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Mateuš Conrad Jan 2016
did i tell you about that orca (killer whale)
that killed a killer white (shark)?
yeah, flipped him on the stomach
inducing a conscious sleeping position
of the shark, belly up... the ****** orca
drowned the shark.

dear daffodils counting to only sixteen
springs, why blossom why bloom so soon?
lemmy was part of something better
than his solo project... no one really talks
'bout his solo crazy train antics,
so why talk lemmy why talk ozzy os' burn
and simply dismiss hawkwind & black sabbath?

oh -
       *na kraju nocy i u progu dnia
       kogut  na dachu pieje
       w głowie sie kręci
       da na da na da
       gorączka znów szaleje.


given all that, imagine a seal on a drift of ice,
a stowaway of a berg,
then imagine why, it's seeking a monastery,
there are four orcas beneath the mirror surface
of the water, in formation, like horses
to the gallop of a wind's flute eolides,
and they're moving in, dipping with tail
fin exertion of some reflex spasm -
and the mini tsunami created suddenly
tilts the seal's monastery and the seal plops
into the depths... where it's only an old
cloth rag soon to be mince.

p.s. i denounce the polish diacritical mark
over o to make u (ó) as not diacritical at all...
it's an aesthetic mark, and yes, it does look pretty.
Amidst the forever blue expanse,
Upon the raft I built,
Alone I sit, it quivers.

I feel it squirm below myself,
It cries and creaks under the weight.
Beneath it still the emptiness,
The vast and silent water.

Without a noise it calls to me,
I hear it mock my presence.
It laughs that soon the raft will fail.
And this I know too well.
How the sky does weep for me.

No sail or sun to guide myself,
The horizons sarcastic smile.
I witnessed nothing but blue on blue,
Not one fish, nor bird, nor boat.

For years I drift in currents,
None of my design.
Alone and lost,
The Orca came.

Alone together, lost, afraid,
I know she knows my sorrow.
I meet her eyes,
For a moment I feel solitude.
Perhaps my Orca sees me.

But off she swims,
Blind to me.
I watch her leave my presence.
I cannot shout, I know no words.
I forget what it means to talk.

Alone together, lost, afraid.
I know she knows my sorrow.
A tale of depression, the protagonist sits upon an unsecure raft barely keeping them from falling into the never ending ocean. He sits alone with no control.

The orca a representation of another depressive, how different they both are and one does not recognise the other. So unalike in the same struggle, they part ways with no salvation.
Perig3e Feb 2012
We were cavorting Orca
in a warm Baja sea,
while you dove,
then rose to breath,
I met you at the surface
in a tangle of sweaty sheets.
Nika Cavat Jul 2012
Orcas in Puget Sound

Along the road, abandoned wild apple trees bend
with their heavy loads, dusty skirts of blackberry bushes
purpling fingers, piercing flesh
mouths ringed with berry juice, vampires all.
Along San Juan Island salmon leap clear
out of the briny water, just yards ahead of their predators,
Orcas, dorsal fins curving shiny black, sluicing and slicing
the surface like sharpened knives

They have bred with one another for 10,000 years
trolled these waters through famine, earthquakes, world wars
through shifting continents, glacial avalanches,
through the extinction of whole civilizations.
Standing on a cliff, my daughter and I
watch the Orcas churning the water - studies in grace
the largest gem on the necklace of a great food chain
and when we sleep we too chase
the great King Salmon of our deepest dreams,
the fathers we lost, the currents that bear along children

Translucent jellyfish, palm sized, breath below
sideways exhale, convulsive inhale
umbrellas opening and closing a thousand years or more
sliding through forests of brown kelp where mollusks cling

We have clung like this to one another, with my body
thrown over hers for protection and her exhaling away from me
If Mama Orca keeps her young close, so will I
If there are salmon to chase and harbor seals to command, so we will

Arcing in the late August sky
slapping and parting the surface, over and over
the whales, lords of the Sound, swim in our brains as we sleep
sparkle against blackening waters
You are of my body from my body cleaving there for 10,000 years
Whatever quarrels there are on land vaporize
In the presence of these creatures,
arcing against all that is temporal, vicious, small,
studies in power and grace

The tide pulls out, skimming across rocks and oysters in their muddy beds
But this need to care for you remains as big as an Orca
your appetite for adventure as voracious
and I watch you, my child, disappearing with summer
into high school, into womanhood, into
the salty, light-dappled ocean
Stu Harley May 2017
in
the
Land of Oz
where
the
sky
is
filled
with
orca-shaped clouds
so
up...up
and
away
pop...bang...zoom...wee
nivek Aug 2016
The Orca's down the road take seals
my neighbour dives for coal
the spillage from world war one shipwrecks
and burns it on his winter hearth.
Personally I think my neighbour mad.
Megan Hundley Sep 2012
There are orca whales in my ears
but only when it rains
ill swallow the gnats to feed
the bellies and the growing fears
I never know how to greet it

I took the nail filer and carved
two perfect holes directly above my big toes
you can never be too careful
I wanted to make sure my feet knew that sometimes
things happen

I promised my umbrella that if
it could wait another couple weeks
I wouldn't rip it to shreds myself
why is there patience for quitters and
people who hate thunderstorms?

There are orca whales in my ears
but only when it rains
Gave into the cooped clouds,
let them smear cleaner through my roots
swaying instead to dodge the drip
and heaving sighs
Manda Raye Apr 2014
There’s a certain romance
in he who doesn’t kiss
his lover, despite yearning

for her eager lips,
and tongue like a dolphin—
hesitant, yet inviting.

But she’s bottlenosed,
and he has the heart of an orca.
He just wants her

to test the water
before he drags her
down by her feet.
Coop Lee Mar 2014
mean beam bottom ***** without reluctance.
\ air above \
since forever baby boy: since forever liquid sparkler.

he has sense
& peanut butter jelly geography to his page.
his romance is of the west.
his eyes are of dandelions kicked & to the wind.
he moves like ancient turtle migration.
reaches feet to sidewalk \ sand to depths \ ride \

night:
velcro-tightened mind withstanding.
party lights, ***** willows, retro punch, he
is orpheus descending: with all the elements positioned just so.
\ jellyfish electric \  
he says he likes the loneliness.
he says it’s the water.

