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"orthodoxy" poems
(for Christopher Isherwood) Seated after breakfast In this white-tiled cabin Arabs call the House where Everybody goes, Even melancholics Raise a cheer to Mrs. Nature for the primal Pleasure She bestows. *** is but a dream to Seventy-and-over, But a joy proposed un- -til we start to shave: Mouth-delight depends on Virtue in the cook, but This She guarantees from Cradle unto grave. Lifted off the ***** Infants from their mothers Hear their first impartial Words of worldly praise: Hence, to start the morning With a satisfactory Dump is a good omen All our adult days. Revelation came to Luther in a privy (Crosswords have been solved there) Rodin was no fool When he cast his Thinker, Cogitating deeply, Crouched in the position Of a man at stool. All the arts derive from This ur-act of making, Private to the artist: Makers' lives are spent Striving in their chosen Medium to produce a De-narcissus-ized en- During excrement. Freud did not invent the Constipated miser: Banks have letter boxes Built in their façade Marked For Night Deposits, Stocks are firm or liquid, Currencies of nations Either soft or hard. Global Mother, keep our Bowels of compassion Open through our lifetime, Purge our minds as well: Grant us a king ending, Not a second childhood, Petulant, weak-sphinctered, In a cheap hotel. Keep us in our station: When we get pound-notish, When we seem about to Take up Higher Thought, Send us some deflating Image like the pained ex- -pression on a Major Prophet taken short. (Orthodoxy ought to Bless our modern plumbing: Swift and St. Augustine Lived in centuries When a stench of sewage Made a strong debating Point for Manichees.) Mind and Body run on Different timetables: Not until our morning Visit here can we Leave the dead concerns of Yesterday behind us, Face with all our courage What is now to be.
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The Geography of the House
(for Christopher Isherwood) Seated after breakfast In this white-tiled cabin Arabs call the House where Everybody goes, Even melancholics Raise a cheer to Mrs. Nature for the primal Pleasure She bestows. *** is but a dream to Seventy-and-over, But a joy proposed un- -til we start to shave: Mouth-delight depends on Virtue in the cook, but This She guarantees from Cradle unto grave. Lifted off the ***** Infants from their mothers Hear their first impartial Words of worldly praise: Hence, to start the morning With a satisfactory Dump is a good omen All our adult days. Revelation came to Luther in a privy (Crosswords have been solved there) Rodin was no fool When he cast his Thinker, Cogitating deeply, Crouched in the position Of a man at stool. All the arts derive from This ur-act of making, Private to the artist: Makers' lives are spent Striving in their chosen Medium to produce a De-narcissus-ized en- During excrement. Freud did not invent the Constipated miser: Banks have letter boxes Built in their façade Marked For Night Deposits, Stocks are firm or liquid, Currencies of nations Either soft or hard. Global Mother, keep our Bowels of compassion Open through our lifetime, Purge our minds as well: Grant us a king ending, Not a second childhood, Petulant, weak-sphinctered, In a cheap hotel. Keep us in our station: When we get pound-notish, When we seem about to Take up Higher Thought, Send us some deflating Image like the pained ex- -pression on a Major Prophet taken short. (Orthodoxy ought to Bless our modern plumbing: Swift and St. Augustine Lived in centuries When a stench of sewage Made a strong debating Point for Manichees.) Mind and Body run on Different timetables: Not until our morning Visit here can we Leave the dead concerns of Yesterday behind us, Face with all our courage What is now to be.
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80
so, with israel being re-established... why do we, us,hit europeans... even need to bother establishing authority,          utilißing the new testament? i quiete like the old testament logic of: oculus per oculus                    (eye for an eye)... because the saxon concept of justice: i rather see... the implosion of    blackstone's formulation... the 10:1 imploding to the 1:10 ratio of...       a shawshank redemption... there is... redemption... since! there's no justice within the post scriptum of the hillsborough disaster... watching people walk, the lunatic walk, 20 years later?    disorientated by the court of justice?     re-dem-ption... the whole aspect of: innocent until proven guilty is horrid! this... saxon vernacular of that branch of philosophy that's bogus... namely... within origins      of the forbidden fruit... i.e. and you know?!     really?!       no... but i'll **** to make a standing pivot of a pawn on a chess-board.                           savvy? who, among the europeans... actually needs such artifacts as new testament texts, credo, orthodoxy, sign of the cross greek exports?              the state of israel has been re-established...       i don't want anything to do with this judeo-grecian banality... you can have you little affair over                                 n        e                                                 w                                  s... don't worry... i'll make sure that i'm watching... people tell a lie... yeah: hum hum bubbly hum-hum... am i, or are there any arizona inbreds? who, the hell, needs, the news testament, within the confines of history, dispossessing europe of it, of an established jewish state?       one book among many... hence the scent of a yawn...                          when entering a library... i'll do one gesture, and one gesture alone... inclined to a replica...     ecce libra!              i wash my hands from                   having any investment in it. **** the greeks can have it...       they can keep it, cherish it, but they better not spaghetti the old testament with their... "ingenious" plot... not when the nag hammadi library emerged...       no... not now... not ever...         i detest this greek book of overt symbolism...   their pristine alphabet, their diacritical application,   with the pseudo-romans toying with: deaf... or blind... whichever it is... sandpaper... instead of a kangaroo pouch... of inflated... soft... flesh? i'll rip your heart out and feed it to my neighbour's dog,                   beside a bowl of water.
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Jul 24, 2018
Jul 24, 2018 at 8:32 PM UTC
ecce libra! re-emergence of israel **** liber)
so, with israel being re-established... why do we, us,hit europeans... even need to bother establishing authority,          utilißing the new testament? i quiete like the old testament logic of: oculus per oculus                    (eye for an eye)... because the saxon concept of justice: i rather see... the implosion of    blackstone's formulation... the 10:1 imploding to the 1:10 ratio of...       a shawshank redemption... there is... redemption... since! there's no justice within the post scriptum of the hillsborough disaster... watching people walk, the lunatic walk, 20 years later?    disorientated by the court of justice?     re-dem-ption... the whole aspect of: innocent until proven guilty is horrid! this... saxon vernacular of that branch of philosophy that's bogus... namely... within origins      of the forbidden fruit... i.e. and you know?!     really?!       no... but i'll **** to make a standing pivot of a pawn on a chess-board.                           savvy? who, among the europeans... actually needs such artifacts as new testament texts, credo, orthodoxy, sign of the cross greek exports?              the state of israel has been re-established...       i don't want anything to do with this judeo-grecian banality... you can have you little affair over                                 n        e                                                 w                                  s... don't worry... i'll make sure that i'm watching... people tell a lie... yeah: hum hum bubbly hum-hum... am i, or are there any arizona inbreds? who, the hell, needs, the news testament, within the confines of history, dispossessing europe of it, of an established jewish state?       one book among many... hence the scent of a yawn...                          when entering a library... i'll do one gesture, and one gesture alone... inclined to a replica...     ecce libra!              i wash my hands from                   having any investment in it. **** the greeks can have it...       they can keep it, cherish it, but they better not spaghetti the old testament with their... "ingenious" plot... not when the nag hammadi library emerged...       no... not now... not ever...         i detest this greek book of overt symbolism...   their pristine alphabet, their diacritical application,   with the pseudo-romans toying with: deaf... or blind... whichever it is... sandpaper... instead of a kangaroo pouch... of inflated... soft... flesh? i'll rip your heart out and feed it to my neighbour's dog,                   beside a bowl of water.
