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Chris D Aechtner Nov 2021
Sun Tzu realized that razing an enemy to the ground can lead to long-term negative results for Empire, especially depending on that which fills the vacuum left behind. That can be observed in contemporary times with ISIS having filled the vacuum left behind in Iraq and Syria.

When showing too much presence in outlying territory that had been left alone as a neutral buffer between two opposing Dynasties, that can prompt the other to become nervous enough to attempt to mitigate an issue that it regards as a possible growing threat.

Also, regardless of location, imposing too much open hostility upon an enemy can eventually lead to the enemy becoming emboldened enough to rebel against the openly oppressive Empire. When imposing overt tyranny upon an outlying territory in what might appear as an immediately successful operation, that can lead to using too many resources to maintain that position in that way. The potential of troops can be lost when stationed as a permanent standing army in an area located far away from applicable future need; that holds true regardless of available technological advancements in transportation—from defended shipping canals and heavy calvary, to cargo planes and aircraft carriers.

Those are a few examples of possible problematic logistics when attempting to assimilate an enemy.

Within his diabolical brilliance, Sun Tzu expanded one of the main prongs in the “Three Pronged Approach”, injected the heavy metals of dark arts psychology into something that already had a foundation of psychology: Enforce will upon the enemy without the enemy realizing it, to the point that the enemy will help you to accomplish goals against itself, relishing in the effort with a sense of duty.  Subsequent experimentation led to permanently changing the face of warfare overall. Ever since, successful (subjective, depends on perspective) Empire, empires, nations, governments, and corporations use the tactic.

The Trident-Tongue of Perpetual Psychological Cultural Warfare:

The Target: Village surrounded with forest: society: a clearing in the woods:

Infiltrate the village as a messenger who bears warning of a powerful, dangerous enemy making its way towards the outlying territory where the target village is located. Sow fear. When enough villagers are afraid, offer protection against the “common enemy”. That protection is 1/10 of the resources necessary for an open, direct enforcement of will. Explain that the cure, the guardians, require lodging, food, and other basic needs as small payment for services rendered. Use mindgames on reluctant villagers.

When the village agrees, and your presence becomes common place—"normalized”—begin to plant ideas in the villagers, and that includes sowing doubt on your presence. The villagers begin to divide themselves into opposing groups against each other. One group believes that there isn't an approaching enemy, another group calls that group selfish, as going against the betterment of the whole. Another group suddenly believes that it isn't good to eat something that their ancestors had eaten for centuries. In the ensuing chaos, poison some of the village children. There are many fairy tales that include broken families, lost children, and attempts made to poison and eat children. Poisoning/destroying eggs in nests is a way to cull goose populations.

Once the enemy villagers are too broken to properly run the village, announce that the invading force has been spotted in a nearby valley, and that the villagers need to hide in the forest surrounding the village. There are bamboo enclosures waiting in the forest. Explain that the enclosures will offer defense to the villagers. After the villagers enter the enclosures, lock the villagers in the enclosures, and begin to ridicule the villagers for having fallen for the trap. Mock the villagers, spit on the villagers, laugh at the villagers. Remove pre-selected villagers from the bamboo enclosures, **** and ****** the targets in front of their caged families and friends. Have another group that consists of individuals sporting insignia, weapons, and armour that differ from the first group, pretend to scare off the first group. Release the villagers from their enclosures. Explain to the villagers that their former captors lied over there being an encroaching invading force in order to trick the villagers into the enclosures, and that you are willing to protect them against their former captors. Overjoyed, without being prompted to do so, the villagers offer much more payment than before for services rendered, so much so, that you 'sell' their own products back to them.

The villagers believe that their gods sent Sun Tzu's death knights in shining armour to them in an act of divine deliverance.
The villagers mindlessly follow and parrot every command and slogan issued forth from their supposed protectors.
The villagers don't remember village life prior to having been enslaved by their divine shepherds. The stages of demoralization, dehumanization, destabilization, crisis, crisis mitigation, and normalization have been completed. The villagers have burned the bowls in their skulls, are empty jugheads to fill with idea-petals of poverty, subservience, sickness, and death.

1/10 the amount of usual resources were used to secure the area in a sustainable manner. There weren't valuable troops lost in battle. Weapons and armour didn't need to be mended and retooled. Empire doesn't need to worry over revolt from the villagers, and the village works for Empire. When there is need to retool or replace weapons and armour, the village blacksmith does so in the belief that he is helping to protect the village against a common enemy.

The enemy villagers are injected with a new passion for a while, but break again under the strain of hyper-conflict that perpetual psychological cultural warfare causes in an infected individual. Use the good cop/bad cop psychology (the template and blueprint for contemporary politics and political systems) in various ways until Empire inevitably begins to devour itself. When Empire devours itself, the outlying provinces are the first to go as Empire implodes to protect its core. At that point, Big Brother had been selling the village's goods to caravans to spread the goods throughout neighbouring provinces. The wealthier that Empire becomes, the more that the consistently poorer target villagers offer to Empire: A tell-tale sign of an incoming Great Reset uncoiling from off the horizon, slithering down into valley basins filled with current moments.

Gaslight the villagers, blame and shame them for everything, squeeze them to their last guilt-drop before setting the villagers ablaze.


One of the Great Deceptions within the Grand Illusion is the delusion that there is constant need of the worker. A worker is useful in various ways in different seasons of bloom and wither. Within universal change, there are constants: The peasant doesn't bow to the King without bowing to the Queen before being ground into grain for winter stores, just as the worker honeybee drones are cast from the hive during winter—relish their death with a sense of duty fulfilled on the frost as snowflakes kiss their wings.

The broken villagers are useless to Empire, husks of their former selves. In the scenario of a neighbouring Dynasty approaching to feed in death knell, lock the villagers in their homes, and set them ablaze as decoy-beacons in the valley for the encroaching Dynasty.

The burning village is located in a bowl of ash surrounded in a steep, jagged-toothed mountain range. As the enemy Dynasty descends into the valley, you head westerly towards the third largest bastion in Empire's outer rings of defense.


Sun Tzu didn't come up with the concept on his own:

He retooled a trident that he found leaning against a scorched bamboo enclosure located in a long-forgotten forest.

