhouettes, halter necks and princess ball gowns.

Her backs and necklines were often illusion style, offering a barely there appearance. She included open bolero jackets for brides looking for a little cover, along with detachable skirt options for those who want to change up the outfit for the reception.

At the core of any bridal collection, Di Santo said, is how the dress speaks to budding love in marriage.

"It's so important," she said. "You can live without many things but you cannot live without love."



OSCAR DE LA RENTA

Designer Peter Copping is making his mark gradually at the storied Oscar de la Renta label, with a mind toward both preserving his predecessor's legacy and modernizing the label in his own way. In his bridal collection, Copping included some looser shapes — not everything was cinched tightly at the waist, princess-style — and even some short bridal gowns.

"I was thinking of the different women who are brides and the different ways women can get married," Copping said in a post-show interview, "because it's not always the same rules or traditions that people are looking for. So I think it's important within the collection to have a good cross-section of dresses, some short, some big columns, a real mix of fabrics."

Indeed, some of the gowns featured the sumptuous, extravagant embroidery for which the house is justly famous, and others featured much subtler embroidery for a more modern look.

"I think it was really just having a complete range of dresses," Copping said. The most striking were two short numbers, a nod to the popularity (and danceability) of shorter lengths, even if you can afford the big princess gown. "Yes I think it's popular," Copping said of the shorter length, "and I also think it's very relevant for rehearsal dinners, where a woman can still feel bridal the night before."

A highlight of the de la Renta bridal show is always the impeccably attired little children modeling flower-girl designs. "Having children here reflects what a real wedding is," said Copping.

And then there was Barbie.

Guests were sent home with the de la Renta Barbie doll, wearing a strapless white lacy column gown with a light blue tulle overskirt — something blue, of course. And in case you were wondering, under the skirt were some teetering white heels. No flats for this miniature bride.



REEM ACRA

For a bride looking to be just a bit daring, visible boning in corseting lent a uniqueness to some of Acra's fitted bodices.

There was an abundance of drama in ultra-long trains and encrusted sheer overlays. And Acra, too, offered a variety of sleeve options, including a web design on a snug pair that ended just above the elbow. The design, almost twig-like, was carried through to the rest of the full-skirted look.

Many of her dress tops were molded at the chest, bustier style, while she played with the lower halves. And some of her silhouettes fit tightly across the rear, sprouting trains where some brides may not feel entirely comfortable sporting one.

Acra put a twist on other trains, creating them to detach and also be used as veils. And she went for laced-up backs, both high and plunging, on some dresses.

In an interview, she called the collection "very airy, very light." Indeed, the stage lights during her show shone right through some of her dresses.

For the edgier bride, one who might appreciate the James Bond music Acra used for her show, she offered an unusual embroidered illusion gown adorned with pearls, white jewel stones and metal grommets.

Today's brides, she said, "have to have fun," adding: "She can't stress out about her wedding. Enjoy the ride and be the bride!"



MONIQUE LHUILLIER

There were lingerie-inspired elements here, too, with a touch of color in rose, pistachio, antique ivory and caramel. There were pops of fuchsia in bloom applique fitting for the outdoor garden where she staged her show.

Lhuillier decorated some organza gowns with hand-painted floral designs in asymmetrical layered tulle and silk organza. Deep necklines were prominent, with simple slip dresses offered along with bohemian gowns of lace and sheer skirts. Lhuillier also used corset bodices paired with cascading tulle skirts.

The collection felt like a chic romp, complete with high slits for a run through nature.

"My woman this season is in love and care free," Lhuillier said in an interview. "A little bohemian but just carefree."

The only clear trend in bridal these days, she said, is the need for designers to present more options.

"My core bride is somebody who loves femininity, she loves tradition but with a modern twist. And she wants something interesting with a lot of details," Lhuillier said.

There's definitely more fashion involved than when she began in bridal 20 years ago.

"One of the main reasons I got into the bridal business was when I was a bride in 1994, looking for a gown, I thought the options were so limited, and there was not a lot of fashion ideas," Lhuillier said.

Her bride doesn't want to be weighed down, however.

"She wants to look effortless," Lhuillier said. "But she wants to feel **** on her wedding day."

Are we all romantics on our wedding day?

"For me it's a really happy business," Lhuillier said. "We all are romantics deep down inside."



Associated Press writer Jocelyn Noveck contributed to this report.Read more at:www.marieaustralia.com/formal-dresses-melbourne | www.marieaustralia.com/formal-dresses-perth
Mikaila Nov 2013
The Watch
The watch kept right on ticking, as if nothing had changed. It was like a sixth person at the little round marble table. The stone was cold on my arms. The funeral director pushed it across the table. "This was the only thing on him." My aunt took it graciously, set it by the folder full of everything ever recorded about Donald P. Baca, and from that moment on, it drew the eyes of everyone there, irresistible as a corpse, and as gruesome. tick tick tick as if nothing had happened. I found myself thinking that if he were my brother, I would keep that watch ticking forever, change its batteries, a type of insignificant immortality.

Funeral Homes
The air of calm in funeral homes has always disturbed me. It's cloying, somehow. Too strong. Like the overwhelming scent of peony flowers if you put them in a vase- it darkens your whole house with sweetness. I think I resent knowing that my feelings are being influenced by soothing beiges and classical music. A tissue box and a little bottle of Purell sit on every surface big enough to hold them properly. I find that the anticipation of my "needs" as a griever... offends me.

Survivors
Funerals are not for the dead. They are for the survivors.

Tears
Death is not about trying not to cry. You have to hurt yourself with it to heal from it. There is no shame in funeral tears. They, like death, are inevitable and natural. (My own dry eyes, they shame me.)

Looking In
That is the problem with us writers- every private, gauche little moment of impropriety is fuel for our art, and we must record it. (Intrude upon it.)

Paperwork
1953
***: Male
Color: White
How different it was then.

Grown Up
This is the first time my aunt, whose respect I have always striven for, has even asked my opinion on something "grown up". I thought I'd want her to, but I no longer care. Maybe that means I am finally "grown up".

