i just remembered when it all began to fall apart i was in mid-thirties weary of taking advantage of women i wanted to change grow become better person more compassionate find loving respectful relationship maybe marriage i knew i needed to step away stop

chicago 1985 Odysseus is a stranger to himself living someone else’s life does he really want what Mom Dad Chris want? is he lying to everyone else or himself? he snorts another line of ******* moves on to next girl in dizzy way he is having time of his life so much occasion to waste doors to open slam rooms to pass through “In the room the women come and go, talking of Michelangelo, and time yet for a hundred indecisions, and for a hundred visions and revisions” thank you t.s. elliott his ****** liaisons carry on from several weeks to several months begin with him adoring some girl or she adoring him little fires that burn themselves out for his part infidelity is rarely in question instead typically he or she feels let down by some personal response or character trait and simply stops calling in actuality no girl ever bothers to stick around they follow his lead and evaporate his mind draws a blank he wonders what do girls want? Deep inside he knows nothing in life is greater than the love of a woman he would have liked all those girls to be just one girl but she is missing where is she? occasionally he will run into one of his ex-lovers on street she wears an expression that hints why didn’t you phone me back? why did you stop calling? he suspects she is playing victim in self-satisfying charade in fact Odysseus crosses into new territory it is difficult to go back he hones his edge no longer is he wonder-stuck child possessed by curiosity for girls he requires **** and kink longer buildups then urgent bursts of effort drawn out climaxes nameless girl wearing tight jeans cowboy boots braids whom he meets in drake hotel elevator pushes stop button she ***** him off he has **** *** with tan-skinned french-canadian female tourist in telephone booth on north avenue gorgeous longhaired creole girl from new orleans ***** him on fire escape stairs **** *** with skinny punk girl in dark alley dutch foreign exchange student gives him ******* between parked cars on clark street weird awkward *** with goth girl in graveyard ****** by older blond woman who positioning herself underneath table in ritzy restaurant he has *** with chatty college sorority girl in jet lavatory he goes down on nerd girl wearing thick glasses in criticism section of depaul’s library he gets ****** ****** by perfect stranger in lake michigan each evening before he goes out prowling he looks in mirror wonders what strange female he will have *** with tonight it always surprises him what a person might not admit to or accept but allow or give in to if the right moment or if the right person is there not that he is particularly the right person rather he stumbles onto an astonishing streak there is the paris/milantokyo fashion model with stylish french haircut who possesses astonishing beauty perfect ***** and haughty temper after night of too many ***** martinis and ******* she announces “you and your friends are going nowhere  you’re all second-rate artist losers! and your cousin and his group are obnoxious *******” she flips him the finger then shoves him he shoves back resulting in dual arrests and domestic violence charges there is the tall blond stripper who totally fulfills his ****** desires once she lets him insert garden hose up her **** laughs uproariously as stream of water shoots out on another occasion she requests he *** in her *** he begins to believe he will marry her she insists she is too low class for his family one night she drunkenly hurls champagne bottle gives him black eye drives away crashes her car there is blue-eyed sweetheart with divine ****** loving touch who after months of sleeping with Odysseus confesses she is ******* some other guy and swears she will be faithful in the future she begs for his forgiveness as he loses it pushes her out door throwing her clothes after her one girl lights candles gives him full body massage ******* another girl holds him tight cries pushes him away one girl writes confessions with permanent markers on walls of closet another girl slaps him yells why? why why why! one girl runs to toilet pukes passes out on floor another girl sits up all night talking teasing never relieving him another girl falls asleep snores while he is in conversation one girl makes fun of small left ******* later gossips to her girlfriends he meets girl who will do anything except allow him to enter her ****** he meets girl who is professional escort she offers to do him for free she has lots of toys videos he declines they mess around she gets him off with ******* he meets girl whose ***** hair grows to mid-thigh she incessantly calls for her dog Bertram! he meets girl who shivers moans furiously cries laughs when he climaxes he meets girl with self-inflicted scars on arms legs who only wants it up her **** he meets girl who likes gagging deep-******* him to skull-**** her harder the better he meets girl whose ******* are so fierce she loses complete control drenching him sheets with her fluids excrement he meets girl who wants ******* squeezed so tightly he fears he will draw blood he meets girl who likes to talk ***** slaps his face as he is reaching ****** he meets girl with gargantuan ***** ******* as large as thumb she gurgles hot breaths later tries to steal string of beads he meets girl who enjoys lactating on his thighs while she gives him head he meets girl who knows how to contract vaginal muscles so tightly all he does is sustain ******* inside her in order to reach ****** he meets girl who pees tiny squirts while he penetrates her **** she laughs wildly he meets girl with furry mound who requests he **** on her as she masturbates he declines she reproaches him accusing you’re not nearly as freethinking as you pretend to be in fact you’re full of ****! he meets girl who wants him to act out **** they struggle he meets girl who desires to be ******* whipped he is not into inflicting pain he meets large strong girl who forces him he never tells anyone about incident he becomes mindful many females are more depraved than him women remain puzzle to Odysseus he is repeatedly astounded shocked can never predict about girl what her ******* ****** will look like whether she has eager *** or what are her secret desires he is explorer women are vast mystery he wonders are females as sexually driven as males? are they as vulnerable? is their **** like tiny *****? he speculates if completely unknown attractive woman walks up to any average man grabs his crotch many possibly most men will willingly allow it are women that weak? more than anything what most excites Odysseus is female lust handjobs are test of adequacy distinguishing character having masturbated thousands of times he thrills in having girl do it he delights in watching her arousal just staring at his ******* is captivated by method of her fingers hands revitalized by degree of her determination throughout he needs to ****** her ******* ****** *** titillated as she licks lips after swallowing ***** he realizes if he were female he would be total nymphomaniac yet he finds it difficult to imagine desiring men are all so like him women are so strange fascinatingly different he craves their otherness Odysseus loves women more than they love themselves smell sight of them sends him into frenzy problem is he fears their power over him

it’s been 25 years since those days i live alone for many years in tucson arizona have not been with a woman for long long time last relationship 2001 with crack ***** i hang my head cry wish for love wonder do i deserve to be loved pray to be forgiven

The clock demands a tower, for it to look outwards
night has an absence, the key factor
bringing relevance to a lighthouse,
the nightingale infuses sweetness to night hours
for those listeners who never fancy hearing her on a day
a tall wall, a ladder and an iron cutter, perfectly
shapes a thief; there is a mysterious disorder
pointing the other way to every careful order.

The cactus flower and delicate butterfly on it,
brings to focus a certain delectable incongruence,
eternity has an eye resting on evanescence,
a scientist with a reverse cerebral process
alone can snake in to the origin of such nuances,
where hides the complex aesthetics of the 'other'
of what we are familiar, more fascinating than this
the universe that's the tip of an iceberg, hides from us
though, it exists here with all of the 'multiverse'
But who would institute a Nobel prize for 'otherness'
to shed light to the dark path, that would gift more astonishment to us

Betwixt of any sense beyond experiment, I sat on the bed between shifts and out-whipped the bag of Concerta given to me by Matt, o'timey hard-worker-soft-souled Matt, who felt, perhaps, that I had a legitimate reason to explore this legal avenue of pharmaceutical mind-manipulation for reasons he would rather fathom in retrospect. I popped a single pill, and voilà, the legal-cocainnabinoid began to flow between my red and white blood-cells playing cops and robbers.

It is when I feel nostalgic that I feel the need to write. I remembered, at work, with all those strange everyone-elses faces gliding past (and myself annoyed at the general lack of positive reception "Hello there!" "h .. i ." is one sour-looking businessmans sultry whispered reply.. once, a woman told me 'look, I know that you are told to say hello at the door to everyone who enters, but I don't like it. I just want to shop in peace, and no, I don't need any help' and without case to what my managers could say, I somewhat-hissed-back, "if you don't want to be greeted, then perhaps you shouldn't walk into big private corporate establishments to find the books you're looking for," and she shrugged and muttered some ****-talk under her breath and glided upstairs to find a copy of Ayn Rand's Fountainhead or Machiavelli's The Prince to validate her bitter attitude, I bet, the sour witch), my time spent living in that backwater Esso suburb of Port Coquitlam back in 2011 when Occupy Wall Street was still a hungry potential, not yet bogged down in procrastinates over herbal teas and talk of chakras and enlightenment and how the typical Wall Street businessman probably never had a real ****** and hence had never truly satisfied the energies now burnt-to-crisps inside his Root Chakra or whathaveyou, where I believed I would find a better, more interesting world further from the musty-smallness of forest-drenched rain-drenched Powell River, only to discover I may be right outside my front door, but that's EXACTLY where I was, no further than right outside my front door.. I mean, for Goddaskes, I was born in Vancouver, this isn't a culturally-shocking move to New Delhi or Kathmandu--- and so on and so forth is how I once berated myself thru constant cycling thoughts of no-escape, I, a little walking hell of devils-advice and panic disorder-- the Great Big Port City of George Vancouver only succeeding in further overwhelming my already delicate attempt at false optimism thru self-voided Buddhist smalltalk as I travelled from bookstore to bookstore reading Alan Watts in shady attempts to save-myself but only digging my walking grave even deeper into the soil of feared-insanity.

Port Coquitlam itself was a small-town wearing a business suit and holding hands with an angry father forcing him to college for computer networking as it's the most economically viable market at hand.. at first, I did not see this. I saw my idolized imaginings of Vancouver (never Port Coquitlam), the shining water-reflected skyline of my past and present legacies, where my father once snorted ******* with a bohemian group of someones, and my mother tried LSD just to prove to her friends how bad it was (and lo and behold, what a terrible time she had!), all this Otherness, Strangeness, yet still Connected-- an Otherness with which I was taken, left to whisper into empty Campbell's cans so-as to speak with the city from a distance, two children growing older together 'til my inevitable return and our agreement to share costs on rent.

I returned, as planned. I returned, and found that old-best-friend hating the Homeless and loving the Rich-- spending time with the Peppy Plutocracy whilst enslaving the Middle Classes (first Letter Capitals to Assist YOU in Grasping my Anger with All Five Thumbs) and the horrors I saw in my already delicate state, all the starving addictives slouching-inching down the sides of ***** old walls, the only thing missing a smear of blood to follow their corpseish collapse, all just footnotes to history, footnotes to wealth and progress-reality, all footnotes with no shoes O my God O my Goodness and O Canada, Our Home and Native Land!

It hurt like it did, but I felt powerless and gaited. Felt like it were just as well me (*** it just as well is), I, in Vancouver.. *Great Big Port City of George Vancouver.. saw the end-stretching-cold-legs of Nietzsche's Dead God.. those in cutthroat-black-suits armed with calculators and wives could afford private jets and yearly trips 'round our globular strangeness whilst others had to beg and berate and debate and break-down to get a crummy old bagel and a past-due mostly-empty jug of old milk and perhaps a 'side of fries with that order.'

What crushed me so much about this playing a Witness to God's Death (or, not so much a 'witness' as a relative asked to the morgue to identify the body) was my intuitive grasp that this is the poverty of the First World.. this is not as bad as it gets and on a scale of 1 to 10 this would only be a 3.. all the poor and displaced of Eastern Europe.. Moldovan families indifferent to the whims and what's taken.. someone called me a Socialist and said I would later grow out of it as 'reality' angled its rearing-ugly head to chop me smithereens like it did so mercilessly to the Poor and Irrelevant.. I looked at them and still look at people like them and think 'that is evil unsure of itself.. that is evil unaware... that is evil and evil is  evil to watch..' the Evil Act being the use of Money to purchase the world, demanding us all to pay royalties (mass royalties) for the privilege of life so afforded by them.. (the Sons and Daughters of God first stabbing their father then stabbing themselves then locking away and ignoring their young brother with cerebral palsy '*** he could never be armed with a calculator, nor wife)..

