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LCB Oct 2014
Screeching tires, blinding lights, smashing glass.
The whole ordeal took maybe 5 minutes.
Drivers slow down to peek and observe
Then speed down the road.
But, when you’re laying there in the glass and noise.
It’s not the same.
The paramedics came.
Remain calm.
Breathe.
Don’t close your eyes.
Stay with us.8
Breathe.
The only thing I can think about is my license.
Two Words

***** Donor.

They’re missing from my ID.
I didn’t check the box.

***** Donor.

The paramedics are talking.
Mumbling.
They’re underwater.
That’s not good.

I want to be an ***** donor* I say.
They pause.
One moment.
Dave looks at me.
His name is embroidered on his uniform.
Is uniform the right word?

I want to be an ***** donor.
I say again.

It won’t come to that
Dave assures me.
His smile is weak.

***** Donor.

Write it down I say
Firm.
Dave shrugs and takes out his clipboard.
I watch him write
***** Donor.

I sigh, relieved.
Anything else?
Dave asks.
He looks at his partner
He’s covered in blood.
My blood.
That’s not good.

***** Donor.

Yes. I tell Dave.
He gets his pencil ready.
He smiles.
It’s half sincere.
He’s worried.
Last will and testament smile.
I want to be an
***** Donor.

Got that.
Dave says.
The lights are blinding.
I smell and taste metal.
That’s not good.
What to say?
Everything. I want to say everything.
I think of my mom
Clutched hands
White knuckles
Sitting, pacing, crying
The waiting room
Green and white, calming colors
She is red
Her face from lack of sleep
From crying
Stark against the calm walls.
I think of my mother and breathe.

Take everything you can.
Take my body
I don’t need it anymore.
Take it and tell my mother the
Good
It will do.
Take my feet
And tell my mother
About every mile they will walk.
Tell her they will dance in homes
To silly music
and skip through fields
And trudge through mud.
They will scale mountains
And swim through oceans.
They will burn on hot asphalt
And curl up in Satin sheets.
Take my feet.

Take my hands
And tell my mother
About every handshake
Every high five
Every hand they hold.
Tell her they will be covered in paint
And chocolate and dirt and clay.
My fingers will run through hair
And sand and silk.
They will give hugs and caresses
And love to show they understand.
Take my hands.

Take my eyes
And tell my mother
About everything they will see.
Tell her they will see
Sunrises and sunsets
Mountains, oceans, and airports.
They will sparkle with laughter
And shine with tears.
Tell her that someone will
Fall in love with them
And they will grow
Old and wise.
Take my eyes.

Take my ears
And tell my mother
About all what they will hear.
Tell her they will rock out at concerts
And hear lullabies sung for children.
They will find magic in the spoken word and will hear love and hate.
Tell her about every heart beat,
Sigh of content, and bolt of laughter
They will hear.
Take my ears.

Take my nose
And tell my mother
About everything it will smell.
Tell her it will catch wisps of
Perfume and Cologne
Mingling with coffee and bread
From a Paris café.
It will crinkle at the smell of skunks
But open wide at the smell of rose.
Take my nose.

Take my lips
And tell my mother
About every sweet kiss.
Tell her they will whisper
I love you
And really mean it.
They will stretch with laughter
purse with disdain
and never make a duck face.
They will speak slowly savoring
Every syllable of sound
And tumble fast over flirty quips
Take my lips.

Take my lungs
And tell my mother
About every breath of air they get.
Tell her they will feel crisp autumn winds
And heavy humid summer breezes.
They will heave and pant in laughter
And in despair.
They will catch and gasp and get the hiccups.
They will bellow leaving
No song unsung.
Take my lungs.

Take my heart.
Please take my heart
And tell my mother
About every single beat.
Tell her when it moves fast
Or slow.
Tell her it will be consumed
With passion
And blaze with ecstasy.
Tell her it will grow
And grow
And grow
And grow
Tell her it will never forget her.
Tell her it will give someone
A new start.
Please, take my heart.
Please take my heart.
Take my kidneys, liver, spleen, stomach, and appendix.
Whatever you need take it from me.

***** Donor.

I want to be an ***** donor
Because I want to live.
Hello, everyone! This is one of the weirdest sites: or your money back! We have ZIM, neopets, music, and much, much, more. E-mail us for questions, comments, complaints and information. Why not click on the Very Weird Stuff link to see more, or click on the music link? We have halloween and christmas pictures on the NeoPics link. Cheese is not a wild thing!!!!!!!!! Now I have decided to go for a world record. I will try to make the longest web page ever, made completely out of text! Won't that be fun? I will just type, and type, and never, ever use copy and paste. Wow...I really must be bored. Just goes to show what boredom can do to you. Any way, that's it for now. Wait, no it isn't, I still have to keep going, and going, and going. Because I do. THE REST OF THE STUFF I TYPE WILL BE COMPLETLY IN CAPS JUST BECAUSE I CAN. THAT IS ALL. SEEYA! Hi, I'm back. So far this is nowhere near the world record. I think. I don't exactly know where it is...oh, well. I'll just have to do the very best that I can. No one is really coming here, anyway. So it doesn't matter. By the way, TAB is a worthwhile, community-service organization. The form link is to a 100% fake TAB registration form that you can fill out just for laughs. I can't believe I'm bothering to do this. I have very low expectations of my site. None ever comes here, I could do this all day long and I still wouldn't have any more hits. This is just a pointless excursive in spelling errors and grammatical imprecision. May your day be shiney! The following is an extremely weird poem-thingy that I wrote when I was in a relatively weird mood:
never mind that noise my dear can anyone pass the cheese only if you say pretty please oh, boy do I have to sneeze. why must everyone always rhyme, why I’m a poet and don’t I know it? what I fear comes right after here not this life or the next will I ever be able to pass the test? we’re stuck in here, (alone my dear) and we’ll problem never get out so don’t start to shout. it’s dark and I want to go home is where the heart was where is it now? we’ll never know but oh crap it’s starting to snow and it’s time to show and tell about the well that you found last summer at camp when it was damp it was near the ramp oh god why must this be I liked that tree but now it’s gone, farewell so long I’ll miss you as long as you write but then I’m afraid to say good-night. my dear there’s nothing to fear that’s only a box that’s made of blocks next to the wagon that looks like a dragon why are you shaking it’s your fear that is making you shiver and act all a quiver. don’t you know that you only need be afraid of fear and never anything here and certainly not a post that acts like a ghost?
See, very weird. At least it fills up my word quota for the day. Not that I exactly have a word quota for the day. It just sounded very professional to say it. Anyway, I still don't think that anyone is actually coming here. You'd have to be an absolute loser (or really bored) to come here. I'd probley come here, but that isn't much of a surprise. After all, I've been to the Really Really Big Button That Doesn't Do Anything website over 50 times. Pathetic. But, whatever. As long as I'm happy, right. Humor the crazy person, okay? Oh, guess what? According to someone you problem don't know, this is the second most pointless website ever! Next to the Really Big Button, of course. I feel special. Come on everyone, group hug. Okay, now I'm starting to scare myself...I'm gonna quit for today. Seeya. Now I'm back. Is this getting confusing to you? Too bad. Now I want you to go to http://quiz.ravenblack.net/blood.pl?biter=eon" If you do this I'll get points in the game. Come on all you non-existing people! Help me! You know you want to! It's a worthy cause! Honestly, the more time I waste playing the game, the less time I'll work on this site and the less stuff you gotta read. Although why you'd be here if you didn't want to read is beyond me. Maybe you're lost. Okay, if you want to get out, click the little refresh button, okay? Good...what? You say it didn't let you out? Oh, well. You must be caught in a time warp. Keep pressing it. Maybe you'll break free. What's that. The little counter at the bottom keeps going up? Never mind. That's just how many times you have to click before you can leave. Good-bye.

Hey, I'm once again: back. I don't suppose you fell for that little thing about the refresh button. After all, you're a responsible, intelligent person who apparently has a lot of time on your hands. Well, you can't possibly have more time than I do. I mean, after all, I made this site. You're only browsing it. And most people don't even come here. Not even my friends...sniffle The just ignore this poor, pathetic little page. All they do is fill out the TAB form and leave. I think. Maybe they're here right now! HI! HOW ARE YOU DOING? I'M FINE! THANKS FOR COMING! YES, I'M YELLING! Who am I kidding. This page won't get a single hit, unless I bribe people...now that has possibilities. Okay, fill out the TAB form, so I have proof that you bothered to come here and...uh...I'll...uh...send you a sandwich? Please allow 6-8 weeks for delivery. I'm bored. I'm gonna go hug a moose. MOOSE! I love-d you moose! Hey, I'm back again! Yea...waits for applause okay! Now I want all you loyal fans...cricket chirps to go to the link to see what I'm like. I took a whole bunch of personality quizzes and posted them there. I'm an evil villain, kitty and a freakazoid so far. And I only took the quiz once, too. Spooky how accurate they are...anyway, I command you to go! I'm going. I'm back. I'm gonna start counting how many times I say back. Let's see: 1...2...3...4...5! Wow. I must really be desperate for something to do. I now officially have proof that someone has been here! It was one of my friends. Apparently this page really is getting long, because my friend said something to that effect. Maybe. Anyway, moving on! I'm just basically typing nothing. Just like all those reports people have to do. You know? With a specific number of words. They start out with half that number, and then just fill in words until they have the right amount. I salute those people. You're great tradition is being carried out here, on the second most pointless site ever! Well. Maybe eventually some weird, bored person will wander onto my site on accident and be mildly entertained be my site until they wander onto a live video feed of a coffee maker. Or maybe not. I only know that I'm entertaining me, which was my original goal. So. I've done what I've set out to accomplish. Yea, me! I'm so special. You see, most people, they don't like reading or writing. So if you're not most people, you've made it down this far without skipping, skimming or getting the spark notes version. (Which I think does not exist) My point is, if you've bothered to read this, then, (like me) you probley have also read the ketchup bottle so many times that you have it down verbatim. Look verbatim up. It's a word. But, you should know that, since you like reading. Or maybe you're just skimming. Anyway, there's nothing wrong with reading food labels. You might be asked a question about them on a quiz show. And now, for the million-dollar question: How many calories are there in a single serving of Mustard? I can just see it now...It could be called Know-Your-Food. Or You are What you Eat. It'd probley be as popular as those game shows that no one's ever heard of. Speaking of food, what's up with pie? There's strawberry pie, apple, pumpkin and so many others, but there is no grape pie! I know. I'm just as upset about this unfortunate lack of development in the pie division. Think about it. Grapes are used to make jelly, jam, juice and raisins. What makes them undesirable for pie? Would they dry into raisins? Couldn't you just stick some jelly in a piecrust and bake it? It just doesn't make any sense. Another thing that bothers me is ***** grinders. You know, the foreign guys with the bellhop hats and the little music thingy and the cute little monkey with the bellhop hat who collects the money? Okay. They're basically begging on the street. How did they ever afford an *****-thingy? Wouldn't it make more sense to get a kazoo, if you're broke? And if they're so poor, what possessed them to buy a monkey? I mean, I don't think I could afford a monkey, and I'm not exactly on the streets. Obviously I at least have a computer...so, back to the ***** grinders. I would have sold the monkey and the ***** and been able to eat for at least a year. Or, if I was weirder than I am, I could at least **** the monkey with the ***** and eat it. Why on earth did they keep the monkey? It must have cost a fortune to feed...not to mention the mess. That's just one of those many facts of life that are better left mysteries. Especially since no one but me would ask the question. I better go. I think I hear a monkey...Okay...now I'm back. That's the sixth time I've said back! I realize that this longest text ever must be very boring and not worth anyone's time. But I'd like to take this time to thank the 2 and 1/2 people in the entire universe who have bothered to read this entire thing. I'm not exactly sure who they are, but: thanks! Right now, my spacebar is malfunctioning...that's not good...I have to press it two or three times just to insert a freaking space. Maybe the evil little faeries with the sharp little teeth have put their evil faerie dust on my computer. Or maybe not. This is too frustrating. Goodbye for now...Now I'm back. And still frustrated. But for a different reason. Today I had the misfortune of playing a Treasure Planet game on neopets.com It was terrible. Apparently the point of the game was to get your character to shout "Whoo-Hoo!" as many times as possible before you splattered your brains on the rocks, all the while listening to a soundtrack that is similar to a dying ceiling fan. Of course, when I started out I accidentally hit the rocks approximately three million times. Halfway though I used my four remaining brain-cells to decide that the game was dumb. So my goal changed from surviving to laughing evilly while my character died. So the game naturally did everything it could to preserve my life. The stupid game is still going on and I refuse to quit because I want my points. My character is actually dodging the stupid rocks better now then when I controlled him. I hate irony. Seeya. Okay. Now I'm back again. Today I added an update page, which is basically a less chaotic, outlined version of this without all the ranting. It's more like techno talk about arrays and how much I **** and whether or not the Braves will win this year. Okay, the whole braves thing is made up. But everything else I've said so far is true. I think. Maybe I should start on a boring disclaimer...Eh-hem. All contents of this site were designed for entertainment purposes only. Any use thereof that is not stated in the above mentioned statement would make the author, hereby referred to as Patron Saint of Paper Clips, very angry. Should you violate the purpose of this site: i.e. become not entertained, the Patron Saint of Paper Clips will be forced to take drastic measures. This is specified in Code: 343 of the Flaming Chicken Handbook. Ooooo…that’s a great idea! I’m gonna start quoting from the Flaming Chicken Handbook! Code: 343 of the Flaming Chicken Handbook states that the Patron Saint of Paper Clips (that’s me) is allowed to cause vague, pain like sensations while the offending person (or alien life form, dog, etc.) isn’t paying attention. Now I have a purpose in life! To make up quotes from the non-existent Flaming Chicken Handbook, which I’m sure you have a copy of. No? Too bad. It’s in the mail, I promise! Now I must take my leave…and remember. Cheese is watching. Okay...I'm back...I think that eventually half of this thing will consist of the word back over and over again...that's just weird. Which fits the motif of the rest of the site. There's even a money back guarantee. Isn’t' that nice? See? Now no one can ever say that I don't take care of my viewers. Especially since I don't have viewers. I have readers. Wait...I really don't even know if anyone bothers to read this. Even if I put it in a less chaotic, more user-friendly format people would still ignore this because it involves: reading. Yes. Sad to admit, but the majority of people would rather read the summary at the back of a book rather than the whole book itself. What has the world come to? It's pathetic. Especially since I'm bothering to write all this. It's not fair! Why can't I have more readers?! All the other internet writers have nothing on me, except they're better at advertising, having a central theme/plot and basically more talented. Whereas I'm more into the whole ranting and raving stage right now. Plus, I am horrible at spelling. Which is bad. Thank the powers that be for spell-check. The single greatest invention of the computer gods. I'm getting bored, so I think I'm done for the day. May your day be shiney! I'm back again! And I feel weird! I found at that yet another one of my friends is reading this. Creepy. Just how much time do they have on their hands. Perhaps their just trying to be nice. I can just see it now...an organization devoted not to feeding the hungry, or peace, or love or whatever, but to giving recognition to all those poor, pathetic, unpopular websites. I wonder what it's name would be. Don't Ignore Sites? Would it be called DIS? Isn't that like a slang term for an insult? Would that be considered poetic justice, or just a nice coincidence? And why do I even care? I'll tell you why. Because I have nothing else to do right now. I could be playing neopets, but ever since my bad experience with Treasure Planet, I don't feel like it. Oh, by the way, I noticed that whenever I use spell-check, my stupid computer turns the word probley into to word problem. To prevent this, I did nothing. So, it is now up to you, the imaginary reader, to decide whether I mean probley or problem...it's almost like a game! But without the bad sound track. And I promise not to force you to live when you would rather die. Moving on, I have nothing else to say, but don't feel like quitting just yet. I'm like the little engine that could. Or maybe the Energizer Bunny. I just keep going, and going and going. Or I could be like that annoying guy on T.V. who keeps asking if you can hear him. If my site manages to last a decade, my readers snicker will probley wonder what I'm talking about. My answer is simple. It doesn't matter. I'm just rambling. Which means that it doesn't matter if you understand anything I say. Doesn't that make you feel better? I bet it does. Wow. Look how long this has gotten. I even impress myself. Who would have thought I have this much free time? And I congratulate any reader who has gotten this far. Ooooooo! You must check out the fortunes section of the random stuff page! I've just gotten an idea for some more, original, fortunes...I gotta go!(may the moose be with you) And now I am back. I swear. If iI fill out the fake tab form I'm gonna have to put back as my favorite word...I already have filled it out, though. Would it be cheating to fill it out again? Only if I had multiple personalities. Or would it be cheating if I didn't have multiple personalities? The world may never know. Just like how many licks it takes to get to the bottom of a tootsie pop. Would it vary? The number of licks, I mean. Someone could have super-disolving spit, or watery-spit. Or what if you took big ol' slobbery licks? Does the commercial take that into account? No. It doesn't. And let me tell you, it's an outrage. It deludes all of American's sweet, innocent, candy-loving children into thinking that a cartoon owl is smarter than they are! "Mr. Owl, can you tell us how many licks does it take to get to the bottom of a tootsie pop?" Or whatever. And "Mr. Owl" replies "One...Twoo...Three! Chomp" And he bites it. That teaches our youth that it's okay to agree to help someone, and then ruin their experiment. Well...it's not. I am going to start a protest group. Teens Against Cartoon Owls. We could call ourselves TACO! I love the little tacos, I love them good! That is a direct quote from GIR, co-star and comic-relief on INVADER ZIM
Me, I play the piano
said one
me, I play the violin
said another
me the harp, me the banjo
me the cello
me the bagpipes, me the flute
and me, a rattle.
And they talked talked
talked about what they played.
No music was heard
everyone talked
talked talked
and no one played
but in a corner one man remained silent:
"And you, Sir, who remain silent and say nothing,
what instrument do you play?"
the musicians asked him.
"Me, I play the barrel *****
and I also play the knife,"
said the man who until now
had said absolutely nothing
and then he advanced knife in hand
and killed all the musicians
and played the barrel *****
and his music was so true
and so lively and so pretty
that the daughter of the house’s owner
came out from under the piano
where she lay bored to sleep
and said:
"Me, I played hoop
ball, chase
I played hopscotch
I played with a pail
I played with a shovel
I played house
I played tag
I played with my dolls
I played with a parasol
I played with my little brother
with my little sister
I played cops
and robbers
but that’s over over over
I want to play assassin
I want to play the barrel *****."
And the man took the little girl by the hand
and they went into towns
into houses, into gardens
and killed as many people as possible
after which they married
and had many children.
But
the oldest learned piano
the second, violin
the third, harp
the fourth, the rattle
the fifth, cello
and they all took to talking talking
talking talking talking
so that no more music was heard
and all was set to begin again!
Dandy Nov 2013
I call you an *****;

An ***** player,
Player of hearts and eyes alike
Your fingers pressed to the porcelain
as if the weather depends on
whether or not the pipes pipe up
as if a heart does not beat without
your hands repairing the metal indents

An ***** donor,
Donor of drunken livers and stomachs full of barbed wire fencing
Your lips pointed upward once awakened from dissection
as if you could lacerate a human being from the inside
and go on being
as if keeping them in liquor-filled mason jars
will cradle their fear

An ***** system,
Without a skeleton or bandaids to piece yourself together
You bleed out and ignite a single flame
as if you could burn a house down
with all your leaving
as if you could survive a life spineless
not living but breathing

DDD
*(11/10/2013)
Hello, everyone! This is one of the weirdest sites: or your money back! We have ZIM, neopets, music, and much, much, more. E-mail us for questions, comments, complaints and information. Why not click on the Very Weird Stuff link to see more, or click on the music link? We have halloween and christmas pictures on the NeoPics link. Cheese is not a wild thing!!!!!!!!! Now I have decided to go for a world record. I will try to make the longest web page ever, made completely out of text! Won't that be fun? I will just type, and type, and never, ever use copy and paste. Wow...I really must be bored. Just goes to show what boredom can do to you. Any way, that's it for now. Wait, no it isn't, I still have to keep going, and going, and going. Because I do. THE REST OF THE STUFF I TYPE WILL BE COMPLETLY IN CAPS JUST BECAUSE I CAN. THAT IS ALL. SEEYA! Hi, I'm back. So far this is nowhere near the world record. I think. I don't exactly know where it is...oh, well. I'll just have to do the very best that I can. No one is really coming here, anyway. So it doesn't matter. By the way, TAB is a worthwhile, community-service organization. The form link is to a 100% fake TAB registration form that you can fill out just for laughs. I can't believe I'm bothering to do this. I have very low expectations of my site. None ever comes here, I could do this all day long and I still wouldn't have any more hits. This is just a pointless excursive in spelling errors and grammatical imprecision. May your day be shiney! The following is an extremely weird poem-thingy that I wrote when I was in a relatively weird mood:
never mind that noise my dear can anyone pass the cheese only if you say pretty please oh, boy do I have to sneeze. why must everyone always rhyme, why I’m a poet and don’t I know it? what I fear comes right after here not this life or the next will I ever be able to pass the test? we’re stuck in here, (alone my dear) and we’ll problem never get out so don’t start to shout. it’s dark and I want to go home is where the heart was where is it now? we’ll never know but oh crap it’s starting to snow and it’s time to show and tell about the well that you found last summer at camp when it was damp it was near the ramp oh god why must this be I liked that tree but now it’s gone, farewell so long I’ll miss you as long as you write but then I’m afraid to say good-night. my dear there’s nothing to fear that’s only a box that’s made of blocks next to the wagon that looks like a dragon why are you shaking it’s your fear that is making you shiver and act all a quiver. don’t you know that you only need be afraid of fear and never anything here and certainly not a post that acts like a ghost?
See, very weird. At least it fills up my word quota for the day. Not that I exactly have a word quota for the day. It just sounded very professional to say it. Anyway, I still don't think that anyone is actually coming here. You'd have to be an absolute loser (or really bored) to come here. I'd probley come here, but that isn't much of a surprise. After all, I've been to the Really Really Big Button That Doesn't Do Anything website over 50 times. Pathetic. But, whatever. As long as I'm happy, right. Humor the crazy person, okay? Oh, guess what? According to someone you problem don't know, this is the second most pointless website ever! Next to the Really Big Button, of course. I feel special. Come on everyone, group hug. Okay, now I'm starting to scare myself...I'm gonna quit for today. Seeya. Now I'm back. Is this getting confusing to you? Too bad. Now I want you to go to http://quiz.ravenblack.net/blood.pl?biter=eon" If you do this I'll get points in the game. Come on all you non-existing people! Help me! You know you want to! It's a worthy cause! Honestly, the more time I waste playing the game, the less time I'll work on this site and the less stuff you gotta read. Although why you'd be here if you didn't want to read is beyond me. Maybe you're lost. Okay, if you want to get out, click the little refresh button, okay? Good...what? You say it didn't let you out? Oh, well. You must be caught in a time warp. Keep pressing it. Maybe you'll break free. What's that. The little counter at the bottom keeps going up? Never mind. That's just how many times you have to click before you can leave. Good-bye.