                                                        ­     11 12 2021
I understand that it isn't a poem.
Prabhu Iyer Aug 2013
Flame-tree abloom: dabbing red,
the distance paling green -
from the half-open window
to a dreary room;

Horizon waves bathed in gold dust -
from a vessel floating
in deep, enveloping seas;

Smudged streetlamp ayonder
a dark, rainy night;

Love, blooming silent, outlying mundane life.
An attempt at a 'cubist poem' : multiple perspectives, emerging out of reflections on a single theme - in the three scenes depicted, something is outlying, and yet is in utter contrast to the nominal view, as implied in the last line as well.
Hana Třasková Sep 2017
I think that I'm not getting out of here alive
That someone will have to make an effort
On cold stretches carry me out of this room
To the one big outlying unknown

If you think that this is too much
Well here is another even darker verse
Thinking in my very last moments
If this insomnia is family curse

Those questions sticky as honey
Don't want to leave your mind
Keeping you awake all night
Asking yourself, if you are to others kind

Experience adventurous moments?
Is this really our life's point?
When something inside of you is broken
How can you keep going on?

Not able to sleep will make you crazy
From crazy you will go straight to numb
I wasn't imaginating my very last moments
Laying out there in the dark

I didn't really care what will be after
It shouldn't matter, nonexistent anymore
I didn't have any ulterior motives
I just wanted to cut straight to the bone
This was written in my darkest moments. I hope that I'll not experience them ever again. I'm trying for positive approach in my life now. I hope that YOU are doing well and living your life happily.
Alexander K Opicho
(Eldoret,Kenya;aopicho@yahoo.com)
This essay is based on the observation research that had been carried out  by a social research firm in  Eldoret, Kenya, in the preceding six moths, which has been concluded on 30th January 2014.I the writer of this essay was among the lead team that carried out this study.We unobtrusively observed two thousand University graduates from east African states of Kenya,Uganda,Tanzania,Rwanda,Ethiopia,Sudan,and Burundi plus a few form some parts of Congo .Our target population of two thousand graduates was used under the guiding assumptions that it would help the study to arrive at water tight social conclusions.Our problem of focus was that ;why are male graduates in east Africa not marrying fellow graduates but instead go for marital partners who have substantially lower education qualification and even academic achievement.
The conditions of serendipity was also encountered and taken care of , when we also deviated from the natural social settings and charted with our digital social media friends who were approximately two thousand as well.They were digital social friends from Facebook and twitter digital social platforms. We  posted a thread in question form that ; if you were marrying today , would you marry a girl you graduated with the same year? Eighty percent of the responses to this thread was no , only twenty percent was yes.
The actual situations in an empirical experience is that male graduates prefer marrying ladies who stopped schooling in high school,and male high school or diploma college graduates prefer marrying ladies who don’t have clear high school education.And male primary school leavers prefer marrying ladies with inferior social positions like those who come from poorer families or from different tribal communities that are geographically, economically or culturally disadvantaged.
And in case where a male graduate dares to marry a fellow graduate , the dominantly observed social behaviour in this juncture is that ; the boy will go for the girl in a different school or faculty that is perceived to be inferior within the university academic climate.Like a student of medicine or law will go for a girl doing education or any University course perceived to be inferior.But the observation  produces insignificant cases of where a medicine student daring to marry a fellow medicine student.The minor cases of where a medicine student dares to marry a fellow medic will only take place in a social fabric that the male student at fifth year level will go for a girl in first year.Still there is a social tilt.
When we asked for reasons in a non-obtrusive manner from our unsuspecting respondents.We got both positive reasons and negative reasons.The positive reasons our respondents gave are that in most cases girls who don’t make it to the university happen to be more beautiful or their physique is more sexually appealling than those ladies who make it to the university.when we projected this type of reasoning , we also found that ladies who are in schools like education,journalism or any other school perceived  inferior in the cultures of the University are again more beautiful and more socially enticing than the girls doing University courses like law ,medicine or engineering.One of the respondents made a socially outlying remark by saying that girls at the polytechnic or certificate colleges are usually light in the skin,**** in character and blessed with big or pronounced bossoms than ladies at the university.
When we asked the negative reasons , our respondents argued that  ladies from the university are not controllable,neither are they prepared to be controlled come even the marriage. Further argument for these behaviour by male  graduates is that the University ladies are sexually exhausted,As they usually stay with a man in the hostel or in the cube during the four or the five years of their live at the University. Some even live with different men interchangeably, after which they divorce those many on the graduation day.Another response is that University ladies have a proclivity towards social hangout behaviours like smoking ,pinching or revving in the wine spree and loving the pocket but not the owner of the pocket.
This social phenomenon have imperative concerns that there is high level of genetic mismatch through marriages in east Africa or any other part of the world which east Africa can be socially generalizable to in such particular socialization.Graduate ladies are often forced to marry as second wives , or marry non graduate husbands or stay as a single mother but playing a mistress somewhere, a social behviour described as mpango wa kando or chips funga in the the east African Kiswahili parlance. Such social encounters have a long term consequences of fettering the genetic potential of the family in terms of  academics.When we conform to a warning by an eminent American psychologist that ; ninety percent of academic brilliance is contained in the genes but not influenced by environment we then obviously concur with the findings of this study that if a graduate marries a graduate there is a guarantee for academic performance among the offspring , but where a graduate marries  a non graduate ,  academic performance among the offspring is either mediocrous or probabilistic.The findings of this study also fall in technical tune and intellectual tandem with the observations of Lee Kuan Yeow in his book; From the third world to the first world in which he pointed out that; failure by the male graduates from  Universities in Singapore to marry the fellow female graduates was an impeachment to development as the ultimate consequence of these social behaviours is unnecessary inhibition of good genetics at a macroeconomic level.
The conclusive position of this study is that University leaderships in Africa, with a particular focus on east Africa, must inspire new University culture that has a turnaround effect on this behavioural status quo.The reality is that male graduates behave like this out of a dominance syndrome not out of anything technically worthwhile.Kindly , let our graduates change their marriage behaviour so that we can substantially protect our genetic advantages.

References;
Lee Kuan Yeow; From Third World to the First World
Alexander K  Opicho, is a social researcher at Sanctuary Research agencies in Eldoret, Kenya.He is also a lecturer  for Research Methods in Governance.
judy smith Apr 2016
London fashion designer ­Carmina De Young is bringing her first ready-to-wear collection to market with the support of two local fashion mavens, wardrobe and image consultant Susan Jacobs, and business mentor Gloria Dona.

