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Alien among aliens,
Fanning delicate fins to promenade
A prim coquette and starchy cavalier
Trimmed and tined in ossein finery,
Sipping shrimp cocktails, dancing demure
Circles before blushing coral courts,
Holding hinds in groves of turtle grass
Until the paisley bodies
Bump bellies, and she imbues his pocket
With inklings marooned in dreaming Pegasus.
This is the "twin" of my poem Sea Star

Copyright 1992 JB Marshall
L T Winter Feb 2015
Your aging on
Those bones
We share
While

Caterpillars
And carapace-soil,
Beneath--
Our souls

Let lobotomy kiss us--
The-cure-for-all

--Impossibly.
Oakley Sep 2013
Anxiety

I run,
and run,
and run,
and it chases,
chases,
chases.

It haunts the crevices of my mind,
laughing,
mocking,
pushing me closer,
to an undefined edge.

As I think I am getting better,
as hope caresses me into a broken lucidity,
it knocks on my door.
Pounding against the hard cracking ossein,
pounding,
pounding.

All around me my walls shatter,
and it’s echoing voice,
protrudes my hollow skull.
It taunts my frail spirit,
It takes a hammer to my confidence,
It tears my existence to shreds.

I hide in my room.
It is safe there.
Hiding.
Hiding.
No pain can reach me,
If it cannot see me.

Its voice is a calming melody
That masks the true terror it really is.
“It’s okay to hide. You’ll be safe here.
“Don’t be scared.”
When all I am
Is scared.
Scared.
Scared.

Scared of people,
what they’ll say,
what they’ll think.
Scared of how
I will embarrass myself
this time.

Its hand grasps me by the throat
and shakes me numb.
“Do not go. Do not go.
“They will mock you,
“They will judge you,
“Don’t go, Don’t go.”

I run,
and run,
and run,
and it chases,
chases,
chases.

I want away. I want away.
This fear it gives me.
This fear is throws on me.
I do not need.
It racks my mind endlessly,
whispering lies into my ears.

I try,
and try,
and try,
to get away,
and it laughs,
laughs,
laughs.
Lawren Nov 2011
She suffers from bouts of amenorrhea,
She masticates as often as the day is black,
You, her associates, claim to have no idea,
The young ossein—aged with many a crack.

The chassis appears, to you, to be gaunt,
No fervor for coitus intimates strangeness,
Her color looks like she is inclined to haunt,
Her apparel— ill-fitting, not made to impress.

When will you void your lack of knowledge?
She needs someone to come to her aid,
Take her hand and lead her from the edge,
Instead of averting, trying to evade.

Go and lead her in the right direction,
And help desist her craving for perfection.
kammy Mar 2018
"Grey, I wish I was you!
You're so happy!
You never give up!
You never struggle!
How do you do it?"
Daily, I get told this.
Always saying thank you,
as if my vocabulary bit my tongue,
spitting something else out,
someone else into my place.
My throat burns with screams
I can not release,
as if my own carbon dioxide suffocated my thoughts,
leaving a waste of capacity within the room.
This paint consumes my face,
concealing any trace of reaction
that I want to give.
That I need to detoxicate from my chemical unbalance.
I want to speak
but the flood of anxiety
grasping at my air,
makes me too terrified to be heard.
If I was heard
no one would believe it was me.
They would all look around,
and say nothing,
worshiping the silence I yet to give.
The consequences hide behind the lines,
that my mind can't bend.
The ventilation of my corrupted system
backslides into error,
shutting down the coordination
of my world to come.
Turning my everything
against the collapsing forgotten,
that I didn't raffle for.
I didn't sign up for this
scenery that rotates my sights to the
desperate calling
of a separating cell.
"You look so different, Grey. Have you lost weight?"
Oh, thank you for confusing
my sorrow
as cackling ossein
that lost all their symbolism
as a whole.
Why satisfy the ocean
if the waves tug between
the used and abused.
How did my appearance affect the way
vitality takes place
between the lines
of an open book
that I elope
with the desperation
of being found,
Being saved.
“Why do you sleep so long,
even though you went to bed at 7:30?”
I don’t sleep for the sake of depletion from the world.
Sleep calls from the numbness attached to my dangling limbs,
the rumination of death,
but somehow,
still isn’t convinced.
Why bother to contrast me
to the markings of the sun,
if only to be controlled by the skin.
"Sweetheart, why are you so quiet? You're never quiet."
This was meant as a slam poem, by the way!!
Written around November 2017.
Kendra Gibson Feb 2013
I've a deep thirst
for the blood in your veins.
A craving to kiss the flesh upon your ossein.
My heart aches for an answer
from the heaves of your breastbone.

Up
and
        down.