Absurdly
My aunt gives her email to the man across the table: her name, first and last, no spaces, and the number 1. I find myself wondering irresistibly, inappropriately, absurdly, if anybody ever sits here with a "FaIrYpRiNcEsS4963luv4eva" and has to dictate it to him like that...

Mourners
There are 5 of us here. We are all different, in grief. I am on the outside looking in, an observer, offering the perfect hug or well timed touch of the hand because I feel emotions like room temperature, but not like fever. I look in on tears, silence, on the grip like a vice: on the propriety of being personable to a man who knows your brother has just died, as if that- even death! - gives no permission to be less than polished. And one of us is absent entirely, his truancy a palpable response, just as present as my mother's strangled tears. Her shame frustrates and saddens me- I admire the sincerity of grief, especially when I cannot reach it.

You're Here With Me
The funeral director answers his cell phone. He has the same phone as you, ****, and having seen you answer it yesterday, my mind overlays the images strangely, like a double exposure photograph. It should disturb me, but it only makes me miss you- my mind seeks to erase his image and leave only yours.

Age
Everyone looks older, right now- sunken collarbones and wrinkles weighing down faces. As if they age in sympathy that my uncle is finished with that.

Fishhook
My mother struggles against tears like a worm on a fishhook, and it is agony that ****** my arms, in the air and sliding along the walls. It clashes oddly with my aunt- like a still pond- her polished charm and practiced smile don't feel forced, which only makes it all feel more wrong. I know she is struggling inside, too.
Nigel Morgan Jun 2014
A suite of fourteen poems

for Alice, always

I

Cutting for Silage

Seen
on the path close to the field edge
a swathe of green grass cut,
Left
in the wake of the machine
to dry in the hopeful sun,
Rich
in a profusion of grasses,
glimmers of wind flowers,
weeds and tares.

Seen from afar
the cut fields partition this landscape
with stripped overlays
packaging the valley,
dark green rows revealing
the camber and roll of
a naked field shorn,
Dark upon light.

II

Walk to Porth Oer

Where the sand whistles
and windy enough today
for the tinnitus to set in,
we’ll walk the curve of its dry fineness
left untouched by the tide’s daily passage
up and back

before
and along cliff paths,
from the mountain
past secret coves
whose steep descents
put the brake on all
but the determined,
beside shoulders of grasses
bluebelled still in almost June
now hiding under the rising bracken
up and down

we’ll walk to a broad view
of this whispering bay
where below on the sandy shore
dots of children
tempt the slight waves.


III

Cold Mountain

Whether  a large hill
or officially a mountain
it’s cold on this higher place
wrapped in a land-mist,
the sea waiting in breathless calm
where the horizon has no line,
no edge to mark the sky.

Any warmness illusory,
in sight of sun brightening a field
far distant, but not here,
where waiting is the order of the day,
waiting for grass to shine and sparkle,
for bare feet to be comforted
by sweet airs.

Meanwhile the sheep chomp,
the lambs bleat and plead,
the choughs throaty laugh
a shrill punctation, an insistence
that all this is how it is.


IV


China in Wales

In my hermitage
on this sea-slung place,
a full-stop of an island
back-lit illuminated always,
I view the distant mountains,
a chain of three peaks
holding mist to their flanks,
guarding beyond their heights
a gate to a teaming world
I do not care to know.


V


Wales in China

O fy nuw, I thought
my valley only owned such rain,
but here it teams torrential
taking out the paths on this steep
mountain side. Mud
everywhere it shouldn’t be.
Everything I touch damp and dripping.
No promise of pandas here.
And there’s this language like the chatter of birds,
whilst mine is the harsh sibilants of sheep
on the hill, the rasp of rooks on the cliffs.


VI


Boy on the Beach

Heard before seen
the boy on the beach,
a relentless cry
of agrievement, of
being badly done to.
This boy on the beach

following his mother
at a distance
then no further.
‘I hate you, ‘ he screams,
and stops,
turning his back on the sea,
folding his arms,
miserableness unqualified,
no help or comfort
on the horizon he cannot see.
It is attrition by neglect.
He becomes silent, and called
from a distance, relents
and turns.


VII


The Poet

Austere, his mouth
moved so little when he spoke,
you felt his words
were always made in advance,
scripted first
and placed on the auto-cue.
Ask a question: and there’s a long pause

as though there lies
the possibility of multiple answers
and he’s running through the list
before he speaks, his antenna
trained on the human spirit,
full of doubt, doubting even
belief itself.


VIII


A Gathering

Thirty, maybe forty
and not in a lecture room
but a clubhouse for the sailing
look you. And we did,
out of the patio doors
to the sun-flecked sea below us,
here to honour a poet’s life and work
in this village of the parish he served
at the end of the pilgrim’s path .

Pilgrims too, of a kind, we listened  
to the authoritative words
of scholarship where ironing
the rough draft found in the bin,
explaining the portrait above the bed,
balancing the anecdotal against the interview,
reading the books he read
become the tools of understanding.

But the poems, the poems
silence us all, invading the space,
holding our breath like a fist.



IX


In the Garden

He came alone to sit in the garden
and remember the day
when, with the intimacy of his camera,
he took her, deep into himself;
her look of self-possession,
of calmness and confidence,
augmented by butterflies
motionless on the wall-flowers,
and the soft breath of the blue sea,
her soft breath, her dear face,
freckled so, his hand trembling
to hold the focus still.


X


The Couple from Coventry

Young beyond their years
and the house they had acquired
but only to visit at weekends for now,
they drove four hours to open the gate
on a different life, a second home
requiring repairs on the roof
and replastering throughout.

With their dog they were walking
the mountain paths, checking out the views,
returning to the quiet space
their bed filled in an upstairs room
echoing of birth and death:
to experiment further with loving
before the noise and distraction
of children swallowed up their lives.


XI


On Not Going to Meeting

There was an excuse:
a fifteen mile drive
and a wet morning.
He had a book, a journal
that might focus his thoughts
towards that communion of souls:
a silence the meeting of Friends
sought and sometimes gathered.