De Young’s Spring/Summer 2016 collection is now available by appointment at the Pop with Purpose studio,

The studio recently held an informal fashion show featuring De Young’s collection.

De Young was born and raised in Puebla, Mexico and discovered her passion as a young child, taking inspiration from her mother’s creative flair for fashion and design.

A graduate of Fanshawe College’s Fashion Design program, De Young’s clothing has been showcased locally and on national platforms, including at Vancouver Fashion Week and at the Caisa Fashion Show at Western University.

De Young started her own label in 2012 and now has a 25-piece ready-to-wear collection ranging from office to casual activities to a night on the town.

Each piece is available in size XS to XL with prices ranging from $79 to $259.

Instead of trying to break into the notoriously-difficult retail market, Dona and Jacobs offered to bring the De Young collection directly to London women through the Pop with Purpose studio.

“We love that we can offer women locally designed and manufactured clothing where they know the designer and know that they are helping make dreams come true,” says Jacobs. “There’s power in that. It’s incredible.”

Topspin scoops award

London-based Topspin Technologies Ltd., has been awarded the Synapse Life Sciences award for innovation in health. Their product, the Topspin360, beat out more than 60 invited applicants for products that demonstrate an innovation in health in Ontario.

This award follows the London-based Techalliance “Techcellence” award the company won earlier this year.

The Topspin360 is the first patented training device that helps improve neck muscles to reduce concussion risk.

Theo Versteegh, who earned his PhD in physiotherapy from Western University in 2016, developed the device after watching the Sidney Crosby hit in 2011 that caused his concussion.

Versteegh found that many sports concussions are the result of the whiplash effect.

The Topspin can be used in all sports, especially those at high risk for concussion, and also in military applications.

Northerner joins Fortune

David Ramsay, a former cabinet minister in the government of the Northwest Territories, has joined the board of directors of London-based Fortune Minerals .

Ramsay has more than 20 years of elected public office experience in the Northwest Territories. His cabinet portfolios included industry, justice, transportation and public utilities.

Fortune is working with three levels of government on infrastructure projects important to the success of the company’s NICO gold-cobalt-bismuth-copper project in the Northwest Territories.

One project is a 94-kilometre all-season highway to the community of Whati, northwest of Yellowknife.

The road is supported by the Tlicho Government, a Dene First nation and would reduce the cost of living and improve the quality of life in the outlying Tlicho communities and promote economic activity. Fortune has already received environmental assessment approval to build a spur road from Whati to the NICO mine.

Delta hosts bridal show

The London Wedding Professionals will hold their second Bridal Showcase at the Delta London Armouries on April 30.

The event offers a smaller, more intimate experience for brides to meet local wedding industry experts, ask questions, and get inspired for their wedding day.

The show features products and services from professionals including gowns, photography, florists, venues, DJs, hair and makeup and wedding planners.

The showcase also puts a focus on inspiring brides with Vignettes throughout the space showcasing different themes or colour palettes.

The show runs from 11 a.m-3 p.m. and admission is free.

Student makes his pitch

Sean Cornelius from St. André Bessette Catholic secondary school in London is one of 20 teenage entrepreneurs heading to Toronto May 8–10 to compete in this year’s edition of the Young Entrepreneurs, Make Your Pitch competition

Selected from the 204 two-minute video pitches entered, Cornelius earned the right to participate in a Dragon’s Den-style pitch contest at Discovery, Ontario Centres of Excellence’s annual innovation-to-commercialization conference, to be held on May 9 at Metro Toronto Convention Centre.

Hamilton Road looks ahead

Business people in the Hamilton Road will hold an information meeting Wednesday about the creation of the Community Improvement Plan that could lead to the creation of the Hamilton Road Business Improvement Area. The meeting will be held at 7 p.m. at the BMO Sports Centre on Rectory St. and guest speakers include Mayor Matt Brown and MPP Teresa Armstrong.Read more at:www.marieaustralia.com/****-formal-dresses | www.marieaustralia.com/vintage-formal-dresses
Cody Edwards Apr 2010
"And Abraham drew near, and said,
Wilt thou also destroy the righteous with the wicked?"
- Genesis 18:23

I

There are about four thousand people
Here.
They throng in blasted heat like
Little arid wasps.
Gasping summer rain,
Like the opposite of fish.
Of their individual character
I can give no generality.

They are men and women,
They stand on roofs and
Sleep on their words.
They are hot and cold
And they hate and scold.
They are devils and stars
And ***** and priests
And children of priests.
Orators, they are also:
The speakers of the state (which
Is hotter than they could
Ever know); they steal
And reel and impose their
Splitting fingernails deep into
The varnish of the
Wishing well.

They are men and women,
They stand on roofs and
Smother dreams by spitting on the sky.

II

Fox. Come and light my little room
With your brilliant breath. Have you
Come very far? From the eye of the trees?

I should leave this little town if I were you.
It has its ways and leeches from our
Dangling hands. A tongue named Lethe.

Wake early and flee back to your dark,
Summon that green corpus shell that
You came from and follow its outlying root.

You should know the power of the vine.
It crawls in the blinding night and
Strangles what it cannot feed upon.

Oh my little fox, I beg you turn back,
For in familiarity lies strength and nothing
In this wilderness will give you nourishment.

III

He walks in waterways and crunches bone.
He watches moonlight play on open wounds.
He wishes dearly for the ends of weeks.
I heard him live his life without a sound.

The high school band with a treble clef. The year
Of empty penmanship in which he wrote
A thousand notes and mailed them underground
About which neither parent knew a thing.

Encounters best discovered some years later
Work to redden ears in coffee shops,
Or rather as I’m talking to him now,
With darting speech and halting eyes and all.

Perhaps the atmosphere could lend itself to blame,
The hormones and the collusive ennui.
But little charms the tear ducts quite like saying,
“Why am I this way, do you suppose?”

I haven’t got the heart to make reply
And often pose myself the same question
Before the mirror thinking of my whims,
The muddied roads that led me where they did.

My time has run itself to pieces in
The hope of spreading my horizons, but
Some sand runs faster in the way, some gains
More ground. And mine? This distance is unknown.

I licked the shelves of Hardy, Plath, and Keats.
I lorded over idiots with glee.
I lured the fathoms of my mind to float.
And oh, the things that he must think of me.

