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"odalisque" poems
There are three versions of this poem. only one of them is available on the internet. This first version is from the New Yorker in a 1941 issue. It is the earliest version and the one that is quoted all over the internet. To My Valentine     by Ogden Nash (1902-1971) More than a catbird hates a cat, Or a criminal hates a clue, Or the Axis hates the United States, That's how much I love you. I love you more than a duck can swim, And more than a grapefruit squirts, I love you more than gin rummy is a bore, And more than a toothache hurts. As a shipwrecked sailor hates the sea, Or a juggler hates a shove, As a hostess detests unexpected guests, That's how much you I love. I love you more than a wasp can sting, And more than the subway jerks, I love you as much as a beggar needs a crutch, And more than a hangnail irks. I swear to you by the stars above, And below, if such there be, As the High Court loathes perjurious oaths, That's how you're loved by me. The next version is the lyric of a song from the Broadway musical "One Touch of Venus" (1943) by Ogden Nash, J S Perelman and Kurt Weill. Nash wrote this lyric. It is not on the internet that I could find. I got it from the sheet music. HOW MUCH I LOVE YOU More than a catbird hates a cat, Or a criminal hates a clue, Or the Axis hates the United States, That's how much I love you. As a sailor's sweetheart hates the sea, Or a juggler hates a shove, As a wife detests unexpected guests, That's how much you I love. I love you more than a wasp can sting, And more than a hangnail hurts. I love you more than commercials are a bore, And more than a grapefruit squirts. I swear to you by the stars above, And below, if such there be, As a bride would resent a blessed event, That's how you are loved by me. More than a waitress hates to wait , Or a lioness hates the zoo, Or a batter dislikes those called third strikes, That's how much I love you. As much as a lifeguard hates to swim, Or a writer hates to read, As Hays office frowns on low cut gowns, That's how much you I need. I love you more than a hive can itch, And more than a chilblain chills. I yearn for you in an ivy clad igloo, As a liver yearns for pills. I swear to you by the stars above, And below, if such there be, As a dachshund abhors revolving doors, That's how you are loved by me. The third is from the book "Marriage Lines: notes of a student husband" It was published in 1964 and contains a revised version of the poem with a much different ending. This too is not on the internet. I got it from the book. TO MY VALENTINE More than a catbird hates a cat, Or a criminal hates a clue, Or an odalisque hates the Sultan's mates, That's how much I love you. I love you more than a duck can swim, And more than a grapefruit squirts, I love you more than commercials are a bore, And more than a toothache hurts. As a shipwrecked sailor hates the sea, Or a juggler hates a shove, As a hostess detests unexpected guests, That's how much you I love. I love you more than a wasp can sting, And more than the subway jerks, I love you truer than a toper loves a brewer, And more than a hangnail irks. I love you more than a bronco bucks, Or a Yale man cheers the Blue. Ask not what is this thing called love; It's what I'm in with you.
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Feb 14, 2018
Feb 14, 2018 at 2:51 PM UTC
TO MY VALENTINE Ogdon Nash three versions
There are three versions of this poem. only one of them is available on the internet. This first version is from the New Yorker in a 1941 issue. It is the earliest version and the one that is quoted all over the internet. To My Valentine     by Ogden Nash (1902-1971) More than a catbird hates a cat, Or a criminal hates a clue, Or the Axis hates the United States, That's how much I love you. I love you more than a duck can swim, And more than a grapefruit squirts, I love you more than gin rummy is a bore, And more than a toothache hurts. As a shipwrecked sailor hates the sea, Or a juggler hates a shove, As a hostess detests unexpected guests, That's how much you I love. I love you more than a wasp can sting, And more than the subway jerks, I love you as much as a beggar needs a crutch, And more than a hangnail irks. I swear to you by the stars above, And below, if such there be, As the High Court loathes perjurious oaths, That's how you're loved by me. The next version is the lyric of a song from the Broadway musical "One Touch of Venus" (1943) by Ogden Nash, J S Perelman and Kurt Weill. Nash wrote this lyric. It is not on the internet that I could find. I got it from the sheet music. HOW MUCH I LOVE YOU More than a catbird hates a cat, Or a criminal hates a clue, Or the Axis hates the United States, That's how much I love you. As a sailor's sweetheart hates the sea, Or a juggler hates a shove, As a wife detests unexpected guests, That's how much you I love. I love you more than a wasp can sting, And more than a hangnail hurts. I love you more than commercials are a bore, And more than a grapefruit