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"ostensibly" poems
1123 A great Hope fell You heard no noise The Ruin was within Oh cunning wreck that told no tale And let no Witness in The mind was built for mighty Freight For dread occasion planned How often foundering at Sea Ostensibly, on Land A not admitting of the wound Until it grew so wide That all my Life had entered it And there were troughs beside A closing of the simple lid That opened to the sun Until the tender Carpenter Perpetual nail it down—
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A great Hope fell
In the divet between mountains Resides a wooden cabin – ostensibly an amalgamation of the scape Adroitly - I - quondam female warrior flit Down massive (ancient) hand-laid, hand-cut carved stone steps Bounding from contingent step onto the dense pad of turned soil Tacit compliance between gravity and soil holds footprints bound A compressed deflating crescendo as pace ignites with bounds Cadences of protuberant wildflowers and grasses erupt from swollen terra A winsome chromatic menagerie, dispersed in ecstatic fistfuls A venerably ancient ritual My nascent clandestine vocation Personally meted out - a beatification for my provisional sanctuary Along glacier-fed stream Lissome fingers shadow inert stalks –plucking dormant beginnings from their desiccated ligaments I am austere and unadorned save for a festoon of pyrite flecks trailing my semblance Residual gilding from my ante-meridian swim taken after requisite gathering of wild blackberries, goose berries, and rhubarb along oft-tamped path The sun, nestling into its requisite apex endorsed my completion I reclined into the hassock of soil, feeling the elements settle about with an embossment of my form Imposing verdure arched subtly as compressed soil beckoned hyperbolic flux As I lay within the basilica of opulent living columns replete with comestible bounty Lingering dew honed inflections of sacrosanct petrichor in unison with piquant clover Wild purple clover buds saccharinely tinted and inundated nestled nerves in mine cribriform plate Birds pitched and galloped through the frond tips and beyond in the lapis expanse Frequently snatching damselfly’s and assemblages of midges from their ephemeral drift Auspicious rays transcended stippled diaphanous gravid clouds Light inundated ether entered humbly into the cathedral oculus Pyrite speckled terrain beneath, and my bare gilded form above Cast a refracted aura about my sanctuary Precipitously the elusive vaporous embankment distended further Ashen atmospheric correspondence inaugurated liquescent sustenance to my mountain abode And I - Lingered beneath the descending gobbets, curls furled in a puddle Fresh topsoil cupping my corporal topographic contours Pressing blackberries into my mouth between smiles
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Jan 26, 2014
Jan 26, 2014 at 9:13 PM UTC
Diaspora Vocation
In the divet between mountains Resides a wooden cabin – ostensibly an amalgamation of the scape Adroitly - I - quondam female warrior flit Down massive (ancient) hand-laid, hand-cut carved stone steps Bounding from contingent step onto the dense pad of turned soil Tacit compliance between gravity and soil holds footprints bound A compressed deflating crescendo as pace ignites with bounds Cadences of protuberant wildflowers and grasses erupt from swollen terra A winsome chromatic menagerie, dispersed in ecstatic fistfuls A venerably ancient ritual My nascent clandestine vocation Personally meted out - a beatification for my provisional sanctuary Along glacier-fed stream Lissome fingers shadow inert stalks –plucking dormant beginnings from their desiccated ligaments I am austere and unadorned save for a festoon of pyrite flecks trailing my semblance Residual gilding from my ante-meridian swim taken after requisite gathering of wild blackberries, goose berries, and rhubarb along oft-tamped path The sun, nestling into its requisite apex endorsed my completion I reclined into the hassock of soil, feeling the elements settle about with an embossment of my form Imposing verdure arched subtly as compressed soil beckoned hyperbolic flux As I lay within the basilica of opulent living columns replete with comestible bounty Lingering dew honed inflections of sacrosanct petrichor in unison with piquant clover Wild purple clover buds saccharinely tinted and inundated nestled nerves in mine cribriform plate Birds pitched and galloped through the frond tips and beyond in the lapis expanse Frequently snatching damselfly’s and assemblages of midges from their ephemeral drift Auspicious rays transcended stippled diaphanous gravid clouds Light inundated ether entered humbly into the cathedral oculus Pyrite speckled terrain beneath, and my bare gilded form above Cast a refracted aura about my sanctuary Precipitously the elusive vaporous embankment distended further Ashen atmospheric correspondence inaugurated liquescent sustenance to my mountain abode And I - Lingered beneath the descending gobbets, curls furled in a puddle Fresh topsoil cupping my corporal topographic contours Pressing blackberries into my mouth between smiles
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34
There's a virulent disease inside him. It pervades every where. It invades him. The toxic cells exist in every nook and crevice. He starts wondering whether his soul and body will suffice and live through the brutal treatments that await. Radiotherapy or chemo. A part of himself could be lost in the pomposity and elaborateness of the machines used to do so. He lies on the bed, surrounded by the ostensibly loved ones who mourn now and who hated him once. He looks back at his life and feels that getting back to his healthy, strong self is a chimera. Days pass and his bed is his sanctuary. The reports from the doctors arrive and he is all but stationary. He finds the concept of reports funny. They determine life and death in a second and after that, life could be jubilant or miry with hopelessness. The reports clearly indicate that "cancer was not detected". He scoffs at the elaborate medical language and sits back and relaxes, concluding his close call with death and an emotional mess. Not letting the intimidation and sinister nature of the diseases get to him.