These experimental words
of a man who felt he knew
‘I had nothing outward
to help me,’ who then, oh then,
heard a voice which said,
‘There is one, even Christ Jesus,
that can speak to my condition
. . .  who has the pre-eminence,
who enlightens and gives grace
and faith and power.’


XII


New Life

From behind its mother
the calf appeared
tottering towards the gate,
but after a second thought,
deeming curiosity inappropriate,
turned back to that source
of nourishment and life.


XIII


A Walk on Treath Pellech

Good to stride out.
Good to feel unencumbered
by the unconfining space
of beach and sea, a shoreline
littered with rocks and shallow pools,
sea birds flocking at the tide’s edge.

Alone he sought her small hand
and wished her there over time and space
so to observe what lay at his feet,
that he might continue to look
into the distance with a far-flung gaze.


XIV


The Owl Box

James put it there.
One of forty
all told but
empty yet.
‘We live in hope,’
he said.

Slung from a bough,
bent and bowed,
on a wind-shaped tree,
a hawthorn blossoming still,
(inhabited by choughs a’nesting)
the box hangs waiting
for its owl, her eggs,
her fledgling young
who are not hatched together
but are staggered as though
to give the mother owl some
pause for thought.

Meanwhile the nesting choughs
tear the air with tiresome croaks,
a bit of rough these black characters,
neighbours soon to the delicate mew,
the cool, downy white of the Athene noctua.
The poet celebrated in this suite of poems is R.S.Thomas.
Sunset orange ardently overlays periwinkle and thistle whilst two tone brilliant fuchsia in passionate , reserved grace quietly dominates the image of sunrise as portrayed by a child  . Forest green , royal blue and cinnamon depict backyard adventure and wonderment of Blue Jays , Begonias , Daisy and Petunia  , rainy days captured in black , silver and indigo and raspberry , magical yellows , reds and gold , smiling friends on the school bus , hop scotch , favorite Teachers and kick ball , Summer vacation , grandparents and sand castles on the beach , turquoise sea , brown pelicans and scarlet sailboats , salt water taffy , midnight blue ***** and fuzzy wuzzy starfish*....
Copyright October 2 , 2015 by Randolph L Wilson * All Rights Reserved
ConnectHook Apr 2019
I.

evolving, thunder-struck

amino eventualities

and bio-potentialities

in the muck

re-group, protoplasmic and joyful

singing in the proverbial soup

of circumstances

and random cosmic chances

a song of differentiation

loose ends / ragged strands / loose lines

of poetry: DNA spiral dances

Precambrian time, period of time extending from about 4.6 billion years ago (the point at which Earth began to form) to the beginning of the Cambrian Period, 541 million years ago. Precambrian time encompasses the Archean and Proterozoic eons, which are formal geologic intervals

II.

the wriggling one-celled poet decides

to become complex

takes its time:

geologic / astral eons

twitching and failing

into the fabled tadpole of adaptation

to a godless universe, diverse

in its variegated futility

this idea has been summarized in the mouthful, ‘ontogeny recapitulates phylogeny’, which means the development of the individual embryo repeats its alleged evolutionary history. The first thing to say about this dictum, is that ‘law’ it is not!

III.

our fish, now fowl,

proclaims its Archaeopteryx manifesto

standing on Precambrian banks

demanding a return on its investment

in sedimentary overlays:

Ernst Haeckel !  shrieks the avian jokester

The Imaginary Monera: the eating habit and reproductive cycle of an alleged Moneron to which he gave the scientific name, Protomyxa aurantiaca 73 pages of his speculations more important than facts and evidence.

IV.

into the long long corridors

of time’s bad poetry

sleeping off the tadpole nightmare

sprouting flippers, legs, digits, wings

deciding to fly, smashing antediluvian cedars with trilobite tail

upright biped sporting body-hair

you shall prevail

descending from trees in African dreams

misanthropologically *****

gracile / robust (that’s us)

Hey turn that **** up ! yells Piltdown Man

from his evolutionary window

He believed that the only major difference between man and the ape was that men could speak and apes could not. He therefore postulated a missing link which he called Pithecanthropus alalus (speechless apeman) a woman with long lank hair suckling a child.

V.

falling for the lies

of the Lord of the Flies

Zinjanthropus asks quizzically

How much more of this

are you prepared to take
?

misbegotten centuries glimmer:

light years of bad poetry

captive eons of incoherent free verse

as we wait

for the Bronze Age Myths

to begin
PROMPT #3: a poem that takes time. It takes its time getting where it’s going,
and the action of the poem itself takes place over months.
[…] a story or action that unfolds over an appreciable length of time.

Honestly, this is the type of modernist poetry I dislike.
I wrote it in about 25 minutes, edited and formatted it
with found text & images for about 40 minutes and VOILÀ:
cutting-edge modern dullness. It was still fun though.
ChaBooya Oct 2015
The heart warming melody you produce,
Your my everlasting polyphonic tune,
An endless loop of your love plays,
Heart skips a beat as it overlays.

You are my song I die to hear,
The sound waves I hold onto dear,
I'll press rewind to relive it again,
And forward to skip to the end.

Dust never surrounds your record,
In fact it's the only one heard,
Your greatest hit and my addiction,
Its a beautiful eccentric infliction.

You're the only sound I need,
The reeling tape I take heed,
Bump my night away to grasp my dream,
An endless harmony I'll forever deem.
Star Gazer Jul 2016
Each line overlays the preceding line,
Building a foundation to yours truly;
A passageway to bond your heart to mine,
With bridges of stanzas and roads of words.

A simile for your exquisite smile,
Like the luminous pearls from the oceans;
Or like stars that last in the night awhile,
Yet remembered for an eternity.