& so he moves \ wills himself into the next measure.
liquid resolute bits.
so move \ orca \
curl of eye \ so ride \ black rollo wave \
basilica \ & \
coral reaches below \\\

he likes to tell it, with warmed exaggeration.
slow-motion buffalo stampede. ride the railroads free & easy.
orange glowing bars of elsewhere. oscillating seal calls.
oily portland hipsters howling on the beach. those
juno cheeked rosy-red lips.
somewhere, sister getting married.
spring, summer, fall, winter, spring.
africa ******* a branch of a tree of a forest, overlooking elephant burial grounds.
color & white material:
plantations, gas stations, diners, & sharks.

this is the morning lunar \
sweet blue beach of the old & awakening.
he crawls out & into her breaks.
her deep heights & bombora reef. the serotonin
functions twice, exposed between thin tissues of warm-blooded neurochemistry.
human, shown.
he is as a raw page, blank, yet
dipped \
\ so ride \ bulbous waves of air mother agua \
ride \ &
\ ride \ &
brew by light these occurrences forever.
previously published in the Susquehanna Review
http://media.wix.com/ugd/387c1e_b3d8de732bd84e88923496bcea98bdb1.pdf
Mateuš Conrad Jul 2016
fílabein er Loki ætur;
tvisvar Orka -
mathákur-blóð
(bloodji), alias
örn-gler narcissus:
Greenlander -
Grænland sum sum -
Grélandè.
comma surdic left a pardoning;
aligned to Arctic;
thus said a penguin quack.
Mateuš Conrad Nov 2016
they day finishes with: at last! a schoth reserve
for highlands nomads!
     long gone is the fatamorgana of soberness
coupled with a very softcore soviet sleep
experiment: i chance you to also say:
the soviet sleep experiment is a way to censor
dreams, **** it: another paul mccartney
can write another yesterday into the repertoire,
you can hear of marathon-men who did over
100 hours without sleep, and when it came to
sleeping: hour-long interludes...
as all the p.o.w's realised was the case:
stop this dream-industry of disney! stop it!
nearing 36 hours is nothing,
when i'm going to do a hiatus in Poland visiting
my grandparents i'm planning to top that,
perhaps 48... just to get the glory days of Jews
in ancient Egypt and Joseph the adviser to
the pharaoh: 7 lean years, followed by 7 years
of starvation: what we otherwise carpe diem
over-indulgence - Moses wrote the book
of disgrace... when things turned sour,
obviously he was *******, just a little bit,
from a Jew becoming an adviser to the pharaoh
by interpreting his dreams which were always
in abundance given his lavish lifestyle...
dreams come to people who aspire to lavish
lifestyle, dreams come to people who take no
pleasure from the simplest prospects of a peaceful
hermitic life... they need both the lavish life
and the lavish hope of an afterlife with abundant
dreams... they can't master the opposite:
from simple pleasures that life has to offer:
one forsakes the capacity to the need to dream...
yet those who attain a comfortable Buddhist /
bourgeoisie / middle life: through the ethic of hard
labour find dreams nonsense... only
aristocrats find meaning in dreams, because
they have enough life insurance to guarantee them
the very unentertaining life, hence the Freudian
cinema, and here is their seeking of meaning,
because outside of their sleep nod,
their meaning is already akin to a predatory creature
kept in a zoological confinement, rather than
beckoned to attest the prime element beyond
the classical elements of fire and: where was the
Japanese army bombing the hell out of that
****** tsunami to make the orca-surf shrapnel?
where? nowhere! the reporters were there prior,
i'd swear you could have done the reverse Aleppo
with that tsunami wave by bombing it and
saving lives... but no... atoms bombs were never
intended for warfare as such, they're non-profitable...
all the arms-dealers across the world make more
money from millions of bullets and thousands upon
thousands of guns being sold: atom bombs make
no economic sense... atom bombs make
no economic sense in terms of dealing arms...
the soviet sleep experiment was one of the topics
at the end of today... the other was feline pavarotti
in a cattery: i swear to god that ginger is acting
too much like a bloodhound... moans all the ******
time, i've heard every kind of Tosca, but a cat's Tosca?
never in my life has a cat so many variable versions
of meow... animals really do possess their owners,
but in a way that shows the owners to themselves...
a poem a day: keeps the psychiatrist away.
and back to the soviets, who discovered Yiddish
dream-factory ******* that only applies to
aristocrats akin to Wilhelm Oedipus II,
    i never understood why people desired so much
from dreams, pure unconscious doesn't allow it,
it's shallow dreaming that becomes easily swayed
by a decreasing poignancy of the senses that
creates dreams, and as we've already been told:
they're bound to millisecond intervals -
snoring can be seen as a prompt for dreaming,
but then pure unconscious that's beyond the sensual
realm of pulverising you with everything external
          doesn't allow dreams, because it allows rest...
the subconscious makes more sense in terms of dreams
than what it currently prescribed,
             on the fully-waking hour of what people call
reverse-psychology (popularly), or who people can
influence you and treat you as a pawn...
   in the waking hour the theory of the subconscious
is that it's somehow there, and it's brimming with
theories ranging from the unitary stealth workings
of a superego, to advertisers competing for your
attention, as in: how can this person be manipulated?
that's the strain of thought working from consciousness
where you are said to have: no free will,
no critical approach toward the world with thought,
that you are naive and gullible...
  such people do exist, because they're not working
on the subconscious from the unconscious position,
hence they are most probably highly-developed dream-machines,
they probably even dream in colour and remember
dreams vividly... but take all the things i said
about the subconscious from a conscious pinpoint
and invert the starting point from an unconscious
pinpoint, and all that manipulating dynamic that
the subconscious is supposedly is fed fades
   to simply expose the subconscious as the medium
of dreams, whereby dreams appear from a sensory
hush of all external factors... a few days back i dreamed
i woke in a bed covered in cobwebs and spiders crawling
in them... the last thing i remember looking at?
my pet incy-wincy hanging on a silken web in
the corner of my room... for this to be true,
and for all that pompous subconscious theoretical *******
to go away, to actually work on the subconscious
having a dream reality rather than a reality of
being easily swayed by superego or advertisement
and willingly giving up your will to external factors
that go beyond mere senses... you have to acknowledge
at least 36 hours of the soviet sleep experiment, clock:
no nodding.m i've set the threshold,
the junkies did over 100 hours without sleep,
but they were army material, i'm... dunno.
              a break with an article on melanie martinez,
and then back into today's end...
    it's pouring cats & dogs outside, and will so
throughout tomorrow, one of the street lamps has
turned itself into solitary disco strobe...
   e.e.m. (epileptic eye movement)
           vs. r.e.m. (rapid eye movement) -
the difference? the latter invokes the theatrical curtain
of the eyelids... the former invokes your eyes
having rolled to the back of your head so you only
see the sclera...
but a real life problem too!
in these pseudo-capitalistic societies, companies
have started to do the Pontius Pilate tactic,
they are companies without employees,
what they want are subcontractors, people who
are self-employed, because actually employing
employees is bad business for them: you have to
have a pension fund... and what capitalist wasn't
old people getting money for doing nothing?
most construction companies are following this trend...
but the problem with that is that these companies
are employing useless managers, construction
site managers that should be on a site for at least 2
days a week... even 3... so they can get the knitty-gritty
of organisation done and the project runs smoothly...
but as i've already known for months,
say a roofing company from Gloucester is given
a London-based contract... it has employed a
project manager... who 1st of all doesn't have the right
credentials to be a manager... and this pleb travels
to London from the village of Gloucester
and is on a construction site for about half an hour,
doesn't make any notes,
and spends the rest of the time being a ******* tourist
in and around London, a day like this happens,
an authentic waterproofing problem...
   so you have these flats near the city airport,
and they're connected with walkways and have planters
too... you lay the concrete, then do the waterproofing:
primer, hotmelt, fleece, hotmelt, felt.
                  now the problem, why impose self-employment
and also employ parasitical managers who know
jack **** or are interested in selfies on tower bridge?
only because they can get a cheap train ticket back
to the village of Gloucester before the rush-hour commute?
the problem is simple, or hard, depends whether
there's an actual plan and someone is bothered..
four elements...
       1. drainage matt,
             2. pebbles,              3. filter layer
and 4. ~artificial turf... plastic-like, not asphalt,
     i grant it a status of artificial asphalt,
  or turf coloured copper...
the debate ranged about where the filter layer should go,
but there was no manager with the appropriate
method statement to give... the ******* crane arrives
at 8am, and he texts the day before that he might have
an answer by noon... or that some other manager should
be consulted to the method statement...
i suggested that first: the drainage matt, then the pebbles,
then the filter layer and then the artificial asphalt...
   the other suggestion was: drainage matt,
filter layer, pebbles and then the artificial asphalt
        given that pebbles will never be spread like
a plateau of concrete, meaning there will be pockets
beneath the artificial asphalt to soften the walk
and give more spring to the step...
                  and then i read a newspaper in england
and start to think: are these the only people on an actual
payroll? with safety in retirement schemes?
          i used to think of journalists as daring...
Watergate journalism that did something...
               then you turn on the 24 news channels
and state media is no different to free-enterprise media...
     as people my age say: television is really
a piece of 20th century antiquity... who gives a ****
that millions watched a man walk on a moon
on it... at least a billion people watched the cinnamon
spoon challenge from some ******* on the internet!
     or that guy who gave his cat l.s.d.,
or that guy who jumped off tower bridge and caught
pneumonia and had to be rescued...
still, the rain is ******* down, i've got my headphones
on, and that rebel street-lamp has turned into
a discoteque strobe's of needy rhythmic epileptics -
as every: i count most psychiatric terms in popular
use as undercover poetics, people who don't read
poetry, nonetheless apply psychiatric terms
   an unilateral transcript of denoting them as metaphor(s)
in everyday sprechen; and yes,
our informal vocabulary usually suffers for the fact
that we have chosen a fixed (courteous, hierarchical)
formal vocabulary, that erodes any chanced deviation
akin to a cat-stretching: e.g. (a) so and so died,
(b) oh, i'm sorry,        (c) and you're the one who
brought back the resentful Lazarus?
(d) as if you could have, prevented the inevitable;
a conversation between four strangers.
Rj Dec 2014
Mountains
Freshwater creeks
Coach Lambert
Dry Prong
Basketball bus rides
Old Music
Latch Disclosure
Orca whales
Spirit
Openly gay couples
Church songs
Windy plains
Grinding at school dances
Four wheelers
Mr Rodriguez
Cold weather
Snow skiing
Christmas
Fir trees
Canada
Planet Earth Movies
Fizzy Feelings
#happychallenge
Don Brenner Oct 2010
You act like an orca
tanning on the beach:
ignoring life
for beauty and recognition,
but only in oceanic swells
is the orca beautiful
and recognized
while it lives it's own life
chasing sea lions
and the air above waves.
2010
SE Reimer Oct 2013
oh, san juans, your riches beckon
your wealth, your beauty calls
your waveless, salty waters blue
my heart since childhood draws
your waters lap at darkened rock
'round islands, bays and inlets fill
with returning salmon teeming
your breaking waters thrill
your tide, oh ever river changing
charges muddy oyster flats
your thriving pods of orca leap
o'er spray in mid-air acrobats
from seabed swift, cold and deep 
the lushness of your green hills rise 
your sun falls fleet like shooting star
your sparkling waters mesmerize
sailing craft from ’neath horizon
angels spread their wings of color
skirt your shoals and ply your straits
find safety anchored in your harbors 
oh, san juans, your wonder waits
your treasure and your magic calls
your waveless, crystal waters blue
my heart since youth still draws
calls me to return each year
to dip my paddle deep
when life averts the journey there
in dreams you beckon while i sleep
Post Script.
 