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Oct 17, 2015
Oct 17, 2015 at 4:41 PM UTC
Life through the eyes of a sick man.
Dilapidated, I hang on the precipice of perdition. My lacerated synapses, struggle to usurp the assailant who created my beautiful crimson demise. I'm weary of being ostensibly content, with all of this malice and prating that enshrouds me. Lets not mask this with useless euphemism. I'll make this as equivocal as I can. Its time for this dalliance to end. Its time I end my diminutive existence.
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Dec 22, 2011
Dec 22, 2011 at 11:49 PM UTC
Fatal Presage
Don’t put me in a box, I am my own teacher I don’t worship TV idols, I have other preachers I don't toss a poem to come across as known friends crossed me, don’t know my own home I don't speak for an arrogant cause Or do self-righteous acts just to merit applause I don’t make scenes to be seen as a person of God What you see as a skill, I see as a character flaw I don't use a hype man sell grams to buy fans I don't scream to get attention other ways for lungs to expand I don't ********** my talent for people that bystand Or try to trick innocent people more desperate than I am Sell a line, sell a book Sell a dream, sell a scheme Sell a brother false hope you control his self-esteem Let a brother talk **** I won’t get mad at all I’ll just throw a couple stabs like my cousin at the mall So please tell me what’s worse being broke or broken? but before you answer that let me ask you this first In the place you live, can you quench your thirst? Do you have enough time to finish a verse? Remember our time here was borrowed, can’t reimburse Parasitic a chemic I been it I pen it, I penetrate my a pen all day To descend and mate My inner state is in the state to keep on straight, administrate and illustrate What people haul with haste till it's in his face So in the case where i’m in my space my focus is to chase Yeshua’s face is faced with the waste of people sending hate Intimidating to people claiming contention ostensibly incoherent was air for my ascension It's plucking a hair ain't it? who painted the P.I.C cell in pixels, the pig sells the witch who picks spells, got hell Tie a boar to a tree transmitting this free him a year later he'll stay in the same radius Maybe it's in the tears Maybe it's just kinetics Maybe I do love attention and writing is how I get it encapsulated beneath the surface the desire is unknown You think this a joke Get shot in your funny bone!
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Jan 21, 2015
Jan 21, 2015 at 2:41 AM UTC
Who's King Bacon?
Don’t put me in a box, I am my own teacher I don’t worship TV idols, I have other preachers I don't toss a poem to come across as known friends crossed me, don’t know my own home I don't speak for an arrogant cause Or do self-righteous acts just to merit applause I don’t make scenes to be seen as a person of God What you see as a skill, I see as a character flaw I don't use a hype man sell grams to buy fans I don't scream to get attention other ways for lungs to expand I don't ********** my talent for people that bystand Or try to trick innocent people more desperate than I am Sell a line, sell a book Sell a dream, sell a scheme Sell a brother false hope you control his self-esteem Let a brother talk **** I won’t get mad at all I’ll just throw a couple stabs like my cousin at the mall So please tell me what’s worse being broke or broken? but before you answer that let me ask you this first In the place you live, can you quench your thirst? Do you have enough time to finish a verse? Remember our time here was borrowed, can’t reimburse Parasitic a chemic I been it I pen it, I penetrate my a pen all day To descend and mate My inner state is in the state to keep on straight, administrate and illustrate What people haul with haste till it's in his face So in the case where i’m in my space my focus is to chase Yeshua’s face is faced with the waste of people sending hate Intimidating to people claiming contention ostensibly incoherent was air for my ascension It's plucking a hair ain't it? who painted the P.I.C cell in pixels, the pig sells the witch who picks spells, got hell Tie a boar to a tree transmitting this free him a year later he'll stay in the same radius Maybe it's in the tears Maybe it's just kinetics Maybe I do love attention and writing is how I get it encapsulated beneath the surface the desire is unknown You think this a joke Get shot in your funny bone!