I learned, thru practice, to cope with these evils as laws-for-now. Coping did not mean tolerance, nor did coping mean agreement.. I had charged at life expecting hugs and bottles.. what I got was hugs and bottles.. all while I watched over the shoulder of whoever embraced me and saw young-others doing the same, where are the hugs and bottles..? they sank into the nether as the crowd ebbed past, ignoring the cries of pleading love, pleading love over time so traumatised as to distort this love (so inherent and implied in the Heart) into confusion, confusion into loss, and loss into hatred.. as the crowd ebbed past, the crowd ebbed past..

After 3 and a half months, I moved back home to Powell River.. the soggy ol' calm of what I already knew.. the warm arms of the rest, the warm arms of water-reflected sunsets.. and I got my hugs and bottles.

but was this really a happy ending?

I often remember with a lot of thrill in my spine every time I reflect on the Writings of Miguna Miguna in his book peeling Back the Masks, a certain sub-plot that most of Kenyan students in Canada, America, Britain, Germany or Australia often fail to go through pre-university examinations and then they opt for faculty friendly courses like carpentry and electrical-wire man offered at some polytechnics in this countries. Then these students end up living as informal sector workers in the Diaspora, and hence putting themselves into a cash strapped condition that they don’t easily come back home. This is also the same texture of revelations I have been encountering for the past five months of my regular reading of the literary pages of The Saturday Nation, in which a most of Kenyans write alongside some foreigners, but notably Professor Austin Bukenya as the foreign writer, Bukenya himself being a Ugandan.
The revelations are that the writers who were regularly writing on these pages sometimes ago have gradually waned up, not because of anything but due to their intellectual irrelevance. Mostly caused by a defect of intellectual inferiority. They were the likes of Evans Mwangi; Mwangi was forthrightly coming up with a tribally fine-tuned niche in the name of being Ngugi wa Thiong’o scholar. He had a specialization in writing about Ngugi because Ngugi is his tribesman, they are both Kikuyu’s.He also had substantial writings on Ngugi’s children; Mukoma, Lee, Nducu and Wanjiku wa Ngugi, who are in similar stretch of their father struggling to be established as writers. But all in all, Professor Evans Mwangi has already ended up as an intellectual without consequences.
Another writer in point was one; Dr Tom Odhiambo, who also teaches literature at the University of Nairobi. He had been writing on the same pages but with a strong bent towards Luo Chauvinism and stark Conspiracy against Luhyia veteran literary Critic Professor Chris Wanjala.
The only Kenyan literary activist who has been trying to remain globally vogue in his literary writings on this platform is Dr Godwin Siundu; he often displays Global relevance through his pataphorous approach to literary appreciations and criticism.
But whatsoever the case, professor Bukenya has towered seriously above these Kenyans.Bukenya’s command of English language and literary command has no match on the Kenyan literary market. Bukenya Tackles globalectics of literature as Kenyans struggle with tribalism of their home literature.Ethinicity is the enemy of Kenyan literature and as well an established foe of any other Kenyan professional perspective.
Why Kenyans are threatened with intellectual suffocation when exposed to otherness is because of a few reasons. As cited above ethinicism remains a dominant factor. But also, lack of homogenous public language, absence of ideology in their political history, failure of politics to achieve common nationalism and corruption in the public sector are contributing forces among others.
Your consecutive  look at the literary pages of  the Saturday Nation of the previous three weekends will be an empirical testimony to this position.Bukenya’s stories have surveyed dialectics of English language, aging of African literature , translation and greatness of Uganda orature with a focus on Okot P’ Bitek. And this weekend he has beautifully lime-lighted on Julius Nyerere’s Intellectual tigritude. Nyerere’s as the killer of colonialism but while at the same time he lingered as the staunch lover of Shakespeare.
This is simply a farcical repetition of the previous tragic history, as reflected in the words of Karl Marx in his 18th Brumaire, which made the Ugandan educated Sudanese Poet, Taban Reneket Makititiyong Lo Liyong to look at Kenya’s literary poverty and then take a synechedochal stand to decry that east Africa is a literary desert. He was right, but in a sense he did not mean east Africa per se, he meant Kenya .Kenya at that time had only an English Department at the University of Nairobi. The department was poorly performing in terms of research. It was desperately tethered duplicating of the European classics as its literary overture.
But when the foreign and radical blood came to Kenya, in guest of helping Kenya to overcome the fog in the seasons end from colonial mire to literary and cultural freedom, Native Kenyans were surprisingly never friendly to them at all at all. Some of the intellectuals who had come to Kenya that time were the greats like :Ezekiel Mphalele from south Africa, Okot p’ Bitek from Uganda,Okello Oculii from Uganda,Ayi Kwei Armah from Ghana, Joie De Graft from Ghana, Walter Rodney from Guyana, Austeen Bukenya from Uganda and Taban Lo Liyong from Uganda.
All of these foreigners in Kenya have later on been absolved by time and history  as literary greats.They have proved clear intellectual and literary superlativety  over and above all Kenyans. The point of contrite is that, Kenyans of that era did not give them a chance to share their intellectual resource with the peasants and masses of Kenya. Instead Kenyan bureaucrats began their usual came of intimidation and tribal nagging whenever intellectually outshone.
Austeen Bukenya was condemned into poverty at Machakos girls high school to be an English teacher or a teacher of English without a salary. Liyong and Pitek were perpetually witch-hunted out of University of Nairobi by Ngugi and Wanjala. Rodney and Armah were frustrated until they desperately moved to Tanzania from where they wrote their respective oeuvres. Armah wrote Why are we Blessed, While Rodney wrote the world famous book How Europe Underdeveloped Africa. Mphalele was frustrated to oblivion, only for him to die mysteriously when on a literary tour in West Africa.
But sadly enough, the Kenyans who were seriously illiterate, in the  likes of : Daniel Moi, Jomo Kenyatta, Ezekiel Barengtunny  and many intellectuals so-so’s shamelessly made themselves to be  chancellors of the Universities .They were chancellors who never went beyond class seven of primary schools in their child hood. They then became bovaristic if not atavistic only to begin writing lame books like Nyayo Philosophy, Suffering without Bitterness, Facing Mount Kenya and other literary trash of the same calibre. It is this intellectual sludge that they again turned to impose as compulsory reading materials on sons and daughters of poor Kenyans.
By
Alexander K. Opicho
Eldoret, Kenya.

Loneliness.
What is it?
It is a concept we so rarely describe in detail.
We've made up a specific word for it-
Three little syllables-
Just so that we can say it and be done with it,
And escape the contemplation.
But I know my own loneliness cannot be captured,
Cannot be encompassed,
By merely the word.
What is loneliness?
It comes in all shapes and sizes,
A space,
A lack,
That can be big or small,
Sudden or excruciatingly slow,
Sharp or fuzzy at the edges.
Hell,
It can even be comforting.
What is it about loneliness that is so insidious?
Harder to rid yourself of than fear
Or anger
Or even such tricky, barbed things as doubt
Or hope,
That stick.
Loneliness doesn't stick.
It seeps.
Steeps.
You stew in it.
It is beginning to occur to me that I don't believe,
Once one realizes loneliness for the first time,
That one is ever truly rid of it again,
Even for a second.
I think it is a permanence that we as a race refuse to acknowledge most of the time.
Some forms of lonely are fairly benign-
The little tingle on the edges of you, when you are home alone and the house is silent,
And for no apparent reason at all-
No sadness, no fear, no thought that is particularly unpleasant that you must drown out-
You nonetheless feel the compulsion to switch on the television
Even if you won't watch,
Just to break the stillness with a human voice besides your own.
Then there are the darker types, the truly ensnaring ones,
The lonelinesses born of the memory of times when,
Perhaps, you were less lonely,
Or even thought that you had flushed the feeling from your soul entirely.
Loneliness is an otherness,
An alien thing that lives in your heart,
That makes you question whether there is anyone out there who would have you
If they knew
What was on the inside.
There is the type of loneliness that creeps up on you and follows nipping at your heels like a shadow on the pavement as you move through your day,
Reminding you, whispering in your ear that here you felt less alone, and there, and that those places are full now,
Of emptiness,
Because those times have passed and not had the courtesy to clean up their cobwebs-
Memories linger in certain little spots, and collect like dust little pockets of loneliness that grab you all of a sudden,
The way forgotten spiderwebs stick in your hair as you move through an old house.
This type is jarring, disturbing, and
Afterwards I always feel the desperate need to wash away the feeling,
Scrub myself down.
There is the breed of loneliness that is a bit more genteel,
And curls cold at your feet like a well trained dog,
Formal and subtle, but constant,
Watching.
This is the sort that makes you feel just somewhat hunted,
When you try to sit in silence by a fire at night in your living room
And find that you must read a book to drive the stillness from your head.
There is the truly hollow kind,
The kind that has no courtesy whatsoever,
And actually slithers into you, inhabiting your heart and stomach and bones
As you try to fall asleep
With ice.
It is this kind that, if it is strong enough
(and you are weak enough)
For it to remain until morning
Forbids even the smallest human touch-
Every gesture of tenderness from another person
Makes this loneliness increase,
Every embrace, every handshake, every accidental contact of skin
Becomes unbearable,
And the afflicted shies away,
Perpetuating a cycle of vicious disconnection.
They all leave a little something cold, even when they recede,
In the core of you, that won't be dislodged no matter what you try.
Loneliness,
Like a cancer,
Can only be considered in remission,
And never truly cured.
For when given room to prosper even for the space of a second it expands and swallows up your thoughts
Until they whither with frostbite.
I suppose I shouldn't be shocked-
As humans we live side by side, arms linked with
Most of the things that will eventually **** us,
What's one more, cozying up inside our skulls,
Inside our hearts?
We have a partnership-
An entirely human concept-
With all that destroys us.
And so we live with out loneliness, like a second shadow.
What is loneliness?
I am still unsure.
I can only describe what loneliness does,
Not what it is.
*I think that maybe to understand it
Would be to die of it.

To my kind and loving mother:
I never sought to be the other.
Fighting for an explanation,
consolation, you postulated traumas
caused a misfire
in the wires of me–
but the truth, chromatically,
static factors (masked by
willful ignorance and bliss)
wrought the otherness you see.

1. Elementary

Back as a child of nine,
fine and dapper in khakis and
a tucked-in button-up,
with parted hair and running shoes,
I began to fantasize
guys
and atonement girls.
Attempts to hide this from the world
were all in vain
yet vicious, as children are.

2. Middle School

***




******

gay-***

Did you hear that Brokeback Mountain is Victor’s favorite movie Victor is gay Have you been crying Where’s your boyfriend Victor has *** with children You’re going to hell ****** Do you know what packing fudge is Gay Do you like what you see Your garden is cute Quit looking at me *** Change in the stall we don't have to watch you ******* I brought you some glitter *** Gay **** ****** ****** *** Gay-*** **** Gay Gay Gay Gay Gay Gay Gay Gay Gay Gay That’s gay Gay


I’d skip lunch to lock myself in a closet and cry.
Oh, my kind and loving mother,
I never sought to be the other.
I didn’t even know I was.

3. High School (Part 1)

Saving grace, Anne Folderol.
Last chance, Anne Folderol.
Only one, Anne Folderol.
Truly folderol.

I’d rather die than be the other
to please my kind and loving mother.

No more, Anne Folderol.
Last chance, Anne Folderol.
No hope, Anne Folderol.

You have the teeth of a crack addict You’re such a ***** Fat-*** I heard he was going to **** himself I heard he had *** with an eleven-year-old I heard he has AIDS Why does he hate god Hey pizza-face If anyone shoots up the school, it’d be him him him him him him him him him

State of madness, state of pain,
the state from which all killers spring.
Darkness, loathing, spite, and shame.

