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Derek Yohn Dec 2013
The coming of the light was disorienting at first, like the shimmer of the surface of the sea when viewed from beneath.  Ossie Mae was swimming up to meet it head on with the fearlessness that only the children of the Great Depression possess.  That stark light called out to her bones.

     Ossie Mae could hear faint sounds of work:  the crinkling of cellophane wrappers, muffled footsteps, and an incessant chatter of beeps nearby.  She broke the water's surface and spied a silhouette moving gracefully around the room's only bed.  The lights' intrusion subsided, and Ossie Mae was able to recognize  hospital scrubs as the silhouette's garment of choice.

     "Am I dead," Ossie Mae ventured feebly.

     "I don't know," the silhouette responded.  "Do you feel dead?"

     "I don't know what dead feels like."

     "Then how do you know you were ever alive?"

     The question hung in the air for a moment while Ossie Mae gathered her wits.  "I don't reckon it matters, does it?  What happened?  Where am I?  What is your name?"  Now the questions flowed like water over the falls.

     "I am Nurse Cassandra.  This is a hospital.  You are here because you fell and broke your hip.  You came in alone...is there anyone you would like me to call for you?  Family?  Friends?"

     Ossie Mae's pupils dilated slightly, as if looking past Nurse Cassandra, searching.  "No.  My husband, Jack, passed away eight years ago.  We never had children and the few friends I have are all in nursing homes or moved away to live with their babies and grand-babies, or to Florida.  It's just me now...," Ossie Mae said, her voice slowly and steadily trailing off.

     Nurse Cassandra, who looked to be a woman in her early fifties, set down the clipboard she had been scanning while Ossie Mae spoke.  She sat down next to Ossie Mae and took her hand.  Ossie Mae thought to herself that for such a young woman, Nurse Cassandra had old eyes.  They were kind and gray, but seemed old and out of place.

     "Is there anything I can do for you, Ossie Mae," Nurse Cassandra asked gently.

     "Well...my daddy was a simple man, and he always told me 'Ossie Mae, you ain't got to know what you want in life, but it sure does help to know what you don't want.'  I sure do miss Daddy...but I reckon what I don't want is to stay in this hospital any longer than I have to.  Could you get me out of here?  Please?  I don't belong here no more."

     "Are you sure?  Really sure that is what you want, Ossie Mae?"

     "Yes'ums.  Yes ma'am."  Flatly.  Definitively.

     "Then of course, Ossie Mae.  I can help you with that."  Nurse Cassandra stood up, reaching into the pocket of her scrubs.  "One escape, coming right up."

     Nurse Cassandra turned to Ossie Mae's I.V. drip, moving quickly with practiced hands, emptying the contents of the syringe into the port on the line.

     And so it came to pass:  Nurse Cassandra, Ossie Mae's Angel of Death, sent her home to Jack and Daddy.
flash fiction attempt #2....

i am still undecided if i should continue to pursue this genre....

your thoughts?
by
Alexander K Opicho

(Eldoret, Kenya;aopicho@yahoo.com)

When I grow up I will seek permission
From my parents, my mother before my father
To travel to Russia the European land of dystopia
that has never known democracy in any tincture
I will beckon the tsar of Russia to open for me
Their classical cipher that Bogy visoky tsa dalyko
I will ask the daughters of Russia to oblivionize my dark skin
***** skin and make love to me the real pre-democratic love
Love that calls for ambers that will claw the fire of revolution,
I will ask my love from the land of Siberia to show me cradle of Rand
The European manger on which Ayn Rand was born during the Leninist census
I will exhume her umbilical cord plus the placenta to link me up
To her dystopian mind that germinated the vice
For shrugging the atlas for we the living ones,
In a full dint of my ***** libido I will ask her
With my African temerarious manner I will bother her
To show me the bronze statues of Alexander Pushkin
I hear it is at ******* of the city of Moscow; Petersburg
I will talk to my brother Pushkin, my fellow African born in Ethiopia
In the family of Godunov only taken to Europe in a slave raid
Ask the Frenchman Henri Troyat who stood with his ***** erected
As he watched an Ethiopian father fertilizing an Ethiopian mother
And child who was born was Dystopian Alexander Pushkin,
I will carry his remains; the bones, the skull and the skeleton in oily
Sisal threads made bag on my broad African shoulders back to Africa
I will re-bury him in the city of Omurate in southern Ethiopia at the buttocks
Of the fish venting beautiful summer waters of Lake Turkana,
I will ask Alexander Pushkin when in a sag on my back to sing for me
His famous poems in praise of thighs of women;