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86
Against the saturated Horizon of dawn, Loitering in the dark timbre Of emerging consciousness - Dissipating somnolence And preemptive despair, Tacitly adumbrate the Yawning abyss. Chastened by the cunning and Lubricious nihilism, Igniting fermented provocations, Silent subterfuge; death, By mirth - the inane; Lament of the mundane. Fallow paradigms, accretions of The last gasp - Evaporating empty liturgies Of suspicion; Charity and equanimity - Lost in confinement, Triumphant avarice bearing Descendants Of intransigence; Wielding imperious Schemes of orthodoxy. Pollard fragments of Silken tapestry, Miasma draped depression Abridging; Conversely, Permuted flurries of anxiety Dislodge The vestiges of meaning That abide In brazen equivocation. Tributaries of dogma reach Their confluence, Watershed moment,   Numinous effusion Streams naked epiphany, The precarious vision - A gesture of providence, Certainty and contingency; Gratuitously derivative, life Equals choice. Verdant branches of intention; And opportunity the vine, Live forward - The pen, my voice, Piquant conduit pouring, Exuberant wine. Footprints found in givenness Underline, Penumbrae of my soul; Mirrored silhouettes, Thoughts and words engender; And in verse adorn Fecund soil, Line after line, The cosmos altered, Continuum of permanence - Artist’s art articulating Essence of my imagination, I proliferate, I design Phrases unique, Participation mystique. Words creating world, The apparatus of infinity Heidegger, ontologically precise, Language - The house of Being, Ineffable, Promethean Literary devise - Envisioning possibility, And abundance to allow, I occur Inhabit Manifest Future phenomena Experienced as now. ©2008 & ©2011 W.S. Warner
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Sep 16, 2011
Sep 16, 2011 at 2:02 PM UTC
The Precarious Vision
Against the saturated Horizon of dawn, Loitering in the dark timbre Of emerging consciousness - Dissipating somnolence And preemptive despair, Tacitly adumbrate the Yawning abyss. Chastened by the cunning and Lubricious nihilism, Igniting fermented provocations, Silent subterfuge; death, By mirth - the inane; Lament of the mundane. Fallow paradigms, accretions of The last gasp - Evaporating empty liturgies Of suspicion; Charity and equanimity - Lost in confinement, Triumphant avarice bearing Descendants Of intransigence; Wielding imperious Schemes of orthodoxy. Pollard fragments of Silken tapestry, Miasma draped depression Abridging; Conversely, Permuted flurries of anxiety Dislodge The vestiges of meaning That abide In brazen equivocation. Tributaries of dogma reach Their confluence, Watershed moment,   Numinous effusion Streams naked epiphany, The precarious vision - A gesture of providence, Certainty and contingency; Gratuitously derivative, life Equals choice. Verdant branches of intention; And opportunity the vine, Live forward - The pen, my voice, Piquant conduit pouring, Exuberant wine. Footprints found in givenness Underline, Penumbrae of my soul; Mirrored silhouettes, Thoughts and words engender; And in verse adorn Fecund soil, Line after line, The cosmos altered, Continuum of permanence - Artist’s art articulating Essence of my imagination, I proliferate, I design Phrases unique, Participation mystique. Words creating world, The apparatus of infinity Heidegger, ontologically precise, Language - The house of Being, Ineffable, Promethean Literary devise - Envisioning possibility, And abundance to allow, I occur Inhabit Manifest Future phenomena Experienced as now. ©2008 & ©2011 W.S. Warner
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80
you kidding me, right?   nachos? tacos? tortilla wraps?           guacamole molé molé? sombrero(s)...   the revised eastern european moustache?                     tequila! that's it?                well... not if you consider the second tier of soy boys - the ones that drink that... budscheiss that's          "der könig aus bier"... one word... no... actually two: CER-VE(H)-ZA(H) - probably the spanish word, that sounds better than all the other spanish words...      what did mexíxíxíxíco give us?    the orthodox script of a german beer:     yeast, hops, barley, malt, water... fizz: boom!    a fine summer's day...    mexíxíxíxíco beer? MALTED, BARLEY...      don't ask me how the genius figured out a smoothness so subtle,    that you actually had to shove a lime wedge into the neck of the bottle...   or, as i did - buying an almost litre sized bottle,    and a lime -   looking at this ***** goliath at the checkout thinking:    david?        am i david?     did we really enslave such people? david, meet goliath... goliath wanders off like some happy ****** giggling and brings another strawberry milkshake to the checkout...          so the west, enslaved these                            nearing 7ft Baobabs? king david's audacity,            nothing more... so i buy the CO(H)-RHO-NA(H), and a lime (30 pence a piece)... **** no knife... guess teeth will have to do... shove a whole lime in bits and bites and walk on...                    seriously? guacamole molé molé?          that's the best you can do? drinking a beer with lime... compared to the h'american budscheiss?            who... apart from the japanese... extracts alcohol... from: ******* rice!        malted, barley...                    whoever that sergio sanchez was...                hats off to him...      sometimes it's just nice... to take a break from the heavy cavalry, orthodoxy brew of german beers...    americans?      know jackshit about brewing a decent beer...    mexicans?               they put a lime in it! **** you have to drink it!
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Jul 24, 2018
Jul 24, 2018 at 6:44 PM UTC
what was it that mexíco gave us
you kidding me, right?   nachos? tacos? tortilla wraps?           guacamole molé molé? sombrero(s)...   the revised eastern european moustache?                     tequila! that's it?                well... not if you consider the second tier of soy boys - the ones that drink that... budscheiss that's          "der könig aus bier"... one word... no... actually two: CER-VE(H)-ZA(H) - probably the spanish word, that sounds better than all the other spanish words...      what did mexíxíxíxíco give us?    the orthodox script of a german beer:     yeast, hops, barley, malt, water... fizz: boom!    a fine summer's day...    mexíxíxíxíco beer? MALTED, BARLEY...      don't ask me how the genius figured out a smoothness so subtle,    that you actually had to shove a lime wedge into the neck of the bottle...   or, as i did - buying an almost litre sized bottle,    and a lime -   looking at this ***** goliath at the checkout thinking:    david?        am i david?     did we really enslave such people? david, meet goliath... goliath wanders off like some happy ****** giggling and brings another strawberry milkshake to the checkout...          so the west, enslaved these                            nearing 7ft Baobabs? king david's audacity,            nothing more... so i buy the CO(H)-RHO-NA(H), and a lime (30 pence a piece)... **** no knife... guess teeth will have to do... shove a whole lime in bits and bites and walk on...                    seriously? guacamole molé molé?          that's the best you can do? drinking a beer with lime... compared to the h'american budscheiss?            who... apart from the japanese... extracts alcohol... from: ******* rice!        malted, barley...                    whoever that sergio sanchez was...                hats off to him...      sometimes it's just nice... to take a break from the heavy cavalry, orthodoxy brew of german beers...    americans?      know jackshit about brewing a decent beer...    mexicans?               they put a lime in it! **** you have to drink it!