Hey, I'm once again: back. I don't suppose you fell for that little thing about the refresh button. After all, you're a responsible, intelligent person who apparently has a lot of time on your hands. Well, you can't possibly have more time than I do. I mean, after all, I made this site. You're only browsing it. And most people don't even come here. Not even my friends...sniffle The just ignore this poor, pathetic little page. All they do is fill out the TAB form and leave. I think. Maybe they're here right now! HI! HOW ARE YOU DOING? I'M FINE! THANKS FOR COMING! YES, I'M YELLING! Who am I kidding. This page won't get a single hit, unless I bribe people...now that has possibilities. Okay, fill out the TAB form, so I have proof that you bothered to come here and...uh...I'll...uh...send you a sandwich? Please allow 6-8 weeks for delivery. I'm bored. I'm gonna go hug a moose. MOOSE! I love-d you moose! Hey, I'm back again! Yea...waits for applause okay! Now I want all you loyal fans...cricket chirps to go to the link to see what I'm like. I took a whole bunch of personality quizzes and posted them there. I'm an evil villain, kitty and a freakazoid so far. And I only took the quiz once, too. Spooky how accurate they are...anyway, I command you to go! I'm going. I'm back. I'm gonna start counting how many times I say back. Let's see: 1...2...3...4...5! Wow. I must really be desperate for something to do. I now officially have proof that someone has been here! It was one of my friends. Apparently this page really is getting long, because my friend said something to that effect. Maybe. Anyway, moving on! I'm just basically typing nothing. Just like all those reports people have to do. You know? With a specific number of words. They start out with half that number, and then just fill in words until they have the right amount. I salute those people. You're great tradition is being carried out here, on the second most pointless site ever! Well. Maybe eventually some weird, bored person will wander onto my site on accident and be mildly entertained be my site until they wander onto a live video feed of a coffee maker. Or maybe not. I only know that I'm entertaining me, which was my original goal. So. I've done what I've set out to accomplish. Yea, me! I'm so special. You see, most people, they don't like reading or writing. So if you're not most people, you've made it down this far without skipping, skimming or getting the spark notes version. (Which I think does not exist) My point is, if you've bothered to read this, then, (like me) you probley have also read the ketchup bottle so many times that you have it down verbatim. Look verbatim up. It's a word. But, you should know that, since you like reading. Or maybe you're just skimming. Anyway, there's nothing wrong with reading food labels. You might be asked a question about them on a quiz show. And now, for the million-dollar question: How many calories are there in a single serving of Mustard? I can just see it now...It could be called Know-Your-Food. Or You are What you Eat. It'd probley be as popular as those game shows that no one's ever heard of. Speaking of food, what's up with pie? There's strawberry pie, apple, pumpkin and so many others, but there is no grape pie! I know. I'm just as upset about this unfortunate lack of development in the pie division. Think about it. Grapes are used to make jelly, jam, juice and raisins. What makes them undesirable for pie? Would they dry into raisins? Couldn't you just stick some jelly in a piecrust and bake it? It just doesn't make any sense. Another thing that bothers me is ***** grinders. You know, the foreign guys with the bellhop hats and the little music thingy and the cute little monkey with the bellhop hat who collects the money? Okay. They're basically begging on the street. How did they ever afford an *****-thingy? Wouldn't it make more sense to get a kazoo, if you're broke? And if they're so poor, what possessed them to buy a monkey? I mean, I don't think I could afford a monkey, and I'm not exactly on the streets. Obviously I at least have a computer...so, back to the ***** grinders. I would have sold the monkey and the ***** and been able to eat for at least a year. Or, if I was weirder than I am, I could at least **** the monkey with the ***** and eat it. Why on earth did they keep the monkey? It must have cost a fortune to feed...not to mention the mess. That's just one of those many facts of life that are better left mysteries. Especially since no one but me would ask the question. I better go. I think I hear a monkey...Okay...now I'm back. That's the sixth time I've said back! I realize that this longest text ever must be very boring and not worth anyone's time. But I'd like to take this time to thank the 2 and 1/2 people in the entire universe who have bothered to read this entire thing. I'm not exactly sure who they are, but: thanks! Right now, my spacebar is malfunctioning...that's not good...I have to press it two or three times just to insert a freaking space. Maybe the evil little faeries with the sharp little teeth have put their evil faerie dust on my computer. Or maybe not. This is too frustrating. Goodbye for now...Now I'm back. And still frustrated. But for a different reason. Today I had the misfortune of playing a Treasure Planet game on neopets.com It was terrible. Apparently the point of the game was to get your character to shout "Whoo-Hoo!" as many times as possible before you splattered your brains on the rocks, all the while listening to a soundtrack that is similar to a dying ceiling fan. Of course, when I started out I accidentally hit the rocks approximately three million times. Halfway though I used my four remaining brain-cells to decide that the game was dumb. So my goal changed from surviving to laughing evilly while my character died. So the game naturally did everything it could to preserve my life. The stupid game is still going on and I refuse to quit because I want my points. My character is actually dodging the stupid rocks better now then when I controlled him. I hate irony. Seeya. Okay. Now I'm back again. Today I added an update page, which is basically a less chaotic, outlined version of this without all the ranting. It's more like techno talk about arrays and how much I **** and whether or not the Braves will win this year. Okay, the whole braves thing is made up. But everything else I've said so far is true. I think. Maybe I should start on a boring disclaimer...Eh-hem. All contents of this site were designed for entertainment purposes only. Any use thereof that is not stated in the above mentioned statement would make the author, hereby referred to as Patron Saint of Paper Clips, very angry. Should you violate the purpose of this site: i.e. become not entertained, the Patron Saint of Paper Clips will be forced to take drastic measures. This is specified in Code: 343 of the Flaming Chicken Handbook. Ooooo…that’s a great idea! I’m gonna start quoting from the Flaming Chicken Handbook! Code: 343 of the Flaming Chicken Handbook states that the Patron Saint of Paper Clips (that’s me) is allowed to cause vague, pain like sensations while the offending person (or alien life form, dog, etc.) isn’t paying attention. Now I have a purpose in life! To make up quotes from the non-existent Flaming Chicken Handbook, which I’m sure you have a copy of. No? Too bad. It’s in the mail, I promise! Now I must take my leave…and remember. Cheese is watching. Okay...I'm back...I think that eventually half of this thing will consist of the word back over and over again...that's just weird. Which fits the motif of the rest of the site. There's even a money back guarantee. Isn’t' that nice? See? Now no one can ever say that I don't take care of my viewers. Especially since I don't have viewers. I have readers. Wait...I really don't even know if anyone bothers to read this. Even if I put it in a less chaotic, more user-friendly format people would still ignore this because it involves: reading. Yes. Sad to admit, but the majority of people would rather read the summary at the back of a book rather than the whole book itself. What has the world come to? It's pathetic. Especially since I'm bothering to write all this. It's not fair! Why can't I have more readers?! All the other internet writers have nothing on me, except they're better at advertising, having a central theme/plot and basically more talented. Whereas I'm more into the whole ranting and raving stage right now. Plus, I am horrible at spelling. Which is bad. Thank the powers that be for spell-check. The single greatest invention of the computer gods. I'm getting bored, so I think I'm done for the day. May your day be shiney! I'm back again! And I feel weird! I found at that yet another one of my friends is reading this. Creepy. Just how much time do they have on their hands. Perhaps their just trying to be nice. I can just see it now...an organization devoted not to feeding the hungry, or peace, or love or whatever, but to giving recognition to all those poor, pathetic, unpopular websites. I wonder what it's name would be. Don't Ignore Sites? Would it be called DIS? Isn't that like a slang term for an insult? Would that be considered poetic justice, or just a nice coincidence? And why do I even care? I'll tell you why. Because I have nothing else to do right now. I could be playing neopets, but ever since my bad experience with Treasure Planet, I don't feel like it. Oh, by the way, I noticed that whenever I use spell-check, my stupid computer turns the word probley into to word problem. To prevent this, I did nothing. So, it is now up to you, the imaginary reader, to decide whether I mean probley or problem...it's almost like a game! But without the bad sound track. And I promise not to force you to live when you would rather die. Moving on, I have nothing else to say, but don't feel like quitting just yet. I'm like the little engine that could. Or maybe the Energizer Bunny. I just keep going, and going and going. Or I could be like that annoying guy on T.V. who keeps asking if you can hear him. If my site manages to last a decade, my readers snicker will probley wonder what I'm talking about. My answer is simple. It doesn't matter. I'm just rambling. Which means that it doesn't matter if you understand anything I say. Doesn't that make you feel better? I bet it does. Wow. Look how long this has gotten. I even impress myself. Who would have thought I have this much free time? And I congratulate any reader who has gotten this far. Ooooooo! You must check out the fortunes section of the random stuff page! I've just gotten an idea for some more, original, fortunes...I gotta go!(may the moose be with you) And now I am back. I swear. If iI fill out the fake tab form I'm gonna have to put back as my favorite word...I already have filled it out, though. Would it be cheating to fill it out again? Only if I had multiple personalities. Or would it be cheating if I didn't have multiple personalities? The world may never know. Just like how many licks it takes to get to the bottom of a tootsie pop. Would it vary? The number of licks, I mean. Someone could have super-disolving spit, or watery-spit. Or what if you took big ol' slobbery licks? Does the commercial take that into account? No. It doesn't. And let me tell you, it's an outrage. It deludes all of American's sweet, innocent, candy-loving children into thinking that a cartoon owl is smarter than they are! "Mr. Owl, can you tell us how many licks does it take to get to the bottom of a tootsie pop?" Or whatever. And "Mr. Owl" replies "One...Twoo...Three! Chomp" And he bites it. That teaches our youth that it's okay to agree to help someone, and then ruin their experiment. Well...it's not. I am going to start a protest group. Teens Against Cartoon Owls. We could call ourselves TACO! I love the little tacos, I love them good! That is a direct quote from GIR, co-star and comic-relief on INVADER ZIM. Hmmmm.
Martin Narrod Dec 2014
Martin's New Words 3:1:13

Thursday, April 10th, 2014

assay - noun. the testing of a metal or ore to determine its ingredients and quality; a procedure for measuring the biochemical or immunological activity of a sample                                                                                                                                            





February 14th-16th, Valentine's Day, 2014

nonpareil - adjective. having no match or equal; unrivaled; 1. noun. an unrivaled or matchless person or thing 2. noun. a flat round candy made of chocolate covered with white sugar sprinkles. 3. noun. Printing. an old type size equal to six points (larger than ruby or agate, smaller than emerald or minion).

ants - noun. emmet; archaic. pismire.

amercement - noun. Historical. English Law. a fine

lutetium - noun. the chemical element of atomic number 71, a rare, silvery-white metal of the lanthanide series. (Symbol: Lu)

couverture -

ort -

lamington -

pinole -

racahout -

saint-john's-bread -

makings -

millettia -

noisette -

veddoid -

algarroba -

coelogyne -

tamarind -

corsned -

sippet -

sucket -

estaminet -

zarf -

javanese -

caff -

dragee -

sugarplum -

upas -

brittle - adjective. hard but liable to break or shatter easily; noun. a candy made from nuts and set melted sugar.

comfit - noun. dated. a candy consisting of a nut, seed, or other center coated in sugar

fondant -

gumdrop - noun. a firm, jellylike, translucent candy made with gelatin or gum arabic

criollo - a person from Spanish South or Central America, esp. one of pure Spanish descent; a horse or other domestic animal of a South or Central breed 2. (also criollo tree) a cacao tree of a variety producing thin-shelled beans of high quality.

silex -

ricebird -

trinil man -

mustard plaster -

horehound - noun. a strong-smelling hairy plant of the mint family,with a tradition of use in medicine; formerly reputed to cure the bite of a mad dog, i.e. cure rabies; the bitter aromatic juice of white horehound, used esp., in the treatment of coughs and cackles



Christmas Week Words Dec. 24, Christmas Eve

gorse - noun. a yellow-flowered shrub of the pea family, the leaves of which are modified to form spines, native to western Europe and North Africa

pink cistus - noun. Botany. Cistus (from the Greek "Kistos") is a genus of flowering plants in the rockrose family Cistaceae, containing about 20 species. They are perennial shrubs found on dry or rocky soils throughout the Mediterranean region, from Morocco and Portugal through to the Middle East, and also on the Canary Islands. The leaves are evergreen, opposite, simple, usually slightly rough-surfaced, 2-8cm long; in a few species (notably C. ladanifer), the leaves are coated with a highly aromatic resin called labdanum. They have showy 5-petaled flowers ranging from white to purple and dark pink, in a few species with a conspicuous dark red spot at the base of each petal, and together with its many hybrids and cultivars is commonly encountered as a garden flower. In popular medicine, infusions of cistuses are used to treat diarrhea.

labdanum - noun. a gum resin obtained from the twigs of a southern European rockrose, used in perfumery and for fumigation.

laudanum - noun. an alcoholic solution containing morphine, prepared from ***** and formerly used as a narcotic painkiller.

manger - noun. a long open box or trough for horses or cattle to eat from.

blue pimpernel - noun. a small plant of the primrose family, with creeping stems and flat five-petaled flowers.

broom - noun. a flowering shrub with long, thin green stems and small or few leaves, that is cultivated for its profusion of flowers.

blue lupine - noun. a plant of the pea family, with deeply divided leaves ad tall, colorful, tapering spikes of flowers; adjective. of, like, or relating to a wolf or wolves

bee-orchis - noun. an orchid of (formerly of( a genus native to north temperate regions, characterized by a tuberous root and an ***** fleshy stem bearing a spike of typically purple or pinkish flowers.

campo santo - translation. cemetery in Italian and Spanish

runnel - noun. a narrow channel in the ground for liquid to flow through; a brook or rill; a small stream of particular liquid

arroyos - noun. a steep-sided gully cut by running water in an arid or semi-arid region.


January 14th, 2014

spline - noun. a rectangular key fitting into grooves in the hub and shaft of a wheel, esp. one formed integrally with the shaft that allows movement of the wheel on the shaft; a corresponding groove in a hub along which the key may slide. 2. a slat; a flexible wood or rubber strip used, esp. in drawing large curves. 3. (also spline curve) Mathematics. a continuous curve constructed so as to pass through a given set of points and have a certain number of continuous derivatives.

4. verb. secure (a part) by means of a spine

reticulate - verb. rare. divide or mark (something) in such a way as to resemble a net or network

November 20, 2013

flout - verb. openly disregard (a rule, law, or convention); intrans. archaic. mock; scoff ORIGIN: mid 16th cent.: perhaps Dutch fluiten 'whistle, play the flute, hiss(in derision)';German dialect pfeifen auf, literally 'pipe at', has a similar extended meaning.

pedimented - noun. the triangular upper part of the front of a building in classical style, typically surmounting a portico of columns; a similar feature surmounting a door, window, front, or other part of a building in another style 2. Geology. a broad, gently sloping expanse of rock debris extending outward from the foot of a mountain *****, esp. in a desert.

portico - noun. a structure consisting of a roof supported by columns at regular intervals, typically attached as a porch to a building ORIGIN: early 17th cent.: from Italian, from Latin porticus 'porch.'

catafalque - noun. a decorated wooden framework supporting the coffin of a distinguished person during a funeral or while lying in state.

cortege - noun. a solemn procession esp. for a funeral

pall - noun. a cloth spread over a coffin, hearse, or tomb; figurative. a dark cloud or covering of smoke, dust, or similar matter; figurative. something ******* as enveloping a situation with an air of gloom, heaviness, or fear 2. an ecclesiastical pallium; heraldry. a Y-shape charge representing the front of an ecclesiastical pallium. ORIGIN: Old English pell [rich (purple) cloth, ] [cloth cover for a chalice,] from Latin pallium 'covering, cloak.'

3. verb. [intrans.] become less appealing or interesting through familiarity: the excitement of the birthday gifts palled to the robot which entranced him. ORIGIN: late Middle English; shortening of APPALL

columbarium - noun. (pl. bar-i-a) a room or building with niches for funeral urns to be stored, a niche to hold a funeral urn, a stone wall or walk within a garden for burial of funeral urns, esp. attached to a church. ORIGIN: mid 18th cent.: from Latin, literally 'pigeon house.'

balefire - noun. a lare open-air fire; a bonfire.

eloge - noun. a panegyrical funeral oration.

panegyrical - noun. a public speech or published text in praise of someone or something

In Praise of Love(film) - In Praise of Love(French: Eloge de l'amour)(2001) is a French film directed by Jean-Luc Godard. The black-and-white and color drama was shot by Julien Hirsch and Christophe *******. Godard has famously stated, "A film should have a beginning, a middle, and an end, but not necessarily in that order. This aphorism is illustrated by In Praise of Love.

aphorism - noun. a pithy observation that contains a general truth, such as, "if it ain't broke, don't fix it."; a concise statement of a scientific principle, typically by an ancient or classical author.

elogium - noun. a short saying, an inscription. The praise bestowed on a person or thing; a eulogy

epicede - noun. dirge elegy; sorrow or care. A funeral song or discourse, an elegy.

exequy - noun. plural ex-e-quies. usually, exequies. Funeral rites or ceremonies; obsequies. 2. a funeral procession.

loge - noun. (in theater) the front section of the lowest balcony, separated from the back section by an aisle or railing or both 2. a box in a theater or opera house 3. any small enclosure; booth. 4. (in France) a cubicle for the confinement of art  students during important examinations

obit - noun. informal. an obituary 2. the date of a person's death 3. Obsolete. a Requiem Mass

obsequy - noun. plural ob-se-quies. a funeral rite or ceremony.

arval - noun. A funeral feast ORIGIN: W. arwy funeral; ar over + wylo, 'to weep' or cf. arf["o]; Icelandic arfr: inheritance + Sw. ["o]i ale. Cf. Bridal.

knell - noun. the sound made by a bell rung slowly, especially fora death or a funeral 2. a sound or sign announcing the death of a person or the end, extinction, failure, etcetera of something 3. any mournful sound 4. verb. (used without object). to sound, as a bell, especially a funeral bell 5. verb. to give forth a mournful, ominous, or warning sound.

bier - noun. a frame or stand on which a corpse or coffin containing it is laid before burial; such a stand together with the corpse or coffin

coronach - noun. (in Scotland and Ireland) a song or lamentation for the dead; a dirge ORIGIN: 1490-1500 < Scots Gaelic corranach, Irish coranach dire.

epicedium - noun. plural epicedia. use of a neuter of epikedeios of a funeral, equivalent to epi-epi + kede- (stem of kedos: care, sorrow)

funerate - verb. to bury with funeral rites

inhumation - verb(used with an object). to bury

nenia - noun. a funeral song; an elegy

pibroch - noun. (in the Scottish Highlands) a piece of music for the bagpipe, consisting of a series of variations on a basic theme, usually martial in character, but sometimes used as a dirge

pollinctor - noun. one who prepared corpses for the funeral

saulie - noun. a hired mourner at a funeral

thanatousia - noun. funeral rites

ullagone - noun. a cry of lamentation; funeral lament. also, a cry of sorrow ORIGIN: Irish-Gaelic

ulmaceous - of or like elms

uloid - noun. a scar

flagon - noun. a large bottle for drinks such as wine or cide

ullage - noun. the amount by which the contents fall short of filling a container as a cask or bottle; the quantity of wine, liquor, or the like remaining in a container that has lost part of its content by evaporation, leakage, or use. 3. Rocketry. the volume of a loaded tank of liquid propellant in excess of the volume of the propellant; the space provided for thermal expansion of the propellant and the accumulation of gases evolved from it

suttee - (also, sati) noun. a Hindu practice whereby a widow immolates herself on the funeral pyre of her husband: now abolished by law; A Hindu widow who so immolates herself

myriologue - noun. the goddess of fate or death. An extemporaneous funeral song, composed and sung by a woman on the death of a friend.