A metaphor for your beautiful eyes,
The way they would gently look into mine
And sometimes rained as clouds from the blue skies;
Out of security and happiness.
Dave Hardin Sep 2016
Felt Board

In Sunday school we strained

     to hear sandals scraping stone
             snap and crackle of kindling

     echo of gospel songs sung
                             in three part harmony

Shadrach, Meshach, and Abed-nego

     overlays free floating
                    smiles all around, fronting

    a fiery furnace more
                    beehive than crematorium  

Nebuchadnezzar scowling

     from the soft verge of his velvet palace
                  hush of orange aloe leaves

     licking the plush pink
            feet of an angel hovering over

the muffled din of a passing July morning.
Dave Hardin Jan 2017
Lines Laid Down By Others

Days of measles spent cloaked in twilight
Veil of curtains and dime store sunglasses  
Between me and a sun gone dark with evil intent
Hell bent on robbing my sight while I was busy
Looking inward tallying wage against sin
Bedeviled by an itch that needed scratching
Hands sheathed in white tube sock condoms  
To ward off nails rendered poison as the fer-de-lance
Snakes that glared back from steamy jungle overlays
In the World Book Encyclopedia, cotton prophylactics
Incompatible with the proper grip of a crayon  
But the germ of a lifelong refusal to stay
Inside lines laid down by others.
Julian Apr 2023
https://www.dropbox.com/scl/fi/l8njruxa73yee9b0jzmhd/The-Ultimate-Unabridged-Guide-to-Esoteric-Working-English-2.docx?­rlkey=kunoar7ghpfkb7fjk5xkdgx95&st=i84ornny&dl=0