IV

The doors know I am coming,
They dart out of my way.
My telekinesis stops there
But I troll forward
And brandish my little iron steed.

****. Adjust my strap
And push the cart onward.
My purse like a little leather
Bundle of swaddling.
I nuzzle it close to my breast.

Frozen foods. Diet says
No carbohydrates, so I adjust
My tastes. In a little town
Like this, they’ll notice if
I don’t.

Magazine aisle. Nothing
But ***-endorsing rags
And godless photo sessions fit
For lining shelves and
little else.

Lord, this vast store!
Give me strength to bet back
To my car. God, look at
That **** at the pharmacy
Asking for birth control.

And I can’t help but
Cluck my tongue at her:
I just tell Ray I have a headache
And turn on my back.
Ha, as if she’s married.

No decency any more.
Men getting married, women too!
God supposedly “Banging” us out of
Star dust. Who are those atheists
To judge my truth?

Checkout. No, self-checkout.
I don’t like that clerk
Staring at me. Receipt.
Probably a ******* anyway.
And for a moment my mind controls the doors and all things.

V

She’s gone a bit insane.
Yesterday in class, she asked
To go to the lavatory
And just went straight home.
(Poor thing, I can’t blame
Her after all that has happened.)

She’s told me about her
Father before. Whether she’ll
End up as warped remains
To be seen. She’s got my sympathy.
(Mother dead at four, brother at
Seven and something else at twelve.)

Senior year is more than
Freedom from Dad, she says.
It’s freedom from myself,
Whatever that means.
(It is her father’s profound wish
That she memorize all of Revelations.)

From the grass, she tells me
That her father explained to her
That non-dairy creamer kills
Ants. She does it with a smile.
(We don’t have to say much more,
Suffice it to say he’s a very loud man.)

She still has an averse reaction
To stories about car crashes.
And I never read her her
Early July horoscope.
(Nightmares are too kind.
Panic sifts through windowpanes.)

Her uncle doesn’t call from
The old hometown, he was
Grabbed from her life and her
Father never says why they moved here.
(Two years her junior, she jokingly
Calls me Grandma because)

She hates her real one. Prom
And graduation. A candle
Ceremony and she’s gone.
Her father left before it was over.
(I’ll miss her, but I made
Her promise not to visit.)

VI

Hot like a miracle breath.
The two seasons: Summer
And February.
We taste the heat
And drive away for the weekend.
Of course the world ends
And the “Welcome to” sign.

Unsurprisingly,
The radio dies as we
Head back to town.
Why should the death of
An intangible surprise me?
Everything else
Dies here.

Pessimism like a mockingbird.
The smoking trees
Ripple like an Ella
Fitzgerald vowel.
Hold your
Miraculous breath
And it still won’t rain.

Our abortion
Welcomes the needle heat
with a  horrifying
Little finger.
That smile,
That smile.
Jesus.

How can it stay so
Hot? No reply,
But I forgot who
Was asking.
The irony of this ****
Town sparks my
Smile.

VII

So where are you from?

        I lived up north
Before I moved down here.
They needed teachers and
I thought “Why not?” Turns
Out this place is a lot
Slower than up where I
Came from. No offense.

(Laughs) None taken.
So what are you teaching?

Senior English. Pretty cool
Subject but I was shocked
How little the kids had been
Exposed to. I hope to remedy
That soon. (Mumbles something)
Any more problems, you know?

The parents have complained?

Oh, just the usual nitpicky
Silliness: “I don’t want my
Christa or Johnny reading
Such-and-such a book.”
After a few years, I’m
Sure the parents will lighten up.
Or, (Laughs) at least I hope.

How are the kids?

Can I actually answer that one?
One or two brights but most
Just seem ready to get out.
They’d better be willing to put
In some actual thought if
They really hope to. (Pause)
It’s not all about sports.

(Laughs) I hope you’re not too
******* the athletes. They do their best.

Well, I certainly hope
They do. I won’t play
Favorites or anything like
That. Hardly fair to the
Others, right? (Laughs,
A pause, tape ends.)

VIII

He can’t breathe.

He’s been running for
Hours.
The trees. The brush.

Wonderful veins blast
Away at their work
To preserve him;
Great fibrous tendons
Work to carry him
Away from the noise.

The murderous streets with
Scoured buildings
And trees inviting the
Convening crowds to lay
Out their burdens, to
String them up and
Ease their hard frustrations.

They have not seen him as yet.
He follows Polaris,
god of the irreverent,
Meager candle for a
Drowning man.

Exposed road; he flags
A car like a madman.
Well, we shan’t go
So far as to call him that.
And has he any bags?
No.
And which way is he going?
North.

Procession. Silence.

The coolish progress
Of a blackish
Summerish
Night.
How many minutes
out of town? and how
many moments in the
rounding cruelty of acting?
The driver smiles in his driver’s
Seat, eyes lit by the green
Display, ears filled suddenly with
Static.

The bruised night
Raises its single, white eye
Like the ponderous pitch
Of a bird.

I suppose he knew from
The second he saw the car:
There was never any sanctuary
In this little cloister.

The towns spreads like
Botulism over both windows.
He stops before the courthouse.
Stops before his jury,
Hanging judges.
And you needn‘t ask yourself
“Who are they?”

I’ll tell you.

They are men and women,
They stand on roofs.

They are boys from California
Who ran like foxes but refused
To run away.

They are musicians who lived
Their lives without a sound.

They are hopeless hags who
Speak in blinding grocery stores
And **** the gossip air.

They are girls with opportunities
Burst like an innocent cell
And violated by the heavy hand
That tucks them deep to sleep.

They are cruel little ******* who
Only wanted something to listen to
While the seasons spun around them.

They are teachers who never learned.
They are hearts that never burned.
They are heads that never cooled.
Not when it’s so hot outside.

They grew uneven like a story
Written in celebration of a meaningless title.
They have every right to be angry,
And yet they level their stones
At one another instead of the
Hell a glass house can become.