Twice in my early childhood my family vacationed in the San Juan Islands.  I say vacationed, when it was really to visit some of the dear church folk that supported my parent’s missionary work; but to me it felt like a vacation to another world!  
 
I recall being smitten by its ruggedness and remoteness, the enchantment of each island we passed; a world where a wave-less, salty, blue ocean laps the dark rock of the many bays and inlets of green forested islands; and the novelty that a ferry was the only way we could make the trip.  I remember exploring the tide pools with my brothers.  I remember crabbing with our father and gathering oysters from the rocky shores of Orcas Island.  I remember shucking oysters and our father frying them, something that outside this experience we rarely saw him do.  I remember fishing for flounder and cooking them up on the grill back at camp. I recall a time when we landed a pregnant ocean perch instead.  Were we ever surprised to see her give birth to a few dozen live babies among the floor boards of our little dinghy! We scooped up as many as we could reach and released them back to the ocean along with their mother.  One catch for thirty; a catch to remember for an 12 year old and a good lesson on the cycle of life. 
 
As I grew old enough to understand where this enchanted world was I determined to return.  Once married I made it a mission to share the beauty of the San Juan Islands with Becky and our children.  Our first visit back to the islands as a family was back in the late 1980's; she and I and our three sons.  Today, my children remember it for many of the same things I recall thinking as a child- they remember its rugged beauty, the adventure we took as a family, and yes, the novelty of the ferry ride across a waveless, salty, blue ocean.  

We’ve returned many times since then, and each time we’ve explored a little deeper and farther, and still we have yet to find an end to its richness.  Nowadays it's mostly just my wife and I; our tandem kayak accompanies us on the ferry ride over and begs for the taste of blue water and the hunt for a glimpse of one of the resident pods of Orca. On one particular paddle, while enjoying what we call a sunset cruise (a kayak paddle in summer twilight) out on Haro Strait, searching for Orca we didn’t find that night, we instead were mesmerized by a rather spectacular sunset and as she set she became a star, giving us front row seats to a star show. You’ll see in black and white on my home page banner what was a stunning show.