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79
the Hebrews call the Greek myth of Icarus by name: Lucifer - i know man is prone to plagiarism, esp. in the religious realm, the easier the plagiarism the easier the governing of men - for indeed the Hebrews claimed Icarus prior to the Greeks, the former with Lucifer and the latter with Icarus - but how i loathe peasants claiming medicinal endeavours of knowing only the spotlight cursors to curate and environmental care of origin of such negated ease, they have no knowledge and no power, their interests in the subject matter would never encourage them to run a marathon for accumulating funds for a cancer charity - one word answer? ***** they're basically ***** should have engaged in a family life before you blamed me m.d.! take your regressive anger and shove it up your little bee magnet **** to take a **** like extracting honey - now i'm ****** but look where i'm writing it: on a colour of defeat - militant heaven of the archangel Michael sword in hand and Satan defeated waggling a tongue - isn't that importune to speak of the current times with the defence of a freedom of speech subdued by a fear of insult demanding? monotheism did as much good as it shouldn't have - and did as much evil as it should have - and did, crafting the strict labouring of judaism's orthodoxy - so for each niqab there came the madness of a jewish girl's care for wig - translated into christianity as the donning of wigs in the 18th century, and the 17th - bypass the concerns of monotheists and you came across cuisine freedoms of mandarin, and the colour backlash sprinkling to a billionth birth, a land where the homeless have a mother kamadhenu - and celebrate Holi for chance of extracted mundane hue of man polarised with fluorescent ivy and x-rayed orange... or that's how the thing was said.
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Apr 16, 2016
Apr 16, 2016 at 9:25 PM UTC
the Hebrew Icarus
the Hebrews call the Greek myth of Icarus by name: Lucifer - i know man is prone to plagiarism, esp. in the religious realm, the easier the plagiarism the easier the governing of men - for indeed the Hebrews claimed Icarus prior to the Greeks, the former with Lucifer and the latter with Icarus - but how i loathe peasants claiming medicinal endeavours of knowing only the spotlight cursors to curate and environmental care of origin of such negated ease, they have no knowledge and no power, their interests in the subject matter would never encourage them to run a marathon for accumulating funds for a cancer charity - one word answer? ***** they're basically ***** should have engaged in a family life before you blamed me m.d.! take your regressive anger and shove it up your little bee magnet **** to take a **** like extracting honey - now i'm ****** but look where i'm writing it: on a colour of defeat - militant heaven of the archangel Michael sword in hand and Satan defeated waggling a tongue - isn't that importune to speak of the current times with the defence of a freedom of speech subdued by a fear of insult demanding? monotheism did as much good as it shouldn't have - and did as much evil as it should have - and did, crafting the strict labouring of judaism's orthodoxy - so for each niqab there came the madness of a jewish girl's care for wig - translated into christianity as the donning of wigs in the 18th century, and the 17th - bypass the concerns of monotheists and you came across cuisine freedoms of mandarin, and the colour backlash sprinkling to a billionth birth, a land where the homeless have a mother kamadhenu - and celebrate Holi for chance of extracted mundane hue of man polarised with fluorescent ivy and x-rayed orange... or that's how the thing was said.
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44
when life is charmed with radiance all kicking ponies and summer sticky sweet with instinct like a head sloped between thighs moralities privation comes stirs its *** a broth of orthodoxy evoking a cinematic painting of Christ's crimson howls for the ache of life his blood sacrifice construed as desire from the embrace of lust sins cursed maniacal save the genitals of priests for little children's **** while God the father stands aloof as if nothing but helpless black space the churches history a coterie of priests a prancing parade in black dresses with rosy *****   Jesus's own little rays of sunshine
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Aug 20, 2018
Aug 20, 2018 at 1:31 PM UTC
Jesus's Own
.it's called pronoun usage focused upon the experience of claustrophobia, or rather, the lack of... hence: one thinks in order for one to be... unus, cogito, unus se, per ergo; these people went after grammar... not a good idea; i've had my doubts... but... i also have my... rigid beyond religious orthodoxy credos... infringed upon denials! grammar is one of them! well... if we're going to go about our verbiage as we've done... pronouns...    sorry...    i have to do this... or rather...    one has to resort to this... one must think / hinge on such matters...        one must execute such... "inconveniences"... one must, press on such matters...         just so, one is able... to counter the trans- pronoun usage... with a royal, pronoun usage; happy?!      go on... two is able... two think... figure it out... tow along; as a Nascar wreck... because started thinking... is pluralism intact pluralism... on the basis of an isolated instance of a disfranchised base within the confines of He... or She? no? well... the royal pronoun intervention...   as one would expect... or rather, as one would hope so...      hello?!     i think the lunatics have run the asylum long enough... their supposed asylum, formerly known as society?    not good enough... call the guys in the white coats that... everyone seems to fear.
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Oct 16, 2018
Oct 16, 2018 at 8:22 PM UTC
it's about the right time
Paradoxical split between the worlds in which I inhabit Space and time discontinuum For which art thou represent? Nonsense you buffoon! Insanity, sweet sweet insanity Chill my bones yet warm my heart Unorthodox orthodoxy with power Eat thy young The void always welcome weary travelers Yet travelers that embrace the void Are no longer travelers For we love and loathe our void Loving and loathing The story of my passing through time Completely unfinished Yet left resolved What is it that I speak of? I sincerely wish I knew I am only a medium For the being inside of me Is that not what we all are? Just bodies withering ever so slightly Whilst our souls remain forever youthful? This life can make your soul grow old as well Or is life an act of duality In which we sleep at night So that our souls can show us their lives And awake to show our souls ours? Nothing makes sense It isn't supposed to That's why there is faith Whether in nothing or everything I am nowhere yet everywhere A tiny speck yet everything I've ever known I am a clown confused in a circus Switching realities, or rather fantasies
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Feb 3, 2013
Feb 3, 2013 at 3:25 AM UTC
Trans-Realm Unicycle
I am not a innocent little boy Yet not a devil’s advocate I am man at the very nature With fallible qualities ingrain Walking along with other artist Wearing many masks to entertain Some times is in role of husband Often wandering like obedient son At times walking along like a friend A loving brother, hardworking worker Or else in a coat of orthodoxy frame I play all roles when they call me up Trying to remember each dialogue, Each act, each emotion, each spotlight And when the next act is to being, I run Behind the stage to change the costume Change my make up, my thoughts on play Run up again enact again, do the performance Go down and change, come back for next Living life like drama, each person u meet You have new mask in place, new act To perform , new emotion to emote and Leave impression for better or worst.. And face away after the curtain call
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Mar 31, 2014
Mar 31, 2014 at 6:46 AM UTC
Masks i wear
Oh, smooth, smooth unity A stylistic rhythm penetrates the boundaries of the world's appraisal of orthodoxy AVANT-GARDE Lively arpeggios and Righteous time lift the soul with tones of emotion LANQUIDITY Transitions that manifest an endless terrain of flowing continuity BLISS An orange kite swiftly descends from the ominous, yellow skies Spontaneous strokes of my brush dance in a pool of glowing, comfortable mist The angry bullfrog sits aimlessly in a black lagoon, waiting for the return of his heart IMAGERY You can see more than the eye Music is your telescope
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Mar 9, 2013
Mar 9, 2013 at 3:33 PM UTC
Sun Ra
It must be dark out here in the cold penumbra, where mile after mile no one smiles, dots and loops, dots and loops, a kind of blissful nullity, beautiful and pointless, wearing at the edges it almost stings, seclusion unraveling at the underground in us all, aubade aberrations abound, challenging the orthodoxy of the troublesome morning road, but should this near-life experience hydroplane toward another mineshaft, it helps to know less is less, not more.