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49
AMERICA, THE BEAUTIFUL? Were you aware that our nation opposed Haiti's revolution for democracy in the early 1800s; that our nation's war against Mexico that began in 1846 resulted in our taking half of Mexico for ourselves; that our nation defeated Spain ostensibly to liberate Cuba, but actually established a military base on the island and furtively gained de facto control of its puppet government; that our nation seized Puerto Rico, Hawaii, and Guam; that our nation had fought a brutal war to subjugate the Phillipines; that our nation had opened Japan for trade with us with threats and gunboats; that our nation created an "Open Door" policy with China to exploit it economically; that our nation engineered a revolution against Colombia to create the nation of Panama so we could build the canal through it; that our nation sent 5,000 Marines in 1926 to Nicaragua to counter their democratic revolution; that our nation in 1916 intervened in the Dominican Republic for the fourth time; that our nation in 1915 intervened in Haiti for the second time, and so on. Imperialism, not democracy, steered our nation's decisions and movements. Did any of you learn about, let alone study extensively, any of these flagitious Ameican acts and policies as you sat and squirmed in your high school American history class? My surmise is that you did not. But I bet you were required in at least one of your classrooms sometime between 1st and 12th grade to stand at attention, as it were, and recite the Pledge of Allegiance as you saluted the flag in the corner. My riposte: What does it matter if our flags are waving, if our spirits are flagging? Epilogue: Most importantly, never forget that it was the two evils of slavery and genocide that propelled our nation into what once was the most influential nation on Earth. Copyright 2020 Tod Howard Hawks
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Jun 26, 2020
Jun 26, 2020 at 8:52 PM UTC
AMERICA, THE BEAUTIFUL?
AMERICA, THE BEAUTIFUL? Were you aware that our nation opposed Haiti's revolution for democracy in the early 1800s; that our nation's war against Mexico that began in 1846 resulted in our taking half of Mexico for ourselves; that our nation defeated Spain ostensibly to liberate Cuba, but actually established a military base on the island and furtively gained de facto control of its puppet government; that our nation seized Puerto Rico, Hawaii, and Guam; that our nation had fought a brutal war to subjugate the Phillipines; that our nation had opened Japan for trade with us with threats and gunboats; that our nation created an "Open Door" policy with China to exploit it economically; that our nation engineered a revolution against Colombia to create the nation of Panama so we could build the canal through it; that our nation sent 5,000 Marines in 1926 to Nicaragua to counter their democratic revolution; that our nation in 1916 intervened in the Dominican Republic for the fourth time; that our nation in 1915 intervened in Haiti for the second time, and so on. Imperialism, not democracy, steered our nation's decisions and movements. Did any of you learn about, let alone study extensively, any of these flagitious Ameican acts and policies as you sat and squirmed in your high school American history class? My surmise is that you did not. But I bet you were required in at least one of your classrooms sometime between 1st and 12th grade to stand at attention, as it were, and recite the Pledge of Allegiance as you saluted the flag in the corner. My riposte: What does it matter if our flags are waving, if our spirits are flagging? Epilogue: Most importantly, never forget that it was the two evils of slavery and genocide that propelled our nation into what once was the most influential nation on Earth. Copyright 2020 Tod Howard Hawks
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5
He’d been able, after some gentle persistence, To wheedle his way into the place (He’d been vaguely recognized by the caretaker, A certain affable familiarity his stock in trade, after all) And he had been decidedly deliberate in his search for the shoes, Though he’d been quite certain where he’d left them, Simply hoping to drink this all in just one more time But though the rooms were ostensibly unchanged (He'd noted the odd knick-knack and piece of bric-a-brac Had been secreted out, to be preserved or pawned) They held no fascination for him now, Simply concoctions of hardwood flooring, Decorative wall coverings, staid pieces of furniture (Indeed, the paterfamilias of this whole mélange Increasingly beyond his recall-- he could hearken back To a certain hail-fellow-well-met in his demeanor, And he'd had an affecting smile, But he was unable to conjure any further details From the recesses of his memory) And with nothing else to moor him to these silent rooms, He'd slipped on the ostensible reasons he'd come in the first place (Their uppers maintaining their whiteness Through any number of bleachings, The soles worn to a near smoothness) And, nodding perfunctorily to the mansion's steward, He slipped away, heading to some other party Carrying on in more or less perpetuity, The battered bottoms of his shoes Leaving just the faintest marks as he crossed the dunes, Soon to be buffed away altogether by the breeze.