DIDDICOYS OF CACHALOT CAMARADERIE SCAFFOLDED BY A VYGOTSKIAN SUNRISE OF SAFFRON SAGINATION OF A PINGUEFIED SLENDER DAMSEL OF STAR-CROSSED AFFLICTIONS BEMOANING THE GRUELING TAXIDERMY OF LIVID TRIUMPHS FOR SPRINGBOKS IN THE SPANDRELS OF JAMDANI RARELY DEFINED BY THE ZEAL OF THROTTLEBOTTOMS TO USE DELITESCENT MALCONTENT TO FOMENT THE FLARES OF REVOLUTIONARY GRIPES OF GRIM SUMPTERS ARRAYED BY THE PLENARY INHABITANTS OF DENEHOLES OF THE AGES OF ARBALESK GAUNT AND DECIMATED BY VINEYARDS OF FOISONS OF UPAS IN ANTINOMIAN HARVEST THAT DECRIES WITH THE CLENCHED DECLENSION OF MISCARRIED JUSTICE THAT OVERLAYS THE MAGNATES OF OUR TIMES WITH SELECTIVE IMMUNITY THAT WE MIGHT FIND STATOLITH GRADGRINDS OF IATROMATHEMATICS IN PORTFIRE THAT THE CHRONOMANCY OF DIKEPHOBIA ROAMS REGNANT IN NEBBICH PATAVINITY BECAUSE THE PASILALY UNLEASHED HEREBY IRRADICATES A MYTHOS UNLEASHED BY VEESES OF VESUVIATION FOR VARSAL PICTURES OF PIXELLATED SALVATION THAT EVEN IN JASPERATED GOMPHIASIS AGAINST GONFALONIERS BRAZEN WITH BRAINTRUST AURILAVE AUTHORITARIANISM THAT MIGHT THE HACHURE IMPREGNATE A STERILIZED TIME THAT BLUEPETERS OF MULIEBRITY MIGHT EXORCISE THE MISANDRY OF THEIR TRIBULATIONS INCULCATING  THEM TO BELIEVE SUCH HARRIDANS AND SCARAMOUCHES OF SACRILEGE THAT AN INVENTED PARSEC OF FARCICAL FATIDICAL LIES OF ****** PELARGIC DENOUEMENT THAT EVENTUALLY THE CULPRITS DISMISSIVE OF ACCOLENT CULTURES OF HEYDAY BECOMING THE CENTERPIECE OF TOMES OF AFFLICTION THAT THE PROPER COMPROMISE BECOMES A BETTER AVIZANDUM THAN SHOW-TRIAL BUFFOONERY BY BABIRUSA NOMENCLATURE OF JUGGINS JUDOGI ENFORCED BY CABRILLA THAT USES CADRES OF CABRES TO OUTFOX ALL GENTILITY IN THE SUPERSTITIOUS FLICTION OF FAVELAS SQUIRMING AROUND JAWHOLE SENSITIVITY IN SIMULTAGNOSIA TO BROWBEAT ELEUTHERPOMANIA EVEN WHEN ITS RECOURSE IS A BONANZA FOR HUMAN FRUITION BECAUSE IN BOUNDLESS BELIEF AND COUNTLESS DRACULIAN DRAPERY OF THE POSTCENNIUM OF HEBENON LIES TRYING TO TREACLE AN INVETERATE REGARD FOR SACRILEGE RATHER THAN PROMOTING A SACROSANCT REVOLUTION OF PROPRIETY MIXED WITH APOLAUSTIC FUROR MIGHT WE THEN SEE TIME CULMINATE IN THE RICHES OF LAVISH INGLUVIES RATHER THAN SUBORNED FAGINS AGAINST NEOVITALISM IN THEIR CASUALISM OF ACCIDENTAL PROAIRESIS WHICH OFTEN NEGLECTS THE WONDERWORK OR THE WUNDERKIND BECAUSE THE KUNDLESROMAN PROFFERED BY CLOYING LIMITROPHES OF ASCENDANCY IN DECEIT FINDS A SUBTERNATURAL HAVEN AMONG OBSEQUIOUS OBEQUITATION BECAUSE OF AMENDES NEEDING REFORM AND PUNCTILLIOUS REGARD NEEDING A HONED INSTRUMENTALISM OF UNIVERSAL SALVATION AFFORDED EVEN TO THE PHARISEE GENTILES CLOUDY IN HAZES OF PHAROAHS OF ICEBLINK VERGLAS HAUGHTY AND SUPERIOR ONLY BY THEIR OWN BARAGNOSIS OF WEIGHAGE BY THE STEVEDORES OF VANGERMYTE VAMPIRES WHO FLAUNT CARELESS CAUSALITY AS THE ADVENT OF AN IRREVERENT NIHILISM ALREADY DEBUNKED BY THE CLERISY WHICH SEES HOW INCULCATION CREATED BY IMBREVIATED MYTHOS MIGHT BECOME A BENTHIC TRAP OF NIDAMENTAL FUROR AGAINST THE WIREWOVEN TAPESTRIES THAT BORROW FROM STATE FARM TURBINATED TOURBILLONS OF CONTORTION A WIELDED SENTRY OF MECHANIZED CONVENIENCE BY AGENTS OF CONSUMERIST MASKIROVKA TO THE BENEFIT OF ENTIRE SOCIETIES OF LARGESSE ONLY TO THE EXTENT THAT THE FUNNEL OF SIFFLEURS REMAINS IMMUNE TO PROCRYPSIS IN INVAGINATION PRIOR TO THE INITIATION OF THE BARNSTORM HEYDAYS THAT YIELD FROM THE FULGURANT TWANG AND TWISTLE OF TWIRES OF TYMPANY A MOUNTENANCE OF SHARED GROWTH THAT STANDPIPES ***** TO IMMUNIZE AGAINST ENCAUSTIC MEANS OF ARTIFICIAL DEBASEMENT IN AN UPCOMING ERA OF THE LAZIEST BELLETRIST EVER AUTHORED BY CYBERNETIC HANDS RATHER THAN PURIFIED HUMAN INGENUITY. WE MUST FOREWARN, THEREFORE, THAT A SOCIETY THAT JUST GLOMS AND TWADDLES AROUND LIKE A LAZARET WHEN ELASTANE SIMPLICITIES COMPOUNDED BY AN INVETERATE NIVELLATION OF HUMAN AMBITION BORNE BY ARTIFICIAL INTELLIGENCE MIGHT WE SEE THE DANGERS OF PROSTHESIS AS INCLEMENT BUT INTEGRAL SIMULTANEOUSLY TO A FASTIDIOUS LUCRE OF AUTOMATION LEADING PAST THE STRICKLES OF MODERN CAKEWALKS OF A WALKING STALKING MUGIENCE THAT LAMENTS WITH THE GREATEST INSISTENCE THE ERA PRIOR TO THE OVERTURES OF ARCEATED ECONOMIES INSULATED FROM THE BRUNT OF BRUTAL PANGS OF KNELLS SOUNDING HOUR BY HOUR BETOKENING INEVITABLE DEMISE TO THE AUBADES OF DAWNING ABORIGINAL SUFFRAGE TOWARDS A SOCIETY WHICH MOURNS MACROPICIDE OF YARAKS TO THE EXTENT IT IS A SUFFRAGE TO MERIT CONSTRAINED BY ABDERVINE STRICTURES HEEDED BY EVERY PEJORATIVE JAWHOLE DESCRYING THE DENOUEMENT OF EUPHEMISM THAT THEIR JATO REFORMATION IS BOUNDLESSLY A YESTERTEMPEST OF AMELIORATION BOTCHED BY QUIDDITIES OF QUIXOTIC ATHENAEUM THAT