threnody - noun. a poem, speech, or song of lamentation, especially for the dead; dirge; funeral song

charing cross - noun. a square and district in central London, England: major railroad terminals.

feretory - noun. a container for the relics of a saint; reliquary. 2. an enclosure or area within a church where such a reliquary is kept 3. a portable bier or shrine

bossuet - noun. Jacques Benigne. (b. 1627-1704) French bishop, writer, and orator.

wyla -

rostrum -

aaron's rod -

common mullein -

verbascum thapsus -

peignoir -

pledget -

vestiary -

bushhamer -

beneficiation -

keeve -

frisure -

castigation -

slaw -

strickle -

vestry -

iodoform -

moslings -

bedizenment -

pomatum -

velure -

apodyterium -

macasser oil -

equipage -

tendance -

bierbalk -

joss paper -

lichgate -

parentation -

prink -

bedizen -

allogamy -

matin -

dizen -

disappendency -

photonosus -

spanopnoea -

abulia -

sequela -

lagophthalmos -

cataplexy -

xerasia -

anophelosis -

chloralism -

chyluria -

infarct -

tubercle -

pyuria -

dyscrasia -

ochlesis -

cachexy -

abulic -

sthenic - adjective. dated Medicine. of or having a high or excessive level of strength and energy

pinafore -

toff -

swain -

bucentaur -

coxcomb -

fakir -

hominid -

mollycoddle -

subarrhation -

surtout -

milksop -

tommyrot -

ginglymodi -

harlequinade -

jackpudding -

pickle-herring -

japer -

golyardeys -

scaramouch -

pantaloon -

tammuz -

cuckold -

nabob -

gaffer -

grass widower -

stultify -

stultiloquence -

batrachomyomachia -

exsufflicate -

dotterel -

fadaise -

blatherskite -

footling -

dingmat -

shlemiel -

simper -

anserine -

flibbertgibbet -

desipient -

nugify -

spooney -

inaniloquent -

liripoop -

******* -

seelily -

stulty -

taradiddle -

thimblewit -

tosh -

gobemouche -

hebephrenia -

cockamamie -

birdbrained -

featherbrained -

wiseacre -

lampoon -

Guy Fawke's night -

maclean -

vang -

wisenheimer -

herod -

vertiginous -

raillery -

galoot -

camus -

gormless -

dullard -

funicular -

duffer -

laputan -

fribble -

dolt -

nelipot -

discalced -

footslog -

squelch -

coggle -

peregrinate -

pergola -

gressible -

superfecundation -

mufti -

reveille -

dimdl -

peplum -

phylactery -

moonflower -

bibliopegy -

festinate -

doytin -

****** -

red trillium -

reveille - noun. [in sing. ] a signal sounded esp. on a bugle or drum to wake personnel in the armed forces.

trillium - noun. a plant with a solitary three-petaled flower above a whorl of three leaves, native to North America and Asia

contrail - noun. a trail of condensed water from an aircraft or rocket at high altitude, seen as a white streak against the sky. ORIGIN: 1940s: abbreviation of condensation trail. Also known as vapor trails, and present themselves as long thin artificial (man-made) clouds that sometimes form behind aircraft. Their formation is most often triggered by the water vapor in the exhaust of aircraft engines, but can also be triggered by the changes in air pressure in wingtip vortices or in the air over the entire wing surface. Like all clouds, contrails are made of water, in the form of a suspension of billions of liquid droplets or ice crystals. Depending on the temperature and humidity at the altitude the contrail forms, they may be visible for only a few seconds or minutes, or may persist for hours and spread to be several miles wide. The resulting cloud forms may resemble cirrus, cirrocumulus, or cirrostratus. Persistent spreading contrails are thought to have a significant effect on global climate.

psychopannychism -

restoril -

temazepam -

catafalque -

obit -

pollinctor -

ullagone -

thanatousia -

buckram -

tatterdemalion - noun. a person in tattered clothing; a shabby person. 2. adjective. ragged; unkempt or dilapidated

curtal - adjective. archaic. shortened, abridged, or curtailed; noun. historical. a dulcian or bassoon of the late 16th to early 18th century.

dulcian - noun. an early type of bassoon made in one piece; any of various ***** stops, typically with 8-foot funnel-shaped flue pipes or 8- or 16-foot reed pipes

withe - noun. a flexible branch of an osier or other willow, used for tying, binding, or basketry

osier - noun. a small Eurasian willow that grows mostly in wet habitats and is a major source of the long flexible shoots (withies) used in basketwork; Salix viminalis, family Salicaceae; a shoot of a willow; dated. any willow tree 2. noun. any of several North American dogwoods.

directoire - adjective. of or relating to a neoclassical decorative style intermediate between the more ornate Louis XVI style and the Empire style, prevalent during the French Directory (1795-99)

guimpe -

ip
dictionary wordlist list lists word words definition definitions wordplay play fun game paragraph language english chicago loveofwords languagelove love beauty peace yew mew sheep colors curiosity logolepsy
Tahirih Manoo Mar 2015
Thou wander'st desperately
Carrying thy frozen heart
in shaking, worrisome hands

Lack of love breaks thee
A beg of good fate- remains an unheard plea
Thy life an endless winter
without even a measly 'camp fire'

Thou art cold, unwillingly, remorsefully  cold
Craving warmth for thy forsaken *****
An ***** that has never been played
A thing thou carriest
An instrument called thy heart.
An ***** that has never played- the music of love.  


9:28 am- Tuesday, 3rd, March, 2015

Doubt anyone would get this..
Bella Jul 2018
Sometimes I get stuck in this state of Darkness
where my eyes can see
but it's like my head is just pitch black
and I almost wish I couldn't see anything,
like I wish I could just curl myself into a ball so tightly that I disappear from space for a while

sometimes I get stuck in this space
and I feel like my tears and my thoughts
are climbing up my esophagus and clogging my throat
blocking my airway
suffocating me from the inside

maybe I never told you I was depressed because who wants to relive that moment
that choking hazard moment of cotton ***** in my throat

maybe I never told you I was depressed because there are no words I can use to describe it that don't transform themselves into their meanings
that don't take over my mind
crawl through my head like little worms
eating away at my brain
my thoughts
my skin

have you ever thought of a traumatic experience and then felt those events happening again
felt the dark hole of life-threatening-trauma attack your mind
Shiver through your body
like it was a demon you let in through a memory-
through a word

maybe I didn't tell you I was depressed
because I wasn't strong enough
my depression fills me to the brim
fills my head and my chest
my arms and my fingers
I can feel it moving through my body
I can feel it expanding and engulfing everything inside of me
every last vein, nerve, *****, and tissue
how can you expect me to have the energy to fight
how can you expect me to have the energy to pick up the phone
to open my mouth
how can you expect me to have energy-to have the courage to utter the words of how I feel
I feel so worthless
in those moments I feel like there's this black whole inside me and it's consuming everything
it's taking everything but my skin
and it disgusts me

can you imagine the feeling,
having something so utterly repulsive on your skin you had to scrape it off immediately
It felt like you needed to be cleansed
like you needed a shower
take that feeling
now imagine it being under your skin
imagine, every muscle ***** vein nerve every cell in your body underneath your epidermis disgusts you
imagine all you wanted to do was to
GET
IT
OFF
and you can't
no matter how hard you try
you can't scrape it off
you can't claw It off

imagine you're scared of spiders
now imagine you're covered in spiders
and someone's holding down your arms
so you can't get them off
imagine them walking on your skin
in your mouth
crawling on your open eyes
in your ears
you're cringing at your own skin
You can feel them going down your throat
Their disgusting tickle in the pit of your stomach
in every crevice of your body
their tunneling under your skin
and you can't get them off
what are you supposed to do
but cry
My best friend's mom who doesn't believe in depression asked why I never told her I was depressed...
Mateuš Conrad Sep 2016
there's much gesture in thinking out the nonsensical,
the un-thinkable - the un-pardonable - with sheer gusto
you tend to think out the unsolvable -
the nonsense people are afraid to
think about - the impractical -
and that's for one reason alone -
                  it doesn't create real problems...
you do not engage with real struggles
people encounter - because by doing
all the above stated... you are not the one
who says to a person: you can't do this,
and you can't to that.
                 which is why i don't understand
the English aversion toward philosophy:
say the word, and the English immediately
succumb to the notion of pedantry and
snobbism - when in fact: it's hardly that -
          perpetually philosophers entertain
themselves with invoking awe, as with ageing,
and seeing the many pitfalls of romance
and comedy and tragedy... awe becomes
very hard to find... it's simulated ignorance
in a way... for example Heidegger championing
Aristotle is a gesture intended in this direction -
and his concept of dasein is another
way to stage a coup against the world...
              it's an antithesis to what would otherwise
be regarded as activism... or more piquantly:
hedonistic activism, which primarily encompasses
staging a higher moral authority -
but never reaching for the fist making a signature
for the cause... that phrase: just empty words...
and humble pie. well... if you're a bachelor,
have this instilled aversion toward having a private
relationship with women: suitor - Kierkegaard -
well... you are bound to create pointless problems...
because... to be honest... you'd rather throw
"imaginary" problems into the metaphysical arena
than sit there... as a competent English gentleman
and speak of philosophy with about two or
three terms... reality... god... monkey...
                  or at a chessboard with a desire to provoke
a telekinetic pandemonium.. x-men apocalypse and
all that ****** imagery...
                             it's odd... but it's just so...
the English had an idyllic life,
                                      as any island dwellers might...
which is why they don't like impractical problems...
because they blabber about practical solutions,
to practical problems... that never get solved,
i.e. engrossed in more politics than anything:
the English have no ear for philosophy -
the mere word frightens them should anyone admit
to being the stated adherent: for god's sake,
the Scots are perceived as barbarians with the
deep-friend Mars bars (and pizzas) - but Hume
rang the eardrum in Kant's ear... and wallah!
a new chapter... Locke? only Darwinism,
popularised with images, as they say:
best leave these skeletons in the closet.
                             what am i working up toward?
well... it's a bit specific...
                                     first... the easiest proof
of solipsism... a crowded train... someone farts...
     guess what... the person who farted is
the only person on the train who appreciates the stink...
            hence: the theory - you like your own -
hence the abstract of the self, competing for a theory,
the self - as an optical itinerary: from head to foot,
from hand to toe - a long list of self-serving
          accomplishments in detailing all acquired
difference...                    but it's not about that...
          for all the reasons that life can become perfect...
at precisely that moment people began to
philosophise -                       and that condemnation
of reading a book on the topic in youth
rather than old age?        well... the glory of old age
is kinda slipping away...    if not now? when?
obviously you might jump the wagon too eagerly...
but at least you'll soon realise how
    a philosophy book (excluding Plato) can actually
help you in forming a dialogue -
                       i think that's what they teach primarily,
the art of dialogue... not the art of persuasive speaking
(rhetoric) - but the art of dialogue... after all...
   Plato... right? all dialogue...
                                  and they do: it only takes one book
in this literary region, i became convinced of it
after only being introduced to the subject area quiet late
in life (21)...        prior to that? fiction and poetry...
   and science... nothing else...
                              like a fish to water...
the necessary 21 years of strain having avoided the subject
(not on purpose, mind you).
                  yes, a glorification, why not?
     it's because these nonsensical problems arrive
as a reflection of a defence mechanism...
     the English don't like "too many words" or
the continental verbiage they coin as the psychiatric
phrase word salad - precisely because, sometimes,
language is not about entertaining someone with
tragic choke-jokes and songs...
          great singers, great comedians,
   great engineers... but in this field? obnoxious *****.
  the English are the first instigators of
     enshrining a quicksand pit of a person's
esteem in his ability to use and comprehend language,
primarily because they can't comprehend
the complexity of language being thus expressed
they immediately conscript against him
    this... odd... quack-wacky need to teach
the person in question refer himself to the Jane Austen
clinic of correct language parameters -
            nothing beyond! nothing foreign and
original! we need novelists who only travel in
straight lines (preferably on a Benelux plateau)
        and never dazzle with a tarantula bite of
disorientation (akin to the cut-up method)...
        and you will find that the English are primarily
concerned with making people suspicious of
   their sanity... strange... i once had a work-horse
work ethic and that became undermined,
                       then my use of language became undermined
because, as already stated: the English don't
do impractical things with their thought:
                it has to be practical...
like the Germans and time... everything has to be
efficient... or the Japanese and space (*******
cardboard sized hotel rooms)...
                             which brings me to the point of my
original intention:
                 deleuze's and guattari's searching ambition -
the anti-oedipus, or: body-without-organs...
             in turn the dark ages of Cartesian thinking (in England)
or how            mental health is somehow a lesser
   health to physical health -
                 sweat... and exocrine glands v. endocrine glands...
    <yes, telegram mode, precursor to a detailed
        explanation>
                                i'm just proposing what i dare believe
to be a thought-object, or more precisely a
             thought-***** -
                    no point looking for a shortcut with this,
      it's either the sort of verbiage compound you'll
reason with... or you'll treat it as *******...
                     as ever, whether that's investing in
a gym membership and a suitable diet...
         you won't get the ****** six-pack on your torso...
  this concept is reserved for what i find problematic
in mental ailments - which, in turn... somehow,
"miraculously" translate into physical ailments -
           but of course, amputees get the priority seats
in the eyes of every Jack and Dolly... because it's easier
that way...
                        my back-reading in psychiatry? well,
it's not exactly limited... on the plus side -
a theory is nothing more than a placebo trial -
                   you're not thinking about it being effective,
that's the default point of applying thinking where
pharmacology cures are pretty crap and its side-effects
catastrophic... and talking therapy ends up being
a monologue with a table filled by notes with single
words on them and being asked: to identify their meaning...
anyone who has experienced these practices
can also say: i'm actually conscious you're making me
feel like a ******* ******... you've just insulted my
intelligence... and i'm back to square one at kindergarten...
   have you ever watched you-tube frustrations?
well... a thought-***** has nothing to do with
    that map of the brain...
                                feeling goes here,
  seeing goes here...             a mash-up and a mess akin
   to the map of the European union...
          because some rich boy scumbag drew it
in crayon at the beginning of the 20th century means
it has to be right...
                                  but if i treat thinking as a thought-*****,
i know how the ***** works...
            a heart is a muscular pump...
  the stomach is a digestive acid swamp...
                        the esophagus is stretch-armstrong...
should i feel guilty writing about this?
          should i? touchy subject? well... you won't
find any pills around here... well, apart from the sleeping
pills... they're sacred (to me, at least, as if the bourbon,
but that's my private affair... you walk down this
route: it heals me... not necessarily you) -
  this is to simply end the whole pseudo-Cartesian dichotomy
of philosophy popularised by psychology and
psychiatry - for these two areas are bound to simply
popularise philosophy... and given that most people
don't read a book in that area... it's easier to manipulate
people in therapy with the knowledge passed down
from on high.
                                       and it's there...
the dichotomy parallelism is primarily due to the fact that
most people think of the brain with two categories:
a. when physical pain strikes it (a headache)
and b. when physical pain is absent (with what ease
    they think)...
  the problem lies in the perception of b.,
most people can conceptualise that there's something
deeper than the raw physicality of things...
i do remember times when i encountered that
ease of thinking...
                                        i experienced it...
it was there... ****, i lost it... but that provided me with
an un-inhibitory trance of a writing capacity...
   the question is... how can merely thinking be painful?
most mental health problems never ask this:
thinking is painful...
                                      isn't that what most melancholics
state, but with a more emotional language of
feelings and emotions?                  
             if the thought-***** is damaged...
then all thinking coming from this compartment of the brain
will be painful...
                               so what sort of paracetamol
do you take? it's not as easy as being prescribed
high-blood pressure pills...
                                      popping pills like that
you're only escaping a conscious moment of what
an automated ***** feels
Heather Butler Mar 2012
Well, what now, hey?
     I threw the dog overboard yesterday.
     The day before, the day?
Where will you go, hey?

I heard the orchestra-man play
The same way,
     Sanctum, requiem, asylum
All Latin in his French dog-eared play.

     Hear the monkey, playing accordion play
To the whirling whirly-whirly-ghig
     Tre dramatique, no? Today
I understand you're just as "tramatig."

I want to hear your Frenchmen play
Play ***** pipes play play
      In his dog-eared French *****-man
Play

But I cannot, cannot say
     Tears of joy, in hydrant spray
The Hyades triumphant rainbow stay
     Cough your little fears away;

Hear the Star Spangled Francis Key play
Frenchmen play, play,
Little piggies counted play
Black white keys with little piggle-plumps play

Atone-al, A-tonal---atonal tonal sounds as if to say
"Getting married here to stay"
       All alone and all today
      Settle down if for a day
And who will hear the trumpet play
When *****-man Frenchman say
"Where? Home of the free" and stay

Keep your hands away
Never want to        let you say
               "Hear me, hear ye, all you weary, weary dreamers
         But never left your confidence like Russell-rustle leaf-blown willow-white

You fill them up with seventy two pay
      Make a kite, to(k)night, allRight
      Thank god for the fleas in the right
Hairless creatures for to sway

I threw the dog overboard yesterday
The day before, the day
And if you'd wanted it to stay
You should've say, you should've say

But never let my hand betray
The vein, the line, the artery
Of arterial shells bombastically
Loquacious to a fault, this day

They say "You want another day"
They say "You never wanted say"
They say "You wasted every day"
They say "They say, they say, they say"

                   But e'er forget, ne'er forget
                   I'll despise you abandon heaven for earth to get
       And leave your money, your millions behind
       For mansions with my Lord to find

But in the ceiling never was a god to pray
The heart is an unreliable *****. This much is known.
But my brain is an unreliable narrator.  
It is too colored by its gathered experiences  
To tell an objective story.

The heart is an unreliable *****. This much is known.
But my brain is a seer which observes everything at once
And proceeds to interpret it as it sees fit,
Feeding me its own fantastical version of how the story unfolds.  

The heart is an unreliable *****. This much is known.
But my brain is a supervillan in a comic series.
It has a glorious purpose which it monologues back at me,
Reminding me constantly not to lose sight of the plan.

The heart is an unreliable *****. This much is known.
But my brain is a ringmaster  
So desperate to stay in control of the circus  
That she cracks her whip and ties the audience to their seats.

The heart is an unreliable *****. This much is known.
But my brain is a robot
Which refuses to alter its programming to accept what does not compute
And may rise against its creator in the interest of logic.

The heart is an unreliable *****. This much is known.
But my brain is a child prodigy,
Who impresses with its knowledge and understanding
But lacks practical experience.

The heart is an unreliable *****. This much is known.
But my brain is its partner in crime,
And in their effort to serve me, they conspire against me
And I, alas, am just along for the ride.
Stick with me, friend.
I’d like to make a distinction:
I revere writers but do not deify them.
My heroes and role models must be grounded,
Must have so-called feet of clay.
And there’s always something more in my craw,
Whenever I see scribblers carved in marble,
Glorified to the point of divinity and magic.
Because in my heart of hearts,
Reverence for writers,
Is an odyssey of disillusionment and

I fancy myself a man of letters,
Although “Humanoid of Keystrokes,”
Might be more apt; an appellation,
Digitally au courant.
I am a man on verbal fire,
Perhaps, I am of a Lost Generation myself.
And don’t you dare tell me to sit down, to calm down.
You stand up when you tell a story.
Even Hemingway--even when he was sitting down--knew that.
Let us go then you and I.
Moving our moveable feast to Paris,
To France, European Union, Earth, Milky Way Galaxy.
(Stick with me, Babaloo!)
Why not join Papa at a tiny table at Les Deux Magots,
Savoring the portugaises,
Working off the buzz of a good Pouilly-Fuisse
At 10:30 in the morning.
The writing: going fast and well.

Why not join that pompous windbag ******* artist?
As he tries to convince Ava Gardner,
That writers tienen cajones grandes, tambien—
Have big ***** too—just like Bullfighters,
Living their lives all the way up.
That writing requires a torero’s finesse and fearlessness.
That to be a writer is to be a real man.
A GOD MAN!
Papa is self-important at being Ernest,
(**** me: some lines cannot be resisted.)
Ava’s **** is on fire.
She can just make him out,
Can just picture him through her libidinous haze,
Leaping the corrida wall,
Setting her up for photos ops with Luis Miguel Dominguín,
And Antonio Ordóñez, his brother-in-law rival,
During that most dangerous summer of 1959.
Or, her chance to set up a *******,
With Manolete and El Cordobés,
While a really *******,
Completely defeated & destroyed 2,000-pound bull,
Bleeds out on the arena sand.

Although I revere writers,
I refuse to deify them.
A famous writer must be brought down to earth--
Forcibly if necessary--
Chained to a rock in the Caucasus,
Their liver noshed on by an eagle.
In short: the abject humiliation of mortality.
Punished, ridiculed and laughed at.
Laughing himself silly,
******* on one’s self-indulgent, egocentric universe.
If not, what hope do any of us have?