(I loved you: and, it may be, from my soul
The former love has never gone away,
But let it not recall to you my dole;
I wish not sadden you in any way.

I loved you silently, without hope, fully,
In diffidence, in jealousy, in pain;
I loved you so tenderly and truly,
As let you else be loved by any man.
I loved you because of your smooth thighs
They put my heart on fire like amber in gasoline)

I will leave the bronze statue of Alexander Pushkin in Moscow
For Lenin to look at, he will assign Mayakovski to guard it
Day and night as he sings for it the cacotopian
Poems of a slap in the face of public taste;

(I know the power of words, I know words' tocsin.
They're not the kind applauded by the boxes.
From words like these coffins burst from the earth
and on their own four oaken legs stride forth.
It happens they reject you, unpublished, unprinted.
But saddle-girths tightening words gallop ahead.
See how the centuries ring and trains crawl
to lick poetry's calloused hands.
I know the power of words. Seeming trifles that fall
like petals beneath the heel-taps of dance.
But man with his soul, his lips, his bones.)

I will come along to African city of Omurate
With the pedagogue of the thespic poet
The teacher of the poets, the teacher who taught
Alexander Sergeyvich Pushkin; I know his name
The name is Nikolai Vasileyvitch Gogol
I will caution him to carry only two books
From which he will teach the re-Africanized Pushkin
The first book is the Cloak and second book will be
The voluminous dead souls that have two sharp children of Russian dystopia;
The cactopia of Nosdrezv in his sadistic cult of betrayal
And utopia of Chichikov in his paranoid ownership of dead souls
Of the Russian peasants, muzhiks and serfs,
I will caution him not to carry the government inspector incognito
We don’t want the inspector general in the African city of Omurate
He will leave it behind for Lenin to read because he needs to know
What is to be done.
I don’t like the extreme badness of owning the dead souls
Let me run away to the city of Paris, where romance and poetry
Are utopian commanders of the dystopian orchestra
In which Victor Marie Hugo is haunted by
The ghost of Jean Val Jean; Le Miserable,
I will implore Hugo to take me to the Corsican Island
And chant for me one **** song of the French revolution;


       (  take heed of this small child of earth;
He is great; he hath in him God most high.
Children before their fleshly birth
Are lights alive in the blue sky.
  
In our light bitter world of wrong
They come; God gives us them awhile.
His speech is in their stammering tongue,
And his forgiveness in their smile.
  
Their sweet light rests upon our eyes.
Alas! their right to joy is plain.
If they are hungry Paradise
Weeps, and, if cold, Heaven thrills with pain.
  
The want that saps their sinless flower
Speaks judgment on sin's ministers.
Man holds an angel in his power.
Ah! deep in Heaven what thunder stirs,
  
When God seeks out these tender things
Whom in the shadow where we sleep
He sends us clothed about with wings,
And finds them ragged babes that we)

 From the Corsican I won’t go back to Paris
Because Napoleon Bonaparte and the proletariat
Has already taken over the municipal of Paris
I will dodge this city and maneuver my ways
Through Alsace and Lorraine
The Miginko islands of Europe
And cross the boundaries in to bundeslander
Into Germany, I will go to Berlin and beg the Gestapo
The State police not to shoot me as I climb the Berlin wall
I will balance dramatically on the top of Berlin wall
Like Eshu the Nigerian god of fate
With East Germany on my right; Die ossie
And West Germany on my left; Die wessie
Then like Jesus balancing and walking
On the waters of Lake Galilee
I will balance on Berlin wall
And call one of my faithful followers from Germany
The strong hearted Friedrich von Schiller
To climb the Berlin wall with me
So that we can sing his dystopic Cassandra as a duet
We shall sing and balance on the wall of Berlin
Schiller’s beauteous song of Cassandra;

(Mirth the halls of Troy was filling,
Ere its lofty ramparts fell;
From the golden lute so thrilling
Hymns of joy were heard to swell.
From the sad and tearful slaughter
All had laid their arms aside,
For Pelides Priam's daughter
Claimed then as his own fair bride.