squirts. I swear to you by the stars above, And below, if such there be, As a bride would resent a blessed event, That's how you are loved by me. More than a waitress hates to wait , Or a lioness hates the zoo, Or a batter dislikes those called third strikes, That's how much I love you. As much as a lifeguard hates to swim, Or a writer hates to read, As Hays office frowns on low cut gowns, That's how much you I need. I love you more than a hive can itch, And more than a chilblain chills. I yearn for you in an ivy clad igloo, As a liver yearns for pills. I swear to you by the stars above, And below, if such there be, As a dachshund abhors revolving doors, That's how you are loved by me. The third is from the book "Marriage Lines: notes of a student husband" It was published in 1964 and contains a revised version of the poem with a much different ending. This too is not on the internet. I got it from the book. TO MY VALENTINE More than a catbird hates a cat, Or a criminal hates a clue, Or an odalisque hates the Sultan's mates, That's how much I love you. I love you more than a duck can swim, And more than a grapefruit squirts, I love you more than commercials are a bore, And more than a toothache hurts. As a shipwrecked sailor hates the sea, Or a juggler hates a shove, As a hostess detests unexpected guests, That's how much you I love. I love you more than a wasp can sting, And more than the subway jerks, I love you truer than a toper loves a brewer, And more than a hangnail irks. I love you more than a bronco bucks, Or a Yale man cheers the Blue. Ask not what is this thing called love; It's what I'm in with you.
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first line lips are false as a beach next mcarthur’s in chicago next the big blond takes the elevator down next pearl on the lip next shalimar stirs the canine **** all right I like that let’s start a new one do it what what do you have don’t **** up wheres the apostrophe ******* you’re cruel now back now whack it again whack it again I want it to go back whack it press it whack it okay new line i want elevator i want uh i want don’t ask the bellboy for the time just take the elevator to what? to notions? to the lingerie shop? ah **** you grandma new line all right one more time okay **** the gin-socked tongue that’s “soaked” period once again the elevator down paint the pretty tie (cough cough) thai next big buick big *** like fish put a ? after fish take it back take it back you ***** okay that’s not bad you do all right ah **** song of india in the desert at night put “” marks around song of india & desert song in capital letters hit shalimar then cadillac red lips then **** like a seashell with a gin-soaked tongue start new line all right does mcarthur stick his socks in the bathtune at night that’s bathtub the dog howls at the moon buries it in the backyard snakes lose their skin cocoa butter slick water on the brain of the big dark blond song of india **** **** **** big fish *** big v8 you ***** keep up with me painted rocks like a pretty tie fast car long legs and a broken heel now dead no not dead yet um estee lauder goes down on price-waterhouse in a swedish bath bellboy watching this is his reflection in the mirror no silver one-sided next line big blond trampled by elephants with wrinkled knees starch is not chic all gone shalimar stirs the k-9 **** sequined *** in the moonlight cadillac red lips hungry dog eats tail becomes himself bad dog play dead okay what do you suggest bad doggie bad comma bad comma hungry dog go for the tongue you dumb ***** keep going new line what do cactuses(i) have??? fronds fur what are their things called new line dog hates gin go for the breast stupid ***** good dog dry dog poor dog pour blond water of life **** yellow a thai like painted rocks period next i want head down legs up i want sequined *** only ****** level damp dampened dampest ***** panorama **** **** **** blue blue down there feminine azure with clouds too got it odalisque in blue period have mercy on me no no new ******* line what are you filling that thing up with okay stop it for now
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the stenographer’s notebook no.1
first line lips are false as a beach next mcarthur’s in chicago next the big blond takes the elevator down next pearl on the lip next shalimar stirs the canine **** all right I like that let’s start a new one do it what what do you have don’t **** up wheres the apostrophe ******* you’re cruel now back now whack it again whack it again I want it to go back whack it press it whack it okay new line i want elevator i want uh i want don’t ask the bellboy for the time just take the elevator to what? to notions? to the lingerie shop? ah **** you grandma new line all right one more time okay **** the gin-socked tongue that’s “soaked” period once again the elevator down paint the pretty tie (cough cough) thai next big buick big *** like fish put a ? after fish take it back take it back you ***** okay that’s not bad you do all right ah **** song of india in the desert at night put “” marks