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Apr 24, 2024
Apr 24, 2024 at 2:54 PM UTC
Tunnel 13
I stand on a sandy shore overlooking a mighty ocean Dreaming of the goings one of the foreign Shores And the far away places across the open seas There may be lands with new creatures Creatures more beautiful than any other Creatures even more wonderful than the angels of the heavens These foreign Shores of far away lands might be deceiving From beautiful shores to pits, canyons, and dark places of the lands The possibility that what lies across this ocean might be the very pit of hell Then I remember something beautiful A memory like that of one from a dream But as quickly as the beautiful thing comes into my mind, it passes So we set sail on our mighty sheepish ship And we set out to find these lands of which we’ve only dreamed These wonderful, terrible, heavenly lands of our dreams Leaving behind the land that we called home To find these new lands that we might call our own We land on a shore and find the very object of our intent We, in leaving our home;and, we found something much much greater The great land of which we had only dreamt Was the very land which we had found A few away shore so familiar to the land of our minds The great object of our very best dreams The Far Country for which we had sailed And found we, the Land of Our Fathers The old way which we had so long ago abandoned The history that we had left behind in the dust The Land of Orthodoxy, the great land of our fathers A new adventure in a familiar land The great land of our fathers, our true earthly home
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Feb 8, 2016
Feb 8, 2016 at 1:11 PM UTC
The Land of Our Fathers
I stand on a sandy shore overlooking a mighty ocean Dreaming of the goings one of the foreign Shores And the far away places across the open seas There may be lands with new creatures Creatures more beautiful than any other Creatures even more wonderful than the angels of the heavens These foreign Shores of far away lands might be deceiving From beautiful shores to pits, canyons, and dark places of the lands The possibility that what lies across this ocean might be the very pit of hell Then I remember something beautiful A memory like that of one from a dream But as quickly as the beautiful thing comes into my mind, it passes So we set sail on our mighty sheepish ship And we set out to find these lands of which we’ve only dreamed These wonderful, terrible, heavenly lands of our dreams Leaving behind the land that we called home To find these new lands that we might call our own We land on a shore and find the very object of our intent We, in leaving our home;and, we found something much much greater The great land of which we had only dreamt Was the very land which we had found A few away shore so familiar to the land of our minds The great object of our very best dreams The Far Country for which we had sailed And found we, the Land of Our Fathers The old way which we had so long ago abandoned The history that we had left behind in the dust The Land of Orthodoxy, the great land of our fathers A new adventure in a familiar land The great land of our fathers, our true earthly home
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30
when she got all the righteous requirements of expressing liberty and i looked at her expression i was like? so i've been duped into being fed the oedipus complex for 100 years while she wrote as if looking for her father in a theme park? right... gear up the revs of that feminism of yours... keep them writing, by god keep them writing, let us learn all the secrets that were so attractive once when she pampered herself with corsets and bangles and rings and earrings and perfumes! come on feminism, drag them out into the bright open blank canvas of the page like dragging witches to the stake! in my library i only have books by women in the range of sylvia plath and anna kavan... believe me, feminism gave women second thoughts about joining the ranks of men writing, she's having second thoughts because she doesn't want to reveal her secrets, she doesn't want to internalise life, she wants it to remain a volumptous (voluptuous, which sounds sexier? the former implies volume, the latter a monkish stress of orthographic orthodoxy) affection to keep fingertips sensitive to skin smooth like soap and coarse like pavement - touchy touchy - feely feely, she's scared that by outlining all the secrets she'll be no longer able to wear a corset and as theory states: bigger the earrings of loops, the eagerer she's to be bedded, it's a shame i don't own more books by women who'd write like men, and i dig the part where books written by women are so tightly bound by social formalities of longing for love in long-winding sagas of the harlequin publishing house - feminism seems like a faulty bomb when it comes to women writing, i mean, a girl starts writing she looses her predatory allure and instinct, she starts writing she becomes vulnerable, exposed, when he does it he gets depth and confidence he can't use in ****** interaction... historically speaking women used to walk without leaving footprints, men used to walk moving mountains, she was the countless secrets and secrecies, feminism kinda duped her, she started making footprints via writing, and sadly all the former allure faded - we became apes and peasants slightly bewildered by an atom bomb explosion like a falling autumnal leaf; where is that crafty ***** with a library of intrigues?
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Mar 8, 2016
Mar 8, 2016 at 12:34 PM UTC
the harlequin publishing house (crafty ***** with a library of intrigues)
when she got all the righteous requirements of expressing liberty and i looked at her expression i was like? so i've been duped into being fed the oedipus complex for 100 years while she wrote as if looking for her father in a theme park? right... gear up the revs of that feminism of yours... keep them writing, by god keep them writing, let us learn all the secrets that were so attractive once when she pampered herself with corsets and bangles and rings and earrings and perfumes! come on feminism, drag them out into the bright open blank canvas of the page like dragging witches to the stake! in my library i only have books by women in the range of sylvia plath and anna kavan... believe me, feminism gave women second thoughts about joining the ranks of men writing, she's having second thoughts because she doesn't want to reveal her secrets, she doesn't want to internalise life, she wants it to remain a volumptous (voluptuous, which sounds sexier? the former implies volume, the latter a monkish stress of orthographic orthodoxy) affection to keep fingertips sensitive to skin smooth like soap and coarse like pavement - touchy touchy - feely feely, she's scared that by outlining all the secrets she'll be no longer able to wear a corset and as theory states: bigger the earrings of loops, the eagerer she's to be bedded, it's a shame i don't own more books by women who'd write like men, and i dig the part where books written by women are so tightly bound by social formalities of longing for love in long-winding sagas of the harlequin publishing house - feminism seems like a faulty bomb when it comes to women writing, i mean, a girl starts writing she looses her predatory allure and instinct, she starts writing she becomes vulnerable, exposed, when he does it he gets depth and confidence he can't use in ****** interaction... historically speaking women used to walk without leaving footprints, men used to walk moving mountains, she was the countless secrets and secrecies, feminism kinda duped her, she started making footprints via writing, and sadly all the former allure faded - we became apes and peasants slightly bewildered by an atom bomb explosion like a falling autumnal leaf; where is that crafty ***** with a library of intrigues?