I wonder sometimes, if we lived among the islands, would its enchantment fade?  I’d like to think not.  For us, like a pilgrimage back to yesteryear, the San Juan Islands of Washington’s Salish Sea, a place that never fades or grows old.
Ira Desmond Dec 2018
Last night,
I dreamt that the friend of a friend had died.

His body floated lifeless on the surface of the Pacific,
tossed about between the Bering Sea whitecaps

like an orca’s seal-pup plaything
while the Arctic wind whipped

and beat the freezing cold water
across his pallid face and through his chestnut hair.

Then his body
began to sink,

its silhouette appearing
against various monotone

canvases of blue
on its trip downward:

a vivid cornflower,
a pelagic cerulean,

a chasm of cold cobalt,
a starless twilight,

a forest of indigo,
a velvet curtain of navy.

Finally,
as it reached the deepest possible shade of midnight—

only a quantum away from black—
it stopped sinking.

There, in that void,
where daylight and color are considered but outlandish theories,

strange fish of all and shapes and sizes
began to surround the decomposing corpse:

Greenland sharks hailing from the frozen arctic,
mantis shrimp from the mangrove labyrinths,

eyeless electric eels from undersea caves near the Galápagos,
vampire squid rising cautiously up out of their World War One trenches,

scores of spindly ***** and pale worms that had ventured far beyond
the safe familiarity of their alien geothermal worlds.

At first, they approached the corpse gingerly,
nibbling only the tips of its hair and fingernails,

and then suddenly, voraciously,
they consumed it—until not even a skeleton remained.

Now, only a single point of light was left
there floating in the void.

And from this single point of light,
where just a moment before the corpse had floated,

a brilliant white lattice structure emerged,
unfurling as would a fern across a forest floor.

It fanned out onto the seabed
and then swept upward, upward

back toward those reaches of sea
where color is known

and fresh air gleefully permeates
that foamy outer membrane that skirts the base of the sky.

Scores of familiar fish began to lift up the crystalline structure—
schools of shimmering sardines,

stately, dignified manta rays,
skipjacks, bluefins, and white-tips,

brilliant cuttlefish, humble pufferfish,
shifty barracuda, gargantuan whale sharks,

all of them
beating their tails in concert

to carry this lattice away,
this measure of a life,

this husk of a soul
at last freed from its earthly bindings.

The fish were carrying it somewhere deeper,
somewhere darker,

to a place that I understood—
even from the inky depths

of my dreaming mind—
that I could not enter.

But then again,
I knew that someday

I would.
Mateuš Conrad Jul 2016
to live in a society where artistic expression is least expected or not wanted, to live in a society that doesn't allow part-time explorations of a "creative side" of things, to live in a society that doesn't really need art, to live in a society that doesn't make it easy to become artists, to live in a society that doesn't make it easy to become artists, to live in a society that cherishes manual labour and teaches its youth to keep the hands and make do with manual labours as pride-enveloped - the sweat and a goodnight's sleep - to live in a society where art is difficult to muster and call profession rather than a past-time, to live in a society of professional artists likened to the Italian Renaissance, to live in a society where manual labour is prißed (s / z interchange, phonetic antonym proximity: priced), to live in a society where acceptable gambling is shunned like unacceptable gambling is infectious with warnings sold... to live in a state like this... would be to have the stern village everyone-knows-everyone attitude, where outsiders are deemed suspicious without hierarchies of spying organisations... where everyone tends to wear the same underwear - well that would be a society built without a concept of slavery or microwave fine dining... by the way, given the nakedness of English encoding, and the many particular deviations in linguistics and *** alike, you can put in whatever stresses are necessary whenever you see them, e.g. carrot and a carot and shtick - škoda / sh-codices - feel free, explore, the labyrinth is yours - in Polish škoda is a word know as - shame, leveraging on the phrase 'oh well' / '(what) could have been'.*