They walk so slow the sun
Can stoop and eat them up
Without the briefest guilt.
© Cody Edwards 2010 (Note: The stanzas in section seven should be eight lines with the question hanging and the answer indented in. I couldn't edit it that way on this page but ******, I try.)
Dustin A Owens Aug 2015
I feel trapped in this world, with no way to escape
I tap upon the glass of my subconscious mind
But they echo no more from my room of confinement
And instead they vanish. **** and leave me behind

I've thought this over thoroughly but never had the gall
To step down to that crooked slab of asphalt underneath
Instead, these thoughts, they bounce around and cause a chain reaction
That exposes daily reasoning as a sword without its sheath

The sheath; a sense of normalcy, not elsewhere to be found
Overcome by spikes in temper, putting ties in danger
Of whom I love and whom I ultimately care about
Suddenly and unbeknownst to me, becoming strangers

Depression dulls the blade's sharp edge
Where confidence had once been rested
Anxiety loosens the hilt with doubt
Rendering potential nigh ineffective

Hatred of person in all past events
Where regret is an outlying feature of memory
Hesitance an outlying feature of future
And behind is left a feeling of agony

To top it all off, there's the constant harassment
Where progress in peace achieved is a minimal
Where the freedom of speech is abused as a right
By these sadists of mankind, true message subliminal

Sticks and stones may break my bones
But words will never hurt me

Was the biggest lie ever told to children
As they cut deep psychologically

But no matter how down in the dumps I become
I never give up and I strive for the best
So when I finally get to stare Death in the face
I can welcome him warmly with a gentle caress
Aaron Wallis Feb 2014
A lowly wooden bench lent itself to a lonesome aged narrow man in a common garden in the smallest hour of the day’s beginning. In the thick haze of the summer’s waking light the common is thinly met with the company of others. Just an old man and his acquainted bench who came to give his eyes sight to the grass and trees, and to rid himself of thought.
He and the bench creak as he sits back; clutching at the satchel veiled among his dull drudged garb that bleeds into his pallid slack and cracked skin.
The wiry hairs bushed around his nostrils recoil to the deep inhale before the sigh, his yawning blue eyes sliding behind a milky glaze follow a bushy tailed rodent hurry into the confidence of a tree.
Through all nonchalance a pair of hobgoblin lugs under a brown woollen hat slides up the flanks of his head to outlying drowned tones of laddish laughs and lewd levity, an unseen clutch of kids filling the common’s spread with their foolish louting prances. Intimidating the preferred and performed with their innocuous idiocies; a mere asocial array of follies without the thought of good manner.
The thoughts of the old man are only briefly drawn; his ears leave the sounds of reckless recreation and back to the hushing song of the swaying grass, the rustling shake of the seasoned leaves on gorged and drooping branches. To his own wilted waning heart, the tremors, quiver and shivers within his own cage, his thoughts turned to his own temporal passage and to the re-joining of his love, of whom no longer lays her head on his shoulder, whom no longer wraps herself around his arm on the lowly park bench.
His lowest lip gives to an emotive tremble as he heaves himself over to the hem of the seat, his hands without any other part to play; frenetically tickle one another with frail kinked fingers.
With what little his body has left to give the eyes well to the upmost point of a tear, as he feels the weight of his wallet in his side trouser pocket against the rough of his skin. Where there within lays an image of a most loved face in a prized time, so that it may be remembered so it may fetch ease to a remittent floundering morsel of a man who could justly with the dead.
The photograph within his keeping need not be looked upon from under the shine of a laminated holding; it needs only to be there, only to be known that it is there.
The satchel was undid and fetched from within the clutter came an elderly notebook now held in his hands. A phlegmy husk of something said breeches his gummy chops, and he spits as he spat shouting out at the still of the garden.
“You should always write more than you do,” she would say, “you are better for it when you do and it lifts me as it does you, when you do.”
The old man reads from the notebook with a weak hate for the world.

“Am I for the worms yet? Am I to be from this rock?
Am I not yet too mad for this mad maddening world?
Four corners of an empty house, a homeless place of curling wallpaper and aloneness for company.
A room in a vagrant house with no light to fill it with a decrepit fool for a keeper
His stink stinks the walls for days as the blow flies form a speckled haze as they feast in filth of his unnoticed demise
With no manner of intention and for relation or friend, there is no cause and no mention for any to attend
He will rot with the house and his memory with it, with his memory does his love die and together they are ghosts in a world where ghosts do not exist.”

The old man pauses as he forcibly triggers one finger to his temple and ***** in his lips. His empty cries fall to a mumble as his hands tremble with his dear notebook in their grasp.

“Take me now cruel are the fates, take me now and rid me
The worms will welcome me, my flesh for an endless night
My life for a world without this life, for a life without his world
I would hold with a brim smile if it was not for my memory of her, if she was not to be lost at the close of this stint
I know not or want knowledge; I seek not of a design and not of meaning
Just a cure for this affliction for my must to her who brings me so much sorrow
Through blissful ages I can no longer hold, and can barely recall
We are all just people who will soon be once living, to be unlived and to forget is a conflict in myself
I have no answer as I have no question, you can have no answer to a question you do not seek nor ask
I dare not speak but I have no end for this, I have no solace and I have no end.”
The old man; the poor old man began to close his dear aged notebook and find the need to bring a smile, perhaps a moment of lunacy to calm the tightening knot beneath his breast.
He pulled a scratching cackle from the pit, wild and uncooked wiping the drool from the crook of his maw with the back of his blotched, mottled hand.
The old man found some seconds of a stoic amenity as his wild eyes grew gallant for those mere moments before the grey metal heft of his sullen vesture fell to his shoulders, he became heavy once more as the world retook him and cloaked again in the present - the light ebbed from him as swiftly as it came. The old man reproached his satchel to humbly return his dear old notebook.
There was a crack like a pick to ice with a hollow thud like a boot to wood as an immediately dissipating claret mist fizzed above his head. The make shift found-about cosh still swinging through the air and over his crown, the old man’s wilted body twisted and slumped to the floor face first. The concrete path before him tearing at the skin of his chin, his frail bones cracked as the meagre weight of his body forced itself into his neck. Laying perverse and unnatural the life was soaked up into his woollen hat and out across the concrete, to the grass – to the worms that writhed below the muck. His eyes were as lifeless as they were when he lived.
They did not wait for the gentle hiss of the spray or the bubbles that popped in the pool that surrounded the old man. They had snatched the satchel and ran off into the spread of the common until they were nothing but outlying drowned tones of laddish laughs and lewd levity.
Crazy old *******.
A lowly wooden bench has lent itself to a lonesome aged narrow man in a common garden in the smallest hour of the day’s beginning. In the thick haze of the summer’s waking light the common is thinly met with the company of others. Just an old man and his acquainted bench who came to give his eyes sight to the grass and trees, and to rid himself of thought.
I wanted to look at the people we never notice or avoid and there potential differences, whether it be an old crazy man on a bench or a group of youths in hoods. I wanted to follow the man though and his reason for him to be sitting in the bench a momentary peak into his life. I also tried to paint a scene with a little detail as I could. I only hope it all worked.
willy knight Apr 2010
"See! warp is stretched
For warriors' fall,
Lo! weft in loom

'Tis wet with blood;
Now fight foreboding,
'Neath friends' swift fingers,
Our grey woof waxeth
With war's alarms,
Our warp bloodred,
Our weft corseblue.