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47
Colossae April 28, 2016 Oh Colossae, where have you gone to hide yourself from the Lord? Colossae, why have you wandered away from the fold of God? Have you forgotten the words of St. Paul, the man who brought you the news Colossae, why have you departed from the ways of the Lord? Oh Colossae, where hast thou gone? Colossae, have you forgotten the Word which became flesh? Have you Colossae, a city of unholiness, forgotten of the promise of newness Oh Colossae, how quickly you have fallen into uncleanliness From dust you came and to dust you shall return But must you, oh Colossae, so quickly descend to the dirt of the earth? Oh Colossae, you cut off limbs afraid of the flesh As if less flesh could make you more holy You believe that this gnostic theology saves you from your sins But only God incarnate in flesh can save Oh Colossae, forget not the Savior who made you new Colossae, forget not the Spirit of God, the very giver of life He descends upon you and makes you holy, He proceeds from the Father and the Son, and is worshiped and glorified He is not one to worship alone, or to give identity alone For that you have been united with Christ, who proceeds from the Father Colossae, remember not this heresy of mysticism There is this flood of culture and thought Oh Colossae, be not drowned by this flood And forget not the great unity the Body is to be Forget this heresy to which you have come to love Oh Colossae, you worship angels and men, yet too God But you know, oh Colossae that the Lord on High is worth the worship For these messengers from heaven may bring the Word of the Lord But certainly, oh Colossae, they are not the Word which became flesh Oh Colossae, forget these ancient heresies, and raise up the Lord Jesus Oh Colossae, you partook in the Holy Communion of His Body and Blood And baptized in the death and resurrection Anointed with oil like the kings of old Engrafted into the marriage of the Lord Jesus and His bride Oh Colossae, you are one Body, abandon it not Oh Colossae, return to the Lord! Come back to the land of your spiritual fathers Where they worshipped the Lord in all goodness Come back to this land of orthodoxy Oh Colossae, repent of this heresy against the Lord! Oh Colossae, how we have followed path you have trod To forget the redemption by which we are saved To remember not the works of the Lord, perpetrated that we might freely live That we have forgotten to live holy lives Oh Colossae, how we have fallen in line with you and the Church of yesterday Too have we, this Church of the modern age, departed like you, Colossae We have succumbed to these heresies of forgetting our Lord Jesus Oh Colossae, we have fallen, like you, and dirtied ourselves from holiness We have descended to the depths of the sea like the rest of the world Too we are drowning in our sorrows and our sins and unholiness Oh come Lord Jesus And redeem us, like Colossae, back into Your holiness Come Lord Jesus And renew our troubled lives, bring us back into Your holiness Oh come Lord Jesus
0
Apr 28, 2016
Apr 28, 2016 at 7:57 PM UTC
Colossae
Colossae April 28, 2016 Oh Colossae, where have you gone to hide yourself from the Lord? Colossae, why have you wandered away from the fold of God? Have you forgotten the words of St. Paul, the man who brought you the news Colossae, why have you departed from the ways of the Lord? Oh Colossae, where hast thou gone? Colossae, have you forgotten the Word which became flesh? Have you Colossae, a city of unholiness, forgotten of the promise of newness Oh Colossae, how quickly you have fallen into uncleanliness From dust you came and to dust you shall return But must you, oh Colossae, so quickly descend to the dirt of the earth? Oh Colossae, you cut off limbs afraid of the flesh As if less flesh could make you more holy You believe that this gnostic theology saves you from your sins But only God incarnate in flesh can save Oh Colossae, forget not the Savior who made you new Colossae, forget not the Spirit of God, the very giver of life He descends upon you and makes you holy, He proceeds from the Father and the Son, and is worshiped and glorified He is not one to worship alone, or to give identity alone For that you have been united with Christ, who proceeds from the Father Colossae, remember not this heresy of mysticism There is this flood of culture and thought Oh Colossae, be not drowned by this flood And forget not the great unity the Body is to be Forget this heresy to which you have come to love Oh Colossae, you worship angels and men, yet too God But you know, oh Colossae that the Lord on High is worth the worship For these messengers from heaven may bring the Word of the Lord But certainly, oh Colossae, they are not the Word which became flesh Oh Colossae, forget these ancient heresies, and raise up the Lord Jesus Oh Colossae, you partook in the Holy Communion of His Body and Blood And baptized in the death and resurrection Anointed with oil like the kings of old Engrafted into the marriage of the Lord Jesus and His bride Oh Colossae, you are one Body, abandon it not Oh Colossae, return to the Lord! Come back to the land of your spiritual fathers Where they worshipped the Lord in all goodness Come back to this land of orthodoxy Oh Colossae, repent of this heresy against the Lord! Oh Colossae, how we have followed path you have trod To forget the redemption by which we are saved To remember not the works of the Lord, perpetrated that we might freely live That we have forgotten to live holy lives Oh Colossae, how we have fallen in line with you and the Church of yesterday Too have we, this Church of the modern age, departed like you, Colossae We have succumbed to these heresies of forgetting our Lord Jesus Oh Colossae, we have fallen, like you, and dirtied ourselves from holiness We have descended to the depths of the sea like the rest of the world Too we are drowning in our sorrows and our sins and unholiness Oh come Lord Jesus And redeem us, like Colossae, back into Your holiness Come Lord Jesus And renew our troubled lives, bring us back into Your holiness Oh come Lord Jesus
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57
obviously chappy has a different connotation (slang meaning for the orthodoxy resumed in dictionary, i.e. bow-tie synonyousness) in English language, etymology to no other borrowed word from South African... chappy just means a pigeon-walk of groove when listening to Brit-Pop, or cheeky post-punk, a bit like imagining a bowler hat on your head while walking down Oxford St., so that's that chappy; pigeons are naturally gifted in head-banging; you're a chappy if you donned Ben Sherman shirts without a belt, wearing jeans, styled on an Oasis hit single... premature Quadrophenia attainment to fit it... that how i define a chappy... the zenith of Brit Pop, Ben Sherman shirts loose over the waistline of jeans and sport sneakers, and an Oasis single as the baseline for the heart to thump bu boom... a real life chappy was this kid in primary school, Tom... the exactness of what later became a metrosexual... prior to that they were called chappies, Ben Sherman shirts not tucked into a stiff pair of jeans... you never could imagine an Englishman so under-dressed, he must have come from Manchester as was the obvious answer back then.