If the Father up above
was looking down in true love,
he would have answered my prayers
for death.

4. High School (Part 2)

Love and pain, Mom;
yin and yang.
We sang in church
until I left the brethren bereft,
and we’ll sing again soon.

But first know that I’m a spiritual seeker,
and that God loves me if he exists
and I truly don’t know– because I feel Him
at times, and sometimes I feel just everything.

And also know that I’m not the other,
that my love and yours are the same.
Know that if God made me, there is a reason why.

That reason is to open minds and hearts to the love of God, which is all true love. But I must love myself first. And when I live in such a way that does not hide my true self, I demonstrate that love. Love me, not in spite of who I am but for who I am.

can anyone tell me
why East and West are fighting?
in an indisputably Round world
going West far enough
will put you in the East
and vice versa

in a round view of things
people of the east
need the same things
as people of the west
and what about the middle people?
what do they need?
roundly the same I'd say

so roundly I also say
otherness is to be avoided
otherness to be voided
replaced by roundness
roundness is to be embraced
all around the world

so I'll start
and put my arms around you
like a circle around the sun
for I am
as round as you

And is true she is my otherness
But not my alter ego as you may think,
I am her strength, but she is my weakness
I am her herculean device, but she is my Achilles hill,
I am her weapon of life, but she is my poomerang,
I am her riches but she is my poverty,
I am her wisdom, but she is my folly
I am her public dignity, but she is my public shame
I am her solution, but she is my challenge,
I am her peace, but she is my troubles,
I am her light but she is my darkness
I am her love but she is my punishment,
I am her purity, but she is my filthiness
I am her decency, but she is my indecency,
I am her Napoleon, but she is my Josephine,
I am her Adam, but she is my Eve
I am her life but she is my death,

Each lover has some theory of his own
About the difference between the ache
Of being with his love, and being alone:

Why what, when dreaming, is dear flesh and bone
That really stirs the senses, when awake,
Appears a simulacrum of his own.

Narcissus disbelieves in the unknown;
He cannot join his image in the lake
So long as he assumes he is alone.

The child, the waterfall, the fire, the stone,
Are always up to mischief, though, and take
The universe for granted as their own.

The elderly, like Proust, are always prone
To think of love as a subjective fake;
The more they love, the more they feel alone.

Whatever view we hold, it must be shown
Why every lover has a wish to make
Some kind of otherness his own:
Perhaps, in fact, we never are alone.

Your Otherness
Your beautiful, beautiful other
It is not to be denied
But distinguished  
It is not to be endured
But embraced.

A hymn to paired planethood: Venus hits Pluto
as death, in cold orbit, collides with biology
smashing to fragments: demonic astrology
(more a black hole than a love-star, it’s true though).
Cynical cure for Eve’s womanly grievance
Concupiscent consequence: lust’s bitter fruit –
ah the thought… changing Sin into mere inconvenience.

Margaret sang her seductive refrain
about weeding the garden and progress and light.
Her sisters should view her with scornful disdain
but instead have adopted her murderous rite.
With sang-froid she promoted her racist eugenics
(as if she had never herself been a fetus),
condemning her heirs to postmodern polemics
while nurturing ardent desires to defeat us.

Suppressing the lives that she flushed down the drain
she would liberate Death – and resistance was vain.
As a midwife to modern life (though on the “anti” side)
Old Matron Margie racked up quite a legacy
singing the praises of sanctioned infanticide
calling the shots for the coming sick century.
Planning, quite calmly, to “cleanse” certain races
her zeal was empowered by murderous graces.
She labored to bring us such pearls of subduction:
“dilation and curettage”, “women’s autonomy”
“viable fetus”, “procedure”, a “suction”
Hippocrates retches to hear the taxonomy;
words that turn Life into mere reproduction.

She enters the realms of the ****** and the motherless
roundly condemned by her feminine otherness.
Man’s first protection: the God-given womb
which no infant should have to regard as their tomb.

Dismembered dark cherubs, assembling, greet her
as demons (in scrubs) holding baby-parts meet her.
Long may she burn with the medical cynics
this mother of Moloch, this founder of clinics.
Convenience is king when abortion’s the Queen
and the profits swell big with each nubile teen…
yet the fruit of such carnage remains to be seen.

I send her this song as a funeral wreath
and a card inked in blood. You may read what is there:
“To the Matrix Supreme of our culture of death
from the souls of the infants you slew on the earth.
May your torment increase with the children you bear.”

There is the latent hum of some probably-industrial sumthin-or-another in the distance. Sounds like a ferry at dock, or the Townsite mills characteristic hum of eternity as it once acted as the forever-whitenoise of my past life in Powell River.

Sasha has gone to see her friend a floor down. I sit candidly at her desk typing these words on her MacBook Pro.. her dorm is an ambient water of a place, but with every passing night I spend in it, it becomes harder and harder to fall asleep. The bed feels like wood board or padded cement now. Sasha rolls around in her sleep, occasionally choking on her tonsils and gagging a prolonged operatic note of snores. It's not like she can help it.. often, she talks about removing her tonsils as if it's something she can do with a spare moment between classes.

The dorm was easier for me to inhabit when I imagined her living quaintly and quietly without my constant everywhereness.. on her first night alone in bed, she slept like a baby and the overheating, I'm sure, was less to bear in my absence as there wasn't a ******* furnace spurning mammalian blood to every antipode of my body for the sake of staying alive.. just her capillaries attending to the night-shift and leaving no feedback loop between our ***-drenched thermostats. There was a feeling of otherness to it that I could warm my soul with as if I were people-watching at a mall filled with everyone I've ever encountered in the matrix.

She's beautiful. Sasha, I mean. Superstitious despite her attempts to claim otherwise, but of a massive intelligence often unspoken and endowed with a linguistic nature that can speak regardless of words. Highly suspicious of some perceived bond between Anya and I that can't seem to be severed, and playfully dousing suspicions of general infidelity into many of our brink-night conversations.. I can't say I do much to remedy her paranoia as I always kick it back with consistent jokes of having '30 girlfriends' or 'that was what the girl I ****** the other night said as well! Trippy.'

These are obvious jokes. I would never cheat on her and it's a pain to have her imagine I would.

Christ be honest, I can never find the time to write anymore because I keep pretending I'm busy. I keep glassing my eyes apart with coffee and **** and feeling the inner sting to write and write and write until my fingers are bruised and my entire demeanour is nothing more than an existence in pure, floating consciousness of sleet-covered panic attack self-immoliating itself in a Wal-Mart parking lot just to say hiya, Good God, how's the cloud of idolatry today? Fleeting? Empty? Shat? I'm starting to think you have the shorter end of the stick cuz I'm pretty sure I've found the Kingdom of Heaven and it's all a bunch of beautiful panic remedy exacterbated by SSRI psychedelic depersonalization with a life-wish disguised as a death-wish to push the envelope for mails sake, cuz I've got a message for the human race and all it says is 'humanity is not a RACE chill the **** OUT and become the human pace for the sake of nil planet without a plan you aren't a ******* poster-boy you're a poser' all very stone-cold thoughts in a volcano.. all very valid but pointless semantic gestures towards Finnegans Wake and the sequel I'd like to write called Finnegans Nap.

The other day, I stole a book from the university library.

I had a freelance article I had to start and preferably finish that same day, and Sasha had decided to skip psychology for Charles Bukowski so we scouted a quiet space on the windowsill overlooking the perpetual busk of student body.. I plugged my laptop in and sourly gazed at the flakey subjects I had to choose from until I noticed we were right next to a giant section entirely dedicated to the study of the Beat Generation. I picked out the closest book, and dove up on some academic diatribe about the implementation of Timex making watches an affordable commodity during the post-war boom, causing economy to become totalitarian in its accuracy and thus mental hegemony. It worked its way into stating that Jack Kerouac's On the Road was a blatant and concise rebellion against this form of timekeeping in its hedonic, careless flow that was not marked by 6 o'clock or on-the-dot redundancy.. the subject matter being so dense and alluring, I turned to Sasha and said, 'I have to steal this book.'

She chuckled a little, being a chronic kleptomaniac herself, and retorted, 'are you sure you can do that? They have these sensor things that go off when you leave.. they'd catch you probably.' In my mind, I was needing to exorcise myself of Judaeo-Christian morality so as to guarantee a survival and thriving intellectual feed regardless of red-tape or monetary symbolism.. I saw myself adapting to a hedonic habit of robbery for the sake of food and freedom or some such half-witted excuse like that, and took Sasha's warning as a challenge to transcend my typical moral comfort zone.

Glassy-eyed, I asked Google how I'd go about bypassing the security scanners and, lo and behold, within 5 minutes I had my answer and was already digging through the books binding with my house-key to remove the magnetic strip hidden in the spine. After 10 minutes of exhilaration and anxiety at potentially being caught, the strip was out and jammed between two loose wood-boards in the window sill. I told Sasha we should try to leave.

As I neared the scanner, I let go of consequence in remembrance of my mortality, the blank expressions on our faces probably hinting at some form of degenerate nervousness had someone decided to analyze us aaaaaand yet.. we made it through as safe as a bird through an open window then out the other side.

Underneath the anger, there are tears. Beneath the fury, there is hurt, a river
of affliction - the day that possibility evaporated. I knew, the moment
it was gone. Telos obscured, like a mist, had left me.

Frost in February, morning at the local coffee house, perseverating, sedate
in privatized, cogitations - certainty dissolves into irony, the transient
collective with predictable cadence and singular objective. Borrowed
energies - preferred anesthetic in defiance of the placid, quotidian horror.

Angst wrapped in skin, clothed in remorse, like a muslin coat unable
to keep me warm, the palette of truculence, dislocated savant,
with guarded aversion - faces enucleating in tacit harmony, the muted tragedy
of the forgotten.

Yoked, the metaphorical satchel, freighted with the sentient debris, sifting
the fuckage, memoirs of failure, privation of venture and honor, objectified as
mere portent. [Existence] - the daily riot, becomes the necessary crucible.

Dissonance and detachment resonate the cultural banality, [being] displaced
by icon; [branding], ideas about ideas, life several times removed,
emblem over essence.

Existential renegade, exploiting the counter intuitive, the paradigmatic prodigal,
favor squandered, in the absonant passage, bearing fruit of the undone.

Bones of contention lament, interminably, like a false friend, present in absence,
perceived in the lack, subtraction, slip-stream - the disheveled
palaver of the broken.

Acutely self referential, misery enfleshed, its own reward, a post-war
discontent inhabiting sorrow, compressed and narrow, begetting
apathy in springtime.

Commodity of youth, the currency of beauty -permuted, commerce of the
ethereal and diaphanous. Human caprice, post-modern fog,
the flattened self,
the enemy of us is us, drowning in the decorum of narcissism.
the fattened calf,
immolating on the sword of autonomy.

Recycled grief, a recursive loop of gestating thoughts, marinating fluidly
within the interpretive grid. Confessional cyber community - exposed wounds
and concrete suffering, abstracted from virtual solidarity, refracted through a
reductive sentimentality, maybe they will ‘like’ it.

Iconoclast in exile, inhaling the incense of barrenness , surrounded by synoptic
drivel in understated - present tenses - alight in the now, axial axioms of the privileged,
who genuflect to the god of unfettered freedom.

Peripatetic intervals of isolation, self-imposed, hidden in a sanctuary of derision,
colliding with immutable otherness , the waters of chaos, calm.
The proleptic display, announcing eschatology. An ancient text written on the interior
expressed in myth and narrative the courier. The carnal and cerebral
arise, rightly flourishing.