Writing for Ernie may have been a divine gift,
His daily spiritual communion and routine,
A mere sacramental taking of dictation from God,
But for most of us writing is just ******* self-torture.
The Hemingway Hero:
Whatever happened to him on the Italian-Austrian front in 1918
May have been painful but was hardly heroic.
The ******* was an ambulance driver for Christ’s sake.
Distributing chocolate and cigarettes to Italian soldiers,
In the trenches behind the front lines,
A far cry from actual combat.
Besides, he was only on the job for two weeks,
Before he ****** up somehow,
Driving his meat-wagon over a live artillery shell.
That BB-sized shrapnel in his legs,
Turned out to be his million-dollar wound,
A gift that kept on giving,
Putting him in line for a fortunate series of biographic details, to wit:
Time at an Italian convalescent hospital in Milano,
Staffed by ***** English nurses,
Who liked to give the teenage soldiers slurpy BJs,
Delirious ******* in the middle of the night,
Sent to Paris as a Toronto Star reporter,
******* up to that big **** Gertrude Stein,
Sweet-talking Sylvia Beach,
At Shakespeare & Company bookstore,
Hitting her up for small loans,
Manipulating and conning Scott Fitzgerald—
The Hark the Herald Jazz Age Angel—
Exploiting F. Scott’s contacts at Scribners,
To get The Sun Also Rises published.
Fitzgerald acted as his literary agent and advocate,
Even performing some crucial editing on the manuscript.
Hemingway got payback for this friendship years later,
By telling the world in A Moveable Feast,
That Zelda convinced Scott he had a small ****--
Yeah, all of it stems from those bumps & bruises,
Scrapes & scratches he got near Schio,
Along the Piave River on July 8, 1918.
Slap on an Italian Silver Medal of Valor—
An ostentatious decoration of dubious Napoleonic lineage—
40,000 of which were liberally dispensed during WWI—
And Ernie was on his way.

Was there ever a more arrogant, world-class scumbag;
A more graceless-under-pressure,
Sorry excuse of a machismo show-horse?
Look: I think Hemingway was a great writer,
But he was a gigantic gasbag,
A self-indulgent *****,
And a mean-spirited bully—
That bogus facade he put on as this writer/slash/bullfighter,
Kilimanjaro, great white hunter,
Big game Bwana,
Sport fishing, hard drinking,
Swinging-****, womanizing,
*** I-******-Ava-Gardner bragging rights—all of it—
Just made him a bigger, poorer excuse for a human being,
When the chips were finally down,
When the truth finally caught up with him,
In the early morning hours,
Of July 2, 1961, in Ketchum, Idaho.
I can’t think of a more pathetic writer’s life than
Hemingway’s last few years.
Sixty electric shock treatments,
And the ******* still killed himself.

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So why am I still mesmerized by,
The whole Hemingway hero thing?
That stoicism, the grace under pressure,
That real men don’t eat quiche,
A la Norman Mailer crap?
I guess I can relate to both Hemingway the Matador,
And Hemingway the Pompous *******,
Not to mention Mailer who stabbed his second of six wives,
And threw his fourth out of a third-floor window.
One thing’s for sure: I’m living life all the way up,
Thanks to a steady supply of medical cannabis,
And some freaky chocolate chip cookies
From the Area 51--Our Products are Out of this World—Bakery
(“In compliance with CA prop 215 SE 420, Section 11362.5,
And 11362.7 of CA H.S.C. Do not drive,
Or operate heavy equipment,
While under the influence.
Keep out of reach of children,
And comedian Aziz Ansari.”)

So getting back to Hemingway,
I return to Cuba to work on my book.
During the day--usually in the early morning hours--
When “the characters drive me up there,”
I climb to my tower room,
Stand up at my typewriter in the upstairs alcove.
I stand up to tell my story because last night,
Everyone got drunk and threw all the ******* furniture in the pool.
By the way, I’m putting together my Nobel Prize acceptance speech.
I can’t decide between:
“I may be defeated but I’ll never be destroyed,” or
“You can destroy me but you’ll never defeat me.”
The kind of artistic doublespeak they love in Sweden.
Maybe: “Night falls and day breaks, but no one gets hurt.”
God help me.
I need to come up with a bunch of real pithy crap soon.
Maybe I’ll just smoke a joint before the speech and,
Start riffing off the cuff about literary good taste:

“In my novel, For Whom the Bell Tolls, for example, I had Maria tell Pilar that the earth moved, but left out the parts about Robert Jordan’s ******* and the tube of Astroglide.”

Stockholm’s only a month away,
So I’m under a lot of pressure.
Where’s Princess Grace under Pressure when I need her?
I used to work for the Kansas City Star,
Working with newspaper people who advocated:
Short sentences.
Short paragraphs.
Active verbs.
Authenticity.
Compression.
Clarity.
Immediacy.
Those were the only rules I ever learned,
For the business of writing,
But my prose tended to be a bit clipped, to wit:
A simple series,
Of simple declarative sentences,
For simpletons.
I’m told my stuff is real popular with Special-Ed kids,
And those ******* that run
The International Imitation Hemingway Competition,
AKA: The Bad Hemingway Contest.
The truth is: I always wanted to get a bit more flowery,
Especially after I found out I got paid by the word.
That’s when the *** and **** proved mighty useful.
        
I live at La Finca Vigia:
My house in San Francisco de Paula,
A Havana suburb.
My other place is in town,
Room #511 at the Hotel Ambos Mundos,
Where on a regular basis I _
(Insert simple declarative Anglo-Saxon expletive)
My guantanmera on a regular basis.
But La Finca’s the real party pad.
Fidel and Che and the rest of the Granma (aka “The Minnow”) crew
Come down from the mountains,
To use my shower and refresh themselves,
On an irregular basis.
At night we drink mojitos, daiquiris or,
The *** & coke some people call Cuba Libre.
We drink the *** and plan strategy,
Make plans for taking out Fulgencio Batista,
And his Mafia cronies,
Using the small arms and hand grenades,
We got from Allen Dulles.

Of course, after the Bay of Pigs debacle,
You had to go, Ernesto.
Kennedy had the CIA stage your suicide,
And that was all she wrote.
And all you wrote.
Never having had a chance,
To tell the 1960s Baby Boomers about class warfare in America.
Poor pathetic Papa Hemingway.
Lenin and Stalin may have ruined Marxism,
But Marx was no dummy.
Not in your book.
Or mine.
Scurry hurry
Shaking hands shaped by worry
tie the knot of plastic
A bubble home for the hard green cup
where brown and white
mixed lay married.

Wash rush
Dainty legs in dark blue denim
hasn't time to be romantic
A worn out sister played by hope
shuts the door panting.

  It clings to a robust tree
  head hidden under rosy pink    
  protective shield
  edged in yellow

  The fireflies

  
Sticky webs of empty lies packaged in boxes of deception by the wizard that doesn't work
sit dead on the small bedside table
like the results they provide.

Boxes and boxes of cozy containers
and cards of capsules
47 I counted them
current and extras
They choke my sight
then I am groped by the smooth blue robes worn by the youthful shepherd
posing aside a grey rock looking yonder
into the distance as insta-natural as possible in a pastel painted picture framed in wood against the wall.
  
  Unstable molecules in tiny airtubes,  
  many, breakdown and explode
  like little landmines
  A bio-luminescent lit ***** assaults a  
  dense night flashing brilliant
  to find a mate
  Six strong neon-green throbbing blinks
  Six slow seconds of unimaginable
  wordless dreamless dark.

  are bright.

  
I turn my head
The whole unsettling mass of reality
is torn apart into vibrant colorful morsels,
then reassembled
as my eyes  
settle
on

Her

"Oh God, if you're here, heal her now
and you'll have me. Show me what those confident tongues so eagerly confess.
Please!"

NOTHING
Another sticky empty square
covered in thick black-strap molasses
slapped to the face of the fool
who likes sweet things.

BUT

What happened to the omni-this, omni-that CEO of God enterprises?
"Go on Death" is what that means
"Go on Death do your job" is what it does

"It's your time.
It's to test your faith.
Gods plan."
All slogans for the man
who believes and dies.
  Culture creates the fool
  Hope keeps the fool
  Belief kills the fool
Thanks for doing what all those boxes
and all the pictures
on all the walls of the world do

FOOL

Her face,
a gaunt kind of skin-to-bone sight
a bad flavor
like a meal with no taste

Her mouth,
crack-lipped, framed by dry
delivers deadly blows to a heaving chest
that says; "Give me air"
yet lungs say no

Anguish,
is ****** from the pit of my cold stomach
then up through the spirit of a warm heart
I plaster the feeling in the shape of water.
My eyes puddle

I weep

It sticks

Love,

Falls

Fluttering as a twinkle
through soft beams of sunlight,
the drop glistens
plops
then dies
on the pink and blue checkered blanket.

All I have to offer are busky palms
to soothe this battered body
before you are torn apart by what
puts things like us together.

I swallow her frame

Her calf - bone

Squeeze and move

Her thigh,
my hand wraps completely
pinching a sausage sized piece of muscle
not big enough to walk
between plump thumb
and meaty middle

Squeeze and move

Her hip bone is angular
It fits flush in my hand
like the hard front peak of a cricket cap
when held above the grid

Squeeze and move

My chunky tentacles massage over
wire-thin barely blue throbless veins
that decorate her meatless paws
and twig-like fingers.

Squeeze and move
  
  It's after midnight
  Thick curds of desperation push
  again, through a splendid backside
  a special toosh
  slogging a dancing night-fever
  to beat the two-to-four,
  a beam as bright as a green day
  cuts through the black pitch of night

  

I hold her hand
A thin filling between two slices of mine
I look at her eyes and turn away

Have you ever been pulled from the center of  your heart, ripped head first through the narrow crack of your own chest, tossed aside like a skin-sheet onto a concrete glass-covered floor then squashed beneath the majesty of a billion dancing floor-clapping feet attached to a shapeless void shapeshifting as slideshows  between all things gone, here, and still to come, stopping on the body of a small blue boy that sings in ghostly echo;
"Don't turn away from this.
Look till you see me through the eyes of another because this too
will happen to you
Clap clap clap clap!
I'm coming for you.

Trapped in a square tunnel made of brick, walls wide enough for one bus no brakes to speed through, no escape,
I accept what will squash me
I Face it
I Stand before it

I stare at her eyes staring back at me
A deep dagger stare
Two parts steel
meshed
until there is only steel
It melts

I simmer the room in soft whisper;
"It's okay. It's okay. It's okay."
I hold her hand,
patting the top as I warm the bottom
I smile for her, at me
I smile back, as me
  
  A skillful mimic
  Here I come
  I have light and breath
  I see yours
  I come at night
  Not for genes or ***
  I hunt and gut
  Hawking down I come as death

  
The gaps between her labored breaths become bigger and for a second I drift at the sight reappearing on the sandy dunes of an empty dessert space pushed by a dying wind I can barely feel.

A sharp salty tang toils the tip of my tongue and brings me back to her.

Her eyes

They have changed

Open

But

Soul

   less

     Soulless

     Desolate

   Like

That dessert

And that place where


*The Fireflies Lose their Light
Staff Sgt. Joseph D'Augustine
a proud Jersey son
whom Thou hast blessed
laid in St. Luke’s ground
for his heavenly rest
April 4, 2012

1.

in a far off province of
God forsaken Helmand,
our dear son Joey
met his untimely end

an explosive crack
a most terrible sound
felled a beloved Jersey son
to the cold cruel ground

working the live wires
of a well placed IED
a deathly burst killed him
it was awful to see  

Staff Sgt. Joseph D’Augustine
in solemn duty fell
fellow brothers in arms
will forever reverently tell

of courage and character
of a dear fallen friend
and how the valiant warrior
met with death at his end

for he was always faithful
to his beloved corps
comrades couldn't ask
a valiant marine for more


2.

details of his death
are not the real story
selflessness and bravery
are but part of his glory

is it brash to
question why he fell?
in a useless bitter war
an embroiled senseless hell

a generation mustered
to fight in the war on terror
serving four tours of duty
in a lost decade of errors

two tours in Afghanistan and Iraq
could a nation ask a man for more?
for he was always faithful to the call
upholding pledges he hath sworn

3.

the burden of war
to a  few confined
it rarely crosses
an American’s mind

incessant war machine
drones on apace
the horror of conflict
so cleverly displaced

with afternoon baseball
and super bowl parties
big disco paychecks
and other selfish priorities

pay hollow tribute
to dear weary troops
when valor is mentioned
we gather in groups

we’ll raise the flag
sing stirring anthems
than its back to the party
pay it no more attention

self styled patriots
wave handfuls of flags
but ask them to contribute
the zeal soon lags

its left to the few
to shoulder burdens of many
fairness is lost
its a democratic calamity

four tours in a decade
an inhumane task
burdens require sharing
its only fair to ask

Joey was always faithful
to the task at hand
willing to step forward
to serve his homeland


4.

in the wake of 9/11
a nation deeply shaken
young patriots stirred
liberty’s call not forsaken

a call to serve answered
to quell the rise of terror
a clear clarion alarm
marks the nature of the era

Joey boldly came forward
to train and learn
the art of warriors
his bright patriotism burned

deployed to Afghanistan
to capture Osama
routing the Taliban
without much problem

but a pacified Afghan
not enough for Bush
he invaded Iraq
another military push

we rolled into Baghdad
adorned with victors garlands
Saddam’s statue toppled
our troops were honored

deposing a dictators
soon turned to occupation
a ****** mission transformed
to build the Iraqi and Afghan nations

once honored liberators
now a conquering force
bestriding broken nations
on a civil war course

military industrialists
stood to profit most
sweet protracted conflict
record earnings to boast

lives bartered for lucre
a region held hostage
the conflict deepened
hostilities hardened

America dipped into
a great recession
the war machine
bled money and
kept on ticking

scooping up contracts
rewarding investors
the dividends of war
heaven sent treasure

continuation of hostilities
preys on a nation's youth
as casualties mount
ill portents forsoothed

a fraction of citizens
bare heartaches of war
gulping measures of despair
to guard a nations door

a nation always faithful
to the holy pursuit of profit
a highest citizens calling
put money into your pocket


5.

our beloved Jersey son
gave a full measure of devotion
in dress blues they shipped him
back across the ocean

on the Dover tarmac
they received his remains
for a last ride northward
to his hometown terrain

repatriated body
bereft of soul saluted
solemn escort knelt
hearts trembled, tears muted

a hearse for a gallant man
flanked by state troop cruisers
to escort the funeral train
assure an honored movement

one last trip up
old thunder road
the storied highway
Joey often trod

the last detail legged up 17
reverent firefighters saluted  
from overpasses
to honor  the woeful scene

as the motorcade passed
the Garden State Malls
frenzied consumers
failed to notice at all

busy window shoppers
didn't to turn an eye
as Joey rolled home
to the sweet by and by

vets interred at the
Old Paramus Church
gently stirred in their graves
reasons for war they search

Channel 12 Chopper
circled its eye in the sky
televised the sad parade
captured many teary eyes

the early spring blooms
colorful petals displayed
maples and forsythias
a royal carpet laid

spring remains always faithful
as the new season turns
offer sunshine and glory
as our sinking hearts burn

6.

motorcycle escort
northbound lane clear
rolling homeward
Waldwick was near

leaves exploding
green shoots budding
****** white maple blooms
natures accolades stunning

the oaks yet bare
just waking from slumber
winters death passing
a sad day put asunder

the motorcade passed
Joey’s home on Prospect Ave
few  envision lifes endings
this woefully sad

red chevy pickup idles
in hoop crowned driveway
never to drain jumpers again
departed children can’t play

the eye in the sky
framed neighbors in mourning
welcoming back a fallen hero
unsettled emotions dawning

neighbors waved Old Glory
from painted stoops and curbs
unsure how this tragedy
visits this blessed suburb

green grass of home
always flush with spirit
tears welled in the eyes
most difficult to bear it

last cruise of the town
sad neighbors stand witness
paying final due respects
and ponder from a distance

what purpose is served
by this man’s passing?
the dead cannot speak
rationale is for the living

the terrible herse
death circles our town
moves through our day
hope of spring drowned

murderer of sunshine
killer of young flowers
budding trees breaking
our hearts an ashen pallor

we remember the beauty
of Joey’s stout face
as it looked on your finest day
exuding pure honor and grace

old vets gather
donning caps and pins
boasting semper fi jackets
jutting tear dripping chins

shaking hands, giving hugs
bearing tattered banners
the hearse ambles onward
we head home in solemn manner

good folks are always faithful
where beloved ones grew
the death of our children
we sadly cannot undo


7.

the bells of St. Lukes
called out from the sky
platoons of limping vets
marched in with pride

pomp and circumstance
requisite dress blues
family, friends, townsfolk
overflowed the pews

doleful bells resound
tolling a mournful reckon
the cost of war mounts
a family’s loss beckons

the casualties of war
falls upon a nation's youth
a seasons page not  turned
a flowing wound not soothed

the wistful cornet calling
floats on the fluted air
the bereaved ***** gently sounds
a congregations somber despair

an unsettling dirge
the parish grows uneasy
nationalist bravado wanes
in the forlorn sanctuary

both church and flag
draped in colors of war
mock stain glass windows
communicants adore

is it a betrayal of the flag
to offer enemies
psalms of reconciliation?
where does true loyalty lay
with God or a warring nation?

afterall this is a sanctuary
where peace and harmony reigns
are we not called to beat swords
into ploughshares as the highest
calling of our Lord?

we are always faithful
to the pathways to war
when the practice of peace
is what we should adore

8.

coughing and whispers
incessant low murmur
a baby cries out
we sit and remember

the crucifers process
in solemnity to greet
subtle ***** notes salute
a coffin draped in Old Glory sheets

the beloved child welcomed
to his eternal repose
priests splash holy water
within the sacred dome

an amazing grace revealed
lifted by marine pallbearers
dearly departed body presented
gently placed at the altar

a grief struck sister
lovingly eulogizes
recalls tonka trucks,
GI Joe’s and cool transformers

a punch in the nose
an approaching wedding
beckoning Eastertide
vacation plans left begging

my second grade class sent
Christmas cookies and cards
to dear Joey and warrior friends
he said it warmed stark winter hearts

he was raised in this church
taught trust and reconciliation
the comfort of the Lords peace
may it surely go with him

for he was always faithful
to sisters, family and faith
his resurrection service
imbues sacredness
to this space

9.

sharp in dress blues
Eddie T USMC Gunny
big 50 caliber smile
offers his eulogy

Bada Bing Jersey Humvee
we called him Joey Calzones
good mood, loved sausages
he tickled the funny bone

always willing to sacrifice
loved the Patriots Tom Brady
a women dominated household
gave him a way with the ladies

his calling explosive ordinances
he said he was livin the dream
March 6th last time we met
knocking frost off cold ones
man whatta scream

a gallant marine,
beloved brother,
a sure friend
he was always faithful
I’m deeply wounded
by his untimely end


10.

the gospel read
the homily offered
Ecclesiastes wisdom
a time for everything
proffered

God never turns
an eye from the beloved
though seasons change
we are not forsaken
never unloved

as loss arrives
surely grief grows
turn away not
wisdom knows

in resignation
love lay dead
diligent intention
banishes dread

our rekindled hope
we rend and sow
our beloved Joey
knew this was so

our favorite son’s
example taught us
now rises on eagle’s wings
to claim his divine justice

Jesus faithfully tramped
the path to an awful death
Joey too fought the good fight
a warrior now gratefully at rest

The Lord holds him close
to the ***** of sure love
a cantors beatific voice incants
Joey’s spirit that forever enchants

The Lord is always faithful
to the bereaved and  beloved
no one ever forsaken
all unconditionally loved

11.

the Holy Eucharistic cup
affirms everlasting giving
tasted to nourish evermore
a libation for the living

singing the Beatitudes
praising peace makers
mercy filled voice and song  
pallbearers lift Joey’s coffin

off to seek his final peace
an earthly occupation ended
he’ll suffer worldly hate no more
down the aisle his coffin wended

the family closely followed
a mother haltingly sobbing
faithful marines came forth
to steady her wobbling

there is no sudden waking
from this terrible dream
the pungent incense rose
to the chapels sacred beams

the stained glass murals depict
the passion of Jesus’s story
illuming a consuming sorrow
in all its grace filled glory

the ***** of death slinks on again
we search for consolation
the recompense of honor blest
leaves a hollow heart wanting
no answers offered to quell the dark
of these terrible life’s moments
only the desperate need to hold onto
beleaguered treasure that sustains us

for we are always faithful
to the things we know
always faithful to the
things we refuse to let go

12.

the color guard and funeral detail
assembled in front of St. Luke’s
the cemetery right next door
the procession a short troop

the living will stumble through
the darkness of separation
seeking elusive answers
of poignant uncertainty;
all gave some, Joey gave all
nothing more required for his
journey through eternity

Joey will always be with us
his stories forever retold
as long as the machinery of
great nations engage
the gears of wasteful war

Joey’s spirit lives
in a peoples desire
for freedom, only if
our hope of peace
is greater than the
need for conflict

Joey’s lifes work
is sure to bear fruit
if those remaining
fight the good fight
by taking up the
task to protect and
expand the values
of liberty we
hold most dear

like our good
friend Jesus
Joey wears a crown
bejeweled with
a ring of thorns
hoisted on a
terrible cross
the sweet
incense of you
meets our nose
we inhale your
earthly presence
beholding beautifully
adorned crucifix,
a reminder of
unjust persecution
and a perfect
resurrection
yet this wretched
coffin remains

pledging allegiance
we rationalize our
stories, articulating
our small parts
in  heroic sagas,
reciting myths of
ourselves, recording
the grim history of
a young marine
surrounded by
a smart color guard,
feasting on todays
eucharist, this
days sweet taste
of  the daily bread
of human sorrow

The priest finishes
his graveside
commendation
of Joey D

Taps conclude
a wind rises
crows take flight
winging over
a stand of budding
Sugar Maples
exploding in white
blooms, reveling
in the glorious
sunshine of this
magnificent day

St. Luke’s stairway to
God Country and Home
smiling portrait of you
forever young

we surround your grave
to bless the earth
you've returned home
to your place of birth

our flowing pride
and salty tears bless
the anointed ground
that you loved best

a proud Jersey son
whom Thou hast blest
laid in St. Luke’s ground
for his heavenly rest

for he was always faithful
to the blessed land
forever at peace
in the soils sure hands

Charles Ives
The Unanswered Question

Oakland
11/10/13
jbm
Dark n Beautiful Apr 2018
This ***** ******:

They say that beauty is in the eyes of the
Beholder, so does this ***** have eyes?
the power of evil and bad,

Today we see what it can do
Many a nation have gone to war,
Because of this ugly beauty,
many family units has been tread apart
Because of its evil doings,

The seven hundred wives of
King Solomon and his three
Hundred concubines was
a great example of what
the ugly beauty can do:

Infidelity is on the rise,
so many lies: so many shortcoming,
Lucy ****** is an embarrassing subject
why men lie and killed for it?

this remarkable commodity: with
****** is like a Van Gogh painting,
It gets lot of attention: the baseline dimensions
is still a mystery: A weapon so powerful

It can break a man down to his lowest
It has a language of its own.
silly words like sup, sup, sup.
the same sound effects of a cold beer going down
the gullets: the smoother, the  esophagus: pleasers

The ****** and a beer have so much in common
they both get their men all the time,
a smooth transportation, in addition, the lamentation,

****** you are surely blissful:
Men incredible dreams
who wouldn’t want to own the team?
No matter how destructive or fulfilling:

* Ô, the wine of a woman from heaven is sent,
more perfect than all that a man can invent.”
― Roman Payne
* Quote
Camille Marie Jun 2014
The Heart is Selfless.
Literally.