0
Aug 9, 2016
Aug 9, 2016 at 12:55 AM UTC
chappy among 'appy chappies
# *What if I'm right.. and the  strange things  I do (that seem so "cruel" to you) are the only way that you can finally become  able  to  truly see?   What if what you once felt  to be cruel entended up being the most  loving thing you've ever experienced?   I'm not downplaying what I've done   or trying to minimize it or justify my actions in any way at all.. I am just trying to tell you that the original damage went into you with severity and it's own form of selfish violence.   Breaking that severity can never be a very pretty thing. What if my love for you,  and the strange way that I do it is the only thing that would have   ever worked to help you to finally have a chance? I am broken too.. and  the only way I can truly enter into your brokenness      is when your  brokenness b re a k s               against mine.* #
0
Feb 21, 2024
Feb 21, 2024 at 10:28 PM UTC
On the sane insanity of Love's True Un-Orthodoxy..
as space sufficiently expresses, or succinctly paraphrases with the concerns for time: or hue, or suntan, or baritone hummed weakening into a humph... crazy-bone etc.; sometimes poetry is so much more than the usurping of onomatopoeia... life is the essence of being timed, but that's hardly the essence in the space we occupy - over-versed thinking never formalised toward an outer-reaching imagination that might become copper-raindrops' worth of Disney, or a way memory is made adaptive to cure dementia... yes, space is the essential component for the compartment of life... i believe time has no place in what's to be called life, i believe time exists, but on an Olympic scale, in the metres and millimetres, on the minutes and seconds scales... space is the essence of life: so diverging from known apparatus to unknown operations, thus so diverging from known operations to unknown apparatus... and so on and so forth, until dinosaurs roar and we merely say: yawn - arrogant in our guise. true, space devalues time; as said the people between us who we never had a meal with, but had the crazed look of craving an unnecessary contentment with despair. can i guess at something? i like your alphabetical onomatopoeia, i.e. pun for knocking, a sorta p p p / b b b, not necessarily needing the suffix for rhyme, why is it that poetry requires the echo, why not rhyme upfront? anyway... but it's there, that alphabetical onomatopoeia... a repeating of the first letter, like opening an oyster... which contradicts the orthodox methodology of rhyme... meaning that there's a repeated seance of an opening... which (although alphabetically staged to a prevailing repeat) equips the reader with many more surprising alternations - basically you begin with what rhymes alphabetically, but not necessarily phonetically: the lost suffix -ing via i had a cat called blinding, and he said all things were shining...  one of your poems enabled me to spot this reversal of poetic orthodoxy, in that the rhyme became less musicological, and more rubric enlisting a coherent schema, such as a list... or rhyme via propped first, and cascading into oblivion, never really minding the waggling tail of a bouncy-ball of accepted verse. aardvark and acupuncture... the rhyme begins with A, and ends as it should end, diverging, so there's no feel for a repeat akin to drum or rhythmic bass... otherwise: shout an A into a cave and hear an echo... that's what poetry is damnably worthy to congest one's thinking with... don't rhyme: echo! and ensure that echo is alphabetical rather than musicological. perchance lessened talk, i too would have revised this example with some worthy emoticon.
0
Oct 20, 2016
Oct 20, 2016 at 10:52 PM UTC
Time is not the essence of life.
as space sufficiently expresses, or succinctly paraphrases with the concerns for time: or hue, or suntan, or baritone hummed weakening into a humph... crazy-bone etc.; sometimes poetry is so much more than the usurping of onomatopoeia... life is the essence of being timed, but that's hardly the essence in the space we occupy - over-versed thinking never formalised toward an outer-reaching imagination that might become copper-raindrops' worth of Disney, or a way memory is made adaptive to cure dementia... yes, space is the essential component for the compartment of life... i believe time has no place in what's to be called life, i believe time exists, but on an Olympic scale, in the metres and millimetres, on the minutes and seconds scales... space is the essence of life: so diverging from known apparatus to unknown operations, thus so diverging from known operations to unknown apparatus... and so on and so forth, until dinosaurs roar and we merely say: yawn - arrogant in our guise. true, space devalues time; as said the people between us who we never had a meal with, but had the crazed look of craving an unnecessary contentment with despair. can i guess at something? i like your alphabetical onomatopoeia, i.e. pun for knocking, a sorta p p p / b b b, not necessarily needing the suffix for rhyme, why is it that poetry requires the echo, why not rhyme upfront? anyway... but it's there, that alphabetical onomatopoeia... a repeating of the first letter, like opening an oyster... which contradicts the orthodox methodology of rhyme... meaning that there's a repeated seance of an opening... which (although alphabetically staged to a prevailing repeat) equips the reader with many more surprising alternations - basically you begin with what rhymes alphabetically, but not necessarily phonetically: the lost suffix -ing via i had a cat called blinding, and he said all things were shining...  one of your poems enabled me to spot this reversal of poetic orthodoxy, in that the rhyme became less musicological, and more rubric enlisting a coherent schema, such as a list... or rhyme via propped first, and cascading into oblivion, never really minding the waggling tail of a bouncy-ball of accepted verse. aardvark and acupuncture... the rhyme begins with A, and ends as it should end, diverging, so there's no feel for a repeat akin to drum or rhythmic bass... otherwise: shout an A into a cave and hear an echo... that's what poetry is damnably worthy to congest one's thinking with... don't rhyme: echo! and ensure that echo is alphabetical rather than musicological. perchance lessened talk, i too would have revised this example with some worthy emoticon.
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2
An Orwellian term used by self-righteous hypocrites hiding behind a cloak of morality. Wake up. Political correctness controls the narrative by shaming and suppressing. It forces upon us the “one true” ideological orthodoxy. It eliminates decent and makes people lie and self-censor their words. Stand up. We must allow others to speak and voice their thoughts. Some might be stupid, so let’s expose their faults. Some might be outrageous, so let’s pause and defuse. Some might be hurtful and mean so let’s self-reflect and steel ourselves. Speak up. Political correctness leads to sameness contrary to the individualism it pretends to protect. It is a road into slavery. First the slavery of your mind and later slavery of your body.
0
Oct 28, 2018
Oct 28, 2018 at 9:46 AM UTC
Political Correctness
shake a can of beer... sprouts a fizz and foam... shake a glass bottle of beer... nothing... i know aluminium cans are thin and that glass bottles are thicker... but glass acts like an insulator of carbon dioxide pressurised in water while metal of any kind seems to conduct it; or something like that, i'm not going to stress any orthodoxy that will have to be stressed by future generations in all its changeless accuracy.
0
Feb 9, 2016
Feb 9, 2016 at 7:47 AM UTC
also a conductor of fizz
Becoming gold diggers, the myths, without ism and orthodoxy. The creed will not observe. I will say, I am the god of ruins.I offer my inadequacies to be punished. The passions were rising. You **** yourself to get the space, the privacy. Where the theme ends? The religion has only absurd quotations.You always involve the Almighty- for any fall, any bloodshed. The tricks played by blessed saints.You would always sleep in dark. Eyes the faded gems.