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Oct 29, 2018
Oct 29, 2018 at 11:29 AM UTC
In Which Klipspringer Retrieves His Tennis Shoes
The giant fin whale swam along with the tide A nineteen-foot calf was swimming by her side They were swimming away from her mate’s now dead shell Trapped in a lagoon and then all shot to hell. She’ll raise her young calf on her own from now on Not mating again as they only take one Her mate had followed a herring shoal in with the tide And for a short while there were those who had tried To help him turn and head back to sea But the cruelty of nature would not let it be At eighty feet long and a shallow cliff lea It could not turn around to escape and be free. And then a vile streak in the locals took hold A most wicked shooting match began to unfold The most handsome of whales was trapped and revealed As shooters took aim and young children squealed. They fired and they fired and they fired and they fired Stopping only to reload and then when they got tired They even drove speedboats across his shot back Leaving deep deep prop cuts as a further attack. And when they were done and the whale was no more His body burst open and in death he’d now score For the stench of his now rancid corpse was so rotten This beautiful creature wasn’t easily forgotten. There was a man who tried hard to get him free But one man alone is as a wood with one tree And by the time he had got national press all aware The whale was now dead, so bored, they’d not now care. ©Joe Wilson – A Whale shouldn’t die like that 2014 Many years ago I was enthralled by the work of Farley Mowat the renowned Canadian environmentalist who died last month. From reading his book, based on real events ‘A Whale for the Killing’ published in 1972, I took to studying whales as a hobby and I quickly realised just what a perfect creature the Fin Whale is. It is the only whale that is match coloured along both sides giving it the same symmetrical beauty as a dolphin and is the second largest creature to live, the Blue Whale being the only creature bigger. It is so amazing it can lift its entire body out of the water. Why on earth would you fire thousands of rounds of ammunition into a creature so beautiful? Why? This is a small tribute to the memory of Farley Mowat (May 12, 1921 – May 6, 2014) and to people like him who try so hard, such as the Sea Shepherds who try to stop the massacre of bottle-nose dolphins each year in Taiji, Japan ostensibly for food, even though most Japanese people shun the whale-meat.
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Jun 1, 2014
Jun 1, 2014 at 6:57 PM UTC
A Whale shouldn't die like that
The giant fin whale swam along with the tide A nineteen-foot calf was swimming by her side They were swimming away from her mate’s now dead shell Trapped in a lagoon and then all shot to hell. She’ll raise her young calf on her own from now on Not mating again as they only take one Her mate had followed a herring shoal in with the tide And for a short while there were those who had tried To help him turn and head back to sea But the cruelty of nature would not let it be At eighty feet long and a shallow cliff lea It could not turn around to escape and be free. And then a vile streak in the locals took hold A most wicked shooting match began to unfold The most handsome of whales was trapped and revealed As shooters took aim and young children squealed. They fired and they fired and they fired and they fired Stopping only to reload and then when they got tired They even drove speedboats across his shot back Leaving deep deep prop cuts as a further attack. And when they were done and the whale was no more His body burst open and in death he’d now score For the stench of his now rancid corpse was so rotten This beautiful creature wasn’t easily forgotten. There was a man who tried hard to get him free But one man alone is as a wood with one tree And by the time he had got national press all aware The whale was now dead, so bored, they’d not now care. ©Joe Wilson – A Whale shouldn’t die like that 2014 Many years ago I was enthralled by the work of Farley Mowat the renowned Canadian environmentalist who died last month. From reading his book, based on real events ‘A Whale for the Killing’ published in 1972, I took to studying whales as a hobby and I quickly realised just what a perfect creature the Fin Whale is. It is the only whale that is match coloured along both sides giving it the same symmetrical beauty as a dolphin and is the second largest creature to live, the Blue Whale being the only creature bigger. It is so amazing it can lift its entire body out of the water. Why on earth would you fire thousands of rounds of ammunition into a creature so beautiful? Why? This is a small tribute to the memory of Farley Mowat (May 12, 1921 – May 6, 2014) and to people like him who try so hard, such as the Sea Shepherds who try to stop the massacre of bottle-nose dolphins each year in Taiji, Japan ostensibly for food, even though most Japanese people shun the whale-meat.