around song of india & desert song in capital letters hit shalimar then cadillac red lips then **** like a seashell with a gin-soaked tongue start new line all right does mcarthur stick his socks in the bathtune at night that’s bathtub the dog howls at the moon buries it in the backyard snakes lose their skin cocoa butter slick water on the brain of the big dark blond song of india **** **** **** big fish *** big v8 you ***** keep up with me painted rocks like a pretty tie fast car long legs and a broken heel now dead no not dead yet um estee lauder goes down on price-waterhouse in a swedish bath bellboy watching this is his reflection in the mirror no silver one-sided next line big blond trampled by elephants with wrinkled knees starch is not chic all gone shalimar stirs the k-9 **** sequined *** in the moonlight cadillac red lips hungry dog eats tail becomes himself bad dog play dead okay what do you suggest bad doggie bad comma bad comma hungry dog go for the tongue you dumb ***** keep going new line what do cactuses(i) have??? fronds fur what are their things called new line dog hates gin go for the breast stupid ***** good dog dry dog poor dog pour blond water of life **** yellow a thai like painted rocks period next i want head down legs up i want sequined *** only ****** level damp dampened dampest ***** panorama **** **** **** blue blue down there feminine azure with clouds too got it odalisque in blue period have mercy on me no no new ******* line what are you filling that thing up with okay stop it for now
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8
On the southwest side of Capri we found a little unknown grotto where no people were and we entered it completely and let our bodies lose all their loneliness. All the fish in us had escaped for a minute. The real fish did not mind. We did not disturb their personal life. We calmly trailed over them and under them, shedding air bubbles, little white balloons that drifted up into the sun by the boat where the Italian boatman slept with his hat over his face. Water so clear you could read a book through it. Water so buoyant you could float on your elbow. I lay on it as on a divan. I lay on it just like Matisse's Red Odalisque. Water was my strange flower, one must picture a woman without a toga or a scarf on a couch as deep as a tomb. The walls of that grotto were everycolor blue and you said, "Look! Your eyes are seacolor. Look! Your eyes are skycolor." And my eyes shut down as if they were suddenly ashamed.
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The **** Swim
~ *Lift the veil from a grayscale morning. Vividly imagistic. An odalisque no more. Her shape beneath the gown is a foreign land, a series of quiet revelations. Its pattern manifests as pinpricks of light perforating the shirred fabric of his heart. The preponderance of dream in her eyes becomes a call and response evoking purely imaginary spaces. The contained chemistry is beautifully insular, monochromatic. And there her lips. Into claustrophobic kiss. This lower register of love comes in unadorned, subtle colorings like the darkest part of night. One thousand shades of gray. One single light of white. And everything merges in the night.* ~
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Nov 24, 2023
Nov 24, 2023 at 11:47 AM UTC
A Grisaille Wedding
stunted short visionary dwarf ****** level too much too much ***** panorama cut the crap lay on your back change of venue blue blue dark clouds too ****** of black cotton 100% ****** feminine products need not apply c’mon but wait no more **** but where’s our precious depths lost our thoughts consciousness raised to new depths then lost as if ******* weren’t enough but hey look just drop it no asking for a hand now the clap is extinct ****** fungus a dinosaur what we’ve all been working for, right the liberated **** without love without guilt sure, but meantime it’ll **** you homicidal inundation or better yet you’ll go blind looking for it
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odalisque in aspic
this time something feels different this time i'm an angry toucan spitting eager saliva & i want you to rip my plastic beak off & whisper secrets into my slippery face this time i'm an open book & i want you to place your fingertips on my soft worn pages & read me between the lines forever i want you to be a magnifying glass mirror to show me my inconsistencies made of stretched wool fibers and hemp and wood held together by shiny clots of ink oil and glue this time i'm an open door numb with apprehension & i want you to surge into the threshold of my bare bones like a molecular flash flood burglary polishing my darkest stained corners with spiraling velocity this time i'm an oak sapling planted in your backyard spinning & dazzling in the sunlight & i want you to water me daily so i can grow with you to unbelievable heights & suddenly sprout flowers from my sinewy arms this time i'm a babbling brook cascading over slick brown rocks on a lush hillside & i want you to stir the moon like the wind & listen appreciate