0
Mar 12, 2017
Mar 12, 2017 at 5:11 AM UTC
Somersaults
“…and looking at a picture on the opposite wall.”                           -C. S. Lewis, The Voyage of the Dawn Treader Ikons are windows to another World Of Theos and Theotokos, of our saints Some as merry as yet are others stern While forming from the prayerful writer’s 1 hand And in the saints the Light of God shines through True witnesses to that transcendental Truth And so we pause and with a candle catch The prayer-light of their eternity (As does the bedes-spider 2 who lives there) Ikons are windows to that truer World 1 In Orthodoxy an ikon is said to be written rather than drawn or painted, but y’r ‘umble scrivener is no authority; the reader might begin a study of ikons / icons with: http://www.pravmir.com/how-to-sep-up-an-icon-corner-at-home/ 2 An Orthodox friend discovered that a spider had made its home among his ikons, and so in peace and hierarchical obedience the little creature served God as a sort of canon, or perhaps a bedes-spider, until its death.
0
Dec 29, 2018
Dec 29, 2018 at 4:27 PM UTC
The Ikon Corner
*don't worry, even i think this is all a bit too wacky... but then i eat the placebo of feeling the emotions of https://goo.gl/tzEPhO / dido's no angel album, and i really concentrate on the symbol... and it feels less wacky after a while; i'm always apprehensive about influencing people, even if they number the 1 or 2 or 3, less than a dozen... these are sensitive areas, where there's a seemingly en masse acceptance for either accepting or criticising such potent reminders of human history... always apprehensive, only because i do not really care much about illuminating footnotes... always apprehensive... it's an apprehension born from not wanting to influence new arguments in these debates.* why is it always either 1:30 or 13:30 when men hold sway the hour hand and women the minute hand... or it's either 18:05 or 6:05 when women hold the hour hand and men the minute hand? well, never mind, a new interpretation of the ☿ (mercury), lineage of all sourced prophecies, the crescent horns of mobilised islam, by the power that mobilised it, that of the feminine nature... and that femininity mobilised islam in christianity with the emergence of the nag hammadi library, and no official plan to instigate it along the lines of canonical orthodoxy... an undercurrent emerged in christianity with the parallelism drawn by the historian josephus, a false prophet, the unearthing of the library in egypt... the flight of joseph, mary and infant jesus to egypt... but as the symbol clearly suggests... the crescent moon became mobilised by a feminine ontology... St. Thomas' gospel working its way, into the mainstream, although well hidden in the undercurrent... replacing all known canonical orthodoxy - and you know, if your prophesy about the end of the world, and to prove your prophecy to be true with the culmination of the atom bomb, and the only way you can imagine proving your words true... then i guess you'd have to get yourself crucified to make everyone follow your words to ring true should they actually be rather unconvincing; a crucifixion would desirably create a sperm-like influx of people who'd believe you and follow all the preparations through - Pythagoras' estimates about the future had about 30 followers... and he's still covered in dust in school libraries and mathematics lessons; judaism is still a minority religion: the last words of convictions from it were written by Isaiah, who was cut in half for going among the people, as a former courtesan.
0
Apr 6, 2016
Apr 6, 2016 at 3:03 PM UTC
♂ / ♀ / ☿ (dido's no angel album)
*don't worry, even i think this is all a bit too wacky... but then i eat the placebo of feeling the emotions of https://goo.gl/tzEPhO / dido's no angel album, and i really concentrate on the symbol... and it feels less wacky after a while; i'm always apprehensive about influencing people, even if they number the 1 or 2 or 3, less than a dozen... these are sensitive areas, where there's a seemingly en masse acceptance for either accepting or criticising such potent reminders of human history... always apprehensive, only because i do not really care much about illuminating footnotes... always apprehensive... it's an apprehension born from not wanting to influence new arguments in these debates.* why is it always either 1:30 or 13:30 when men hold sway the hour hand and women the minute hand... or it's either 18:05 or 6:05 when women hold the hour hand and men the minute hand? well, never mind, a new interpretation of the ☿ (mercury), lineage of all sourced prophecies, the crescent horns of mobilised islam, by the power that mobilised it, that of the feminine nature... and that femininity mobilised islam in christianity with the emergence of the nag hammadi library, and no official plan to instigate it along the lines of canonical orthodoxy... an undercurrent emerged in christianity with the parallelism drawn by the historian josephus, a false prophet, the unearthing of the library in egypt... the flight of joseph, mary and infant jesus to egypt... but as the symbol clearly suggests... the crescent moon became mobilised by a feminine ontology... St. Thomas' gospel working its way, into the mainstream, although well hidden in the undercurrent... replacing all known canonical orthodoxy - and you know, if your prophesy about the end of the world, and to prove your prophecy to be true with the culmination of the atom bomb, and the only way you can imagine proving your words true... then i guess you'd have to get yourself crucified to make everyone follow your words to ring true should they actually be rather unconvincing; a crucifixion would desirably create a sperm-like influx of people who'd believe you and follow all the preparations through - Pythagoras' estimates about the future had about 30 followers... and he's still covered in dust in school libraries and mathematics lessons; judaism is still a minority religion: the last words of convictions from it were written by Isaiah, who was cut in half for going among the people, as a former courtesan.
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42
Ideas turned ideology create Infinite numbers of lines in the sand Here's mine and there's yours Serotonin deficient lives Laying dreams on the back of others Then shunning them for breaking Men told to **** the marrow Women told to **** the **** Pigeon holed sweater wearers Hanging the future in neat picture frames Staring intently to help it self-materialize Junkies pry the world limb by limb Holding hands in *** ba ya As they skip off windowed cliffs Red light burning away the innocence Of hairless brown rabbits Hypnotized boxers fighting ideas While onlookers are sold to slavers Breathless New Ageisms Creating an orthodoxy of unorthodoxy Visions of trains in a spotless horizon Idolizing the unreal,  a hope for hope Destined for eternal disappointment
0
Oct 29, 2014
Oct 29, 2014 at 11:31 PM UTC
untitled 10/28
god almighty, it really has become that, constipated writers inc., you can see them bargain hunt the next big word - big word among very simple narrative, stands out like a christmas tree in a forest of anorexic pine - they've started the conveyor belt of horse eye shutters so they can be reined in on the basis of some puppet voodoo via the hindu muses of brahman, it's a 'down the line' moment: a does what a can only do, and b does what b can only do, given c is the process by which a does what a does prior to not doing it, like b, which does what b does prior to not doing it; me? well i too wish i was an english literature or a journalism university drop out, the hard man, the one who left school at 16 without any qualifications, started a record company, signed mike oldfield believing that tubular bells would be the basis for the soundtrack to both halloween and the exorcist (1973, 1978 and 1974 respectively) - but they're just coming out of these institutions with institutional verse - they're bothered and conscious of techniques, they know why and when to use a metaphor, they care about saying a maxim about a similie, they do everything by the rubric as if poetry was a multiplication table worth memorising, they write about thirty words a piece in order that someone might write a 10,000 word essay playing surgeon on them, cutting them up to such a bare minimum that you could almost learn kabbalah inside-out - but i did graduate with a chemistry degree unfortunately, and that makes me no hard man, but i did masacre a bottle of absinthe at about ~96% in one night and got annoyed at not being drunk enough - yeah... hard as they come... nothing to be proud of in all honesty... yes all that sugar on spoon, bit of absinthe on sugar and inferno - then some water to dilute the absinthe and make it milky green (czech absinthe doesn't turn milky, some additive is missing, i can't remember) because i have this one point to make: over-analysing poetic expression, being conscious of poetic techniques, in general orthodoxy is so ****** tedious that you begin to put faith in free verse... that splendour of spontaneity like fireworks set off un-expectedly on guy fawkes night giving you a startle.