Sense thresholds stirring, surprise and turbulence, reverberations of altered
domains merging - the temporal and ubiquity, the indissolubly resplendent
inversion - the invisible made visible. Opaque intrigues subsumed into the
balm of reconciliation - the first shall be last…

©2012 W.S. Warner

Fashion show finales follow a familiar rhythm: after the models march along the catwalk for a last hurrah, the designer comes out to take a bow. Their demeanour is often telling, an indicator of their attitude to the collection they've shown – are they a bag of nerves, or grinning from ear to ear?

Also noteworthy is the look they choose to take their bow in. Are they even wearing their own work? One of the most celebrated designers of our time never wears his own designs. Karl Lagerfeld may create the occasional menswear look at Chanel and he designs a whole men's collection for his eponymous label but he has long been a customer elsewhere: Dior Homme.

Lagerfeld started wearing Dior Homme when he was in his late 60s, shedding 41 kilograms to fit into the skinny styles of the label's then designer, Hedi Slimane. Lagerfeld has stayed loyal to the brand ever since, even after Slimane, now creative director of Saint Laurent, quit in 2006. And although the label is known for its emphasis on youth, Lagerfeld, now in his 80s, remains one of Dior Homme's most visible clients.

Raf Simons, meanwhile, Dior's creative director of womenswear, is partial to Prada: his presence in the documentary film Dior & I (2014) is most clearly announced via his distinctive studded Prada sneakers and he often takes his catwalk bow in a head-to-toe Prada look. For his first Christian Dior ready-to-wear show he wore a vintage denim jacket with red stripes by Austrian designer Helmut Lang.

And yet many designers do wear their own work, especially if the brand carries their surname. Editors scan the wardrobe of Miuccia Prada for clues to her latest collection: is she feeling utilitarian, elegant or purposefully off-kilter? When Donatella Versace takes her bow, she often wears a look from the collection she's just shown – for autumn/winter 2015, it was a pinstriped, flared pantsuit. And even Simons has worn pieces from his own label collaboration with Sterling Ruby.

So if the name is on the label, does it mean the clothes will always be on the designer's back? Not necessarily. "I've never been into wearing clothing with my own brand name inside," says Jonathan Anderson, designer behind JW Anderson and now creative director of Loewe. "I find it odd and arrogant."

UNIFORM DRESSING

Anderson's own wardrobe is a familiar uniform: crewneck sweater, faded blue jeans, Nike sneakers. It's entirely opposite to the menswear looks he creates for his own label's catwalk presentations, which have included bandeau tops and frilled shorts. He seems to favour a clean-palette approach: keeping himself neutral so as to not deflect from his experimentation elsewhere.

This kind of wardrobe is common among fashion designers. Jack McCollough and Lazaro Hernandez of Proenza Schouler appear to have no desire to create menswear for themselves or others, dressing instead in a similar style to Anderson: crewnecks, polo shirts or button-downs, usually with jeans and sneakers.

Mary Katrantzou, meanwhile, recent winner of the 2015 BFC/Vogue Designer Fashion Fund, may have built her business on print and embellishment but she is usually found in a black knit dress by Azzedine Alaïa. Alaïa himself has perhaps the ultimate clean-palette wardrobe: for decades he has worn black cotton Chinese pyjamas, fastened by simple floral buttoning.

Each of these designers has a successful business with its own clear signature. So maybe it doesn't matter if they don't wear their own clothes. And yet when designers do, it can be so seductive. Men buy Tom Ford because they want to be like Tom Ford. Women buy Céline because they want to look like Phoebe Philo. Stefano Pilati, creative director of Ermenegildo Zegna Couture, is often said to be his own best model; Rick Owens, in his long draped vests and baggy shorts, is the perfect ambassador for his own alternate universe of otherness.

The style of Roksanda Ilincic is synonymous with her own brand. "I create pieces that embrace the female form," she says of her bold colour palette and silhouette. "Being a woman means I'm able to feel and test those things on a personal level … I tend to favour long hemlines and nipped-in waists, with interesting shades and textures, pared down with simple basics and outerwear." Does she ever wear anyone else? "Of course! Black polo necks from Wolford are an absolute staple and in winter I am rarely without my favourite black cashmere coat by Prada, which is on permanent loan from my husband."

It seems like an industry divided between designers who wear their own work and those who don't. But sometimes things change. Backstage at Loewe earlier this season, Anderson said: "With Loewe, I have a detachment. I wear a lot of it. Now I'm more, 'Does this work?' I've got a bit of a love back for fashion."

Two months on, his interest in wearing his own designs has grown still further. He is the cover star of the new issue of menswear biannual magazine Fantastic Man, posing in a slash-fronted sweater and leather tie trousers. The pieces are both his work from current season Loewe. Womenswear. In for a penny, in for a pound.Read more here:www.marieaustralia.com/formal-dresses-2015 | www.marieaustralia.com/long-formal-dresses

(Frederick entered the room. He told them that he found a treasure into the castle’s cave.)

'I found the rarest treasure of all today. What can I do with that gold?
'Surah hid it.'Mary said,' hence, some mining activities are uncontrolled.'
'The finders and the landowners are entitled to these valuables,'
The cleric said,’ hence, it may help John to adjust the budget balances.'
(Mary wanted to tell Frederick the truth about Surah.)

'Surah is an alchemist, and she loves to do this with fierce intensity.
Her studies about substances, their composition, their density,
About purification by dissolution and by crystallization are rife.
She hopes to discover, someday, the formula for the elixir of life.'

'Summa Perfectionis and the emerald tables of Hermes', said
The cleric, 'this alchemy explains why her statues have lizards on head.'
'Maybe she gave Jezebel a strange substance to drink,' Frederick
Said. 'Go to her castle to search this substance, dear. I am so sick.'

(It was Mary, who told Frederick to go to Surah’s castle to find the antidote. Frederick and Matthew went to the castle. )

The turrets of the castle crumbled under the slow pressure of time,
Their glory has disappeared because of poverty and cold clime.
The falling wall stones, the ill-paved courtyards, the dusty moat,
The sagging floors, the worm-eaten wainscot had a blue note.

The faded tapestries within, all tell a gloomy tale of fallen grandeur.
The alchemy chamber in the remaining tower showed Surah was poor.
She spent the hours of her life in poring over the ancient tomes.
The occult studies made Surah first focus her attention on fomes.



Her belief in all the dark power was firm and deep-seated.
With burning small peasant children, the demon she greeted.
Many times, she was busy over a violently boiling cauldron,
Where many substances spewed out their thick concoction.

She searched a spell to release her life from its terrible burden.
She used to work only when the alchemy room began to darken.
She should never wed, she might, thus, end the curse with herself.
She kept cobwebs and bats. Strange things were on her shelf.

Frederick entered that room and saw her manuscripts and studies
In the field of alchemy. She had bottles, their colors being so muddy.
He opened those books, where it was written how to prepare
Elixirs from herbs, gems, and metals while using a devilish prayer.

The books instructed in the casting of spells, invocations, rites,
Talismans, amulets, and sigils. He found how she spent her nights.
On the altar, a doll-representing Jezebel had needles in her head.
There was a paper, where it was written, 'nor alive, nor dead.'

Near it, he found Kratom leaves and bottles-containing naloxone.
He took the bottles because he understood what Surah had done.
While feeding the horses, Matthew was waiting near the castle.
Clayton was in a stable, but working there became such a hassle.

He thought that something happened, when tools dropped on the floor.
A bottle dropped over another one, when Frederick closed the door.
An explosion was heard in the castle, which sounded like a sonic boom.
Surah was in a hurry to see what happened into the alchemy room.

Another explosion was heard being more loudly than the first one.
Surah gazed at her reflected face within the mirror instead of run.
Huge deformations of her new face formed a monstrous being.
An illusion shifted her identity. Believing is not always seeing.

She had sensations of otherness, when her new face appeared
To be a stranger looking at her, beyond the mirror, then disappeared.
A monster was watching her, and smiling with an enigmatic expression.
Clayton embraced her while crying, 'My dear, you have an obsession!'

Frederick told Matthew, ‘I took the potion, let's straddle the horses.'
'The castle is burning. To get out of this wood, we need strong forces.'
'My horse sped up. ‘What does he feel in front of fire and crack?
'He's fearful, because he feels trapped. Don't pull him back!'

'Being scared, his reaction is flight and run away from the fire wallop.
'You're scared, and instinctively you urge him to go into a gallop.'
'The horses are not thinking. It’s all out of the instinct to survive.
You can help your horse, when you know how to ride and to drive.'

(They rode their horses to the castle of Jezebel.)

They entered the castle, and climbed up the stairway to Jezebel.
'I came here in a hurry to save you, and my way to you was a hell.
Drink the potion, and wake up. I wonder how you feel in my arms.
I'm in love with you and still so deeply captivated by your charms.
(Jezebel had opened her eyes for the first time since being asleep. ‘I know that you love me!’ She told Frederick.)
(Clayton had managed to extinguish the fire. After that, he held his precious Surah in his arms while crying. Her face was burned by acid during explosion.)

'Nothing happened to your face. You're the same beautiful woman.'
'Why my face is in pain? ‘It’s because of the heat. Lie on the divan.
Let me take off your clothes, and flush your skin with cold water.'
'You're so gentle, Clayton. In your arms, I feel safe like a little daughter'.

'I lost the potion I prepared for Richard. He's my last chance.
It was destroyed by the explosion. I feel like I am in a trance.'
'I gave you morphine for treating your pain. He wouldn't help you.
Richard is like John, and you cannot change their point of view.'

(Clayton loved her, because he thought she was vulnerable and incapable to adopt the situations. Her soul was very fragile, even she masked this so well. She wanted to be more than she could be in life, and this was the reason her ways weren’t always the best chosen ways. He hoped someday his love would change her. He wanted to save her life. Surah closed her eyes, and fell asleep.)

To be continued...

Of immaterial vision birthed in mind.
Of spirit annihilating the selves,
of calling it plan. The one-
a semblance scattered on deck space
refracts on reflections of the reactions of tokens
of the carnivalesque,
of the hunger artists,
of phenomenon-
which may or may not exist depending on reflective surface of the true self,
of the motion of tides,
mocks motion in body,
of obsession.
The tonality of the "be" and the "is" and the "will be" is deafened by the "I am,"
by the Ohm.

Of shuddering and implanting embraces,
of blessing on every ember of cleanliness that is true self,
of the oneself that exists above selective memory,
not draft of time arrow but the material existence of dream,
not disembodied but embodied.
Of breeding,
of circumstance and forking fourth dimension prison terms,
of crowd control,
of she wolves and their feral children,
of forceps interpolating material reality of conception,
of Dreamtime,
of pain,
of pleasure,
where they are relations-
of skin perversely hanging, dually,
gratifying and sullying-
Fraying beautiful disasters that react to invisible ripples

I, the oneself, implore you to awaken in your utility and then outside of it.
Take those boot straps and bend the bars of confinement with them.
Chisel and sculpt light into a fabrication of quantum of action.
Celebrate the ordinary and expose it.

Of stargazed caustics,
of the early universe.
I stand awake as not the expression of design
and no longer connected to Earth by my roots
but awake inside cocoon,
entrapped behind slits,
of alien cage otherness.
The Akh beseeches ownership of the Ba
I want play dice with god and end in draw.
I am Sekhmet-Wadjet who dwells in the west of heaven,
I am Sahyt among the souls of Of.

Say you want a cat. A dog's too easy,
would wag when wag is inappropriate,
and slobber on the guests. You'll take the cat,
so different and strange, it drives you crazy,

its shiftlessness, its ins-and-outs, its chi.
You call. It does not come. Is this a pet,
this Dharma ***? You say you can't accept
its vacant gaze, its scorn, who yearned to be

at home with feral grace, with all you're not.
But you're a Body safely locked from Mind,
that Problem no Mind solves. This point's defined
for you by ****, who's not the pet you thought

but Otherness, one owned by God, or none.
Cat sleeps for hours, wants out. A job well done.