my serene grace because this time i need someone whose lips can be a tissue to the tears on my soft cheeks before they turn cold & calloused i need someone to sink their teeth into my shoulders & collarbone to wake me from this superfluous daydream i need someone who beds naturally into the ribcage nest of my plaid flannel shirt i need someone who will dance with me across an empty landscape into something bigger & deeper than just the starless sky above us i need someone who wants to learn the overlapping language of my eyes & hands someone who will lounge with me like an odalisque on the birth-bed of aphrodite drenched in the shivers of the moon canopy someone who can blur the lines between my cerebrum & theirs so that we become a stitched together quilt of soft memories in our imagination someone who has been in a trainwreck before & knows precisely where to kiss to make it all better
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Oct 11, 2015
Oct 11, 2015 at 11:43 AM UTC
something feels different
this time something feels different this time i'm an angry toucan spitting eager saliva & i want you to rip my plastic beak off & whisper secrets into my slippery face this time i'm an open book & i want you to place your fingertips on my soft worn pages & read me between the lines forever i want you to be a magnifying glass mirror to show me my inconsistencies made of stretched wool fibers and hemp and wood held together by shiny clots of ink oil and glue this time i'm an open door numb with apprehension & i want you to surge into the threshold of my bare bones like a molecular flash flood burglary polishing my darkest stained corners with spiraling velocity this time i'm an oak sapling planted in your backyard spinning & dazzling in the sunlight & i want you to water me daily so i can grow with you to unbelievable heights & suddenly sprout flowers from my sinewy arms this time i'm a babbling brook cascading over slick brown rocks on a lush hillside & i want you to stir the moon like the wind & listen appreciate my serene grace because this time i need someone whose lips can be a tissue to the tears on my soft cheeks before they turn cold & calloused i need someone to sink their teeth into my shoulders & collarbone to wake me from this superfluous daydream i need someone who beds naturally into the ribcage nest of my plaid flannel shirt i need someone who will dance with me across an empty landscape into something bigger & deeper than just the starless sky above us i need someone who wants to learn the overlapping language of my eyes & hands someone who will lounge with me like an odalisque on the birth-bed of aphrodite drenched in the shivers of the moon canopy someone who can blur the lines between my cerebrum & theirs so that we become a stitched together quilt of soft memories in our imagination someone who has been in a trainwreck before & knows precisely where to kiss to make it all better
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32
~~<○>~~ odalisque orchids langish in the steam bath of the hothouse ~~<○>~~ [10W] Catherine Jarvis
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Jul 26, 2020
Jul 26, 2020 at 2:17 AM UTC
odalisque
I ripped out of the old tavern Into the torn indigo overcoat And traveled under the porticoes of a billion fantastic stars To celebrate this marvelous November night. In the labyrinth of bricks and stones I hum and whistle the Irish song Like a singer before the orchestra, my multitudes. How exquisite—Avec un plaisir de génie—is my peripatetic existence! Lungs full of air, and I see the Muse in me. My treasured newsboy cap from a thrift shop spins on my hand, And my feet bubbles off the floor like soda pops. I pray my gratitude to the one above the altar For my indomitable freedom. Amen. A pocket change rolling, bikes uninhabited, and lampposts perpetual. A rolled cigarette wantonly leaned between my sticky lips. Autumnal dews wetted my forehead like spiriting wine. And while, scarf blowing, boots tattered, I raised my odalisque eyes heavenward The world pixelated above my moist eyes Like a seabed of jewelry stars
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Apr 30, 2021
Apr 30, 2021 at 1:03 PM UTC
Under the Porticoes
Suddenly, all those sad Decemberists songs we sang on our beds, your car, the bus to Heathrow, apply to us. Well, except that one about the chimney sweep whose love is dead and the barrow boy whose love is gone the Yankee soldier whose love is torn from him by war the Odalisque whose lover is drowned the double spy who trades a tryst in the greenery for documents, and microfilm too. We are not the star-crossed William and Margaret whose hazardous love provoked a cruel Queen, their fates tangled in the roots of the Taiga. We never made it to Grace Cathedral Hill to watch the city lights in the cold New Year night. I was more brine and **** and vinegar than you knew. I'll let you know if they ever write a song for ill-timed confessions and bitten back words and the way love can run out like an empty tank of gas halfway to the sea.