i used to check my neck-fat dangle bits
and pieces like someone with high blood-pressure,
it was a sorry affair,
i feel more comfortable with a Scandinavian
physique of whale-blubber cushioning
my bones - i told you once, i'll tell you again,
i rather live on ᚦᚨᚱᛁᛖ œyer - got to curl the tongue
rather than simply have a tongue in cheek -
than anyone else - like a thomas hardy novel:
far from the maddening crowd,
obscure, half-witted, raised on an Orca meat diet,
half-sure whether Milan or Venice ever existed,
happy, not really agitated to write poetry,
more agitated to build a boat or fix
a drainage pipe, but not exactly expecting a poem
to be on the cards to be read like tabloid newspapers
are by feet imprinting mud on them discarded
by the time the Evening Standard is printed
in urban streets, promising in hand and fresh igloo
slice of tongue on the index to turn the next page...
later worth less than toilet paper,
that's journalism, at the end of the day
it's worth less than toilet paper, the paper's too rough,
you'll end up cutting your **** up rather than
cushioning out a brown marshmallow - it ends up on
the street, in the gutter, trampled and otherwise,
harsh words about reality-t.v. come with harsh realities...
toilet paper comes with the gentle side of mankind,
seated on the throne-of-thrones, the obscure
fundamentalism of having a heart, being killed while
taking a **** - next of kin: a baby in a ***** likewise fated.
Elioinai Oct 2014
April 7th
Late one night as I walked the shore,
There came to me whispers, whispers of lore,
And there, her tail sparkling amid moonlit foam,
Arose such a lady, of mermaid kingdom,
She sang to her sisters, sang of her lover,
With tears in her eyes, the voice of a mother,
His valor was great, and his gilded gills strong,
But to quarrel with men, was where he went wrong.
One day as he swam, he met with a ship,
Swollen boards, barnacles, iron bolts rusted,
A pirate ship, not to be trusted,
And captive on board, were children for Haiti,
Who cried for their homeland, their hearts feeling weighty.
Their African voices, and African songs,
The voice of a mother, for her child she longs,
The prince’s heart broke, and he wept for his cousins,
Bound for a life of back breaking strife,
He could not leave them and return to his wife.
“From whence have you came?” His voice through a crack,
“In Fanga and Dmindi our feet were entrapped,
Our hands roughly shackled, and lips cruelly slapped.
Oh Fanga of bananas sweet, where blue sky that river meets,
Oh Dmindi, great bronze walled city, now ransacked and devoid of pity.”
“My Family!” cried the Merman, “Just a day offshore you are!”
“If I could get you back . . . do you think you’ve traveled far?”
“We cannot see the sun, don’t know when our sorrow begun.”
“Wait”! One says, “They’ve fed us twice. Two days ago we were cast off.
Surely we could travel back, and if not, in Africa we’d rather rot,
Than in this sinking, stinking ***.”
So the sea prince called his creatures many, whales and dolphins,
Turtles and sharks, in the sun they made their marks.
The Pirates on board became perplexed!
The sea was soupy, their course upset!
What could they do, with this onset?!
The Captain snarled and shook his braids,
“Of no man or beast am I afraid!”
And on his rifle his callused hand laid,
“Let war on these creatures now be made!”
Every Pirate with his gun! The captain now was having fun!
Bullets hit the water, but very few found their marks,
For there was but little marks to see, except the tracks of swimming sharks,
The sailors groaned, what magic is this?
What has happened to the fish?
That they would around our boat amass, where do we go? Oh, alas!
The day grew later and so sign was seen,
The pace was kept, for the shore they were bound,
If this keeps up, we’ll run aground!
With half-fish leading, in the front he swam
He encouraged his army, and called to his friends
“Toward Cote’d  Ivoire  we are a sailing,
Do not let your hearts be failing.”
(No pirate could hear his voice, this was the half-man’s special choice)
“I shall take you not to a harbor, but to an island inhabited by few,
With food in abundance and canoe trees for you.”
That night as the stars rose, he sang them to sleep,
In their own mother tongue, no more did they weep.
For they were surrounded by magic of love,
Love of the keeper of the sea, a father himself.
But then in the morning, the morning of slaughter.
He let his tail slip above the bright water,
The Captain roared with guffaws of cruel laughter.
“To arms again my men!” He cried,
And on that day the Merman died,
For with his dark blue back exposed,
The Captain knew the enemy he loathed,
His aim was sharp, and his propellants deadly,
A shot rang out among the medley
Of orca chants, and dolphin chirps,
And at once clouds moved across the sun.
As purple blood stained the water, the Captain shouted “We have won!”
But the race toward land didn’t slow one knot,
The outcome wasn’t changed by a single shot.
The great fish knew that their command hadn’t died and the death of their king,
Though for sure they cried, His body was dead but his word was alive.
Two porpoises left to carry his body, away to a grave, to lay with his family
To the Castle of Coral their burden did bring, to sisters to mourn and his dirge to sing,
They wrapped his long body, laid him in a cave,
Cursed the old Captain, oh **** the cold Knave!
And brothers did leave to do that hard deed, and carry the prince’s wish out.
They swam in a swarm to the creaky old Roger,
In the night they did find her,
Her crew in a bother,
And climbed they the boards that held her together,
Soon she was taken, the pirates all killed
And prisoners unshackled, as the Merman had willed
(some mermen did die, in the scuffle preceding, but most wore protection,
Their brother’s fate heeding)
The sun did arise, in the brilliant sky,
A Hero’s day! The African’s cry.
The mermen guided the vessel to shore,
And of the Queen’s story there was little more,
Except that now she sings in the evenings,
As she raises her girls and little menlings,  
No one will she find to replace her Prince,
No such lonely valor has she ever seen since.
So she sings to her sisters, under full moon waves
And calls to her cousins, on land that are slaves
That saviors will come, their own lives the cost
And vengeance will fall, happiness is not lost.
April 7th, 2012
Please forgive my unresearched work of fiction
No ethnocentrism implied, mermaids are the cousins of all humans
SE Reimer Sep 2016


i stand before this kneeling bench,
no sanctuary of our making;
its walls here open thrown,
on stained glass windows found
strewn upon the sand,
its tide-washed, polished glass,
my feet find holy ground;
my sandals left at driftwood door.
incense burns upon the wind,
its salty spray is mingled,
with my own upon
these joy-stained cheeks.
the worshippers that went before
have built a temple out of wood,
hewn, untouched by human hand,
a steeple to the sky is lifted,
and within its shelter,
remnants of a ring of fire,
smoke once lifted to the
heavens by believers true;
this church i see through salted eyes,
this scape awash in teeming life,
here i drink this living wine;
its ebb, its rush, its living in
each moment without need,
to connect each dot, or even speak.

i long to live at razor's edge,
where sands and tides collide;
the rocky shoals where dungeness,
find sustenance and shelter;
the coves where seabirds feed their young,
above the sandstone cliffs;
the bar beneath a setting sun,
in flames awash in waves;
find comfort ‘neath
the storm-shaped pine,
feel longing in the stinging air.
these cheeks that weep,
though want of tears,
not in sorrow mind you,
but in joy of freedom,
the lure of siren alter call;
of a close horizon on a misty morn,
the haunting breath of orca,
just beyond my sight;
the bark of ocean’s lion,
the roar of distant waves;
with these my prayers i send,
as i offer this my praise;
this church of no man’s making,
here i come for cleansing,
to breathe the life that i am given!

~

*post script.

by nature we are spiritual creatures;
spiritual... not religious.  reading your
sea-scaped prose inspires me; planning
changes in my own life even more so!!
it is said that we return to what we know
best... the ocean calls...
i went in to a trance my mind my thoughts and me
thought i was a sailor sailing on the sea
sailing in the sun beneath the sky so blue
lots of things i saw that i could clearly view
i saw  a school of dolphins and an orca whale
having lots of fun splashing with his tale
there were  lots of birds parrots and cockatoo
there were many others there were quite a few
then i saw a marlin a great big fish was he
jumping in the air as happy as can be
this was just a trance that i could plainly see
there inside my mind with my thoughts and me
Pretty summer wind against my skin
the summer heat cannot beat me
so many shady trees with the lovely breeze
the mockingbird does not mock me
he chants for me like the nightingale
most beautiful but why
his cage is in the auction for sale
never compare a mockingbird with a nightingale
i don't either compare an orca with a whale

pretty summer wind against my skin
summer heat has long time taken place
i enjoy this dutch hot summer on my face
with its cool breeze within

if we are attentive enough
nature has oft its balance
in fact easy to discover though
it's all so transparant
and of much importance

© Sylvia Frances Chan
The balance here is though Very hot, but there is most of the times a cool breeze
I reside here, that's why I call this poem  Dutch Summer (July 2018)
Tristan Neve May 2010
The gods all shout and sing
And don't push the wine aside
Won't you call the sea?
An orca is lost
Disturbed by the big feast
And mulched in the bed
Your doctor will not say
And his spirits can not talk
So you must die alone.
vircapio gale Jul 2012
in orca ova, swim
arisen cinnamon suns;
venus simmers so.