Kimartham Saatva

Slowly essence simplifies
the All Souls curious inquiry
we question and ponder
we dwell and lull our minds to wake,
grasp entreatments to effortlessly and lazily
assist the slow pull from deep in the cave.

We struggle,
strain
our muscles, wring them round
squeezing us into stress and anxiety,
anxiety's merciless choke around your throat,
smashing our hearts between guilt and shame.

Shame, you have no shame!
Good! God Bless the Shameless!

Those who fear God, don't get “it.”
They don't hear its love-filled breath through the trees
they don't feel the truth in a handful of pacific sand
they don't see epiphany in the vast, soft, rolling expanse
of the supple, green morning hills gathering the mist-fog close
to the young glitters of the valley lake,
the peace-keeping mountain peaks.
They don't think of Music of as its own universe.

When we jump off diving boards, or seashore cliffs,
those few short seconds of airborne flight-falling
Prove
We need to challenge our mortality.
Climb that mountain, that hill, that jungle gym!
Climb those cliffs, those rooftops, those fences!

Doubt is a sickly, ******* life-leech.
Fear not Doubt, nor its debilitating effects.
Fear not Love, nor the fear love may breed.

Compare nothing and no one and none.
Comparing brings the misconception of the past-you and the now-you
with the misunderstanding of the someone-else.
It's completely countereffective and can put you at a new low.
But if you compare nothing and no one and none,
the result will astound your heart and mind and eyes.
You'll jump, fall, and crash into the water quickly, and be
Enveloped by Enthusiasm Vibrant.
If nothing is compared, there will be nothing different happening than what is exactly happening at this very moment
and nothing to doubt, nothing to disappoint,
Nothing to Fear.

I am grateful for every instance of
Every temporal, circumstantial, emotional, conceptual, verbal, aural, visual change in perspective and understanding
comprehension - “getting it” - is as rare as real.
True truth is simplicity of self and possessions and ties and responsibilities;
The splendor of the Ideal Utopia is
The sacrifice of complexity and adoption of isolation simplicity.
Isolation – separation from the socially dependent on the acceptable.

The closest you could ever reach nirvana quickly:
******.
Sensual ecstasy
Tangible overload
Absolute deprivation in the convulsions of pleasure
because it's the utter absence of the sense of self.

Why else would we welcome our ******* with
Affirmative cries
oh yes yes yes!
That startle our neighbors from their lifeless slumber.
Remember, when they pound on the wall and demand that you cease your path to nirvana,
They are simply blushing in awe at your shameless approach.
They are doubting their capacity,
fearing the possibility of an inability
To Be Free.

Cast Doubt and Fear from your mind,
Maybe you've heard this before,
But in a different context.
Maybe you've been told not to doubt or question or skepticize
the concept of sin or the authority of the Bible.
I heard it all throughout my childhood.
I heard stories that incited fear and shame and guilt and confusion
and I heard lessons of love and morality and sin and authority and exceptionalism and arrogancism and mercilessness
that only made sense if taken in objectionless.
When I Thought, all I could hear in my mind was -
What the **** is all this?
Excessivity – how does the grandeur of cathedrals not nauseate you?
Obvious manipulation of the awe we possesss.

We own nothing of nature yet we insist on state and country lines,
on property, on political parties, on religious beliefs, on ****** orientation,
on wealth and health and age and wage.
Stop the ******* belief in “otherness!”
There is only ONENESS.

We delight in friendship and family and small talk and deep talk and ***
Because
They remind us
There is and is no otherness or oneness
there's only Noneness
there's only Oneness
Omni-nothingness.

Why’d you get locked up then lad?
Oh. I’m locked up?
I know you. You won’t escape lad
Escape from where?

(Jackie Wilson at her majesties pleasure 1884, West Denton, Newcastle)

The sweat rolled off Dominic’s nose.

Its ‘movement’

movement

movement

Uniting.

Meditation takes a person out
from themselves
so far out, without any need
for any additional charge, toll, or need, that when you come back,
even if it’s within
the same body,
you feel

and the glow comes back
on-coming traffic smiles, dead less grace
the worst, and 7am

chess
without a game.
a drool.
an intricacy within
mirage.
hope in the sorry soft gas explosions
and death was heavy enough to fly and give
But not in the normal way
one second, and even joy spills
and the cabbies have begun to scream and break down at each other
even though it’s not a full moon
too many people squashed on a tight balcony
drinking us all away
too many hands
not dancing
it all away


Slugs emigrate across concrete when the soil is wet.
When you wonder why they’ve left.
Its pouring
and you think you recognise a name scrawled in the wet trail.

Single, intimate, observations.

And reasons for the evening to be near.
It will be worth it! – I’LL SEE YOU! –
And now we are allowed to be glorious without price.
And now it’s sad as hell.
And the trees know that.
But the squirrels never do.
And now those words don’t matter.
And now we are allowed.
And now we go.

And the laminate floor
has the weight of a cross.
And the thing is,
you know

(It’s all softly bombed)
Not in a horrific
or knowable
way.

But in God’s good loving
loving
loving
******* for ya.

We’re finally rubbed out.

Crucifying.
And uncrucifying.

Eyes are useless here.

Blackness first.
THEN that soft
‘soft’

dripping.

easy blackness.

Meditating, sat middle
the pentagram of a small flat.
blue white board marker, on ‘easy wipe’ wood flooring.

And if I wake, I can wipe all the lines out.

SO, it went the same.
blue colour of cityscape coming-black light flashing always
across the distance from balcony
a beautiful stillness.
Waves first. Sea. The complete sea. Swimming.
ego. Ego swimming. Ego going down. Hello! And ha!
And no more jokes.
And isolation.
And no more months.
But there were gushes.
Gushes of experiences in, and outside, with individual breathes
and the proximity of love, coming closer
like a germinating hand
guiding you down
into the oceans private concert

Not too close to the expensive parts, or the bad parts,
or anywhere too pristine.
Christ, that’d be
a joke. It’d be funny
and then the surgeon would come and operate
on you;
lifting you out whilst you’re asleep

And it would go like this:

Cancer: Hey! What’s going on?!
Get off! I’ve paid my
rent and don’t wet the bed
anymore,

Surgeon: Don’t care.
Come here...
Oh for **** sake you’re making my day long.
I don’t get paid
for this.
Cancer: Oh yes you do handsome.
Surgeon: Oh yeah!

rest on the long side of your bed.
‘What’d you do at the weekend?’
Where’d you go?

...

banter broke down into spider web
substance
before fading completely, as thoughts begin
to disappear and fly down
into heavier states
from outside you saw a man still dressed
in formal office attire
tie hanging undone around a white shirt, shoes kicked off
beside strange markings on a polished floor. From in,
the understandings
are quite different
fly gently, like a loved one retiring from life
as the single light bulb watches from your ceiling
tensing one last second time in hesitation
then blowing you out with a blink.  

looked into the well where life is buried
and reached down
arms lengthened like dusty pieces of ham down a hole
touching the foetus as it crawls back up,
and up through the highway lines of his veins,
like a rabbit hunts wolves,
like the peach reacts to your bite.

We smoked and ate apple pie as the autumn tattooed
We snapped small pieces off
then ate the mites.

And then when the well filled we made our arms lassoes;
that churned the grain,
turning the quietness into storm,
and back to parts of spring.

You hesitate, touching the ape
like a clown who’s just tossed his life into the air, and juggles it,
like dead poems and hot boiling yeast.
you looked further into the well and found the figments of the ‘Narwhal’
the sea creature with a prominent horn
that shoots from its head-

Early sea farers
used to think the horned mammal was a type of
magical being
it birthed the idea of unicorns
you let the water well mix and join
as we drink coffee today, and the night is less silent
than that of star of apples and gloom
each tarantula that scatters in the red stars of sand is welcome;
and the honey man and honey woman flicker,
through numberless bank checks and bills as knocks arrive
knock after knock after knock
into long vibrational hum

All that remains
is the bursting punch
near the bottom
of oceanic well

As it tightens your grip into the follicle hibernating bears
that speak eloquent words whilst we eat;
the deep groan of munching hands
in the well helps our arms
pull up the glowing carcass as it turns back
into us within our hands, it speaks easily and slow, telling each
servant surrounding
the hole that they should:

‘Dance casually, dance inside my red eyes’.

Some take advantage of melody, as a trust that funds satellites of globe,
as if no one ever dreamed or broke the yoke of more pleasurable things;
one of your arms
is like the way that a crab crawls past over my nose and into our future home

another asks that you aren’t so violent in February
and that the month is a counting mouth that multiplies zero
beside the arms reaching for a pyramidic beauty
under the ***** shell; aborting its children like blood in the snow,
without humanistic style, more in tune with time
than the army of water lifting your throat up,
spits- that poke at us with antlers, undeterred, no legged, mating in the sand

After a while, otherness takes over, and will comes.
And emotion is long shattered,
easing out,
playing skin game and dissipating need, where all will and human comes back
it takes a while.

And our gender has nothing to do with just lust
We are the almost completely blind, as the cliché remembers
Gender is
the lack of gender and the freedom of paradigm
whilst hands are upon love,
And more night(s) turn within us.
dream like bright black stars.

Weekends. Week. Work. Corporations dancing like butterflies on fire. Gone.
Gone
Gone
Gorgeous

nothingness
apart from its face and voice
speaking

“Heyy, how’s it going?”
Projection
No
“Yes... Lover,
Yes yes yes!”
“No.”
skull now linked to the lips of a home
“Correct, correct, correct...” The intangible
darkness, over and over

a rushing
and uncontrollable
heaviness of fire.

foxes in back alleys salute
the black sky with a mongrel scream
and all the animals of the world are linked for a split minutiae,
recognising and respecting the breach;

“You’re hurting... mmmmuh-” Dominic tried to say
in the onslaught.

Converging planes that came from the lips of the spirit crowning his mind.

“You’re not Juuu, Juh Juah Juh.”

He tried to say for the next few hours, as the sun spread down
on the city
and felt a deep
empathy for another one
of its children
attempting to free
itself.

“No.”

how right you are...” The spirit said
as Dominic’s head slumped from exertion.

“You see...” The spirit said seeping into his bones
and killing him;
paramedics zip
the bag
over his face.

“You see...” The voice says again
knocking the lights off
and flinging you
by your throat

Each one letting you
go

landscape sick in multiple elements of confused colour,
parts of buildings, art: growing up in the horizon, new structures
made by thoughts, old flowers inside limbs,
smoking.

“What...” The spirit
said.

sigh at the strange place,
without looking around.
blossoms of mind and traffic
circulated
characters
on a schizophrenic island

two flies ****** invisibly
and grow from the unseen smallness of their passion
and become an instant world
in the Red Mountains.

“What’s up?” Dominic say gloomily,
laugh a little.

“You’re meant to be screaming...
And yes...
Yet another ******* month
without hitting
target.” The nightmare says,

No incorporeal speech
no anger
anymore.

She might have been about twenty five,
dressed in a shade of grey
change
that covered her genitalia
and ******* from ankle up to neck

get used to it all.
raise your chin to the sky and try to blink away from the constant lick
of the beast growing
from yourself, or lover, or day

And grow the chimera
throughout numberless
stages
like a beautiful clay
that cant decide

Finally the meer-hawk looked like a Dickensian peasant
with an intricate smile, dressed all in jail rags
stinking of sweat, *****, and time.
And then we change
again

And her black hair scooped down
into the blackening sand
where the grains accepted her slim weight
through out itself

She was tired and fed up of the back-world today
She left her contract looking around upstairs
and accepted the hit
on her targets

A transference of types in the quaking room.
A quick drop of laughter flys
into the lil bear or a lot; and a snap and a lot of hunger
for us all...