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31
there's this book, a manual, a guide for shrinks ostensibly it aids them in assessing how one thinks to my mind it contains something for everyone to be human is to invariably become undone degrees of  normality, degrees of insane eventually too much knowledge makes the struggle an exercise in vain some gentle ones give up and relinquish trying coping is groping,  thrashing,  lying to thine own self be true unto this missive troubles you'll rue total honesty  impossible to know minuscule fleeting fractile glimpses of the show 'do you swear to tell the truth, the whole truth and nothing but the truth'? I can only promise to try social strictures require we lie I will not swear to something I cannot believe I'm rarely really certain of any given thing;  my doubts know no reprieve When Krishna revealed to Arjuna his entire magnificence Arjuna recoiled in fear to behold such terrible opulence likewise my eyes have been opened to some totality so I view the truth as a comfortable logical fallacy therein is the problem the dilemma defined to tell the 'whole truth' I would most certainly lose my mind
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Jun 5, 2013
Jun 5, 2013 at 9:14 PM UTC
something for everyone
You’ll find them in all such establishments, (Be they graceful small-town former Victorian homes, Or cinderblock edifices mindful of some campus multi-faith center) Sitting in the basement, cheek-to-jowl With moldering burial records and banking statements, Yellowed newspaper clippings, faded prayer cards Small squared-off boxes hastily tabbed together, Ostensibly temporary containers which have acquired An unintended and wholly unwelcome permanence. The whys and wherefores of their subterranean placement A mixed bag of foible and outright foolishness: Unresolvable squabbles concerning possession and burial, Families that skipped out on the bill, leaving mom behind, Cases of outright not giving a good-goddamn. And so they remain, in lieu of repatriation and redemption, To sit for something akin to perpetuity in some cases (Members of the profession resolute in their respect For the dignity of life, Though their sincerity enjoys less unanimity) While others wait for mass burial Once legal niceties have been satisfied, While still others, in care of firms not so scrupulous About crossing their t’s and dotting their i’s, Are flung, albeit somewhat surreptitiously, out the back door, The remains to take flight if the grass is dry and the wind is brisk, Otherwise to be left to the vagaries Of curious birds and creped soles.
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Aug 31, 2018
Aug 31, 2018 at 11:28 AM UTC
the unclaimed
Purely noumenal or epistemologically maieutic?   Existentially transcendental transmogrification, transmute, transude, transubstantiate.  Spiritual apercu’s incarnate.  Infinite possibilities eidetic prospectus perpetrates incorporeity ideology’s perfectible ontology.  Elan vital’s entelechy’s apotheosis.  Psychic clarity’s evolutional ascension.  Perpetuity’s adamant tenacity.  Sentience’s inevitably irrefragable logistical tactician.  Preternatural’s ostensibly immortal fecund.  Yes, lie with me and I will indeed proceed to exceed the parameters of your mind with mesmerizingly enrapturing ecstatic euphoria.  Sublimely surreal futurity fatidic and  decadently arrogant blatant flagrancy.  Incorrigible atrociously impetuous impudence,  pusillanimous no.  Enthrallingly endearing sensually demonstrative flirtatious flamboyance.  What’s to extravagant exorbitance portray……… exserted protuberance’s indefatigably indomitable.  Sexuality’s infrangibly latent virilities, erotica erectile errantry’s hubris!  Feral phrenic frenzied ***** salaciously seductive.
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Jan 2, 2016
Jan 2, 2016 at 5:40 PM UTC
Pneuma’s Epigamic Hubris
Collaboration's implicit excitations explicate expectations Unity's myriad augurs geomancy's indications Demagoguery's ostensibly intuitive impetus coordinations Extravagantly exorbitant panaceas appreciate exaggerations Prolifically profuse profundity's autonomous gestations Empirically emulate epistemology's exogamous creations Intrigue's imperative promulgation's quantum fecundations   Fealty's ephemeral enunciation's explicit complications Hypercritically exponential prophylaxis protocol's interpretations Sacrosanct unary's preternatural predilection's extrications Eventuation's evocative illuminism avant garde's ostentations Corrupt costume counselor's indicative explications Assimilation's synthetic synthesis' ascensional implications Ominous phenomenon portrayal detinue's integrations Umbrage ultraism's penumbral platitude's objectifications Futurity's spontaneous flamboyance's apotropaic expiations
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Nov 30, 2018
Nov 30, 2018 at 7:53 PM UTC
Synergy
I'm gonna unfollow everyone whom i currently do, and begin the list again, so as to renew the chaos that is the influx of beautious word-art I so enjoy and revere, but so seldom have time to sift through and give the attention and mind that is warranted to each and every one created by all'a y'all wonderous souls. if I neglect to re-add anyone, please do not take it personally! anyone who is ostensibly active enough on my posts will, for obvious reasons, be most likely to be put back on my stalking list. I realize this might come off as a bit selfish or narcissistic, perhaps vain or something, and it very well might be, but I'm strangely okay with that. If you have a bone to pick with that, I beseech thee to consider the following: what part of you wants it to be that way, what that reduction allows you to justify, and how that makes you feel. Just some fast food for thought. ;) much love to you all, and blessings upon thy paths. see you in the future!
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Mar 31, 2016
Mar 31, 2016 at 8:20 AM UTC
Purge; Catharsis; Renewal: Anew
Let the self seeding crocus mia beguile, burying our heads in Sunday papers taking the coloured supplements to heart, whilst in the shade forgetting others suffering, again we turn inwards, dreaming of strawberries and clotted cream and strolling to the local ligne roset, these middle class values ostensibly vouched by the world yet no longer made in our image.
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Oct 31, 2013
Oct 31, 2013 at 6:51 PM UTC
Class in summer's recess.