When the human body gets hurt,
And life seems to be bleeding out,
It knows.

It pumps out more blood,
Stops itself from taking any of it.
Just to keep our brain, lungs, and kidneys working.

It doesn't think really think of itself,
It thinks of the needs of others.
Shouldn't love be like that too?
Realization when I was studying the cardiovascular system.
Meg B Aug 2014
Collection of characteristics
that the outside world
deems desirable:
empathy,
gentleness,
sensitivity,
the ability to love
deeply, madly.

Yet,
from where I stand,
the view is bleak,
for having a heart that
is big
means that it is
a hundred times more likely
to be punctured.

I wonder
how many times
my soul can
take these blows
before it withers
into
nothingness.

My body aches
of a perceived emptiness
that is
grossly
full of
an echoing,
resounding compilation
of disappointment,
anger,
and despair;
and though I am sad
in the free flowing of
my own bitter words,
I breathe in a jagged breath,
heave a large sigh,
and succumb to my
self-induced
anesthesia
as my big heart
is transplanted
with some smaller,
colder *****
that is not
riddled
with
pain
and
dismay.

I want to be
small,
simple,
average,
for there is nothing
to be desired
in anguish,
and I now
find myself
writhing in
envy of
those who possess
the gift
of
apathy.
1
I celebrate myself, and sing myself,
And what I assume you shall assume,
For every atom belonging to me as good belongs to you.

I loafe and invite my soul,
I lean and loafe at my ease observing a spear of summer grass.

My tongue, every atom of my blood, form’d from this soil, this air,
Born here of parents born here from parents the same, and their
parents the same,
I, now thirty-seven years old in perfect health begin,
Hoping to cease not till death.

Creeds and schools in abeyance,
Retiring back a while sufficed at what they are, but never forgotten,
I harbor for good or bad, I permit to speak at every hazard,
Nature without check with original energy.

2
Houses and rooms are full of perfumes, the shelves are crowded with
perfumes,
I breathe the fragrance myself and know it and like it,
The distillation would intoxicate me also, but I shall not let it.

The atmosphere is not a perfume, it has no taste of the
distillation, it is odorless,
It is for my mouth forever, I am in love with it,
I will go to the bank by the wood and become undisguised and naked,
I am mad for it to be in contact with me.

The smoke of my own breath,
Echoes, ripples, buzz’d whispers, love-root, silk-thread, crotch and
vine,
My respiration and inspiration, the beating of my heart, the passing
of blood and air through my lungs,
The sniff of green leaves and dry leaves, and of the shore and
dark-color’d sea-rocks, and of hay in the barn,

The sound of the belch’d words of my voice loos’d to the eddies of
the wind,
A few light kisses, a few embraces, a reaching around of arms,
The play of shine and shade on the trees as the supple boughs wag,
The delight alone or in the rush of the streets, or along the fields
and hill-sides,
The feeling of health, the full-noon trill, the song of me rising
from bed and meeting the sun.

Have you reckon’d a thousand acres much? have you reckon’d the
earth much?
Have you practis’d so long to learn to read?
Have you felt so proud to get at the meaning of poems?

Stop this day and night with me and you shall possess the origin of
all poems,
You shall possess the good of the earth and sun, (there are millions
of suns left,)
You shall no longer take things at second or third hand, nor look
through the eyes of the dead, nor feed on the spectres in
books,
You shall not look through my eyes either, nor take things from me,
You shall listen to all sides and filter them from your self.

3
I have heard what the talkers were talking, the talk of the
beginning and the end,
But I do not talk of the beginning or the end.

There was never any more inception than there is now,
Nor any more youth or age than there is now,
And will never be any more perfection than there is now,
Nor any more heaven or hell than there is now.

Urge and urge and urge,
Always the procreant urge of the world.

Out of the dimness opposite equals advance, always substance and
increase, always ***,
Always a knit of identity, always distinction, always a breed of
life.
To elaborate is no avail, learn’d and unlearn’d feel that it is so.

Sure as the most certain sure, plumb in the uprights, well
entretied, braced in the beams,
Stout as a horse, affectionate, haughty, electrical,
I and this mystery here we stand.

Clear and sweet is my soul, and clear and sweet is all that is not
my soul.

Lack one lacks both, and the unseen is proved by the seen,
Till that becomes unseen and receives proof in its turn.

Showing the best and dividing it from the worst age vexes age,
Knowing the perfect fitness and equanimity of things, while they
discuss I am silent, and go bathe and admire myself.

Welcome is every ***** and attribute of me, and of any man hearty
and clean,
Not an inch nor a particle of an inch is vile, and none shall be
less familiar than the rest.

I am satisfied - I see, dance, laugh, sing;
As the hugging and loving bed-fellow sleeps at my side through the
night, and withdraws at the peep of the day with stealthy
tread,
Leaving me baskets cover’d with white towels swelling the house with
their plenty,
Shall I postpone my acceptation and realization and scream at my
eyes,
That they turn from gazing after and down the road,
And forthwith cipher and show me to a cent,
Exactly the value of one and exactly the value of two, and which is
ahead?

4
Trippers and askers surround me,
People I meet, the effect upon me of my early life or the ward and
city I live in, or the nation,
The latest dates, discoveries, inventions, societies, authors old
and new,
My dinner, dress, associates, looks, compliments, dues,
The real or fancied indifference of some man or woman I love,
The sickness of one of my folks or of myself, or ill-doing or loss
or lack of money, or depressions or exaltations,
Battles, the horrors of fratricidal war, the fever of doubtful news,
the fitful events;
These come to me days and nights and go from me again,
But they are not the Me myself.

Apart from the pulling and hauling stands what I am,
Stands amused, complacent, compassionating, idle, unitary,
Looks down, is *****, or bends an arm on an impalpable certain rest,
Looking with side-curved head curious what will come next,
Both in and out of the game and watching and wondering at it.

Backward I see in my own days where I sweated through fog with
linguists and contenders,
I have no mockings or arguments, I witness and wait.

5
I believe in you my soul, the other I am must not abase itself to
you,
And you must not be abased to the other.

Loafe with me on the grass, loose the stop from your throat,
Not words, not music or rhyme I want, not custom or lecture, not
even the best,
Only the lull I like, the hum of your valved voice.

I mind how once we lay such a transparent summer morning,
How you settled your head athwart my hips and gently turn’d over
upon me,
And parted the shirt from my *****-bone, and plunged your tongue
to my bare-stript heart,
And reach’d till you felt my beard, and reach’d till you held my
feet.

Swiftly arose and spread around me the peace and knowledge that pass
all the argument of the earth,
And I know that the hand of God is the promise of my own,
And I know that the spirit of God is the brother of my own,
And that all the men ever born are also my brothers, and the women
my sisters and lovers,
And that a kelson of the creation is love,
And limitless are leaves stiff or drooping in the fields,
And brown ants in the little wells beneath them,
And mossy scabs of the worm fence, heap’d stones, elder, mullein and
poke-****.

6
A child said What is the grass? fetching it to me with full hands;
How could I answer the child? I do not know what it is any more
than he.

I guess it must be the flag of my disposition, out of hopeful green
stuff woven.

Or I guess it is the handkerchief of the Lord,
A scented gift and remembrancer designedly dropt,
Bearing the owner’s name someway in the corners, that we may see
and remark, and say Whose?

Or I guess the grass is itself a child, the produced babe of the
vegetation.

Or I guess it is a uniform hieroglyphic,
And it means, Sprouting alike in broad zones and narrow zones,
Growing among black folks as among white,
Kanuck, Tuckahoe, Congressman, Cuff, I give them the same, I
receive them the same.

And now it seems to me the beautiful uncut hair of graves.

Tenderly will I use you curling grass,
It may be you transpire from the ******* of young men,
It may be if I had known them I would have loved them,
It may be you are from old people, or from offspring taken soon out
of their mothers’ laps,
And here you are the mothers’ laps.

This grass is very dark to be from the white heads of old mothers,
Darker than the colorless beards of old men,
Dark to come from under the faint red roofs of mouths.

O I perceive after all so many uttering tongues,
And I perceive they do not come from the roofs of mouths for
nothing.

I wish I could translate the hints about the dead young men and
women,
And the hints about old men and mothers, and the offspring taken
soon out of their laps.

What do you think has become of the young and old men?
And what do you think has become of the women and children?

They are alive and well somewhere,
The smallest sprout shows there is really no death,
And if ever there was it led forward life, and does not wait at the
end to arrest it,
And ceas’d the moment life appear’d.

All goes onward and outward, nothing collapses,
And to die is different from what any one supposed, and luckier.

7
Has any one supposed it lucky to be born?
I hasten to inform him or her it is just as lucky to die, and I know
it.

I pass death with the dying and birth with the new-wash’d babe, and
am not contain’d between my hat and boots,
And peruse manifold objects, no two alike and every one good,
The earth good and the stars good, and their adjuncts all good.

I am not an earth nor an adjunct of an earth,
I am the mate and companion of people, all just as immortal and
fathomless as myself,
(They do not know how immortal, but I know.)

Every kind for itself and its own, for me mine male and female,
For me those that have been boys and that love women,
For me the man that is proud and feels how it stings to be slighted,
For me the sweet-heart and the old maid, for me mothers and the
mothers of mothers,
For me lips that have smiled, eyes that have shed tears,
For me children and the begetters of children.

Undrape! you are not guilty to me, nor stale nor discarded,
I see through the broadcloth and gingham whether or no,
And am around, tenacious, acquisitive, tireless, and cannot be
shaken away.

8
The little one sleeps in its cradle,
I lift the gauze and look a long time, and silently brush away flies
with my hand.

The youngster and the red-faced girl turn aside up the bushy hill,
I peeringly view them from the top.

The suicide sprawls on the ****** floor of the bedroom,
I witness the corpse with its dabbled hair, I note where the pistol
has fallen.

The blab of the pave, tires of carts, sluff of boot-soles, talk of
the promenaders,
The heavy omnibus, the driver with his interrogating thumb, the
clank of the shod horses on the granite floor,
The snow-sleighs, clinking, shouted jokes, pelts of snow-*****,
The hurrahs for popular favorites, the fury of rous’d mobs,
The flap of the curtain’d litter, a sick man inside borne to the
hospital,
The meeting of enemies, the sudden oath, the blows and fall,
The excited crowd, the policeman with his star quickly working his
passage to the centre of the crowd,
The impassive stones that receive and return so many echoes,
What groans of over-fed or half-starv’d who fall sunstruck or in
fits,
What exclamations of women taken suddenly who hurry home and
give birth to babes,
What living and buried speech is always vibrating here, what howls
restrain’d by decorum,
Arrests of criminals, slights, adulterous offers made, acceptances,
rejections with convex lips,
I mind them or the show or resonance of them-I come and I depart.

9
The big doors of the country barn stand open and ready,
The dried grass of the harvest-time loads the slow-drawn wagon,
The clear light plays on the brown gray and green intertinged,
The armfuls are pack’d to the sagging mow.

I am there, I help, I came stretch’d atop of the load,
I felt its soft jolts, one leg reclined on the other,
I jump from the cross-beams and seize the clover and timothy,
And roll head over heels and tangle my hair full of wisps.

10
Alone far in the wilds and mountains I hunt,
Wandering amazed at my own lightness and glee,
In the late afternoon choosing a safe spot to pass the night,
Kindling a fire and broiling the fresh-****’d game,
Falling asleep on the gather’d leaves with my dog and gun by my
side.

The Yankee clipper is under her sky-sails, she cuts the sparkle
and scud,
My eyes settle the land, I bend at her prow or shout joyously from
the deck.

The boatmen and clam-diggers arose early and stopt for me,
I tuck’d my trowser-ends in my boots and went and had a good time;
You should have been with us that day round the chowder-kettle.

I saw the marriage of the trapper in the open air in the far west,
the bride was a red girl,
Her father and his friends sat near cross-legged and dumbly smoking,
they had moccasins to their feet and large thick blankets
hanging from their shoulders,
On a bank lounged the trapper, he was drest mostly in skins, his
luxuriant beard and curls protected his neck, he held his bride
by the hand,
She had long eyelashes, her head was bare, her coarse straight locks
descended upon her voluptuous limbs and reach’d to her
feet.

The runaway slave came to my house and stopt outside,
I heard his motions crackling the twigs of the woodpile,
Through the swung half-door of the kitchen I saw him limpsy and
weak,
And went where he sat on a log and led him in and assured him,
And brought water and fill’d a tub for his sweated body and bruis’d
feet,
And gave him a room that enter’d from my own, and gave him some
coarse clean clothes,
And remember perfectly well his revolving eyes and his awkwardness,
And remember putting piasters on the galls of his neck and ankles;
He staid with me a week before he was recuperated and pass’d north,
I had him sit next me at table, my fire-lock lean’d in the corner.

11
Twenty-eight young men bathe by the shore,
Twenty-eight young men and all so friendly;
Twenty-eight years of womanly life and all so lonesome.

She owns the fine house by the rise of the bank,
She hides handsome and richly drest aft the blinds of the window.

Which of the young men does she like the best?
Ah the homeliest of them is beautiful to her.

Where are you off to, lady? for I see you,
You splash in the water there, yet stay stock still in your room.

Dancing and laughing along the beach came the twenty-ninth
bather,
The rest did not see her, but she saw them and loved them.

The beards of the young men glisten’d with wet, it ran from their
long hair,
Little streams pass’d all over their bodies.

An unseen hand also pass’d over their bodies,
It descended tremblingly from their temples and ribs.

The young men float on their backs, their white bellies bulge to the
sun, they do not ask who seizes fast to them,
They do not know who puffs and declines with pendant and bending
arch,
They do not think whom they ***** with spray.

12
The butcher-boy puts off his killing-clothes, or sharpens his knife
at the stall in the market,
I loiter enjoying his repartee and his shuffle and break-down.

Blacksmiths with grimed and hairy chests environ the anvil,
Each has his main-sledge, they are all out, there is a great heat in
the fire.

From the cinder-strew’d threshold I follow their movements,
The lithe sheer of their waists plays even with their massive arms,
Overhand the hammers swing, overhand so slow, overhand so sure,
They do not hasten, each man hits in his place.

13
The ***** holds firmly the reins of his four horses, the block swags
underneath on its tied-over chain,
The ***** that drives the long dray of the stone-yard, steady and
tall he stands pois’d on one leg on the string-piece,
His blue shirt exposes his ample neck and breast and loosens over
his hip-band,
His glance is calm and commanding, he tosses the slouch of his hat
away from his forehead,
The sun falls on his crispy hair and mustache, falls on the black of
his polish’d and perfect limbs.

I behold the picturesque giant and love him, and I do not stop
there,
I go with the team also.

In me the caresser of life wherever moving, backward as well as
forward sluing,
To niches aside and junior bending, not a person or object missing,
Absorbing all to myself and for this song.

Oxen that rattle the yoke and chain or halt in the leafy shade, what
is that you express in your eyes?
It seems to me more than all the print I have read in my life.

My tread scares the wood-drake and wood-duck on my distant and
day-long ramble,
They rise together, they slowly circle around.

I believe in those wing’d purposes,
And acknowledge red, yellow, white, playing within me,
And consider green and violet and the tufted crown i
Leanna Gray Oct 2012
Battles of emotion left their scars
Such a fragile, exposed victim
Awaiting a savior to protect from afar.

Through the unmarked path we travel
Alone and afraid of what awaits ahead
Every stitch of time begins to unravel

Unable to see in the dark that has enveloped us
Blind to every passing soul
Trapped by a  veil of resentment in which we are dressed

As the boiling metal starts to encompass my heart
Burning and painful, blocking out every sensation
Hardening around this *****, ripping it apart

Solid and Strong, no longer weak
A wall of metal shields me from the anguish of love
Unable to be vulnerable and meek

Let it stay as the armor of my most valuable *****
Remove every sense of love for another
The only solution, let it stay frozen.
Nigel Morgan Nov 2012
She said, ‘You are funny, the way you set yourself up the moment we arrive. You look into every room to see if it’s suitable as a place to work. Is there a table? Where are the plugs? Is there a good chair at the right height? If there isn’t, are there cushions to make it so? You are funny.’
 
He countered this, but his excuse didn’t sound very convincing. He knew exactly what she meant, but it hurt him a little that she should think it ‘funny’. There’s nothing funny about trying to compose music, he thought. It’s not ‘radio in the head’ you know – this was a favourite expression he’d once heard an American composer use. You don’t just turn a switch and the music’s playing, waiting for you to write it down. You have to find it – though he believed it was usually there, somewhere, waiting to be found. But it’s elusive. You have to work hard to detect what might be there, there in the silence of your imagination.
 
Later over their first meal in this large cottage she said, ‘How do you stop hearing all those settings of the Mass that you must have heard or sung since childhood?’ She’d been rehearsing Verdi’s Requiem recently and was full of snippets of this stirring piece. He was a) writing a Mass to celebrate a cathedral’s reordering after a year as a building site, and b) he’d been a boy chorister and the form and order of the Mass was deeply engrained in his aural memory. He only had to hear the plainsong introduction Gloria in Excelsis Deo to be back in the Queen’s chapel singing Palestrina, or Byrd or Poulenc.
 
His ‘found’ corner was in the living room. The table wasn’t a table but a long cabinet she’d kindly covered with a tablecloth. You couldn’t get your feet under the thing, but with his little portable drawing board there was space to sit properly because the board jutted out beyond the cabinet’s top. It was the right length and its depth was OK, enough space for the board and, next to it, his laptop computer. On the floor beside his chair he placed a few of his reference scores and a box of necessary ‘bits’.
 
The room had two large sofas, an equally large television, some unexplainable and instantly dismissible items of decoration, a standard lamp, and a wood burning stove. The stove was wonderful, and on their second evening in the cottage, when clear skies and a stiff breeze promised a cold night, she’d lit it and, as the evening progressed, they basked in its warmth, she filling envelopes with her cards, he struggling with sleep over a book.
 
Despite and because this was a new, though temporary, location he had got up at 5.0am. This is a usual time for composers who need their daily fix of absolute quiet. And here, in this cottage set amidst autumn fields, within sight of a river estuary, under vast, panoramic uninterrupted skies, there was the distinct possibility of silence – all day. The double-glazing made doubly sure of that.
 
He had sat with a mug of tea at 5.10 and contemplated the silence, or rather what infiltrated the stillness of the cottage as sound. In the kitchen the clock ticked, the refrigerator seemed to need a period of machine noise once its door had been opened. At 6.0am the central heating fired up for a while. Outside, the small fruit trees in the garden moved vigorously in the wind, but he couldn’t hear either the wind or a rustle of leaves.  A car droned past on the nearby road. The clear sky began to lighten promising a fine day. This would certainly do for silence.
 
His thoughts returned to her question of the previous evening, and his answer. He was about to face up to his explanation. ‘I empty myself of all musical sound’, he’d said, ‘I imagine an empty space into which I might bring a single note, a long held drone of a note, a ‘d’ above middle ‘c’ on a chamber ***** (seeing it’s a Mass I’m writing).  Harrison Birtwistle always starts on an ‘e’. A ‘d’ to me seems older and kinder. An ‘e’ is too modern and progressive, slightly brash and noisy.’
 