Laurel branches with them bearing,
Troop on troop in bright array
To the temples were repairing,
Owning Thymbrius' sovereign sway.
Through the streets, with frantic measure,
Danced the bacchanal mad round,
And, amid the radiant pleasure,
Only one sad breast was found.

Joyless in the midst of gladness,
None to heed her, none to love,
Roamed Cassandra, plunged in sadness,
To Apollo's laurel grove.
To its dark and deep recesses
Swift the sorrowing priestess hied,
And from off her flowing tresses
Tore the sacred band, and cried:

"All around with joy is beaming,
Ev'ry heart is happy now,
And my sire is fondly dreaming,
Wreathed with flowers my sister's brow
I alone am doomed to wailing,
That sweet vision flies from me;
In my mind, these walls assailing,
Fierce destruction I can see."

"Though a torch I see all-glowing,
Yet 'tis not in *****'s hand;
Smoke across the skies is blowing,
Yet 'tis from no votive brand.
Yonder see I feasts entrancing,
But in my prophetic soul,
Hear I now the God advancing,
Who will steep in tears the bowl!"

"And they blame my lamentation,
And they laugh my grief to scorn;
To the haunts of desolation
I must bear my woes forlorn.
All who happy are, now shun me,
And my tears with laughter see;
Heavy lies thy hand upon me,
Cruel Pythian deity!"

"Thy divine decrees foretelling,
Wherefore hast thou thrown me here,
Where the ever-blind are dwelling,
With a mind, alas, too clear?
Wherefore hast thou power thus given,
What must needs occur to know?
Wrought must be the will of Heaven--
Onward come the hour of woe!"

"When impending fate strikes terror,
Why remove the covering?
Life we have alone in error,
Knowledge with it death must bring.
Take away this prescience tearful,
Take this sight of woe from me;
Of thy truths, alas! how fearful
'Tis the mouthpiece frail to be!"

"Veil my mind once more in slumbers
Let me heedlessly rejoice;
Never have I sung glad numbers
Since I've been thy chosen voice.
Knowledge of the future giving,
Thou hast stolen the present day,
Stolen the moment's joyous living,--
Take thy false gift, then, away!"

"Ne'er with bridal train around me,
Have I wreathed my radiant brow,
Since to serve thy fane I bound me--
Bound me with a solemn vow.
Evermore in grief I languish--
All my youth in tears was spent;
And with thoughts of bitter anguish
My too-feeling heart is rent."

"Joyously my friends are playing,
All around are blest and glad,
In the paths of pleasure straying,--
My poor heart alone is sad.
Spring in vain unfolds each treasure,
Filling all the earth with bliss;
Who in life can e'er take pleasure,
When is seen its dark abyss?"

"With her heart in vision burning,
Truly blest is Polyxene,
As a bride to clasp him yearning.
Him, the noblest, best Hellene!
And her breast with rapture swelling,
All its bliss can scarcely know;
E'en the Gods in heavenly dwelling
Envying not, when dreaming so."

"He to whom my heart is plighted
Stood before my ravished eye,
And his look, by passion lighted,
Toward me turned imploringly.
With the loved one, oh, how gladly
Homeward would I take my flight
But a Stygian shadow sadly
Steps between us every night."

"Cruel Proserpine is sending
All her spectres pale to me;
Ever on my steps attending
Those dread shadowy forms I see.
Though I seek, in mirth and laughter
Refuge from that ghastly train,
Still I see them hastening after,--
Ne'er shall I know joy again."