ARE ANTEPONED IN STRIFE AND DELIVERANCE TO THE TIROCINIUM OF A CASEMATE STOKEHOLD BRITSKA WHO HERALDS WITH THE GREATEST CAUTION THE CASUALTIES AND DEGREDATION OF MAN INTO CARNAL LUSTS RATHER THAN SORBEFACIENT MORALISM WHICH WILL SUCCEED IN TRIMMING THE HEDGES OF BANGTAIL ATTEMPTS OF EMICATED CONTROVERSIES YET FETCHED BY DOGGED DOGGEREL OF PERSISTENCE. WE REQUIRE A MASSIVE TIMMYNOGGY TO STREAMLINE THE EDUCATIONAL BEDROCK OF AMERICAN AND WORLD SOCIETIES TO THE SENSE THAT BEDIZENED SUFFICIENCY GLARING WITH GLOWERING AMARANTHINE CADASTERS OF THE SQUAMATION MEASURED BY EUDIOMETERS MEASURING SERICULTURE THAT THE YUAN AND JAPAN OF TIME CAN FORESEE A SITUATION WHERE A SWOLLEN INDUSTRIALIZED APPROACH TO EDUCATIONAL REFORM SIZZLES WITH SEETHING IMPERATIVES TO ENSURE THAT GRIDLOCK RESULTS IN FEWER STATISTS ENTHYMEMES OF CAIMANS TRYING TO COERCE CREANCERS TO BELONG TO A VESTIGIAL COVVENGER PALLOR ETCHED ON THE CHALKBOARDS OF REGRESS RATHER THAN GALLOPING TIDES OF HEADLESS HORSEMEN REVERENT OF REVERENCE ITSELF IN NEVER A BLASPHEMY OF ABARTICULAR INCOGNIZANCE THAT THE FUTURE MOBILIZES EVERY FORCE CAPABLE OF REVIVING A ZEITGEIST OF DISTRACTION FROM THE NETHERWORLD TWINGES OF SUBSTRATOSE AFFLICTION BECAUSE THE TRUER GLEBE AND POTAGER OF A BALIZED RHEOTAXIS OF MISGUIDED TOP-DOWN UTILITARIAN UTOPIANISM WHICH SCALDED THE PAST WITH INDOCTRINATION RATHER THAN SYNTHESIS THAT WE MIGHT ENGORGE EDUCATIONAL BUDGETS SO THAT WE CAN ENSURE THE ANGLOPHONIC POLITY OF DEMARCHE CAN CLAMBER FASTER TOWARDS THE PINNACLE RATHER THAN DESCENDING INTO WHISTLERRS OF NOTOREITY FOR A WORLD PREPOSSESSED WITH FAKE LANGUOR AMONG WHITTAWERS AS THEY BROWBEAT THE ICEBLINK OF RESONANCE BECAUSE OF A PROTERVITY OF SELF-INTEREST THAT ALL SALVATION HINGES UPON THE DOCIMASY AND THE DOCTRINE THAT THE INSUFFERABLE PAST WAS A NECESSARY PREDICATE AND PARAGON FOR THE FUTURE ENLIGHTENMENT AND ALL CONTRARIAN MOVEMENTS TRYING POTICHOMANIA—THE GREATEST FOLLY KNOWN TO THE MANDARIN MANDARISM OF POORLY STEWARDED CABOOSES OF A TIM COOKED WORLD—THAT THEY ARE IN FACT ICONOCLASTS OF THE WRONG ARTIFACTS BECAUSE OF A JAUNDICED AGENDA THAT PRETENDS TO BE AGAINST JAUNDICE ITSELF BUT SUFFERS FROM A MARIVAUDAGE OF BLUEPETER ORTHOPTEROLOGY WHICH INCENSES BY REDEFINING MULIEBRITY AND VIRILITY ON UNEQUAL PLAYING FIELDS TO PLEASE OPPOSITIVE INTERESTS OF WHERRETING WREPOLIS AND GUARDED WRIKPONDS AS THE VANGERMYTES CHOMP FUTURE GAINSAY WITH GUARDED OPINIONATION BECAUSE OF URCEOLATE AVARICE PREDICATED ON THORNY IMBROGLIOS THAT TRY TO EVADE TRIBULOID NECESSITIES TO THEIR OWN PERIL THAT WE CANNOT IGNORE THE STOCKINETTE BECAUSE A COLORBLIND WORLD IS ESSENTIALLY BLIND TO WAYS TO SOLVE THE ISSUES OF COLOR AND COLORATION SUCH THAT DOLOROUS CRITICASTERS CAN LAMENT THEIR HEAD OVER HEELS OBSESSION WITH ****** AND GARISH HUMAN SEXUALITY TO THEIR GREATER PERIL RATHER THAN THEIR LURCHES TOWARDS SALVATION. THERE IS NOTHING INHERENTLY WRONG WITH A WORLD THAT EMPHASIZES A MAXIMALISM IN THE DOGMATIC ACCORD THAT PROMOTES THE FAIR WAGES OF THE OPPRESSED BUT THERE IS SOMETHING GRAVELY GRAVID ABOUT THE WAYSPAY OF STERILIZED MERCURIAL DESIGNS OF PSYCHOGONY TOWARDS NEPIONIC ENLISTMENT INTO RADICALISM THAT EXISTS ON BOTH FRINGES ONE PRESUPPOSING THAT THE WORLD IS A SOURDINE SORBILE DISGRACE UNWORTHY TO CREATE A NOTITIA AND THE OTHER JUST AS DELIRIFACIENT THAT THE RENEWED WORLD MUST BOW DOWN TO A SACCHARINE JOLLY RANCHER ECONOMY THAT ETIOLATES ALL FORMS OF INITIATIVE AND INITIALISM BECAUSE THE BROCKFACED AGENTIC FORCE AT THE BRONTEUM OF FASHION TRIES WITH PEREMPTORY REGARD TO NORMALIZE THE NOMOTHETIC LIVES OF ELITISM AS THE COMMON GONFALONIER WHEN IN FACT IT STRANDS IN ZALKENGUR OF HALKENDS A DEPRIVED WORLD THAT DOESN’T DARE TO ACCOMMODATE A WORLD THAT NECESSARILY DEPENDS ON PIECEMEAL BOWLDERIZATION BECAUSE OF  THE DERANGEMENT OF UPBRINGING IN NIDIFUGOUS HOMES THAT ARE OFTEN SUBSIDIARY AND PANDERED TO WIDELY LIKE A ****** HARASSMENT PANDA TRYING TO ACCELERATE THE DOOMSTERS OF RIP VAN WINKLE IGNORANCE THAT THE SCARLET LETTER BECOMES A SCALARIFORM CORDWAINER MARKET WHICH IS A DISEASED OPINION OF THE SOCIOGENESIS OF THE HUMAN FRONTIERS BECAUSE OF ITS VERY FINIFUGAL ASSUMPTIONS ABOUT HOW THE SCAFFOLDS OF REDSHORT BRITTLE SUBHASTATION OF HUMAN DOGMA TO SERVILE SKITTLES AND SCARAMOUCH RUFFIAN RAFFISH INCOGNITO DELIRIFACIENCE OF A DISHEVELED BARAGNOSIS CAN PARALYZE A PARASELENIC TIME WITH A TORPID WOKISM THAT REMANDS INTO CUSTODY TOO MANY KEY ARTIFACTS OF AMERICAN HISTORY DELIBERATELY CONSTRUCTED PERDURABLE BECAUSE OF THE VALENCE OF THEIR STOICHOMETRY FOR NEW WORLD NUCLEOTIDES AGAINST THE