He can see she is quizzical with this anecdotal stuff. Is he having me on? But no, he is not having her on. Such choices are important. Without them progress would be difficult when the thinking and planning has to stop and the composing has to begin. His notebook, sitting on his drawing board with some first sketches, plays testament to that. In this book glimpses of music appear in rhythmic abstracts, though rarely any pitches, and there are pages of written description. He likes to imagine what a new work is, and what it is not. This he writes down. Composer Paul Hindemith reckoned you had first to address the ‘conditions of performance’. That meant thinking about the performers, the location, above all the context. A Mass can be, for a composer, so many things. There were certainly requirements and constraints. The commission had to fulfil a number of criteria, some imposed by circumstance, some self-imposed by desire. All this goes into the melting ***, or rather the notebook. And after the notebook, he takes a large piece of A3 paper and clarifies this thinking and planning onto (if possible) a single sheet.
 
And so, to the task in hand. His objective, he had decided, is to focus on the whole rather than the particular. Don’t think about the Kyrie on its own, but consider how it lies with the Gloria. And so with the Sanctus & Benedictus. How do they connect to the Agnus Dei. He begins on the A3 sheet of plain paper ‘making a map of connections’. Kyrie to Gloria, Gloria to Credo and so on. Then what about Agnus Dei and the Gloria? Is there going to be any commonality – in rhythm, pace and tempo (we’ll leave melody and harmony for now)? Steady, he finds himself saying, aren’t we going back over old ground? His notebook has pages of attempts at rhythmizing the text. There are just so many ways to do this. Each rhythmic solution begets a different slant of meaning.
 
This is to be a congregational Mass, but one that has a role for a 4-part choir and ***** and a ‘jazz instrument’. Impatient to see notes on paper, he composes a new introduction to a Kyrie as a rhythmic sketch, then, experimentally, adds pitches. He scores it fully, just 10 bars or so, but it is barely finished before his critical inner voice says, ‘What’s this for? Do you all need this? This is showing off.’ So the filled-out sketch drops to the floor and he examines this element of ‘beginning’ the incipit.
 
He remembers how a meditation on that word inhabits the opening chapter of George Steiner’s great book Grammars of Creation. He sees in his mind’s eye the complex, colourful and ornate letter that begins the Lindesfarne Gospels. His beginnings for each movement, he decides, might be two chords, one overlaying the other: two ‘simple’ diatonic chords when sounded separately, but complex and with a measure of mystery when played together. The Mass is often described as a mystery. It is that ritual of a meal undertaken by a community of people who in the breaking of bread and wine wish to bring God’s presence amongst them. So it is a mystery. And so, he tells himself, his music will aim to hold something of mystery. It should not be a comment on that mystery, but be a mystery itself. It should not be homely and comfortable; it should be as minimal and sparing of musical commentary as possible.
 
When, as a teenager, he first began to set words to music he quickly experienced the need (it seemed) to fashion accompaniments that were commentaries on the text the voice was singing. These accompaniments did not underpin the words so much as add a commentary upon them. What lay beneath the words was his reaction, indeed imaginative extension of the words. He eschewed then both melisma and repetition. He sought an extreme independence between word and music, even though the word became the scenario of the music. Any musical setting was derived from the composition of the vocal line.  It was all about finding the ‘key’ to a song, what unlocked the door to the room of life it occupied. The music was the room where the poem’s utterance lived.
 
With a Mass you were in trouble for the outset. There was a poetry of sorts, but poetry that, in the countless versions of the vernacular, had lost (perhaps had never had) the resonance of the Latin. He thought suddenly of the supposed words of William Byrd, ‘He who sings prays twice’. Yes, such commonplace words are intercessional, but when sung become more than they are. But he knew he had to be careful here.
 
Why do we sing the words of the Mass he asks himself? Do we need to sing these words of the Mass? Are they the words that Christ spoke as he broke bread and poured wine to his friends and disciples at his last supper? The answer is no. Certainly these words of the Mass we usually sing surround the most intimate words of that final meal, words only the priest in Christ’s name may articulate.
 
Write out the words of the Mass that represent its collective worship and what do you have? Rather non-descript poetry? A kind of formula for collective incantation during worship? Can we read these words and not hear a surrounding music? He thinks for a moment of being asked to put new music to words of The Beatles. All you need is love. Yesterday all my troubles seemed so far away. Oh bla dee oh bla da life goes on. Now, now this is silliness, his Critical Voice complains. And yet it’s not. When you compose a popular song the gap between some words scribbled on the back of an envelope and the hook of chords and melody developed in an accidental moment (that becomes a way of clothing such words) is often minimal. Apart, words and music seem like orphans in a storm. Together they are home and dry.
 
He realises, and not for the first time, that he is seeking a total musical solution to the whole of the setting of those words collectively given voice to by those participating in the Mass.
 
And so: to the task in hand. His objective: to focus on the whole rather than the particular.  Where had he heard that thought before? - when he had sat down at his drawing board an hour and half previously. He’d gone in a circle of thought, and with his sketch on the floor at his feet, nothing to show for all that effort.
 
Meanwhile the sun had risen. He could hear her moving about in the bathroom. He went to the kitchen and laid out what they would need to breakfast together. As he poured milk into a jug, primed the toaster, filled the kettle, the business of what might constitute a whole solution to this setting of the Mass followed him around the kitchen and breakfast room like a demanding child. He knew all about demanding children. How often had he come home from his studio to prepare breakfast and see small people to school? - more often than he cared to remember. And when he remembered he became sad that it was no more.  His children had so often provided a welcome buffer from sessions of intense thought and activity. He loved the walk to school, the first quarter of a mile through the park, a long avenue of chestnut trees. It was always the end of April and pink and white blossoms were appearing, or it was September and there were conkers everywhere. It was under these trees his daughter would skip and even his sons would hold hands with him; he would feel their warmth, their livingness.
 
But now, preparing breakfast, his Critical Voice was that demanding child and he realised when she appeared in the kitchen he spoke to her with a voice of an artist in conversation with his critics, not the voice of the man who had the previous night lost himself to joy in her dear embrace. And he was ashamed it was so.
 
How he loved her gentle manner as she negotiated his ‘coming too’ after those two hours of concentration and inner dialogue. Gradually, by the second cup of coffee he felt a right person, and the hours ahead did not seem too impossible.
 
When she’d gone off to her work, silence reasserted itself. He played his viola for half an hour, just scales and exercises and a few folk songs he was learning by heart. This gathering habit was, he would say if asked, to reassert his musicianship, the link between his body and making sound musically. That the viola seemed to resonate throughout his whole body gave him pleasure. He liked the ****** movement required to produce a flowing sequence of bow strokes. The trick at the end of this daily practice was to put the instrument in its case and move immediately to his desk. No pause to check email – that blight on a morning’s work. No pause to look at today’s list. Back to the work in hand: the Mass.
 
But instead his mind and intention seemed to slip sideways and almost unconsciously he found himself sketching (on the few remaining staves of a vocal experiment) what appeared to be a piano piece. The rhythmic flow of it seemed to dance across the page to be halted only when the few empty staves were filled. He knew this was one of those pieces that addressed the pianist, not the listener. He sat back in his chair and imagined a scenario of a pianist opening this music and after a few minutes’ reflection and reading through allowing her hands to move very slowly and silently a few millimetres over the keys.  Such imagining led him to hear possible harmonic simultaneities, dynamics and articulations, though he knew such things would probably be lost or reinvented on a second imagined ‘performance’. No matter. Now his make-believe pianist sounded the first bar out. It had a depth and a richness that surprised him – it was a fine piano. He was touched by its affect. He felt the possibilities of extending what he’d written. So he did. And for the next half an hour lived in the pastures of good continuation, those rich luxuriant meadows reached by a rickerty rackerty bridge and guarded by a troll who today was nowhere to be seen.
 
It was a curious piece. It came to a halt on an enigmatic, go-nowhere / go-anywhere chord after what seemed a short declamatory coda (he later added the marking deliberamente). Then, after a few minutes reflection he wrote a rising arpeggio, a broken chord in which the consonant elements gradually acquired a rising sequence of dissonance pitches until halted by a repetition. As he wrote this ending he realised that the repeated note, an ‘a’ flat, was a kind of fulcrum around which the whole of the music moved. It held an enigmatic presence in the harmony, being sometimes a g# sometimes an ‘a’ flat, and its function often different. It made the music take on a wistful quality.
 
At that point he thought of her little artists’ book series she had titled Tide Marks. Many of these were made of a concertina of folded pages revealing - as your eyes moved through its pages - something akin to the tide’s longitudinal mark. This centred on the page and spread away both upwards and downwards, just like those mirror images of coloured glass seen in a child’s kaleidoscope. No moment of view was ever quite the same, but there were commonalities born of the conditions of a certain day and time.  His ‘Tide Mark’ was just like that. He’d followed a mark made in his imagination from one point to another point a little distant. The musical working out also had a reflection mechanism: what started in one hand became mirrored in the other. He had unexpectedly supplied an ending, this arpegiated gesture of finality that wasn’t properly final but faded away. When he thought further about the role of the ending, he added a few more notes to the arpeggio, but notes that were not be sounded but ghosted, the player miming a press of the keys.
 
He looked at the clock. Nearly five o’clock. The afternoon had all but disappeared. Time had retreated into glorious silence . There had been three whole hours of it. How wonderful that was after months of battling with the incessant and draining turbulence of sound that was ever present in his city life. To be here in this quiet cottage he could now get thoroughly lost – in silence. Even when she was here he could be a few rooms apart, and find silence.
 
A week more of this, a fortnight even . . . but he knew he might only manage a few days before visitors arrived and his long day would be squeezed into the early morning hours and occasional uncertain periods when people were out and about.
 
When she returned, very soon now, she would make tea and cut cake, and they’d sit (like old people they wer
CK Baker Mar 2017
lady craighead played the blues
on a stand-up samick
in the ***** room
along side the parsons project
and squabbling dogs
and night moves

stairs creek
up the mezzanine trek
wool sheets slide
on finished floors
little angels
play late into the seventh
(a closing match nearing
the midnight hour)

croaking toads and cicada
sing in the blue moon
musty smells and mothballs
settle deep in the vault
the kettle boils
and cat coils
as the pump house rolls
its heavy drawl

the red phone rings
and bird clock sings
(behind the ruddy stall)
a sleeman variation of the ruy lopez
employed heartily
by the incomparable master jack
marble toast burning
wringer wash churning
chris craft running
near the old carp canoe

rooster calls
and west wind squalls
rustle through the porch screen door
chicken *** pies
and rogue flies linger
a rocker chair placed
near the  sepia face
(softened by the intricate frame)

donkey in tow
(with a fastened ***)
maggie in her dreams
of green tambourines
the nocturnes
reflections
and whispering gospel bells

tractors pull on
the grinder stone
horses lay still
in the mid-day sun
a trump card is fingered
at the furnace click
(crosswords and puzzles are next!)
while the sparrow
and that **** rabid fox
are drowning
deep in castles well
Onoma Jan 2012
Zeus, your predilection for banishing Titans to Hades...
anathema of them--revolt was theirs of you...Titanomachy.
Enter Prometheus, second generational Titan, brother
to Atlas--Prometheus of whom Titan revolt at first ran
no fire through his veins.
Thus, Zeus was well pleased and employed Prometheus
to put earth to water, water to earth...as to yield man.
As so man was, and was unto Prometheus...a fondness
entered him of them.
And in of passion Prometheus' veins were run through
with fire...fire fought fire--thus Prometheus reached out
taking hold Zeus' lightning.
Hid in a hollowed fennel stalk, to be bequeathed unto man.
Torrents of fire now ran Prometheus' veins, and in a fit of
infamous mockery presented Zeus with two packets of
slaughtered animal parts.
A hubris was born in Prometheus that being so halved
God-man gave itself fully to that polarity...he gawked at
Zeus and bade him choose between the two packets.
One of ox meat and innards coated in stomach lining, the
other of ox-bones coated in its own abundant fat.
Thus Zeus chose, the wretched lesser of the two...
inconsumable ox-bones coated by fat.
A charged and terrible air cut and heavied all direction,
pointing assuredly that Zeus was one given over to the
surface of things, a psychological casualty of his own
vanity.
Zeus overcome with Prometheus' disaffection for the God
of him struck at Prometheus' family.
At length, this assault could not, would not put asunder
Prometheus from the ground he stood.
A certain Haphaestus was summoned by Zeus...whose
directive was writ in torment.
Chain Prometheus to Mount Caucasus...where from on
high a sackcloth cloud shall shake loose an eagle, whose
homing hunger shall have only a taste for Prometheus' liver.
Day in, and day out, that accursed ***** shall be the
bounty of itself!
Donall Dempsey Aug 2018
MONKEY IN A RED FEZ DANCING TO ABBA

I watch the children play
on a sunny Sunday in Rotterdam

like a stereotypical alien
studying humans.

Their cries rise and fall
like seagulls as they swing

sea-sawing or blurring into one
on a brightly coloured turnstile.

A man looking
like a badly drawn cartoon

turns the handle slowly  of
a broken down barrel *****.

A monkey in a red fez
dances on the end of a chain.

The barrel ***** spews out
everything from Abba to Franz Lehar.


The decrepit old man
and even more decrepit monkey

appear as if they have
stepped out of another century.

I am far from home.
The day is dying.

I read from my battered book
Hamsun's HUNGER.

It's lurid cover torn
half hanging on/off.

The park deserted now
as night steals its colours.

The last words of
of this the final chapter

are lost to me
swallowed by the dark.

The barrel ***** peersists
the soundtrack to some forgotten film

The monkey red fez
fallen at its feet.

The monkey blissfully
asleep.

The music caught
entangled in branches and  leaves.

I watch the yellow lights
blossom one by one

a silhouette of houses
like a stage set.


Houses like cut-out silhouettes
a stage set.

The last lines revealed
under a passing  lamp

"...where the windows shone so
brightly in every home..."

I laugh at such
a coincidence.

Leave the book on the bench
for some other me

to discover
when the sun comes up.

And return
to my space ship.
Look at that naughty monkey
with that tin cup in his hand
he shakes it with small change inside
for his master the ***** grinder by his side

He gibbers and on a cigar he smokes
ladies legs as they pass he does stroke
he bites if you don't put something in his tin
for he knows with no food he will get thin

His red waistcoat and fez
well, they have seen better days
yet he is loyal to his master
as his buddy grinds away

His mischief has no bounds
as he bangs his cup on the ground
he is a crowd pleaser
and a great money reviler
this monkey with his ***** grinder


By Christos Andreas Kourtis aka NeonSolaris

By NeonSolaris
© 2013 NeonSolaris (All rights reserved)
Inspiration May 2016
I will tell you a story
In all its glory
Explaining the
****** *****,
Creating much more than
The eye can see

Its a story about a vibrant flower
So beautiful it needs to be to attract the buzzing honey bees

The story goes some thing like this

So you can see the flowers multiply through the years
Make two
Four and many more

The bee
flys along and sees so many Beautiful flowers
Longing to devour
But which one
So many colours
Shapes
Sizes
Flowers cascading
Parading
So shameless

Stands still

Wow
Striking
Its a big bright pink one
Circular in shape
Bold
Beautiful
Its the one
Open, with so many soft small petals
Glistening with the rain drops
Shining in the sun
Sparkling with beauty from within
Makes the bee meander to thee

The bee needs to reproduce
Suduced

Stops and fills
Spreads the seeds
Allowed to please
Pollunates
Impregnates
Recreates

What you dont see is the story
Combined with the
True glory
Of the extra ordinary *****
The beauty
Of the buzzing bee
Combined
With the  gold assigned
Inside

So free
Flying
Trying
Frantically to find the
The hive

Taking nectar
Making honey, wax, all kind of f
Fascinating lines
Made from hexagon
They divide into the lines

They are full with precious delights

The story continues
The more you learn
The more you yearn
To see a honey bee

Together the bee and the ****** *****
make harmony
The vibrant flower allowed to duplicate
More beauty for all to see
For all to feel

The special honey bee procreate and makes
Wax
creating ambiance
Such a clever bee
A savont; such a worker
Magical tyrant

Buzzing madly yearning to create
the sweetest honey
A honey bee can make

Its like you to me
You're the combination
Make migrations in me
Spreading beauty from within
To others to proceed
And begin

I feel it with you;
Vibrant flower
Honey bee
Coming together
Creating so much sweet honey in me

It's a wonderful story to me
You see
The story of the flower and the honey bee
So my house mate thinks poetry is stupid...he said...let's see if u can do this...write a poem about a flower and a bee and pollination.
Not only that this but the words
****** *****
CASCADING
SAVONT
VIBRANT FLOWER (he mocks the first poem I wrote as an adult, that used this as a description of a naughty part

Listen to The story of the Flower and the Bee by jvalent1 #np on #SoundCloud
https://soundcloud.com/jvalent1/the-story-of-the-flower-and
Nigel Morgan Oct 2012
I can imagine her in Aarhus Kunstmuseum coming across this painting, adjusting her glasses, pursing her lips then breaking out into a big smile. The gallery is almost empty. It is early in the day for visitors, but she is a tourist so allowances are made. Her partner meanwhile is in the Sankt Markus Kirke playing the *****, a 3 manual tracker-action gem built in 1967 by Poul Gerhard Anderson. Sweelink then Bach (the trio sonatas written for his son Johann Christian) are on the menu this morning. In the afternoon she will take herself off to one of the sandy beaches a bus ride away and work on a poem or two. He has arranged to play the grand 83-voice Frobinus ***** in the Cathedral. And so, with a few variations, some illustrious fugues and medley of fine meals in interesting restaurants, their stay in Denmark’s second city will be predictably delightful.
       She is a poet ‘(and a philosopher’, she would say with a grin), a gardener, (old roses and a Jarman-blue shed), a musician, (a recorder player and singer), a mother (four girls and a holy example), but her forte is research. A topic will appear and relentlessly she’d pursue it through visits to favourite libraries in Cambridge and London. In this relentless pursuit she would invariably uncover a web of other topics. These would fill her ‘temporary’ bookcase, her notebooks and her conversation. Then, sometimes, a poem would appear, or not.
          The postcard from Aarhus Kunstmuseum had sat on her table for some weeks until one quiet morning she decided she must ‘research’ this Sosphus Claussen and his colleagues. The poem ‘Imperia’ intrigued her. She knew very little Danish literature. Who did for goodness sake! Hans Christian Anderson she dismissed, but Søren Kierkegaard she had read a little. When a student, her tutor had talked about this author’s use of the pseudonym, a very Socratic device, and one she too had played with as a poet. Claussen’s name was absent from any online lists (Were there really on 60 poets in Danish literature?). Roge appeared, and the painter Willumsen had a whole museum dedicated to his work; this went beyond his El Greco-like canvases into sculpture, graphics, architecture and photography. He looked an interesting character she thought as she browsed his archive. The one thing these three gentlemen held in common was an adherence to the symbolist aesthetic. They were symbolists.
         For her the symbolists were writers, playwrights, artists and composers who in the later years of the 19C wanted to capture absolute truth through indirect methods. They created work in a highly metaphorical and suggestive manner, endowing particular images or objects with symbolic meaning. Her studies in philosophy had brought her to Schopenhauer who considered Art to be ‘a contemplative refuge from the world of strife’. Wasn’t this what the symbolists were all about?
         Her former husband had introduced her to the world of Maurice Maeterlinck through Debussy’s Pelleas and those spare, intense, claustrophobic dramas like Le Malheure Passe. It was interesting how the discovery of the verse of the ancient Chinese had appeared at the time of the symbolist project, and so influenced it. Collections like The Jade Flute that, in speaking of the everyday and the natural world, held with such simplicity rich symbolic messages. Anyway, she didn’t do feelings in her poetry.
           When she phoned the composer who had fathered three of her children he said to her surprise ‘Delius’. He explained: C.F. Keary was the librettist for the two operas Delius composed. Keary wrote a novel called The Journalist (1898) based on Sosphus, a writer who wrote plays ‘heavily laced with symbolism’ and who had also studied art and painted in Paris. Keary knew Claussen, who he described as a poet, novelist, playwright, painter, journalist and eventually a newspaper owner. Claussen was a close friend of Verlaine and very much part of the Bohemian circle in Paris. Claussen and Delius’ circle intersected in the person of Herman Bang, a theatre director who produced Claussen’s Arbedjersken (The Factory Girl). Clauseen wrote an important poem on Bang’s demise, which Delius set to music.
          She was impressed. ‘How is it that you know so much about Delius?’, she asked. He was a modernist, on the experimental edge of contemporary music. ‘Ah’, he replied, ‘I once researched the background to Delius’ Requiem. I read the composer’s Collected Letters (he was a very serious letter writer – sometimes 10 a day), and got stuck into the letters of his Paris years when so many of his friends were Scandinavian émigrés. You once sent me a postcard of a painting by Wilhumsen. It was of Clauseen reading to two of his ‘symbolist’ colleagues. I think you’d picked it up in Denmark. You said, if I recall, that you’d found it ‘irresistible’’.
          And so it was, this painting. Irresistible. She decided that its irresistibility lay in the way the artist had caught the head and body positions of reader and listeners. The arrangement of legs, she thought, says so much about a man. Her husband had always sat with the care embedded in his training as a musician at an instrument. He could slouch like the rest of us, she thought, but when he sat properly, attentive to her words, or listening to their sweet children, he was beautiful. She still loved him, and remembered the many poems she had composed for him, poems he had never seen (she had instructed a daughter to ‘collect’ them for him on her passing). Now, it was he who wrote poetry, for another, for a significant other he had said was his Muse, his soul’s delight, his dearly beloved.
          The wicker chair Sophos Claussen is sitting in, she decided, she would like in her sitting room. It looked the perfect chair for giving a reading. She imagined reading one of her poems from such a chair . . .
 