~

no seams seen in sea ***, nor sun, nor *****
the unbridled alliteration is the result of limiting myself to only the letters  

a c e i m n o r s u v w x z  

(the squat letters, idk, the ones with no protuberances or appendages)
CA Guilfoyle Apr 2015
From this island
water and more tiny islands
heavily treed with Douglas fir
landing ground for ocean otters
while orca whales glide by
spout and spray
the beach, broken shelled
puddled wells of tide pools
filling, spilling over again
brown bauble seaweed mingles
round algae rocks, barnacle shingled
here where the air breathes salt scented
water running wild with salmon.
Waverly Dec 2013
I make trips to the corner store, at 12 in the morning.

Calling all cars to get the **** out of the road,
I'm swerving.

Calling all lights,
blink and be gone. Streetlights,
stoplights, lamps, lighters,
blunt tips, cigarette butts,
all lights be gone.

Dear Earth, get low in the darkness.

On my first trip,
I was accosted by rabid dogs who drooled shoelaces
and I could tell they were being hounded
by the kilter of their angry maws
and sawed-off minds.

They barked like guns.

And they saw me--completely irrelevant---
popping caps off Lokos
taking sips that could **** up an Orca,
completely swimming.

I had to kick them home.

At work today,
Someone got caught stealing five pesos worth of food,
and got threatened with a felony,
but they've got some lint in their pocket,
and knew how to keep it cool.

My girlfriend operates in ideas.

I've been at work for so long,
that I yell and walk around,
like I'm in the shower.
A poem fron early 2013.
Kenya83 Apr 2017
Excited for the gifts
This planet kindly gives
The wonders of the world are generously rife
It really is a magical life
If we are wise, we'll open our hearts, eyes and minds

I long to see Japan's elegant cherry blossom land
Geisha girls, eerily still they stand
Cooling faces with fan in hand

Walk for hundreds of miles, along the river Nile
Meeting friendly souls with weathered faces
love as their principle basis

Whiteness the overcrowded Mumbai station
Then rush to see a tea plantation
Where on your way your heart longs to stay
Here, forever you could lay
There's a calling from the hills, the wildlife thrills
But why stay still
There's plenty more to feel

The vast African plains a plenty
Where it may appear, but it's far from empty
This is the magnificent Serengeti
Here I'm in my element
Let me enjoy admiring the elephant
A powerful earth rumbling migration
Sees a whole new destination

Tysfjord with its breathtaking views
Norway is an artists muse
A landscape so still and stunning
To be offered more is a second coming
When night arrives with it northern lights
You'll be mesmerised by the natural sight
You'll stay up all night long
As morning is blessed by orca's song

Rumi was a wise old soul
His words are timeless
His advice is free
I take his writings literally

"Why stay in prison when the door is so wide open" ~ Rumi
Mateuš Conrad Dec 2015
a. calls it solipsism... b. calls it vocabulary... honeslty? i don't care which is required for 1 + 1 = 2.*

then unto you my grievance made
rest and thus let reside in that which made
comfort from discomfort
that made heart acquiring less inquiring,
then the grievance that faked a man’s womb
to womb a man’s wording to ***** exchnage of mother
for christianity not made in guraded pride not governed by priest but
by the long oar and the cold whip of the northern wind
exchanging a harvest of orca; orca! sea bled red antonym
of babylonian azure!
unto you i claim harvest of voice, unto you an onomatopoeia of clapping
with carving hearing that of a chisel...
let us signature the body in stone and the soul in god...
or exchange the stone in god as command
soul in body as ownership of the least commanding ex nihil machina et cetera deus anti ****; quare **** est?!
Andrew M Bell Feb 2015
Have you ever stood,
craning your neck to look up into the canopy
of the ancient kauri, Tane Mahuta,
while peace and birdsong permeate your soul?

Have you ever felt
the crusty spray and the satanic whiff
as the Pohutu geyser shoots aloft
while a dozen languages bubble through te reo?

Have you ever shivered
in the receding darkness,
standing in the china-white sand as you waited
for the first sunrise over Makorori Beach?

Have you ever sat
on the summit of Mt Taranaki
and eaten a well-deserved sandwich
while cows grazed far below on the lush, volcanic-rich pasture?

Have you ever experienced
that mixture of fear and awe
as an orca’s dorsal breached beside your too-fragile kayak
in the shining waters of the Abel Tasman?

Have you ever paused
atop a ski run on Coronet Peak
and reflected on the reflections
of sunlight dancing on snow and water?

Have you ever felt sorry
for tourism chiefs and advertising creatives
trapped in offices in the Auckland CBD
dreaming up “100% Pure” and “Clean and Green”?
Copyright Andrew M. Bell
Connor Apr 2016
"O!
That the earth
Had to be given to
You
This Way"* - Charles Olson
                
Impermanence is romantic because you
have to make the most of love
while it's still there.

Music doesn't play for birds anymore.

I'm having a conversation with myself
that has never stopped, and honestly, I want him
(the other guy) to shut up!

Recounting recent Vancouver,
humid commercial streets all lit up in midday
cafes cafes cafes
Sweet Cherubim with it's tobacco free cigarettes
and appearance of smallest India!
Traincarts full of familiar faces as time makes these tracks easier to travel.
My shoes are stained with fences, Seagulls do nothing but
complain and **** beautifully!

Here I am now, April 16th, Tsawwassen Ferry Terminal, I can smell the overcast and the expensive perfume behind my seat.
We have the French tourists, Chinese grandmothers,
and millenials wearing thick red lipstick, hair braided back
"What the heck"
to something by the SNB (more coffee)
read Gerry Gilbert's stuff, continuing "MOBY JANE" and it's
refreshing to be engaged with a local poet who makes
direct references to
Nanaimo, Vancouver, Victoria, etc.

Wind is calm today,
I find most poets go into the details of their daily lives and perceptions, while I've made it a habit to try and write about everyone's lives all at once, even when I don't know a **** thing about them (but that's the most interesting part to me)
anybody could by anybody else
who's to say?
I bet I am not as interesting as some may think,
I bet I am not as interesting as I may think,
I can't land a solid date!
aboard the last ferry I saw someone with the face of Andy Warhol and now I see someone with the hair of Andy Warhol.

OK OK
Back to Vancouver,
shorts while it rains outside (not me)
Gastown tangerine reflections off buildings &
my friend points out the non profit office she works in weekly/
10 floors or more of archaic steelwork/heavy foundation/smoothed edges/copper ceiling.
I hardly miss the smell of this place (or rather some areas of it)
the ***** and suited cologne, frequent pizzerias, vintage two-floor aged wood shops, perspiring neon Granville hysteria, Vogue Theater advertising a future appearance by Parov Stelar, I think Robin Pecknold was here recently as well but hell if I can remember the comings & goings of everybody!
Raga band plays beneath the window cleaners one year earlier emitting
audible visions of Calcutta's disorganized theatrics.
Some of these skyscrapers look almost imaginary in their modern sheer.
Glass and more glass with solar panels added in/absorbed heat and people's despondent attention.