Do you ever wish… to just say “hello” to the world? Reassure someone, everyone, ANYone That YOU still exist. That your DNA is still a twist. That the ends of it have not come unraveled. To shout from some part of your being. "Hey ************* I'm not dead yet!" We sometimes try. Even perhaps just from our digital self, because it’s the one people have less trouble connecting with, the one where they can choose not to see the parts they don’t like, Because everyone looks the same in a tiny picture. And those pictures and profiles are not racial Or insulting to anyone’s existence Because those things are banned Like “offensive” and “inappropriate” books. And these profiles, ostensibly, they’re identical. Which removes the need for real thoughts. For scary thoughts, Different Thoughts. And so we’re indifferent.   And we remain so with comfort and ease From our beds, couches, recliners. From coffee shops Where we take pictures of the nice flower the guy behind the counter drew in our latte’s foam, and click, click, click to “share” the memento with our 1,738 friends. Instead of taking a risk and actually sharing a moment with a stranger. Even a moment of silence. Perhaps even especially, because the very thought of sitting in silence, together or completely alone terrifies us. Like going to take a seat and accidentally sitting on a broken bottle. So we try to break the silence as fast as we can and we barricade ourselves behind Apple logos. Pretending that we could never make a difference. Even though we carry more computing power in our pockets than any of the scientists who put a man on the moon could dream of having instantaneous access to. We’ve grown so much and so great. That we even scare ourselves. But I know a secret Whispered on the outernet If you listen, you can hear it. It says, reach out to someone. Connect. Make yourself vulnerable This is how you become truly powerful Only when you’re stripped of all your veils Can your spirit soar with another’s. And that my friends, is the nonsexual part of *** You see, The Idea of DNA exchange can be more important than many of times it’s actually happened. So let us not relegate ourselves to the shelves of history to be filed under “waste” but instead knock over all the shelves, trying to get to that really interesting looking book that’s way up at the top. Then the world will really know you’re there and you won’t even need to say “hello.” And who knows, maybe the janitor is actually a really cool dude.
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Mar 14, 2013
Mar 14, 2013 at 7:51 PM UTC
Only human?
Do you ever wish… to just say “hello” to the world? Reassure someone, everyone, ANYone That YOU still exist. That your DNA is still a twist. That the ends of it have not come unraveled. To shout from some part of your being. "Hey ************* I'm not dead yet!" We sometimes try. Even perhaps just from our digital self, because it’s the one people have less trouble connecting with, the one where they can choose not to see the parts they don’t like, Because everyone looks the same in a tiny picture. And those pictures and profiles are not racial Or insulting to anyone’s existence Because those things are banned Like “offensive” and “inappropriate” books. And these profiles, ostensibly, they’re identical. Which removes the need for real thoughts. For scary thoughts, Different Thoughts. And so we’re indifferent.   And we remain so with comfort and ease From our beds, couches, recliners. From coffee shops Where we take pictures of the nice flower the guy behind the counter drew in our latte’s foam, and click, click, click to “share” the memento with our 1,738 friends. Instead of taking a risk and actually sharing a moment with a stranger. Even a moment of silence. Perhaps even especially, because the very thought of sitting in silence, together or completely alone terrifies us. Like going to take a seat and accidentally sitting on a broken bottle. So we try to break the silence as fast as we can and we barricade ourselves behind Apple logos. Pretending that we could never make a difference. Even though we carry more computing power in our pockets than any of the scientists who put a man on the moon could dream of having instantaneous access to. We’ve grown so much and so great. That we even scare ourselves. But I know a secret Whispered on the outernet If you listen, you can hear it. It says, reach out to someone. Connect. Make yourself vulnerable This is how you become truly powerful Only when you’re stripped of all your veils Can your spirit soar with another’s. And that my friends, is the nonsexual part of *** You see, The Idea of DNA exchange can be more important than many of times it’s actually happened. So let us not relegate ourselves to the shelves of history to be filed under “waste” but instead knock over all the shelves, trying to get to that really interesting looking book that’s way up at the top. Then the world will really know you’re there and you won’t even need to say “hello.” And who knows, maybe the janitor is actually a really cool dude.
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47
I¹m not sure how I came to be obsessed with Dorothy L. Sayers and her beloved Peter Wimsey. At any rate, I was determined to go on a pilgrimage to England and walk in the places where she walked and to see the place where her ashes lay. And to ostensibly find a signed copy of one of her books every copy of which was beyond my economic horizons on my internet searching. So I went to London I saw her heroine, Harriet Vane¹s Bloomsbury. I went to Russell Square and stepped back into a time when hotels smelled of potted meat and wet wool and it was always raining. I saw where Harriet and Peter set up housekeeping after their marriage. Finally, I wnet to St. Anne¹s Church in Soho DLS¹s final resting place where she was warden for some 12 years before her deaeth in 1957. It took three trips to the small tower where her ashes lay under the concrete before I could get inside and stand in that place, but I finally got there What is it that makes us feel connected when we stand where someone else is buried? And wandering around London on our second day there I stumbled into a small book shop and, wonder of wonders, I asked if they had any Dorothy L. Sayers¹ books and they said ³Are you her to look at her private library that they had recently purchased at auction?¹ So I now have three of DLS¹s own books and I have one signed and annotated in ink by her from her private library. I have the books sitting in my living room in a small house, in a small town in Indiana. But I have a part of something in my bookshelf I take it out periodically and ****** it and feel like I can reawaken some lost show in some other place and time.