Up
and  
         down.

You inhale,
my breathing stops.
You exhale,
my heart throbs.

My thirst is unquenchable for
your answer remains a mystery.
DET Oct 2018
A joyless tale
Turn into appearance
To this vitality...
That lipped to mouth the letters
"Wait.... we'll come across once more"
The era's peel of the skin...
Till it turn into a ossein
By season to season...
Therefrom... nevermore reunited
Hence, one relinquish life...
Not allowing us to embrace once more...
That joyless tale
This poet mouth's that letter's.... one by one....
Is mine.... joyless tale
That came into vitality....
Sometimes being a poet allows you to mourn for someone. I personally would like to share this poem to all of those whom have gone through the same.

Copyright © 2018 D.E.T All Rights Reserved
a Dec 2016
to;
To those who want to start an awakening in minds willing to listen
To those who have wide eyes, bold pupils and furrowed brows staring unspoken words in the face.
To those who want to begin a movement
To march
To yell
To pause
To breathe
To those, you must remember
To admit defeat, but never to apologize in the standing.
To keep walking, because even if you shake, a step is still a step.
Push those toes in the ground like its warm sand.
Feel every grain on your feet, thinking of the story of every one of them and what stone they came from.
A stone once skipped across the calm water by a young boy and his father, making memories that last forever.
Or a stone once stepped on by girl somewhere and a boy picking her up to carry her back to the car, knowing that he was going to marry her one day.
Breathe
Dig your heals in the ground...
Stronger than that.
Plant your feet like a tree that's been there for years.
A willow tree whose roots reach the opposite end of the earth.
Whose roots are far too deep, far too grounded, for even the strongest to yank up
Stay. Grounded.
To those, you must remember
Stand tall in your posture with every vertebrae lined up, creating a tower of bodies of ossein reaching to the stars in your brain.
All stretching out to grasp a part of the infinite cosmos in your brilliant head.
Full of unheard of galaxies and not yet discovered planets.
An entire new world to explore
To those, you must remember
To want to start a change
To bring awareness
And to end...
Just to begin again
To those who will start an awakening in minds willing to listen.
Jonathan Moya Jun 2019
Catacombs are full of bones
snuggling in the disgrace of others.
Hipbones piled on top of skulls,
the absence of lower jaws
denying the departed a smile,
the eternal existential joke
of insulting the living
with the knowledge
of their ultimate end.

Femur, skull, femur skull
is the monotonous pattern
of the Paris catacombs.
Two hundred six reduced
to two, an afterthought,
ossein denied an ossuary,
even the unity of skeleton.

The Capuchin Crypts at least
grant a molecular dignity.  
The entrance mummies
are part of a gruesome holy décor
draped in the faux pas of passé styles,
yielding room after nauseating room
to the essential two of Paris,
femurs/skulls clustered
in paisley amoeba patterns
projecting snaking vertebrae
of dendrites, of life replicated
with the cross on the wall as
the ultimate center and end.

Did their former owners
know that death would
be the end of ****** control?
That for a ghastly and sacred art
they could be united forever
in indiscriminate unity
with their enemy or lover?
Would they have opted
for the grave knowing
that their ashes could
easily be blown into
the breeze that survives them?
max Feb 2019
Soft peach - easily broken, an endless
film of tissues enclosing me in a
stranger’s body; it clings to my form in
an attempt to show who I, the stranger,
wish to be, it is lying – behind which
you will find an infinite lump of white,
a misshapen mess of unlovable
monstrosity evoking a wailing
symphony of insecurities; this
white is foreign; as are the reds who so
earnestly insist on fuelling this grand
corpse, forcing me forward until I can
no longer continue… I’m awaiting
the day that happens: the day my rigid
white frame eventually snaps, ossein
scaffolding imploding beneath layers
and layers of pale tissues, destroying
years of complex creation. Amid this
tower of flesh I sit, a prisoner.

My borrowed atoms are a pulpy pink
labyrinth of thoughts and insecurities;
I am held hostage in the cave of a
stranger. Here I reside, watching, helpless
as once more the silver pierces the peach,
its incisions leaving soft pink scars that
shimmer in the light as time ticks its tock.
I watch this stranger go about her life,
Clueless to how I might escape. And yet

You ask if I am okay?
My first poem
A Freedom Sep 2019
'the chief of organic substance 'mind' network,
outlasts as a residue behind the removal of the 'magma' resolutions from polished 'bone' by dilute hallucinogen,
is exercising the collagen make of 'bones',
time travellers for ossein, in search of 'One' that sleeps awake within, the show has been cancelled and yet a whole universe is watching,
ectatic goosebumps felt beyond heaven,
rips the skin, neatly as a whole within none.'

— The End —