Big blow-ups of spectacular strangers, *** is in high demand and marriage has become commodity///

"THE FUTURE IS NOW
COME AND CATCH IT BEFORE IT LEAVES WITHOUT YOU
AS IT WILL APOLOGETICALLY,
INNOVATION/WIRES UPON WIRES/LOSS OF CEMENT/A CEMETERY OF GLASS PANELS AND **** ADVERTISING THAT CUTS OFF TOO QUICKLY TO READ"

"EACH AND EVERY CHILD IS LOOKING UP AT THESE MODELS AND FALLING INTO THE MESH OF SURFACES AND FACELESS BODIES/NICE JAPANESE CARS/THE KIND THAT DON'T NEED GAS OR EVEN DRIVERS"

"WE'RE ALL LIVING LONGER AND DYING EARLIER/WHERE IS IT HAPPENING NOW/WHERE WILL THE RECENTLY WED GO FOR SECLUSION? WHERE WILL THE OLD GO TO RETIRE WITHOUT THE FEAR OF BEING FORGOTTEN AND ABUSED BY THEIR FAMILIES AND CARETAKERS?"

"WHERE IS THE COLOR ON THE CLOCK?
DON'T EVEN GLANCE AT YOUR NEIGHBOR/
WE'RE ALREADY BEHIND BARS \\"

"WHERE IS UNIVERSALLY PREFERABLE BEHAVIOR?
WHERE IS EDUCATION?
WHERE IS MY SELF
AND YOUR SELF?
WHERE'S THE NEXT TRAIN TO MATERIAL RELEVANCY?
CAN I FIND THE ADDRESS IN THE PHONE BOOK?
DO I REALLY HAVE TO WALK THAT FAR?
**** THAT!"

"MY FINGERS ARE WILTING/
FLOWERS ARE DEFENSELESS AGAINST AIRPLANES/
DINERS ARE GOOD FOR REST STOPS AND NOT MUCH ELSE"

"HEY COWBOY
YOU DON'T WANT THOSE FILTERED POISONS
YOU WANT THESE ONES!"

"HEY DARLING DOES THE RING FIT THE EGO?"

"HEY ******* WATCH MY BUMPER!"

"I FORGOT TO FILL IN MY TAX SHEETS ANOTHER MONTH IN A ROW THEY'LL FINE ME AGAIN"

"HOW DO YOU DEFINE "UNIQUE"

"I CAN'T HEAR MY COMMERCIALS OVER THE VACUUM CAN YOU PLEASE KEEP IT DOWN"

"THE BIRDHOUSE FINALLY ROTTED TO THE POINT IT'S FALLEN APART"

"I CAN'T AFFORD MY DAUGHTERS PIANO LESSONS I WISH I WAS A BETTER FATHER"

"WHAT DO YOU MEAN I CAN'T TAKE MY CAT HOME WITH ME TILL I PAY UP FRONT?  I DON'T HAVE THE MONEY RIGHT NOW/YOU'RE KEEPING HIM AND CHARGING ME PER NIGHT?
'no sir if the cat is young we usually find a way around euthanasia'
'thank god for that'"

"CAN'T WAIT TO GET TENURE/
ABOUT TIME"

"A SALES MAGAZINE RECOMMENDED TO ME PASTEL LITERATURE IT WAS SENSELESS AND LACKED IN ANY INTELLECTUAL VALUE BUT SHOULD I BE SO SURPRISED?"

"MY HOUSE IS GOING UP IN VALUE! now how can I implement this value to my life?"

"BUY NOW/SAVE MORE/SPEND LESS/
PAY OFF YOUR LOANS EARLIER/
WE ARE NOW /CLOSED/"

An Orca is alongside the ferry,
it's a lovely sunset beyond the series of islands to reach Schwartz Bay
this afternoon. I put the book down, stretch myself out on the seat, arms relaxed to my sides.
I only write the poems I don't need to think about.
Here I am, so distant from shopping carts
or drums or physical isolation, people talk of travelling
to New York and Italy, a group of young girls console their friend who's being bullied (I have a bad habit of eavesdropping)
There's people snapping pictures of the whale, now stopping as it
returns to the blue mirror.
Days never tie up their loose ends, instead it's up to the day after that, and so the next one, yadayada.

Suddenly the weight of this year floods in,
a specter of eager fields, goodbyes,
and leaving myself behind.
Where am I going?
Butch Decatoria Dec 2015
They cry turmoil thru my web-pages,
pages on pages of Tribunes and Suns and Times
and Quarterly

"Free Burma!"

it's all turkey and pig-latin to me,
just "dunno!"  like a dunce-capped miscreant,
inept of their vitriol

as i was not so great at geography
i got by before junior high.
Where-the-tarnished-nation is it?

"Free Burma!"

Notice the elephant in the room
like a whale named *****
attempting to escape
brothers of all of ours
engulfed in war
some ocean somewhere someone is dying;
notice that elephant in our laptops
ivory and blue tooth and iphones
telling me, showing us
to care
i do / want to
we should and we must
yes

"Free Burma!"

will i need to donate a dollar,
two, three? will i receive
a correspondence
of a child i am saving
a face of a country
i'm ignorant to...
           will it's big sad puppy eyes be
commercialized?

i am no less as educated for not
following the strife of thousands
   my own is as heavy here as an orca's leap

"Free Burma!"

what cage, bear or mouse trap
have they gotten themselves
and ourselves into?
if it's anything like Yayo or Martha
business
i have a better "good thing" to do

but if it is
like famines in Africa,
Mendelson, or Tibetan Monks
on strike with kung-fu skills
i will join U2,
(and if she's aware) with Oprah power
activate!
(fist to fist)
"i will be a well of spring-water!"
and she a holy cow, a worshipped saint

"Free Burma!!"

free water
free of fear
free everyone, i pray,
under this sky
wipe away all tears

free you of your worries
free of all chains
free of mines
free of lies and borderlines.

Free to be
together
free to live and choose to see

A planet a place
A peace

"Free Burma!"

Freedom
as one
community.