0
Dec 16, 2015
Dec 16, 2015 at 7:23 AM UTC
those with an MA in english
god almighty, it really has become that, constipated writers inc., you can see them bargain hunt the next big word - big word among very simple narrative, stands out like a christmas tree in a forest of anorexic pine - they've started the conveyor belt of horse eye shutters so they can be reined in on the basis of some puppet voodoo via the hindu muses of brahman, it's a 'down the line' moment: a does what a can only do, and b does what b can only do, given c is the process by which a does what a does prior to not doing it, like b, which does what b does prior to not doing it; me? well i too wish i was an english literature or a journalism university drop out, the hard man, the one who left school at 16 without any qualifications, started a record company, signed mike oldfield believing that tubular bells would be the basis for the soundtrack to both halloween and the exorcist (1973, 1978 and 1974 respectively) - but they're just coming out of these institutions with institutional verse - they're bothered and conscious of techniques, they know why and when to use a metaphor, they care about saying a maxim about a similie, they do everything by the rubric as if poetry was a multiplication table worth memorising, they write about thirty words a piece in order that someone might write a 10,000 word essay playing surgeon on them, cutting them up to such a bare minimum that you could almost learn kabbalah inside-out - but i did graduate with a chemistry degree unfortunately, and that makes me no hard man, but i did masacre a bottle of absinthe at about ~96% in one night and got annoyed at not being drunk enough - yeah... hard as they come... nothing to be proud of in all honesty... yes all that sugar on spoon, bit of absinthe on sugar and inferno - then some water to dilute the absinthe and make it milky green (czech absinthe doesn't turn milky, some additive is missing, i can't remember) because i have this one point to make: over-analysing poetic expression, being conscious of poetic techniques, in general orthodoxy is so ****** tedious that you begin to put faith in free verse... that splendour of spontaneity like fireworks set off un-expectedly on guy fawkes night giving you a startle.
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55
i'm only scratching the surface with the title, i'm not really going to state the orthodoxy behind a mathematical matrix, i.e. e.g.              [ 2  3  1 ]          uttered 'one by three'... if i had a two-line bracket i could write it as                [ 2 3 1                  1 2 3 ]      uttered 'two by three'...                  but i'm still fascinated by sudoku, and i can't get my teeth into it, well **** & proper...                                 to my tally... only one fiendish solution... but also: sometimes the difficult tier is easier than a mild tier puzzle.                       anyway... i just wanted to stress that sudoku, is an irregular matrix...          one explanation is: it's a 2 dimensional object, but it's a 3 dimensional subject,            in that yes, it's on a piece of paper...      but as a 3 dimensional subject,            the concept includes the 2 dimensional object, but the added dimension, which makes it 3 dimensional is time... the time it takes to complete such a puzzle.                     and while you're doing one of these, and getting a buzz off some **** fine *** (all spice infused) -     you hit a point where you either (a) become slightly cross-eyed       or (b) you're looking at the puzzle as if under water and           it's all blurry                 thus (c) a blind-spot emerges, and suddenly a few       squares disappear for what could be as much as a second...                and then you make mistakes...              plus, if you're doing it at night? all the worse for wear. so why do i mean a sudoku is an irregular matrix...   well... i should say "matrix" since i'll include χ (chi) / multiplication in the notation:         9 x 9 = 81       that's already suspicious        it's an uneven number, but the puzzle is a square...   anyway, the matrix:            [ 9 x 9              3 x 3              3 x 3 x 9 ]                                    nine squares, in each of the nine squares                   another nine squares,                                  but then there a need to do the following to see the optics of the puzzle... i.e.:                   9 x 9 = 81    +     3 x 3 = 9       +     3 x 3 x 9 = 81    = 171                           but then there's the second eye (and the above       stated whims of doing one drunk):                                                [ 9 x 9                                                  3 x 3                                            9 x 3 x 3 ]          and as above          171 + 171 =      342...                   and to my ability to understand the puzzle,         there are this many variations of inserting a single number into a sukodu - in the fiendish tier... or at least that was what i was conjuring when i was stuck    on no. 9019 - and it allowed me to insert a tiny addition (a 3)    into the puzzle. obviously the number of variations decreases in the lower tiers.
0
May 10, 2017
May 10, 2017 at 12:27 PM UTC
sudoku, as an irregular matrix
i'm only scratching the surface with the title, i'm not really going to state the orthodoxy behind a mathematical matrix, i.e. e.g.              [ 2  3  1 ]          uttered 'one by three'... if i had a two-line bracket i could write it as                [ 2 3 1                  1 2 3 ]      uttered 'two by three'...                  but i'm still fascinated by sudoku, and i can't get my teeth into it, well **** & proper...                                 to my tally... only one fiendish solution... but also: sometimes the difficult tier is easier than a mild tier puzzle.                       anyway... i just wanted to stress that sudoku, is an irregular matrix...          one explanation is: it's a 2 dimensional object, but it's a 3 dimensional subject,            in that yes, it's on a piece of paper...      but as a 3 dimensional subject,            the concept includes the 2 dimensional object, but the added dimension, which makes it 3 dimensional is time... the time it takes to complete such a puzzle.                     and while you're doing one of these, and getting a buzz off some **** fine *** (all spice infused) -     you hit a point where you either (a) become slightly cross-eyed       or (b) you're looking at the puzzle as if under water and           it's all blurry                 thus (c) a blind-spot emerges, and suddenly a few       squares disappear for what could be as much as a second...                and then you make mistakes...              plus, if you're doing it at night? all the worse for wear. so why do i mean a sudoku is an irregular matrix...   well... i should say "matrix" since i'll include χ (chi) / multiplication in the notation:         9 x 9 = 81       that's already suspicious        it's an uneven number, but the puzzle is a square...   anyway, the matrix:            [ 9 x 9              3 x 3              3 x 3 x 9 ]                                    nine squares, in each of the nine squares                   another nine squares,                                  but then there a need to do the following to see the optics of the puzzle... i.e.:                   9 x 9 = 81    +     3 x 3 = 9       +     3 x 3 x 9 = 81    = 171                           but then there's the second eye (and the above       stated whims of doing one drunk):                                                [ 9 x 9                                                  3 x 3                                            9 x 3 x 3 ]          and as above          171 + 171 =      342...                   and to my ability to understand the puzzle,         there are this many variations of inserting a single number into a sukodu - in the fiendish tier... or at least that was what i was conjuring when i was stuck    on no. 9019 - and it allowed me to insert a tiny addition (a 3)    into the puzzle. obviously the number of variations decreases in the lower tiers.
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