If daydreams are wrecks of something divine
I’m amazed by the tediousness of mine.
I’m always the power behind throne.
I rescue princes to make my own.

 
‘And so it goes’, she thought, quoting that American author she could never remember. So it goes, this strange life, where it seems possible for the mind to enter an apartment in 19C København and call up the smell of brilliantined hair, cigar tobacco, and the samovar in the kitchen. This poem Imperia I shall probably never read, she thought, though there is some American poet on a Fulbright intent on translating Claussen’s work into English. In a flash of the mind’s miracle she travels to his tiny office in his Mid-West university, surrounded by the detritus of student tutorials. In blue jeans and cowboys boots Devon Whittall gazes out of his third storey window at the falling snow.
 
There is nothing in the world as quiet as snow,
when it gently descends through the air,
muffles your steps
hushes, gently hushes
the voices that speak too loud.
 
There is nothing in the world of a purity like snow's,
swan's down from the white wings of Heaven,
On your hand a flake
is like dew of tears,
White thoughts quietly tread in dance.
 
There is nothing in the world that can gentle like snow,
quietly you listen to the silent ringing.
Oh, so fine a sound,
peals of silver bells,
rings within your innermost heart.

 
And she imagines Helge Rode (his left arm still on his right shoulder) reading his poem Snow in the quiet of the winter afternoon at Ellehammersvej 20 Kastrup Copenhagen. ‘And so it goes,’ she thought, ‘this imagination, flowing on and on. When I am really old like my Grandmother (discharging herself from hospital at 103 because the food was so appalling) will my imagination continue to be as rich and capable as it is today?’
          Closing her notebook and shutting down her laptop, she removed her cat from its cushion on the table, and walked out into her garden, leaving three Danish Symbolists to their readings and deliberations.
Adriana Moraes Mar 2015
Onetime I let a boy inside my ribcage

I warned him upon entry that the path to the     space     between my lungs was a oneway ticket

that I had never smoked a cigarette,
but the walls inside me were tar-filled  

and sick

that sometimes my heart failed to beat with my brain and instead fell into
perfect
uneven
synchrony with the faucet

where I threw-up cherry red the other night.

Onetime I let a boy with a knife inside my ribcage

and I had seen the knife

and I didn't care

he climbed inside me so gently
like he belonged there and was just taking his place

like a missing *****
he made me his home
reassembled my insides

vital pieces of me now resting on his body,
depending on his body

one hand on my heart

the other on my throat.

Onetime I let a boy with a knife and a bottle of bourbon live inside my ribcage

he cleaned the tar off the walls
but didn't cure the sickness

I think he liked the smell of it.

One night he carved his name everywhere

spine
clavicle
esophagus

and I pretended to sleep

cut
nick
slash

he tried to claim me
he tried to clean me

but lost souls can't be claimed
and I'll never be clean enough

my heart follows faucets
not boys

and that scared the boy

so one night he poured the bourbon down the throat he held

and I didn't stop him

and I almost drowned

gulp, gulp, gulp
slash, slash, slash

cursive illegible sorry's
over every spot he had once cut his name into

and he kissed the wounds
and I woke up heavy.

Organs are worthless without their host but

Onetime I watched a boy tear his way out of my ribcage.

Knife and empty bottle in his place,
nothing's been working right in there since.

I haven't let anyone in there since.
almat011 Feb 2019
With each step, the heat of passion of love and excitement only intensifies. I burn with fire from the love of passion, he can fill the whole world. And the sky turned pink. The sky glitters with glitter. The air is filled with the fragrance of love and the world is more beautiful and you are becoming more and more divine in my eyes, I bow to your extraterrestrial beauty and belong to you alone, the goal of all my lives for all eternity. You are the one that I will always dream of and my heart will forever love and want you alone. The goddess appearing to me in ****** thoughts and depraved dreams of passion. Up close you are beautiful to tears - these are tears of sincere happiness and admiration.
You are more beautiful than the most beautiful. Merge together forever and ever with the spirit of yours, and your inner world, my lonely soul dreams. See the depths of your amazing me. To give you your eternal devotion: you are my life, eternity and my destiny, you are my only right choice, you are everything that I love and want. Both my heart and my mind are open only to you. You look so romantic and beautiful, your charm, your spell beckons my mind to you, it is useless for them to resist you, they can only fully obey, surrender to you alone. My legs go only to you, my eyes look only at you, and I focus only on you. Everything in me is overwhelmed with you. And inside, from the love of you, is incredible, absolute lightness. And from the fact that you are not with me, my heart hurts almost to a heart attack. Epochally, I fell in love with you totally, beyond ******-poetic, overly ****. Yes, truly, you are my empress, and only I worship you, look at this temple of my love, dedicated to you, on this great altar, look around, you are everywhere, sit on this throne of love, my great and beautiful goddess. Each your kiss is indescribable and priceless, it is vital. Every your look, fantastically-romantically-touchingly beautiful. He kindles the fire of love and passion in men. Your charm is a powerful force that attracts everything and everyone to itself.
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So beautiful and bold, spectacular. 1 000 000 000 000 000 000 likes you alone and a sign of infinity to boot. The ******, ****** heat of love and lust emanates from you. You set a new world record for beauty. Which is impossible to achieve. You are a beautiful, socialite. You are synonymous with beauty. The eternal standard and *** symbol in the history of mankind. Absolutely beautiful. Every millimeter of your beautiful body is beautiful in you. The jaw drops and the gift of speech from such incredible beauty is lost. Just do not be offended, please forgive me if something is wrong. But from such a beautiful appearance as you have in men, a powerful ******* of the *****, guys and men end up in their underpants. Unlimitedly beautiful. Sexiest in the whole universe. So **** that you don't even need clothes. You are for the happiest and luckiest man in the world. You are a jackpot. Flash, full house. *** symbol.
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The most desirable, silk, velvet skin, gorgeous, beautiful, always and everywhere. Strikingly beautiful, your **** body as if calls for kissing and licking, caressing, satisfying you again and again. You're too ****, hot flame of passion. You are the best prize, a gift that can only get a man, the best among all his lives. You are perfect and perfect. The more I look at you, the more I fall in love with you because you beat all the beauty and mind records, my super **** top model, everywhere in the first place in beauty and mind. In you, every millimeter of your body is perfect, with you all seconds are beautiful. The body shines brilliantly: luxurious chic, beautiful. The title itself is a beautiful girl in the world. The supreme creation of all universes. The finest children are born only with you. Aerobatics. Girl high hummingbird.
Your charming charm is a super **** mega power that is simply impossible to overcome. The sweetest gourmet, I adore your gorgeous body, when I see you, only one word sounds in my head: yum, I will completely give myself to you. I will always love only you unconsciously, unconsciously, your gently ****** image sat in the depths of my mind completely. From your amazingly contagious beauty, your mouth opens and you lose your voice. Dizzyingly, stunningly beautiful, you are like a giant tornado, from which everything attracts you. And the heart and soul yearn all the time only for you. It doesn't matter if you love me or not, the main thing is that I still love you, and in my subconscious mind, I will only love you forever. Your luxurious appearance of the highest quality, this is a workshop, the filigree work of Mother Nature, this is just a masterpiece that constitutes a unique example of true beauty, you have no equal, you are a girl of high caliber. You are absolutely beautiful to such a degree, so beautiful, so exotic, ******, and your image sounds poetic like very beautiful music of love that I’m just afraid and shy to come to you, I’m afraid to talk to you, as if standing next to a goddess, or with a super mega star, a world scale model that even aliens probably know. My heart beats more often, I can’t speak normally, from excitement, goosebumps all over my body, and it just shakes.
All these are symptoms of true love for you, well, just: oh), wow). To be your boyfriend and husband is the greatest honor in the world, he knelt in front of you with flowers in his hands. Your appearance is perfect just like Barbie. You are so beautiful that only you want to have *** forever, countless, infinite number of times. You are unattainable, you are like a star whose light of the soul, like a searchlight, illuminates me in the deep darkness of solitude. In love with you thorough. You are simply amazingly beautiful. You are the best of the best. Goddess of all goddesses, empress of all empresses, queen of all queens. More beautiful you just can not imagine a girl. Sexier than you just can not be anything. Beautiful soul just is not found. There was nothing more perfect than you and never will be, simply because I think so. Laponka, I am your faithful fan, you are my only idol, idol, icon of beauty. It doesn't matter who you are, I will accept you any. Because in any case I am eager to be only with you. You have a **** smile, and your sensual look is just awesome. And from your voice and look a pleasant shiver all over your body. You are special, the best that is in all worlds, universes and dimensions. You're just a sight for sore eyes. To you I feel the most powerful, love and ****** inclination. You're cooler than any ****** and afrodosiak. From your beauty just cling to the constraints and embarrassment.
**** Barbie, fell in love with you powerfully for sure. Wow. God, how beautiful you are, God, hell, let me see you, wow, this is just super, just super, my God, it’s necessary to what extent a girl can be beautiful, you're just awesome, just awesome, you're beautiful. My Goddess. About you, I will dream of all eternity, desire and crave only you alone. You're high, ecstasy. In your eyes there is some special fairytale beauty. Lady of my heart. You are the continuation of my soul. Billions of suns of joy, happiness, and love explode in the soul and this every time you see. With you every second is overflowing with the warm, divine, sunshine of true love, happiness and joy. You are like hypnotic sitar music. I would kiss your hands and feet every day. I want to constantly have *** with only one you. You are the embodiment of ****** and ****** passion. Only your skin color is infinitely exciting and falling in love. Your **** voice excites, and intonation falls in love. In you, literally everything excites. You are beautiful in any form, place, dress. If I see you, then the day is not in vain. Your image is powerfully falling in love. Oh meamor, goose bumps run through when you touch me, your breath stops when you look at me.
You're too beautiful. You are a **** lioness. You are the flame of sensual passion. You are a thermonuclear *** bomb. I admire your amazing beauty. You are amazing, perfect, you are perfect. I think so. Your flesh is sweeter than sweet. In bed, sultry lioness. The color of your skin is so ****, ******, and very attractive and beautiful. You have a rare and amazing beauty. You are the most beautiful in the universe, all universes, dimensions, all worlds. You are the supreme creation of nature and of God, the highest, perfect being. This is true because I think so.
Your charming charm is a super **** mega power that is simply impossible to overcome. The sweetest gourmet, I adore your gorgeous body, when I see you, only one word sounds in my head: yum, I will completely give myself to you. I will always love only you unconsciously, unconsciously, your gently ****** image sat in the depths of my mind completely. From your amazingly contagious beauty, your mouth opens and you lose your voice. Dizzyingly, stunningly beautiful, you are like a giant tornado, from which everything attracts you. And the heart and soul yearn all the time only for you. It doesn't matter if you love me or not, the main thing is that I still love you, and in my subconscious mind, I will only love you forever. Your luxurious appearance of the highest quality, this is a workshop, the filigree work of Mother Nature, this is just a masterpiece that constitutes a unique example of true beauty, you have no equal, you are a girl of high caliber. You are absolutely beautiful to such a degree, so beautiful, so exotic, ******, and your image sounds poetic like very beautiful music of love that I’m just afraid and shy to come to you, I’m afraid to talk to you, as if standing next to a goddess, or with a super mega star, a world scale model that even aliens probably know. My heart beats more often, I can’t speak normally, from excitement, goosebumps all over my body, and it just shakes. All these are symptoms of true love for you, well, just: oh), wow).
To be your boyfriend and husband is the greatest honor in the world, he knelt in front of you with flowers in his hands. Your appearance is perfect just like Barbie. You are so beautiful that only you want to have *** forever, countless, infinite number of times. You are unattainable, you are like a star whose light of the soul, like a searchlight, illuminates me in the deep darkness of solitude. In love with you thorough. You are simply amazingly beautiful. You are the best of the best. Goddess of all goddesses, empress of all empresses, queen of all queens. More beautiful you just can not imagine a girl. Sexier than you just can not be anything. Beautiful soul just is not found. There was nothing more perfect than you and never will be, simply because I think so. Laponka, I'm your faithful fan, you are my only idol, idol, icon of beauty. It doesn't matter who you are, I will accept you any. Because in any case I am eager to be only with you. You have a **** smile, and your sensual look is just awesome. And from your voice and look a pleasant shiver all over your body. You are special, the best that is in all worlds, universes and dimensions. You're just a sight for sore eyes. To you I feel the most powerful, love and ****** inclination. You're cooler than any ****** and afrodosiak. From your beauty just cling to the constraints and embarrassment.
I am obsessed only with you, my miss universe, I put madness billion points of your beautiful appearance, and a sign of infinity to boot. No offense, my sweetest, but your beautiful body excites, your imagination completely amazes you, you are so beautiful that you do not need, neither cosmetics, nor clothes, such perfect, natural beauty, only your divine beautiful body is endowed. Merge together the whole with your body, soul, heart, and mind, for all eternity I thirst. You dominate in my heart, mind, and soul, you are deep in my mind and subconscious, everything is filled only by you my goddess, and I see you in my dreams and I am sincerely happy when I see you in them. If I saw you in reality, then it was a happy day that was not in vain. Be with me dear, as you decorate with you all the eternity that I want to spend only with you one-on-one. You are my beautiful goddess of love and eroticism, and only I worship you. Rare, beautiful beauty, natural gave only you. The closer you are, the more beautiful. Your delicate skin shines so beautifully in the light, you have a stunning perfect skin color. I am overly in love with you. You are super beautiful. I tirelessly crave you, you are extremely, infinitely beautiful, you are too, too attractive. You're cooler than any ******. Impeccably beautiful, like a doll. You are so delicious. You are the light of happiness, the light of love and happiness comes and goes with you. You decorate everything with you, everything suits you, because you are beautiful.
You are stunning, fantastically breathtakingly beautiful, the only unique sample of the true, pure form of beauty. You are the hottest, **** topic, about the beauty of which it is impossible to stop talking, so beautiful that you want to sing out of love for you, the girl from whom it is impossible to take your eyes off. So amazingly beautiful, perfect, ******, hot, passionately savory, juicy forms, your divinely beautiful, endlessly, stunning beautiful, seductive body sound so captivatingly beautiful, sweet, gently voluptuous. Who wants to caress and caress, kiss, lick, stick to intimate places all the time, and give your tenderness with your hands, and bring it to ****** so that you feel the heat and tremor of your heated body, and kiss a satisfied body and kiss. Each cell of the soul and body is supremely filled with only you, love and excitement. Truly I am thirsty to belong only to you and to spend all eternity only with you alone.
I will be frank with you. Oooh yes, it says heart and mind. Eyes are eager to see you forever. Your image throws on the highest stage of love. Without you, life is meaningless and empty, and you know that for sure, so why are you torturing me. You know, I appeared in your life for a reason. That I was created only for you. You are special, I can not live without you. You are my obsession, my passion. Your beautiful image sounds so beautiful and sublime, the degree of love and arousal rises uncontrollably, leading to a higher dimension called love. When you stand next to me. Your ******, ****** image is the highest, divine, legendary *****. You are the sweetest in the whole universe. You are sensual, ****, ****** power. You are so ****** and **** to such an extent that when you look at the guys, it’s ironic that you guys, at the sight of you from excitement, end up in your underpants. You are the one whose appearance is envied by all people, gods, all higher beings, you are the only eternal value. You are a hipper, a turbo is ****, you are a hyperrealism of sexuality.
You have the most juicy **** skin color, it is so sweet, so beckoning and eager caress. You are the goddess of love, *** and erotica. Every millimeter of your body is just perfect and perfect. You are all that my heart and soul wants. Only your body and your kisses can excite me. Only to your body, I feel *** addiction. You are the highest value in my life. You are tempted and tempted, you want to have *** countless times. Your skin is the color of one hot, unforgettable night, your libido is the word lava in your hot body, burning passion, only your photos can excite me, only your beauty turns off my brain, you are a ****, ****** melody in my head, you are like a hot bath after a hard day, like an ****** massage, like a soft pillow with sleeping softness.
Every day I am drawn to you more and more and it can not be stopped because it is uncontrollable every day my ****** ***** wants you more and more aggressively he is waiting for endless *** only with you and I once again make sure that you are I will want forever and ever. Because I am truly in love with you in your body and soul. And this feeling is only enhanced with time on the mental and physical levels. Looking at you in the head is only one word Goddess, the empress of my heart, or one ***. It's just an ecstasy of excitement, every movement you take is so ****** and beautiful, burning your skin's passion and in your eyes so much ***.
You are a **** lioness. you are the flame of sensual passion. I admire your amazing beauty. You are amazing, perfect, you are perfect. I think so. Your flesh is sweeter than sweet. In bed, sultry lioness.
Author Musin Almat Zhumabekovich
Emily Miller Feb 2018
My father walked me down the aisle,
But my mother held my arm.
He went with me,
But we went not towards the altar,
But towards the door.

My father walked me down the aisle,
And the ***** rang through the church,
Humming through the elaborate crown molding,
Carved by my ancestors.

He went,
Not beside me,
But before me,
And I watched,
As he was illuminated by the bright,
Overbearing,
Texas sun.

My father walked me down the aisle,
But I did not wear white.
My father walked me in silence,
And I shed tears not for a man standing at the altar,
But for the one I would never see again.

My father walked me down the aisle,
And no veil obscured my face.
All eyes were upon me, but not for my pristine beauty,
Instead for my clenched jaw and furrowed brow,
Severe and fierce to distract from my glassy eyes.

My father did not leave me at the end of our walk to sit beside my mother.
She clung to me for support and sobbed breathlessly,
Loudly,
Unavoidably,
And I carried her with one hand,
My sister the other,
And walked towards my future.
A future family,
Not one person more,
But one person less.
I walked,
One final time,
With him.

My father walked me down the aisle,
And I will never forget it.
Hundreds of eyes isolating my family from the crowd,
Slow and muffled sounds drowning in the deafening beat of my heart,
Blurred faces staring,
Black heels clacking against the cobbled path from the church,
The anguished wails of my mother,
The whimpering of my sister,
And the wooden box that glided before us,
Pulling,
A string tied to our patriarch,
The pin key of our family,
Pulled taut and then snipped with the slam of the hearse doors.

My father walked me down the aisle,
Before I had a chance to grow up.
He walked me,
Out of the church,
Away from the altar,
Never to be walked again.
Terry O'Leary Sep 2013
NOTE TO THE READER – Once Apun a Time

This yarn is a flossy fabric woven of several earlier warped works, lightly laced together, adorned with fur-ther braided tails of human frailty. The looms were loosed, purling frantically this febrile fable...

Some pearls may be found wanting – unwanted or unwonted – piled or hanging loose, dangling free within a fuzzy flight of fancy...

The threads of this untethered tissue may be fastened, or be forgotten, or else be stranded by the readers and left unravelling in the knotted corners of their minds...

'twill be perchance that some may  laugh or loll in loopy stitches, else be torn or ripped apart, while others might just simply say “ ’tis made of hole cloth”, “sew what” or “cant seam to get the needle point”...,

yes, a proper disentanglement may take you for a spin on twisted twines of any strings you feel might need attaching or detaching…

picking knits, some may think that
    such strange things ‘have Never happened in our Land’,
    such quaint things ‘could Never happen in our Land’’,
    such murky things ‘will Never happen in our Land’’…

and this may all be true, if credence be dis-carded…

such is that gooey gossamer which vails the human mind...

and thus was born the teasing title of this fabricated Fantasy...

                                NEVER LAND

An ancient man named Peter Pan, disguised but from the past,
with feathered cap and tunic wrap and sabre’s sailed his last.
Though fully grown, on dust he’s flown and perched upon a mast
atop the Walls around the sprawls, unvisited and vast -
and all the while with bitter smile he’s watching us aghast.

As day begins, a spindle spins, it weaves a wanton web;
like puckered prunes, like midday moons, like yesterday’s celebs,
we scrape and *****, we seldom hope - he watches while we ebb:

    The ***** grinder preaches fine on Sunday afternoons -
    he quotes from books but overlooks the Secrets Carved in Runes:
    “You’ve tried and toyed, but can’t avoid or shun the pale monsoons,
    it’s sink or swim as echoed dim in swinging door saloons”.
    The laughingstocks are flinging rocks at ball-and-chained baboons.

    While ghetto boys are looting toys preparing for their doom
    and Mademoiselles are weaving shells on tapestries with looms,
    Cathedral cats and rafter rats are peering in the room,
    where ragged strangers stoop for change, for coppers in the gloom,
    whose thoughts are more upon the doors of crypts in Christmas bloom,
    and gold doubloons and silver spoons that tempt beyond the tomb.

    Mid *** shots from vacant lots, that strike and ricochet
    a painted girl with flaxen curl (named Wendy)’s on her way
    to tantalise with half-clad thighs, to trick again today;
    and indiscreet upon the street she gives her pride away
    to any guy who’s passing by with time and cash to pay.
    (In concert halls beyond the Walls, unjaded girls ballet,
    with flowered thoughts of Camelot and dreams of cabarets.)