"This woof is y-woven
With entrails of men,
This warp is hardweighted
With heads of the slain,
Spears blood-besprinkled
For spindles we use,
Our loom ironbound,
And arrows our reels;
With swords for our shuttles
This war-woof we work;
So weave we, weird sisters,
Our warwinning woof.

"Now Warwinner walketh
To weave in her turn,
Now Swordswinger steppeth,
Now Swiftstroke, now Storm;
When they speed the shuttle
How spearheads shall flash!
Shields crash, and helmgnawer
On harness bite hard!

"Wind we, wind swiftly
Our warwinning woof
Woof erst for king youthful
Foredoomed as his own,
Forth now we will ride,
Then through the ranks rushing
Be busy where friends
Blows blithe give and take.

"Wind we, wind swiftly
Our warwinning woof,
After that let us steadfastly
Stand by the brave king;
Then men shall mark mournful
Their shields red with gore,
How Swordstroke and Spearthrust
Stood stout by the prince.

"Wind we, wind swiftly
Our warwinning woof.
When sword-bearing rovers
To banners rush on,
Mind, maidens, we spare not
One life in the fray!
We corse-choosing sisters
Have charge of the slain.

"Now new-coming nations
That island shall rule,
Who on outlying headlands
Abode ere the fight;
I say that King mighty
To death now is done,
Now low before spearpoint
That Earl bows his head.

"Soon over all Ersemen
Sharp sorrow shall fall,
That woe to those warriors
Shall wane nevermore;
Our woof now is woven.
Now battlefield waste,
O'er land and o'er water
War tidings shall leap.

"Now surely 'tis gruesome
To gaze all around.
When bloodred through heaven
Drives cloudrack o'er head;
Air soon shall be deep hued
With dying men's blood
When this our spaedom
Comes speedy to pass.

"So cheerily chant we
Charms for the young king,
Come maidens lift loudly
His warwinning lay;
Let him who now listens
Learn well with his ears
And gladden brave swordsmen
With bursts of war's song.

"Now mount we our horses,
Now bare we our brands,
Now haste we hard, maidens,
Hence far, far, away."
Njal's Saga
LJW Jul 2014
The Top Ten Epigrams of All Time

In the depths of winter, I finally learned that within me there lay an invincible summer.—Albert Camus

It is better to light a candle than curse the darkness.—Eleanor Roosevelt

If you can't be a good example, you'll just have to be a horrible warning.—Catherine the Great

If life were fair, Elvis would be alive and his impersonators would be dead.—Johnny Carson

Some cause happiness wherever they go; others whenever they go.—Oscar Wilde

To err is human, but it feels divine.—Mae West

An eye for an eye leaves the whole world blind.—Mohandas Gandhi

For most of history, Anonymous was a woman.—Virginia Woolf

I'm not offended by dumb blonde jokes because I'm not dumb, and also I'm not blonde.—Dolly Parton

He does not believe, who does not live according to his belief.—Sigmund Freud



In April 2014 A Poet’s Glossary by Academy Chancellor Edward Hirsch was published. As Hirsch writes in the preface, “this book—one person’s work, a poet’s glossary—has grown, as if naturally, out of my lifelong interest in poetry, my curiosity about its vocabulary, its forms and genres, its histories and traditions, its classical, romantic, and modern movements, its various outlying groups, its small devices and large mysteries—how it works.” Each week we will feature a term and its definition from Hirsch’s new book.

epigram: From the Greek epigramma, “to write upon.” An epigram is a short, witty poem or pointed saying. Ambrose Bierce defined it in The Devil’s Diction­ary (1881–1911) as “a short, sharp saying in prose and verse.” In Hellenistic Greece (third century B.C.E.), the epigram developed from an inscription carved in a stone monument or onto an object, such as a vase, into a literary genre in its own right. It may have developed out of the proverb. The Greek Anthology (tenth century, fourteenth century) is filled with more than fifteen hundred epigrams of all sorts, including pungent lyrics on the pleasures of wine, women, boys, and song.

Ernst Robert Curtius writes in European Literature and the Latin Middle Ages (1953): “No poetic form is so favorable to playing with pointed and sur­prising ideas as epigram—for which reason seventeenth- and eighteenth-century Germany called it ‘Sinngedicht.’ This development of the epigram necessarily resulted after the genre ceased to be bound by its original defi­nition (an inscription for the dead, for sacrificial offerings, etc.).” Curtius relates the interest in epigrams to the development of the “conceit” as an aesthetic concept.

Samuel Taylor Coleridge defined the epigram in epigrammatic form (1802):

What is an epigram? A dwarfish whole;
Its body brevity and wit its soul.

The pithiness, wit, irony, and sometimes harsh tone of the English epigram derive from the Roman poets, especially Martial, known for his caustic short poems, as in 1.32 (85–86 B.C.E.): “Sabinus, I don’t like you. You know why? / Sabinus, I don’t like you. That is why.”

The epigram is brief and pointed. It has no particular form, though it often employs a rhymed couplet or quatrain, which can stand alone or serve as part of a longer work. Here is Alexander Pope’s “Epigram from the French” (1732):

Sir, I admit your general rule,
That every poet is a fool:
But you yourself may serve to show it,
That every fool is not a poet.

Geoffrey Hartman points out that there are two diverging traditions of the epigram. These were classified by J. C. Scaliger as mel and fel (Poetics Libri Septem, 1561), which have been interpreted as sweet and sour, sugar and salt, naïve and pointed. Thus Robert Hayman, echoing Horace’s idea that poetry should be both “dulce et utile,” sweet and useful, writes in Quodlibets (1628):

Short epigrams relish both sweet and sour,
Like fritters of sour apples and sweet flour.