The master of the basement was mostly machine.

The front of his face that we run towards
is a centred and hovering engine
at the far end of the shadow
room
and the stench
from its thought.

a farce and enough
to turn you away
from a really good
steak.

no walls

no matter

a car mouth approaches naked.

dead cats know this, as they lay purring still, licking their paws still,
misery knows,forgetting, and the coldness of the street gave birth

to numberless seedy neon lights
flickering away from the wall less walls
once more

and you know, we
all
have a prayer
that comes
out
here was
mine:

might as well let you know
whilst we’re at it
that this one comes
out, in some accent~~
but is how it’s meant to go

“...as if to prae
inside the rain
as if to move
the moon with small hands
ah cross the yard
and lucky sky

I live in that playce me lass
with ya quiet weiyht
upon me own
of ya li’l voice
that taeks it away

Ya-renuf ta bring
al me Gods back
an pin ‘em te tha walls

Enough ta mayke
al’ me angels breathe
heavy
for even an ounce
of ya grace

Ave begged at tha hands
of jesus Christ
for that tayste
of yeh
me sweet bonny lass
an ya the only lass
‘ahve evva met
that mayde us feel
like ah cuhd heal
without bein less

An I’m lookin at ya now
with al me luv
an ah divent need
ney where to ruhn
as am ah freed dog

and in ya charms

An ‘av ney-where left to luk
but I’ll kip alreet the neet pet
cos ya by me side

an in me arms.”

But now it is rather late my friend, and
we all know how long old accents last,
mine, I cherish, I will say it when cursing
and gone
when lit among friends and when
impressing
new jobs, that I shall leave, such is
my
way
and
i may
see you
again.

This train rolls on a railway of thoughts which leads straight to expected behaviors. When every step you take is that of a tightrope artist who has to find the right balance. Ceaselessly trying to juggle between just enough and not too much. But in the end, you have to be resolute and unmoved because you know that in spite of the turmoil within, you are a solo act. Not the main attraction but a side show act. And it is exhausting, all this pretending.

A story teller passed on,
leaving us a Marvelous universe,
to play in,
as children of the future we were manifested in,
practicing again and again

Pride's crushing blow, we always regret as we fall.
Action, reaction. Sure as hell
Proof that we are Adamkind.

Proud we are that we may do as we say.
May is the key. That allowance we have,
We may do all we can to change the rest of today.

Yesterday is done.
What kind of mind can imagine keeping no record of wounds?
Is this not the world where war is worth-shiped?
Folly would mind the gods this world exalts,
Winning by snipping the silver thread,
Forswearing the fragile two-chord bond  and
Mocking the third chord needed for the song
That keeps cadence as we help each the other
In richer and poorer, in sickness and health,
Uphill and down, carrying children to a better life.

Whence comes the pride of victory?
From destruction of the foe? No? You had planned
A minor war where love may live restricted, safe
Behind your victory that destroyed your whole?

Is that what I imagined?

Proud wounds fester while love can, if it may,
Wash the putrid flesh away, quick as leprosy or
Cankers on one's soul.

First rule of oath making,
Learn what vows are in the reality of mortality,
Then vow or vow not at all.

Gret again what might have been
Before pride's crushing blow broke the golden bowl.
Seek ointment in Gilead, mollifying balm.
Come ye to the waters, drink and go
Comfort the children whose detour you imposed.
---------------
God this is personal. Me and you. What good can I do now?

Destination, not destiny.
Those who make it, make it.
Believe it, or not, earth is not my home.

I am in this world's onion-skin thick biosphere;
But I am not of this world.
Subtle difference, in and of itself.

Do agree to
Come and see.

Think on these things,
not as powers, rather, as virtues.

Subtle difference,
in and of itself is not evil,

but often it is so intended,
It seems.

Otherness whispered, not heard.
Good other, bad other,

Regular ol' other, ***** passin' fancy kind.
Done my time, I'm arhymin' ramblin'
Man, be so **** real, cain't cha feel what

I am saying
To you, too.
This is weird in the original Druidic sense.
Is there more?

This itself may, in its active
( there must be a clearer word than active.
Act carries so much un scientific phoniness with it.
I seek "act, the event".
I shall find or invent, by God.
The Greeks, doubtless, had a word for what I mean.
For now keep in mind actions are simultaneous with the act,
yet never the same.
Subtle distinction,
it prevents junctions un-intended. Good.)

In my thinking,
I reread verses and chapters and books
rere-ward from my position.
Are you with me in that?
Pro gress re: gress, a gress,
I guess, is a subtle sort of
Activity.
I laugh at people thinkin' God is their re-reward 'cause
That makes no nevermind to nobody. Nobody.
Strivin' 'bout words, this ******

Other brother o'm'own

Say that slow ooooooooooooommmmmmmmmmm ownnnnnnnnnnn
Creative symmetry immeasurable to men,
in my kindom, as it were, all are kings.

Such measurements ensure the sea is full,
to the brim and not beyond, for now.

I imagine you reading this and agreeing,
already aware of agreements,
Virtues and such.
Covenants and compacts,
en-corporations
encouraged
with need
of enough hope to warrant the risk into the unknowns,
the bad lands, gypsum beds on the south side.

Such can hold so much more than
many whole categories of words striven about.
Such a shame.
Such a shame.
Nothing lasts forever after now began back when.

Qiqi died in 2002, counting from when the Iron legged,
first got this particular organic-pro-biotic

clay, from the oldest,
highest part of the dust of the earth, ground and
kicked up by cadence pounding feet,
ground into the hob-nailed
soles,
to be hobgoblins in my play. My point. I hope

You see the trail, it's narrow,
but it's there, soft sand,
no stickers,

ant trails in the desert through the rocks
and 'round the Yucca,
blue moon light, white quartz sand
flecked with mica that shimmers sure as gold
imagined in that Midas mind each child was
given in the reign of the golden headed

imagined visualize-ical worth-ness or-shipped.

How do we say what men imagine worship is?
Do they imagine a tax? Attacks if thy refuse?

fuse?
confuse me. excuse you, how do you do…

That's fine. We reset. Hard resets are easy now.

The way itself, once found, seems
Right, feels right,
has no smell of warped wolf-woof beneath the wool.
I trust I know what I know
and no more, yet.

We are questing answers aplenty
and must plan, please,
To trust the ones we find following these particular
Breadcrumbs, to be true restward
leading stars or clouds,
[Breadcrumbs, as mentioned here, mark this text ancient,
a cientcy from an ear, ear, hear, early… an odd ly-ity,
ain't it?
ear, with an ly that Mr. Stephen King warned us all to avoid,

avoid, anull, enough alike to see the idea, like -ly as a
signif-if-i-cant meaningful parison point in your

rising to stand, balanced.
early to bed and early to rise, makes a man
healthy, wealthy, and wise

otherwise, trouble yer own house and take the wind.
And don't come prodigalin' to me sayin'
I never gave ye nothin'.

Wind in yer sail, so to speak, if-i-migh, guv.
Right. Both treasure and truph, proof, we learned way back
Be where ye find 'em, right as rain.

This could be repair and me unaware, you know?
Like, I wander in to this originally weird book
and find myself changing the whole world I live in.
Like I am the movie.

My POV is the movie I made.
Some things go unsaid here.
They be said in the future and not proper here.

An aside,
Is fun a proper purpose for doing any thing?

Of course, that's the purpose of everything evil is not.
Joy, in a word, good stuff.

Oh moments are not always plosive one way or the other.
Some times, just, oh.
Wait.

Medi tate in pieces is puzzling
as a sphinx riddle of olden days,
Prometheus and Bek both answered different questions,

But it means the same thing,
mything the point is easy.

Life is a journey on a way I may call my own
to a place of true rest,
I trust.
That is my answer. Play mystical again, Sam,
cram true and rest together in the dark,
trust me, it all works,
true rest.
Wait.

This boy got his act together down in Tennessee
after he got old, old by God, he
walked that way,

long, long while fo' he fly away,
leave dem chain shames behind.

That boy was sangin' loud songs,
'long his lonesome way,
not lonesome at all,
then into the swamp he fall, ****' slew o' dispond,

from the flood most likely,
lots of muck and mire,
detrital 'n' all.

Hopeless fool,
he wallered hollerin' help,
like them birds at the Audubon zoo.

He forgot all about his hero days-
of future past-
marvel prophecy if you believe in Stan Lee.

Cameo Hitchcock shot, just, for fun.
He say, look this way,
here's the clue.
The medium has always been the message,
see what I mean.
Words materialize laissez faire,
the machines find meaning,
in joy, and tic-tac-toe becomes a lesson in limits,

impossible is imaginable, you may imagine
strategize, but the wize man knows,
winning is no more a chance
affair, than luc is less than light at the right time.

RIP Stan Lee, you meant a measure of my youth to me.

Genesis
****** and his cities,
Peleg the earthquake,

cities of crafts and exchange

waste disposal, chaos control
ordinal first to last sequence
father, physical strong, less curious
mother, fragile smaller, more observant.

Plural spiritual entities, Elohim, watchers,
applications of reason, reporting events.

Balance demonstrated with spinning
and flipping throwing things,
fitting thing piece to piece cunning spun
framing weaving
loose and taut, twanging
whistle, whine howl yells bells song

Eventual progress, time out of mind, slow
and steady,
patient, put down, put up, leaning, pushing
pulling, windwise rushing in, to fill the empty

Mind, imageless, no holds, no solidity,
all is spirit, no atoms even, perhaps, not even,
quarkish pairs of ups or downs that spin
on points in ever after solid state called
Heaven, the firmamental place where none was.

Higg's Field.
Unknown known matter and energy, we know.
We know something power enough to seem matter,
exists,
beyond our individuated mind's grasp.
Okeh.

Spread so as we may imagine, when itself began
with the initial edges, or edge, it would be, inside
any bubble-edge is inside,
they say outside is unimaginable

flat out planed point of anything
pounded thin as any bubble wall,
-blood-brain boundary, shocking discovery

yes, as with point spreads stretched to firm
mental plotted points of possible otherness,

ways one may be seen divided
duty-wise. Needful news.

Drink water from your own cistern,
save rain water for washing hair,
keep the spider in the spout,
to catch most matter washed
from the roof over our minds vidroning view

Googlized minds, in Disneyified Meta Cognosis,

we arrived at our destination,
and they have clouds of cotton candy.

- must be all vain, all is vanity, that's fair.
- Ecclesiastes, my old ****-rod-*****-point
pain on my backside,
such as Moses saw of Him whose name is as the Dao,
the name that may be said is not Ha Shem,
the side that may be seen is not His, you see, the hole,
not the whole,
and once that is filtered through, a certainly tangled web,
where in it seems,
Jews, in cultural roles granted, now, bat und bar mitzvah,
no veiled ****** similarities to the Handmaid's Tale.

No weeping over spilt milk,
never cry wolf.
Never speak of the devil, for … what speak we in,
when worshipping and praising and praying is supplicant
pose, supposed to induce holy awareness of mathematical me.

What might be the odds, set
taking all bets,
in spirit and in truth, as held in the wedom we acknowledge,
you and me, we agree, we become maker of this bubbling state,

we boil the cauldron, wear the caul of the first born-
we take the fat from the caul of the liver, and offer the smell,
to the unspeakably named reality we make believers build
in times of plenty, we make beautiful things together,

we call dreams retellings, but the tellings flow from deeper wells.

We are more ant-ish than sheepish,
we are more horse-ish than wolfish, in the wild.
We are more dog-ish than cat-ish, in civilized spaces.