"And I see the death-steel glancing,
And the eye of ****** glare;
On, with hasty strides advancing,
Terror haunts me everywhere.
Vain I seek alleviation;--
Knowing, seeing, suffering all,
I must wait the consummation,
In a foreign land must fall."

While her solemn words are ringing,
Hark! a dull and wailing tone
From the temple's gate upspringing,--
Dead lies Thetis' mighty son!
Eris shakes her snake-locks hated,
Swiftly flies each deity,
And o'er Ilion's walls ill-fated
Thunder-clouds loom heavily!)

When the Gestapoes get impatient
We shall not climb down to walk on earth
Because by this time  of utopia
Thespis and Muse the gods of poetry
Would have given us the wings to fly
To fly high over England, I and schiller
We shall not land any where in London
Nor perch to any of the English tree
Wales, Scotland, Ireland and Thales
We shall not land there in these lands
The waters of river Thames we shall not drink
We shall fly higher over England
The queen of England we shall not commune
For she is my lender; has lend me the language
English language in which I am chanting
My dystopic songs, poor me! What a cacotopia!
If she takes her language away from
I will remain poetically dead
In the Universe of art and culture
I will form a huge palimpsest of African poetry
Friedrich son of schiller please understand me
Let us not land in England lest I loose
My borrowed tools of worker back to the owner,
But instead let us fly higher in to the azure
The zenith of the sky where the eagles never dare
And call the English bard
through  our high shrilled eagle’s contralto
William Shakespeare to come up
In the English sky; to our treat of poetic blitzkrieg
Please dear schiller we shall tell the bard of London
To come up with his three Luftwaffe
These will be; the deer he stole from the rich farmer
Once when he was a lad in the rural house of john the father,
Second in order is the Hamlet the price of Denmark
Thirdly is  his beautiful song of the **** of lucrece,
We shall ask the bard to return back the deer to the owner
Three of ourselves shall enjoy together dystopia in Hamlet
And ask Shakespeare to sing for us his song
In which he saw a man **** Lucrece; the **** of Lucrece;

( From the besieged Ardea all in post,
Borne by the trustless wings of false desire,
Lust-breathed Tarquin leaves the Roman host,
And to Collatium bears the lightless fire
Which, in pale embers hid, lurks to aspire
  And girdle with embracing flames the waist
  Of Collatine's fair love, Lucrece the chaste.

Haply that name of chaste unhapp'ly set
This bateless edge on his keen appetite;
When Collatine unwisely did not let
To praise the clear unmatched red and white
Which triumph'd in that sky of his delight,
  Where mortal stars, as bright as heaven's beauties,
  With pure aspects did him peculiar duties.

For he the night before, in Tarquin's tent,
Unlock'd the treasure of his happy state;
What priceless wealth the heavens had him lent
In the possession of his beauteous mate;
Reckoning his fortune at such high-proud rate,
  That kings might be espoused to more fame,
  But king nor peer to such a peerless dame.

O happiness enjoy'd but of a few!
And, if possess'd, as soon decay'd and done
As is the morning's silver-melting dew
Against the golden splendour of the sun!
An expir'd date, cancell'd ere well begun:
  Honour and beauty, in the owner's arms,
  Are weakly fortress'd from a world of harms.

Beauty itself doth of itself persuade
The eyes of men without an orator;
What needeth then apologies be made,
To set forth that which is so singular?
Or why is Collatine the publisher
  Of that rich jewel he should keep unknown
  From thievish ears, because it is his own?

Perchance his boast of Lucrece' sovereignty
Suggested this proud issue of a king;
For by our ears our hearts oft tainted be:
Perchance that envy of so rich a thing,
Braving compare, disdainfully did sting
  His high-pitch'd thoughts, that meaner men should vaunt
  That golden hap which their superiors want)

  
I and Schiller we shall be the audience
When Shakespeare will echo
The enemies of beauty as
It is weakly protected in the arms of Othello.