GAVEL OF DIKEPHOBIA. THERE ARE BALISAURS OF BALUSTRADE RUSHING TO THE EXITS OF NAZE AND MURENGER WHO GUARD THEIR PRIVILEGES ZEALOUSLY TO SUCH A GRAVE REGARD SOME REMAIN INSURMOUNTABLE IN CAGOULE WHIGGARCHY OF CALVOUS SERVITUDE TO THE BRICOLAGE OF TRUCAGE IN ENTERTAINED DIVERSIONS OF STRIFE AGAINST STRIFE ITSELF BLACKGUARDING THE SPATHODEA BECAUSE SOME PEOPLE IN SUNBITTERN TIMES IGNORE THE SUNDOG REPUTE OF THOSE WHO BARNSTORM FOR THE CREDENDA AND VISIBILIA OF REASON OVER THE PUNDITOCRACY OF REMEDIAL PINGUEFIED STANDARDS OF A BLOVIATING FATIDICAL SHALLOP OF  SILKALINE IMPLEMENTS BRUISED BY THE WICK AND WHICKER OF THE NEIGHS OF CAMELOPARDS GALLIVANTING WITH ARGALI BECAUSE OF THEIR PRECISION OF ALMAGEST IN ARENOID ARANEIDAN COVERT SOCIETIES DESIGNED TO FORBID THE PREROGATIVES OF TOMORROW BASED ON THE GLOSSOLALIA OF THE INCHOATE CELSITUDE OF STADIOMETERS OF THE MOST PRECISE ENTELECHY IN STRADOMETRICAL REFORMS. ESSENTIALLY IF WE ASK FOR LARGESSE IN A COUNTRY PLAGIARIZING PLAGUES TO GAIN EMERGENCY POWERS WE SHOULD QUESTION THEIR DRAGOONS TO THE EXTENT THAT FUTURE CALAMITY IS FORESTALLED BY EARWIGS MAKING THEIR SUBSIDIARY WALLETEER SKIRMISHES PALATABLE TO WHELKIES THAT THEY MIGHT IN TIME BELIEVE FINALLY IN CAVERNILOQUYS OF A GREATER REFORM FOR A SOCIETY OF DEMASSIFICATION THAT LEADS EVENTUALLY TO MUTUALISM IN HARMONIZED SYNCOPATION THAT THE HERALD OF TOMORROW MIRRORS THE VALOR OF THE PAST RATHER THAN GLORIFYING THE PILLORY OF HESTER PRYNNE BECAUSE OF THE PRESBYTERY JUST BECAUSE IT REMAINS AN INVETERATE IMBROGLIO OF SPECIOUS FREUDIAN PSYCHOBABBLE THE MISCEGENATION OF SO MANY DELETERIOUS FICTIONS OF FINALISM RATHER THAN A VALIANT BELIEF IN NEOVITALISM PREDICATING GOD BASED UPON THE UMBRILS OF A SALVATION UPCOMING AND A BLOCKBUSTER TWISTER TRIAGE OF THE PAST UNDERSTANDING THE CHRONOMANCY OF THE PRESENT. THE ASSUEFACTION IGNORANT OF THE CELLARERS WARNING ON THE STYROFOAM OF CABOTAGE UNDERSTANDING THE GLEBES OF POST-MODERN HUES OF REFORMATION IN AGGIORNAMENTO LEADS US TO A CULMINATED PROWESS WIDELY MANUFACTURED TO ENLIST PEOPLE COGNIZANT OF LESSONS OF NOVERNARY WANCHANCY AND THE RUDENTURE OF THE CURRENT PALLOR OF NEBBICH STEM ISOLATIONISM THAT IS TURBINATED UPON INTRORSE SATISFACTIONS IN AN INTERRAMIFIED  WORLD MIGHT THEY FIND THE POWER OF THE BAILIWICK WITHIN THEM TO DECRY THE NEPHROLITHS OF CASUAL STOCKINETTE AND FIND THE GROWTH OF RESURGENT HARMONY A BETTER PARABLE TO GUIDE THE RESURRECTION OF A SOCIETY GOVERNED BY A MORALITY ATTEMPERED BY THIS ZEITGEIST TO ENSURE THAT SO-CALLED VIRILITY REMAINS STRONG AND STOLID AND MULIEBRITY REMAINS INSURGENT BUT RESPECTFUL OF THE PREROGATIVES THAT GROOM THE ESTABLISHMENT PRISM THROUGH WHICH THE CLEPSYDRA OF ECONOMETRIC REFORMATORY CONSERVATION OF COACERVATION SUCH THAT THE RACKRENT NEVER BECOMES AN ONEROUS RHABDOMANIA NOR A SEDERUNT OF ALGEDONIC TILTS INDIRECT TO ALL COBBLESTONE PATHWAYS TOWARDS THE MANUFACTURE OF SALVATION IN INVEIGLED ACCORD BECAUSE OF GREATER CAENOGENESIS AND ORTHOTROPISM IN INTELLECTUAL AMBITION BECAUSE THE BROCKFACED VENTRAD LATERIGRADE SYMPHONIES OF IMBREVIATION LEAD US TOWARDS CATHEDRALS OF ALABASTER LIGHT GLOAMING ABOVE TWILIGHT HOUR RESIDUE SUCH THAT THE FENESTRAL WORLD REMAINS A EUDIOMETER OF TYPESET MUGIENCE BUT BECAUSE OF A BRICOLAGE OF INCITEMENT TOWARDS CROTALINE OPHILIOPHILIST REFORMS MIGHT WE BRAVE A NEWER CENTURY WITH A BOLD BRONTEUM THAT NEVER RELEGATES AFFLICTION OR IGNORES THE GAUNTLET OF FUTURE  SUFFRAGE TOWARDS SYNCOPATED HARMONIZATION BUT ULTIMATELY THAT THE CAVERN ENCOMPASSES ALL BREADTH AND DEPTH OF THE RIGOR OF PRAGMATIC LURCHES OF REFORM.
Haakim U Allah Feb 2018
As she moves to the rhythm of my pulsating rays
Playfully teasing under my gaze
Intoxicating hills, mountains, ripples and waves
Covered by 3/4 ths overlays
The mental visual plays.
Finger lumens caress and rove
Flick and probe
tickle and pinch
Patiently exploring every square inch.
A galactic minx
Bringing me to brinks
Prospecting her nectar for energy drinks
Spin at a terrific speed changeable and swift indeed
her winds will cut in a storm
Yet the right currents keep her warm
Spinning in orbit at 93 still in full form
To know the cipher and understand the God
ahm smiling at her curves.
**** it’s hard
could shatter light into shards
Transforming crystals to stars
must dip in her dew
It’s mountin’ and this fountain
bout to spit atomic stew
nucleatin’ and hydratin’
keepin up with her gyratin’
vibratin’, shakin’ and quakin’
Osiris’ rod cleavin’ into her sod
spewin’ ray seed in clods
a spectrum of dust
It’s a must to keep her satient with love, no lust…