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May 12, 2013
May 12, 2013 at 5:50 PM UTC
dorothy l. sayers
I¹m not sure how I came to be obsessed with Dorothy L. Sayers and her beloved Peter Wimsey. At any rate, I was determined to go on a pilgrimage to England and walk in the places where she walked and to see the place where her ashes lay. And to ostensibly find a signed copy of one of her books every copy of which was beyond my economic horizons on my internet searching. So I went to London I saw her heroine, Harriet Vane¹s Bloomsbury. I went to Russell Square and stepped back into a time when hotels smelled of potted meat and wet wool and it was always raining. I saw where Harriet and Peter set up housekeeping after their marriage. Finally, I wnet to St. Anne¹s Church in Soho DLS¹s final resting place where she was warden for some 12 years before her deaeth in 1957. It took three trips to the small tower where her ashes lay under the concrete before I could get inside and stand in that place, but I finally got there What is it that makes us feel connected when we stand where someone else is buried? And wandering around London on our second day there I stumbled into a small book shop and, wonder of wonders, I asked if they had any Dorothy L. Sayers¹ books and they said ³Are you her to look at her private library that they had recently purchased at auction?¹ So I now have three of DLS¹s own books and I have one signed and annotated in ink by her from her private library. I have the books sitting in my living room in a small house, in a small town in Indiana. But I have a part of something in my bookshelf I take it out periodically and ****** it and feel like I can reawaken some lost show in some other place and time.
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Ever decreasing circles Tessaracts And mine fields Hindsight blind sided Ostensibly this funneled Tunnel vision OCD in oscillations The vortices surround me Gravity On my event horizon The memory of sunlight thins This meridian Soul and spirit intersect At the latitude of foolish intentions Emotional circumspect The absolution of revolutions Pull my fatal focus center Enter in To end Where I begin *aufero vestri cranium ex vestri **** whispered litany reverse reverberation In that space between statis And 360 degrees Stretch out my arms And I am free….. Ever increasing circles From the epicenter To destiny TL Boehm 092809 *remove your cranium from your ****
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Sep 24, 2014
Sep 24, 2014 at 11:30 AM UTC
Circumspect
105 To hang our head—ostensibly— And subsequent, to find That such was not the posture Of our immortal mind— Affords the sly presumption That in so dense a fuzz— You—too—take Cobweb attitudes Upon a plane of Gauze!
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To hang our head—ostensibly
She brings me morning coffee and tissues (Tissues, ostensibly a coaster) for she knowing. Poetry, I am writing, needing then, to wipe up the spilling tears. PostScript: Which of the mysteries within this poem need answers? All or None.
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Nov 29, 2013
Nov 29, 2013 at 9:31 AM UTC
She brings me morning coffee and tissues
The song played-- muffled, hesitant, As if the tabletop jukebox Seemed unsure of the tune’s suitability, As out of place and time as ourselves, It being Wednesday morning three A.M. At the all-night diner on the Klondike Road (The mills, going full-bore down the road in Montmorenci Falls Making such a place viable, indeed necessary), But we laughed loudly and nonchalantly Between bites of nearly adequate cheeseburger, Ostensibly unaware of all those inevitabilities Which were tangible but unspoken, indeed unspeakable, This being the last of the last summer not careworn, Textbooks to be exchanged for neckties, Plastic sandals swapped for sensible flats, Other lives to take flight in other places, A mere handful of evenings remaining Before the clumsy process of untying All that which had been loose ends from the beginning. Would I go back? In a sense, it does not matter. There was always a laundry list of reasons That it could not be, cannot be, will not be: Irreparably meshed gears of relocations and reconciliations, Gordian knots of logic and desire. Still, in my dreams, I often run like a madman, Chest burning as my sneakers slap the pavement in the darkness, Back toward the diner, but it has been razed to the ground (Likely the case, for all I know, What with the mills silent and padlocked all these years) And I paw madly, feverishly through the rubble In search of some remains of those vinyl chanteuses of love songs, Those epitaphs of our failures, Those three-minute odes To our compromised and conditional successes.