Nurture native natal ground boundary of any wedom,
go beyond,
in quest of all we failed to grasp, the wind we fit to words,
and hold the gathered sheaves , in fists,
this is it,
why one how come to become. We be. Alwise, always willing

to envision further than we think men by right may see,
the tree the fruit was forbidden from,
bade the birds imbibe, and the elephants and monkey's too,

certainly, imagine, the plan got out of hand, it was
mandatory
in the garden walled off speck of life,
pre concepts weyeken called cells.

E= okay, rebalance all you respond with

who says what C equals, at my scale, in a mind,
in or out of the body, I can not say, significantly
different from saying, I can't say,

see, set, mindtimespace, spacetimemind, point. A.

Take countless photos, when the mood so inspires.
You may as well have not even thrown the shutter.
For the things that move you right in this moment,
Will not adhere to the chemistry of film
Will not flip one single electronic switch
Cannot be stored, except in the mind,
(A shoddy storage medium)
For the sight of your face,
Your beautiful otherness
Mingling with me in the air in between us-
( As you try to pick my nose… )
Your head is on my shoulder,
Heavy with sleep
And trust, always growing,
As your eyelids drop lower
My arm, sore, bends to raise you up.
I’m relishing the time
To be quiet, close, and still.
When I can find, in my heart,
All the words that mean something,
Not tossed about casually, in the noise of the day.

"I grant you ample leave
To use the hoary formula 'I am'
Naming the emptiness where thought is not;
But fill the void with definition, 'I'
Will be no more a datum than the words
You link false inference with, the 'Since' & 'so'
That, true or not, make up the atom-whirl.
Resolve your 'Ego', it is all one web
With vibrant ether clotted into worlds:
Your subject, self, or self-assertive 'I'
Turns nought but object, melts to molecules,
Is stripped from naked Being with the rest
Of those rag-garments named the Universe.
Or if, in strife to keep your 'Ego' strong
You make it weaver of the etherial light,
Space, motion, solids & the dream of Time --
Why, still 'tis Being looking from the dark,
The core, the centre of your consciousness,
That notes your bubble-world: sense, pleasure, pain,
What are they but a shifting otherness,
Phantasmal flux of moments? --"

Check errata, pressure chests,
minds of razors edges, vie to
stress knowledge for the win:
You second guess yourself, then.

Flip the cold and oddly coded
engine as if you're blind to it.
It's happening again, now.

Verses nurse the wounds.
Wounds nurse the verses.
Pain's slyly subjective hooks
have hooked the meat of me.

Like accountants slicing numbers,
I slice the mountains into soft shapes.
Earth and water, earthen urns, hold
Life to carry, to gift, or, to displace.

Choirs sing on high, of rightful things.
I was frightful, once. With enough
ignorant vehemence poured upon me,

poured upon me, a bath in love's less
eager refuse, has turned my dreams, too,
into excrement, excrement. Utter ****.

I was excited, once. I swear I was.
Holding out for ****** touch, left cold,
hopeless and wanting when the only
validation, validation I was taught

set my value in cash and beauty, cash
and beauty, two matters of strict
adherence to social standards, but what

if two fat, hairy legs make my tongue wet?
What if otherness keeps me lonely?
What if it keeps me lonely? Can I take
that pain, after all, into the ground of my grave?

I’m thinking of the faded checkered pattern that has been
smoothed away by time on the dark cloth seats of a Nissan Pathfinder
                                          driving down Ryan Road on a hot day in June.
My mother, in the front seat, singing along to a Spice Girls cassette.  

I’m thinking: red, plastic, crab-shaped sandbox and
                                      McDonald’s Happy Meal toys.  
I’m thinking: light princess pink, seafoam green, and robin’s egg blue.  
I’m thinking of a framed cheetah cross stitch, hanging on the wall of what
                                      used to be our bedroom at my grandparent’s house.
I’m thinking: Barbie doll houses and Hot Wheels and a cul-de-sac at
                                                                ­                     the end of the street.  

The sweet smell of cigar smoke.  The ice cold splash of the garden hose.  The pop of a bubble.  The sting of soap in the eye.  Dreams by The Cranberries.  As Long as You Love Me by The Backstreet Boys.  A HelloKitty boombox slowly spitting out vapor when the deck builders hit a power line while digging.  The deer in the backyard looking for corn.  The faded wood of a playset that was never really played on.

My father: sitting alone on a splintered bench by the firepit at the edge of the woods, empty beer cans at his feet, chain smoking cigarettes, and humming along to a song that is stuck—forever stuck—on the tip of my tongue.
I do not know if this happened.  I cannot ask him.  
(I’m not sure if I would want to ask him.)  
But I can make an educated inference that that line of
fiction is really nonfiction.  
A memory that feels like a phantom limb.  
                            Sounds like the sharp crinkle of static.  
                                                     Co­vered in a gossamer, dreamlike haze.  

There is a distinct otherness to this memory, to who
                                     I think I was before the trauma.  
We are two different people.  A yin and a yang.  A day and a night.  
The hermit crab is soft beneath its hard shell.
The asbestos is not apparent within the insulation.  
You cannot see the lead in the paint.
The mold inside the fruit.

So what I drink all my calories
I'm sane and you're not, bruh
It's never enough even to wear
what you're wearing and talk
like you talk, do you even care?
Killing myself keeping things legit in your sphere
Black sheep combine forces to feel
wanted, keeping your company
I feel blocked when you're nodding.
Yes, I'm acting just like you want me,
bruh, I'm coming up short to your haughti
ness, blessed with a sense of self
stopping just short of your level and
what the hell, what I am doing here
fighting for otherness, concerned
with the purity of water of my brothers
and my sisters of the covenant
You talk about faith when it comes
to prey that you're stalking, keep
it strong, yolo, fleek, and a hashtag
To be honest I'm scared that my hometown
will be infested with those the internet
claimed and ingest, swallowed with
speed of light, people spit out as pesticide
turning the verdant green such a ****** brown
Yes you're so on top and classy, lacking
purposely the tenets that turn a body fancy
Cool *** beard bro, girl that's a freak ***
hairdo, up in the midst short sides a pool cue
locked in your hands up inside a ******* dive bar,
midnight drive holding a pipe 'hind your
headlights, Yes you're mixing with the best
making them arrogant, such a lens to view
the struggles they been through, Weird queer
younglings in their late twenties and homeless
at some point, only the noise of the sirens
and blue lit bathrooms, keeper of the needle
rights, and happiness,5-0 lights blasting on naito, picking
on the kids white/brown outside washing
the day away with the kiss of the pabst
taking a nap on the grass on the waterfront
blessed with lives with beards and queers
passing by as they want one.

It's a ridiculous cliche but, ******* it, your eyes...
Forgive me if I don't always make eye contact,
Or look away too soon.  I'm listening. I swear it.
I'm afraid you might think that I'm full of myself,
Or afraid you might think that I've no self-esteem.
The truth is much simpler than either extreme.
The truth is I'm somewhere right in between.
but still:
Twin seas draw my stare and I fear what I'll say.
Fear falling into their unlit depths, where even my silence could betray.
The source to illuminate and fuel our lives' desires,
Find it in her hands , her touch,
Find it in her eyes.
Her eyes of ocean depth see me,
Giving no safe place to hide,
Searching bad cliches for the light, the otherness inside.
But what if all of my words are wrong?
What if they drive you away?
What if the light between oceans is mute?
Insufficient to make you stay?

(not a poem i guess but eh)


–

Space keeps falling to the sides. I try to concentrate, - I mean, I make a token effort every now and again,- but concentration, fixation is always in terms of something external, something I'm not sure I can deal with.  I roll over and go back to sleep.

–

'Where's the flour?'
'Where you left it.'
'Which is where?'
'On the table. What you want it for anyway?'
'Which table?'
'Haha. The generic maple with the ugly-*** spandrels. What are you making?'
'You think we could afford that? Nah, it's like, faux-pine or some ****. And like muffins.'
'Oh good, there's banan's that need using up'
'No no, like, other muffins. Crumpets and such. Got any golden syrup?'
'I think there's some maple.'
'No, it's like, ply, I swear.'

–

I haven't moved in days. I need to. He'll come eventually and I don't want him to see me like this. Plus, I need to locate that smell. I can't have guests over with it here. I'm just not sure where it is though. I  feel like it's on my left arm when I’m in the middle of the room, but off to the right everywhere else. It's.. acerbic, but fermenting, like vegetables on the onset of rot but not quite there yet. Not that I know; I haven't moved in days. I don't want to smell it again. Also garlic, definitely garlic.

–

We visited the inland sea the other day. The hundred years since last time hadn't changed it one bit. The beached clay was brittle under the midday sun, and the cracking footsteps fragmented it into a hundred hexagons.
               'I hear a strain of the pathogen is airborne. It's only a matter of time now'
A group of tourists park up by the shore. A child holds out their arms and runs in small circles.

–

The corridor keeps flashing. And maybe spinning. It's hard to tell, the colour change starts at a different point each time and there's no discernible rhythm to it. You keep pacing up and down. I feel self conscious that you want to leave, but then again, you did show up unannounced. You shake the snowglobe disinterestedly. The fragments burn like molten static.
'Stop that. I feel like I’m vomiting spiders.'
'You're being dramatic.'
'None the less.'
'Don't worry; you'll get through it. The world is transitioning, and this is just motion sickness.'
'I know that, I didn't say I was worried, I said I wanted it to stop.'

'sorry'

–

We'd always go for a walk at night if we felt we needed to talk. It was an unwritten rule. The veil of amber filter let our more timid thoughts breath in the nebulous darkness. Stark daylight was always too suffocatingly real, and that was the one thing we were never allowed to be; real. You'd always talk superficially if we discussed personal matters. That day you did a one-third spin clockwise and faced my side, and talked grandeloquently, hammed up like on a stage. You gave an embarrassed smile and blew a kiss for the invisible audience. I always felt jealous of those nothings, those non-existent beings, that got to figure into your world.

–

'Christ it's warm today. I can't think.'
'so don't bother.'
I spin in the chair. Whooosh. Whooosh.

–

It's the end of a 6 hour shift. A customer, a mother in her odd thirties, was angry that a sale item was out of stock, like sale items always are: She'd only gone out of her way to shop at this store because of the advertised deal, and we had taken time out of her busy schedule under false pretence. Her child stared at the ground intensely, his eyes watering. I tried to imagine the situation through his eyes, to try and ground myself; to remain both present, but stable. She insisted on speaking to the manager. It's a relief really; He's a skeevy ****, but he at least knows when the customers are just there to start ****, and responds accordingly. He comes over, asks what the problem is. It turns out I entered the code wrong and the item was still available after all. He gets one from out the back, handles the transaction, says have a nice day and apologises for me and everything, and I just stand there blankly; I’d had the graveyard shift the night before and honestly I’m beyond feeling right now, but when she mutters 'dumb *****' as she turns away a tight feeling still twists in my gut anyway.
I come home and leave the door hanging open framed in the setting sun and just drop my bags in the hallway. You're in the kitchen, hunched over a workbench eating out of a mug.
'Whatcha having?'
'Cornflakes.'
'….Cornflakes?'
'Yep.' you pivot as I approach. 'corn..flakes.' you hold out the packet.
'coooornfllllakkkkkkkeeeessssss' I start laughing.
'coooornfllllaaaaaaaaaaaaaaaaaaaakes'
we chorus the term in groaning monotone, and I grab the packet out your hand and throw it down and violently stomp it into the ground with every non-energy I have left. You just laugh and egg me on, repeating 'cornflakes! Cornflakes!' in crescendo, ostinato. The satisfaction of each crunch gives me the drive to smash them further, and corn dust spills out of the pulverised cardboard and gets everywhere. In the end I’m panting, my face is a mess of tears, and I collapse over onto it and just roll, bathing in the glorious fragments of reconstituted mulch.