– Haakim Understanding
Edgar Gordon Jan 2016
I live my life in fantasy,
I am always daydreaming,
or am I always sleeping?
I cannot tell what is real,
and what is a construct of my mind.
Imagination overlays my senses.
Did I see you or did I create you?
Is the sky even blue?
Every shade of red I see in the sunset hue,
I see blue in black as all goes dark,
I see stars twinkle, but if I stare too long most fade from sight,
and as I blink, they flash back into existence.
Are they really there?
I feel as though the moon is always full, I see the dark side filling in a crescent of light.
I smell earth and metal below the wet grass but most only smell the mildew rising up as the sun pulls water into air.
Hot air above concrete, it distorts my sight.
Can I truly trust my own senses?
Maybe I should only trust thought.
But my thoughts are merely a compilation of all I have ever experienced.
What can be trusted in life?
Onoma Feb 22
Antarktikos...

overlays truing north.

so metaphor can

twice-place.

the embedment of

meaning

before thing~
fatemadememortal Jun 2019
"I slept with you to see if I would feel something,
because I wanted to,
and I didn't."

twenty-two syllables
and eighteen words
that was all it took for you to enter the annals
of all of the *******
who have used and abused my deeply wounded heart
further compounding the damage that has been there from the start

how am i meant to get closure from that
when there's no reason, or in fact,
any black box to recover
or mistake from which to learn
all that there is is a breaker
of hearts and worse of trust given, not earned

the conclusion, therefore, is to simply give up
and stop wasting my time looking for love
because, truth be told, my worry is
should this happen again
i'll be unable to mend

and left to live out the rest of my days
stuck with permanent overlays
of mistrust and suspicion
of any romantic intention
because ******* you knew
you knew, full well, that i loved you
trixmilk Jun 2020
i take a stroll through a concrete fuzz of grey and gray
it seems so surreal to me to even breathe
i live in a dream where my feet move themselves
as my arms clench onto the bed
grasping sheets that protect me from no ghosts
no shadow people or monsters
because they crawl under them when i cry myself to sleep
i see so many faces
morphing changing
man to woman to someone
i fear recognition
i fear being nobody
the breeze is only temperature
pressure is an illusion
little children prancing through the mildew grass
what is green grass and
what are blue skies
what are happy smiles
when i'm not even frightened to die
spiraling in and out of control
i am a video edited
by my drugs
they insert transitions into my existence
fade effects and pretty overlays
i crave them like candy store kids
i envy them
i want to wear their shell
and experience their lust for growing old
so that i can reverse it
and back this car up into the walgreens
and stumble out with opal eyes
wider than how i spread my thighs
for personalities that are not mine
i want to french kiss a gun
and pull the bullets out with my tongue
and tie the metal into cherry knots
i want to see all the colors
and feel all the love for myself
that i don't have sober
i yearn to create solutions for all my mistakes
and accept that they got me to where i am now
keep pushing
so that the rest of my body moves with my feet
and my soul no longer stays in place
Ryan Dec 2021
they say life is a story
well if that's the case
then for the rubber band boy
his pages lie half-blank

for he does almost nothing
he sits and sits
and sometimes stands
and occasionally
he flicks rubber bands

at the walls of his room
marking the point of impact with a sharpie

and between the second point
and the first one
he draws a line

and he keeps going and going
until all corners of his room are filled with lines

then, picking his favorite wall, he overlays a map
where the most lines intersect, is where he travels next

he continues on, diligently
logging a tally
of all rooms he's been

for this is his purpose

he does nothing else

no wife, no job, just acceptance of himself

onlookers wonder
what incentivizes this man
he pays them no mind
and keeps flicking rubber bands
Jamie Richardson Mar 2020
I lie with you and with our memories
Playing like butterflies in soft wavering light
As a taut melody, from mornings coming song
Broods against the restless horizon.
From the first bloom of light
You embodied, certain fictions in my mind
As you compressed, your hopeful dreams within mine.
Buttressed, we thought, to withstand the appetite of time.
Yet we’re so easily winnowed from the past,
We are not now capable of locating our dreams,
Pallidly flickering beneath the constant stars.
Enchantment is fleeting, yet its memory is potent,
And I confess, my love, for a long time
I became stuck down in that cave,
Looking back out over burnished days.
“Be careful you don’t become lost there”
Yet I pressed on, until your voice became thin.

Orpheus had to look back, but he returned to the world.
As night passes on into triumphant morning,
We too have come back, but a shade remains
The shadow that turns, looks back, and listens.
Lyrics change, but the tone remains constant
True meaning lays beyond language
As time weights the scales, they're removed from our eyes.
Rhythm is established in waves breaking over us
Grey overlays gold, but its never subsumed
Your hair shimmers, in the quiet light of the ruins
The aureate thread that led us home.
For we are still here on this morning, the eternal morning
Where love sings all things to itself, across time.
S R Mats Feb 2023
Do you see me age, in actual time,
Like some flashing overlays
In a time-lapse production video?

Time is ongoing, flashing forward
As though with the clicks of frames;
Line by line, wrinkle by wrinkle

Transposed onto my face.
The body begins to break down
Before our very eyes;

Shrinking in size, at first unnoticed.
Do not let me become diminished
When you look and choose to remember

The sum that amounted to me.
Onoma Feb 2020
to say to oneself, i've seen that movie--

know it by heart secretly.

as if everything has been taken away from it, you turn away.

that which has somehow sworn art by the

book of your life, cast out the frame of a window.

that silver conclave of a screen breathing motion.

subjugated by the recapitulation of memory,

always the richer for impressions.

thanked with the shellshocked brutishness

of a beast, scouring for a spot to eat and

be eaten away alone.

overlays of attention--revisitations if you will,

or will not.

with nothing left to confess but wanting nothing

from possessable experience.
Yenson Jul 2020
Don't hang your coat on me
it does not fit
though the mob say
I will be fitted up
at least get the right measurements
its not 'one size fit all'
so take your 'off the peg' atrocities
and your exaggerated coloring's
your vile and warped stitch-ups
your distorted disjointed lines
your left hemming stitching
and your far right wing overlays
to your indentured blind tailors
who have ready customers
suited to your style

your fashion is not my fashion
do not hang your coat on me
I do not seek your patronage
your brand and labels unfamiliar to me
I do not do East-end sweatshops
neither do I wear 'Red or Dead' labels
why does my dapper clean cut style
cut and pain you to such extreme
who wants your street cred or your boo hoo
go find your level go do your **** elsewhere
don't lay your blame on me
for you are just a bunch of rag and bone people
renta-mob in the pocket of thieves, wasters and born liars
far far far from the manor born
I've seen my eyes through everyone
I've seen who I like
Who I don't
I've seen that which I despise
I've seen it live in me
I've seen no separation from the good the bad the ugly
I've seen love beneath it all
How God loves all daughters and sons
I've been in the darkness and I've seen the light
My eyes have been open at night and the visions have shone
The days already been come and gone
The time overlays the truth
We are everyone
Contrast has come
To open our hearts once more to the love
We share
Beneath it all

— The End —