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Jan 30, 2017
Jan 30, 2017 at 10:07 AM UTC
michael nesmith sang "her name was joanne"
The song played-- muffled, hesitant, As if the tabletop jukebox Seemed unsure of the tune’s suitability, As out of place and time as ourselves, It being Wednesday morning three A.M. At the all-night diner on the Klondike Road (The mills, going full-bore down the road in Montmorenci Falls Making such a place viable, indeed necessary), But we laughed loudly and nonchalantly Between bites of nearly adequate cheeseburger, Ostensibly unaware of all those inevitabilities Which were tangible but unspoken, indeed unspeakable, This being the last of the last summer not careworn, Textbooks to be exchanged for neckties, Plastic sandals swapped for sensible flats, Other lives to take flight in other places, A mere handful of evenings remaining Before the clumsy process of untying All that which had been loose ends from the beginning. Would I go back? In a sense, it does not matter. There was always a laundry list of reasons That it could not be, cannot be, will not be: Irreparably meshed gears of relocations and reconciliations, Gordian knots of logic and desire. Still, in my dreams, I often run like a madman, Chest burning as my sneakers slap the pavement in the darkness, Back toward the diner, but it has been razed to the ground (Likely the case, for all I know, What with the mills silent and padlocked all these years) And I paw madly, feverishly through the rubble In search of some remains of those vinyl chanteuses of love songs, Those epitaphs of our failures, Those three-minute odes To our compromised and conditional successes.
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*Perches precariously on the edge of my Crippled consciousness Jealously and zealously guarding it Lest it strays to ‘unchartered waters’. To ostensibly **** time She around the clock Traverses the ‘bumpy’ uneven terrain Of my mindfulness leaving in her wake a gall aftertaste. She a beautiful apparition Skirting and strutting her stuff Boldly in my mind’s eye All this to my chagrin.*
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Sep 18, 2013
Sep 18, 2013 at 7:08 AM UTC
My nightingale.
Every book has a last page, every song a last verse to sing. Every sentence its full stop, every beginning its ending. Every existence will one day cease to be, In the inevitability of death, there is unity. 'Death is simply a beginning,' confidently some state. 'In death, there is nothingness,' others iterate. But the lock of death in the living world has no key. In the ignorance of death, there is unity. In the hearts of some resides unwavering misery. Others march on, donning costumes of pseudo-normalcy. The actuality of their loss, still others refuse to see. In the incoherence of death, there is unity. Cinema, literature, poetry have ostensibly tried to explain, With the knowledge directors, littérateurs, poets feign. No living soul can grasp its intense incongruity, In the incomprehensibility of death, there is unity
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Mar 5, 2015
Mar 5, 2015 at 8:34 AM UTC
Fullstops.
I’m found on the edge of the night Lying on the ground, on cold concrete Like a fish out of water Waiting for someone to put me where I belong Or suffocate among the rapturous vultures Gathered round in glee ~ Ostensibly, I was born here Yet everything seems foreign The people, the cars they drive The things they do everyday I’m overzealous in my thoughts Of who I am Where I am Why am I here? What am I supposed to do? Nothing feels real anymore If in fact, it ever did Like E.T. left behind Wanting to go home I see nothing familiar when Through these streets, I roam ~ Everyone seems to take it in their stride It’s all so natural for them It is not so normal for me I go on pretending I am living, not dying inside No one sees the real me ~ lost and alone No one gets inside this soul, you see? Then I get to thinking Are everyday people pretending? Just like me Is everyone as in control as they appear? Or are they faking it too? The only thing true of the big lie Faking it or not in this life No one will get out ~ alive
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Apr 5, 2017
Apr 5, 2017 at 4:56 AM UTC
Just Like Me
How embarrassing is it to be human!- That we eagerly hate others and repel those who disagree with us (or who we disagree with, as well). In the -ostensibly- freest country on our planet, whose birth came with the ideology of individuals being united, it's so ugly how quick hatred spreads like a fungus, covering cities in days, if not hours. A proper, just people embrace diversity, adore questioning, and reinforce rhetoric. We are animals, playing drunk in the same filth we use to feed our children.
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Jan 7, 2012
Jan 7, 2012 at 7:06 AM UTC
Islamaphobia.
Its eighteen months since her delivery Now she is penning odes ostensibly Crayons in both hands: she is standing tall What Dada says? "No writing on the wall." With great care baby writes her graffiti Not much untouched by her audacity He tries to compromise with a new book but baby says, "Daa Daa"; with a stern look He has to admit the walls are hers now Filled with scribbles and a chromatic cow Its her version of Van Gogh's Starry Night without the stars; a novice oversight She's more surreal than Salvador Dali The writing's on my wall: Pure Graffiti
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Dec 11, 2019
Dec 11, 2019 at 4:38 PM UTC
Graffiti: Writing On My Wall