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Feb 18, 2013
Feb 18, 2013 at 4:56 AM UTC
The Decemberists Have Been Compromised
Rain! Timpany sounds on the roof and from the gutters call me to my front porch. Such music! Like little silver hammers striking the drumhead summer-baked desert floor. Magical music murmuring to my muse. Petrichor, after an extended dry spell, lingers. Nestling in my nostrils. How could two chemical reactions create such delicious desert desiring? Duplicity of dust and drought with a wet, wondrous wealth of water! Whew... hoo! My eager eyes behold emerald instead of dull khaki, brown and olive hues, odalisque forms of the prickly pear will become plump in their passionate love of precipitation! Ahhhh...!! What a joy to behold the crystal curtain once more! Small beads of moisture form on my forehead and fingers. Fascinating to feel the hairs on my arms stand up with the electricity of negative ions... Every sense is smothered with summer storm extract... ECSTASY!!!
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Jul 14, 2019
Jul 14, 2019 at 3:19 AM UTC
Rain After a Drought
Paint left, humidity purgatory, Sticky but practically peeled off, while Water and lime, the kind you hear about On infomercials promising to rid You of Built Up **** is trapped between the Panes they said they replaced but I don’t know. Clothes piled with invisible coatings of Dust from the floor last swept ten years ago, And sweat from leaving the AC off (Because saving a few bucks is worth it), And sweat in stained dresses when you touched me, And sweat in damp briefs when I touched myself. Paper stacks, three years, busy work And scholastic articles I should Have read, say I will, but won’t pick up, And verses I wrote that go nowhere but Here and to a real poet, happily Trapped at an average liberal arts college. So instead of dressing or cleaning I Call you, naked, a fattened odalisque, Silent for hours, my thin mouth, a suture. A fit black girl cut across the dog park, She saw my bare shoulders, sloped pudgy pale, We gazed in the other’s faces, but now I can’t think what she wore, and she knows I’m just sad, still: a ghost in the windows.
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May 9, 2014
May 9, 2014 at 6:21 PM UTC
Portrait of the Artist in the First Days of Summer
~_Midnight. Heaven is bathing, the window open. Just a kiss away._ —Jane Miller, "American Odalisque", _The Gift of Tongues_ __He, the moon, and I__ written March 2nd, 2021 My love and I look up at our night skies during this midnight time we share our eyes looking at the same stars in our heavens so far apart the moon baths us in its gentle light embracing both of us I am envious of the moon touching my love when I can not so I ask the moon to kiss him for me lovers are we he, the moon, and I.
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Mar 3, 2021
Mar 3, 2021 at 5:26 PM UTC
He, the moon, and I
He was a fine broth of a man And I loved dallying with him In afternoons of sun and breeze My lovely one-man harem. Such a delightful odalisque, I suspended thoughts of time. I greedily took up my guitar And seduced him with rhyme. As we fed each other sweets And made coffee by the jug We laughed and smoked *** Together naked on the rug. We told each other stories Of places we had been And astounding miracles Each of us had seen. We talked of **** dancers And clever men of magic And how the loss of innocence Was not altogether tragic Because we got to learn And could use it to grow And understand the secrets We recently did not know. He taught me how to love, This man of many stories. I learned to welcome mystery And search in it for glory. He showed me how to look And see people as unique And not some mass idea. I grew up from that peek. That simple time of learning And laughing with a man Who had the gift of sharing The way to understand. He took me from my childhood And showed me how to live. He gave me a gentle heart. The best thing one can give.
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Jul 20, 2015
Jul 20, 2015 at 8:02 AM UTC
MAGI
Say I was a sea captain in that life. Say I sailed a barkentine, the Eloise, on the Azores run out of Lisbão. I was a sea captain in that life. I sailed a barkentine, the Eloise, on the Azores run out of Lisbão. I found a green disc under my bunk and instantly knew its use. You have taken my books. You're no sea captain. The color you paint your toenails is that of weathered brass. The salt on your neck and in your navel tastes vaguely impure, like spray - delicious. Say I was a sea captain. Say I had a dinghy named 'Alouette.' I was a sea captain. I had a dinghy the crew called 'Woody.' She sang when the wind stroked her ribs and the spars rattled. Never mind. Never mind the night breezes off Mosquito Island, the roll of the berth as we lay at anchor in North Sound plotting our run to Anegada so you could see Pomato Point and what the chart called 'numerous coral heads.' That morning, with Fallen Jerusalem to port, you said four prayers, one each to your gods and a last one to Sunday, which you had neglected for years. The swell in Drake's Channel is rising. It will rise all through the night, and if we are not too drunk on this fine black *** we will rise with it.