I and Schiller we don’t know places in Greece
But Shakespeare’s mother comes from Greece
And Shakespeare’s wife comes from Athens
Shakespeare thus knows Greece like Pericles,
We shall not land anywhere on the way
But straight we shall be let
By Shakespeare to Greece
Into the inner chamber of calypso
Lest the Cyclopes eat us whole meal
We want to redeem Homer from the
Love detention camp of calypso
Where he has dallied nine years in the wilderness
Wilderness of love without reaching home
I will ask Homer to introduce me
To Muse, Clio and Thespis
The three spiritualities of poetry
That gave Homer powers to graft the epics
Of Iliad and Odyssey centerpieces of Greece dystopia
I will ask Homer to chant and sing for us the epical
Songs of love, Grecian cradle of utopia
Where Cyclopes thrive on heavyweight cacotopia
Please dear Homer kindly sing for us;
(Thus through the livelong day to the going down of the sun we
feasted our fill on meat and drink, but when the sun went down and
it came on dark, we camped upon the beach. When the child of
morning, rosy-fingered Dawn, appeared, I bade my men on board and
loose the hawsers. Then they took their places and smote the grey
sea with their oars; so we sailed on with sorrow in our hearts, but
glad to have escaped death though we had lost our comrades)
                                  
From Greece to Africa the short route  is via India
The sub continent of India where humanity
Flocks like the oceans of women and men
The land in which Romesh Tulsi
Grafted Ramayana and Mahabharata
The handbook of slavery and caste prejudice
The land in which Gujarat Indian tongue
In the cheeks of Rabidranathe Tagore
Was awarded a Poetical honour
By Alfred Nobel minus any Nemesis
From the land of Scandinavia,
I will implore Tagore to sing for me
The poem which made Nobel to give him a prize
I will ask Tagore to sing in English
The cacotopia and utopia that made India
An oversized dystopia that man has ever seen,
Tagore sing please Tagore sing for me your beggarly heat;

(When the heart is hard and parched up,
come upon me with a shower of mercy.

When grace is lost from life,
come with a burst of song.

When tumultuous work raises its din on all sides shutting me out from
beyond, come to me, my lord of silence, with thy peace and rest.

When my beggarly heart sits crouched, shut up in a corner,
break open the door, my king, and come with the ceremony of a king.

When desire blinds the mind with delusion and dust, O thou holy one,
thou wakeful, come with thy light and thy thunder)



The heart of beggar must be
A hard heart for it to glorify in the art of begging,

I don’t like begging
This is knot my heart suffered
From my childhood experience
I saw my mother
Sia Jane Jan 2014
Leaving the room, the subtle scent
only for those, daily encounters
it is of night,
meeting a lover, darkness
perfume weighs heavy, in the air
clinging to her, silk skin,
accustomed,
clutched, pinched
pencil shape skirt, ribbon
drawing the inches,
sewn bustier, each stitch
climbing gentle curves, lace
ornamenting her *******,
a drop gold pendant, swirls
teetering, cobbled streets
Blahnik, green Ossie shoes
their final destination, grand floors
Regent home, four story,
Chelsea, London
her beau Fabiano, open arms
champagne in hand.

© Sia Jane
Perfume: The Story of a Murderer is a novel written by  Patrick Süskind.
The novel explores  a person obsessed with scents and their emotional meaning.
Ken Pepiton Oct 2021
Now, the dau,
that idea, first bubble we be in,
and the final thought
we pay attention to,

a-priori, is a popular phrase on the pundit trail,
first any ever once,
enfolding now, augmented mortal
appropriation of the spirit
dau, the truth in life,
being.

Thinking is reading my mind.
You have the knack, read,
wiser minds have left letters locked in glyphs
of tradition,
-flash k;ab;alla; wink blink image of the map

this not terrain mortals trod, this is where
Shakespeare and Browning smoke ****
with me and Lady Wei, as seen
from a smoky hut
leaning on granite decomposing as I write,

this came to the surface, as a we, reader/writer
we may think in one
mind, while doing in another, and becoming
something else, in a third,

but it does not stop there, I hear in my realm,
Everest Pax, a child named
in a happy state of mind,
by my daughter,
at whose marriage, I broke the rule,
I made a pact,
with my son-in-law
using my own scruples,
stretched to threads of finest wire,
through holes but one photon wide,
one bit serial thought, off set by a function
forming
matter in states where nothing has mattered,
for a long, long time,
then today
- dao, kapow
the link to how often I proclaimed, I,
have always, and do now
take the easy way,
and that, they say,
is cheating. Wu wu boo who wu wei is
as water in our once crossed rivers, in the median,