For you, for me.
Home.
Free...
Rewrite / Edit ... find the original version/earlier draft in www.writerscafe.org/poeticfluffer
r Aug 2018
J35
O, Orca
Tahlequah —

so much more
than just J35 —

for 17 days
more than
1,000 miles
of heartache
you gave us —

waiting, watching
as you grieved —

carrying the weight
of the world’s eyes —

teaching each
and everyone —

grieving mothers
have their own —

ways and time
to say
goodbye.
To grieving mothers of all the gods’ creatures.  Birds of a feather. If I could walk on water to lift your spirits, you know I would. A special thought to TM, here: Tahlequah brought you to mind, Sister of my same waters.
Aaron Tangkengko Jun 2014
Sometimes


Sometimes I lie awake staring at time.
As if at one point you were crying at the impact of birth.
and then you finish
and you're in tears over anything
A man would blow his brains out for.
And the trigger mechanisms are simple

So it closes in.
The crinkling stares of so many children
Who can't even imagine themselves in me.
And it is I,
I'm the one in make-believe,
Only dreaming and dreading of the future.
Like a heavy wool blanket bedding with you in a heat-wave.
My own until it becomes the crucifix;

The point of martyrdom of the heretic's soul.

And somewhere I have dreams of catching lost time
Of an existence of perfect contentment,
A life without waste or remorse.

time flows like mercury…

Breaking and gliding away
Rushing with unforeseeable motion
Into a horizon that breaks
into sunrise to sunset
In the shortest, disbelieving , stunted, stutters of breath.

The times you find when you're malleable.
When you look far enough back in time.
When you try and find that breaking point.
Where your idealistic self broke down.

Like a body collapsing over a sleeping foot.

the point where disillusion became a new ******* eating hyperreality
Where the idea became a living stain swathed in a sheet of toilet paper you stole because you couldn't afford to buy your own. Where living and eating, filling the fridge, became the maniacal obsession. When it began to devour all the space the Truth was taking up,

like an orca charging a shoreline,

like a bad piece of art you bought for cheap to fill a void in the room.

Your liver fills with beer and your lungs are lit by a six dollar pack of nooses.

day in day out.

You find where you got yourself all chewed up.
When you're laying in bed with all your prized possessions
***** laundry filling the floors like empty husks, shed skin
deflated costumes of the person you've always wanted to be.
When you realize that hour glass needs turning over
But you've already done the deed and the *** end of the vial is burying the best of you in dirt.

Where selling soul for *** comes easy.

too afraid of the becoming
too comfortable with the being.

Cowardice comes easy.



That's where it all comes together to fall apart.

To sell your soul
You don't need a prayer
You don't need to be offered the world
You don't need the love of your life in the fold


You


Just need an illusion of certainty
A moment, a shadow
Of doubtless prospect
Just the belief that what you think is coming around the corner
is around the corner

You sell your soul
You sell your heart,
your *****,
your spine,
your genius,
your brain,
your sanity

Just to feel at home.

Sell it for a guarantee on cigarettes,
***** and a couch to meditate your guilt on.
A bed to sleep in where remorse is a dance done tossing and turning.

A bone dance.

A roof over heads.

Rent in pockets.


Zen

in a hovel hole of holy indiscretions.

The devil was an empty fridge and a stomach eating us thin!
We walk the streets as Concubines of wandering flesh
Paid and obliged,
obligated and pained
Marching with an anemic braggadocio, and a wounded dignity
Everyone's on their knees swallowing pride in gulps.

We wake up young and tired, vice-ridden, punched-in and broke.
waged into hypocrisy with all of our valiant and cumbersome notions of ancient virtue. Read to us in bed time fantasies and fairy-tales of things dreamed not meant to be.
And wagered into all that nothingness of essence, where
Vividly ****** in the violet haze of nightmares entranced in the violence and fury of the guillotine mind,
We converse in the language of our new and violent times.

It's become that Dream and Dread sit one letter off.
Dreaming and dreading, dressing as drunks draped in the dreary.

That's it there.

There's my poetry.

The extinction of the New Romantics.
The blood drenched fist harnessed in the beguiling, gilded, golden tapestry

the smearing of the ink upon the neon lights.
The weight.
mûre Jul 2012
My lonely is for eternity
Little orca wisting for pod
I clasp my palms to generate
an organic heat, if I try
hard enough perhaps
Can I build a friend who
would not disappear
without condition to
my spiral of demotions
I take up so little space
in my ice-pop orbit
in the universe I
need an adult, even me,
sometimes.
Martin Narrod Apr 2016
Come in all you children and dance upon the sea. The coastline tides are dancing and gallivanting on the breeze. The elephant seals are floating in their carcasses, warm blood lakes thicken on the foam, dancing in the ripples the shivers of Leopard sharks party's throw. ***** slugs and combatants, early hours send cries through crustaceans of the spine, and glitter muscles entwined with porpoise to drink their brunches with new recipes of the brine. Fairy starling, aching heartache, shapes each coil of the coast, and tears apart the stardust of starfish sliding up the coast. Drinking from the salt licks that falling waters move, inside the bay the bluefins escape the hunters in their shoals.  The itsy bitsy great white, crept into the beaches cove, but orca and dolphin chased him back into the deepest azures where the fur seals pup and milk.
August Nov 2012
Walking in.
In hand, a pink/brown suitcase.
Wearing an orca suit.
Doesn't matter why.
Dark auditorium.
Millions of thumb faces.
Smudged away by the painter.
Stumbling up and down the seats.
Sitting in one.
Getting Up
Moving to another.
All of the sudden in the front row.
Watching the spectacle.
At hand & on stage.
Too bright to actually see.
Just a white sun spot.
Then everyone is waiting.
Women are called on stage.
They are beautiful.
One by one they step up.
The wood floor is worn & polished.
And then they say my name.
And I stand up.
I'm in a tight red dress.
I tip toe to the stage.
All the thumb faces are silent.
Relaxed & unfocused.
I stand there, feeling the end of a joke.
And they clap and we smile.
I'm in between Ellen and Madonna.
Suddenly, every one is gone.
And we leave the stage.
Behind the scene.
Everything is concrete.
Obsolete.
Madonna looks at me.
And I feel myself swallow any hope,
Of an ego.
Eradicated, I know she thinks I'm nothing.
I run to the small bathroom mirror.
My two front teeth are gapped.
Bent inward.
Tears spills out from my eyes and down my face.
I run into the alley and look around.
I remember I left my suitcase where I was sitting.
Back at my seat, everyone is gone.
My suitcase is open and empty.
All my clothes are mixed up with things on the floor.
I slowly gather them.
As the the janitor man applies lipstick,
The movie star mirror looking back.
I walk to the front.
Heels clicking.
A man with long black hair is waiting.
'Why didn't you get my suitcase?'
'I don't know.'
When will my dreams mean anything to me?

© Amara Pendergraft 2012

— The End —