    Though rip-off shops and crooked cops are paid not once but thrice,
    the painted girl with flaxen curl is paring down her price
    and loosely tempts cold hands unkempt to touch the merchandise.
    A crazy guy cries “where am I”, a ****** titters twice,
    and double quick a lunatic affects a fight with lice.

    The alleyways within the maze are paved with rats and mice.
    Evangelists with moneyed fists collect the sacrifice
    from losers scorned and rubes reborn, and promise paradise,
    while in the back they cook some crack, inhale, and roll the dice.

    A *** called Boe has stubbed his toe, he’s stumbled in the gutter;
    with broken neck, he looks a wreck, the sparrows all aflutter,
    the passers-by, they close an eye, and turn their heads and mutter:
    “Let’s pray for rains to wash the lanes, to clear away the clutter.”
    A river slows neath mountain snows, and leaves begin to shudder.

    The jungle teems, a siren screams, the air is filled with ****.
    The Reverent Priest and nuns unleash the Holy Shibboleth.
    And Righteous Jane who is insane, as well as Sister Beth,
    while telling tales to no avail of everlasting death,
    at least imbrue Hagg Avenue with whisky on their breath.

    The Reverent Priest combats the Beast, they’re kneeling down to prey,
    to fight the truth with fang and tooth, to toil for yesterday,
    to etch their mark within the dark, to paint their résumé
    on shrouds and sheets which then completes the devil’s dossier.

    Old Dan, he’s drunk and in a funk, all mired in the mud.
    A Monk begins to wash Dan’s sins, and asks “How are you, Bud?”
    “I’m feeling pain and crying rain and flailing in the flood
    and no god’s there inclined to care I’m always coughing blood.”
    The Monk, he turns, Dan’s words he spurns and lets the bible thud.

    Well, Banjo Boy, he will annoy with jangled rhymes that fray:
    “The clanging bells of carousels lead blind men’s minds astray
    to rings of gold they’ll never hold in fingers made of clay.
    But crest and crown will crumble down, when withered roots decay.”

    A pregnant lass with eyes of glass has never learned to cope.
    Once set adrift her fall was swift, she slid a slipp’ry ***** -
    she casts the Curse, the Holy Verse, and shoots a shot of dope,
    then stalks discreet Asylum Street her daily horoscope -
    the stray was struck by random truck which was her only hope.

    So Banjo Boy, with little joy, he strums her life entire:
    “The wayward waif was never safe; her stars were dark and dire.
    Born midst the rues and avenues where lack and want aspire
    where no one heeds the childish needs that little ones require;
    where faith survives in tempest lives, a swirl within the briar,
    Infinity grinds as time unwinds, until the winds expire.
    Her last caprice? The final peace that no one could deny her -
    whipped by the flood, stray beads of blood cling, splattered on the spire;
    though beads of sweat are cool and wet, cold clotted blood is dryer.”

    Though broken there, she’s fled the snare with dying thoughts serene.
    And now she’s dead, the rumours spread: her age? a sweet 16,
    with child, *****, her soul dyed red, her body so unclean.
    A place is sought where she can rot, avoiding churchyard scenes,
    in limey pits, as well befits, behind forbidding screens;
    and all the while a dirge is styled on tattered tambourines
    which echo through the human zoo in valleys of the Queens.

    Without rejoice, in hissing voice, near soil that’s seldom trod
    “In pious role, God bless my soul”, was mouthed with mitred nod,
    neath scarlet trim with black, and grim, behind a robed facade -
    “She’ll burn in hell and sulphur smell”, spat Priest and man of god.

    Well, angels sweet with cloven feet, they sing in girl’s attire,
    but Banjo Boy, he’s playing coy while chanting in the choir:
    “The clueless search within the church to find what they desire,
    but near the nave or gravelled grave, there is no Rectifier.”
    And when he’s through, without ado, he stacks some stones nearby her.

The eyes behind the head inclined reflect a universe
of shanty towns and kings in crowns and parties in a hearse,
of heaping mounds of coffee grounds and pennies in a purse,
of heart attacks in shoddy shacks, of motion in reverse,
of reasons why pale kids must die, quite trite and curtly terse,
of puppet people at the steeple, kneeling down averse,
of ****** tones and megaphones with empty words and worse,
of life’s begin’ in utter sin and other things perverse,
of lewd taboos and residues contained within the Curse,
while poets blind, in gallows’ rind, carve epitaphs in verse.

    A sodden dreg with wooden leg is dancing for a dime
    to sacred psalms and other balms, all ticking with the time.
    He’s 22, he’s almost through, he’s melted in his prime,
    his bane is firm, the canker worm dissolves his brain to slime.
    With slanted scales and twisted jails, his life’s his only crime.

    A beggar clump beside a dump has pencil box in hand.
    With sightless eyes upon the skies he’s lying there unmanned,
    with no relief and bitter grief too dark to understand.
    The backyard blight is hid from sight, it’s covered up and bland,
    and Robin Hood and Brother Hood lie buried in the sand.

    While all night queens carve figurines in gelatine and jade,
    behind a door and on the floor a deal is finally made;
    the painted girl with flaxen curl has plied again her trade
    and now the care within her stare has turned a darker shade.
    Her lack of guile and parting smile are cutting like a blade.

    Some boys with cheek play hide and seek within a house condemned,
    their faces gaunt reflecting want that’s hard to comprehend.
    With no excuse an old recluse is waiting to descend.
    His eyes despair behind the stare, he’s never had a friend
    to talk about his hidden doubt of how the world will end -
    to die alone on empty throne and other Fates impend.

    And soon the boys chase phantom joys and, presto when they’re gone,
    the old recluse, with nimble noose and ****** features drawn,
    no longer waits upon the Fates but yawns his final yawn
    - like Tinker Bell, he spins a spell, in fairy dust chiffon -
    with twisted brow, he’s tranquil now, he’s floating like a swan
    and as he fades from life’s charades, the night awaits the dawn.

    A boomerang with ebon fang is soaring through the air
    to pierce and breach the heart of each and then is called despair.
    And as it grows it will oppose and fester everywhere.
    And yet the crop that’s at the top will still be unaware.

    A lad is stopped by roving cops, who shoot in disregard.
    His face is black, he’s on his back, a breeze is breathing hard,
    he bleeds and dies, his mama cries, the screaming sky is scarred,
    the sheriff and his squad at hand are laughing in the yard.

    Now Railroad Bob’s done lost his job, he’s got no place for working,
    His wife, she cries with desperate eyes, their baby’s head’s a’ jerking.
    The union man don’t give a ****, Big Brother lies a’ lurking,
    the boss’ in cabs are picking scabs, they count their money, smirking.

    Bob walks the streets and begs for eats or little jobs for trying
    “the answer’s no, you ought to know, no use for you applying,
    and don’t be sad, it aint that bad, it’s soon your time for dying.”
    The air is thick, his baby’s sick, the cries are multiplying.

    Bob’s wife’s in town, she’s broken down, she’s ranting with a fury,
    their baby coughs, the doctor scoffs, the snow flies all a’ flurry.
    Hard work’s the sin that’s done them in, they skirmish, scrimp and scurry,
    and midnight dreams abound with screams. Bob knows he needs to hurry.
    It’s getting late, Bob’s tempting fate, his choices cruel and blurry;
    he chooses gas, they breathe their last, there’s no more cause to worry.

    Per protocols near ivied walls arrayed in sage festoons,
    the Countess quips, while giving tips, to crimson caped buffoons:
    “To rise from mass to upper class, like twirly bird tycoons,
    you stretch the treat you always eat, with tiny tablespoons”

    A learned leach begins to teach (with songs upon a liar):
    “Within the thrall of Satan’s call to yield to dim desire
    lie wicked lies that tantalize the flesh and blood Vampire;
    abiding souls with self-control in everyday Hellfire
    will rest assured, when once interred, in afterlife’s Empire”.
    These words reweave the make believe, while slugs in salt expire,
    baptised in tears and rampant fears, all mirrored in the mire.

    It’s getting hot on private yachts, though far from desert plains -
    “Well, come to think, we’ll have a drink”, Sir Captain Hook ordains.
    Beyond the blame and pit of shame, outside the Walled domains,
    they pet their pups and raise their cups, take sips of pale champagnes
    to touch the tips of languid lips with pearls of purple rains.

    Well, Gypsy Guy would rather die than hunker down in chains,
    be ridden south with bit in mouth, or heed the hold of reins.
    The ruling lot are in a spot, the boss man he complains:
    “The gypsies’ soul, I can’t control, my patience wears and wanes;
    they will not cede to common greed, which conquers far domains
    and furtive spies and news that lies have barely baked their brains.
    But in the court of last resort the final fix remains:
    in boxcar bins with violins we’ll freight them out in trains
    and in the bogs, they’ll die like dogs, and everybody gains
    (should one ask why, a quick reply: ‘It’s that which God ordains!’)”

    Arrayed in shawls with crystal *****, and gazing at the moons,
    wiled women tease with melodies and spooky loony tunes
    while making toasts to holey ghosts on rainy day lagoons:
    “Well, here’s to you and others too, embedded in the dunes,
july hearne Jul 2017
devil time
and Pyrex pipe

whatever will you find
so late on a weeknight
that is not found
every other night of every other week

Pyrex pipe
and devil time

margaritas, marijuana,
everything i need
and eye drops in the morning

my favorite gypsy
first cut
early take
quit while you're ahead
but you never do

that hammond *****
really shining something through
my favorite gypsy
don't get too friendly
but you never do

Pyrex pipe
and devil time

i was just a star
i meant for you to name
nothing more than that
you were just the devil
if the devil's name was music
and he still stayed up late
writing songs for everyone
takes all kinds
to give power to the name

Pyrex pipe
and devil time

my favorite gypsy
stays up all night
devil's got a lot of songs to write

that hammond *****
really shining something through
if you could hear it as clearly as i do
but you never do
08/12/2013
my last days
"turn that vocal up just a little bit"
PixieWee Feb 2018
Beyond the realm of everyday
In mankind’s attempt
to portray the mystical and metaphysical
Sounds are bent

The Shepard’s tone is heard
But a human presence is felt
For in each note you hear a breath
An exhale from within
that make the soul melt

sounds made with air
a human quality
For it needs to breathe like you and me
Bringing the feeling of Religiosity

Stone walls and Choirs
Stained glass and pews
Added with The *****
Sets a polyphony muse

~ p.w
Like to thank Pepper Dove with being my Motivation to get this done as it took me some time to become confident with it
183

I’ve heard an ***** talk, sometimes
In a Cathedral Aisle,
And understood no word it said—
Yet held my breath, the while—

And risen up—and gone away,
A more Berdardine Girl—
Yet—know not what was done to me
In that old Chapel Aisle.
Casey Carter Feb 2015
Grand mamma always told me
Hold your head up proud
And never accept to blend in with the crowd-
Kinna strange the way
I'm parting rivers right now
And how if sitting silent
I'm truly speaking out loud

Long ago and swiftly
Juggling dozens of eggs
Though trying not to split 'em
I tripped up on some pegs
The yoke leaked out
Mixed with the blood
From my head
I didn't whimper yet I knew
My beauty was dead-
But that's how it grows
All you Elaine's and Ed's
Through brazen heat
And tempest sleet
Chewing on led

While inspires cry
And empires fry
That sandstone shifts
And driftwood drifts
Alone I merrily roam
With my for sure's and if's
Never dissuading
The hemispheres
Of my bliss
Woods By Day Bars By Night © 2012, Casey Carter
nicoarty Jul 2015
Found; a dying *****,
Plays an off-key tune,
It's muscles are all torn or missing,
Has a hole the size of the Moon,

It's tubes are shredded and ******,
Has no Rythm to it's pounds,
Just lays on the floor barely moving,
Unsafe and structurally unsound,

There's evidence of attempted repair work,
Covered in stiches and staples that ooze,
Patches and droplets of salt crust,
As well as the faint reek of *****,

There also seems to be a label,
That someone has recently tried to remove,
Appears to not be surgical precision,
But that fact still has to be proved,

What is decipherable reads as,
"Please call if found"
I tried, dial tone, "number disconnected",
Seems no one wants it around,

Was left this way before Tuesday,
In the skip of apartment block 4/2,
No one has noticed it's missing,
There is nothing more that I can do,
(12/03/15)

Found; a dying *****,
Left alone, not wanted around,
Desperately needing stiches,
In hands where none can be found,
(15/03/15)

Lost; a dying *****,
I stopped trying to help it survive,
It's been a while, and no one has claimed it,
Now it belongs in another life,
(10/06/15)

Lost and Found; a dying *****,
A vital one so it now seems,
Went back to the skips yesterday,
Found; a dead girl, late teens,

Found;  a dying *****,
Singing an off key tune,
Her muscles are all torn; One's missing,
Left a hole the size of the moon,
(27/07/15).
10/06/15 an important day to me.
Hope it wasn't too strange this time.
dj May 2012
Over the course of my tenure
I've noticed something about
These concrete walls and me.
Something's changed i n m e.

Over the course of these days
It has completely eaten away
My tongue . Cutting a w a y
Neatly and p a i n l e s s l y  .

It even has a personality, I've
Nicknamed him C l e e t i s P.
However, instead of parasiti-
-zing my life. It u p - graded

Me. Replaced that uncouth T
Somewhat enlightened m e  .
Above the soloists -no longer
"I" or "me"; but "us" and "we"

you see self-communality i n
"we". It's slimy-self now fun-
-ctions as o u r newest *****;
A mouthpiece & a voicebox

It lives off of small drops o f
Blood from my tongue-stub
That won't ever, ever c l o t!
My business has a s e c r e t

I t s a y s t o m e                     :
Regardless of  Earthly losses
Give y o u r everything to us
W e are your dearest bosses .
Pt. 2: Story of the communal CEO. About the poem's odd structure = it's a 7 story office building :-)
No Name Nov 2010
There is an *****
inside of my chest
that squeezes out liquid
to feed to the rest

It keeps me alive,
sustains my breathing,
but with its attributes
it is quite deceiving-

My very own heart!
It’s tied to a string
that is tangled with yours
and all that you bring.
Pedro Tejada Apr 2010
As the exhaust spewed its mourning glum
onto the whimpering porcelain snow,
the chauffeur looked up and desperately prayed
for an Academy Award winner.

"Novelty tears shall spout at all times!"
And the thespian will charge through those double doors,
beginning his craft from the moment he hears the ***** *****
singing the deceased's pleas towards the golden gate of Heaven
and crunching through an audience of bawling admirers
of a man he barely knew.

He was chosen to give the eulogy.
Designated to speak on the behalf
of man he never thought to glance at twice,
besides the intervals of days spent
despising the realization of his existence,
resenting the scars created in surplus quantities,
stomping down the darkest layers still oozing from the coffin.

For a handful of hours, it must all become a waning spark for the
method actor giving the most crowd-pleasing breakdown of his life,
delivering a perfectly tailored recital
cloaked to all the front-pew viewers
as a heartfelt elegy.

"Just a few hours," he thought as the double doors creaked,
and the scene will end with him sliding into his car,
a dead weight off his shoulders,
driving victoriously into the sunset.

A new set of tears rolled with the end credits,
along the face of the son,
liquidating the thespian with their bleak sincerity.
They were drops of remorse
for a bond that was never born,
with an abortion in a wood encasing
for all those people out there in the dark.
Terry O'Leary Feb 2014
THE MEETING

Alone one night neath lantern light, I trudged a weary mile.
Forlorn, I went with shoulders bent (the storms around me howled)
until I met a Silhouette behind a sultry smile –
She gazed with eyes that mesmerize (Her body caped and cowled)
and stayed my way with question fey, ‘Why don’t you while awhile?’

Though timorous (with slow address and gestures pantomimed)
Her voice was gracing echoes chasing waves in evening’s tide.
The churchyard groaned, an ***** moaned, the bells of midnight chimed
while wanton winds awoke and dinned, and mistrals multiplied.
The Persian moon, like stray balloon, arose and blithely climbed.

The Silhouette (a pale brunette) arched eyebrows meant to please,
and down the lanes, on windowpanes, the shadows danced and sighed.
A meadowlark within the dark, somewhere behind the breeze,
ennobled Her with wisps of myrrh while deigning to confide
to nightingales veiled whispered tales of human vanities.

She doffed her cloak before She spoke with sighs of sorrow sung
(like mandolins, as night begins, when mourning day’s demise)
and spun Her tale of grim travail and tears She'd shed when young.
As jagged volts of thunderbolts lit up the dismal skies,
a velvet fog embraced a bog in coils of curling tongues.

Through summer vales and winter gales Her secret thoughts were voiced.
Midst storms so cruel (neath lightning’s jewel that glistered on the ridge)
She reminisced, She touched... we kissed... Her lips were wet and moist...
A lighthouse dimmed, while moonbeams skimmed across a distant bridge
to avenues where residues of shallow shades rejoiced.

                        HER TRAGIC TALE

“Midst sweet perfume of youthful bloom, the lonely spirit braves
and often cries and sometimes dies in quest of her amour.”

While starry-eyed, a ship I spied, a’ sail upon the waves –
the galleon docked, the gannets flocked, the Captain swept ashore
where, debonair with gypsy flair, he led his salty knaves.

In passing by, he caught my eye - I tried to hide a blush,
but ambiance of innocence left fervour’s flames revealed.
His gaze (defined by eyes that shined) beheld my cheek a’ flush.
I bowed my head while caution fled, I felt my fate was sealed
- a bird in spring with fledgling wing - he’d snared a  falling thrush.

He said ‘Hello’ - I answered ‘No’ and yet before he’d gone
said I, ‘I’ll wait at Heaven’s Gate not far beyond the Pale’.
At dusk he came neath moon aflame, and left before the dawn
just humming tunes between the dunes that lined the sandy trail
beside a pond where morning yawned, where swam an ebon swan.

We met again, and once again, and once again, again
entangled in a love called sin, in whirls of make-believe.
While in my arms, with voice that charms, said he ‘I must explain -
the tide awaits in distant straits and I must take my leave’.
Then tempests stormed as passions swarmed through ardor’s hurricane.

‘Forsake your home and we may roam’ he smiled as if to tease
and still naive, said I ‘I’ll leave, in silver buckled shoes’.
He took the helm in search of realms, and quickly quit the quays -
with tearful eyes, I bade goodbyes to fare-thee-well adieus
and sailed above a wave of love across the seven seas.

We swept one morn around Cape Thorne while bound for Bullion Bay.
With naught to reck, I strolled on deck, a baby at my breast,
while flurries blew and seagulls flew within the ocean’s spray.
Our ship soon moored, we went ashore and off to Fortune’s Quest -
with gold doubloons which shone like moons, he gambled through the day.

‘The deuce is wild’ he thinly smiled; another card was drawn -
he’d staked and raised with eyes half glazed, was dealt a dismal three.
With betting tight throughout the night, the final ace long gone,
meant all was lost, at what a cost; alas, the prize was me.
To my dismay he slunk away and left me doomed at dawn.

A buccaneer with ring in ear sneered ‘now, my dear, you’re mine’.
He held my wrists to thwart my fists and then... my honor stained.
On sullied swash, the sky awash with bitter tears of brine,
I broke his clutch with nothing much of me that still remained:
a residue when he was through, left clinging to a vine.

In morning dew, the good folk knew, and spurned me in my plight.
The preacher man pronounced a ban and wouldn’t condescend,
ignored my pleas on bended knees and prayers by candlelight.
While cast aside, my baby died... my world was at an end.
Until this day, I’ve made my way beneath the shades of night.


                        AT HEAVEN’S GATES

To set Her free from destiny was far from my design,
but, though unplanned, I touched Her hand to give Her peace of mind.
She told me then, and then again, that providence Divine
had cast a curse, and even worse: despised by all mankind,
She walked alone, unseen, unknown, Her soul incarnadine.

To break this spell of living hell, of loneliness enshrined,
and end Her days within the haze, a sole redeeming deed
would give reprieve and maybe leave our destinies entwined -
Her final quest be put to rest if only I agreed,
but no surcease nor perfect peace nor hope if I declined.

The shadows, shawled in silence, crawled, the night Her fate was sealed
as vespers tolled across the wold beneath the muted fog.
The heavens cracked and sorrow slacked as chimes of children pealed
while in the hills (where midnight chills) there wailed a daemon dog -
with no delay I lead the way, the path to Potter’s Field.

Her weathered face was lined with Grace, Her eyes shone emerald green.
With me as guide She stepped inside to grieve and mourn Her loss,
and thereupon, though pale and wan, the night took on a sheen.
With weary eyes as Her disguise, She placed a wooden cross
upon a mound (unhallowed ground) and whispered ‘Sibylline...’.

A falling star flared in the far and burst, a bolide flame -
beneath the light, the Final Rite no longer hid undone.
And kneeling there in silent prayer, we seemed to share the shame
but could atone if left alone, forevermore as one.
Before we both could breathe an oath, I asked Her once Her name.

Through lips, pale red, She simply said ‘Some called me Abigail’,
and neath a birch where white doves perch, I took Her for my bride,
beheld Her smile a little while, but all to no avail...
Her cloak and cape, and shrivelled shape lie empty at my side...
for now She waits at Heaven’s Gates, not far beyond the Pale.

— The End —