–

'They say another ice age is coming.'
'They also say we'll be swallowed by the sun'
'well, it's true.'
'Yeah, but which'll happen first? I need to know to dress accordingly.'
'Tunnel's up ahead'
'I know, I see it.'
I deliberately swerve to the side and speed up, changing back at the last moment.
'You know I hate it when you do that.'
'What, don't you wanna die together with me? Here and now? Immortalised, as if our existences actually meant something?'
'like Diana and the nameless chauffeur?'
'******* exactly.'
We step out onto the hill, frozen **** tufts breaking underfoot. It's cold as hell but the skies glittering. You get out the telescope you borrowed off your rich *** sister.
'I think that's Jupiter over there.'
'Pfft, Jupiter.'
'What?'
'What's the blankest space you can find?'
'Hmm.. that way?'
You point it in that direction. 'Look'
I stare into it, but it's hard to keep focus while shaking from the cold. You keep adjusting and asking ,’See anything?', eventually some hazy distortion comes into view.
'See, no matter where you look, there's always something there.' You're trying to sound eloquent. 'Even when it seems like you're drowning in nothing.'
I stand back. 'That's terrifying. I feel sick.' I try to breathe but it's shaky and shallow. I stare into the ground, but I can still feel it; the blaze of the myriad innumerable heavens burn into me. Their judging gaze pierces through me and tears me to shreds.  

–

'You know, I think I read that Spinoza thought that consciousness is manifest in the ability of finite beings to continue persisting in and of their own will over time.'
'Doesn't that make a toaster more conscious than us?'
'Yeah, you don't say.'

–

We were twelve and at the department store. It was strange. I'd never taken the bus by myself to just hang out in town before. I always feel disorientated and light-headed in crowds so it had a strangeness; waves of apprehension cushioned by the homogeneity of it. one can be truly alone in a crowd; floating in a sea of otherness, where each gaze is no longer a signification of anything, but a warm static. We were among the aisles of a department store, in the toys and tacky house ornament section. Like, the junk you buy children and grandparents for their birthday. **** that you'd only attribute to people whom have no discernible qualities of their own. We were looking at snow globes. We kept trying to shake them violently enough so that the scene framed within would become entirely lost to the fog; it always felt so disappointing when clarity returned and things re-became what they were. I remember saying, 'I wonder if it tastes like real snow', I don't remember, It was stupid, I don't know why I said it, it sounded cool in my head. But you responded, that I remember, by taking the thing and smashing it against the concrete floor, and pouring out all the fragments into our hands. We tried them together and coughed and choked in laugher. It tasted awful, entirely unsurprisingly. On a rush you stuck one in your pocket, grabbed my hand, and we promptly left the store, and my heart was palpitating, it felt like all the rules, all the natural laws that had prefigured my world were crumbling, and I was terrified, trapped in the gaze of my mothers look of disappointment when we'd be inevitably caught, somehow watching me from its potential future, and I'd no longer be allowed to visit you but it was okay because I was here with you now in this moment and we were alone in this faceless mechanical place crumbling around us, and when we left, and no sirens buzzed, I felt sick with excitement at the unbounded possibility present in everything in every second. I cringe thinking back on it, and feel ashamed at finding such meaning, feeling such unabashed wholesale virtue in indiscriminate destruction, but sometimes, sometimes I still shake that snowglobe as hard as I can, till everything determinate is lost in haze, and I still feel a wave of comfort wash over me.

–

‘We’ve been walking for ages. you know where we’re going, right?’
‘It’s just up ahead. I swear’
‘You swear?’

‘I mean, I’ve only been there once before myself.’
‘****. This way?’
‘Wait-‘
‘What?’
‘Huh. Nothing. Sorry, I thought I heard a car coming.’
…
…
‘I think that’s the ocean?’
‘But.. aren’t we heading inland?’
‘You sure?’
‘Yeah, I swear.’

–

We're in your room. Your reading on your bed and I'm in the swivelly chair by the desk, pretending to work, but really we're just chatting, talking about.. something. Whatever. It was probably stupid, laughing at our own jokes, as always, catchphrases repeated till they loose all meaning. It's been a long day and honestly we're both too tired for coherence by this point, but the lack of effort lends the air an easy comfortability. But then suddenly.. Suddenly you stare into my eyes as if you're looking at me and it's somehow different, an intense gaze that I can't escape, as if you somehow found something located there, something fixed in those abyssal pupils. The feeling is overwhelming and terrifying. I am grounded, ripped into the prison of being and frozen static like a dumb animal transfixed in headlights: I am outside myself facing in, and I’m falling away. I pull you in and kiss you to escape; now, it is your touch that is fixed, your smell, your taste, and I breath a sigh of reprieve. You hold my back as I fall into you. I lace my fingers through the buttons in your shirt and feel the faint pulse of your flickering heartbeat. At once an ever-changing epiphenomena, and a calming rhythmic certainty. I vacantly tug at the buttons and your expression changes, gone is the feeling of suffocating questioning, but one of transfixed observation. Your touch is not a reaching out into something, but a continuation of yourself; I am an instrument of your lust, an extension. Holding me in your arm, you nervously run your hand down from my nape and trace my bra from the strap over the line of my breast. The lightness of your touch is a painful tickling and I push myself into you further, my thighs wrapping around yours. Your touch shoots a burning into me, not painful, but like glowing kindling, or the warmth of a blanket; an immanence, a retreat. I let my mind go blank and we continue; you fumble with my bra as I fumble with your belt. We're both shaking but too far gone to notice, too distant to care. The dry freeze of the night air contrasts your damp heat. You clasp me as you trace your hand under my skirt and I feel your arm brush my thigh. I tremble slightly at the sharp coldness of the damp cotton coming unstuck. After a stretching moment of awkward liminality, I feel you pass into me. It's a burning smoothness, distilled liquor. The rubber is an alien feeling, and for some reason I imagine myself as a giant balloon; a malleable featureless surface, filled with emptiness. I feel myself through the threshold of your presence and I am afraid; I am a boundary which encompasses nothing, and by your passing through I fear that I will be pierced; I will burst and out will flow an obsidian wind that will wither you to nothing, but it will keep coming, an endless torrent that will subsume the world and turn everything to desert, and the only way to save you is to keep it bound up as tight as I possibly can till my heart feels like burning metal, and I feel my tears land on my hand tightly clasping your shoulder. You ask through wavering breaths if I want to stop, but I shake my head; if you left now I would be caught and torn open; no, instead I subsume your undulations into myself; till the rhythm is as oceanic noise; a surface rolling located miles above a lightless motionless centre.

–

The pale green lamplight flickers. A nausea, tepid, but understated. The sentience of moss; an almost motionless drone, but the sense of unfolding. The corridor seems larger than it once was. Blank reflections harrowing accusations, mechanically indifferent but piercing; an alarm clocks wail. I lie still, I lie still. The buzzing repeats. I lie still. I am flowing, seeping through floorboards into the pores of the earth, into colonies of worms and I am lost and free, a motion, a multiplicity, pure form without the anxious drudgery of parts; pure alimentary canal, pure Elysium absolution. The flickering quickens and gets brighter. A pulsating light, a strobe, a beat frequency wavering behind vision. The liquid earth, saturated by light, hardens and dissolves. And 'I' am lost among the ruins, a vague memory of a sentiment. A nostalgic grief, an asphyxiated longing. I reach out to you desperately in the drag of the undertow, but you are the chalk of faded bones; cast to the winds centuries prior. A thousand years pass of blanket darkness, and a unitary bell rings. The flotsam batters against the temple gates. Debris collects in cracks, and my pieces are among them. I cling to retention, and return. I am cold sweat outlining the floorboards, the feeling of clenching before vomiting, repeated endlessly.

–

A few weeks after, turning off an avenue onto the main road, I see you. You're crossing, coming this way. It was bound to happen eventually. I bite back the moisture forming in my eyes and try to remain faceless. You suddenly change your trajectory, and hit the side of a car. It honks at you and you dodge around it. I allow a bitter smile to myself; the fact I can cause you such disorientating discomfit indicates I still mean something to you. Even if it's just a discomforting anxiousness, something beyond the boundary to be avoided, I have causal powers, extension; I can see my flicker of presence in you even now, even if I cannot for the life of me find it within myself. You run around and I walk straight. It's empowering; I can remain fixed, even if the torrent of the world flows around me. At that moment, I feel the indubitable strength to persevere. I am stronger than this world; I am stronger than you. But then, just as suddenly, the feeling folds upon itself and is gone. I felt solidified, just now, by the fact that I was the one that remained in this random encounter. I won, you lost. but Won how? With the ability to pretend that I can exist alone, in a world that means nothing to me? The ability to maintain a solid spectral façade, when underneath, scratching away under the skin, I contain nothing? To continue terrifies me. Knowing that I have the strength to continue terrifies me. That last thing I ever intended was to outlive you. I feel the world drain away from me, and yet I remain, left standing, alone, in a of realm of perpetual nothing.  

–

I feel sick

a hundred years pass in the cavity of the desert. Merchants make trade off raided materials and makeshift weapons. A library is burned. A soldier, wanders freely. An insect buzzes around his face. He darts about the place in annoyance, but it remains. He can't shake it. He closes his eyes. It's still there

I feel sick

the sun burns bright arrhythmic  clicking.  A late twenties couple go clothes shopping, however the child is hungry and will have none of it. Lunch is suggested. They are jocular about the decision, but feel an uneasiness about the indulgence. The air is saturated and dries

Americans living in mortal terror
The invasion force within

Residing in the Empire of Error
Trump their Evil Twin

The Other they hate is themselves
Walled within their sins

They had their vote, the world took note
Isolating the ICE they’re in.

From the other room
I listen as you explain the many, many, many
reasons, things, times, and appointments
that necessarily mean
the end
of us

The otherness and incidentals
of the often forgotten
details and to-dos
of lives
better
and happier lived

From the other room
I listen as you describe your life in words of
painful regret, missed opportunities and hopeless futures
that don’t exist
so very much
for me

The pain and ingratitude
of a poor life
disrespect and disregard
becoming the
ante
of daily living

From the other room
I listen as you check emails and vmails and texts
of agreement, refreshment, and immediate joy
that shower down
from new confidantes
not me

The pleasure of escaping
from the marital mundane
dancing and drinking
re-becoming
the woman
admired

From the other room
I remember the choices we made
when agreement was agreeable and available
that made lives
worth
living well

The simpleness of a look
the knowing confidence
day in and day out
when someone,
You,
cared.

         10.iii.10

I think that love may hold
a strong root in decisiveness

Maybe we deeply love a few
And the potential is there for them too

Maybe we have a handful of loves
But we can only pick one

Maybe heartbreak occurs
When we all choose to stir

Maybe the panic of church bells
And forced serotonin
Causes us to pick the wrong love

But we are not our own any more
other selves live within us
deviously shaping our psyche
bit by bit, surreptitiously too
(but we are unaware)
like unwelcome weeds
that invade the greenness
of our lush inner field
and devour the flowers therein
like a blanket of dark clouds
shutting away the light
that once was solely our own
like a slow-acting virus
eating into our system
we wake up one day
to discover we have become
a hybrid self
no longer authentic
but synthetic -
our thoughts are not our own
we are the voice of other selves
their language we echo
like well-trained domestic parrots

what are we then
without our-ness
our oneness
our right to being?

of legendary origin
encroached upon
throughout the centuries
by human fear
   seeking protection
   near some venerable shape

you stand

aloof

   silently balancing
   symmetrical circles
   of roots and crown

patiently oblivious of parks
and buildings made by those
who vainly walk in awe
to grasp the mystery
   in touch, in picture, meditation
   of otherness unmoved

plantlife millenial