The “vinegar” of the epigram was often contrasted with the “honey” of the sonnet, especially the Petrarchan sonnet, though the Shakespearean sonnet, with its pointed final couplet, also combined the sweet with the sour. “By a natural development,” Hartman writes, “since epigram and sonnet were not all that distinct, the pointed style often became the honeyed style raised to a higher power, to preciousness. A new opposition is frequently found, not between sugared and salty, but between pointed (precious, over­written) and plain.”

The sometimes sweet, sometimes sour, and sometimes sweet-and-sour epigram has been employed by contemporary American formalists, such as Howard Nemerov, X. J. Kennedy, and especially J. V. Cunningham. Here is a two-line poem that Cunningham translated in 1950 from the Welsh epi­grammatist John Owen (1.32, 1606):

Life flows to death as rivers to the sea,
And life is fresh and death is salt to me.

Excerpted from A Poet’s Glossary by Edward Hirsch. Copyright © 2014 by Edward Hirsch. Used by permission of Houghton Mifflin Harcourt Publishing Company. All rights reserved.



collected in
collection
A Poet’s Glossary
Each week we feature a new term from Academy Chancellor Edward Hirsch’...
jo spencer Jan 2014
The soon to be beached meadows shimmers
as the heightened sun dehumidifies  the outlying cornfields
evaporating the ground cover.
Scarabs appear postulating
the broken bonds of  farmer
and nature.
In the combustible sands
Great things will be birthed.
Tyler Brooks Jun 2013
As i stood
under the moon’s and stars’ and planets’ light,
i checked my watch,
but felt distant from
the time of day,
or time at all.
For i connected to these outlying rocks
not as lights in the skies,
but distant eternities
outlasting i.
name Jun 2015
A constant reinvention where the outlier becomes the mainstream and circulates back to the outlying regions. Beautiful layers on a bed of kindness and understanding.. compassion mixed with passion and hot tempered moments of reality checking in-your-face murals along the textured walls..seen through crisp, foggy mornings.
Lauren A Todd Jun 2015
All the hungry eyes
Are pulled to the center set, roaring fire.
She seers excitement and anticipation
Onto cold skin.

But the outlying glow
Of the saucer eyed, girl
Scaling the rim of each room
Can also spread warmth
Wich may even reach your bones.
awknight Feb 2019
All the things I am scared to say
pile in my brain;  begging to flood over
they don’t know their own names, but
crave to be heard.

your voice. its vibrato, true velvet
floating across every atom of my being
a truth spoken that only comes from your lips
a masterpiece no mere humans could create

my darling, do you sift through the clouds
scanning my eyes as I worship the light you bring?
do you hear me call your name as my dreams
project themselves toward where you are.

your eyes. their stare, a protective state
I have never known; dancing across my
every move. laughter finds itself within the
outlying colors of your world. Don’t you see…

don’t you see, our eyes match intensities to
create another creation. a world colliding
but not in a collision. A big bang, but in serenity.
a secret kept; only for us.

please, don’t allow me to write about the hands
that write me everyday. defining a path in the dark
a leader, led by truth and goodness
sought by many; found by me.

I fall into an eternity, wrapped into you —
you rise and fall; I reciprocate. We are
patterns; carefully placed alongside
juxtaposing backgrounds, only to become one.

I surrender, fully. I understand now. For you
my heart would fall from my chest, fulfilled
it leaps.
I will not chase it, it has found its freedom.

Freedom in the throwing up of hands.
A white flag positioned
when a person creates an understanding of gods
The pieces I desired to reach was ever outlying
yet heartening.
Leigh Jun 2015
Fires in ditches and fields with
Newspapers, boxes, and dry grass
As our accessible anthracite;
Once smouldering enough on its own feet
To become its own source is when
The limbs were stripped and introduced;
Torn from trees or salvaged from
The outlying waste - they fed the
Crackle - spitting whispering embers skywards.

As children with little sense, our noise
Was all we could offer to appease
Wayward youth's disorder.
The crippled heat was secondary,
But to watch things burn was valuable;
A ring of lives held tenuous.

One thing I came to know
From the nights we gathered in droves is
That within this life of loose bonds and swells
I soak in the hungry gloam.
.


.
Brant Dec 2023
Back home,
The roads blend into the hills
Across long stretches of countryside,
Twisting and turning,
Amidst sweetgum and southern pine woodland,

Blue wildflowers and dandelions
Decorate our fields and backyards
That make sweet snacks
And wishes
When you spread it’s feathery parachutes,

The summit of Shades mountain
Elevates our historic town,
Above former native territory
And the outlying railroads
That carry steel out of Birmingham,

And hearing the distant trains call of arrival
Over the vast stretch of woods below,
Accents the whispering trees
And calms my soul,

The affections of home
Remain bittersweet,
But my absence and return
Have unearthed in me,
Where I belong
JS May 2017
My heart is taken
By no one
Love
that was so mistaken

It should be forever
Feelings
Overrated
Story like compound lever

My heart is taken
By you
Pain
every morning reawaken

Now I say whatever
Tenderness
Outlying
Not happy end altogether
m lang May 2019
becoming the subject of a muse,
merely an object as the muse.
i see the discomfort that comes from
having your story told for you,
displayed without your consent.

i am the director of my own life.
i wrote you out of my script,
so leave your idealized version of me
out of yours.

the unsettlement i feel
to be spoken of so highly,
with a glaze of gold outlying my skin,
stuck to a pedestal.

i am not your trophy,
i will never be your wife!
your version of me
projected through the eyes of obsession.
infatuation.
did you see me as your possession?

and so here it lies.
here lies the irony of making you a muse,
to preach my uttermost desire
to be shed as yours.
Cara Grace Nov 2013
Worn-through pillowcases holding tales of adventure
Dreams that came and went
Tears from your old lovers’ eyes
A trail of insomnia-ridden restlessness
A trickle of medicine left a sickeningly sweet smell of sleeping sickness remedy
On that night there wasn’t enough for both you and me.
And as purple faded into brown, our fingers anticipated another turn of the page
Dawn burnt your fibers, the sunlight faded your colors grey
Withdrawn and featherless, there’s only time to dream of flight
Outlying eyelash left forgotten
Briskly bent bristle, broken by beauty
You were strong, you held on for long
But oh, you were fragile.
Now the hollows of this room are your only friends
Darkness comes in waves but you will bathe again
It always ends with the sneaking creep of the ticking clock that trickles in around half-past the past.
Leigh May 2015
Construct your steel fortress
To keep the sanctimony,
Stones, and bottles from causing
More damage than the message they carry.