between the freeways…

As I remarked early on this trek to find your name
in the book of my life, knowing
readers of this line, even, perhaps,
hearers, some day,
knowing tasted good, not knowing tastes evil as hell.
You exist in the book of my life as a reoccuring
character, who may be formed from early
childhood scruple implants,
Ossie Davis, look you in the eye, say
Do the right thing.

… which brings us, flop, stop, 2021 - three brothers
jonesing screens- Evvy screaming, he is five,
on no screen Sunday, a family tradition
in its first iteration, set by the mother
reinforced by the father, ignored
by Grandpa who is doing a show with Lady Wei,
on the experience
of Yang His, who received a vision from Lady Wei,
while Pine Valley high above the maddened crowd,

I hear it said, His had that Habakkuk habit, wu wei,
lady, did you lead me, write the vision, make it plain,
or is this all just
pretend, knowing is a given, one taste, concentrate

okeh, we on wu wei now, read and watch,
think and see,
what if this was happening to me, and I have
hyper-text such as no manuscript
on earth ever had,
no ink needed,
no ashes of prayers in the tea,
I used Pine Valley honey and flowers from a herm-kush
take a l'taste,
hear this, I think, I say

say, have you ever used Dragon Naturally Speaking?

On mute. If we think in Wade-Giles, and write in Pinyin,
- we can pass any shibbolethic judges of twang
and we got this Tuvan singer,
from New York City, a place he never saw

the glass harmonica can hold the high notes,
and we can channel the blind throat singer to hold down
the baser notes of life in soil creation,
till the hard rows, right,
sow the finest seed,
available, by chance, legally blind, where I went into total
last days, wait and see, here is here I presupposed
wu wei, no intervention
you came, now see,
this is where I live when in my right mind.
Now, I can make up my mind on matters of the wish,
last wish
from the magic golden carp in the castle mote,
I caught a thought in Ape and Essence,
and may have wished a bogus wish to live,
among the words that I redeem worth my use
-to form a more perfect union
-with my own heart's desire to be the best I may imagine,
given the tools fit for the perfectly happy, lazy old man,

who giggles at the idea of pulling down imaginations
that exalt themselves as institutes of authorized knowns.
Scratch my ear.
rethink, how Swedenbord did not doubt,
that old dude, just kept dippin' n' scribblin angels
who love to wrestle with scriptures gone pointy crown
shape burr, itches, crave, yes, the wish of which, witches mix
doubt is the art of balance between lines of several minds,
redo, redone, redo, redone, soon, we laugh
and walk away,
lady Wei, and I
leave His, making all this plain to the degree,
of telling history, I thought this, so real, it seems still
as real as any angel duty ever…
Yang His says:
Lady Wei, looks to me and said to me unspeakable things.
This is confusion, she let me know with
a single drop of black,

ashes of talismans burned in vain, never, to my knowledge
written in vain,
think once a godly thought, as used to say, just now,
think that as a practice,
this is that exercise
unto godliness.

First, gnoshit, attain the Yang His state of cannabis-bliss.

Or go on lying about what I think we know
already, this is
that earth,

where happy people think happy thoughts and others
find that maddening,

and Lady Wei laughs with me, we know the traits we give
to those who chose on any given day

to put on a mind made from words alone,
and listen.


----------------- author's note:
Taoism: An Essential Guide by Eva Wong, these lines occur
while listening to Chapter Four
The Shang-ch’ing texts tell us that Yang Hsi received a vision
from Lady Wei (who had become an immortal)
and then “wrote” the scriptures
under the influence of a cannabis-induced trance.
From
Qualyxian Quest Oct 2020
Workin' that voter registration
Ossie Davis, Ruby Dee

Detroit Pistons
Uruguay city

A little hope
Trump's virus knocks

License plate:
Pax.

— The End —