Chain your armoured Land Rovers
Around the outlying mobs
Just as the Holy Cross kids chained
Daisies to hang 'round their necks.

Don your plastic faces to match
Your plastic shields and be sure
Never to forget your baton, bias or bitterness
Lest you be left vulnerable or human.

Load your guns with rubber
And only pull triggers when provoked
To be absolutely clear just when it's
Okay to open fire on a child.

Hold your faith in your palm,
Grip it tight every chance you get
For it will guide you through the
Nightmares -- ones in which you'll soon feature.

"Great peace have they who love your law,
and nothing can make them stumble."
.
Martin Narrod Sep 2015
Your indigo crystal aura spins through the meteorites and rock matter
Creamsicle wheat, gold aura'd
The golden freed, guild and greed appealed. As if

from up the causeway of some starving and scary ghosts. If Shel Silverstein had ghosts their ghosts would be still too decent.

In the tired eyes of friends and their declarations- I have no cyn to give nor cywm to live. Tired am I of breezing through narrow rills in Hidden Creek the obvious spillway ditch of our not even near immortal wealth that weighs on the souls of the outlying suns.

Realize that active sight, only breathes from active mind.
And until today I never realized that I don't mind child. My child
My sweet sweet child of the radiant and crimsony misty blue and white skies through divine amber and aurulent lights, that twinkle acrosss such

Incredible sea-green and robin's egg blue colored ocean sized eyes.
From these Ides whereon I've drifted supine, lost, scattered and random
In the weeping tide's of Alice's watery eyes.
Carlo C Gomez Mar 2020
Her body pulls away, outlying

Ask the mountains
Question the clouds

What is rotation's logic?
Have we spun fallaciously all along?

Communicating with inexact words?
Kissing off-target?
*******, an imprecise expression?

She settles now on unapproachable horizon

Learn from the shore
Understand the sea

Neither dare, nor desire, to claim
For the indignity or cumber of a difficult collide

Start anew by holding hands
Discover the "we" in you and her

Ever so gently, allow her to orbit
The offered affection
On her own terms

The heart will again probe for
A returning circuit to attachment

Her body will move closer
Carlo C Gomez Oct 2019
When did you become
A somnambulist, my dear?
Where the disconnect?
About the time your ache
For outlying places began to moon-wake?
I get the sense
You knew long before me
Our days of limerance had culminated.
As if something remote
Had stolen you away.
Do you remember the twinkle
Of twilight in each other's arms
Or was this phosphene?
What then was love? Cafuné?
It's no matter.
The sweet smell of rain
In the air now tells me
Something's brewing, and
You won't be happy
Until what was "us" has been
Washed away.
Deana Luna May 2016
zoned out
distant in the curve of a cloud
an outlying perspective
detached and hanging in a moment of flat affect
an idea blooms and bubbles in my mouth

you haven’t asked me enough questions
you haven’t asked me enough questions how will you know .
many a december twenty forth gone by,
   whence wisp of carolers ghosts hauntingly adorn
remembrance of sum...
   er things passed along tummy
   from ma late ma alm

   compunction eruption viz:
fruition, gumption interruption
   sans redemption how became re: born
whereby this pop -
   bleary eye lids ready to droop

   with his tired bones snapping
   and popping like jimmy crack corn
an immediate need to succumb to sleep
   found me transfixed how blessings did a dorn
mine attention riveted at shrouded foghorn
echoing...choing...hoing

   never knowing hands of time didst flap
matthew scott harris,
   who yawned avast cingular gap
countless decades swallowed un hap
pulley lost soul within early
   twenty something years

   devoid of inner GPS to help map
and guide this stricken n fore lorn future pap
though the hour
   (at time this got written) nsync kin rap
pa head lee well nigh

   closing in on six in the morn
   way before synapses snap
crackle and pop,
   whereby the sage within mine psyche

   waving a finger - tsk tsk - with mild scorn
for forgoing to bed, yet...
   a powerful tsunami like force arose up
   when viewing the account of how tara - blank -
   became rent asunder and torn
from an terrible accident of fate -
   though a miraculous recovery now worn.

now fast forward to recent past
receding extremely fast
as if powered by remnant cosmic blast
resulting in avast

blurred montage flickr ring
   exercise regimen of running plus lifting weights -
   perhaps so many reps of a curl
finds me applauding, huzzahing,
   and praising daughter's efforts...so you go girl

with all inner strength pell mell into fitness:
   disciplining molding, sculpting- yar body hurl
   testing your limits to the max
   whether across busy urban streets or...
   where landscape offers open space with pearl
jam skies - in outlying less populated tracts -
   giving freedom to dance n twirl.

ye r so lucky tubby alive
cuz immediate family, friends, relatives
   and now...this strange papa gives u high five
without asking anything in return -
   since inspiration courses thru me

   inducing thyself to strive
and/ or if when fate decrees,
   thee will make an awesome counterpart
   who this older papa bloke would envy
   as ye possess inxs of strength to re:vive.
----------------------------------
blessing for sound health

upon waking every morning I offer
silent benediction for the ability
to revel with full faculty of this aging body
still going strong where ability sans,

enjoying the simple pleasures
available thru ****** senses
plus cavorting, flirting,
identifying simple pleasures
in my nonsensical mien "inner child"

Woolworth more than money can buy
yet of course if I did happen
to be a lucky lottery winner
could definitely relief anxiety and allow
me to breathe easy yet,
never do justice pitted against robust
body, mind and spirit triage.
I'm
up North,
where the birds hide in barns
in which the farmers store hay
for the cattle that are born and raised on their farms
and daylight on occasion sheds some little light,
but it still feels like midnight at noon.

Cheeks are pinched red by the harsh winds that blow
and the shoulders of people I know are all hunched
It's like the Quasimodo show.

But I love it, the sights and the sound
it feels like popcorn and lemonade
spinning and sloshing around in my mind.

— The End —