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Sep 15, 2016
Sep 15, 2016 at 6:56 AM UTC
Odalisque
She holds herself like a sacred kiss Silent, cool in the ether Turning ever so elegantly In a Firmament of whirling starsoup I am just a girl, lost in my own time Pale haunter of underwater gardens Cthonic dreamer of a far darker poetry Needing night to tend my visions Under the care of a gentle mistress La Luna, beloved milky soothsayer And I, an uncanny odalisque Quite in love with the Moon She draws me in...I run Run to the tall stone fountain and the waiting ghosts Run with lifted arms to catch their songs Run like the mindlessly besotted Run like a shooting ribbon arrow She draws me in...and I leap Leap from the edge of the grass in tumbledown bliss Leap from the edge of hope, wishing Somersault through the impossible Leap into my Lady’s white eye Weaving cobwebs from labyrinths into wings Laced inside my corsetry harness, l Climb upon a diamond, star-bellied cloud In tune with the Moon’s sibilant call Pianos are playing in the key of longing as I step into space, out into the air Trusting my forever home In the arms of my bella donna Moon Asleep in her like a swooning dove Dreams, keys in the lock of fate Moonsong in my veins And the green Earth is far away..
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Jan 26, 2019
Jan 26, 2019 at 1:56 AM UTC
Luna
Willing slaves are obsessed by freedom, and envy free men's riches; Loathe to steer their own course, yet they curse their masters wishes. Beneath their oppressor's dominance they beg for their own choice, but, lest they acquire freedom even they hear not their voice. Willing slaves merit their abasement, as an odalisque securer still than the terror of sovereignty and the burdens of free will. These willing helots, shall they ever tire of their ruler's amnesty, and shed their dark age chains of fear to decide their own destiny?
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Oct 3, 2014
Oct 3, 2014 at 3:44 AM UTC
Willing slaves...
Marbre de Paros. Un jour, au doux rêveur qui l'aime, En train de montrer ses trésors, Elle voulut lire un poème, Le poème de son beau corps. D'abord, superbe et triomphante Elle vint en grand apparat, Traînant avec des airs d'infante Un flot de velours nacarat : Telle qu'au rebord de sa loge Elle brille aux Italiens, Ecoutant passer son éloge Dans les chants des musiciens. Ensuite, en sa verve d'artiste, Laissant tomber l'épais velours, Dans un nuage de batiste Elle ébaucha ses fiers contours. Glissant de l'épaule à la hanche, La chemise aux plis nonchalants, Comme une tourterelle blanche Vint s'abattre sur ses pieds blancs. Pour Apelle ou pour Cléoméne, Elle semblait, marbre de chair, En Vénus Anadyomène Poser nue au bord de la mer. De grosses perles de Venise Roulaient au lieu de gouttes d'eau, Grains laiteux qu'un rayon irise, Sur le frais satin de sa peau. Oh ! quelles ravissantes choses, Dans sa divine nudité, Avec les strophes de ses poses, Chantait cet hymne de beauté ! Comme les flots baisant le sable Sous la lune aux tremblants rayons, Sa grâce était intarissable En molles ondulations. Mais bientôt, lasse d'art antique, De Phidias et de Vénus, Dans une autre stance plastique Elle groupe ses charmes nus. Sur un tapis de Cachemire, C'est la sultane du sérail, Riant au miroir qui l'admire Avec un rire de corail ; La Géorgienne indolente, Avec son souple narguilhé, Etalant sa hanche opulente, Un pied sous l'autre replié. Et comme l'odalisque d'Ingres, De ses reins cambrant les rondeurs, En dépit des vertus malingres, En dépit des maigres pudeurs ! Paresseuse odalisque, arrière ! Voici le tableau dans son jour, Le diamant dans sa lumière ; Voici la beauté dans l'amour ! Sa tête penche et se renverse ; Haletante, dressant les seins, Aux bras du rêve qui la berce, Elle tombe sur ses coussins. Ses paupières battent des ailes Sur leurs globes d'argent bruni, Et l'on voit monter ses prunelles Dans la nacre de l'infini. D'un linceul de point d'Angleterre Que l'on recouvre sa beauté : L'extase l'a prise à la terre ; Elle est morte de volupté ! Que les violettes de Parme, Au lieu des tristes fleurs des morts Où chaque perle est une larme, Pleurent en bouquets sur son corps ! Et que mollement on la pose Sur son lit, tombeau blanc et doux, Où le poète, à la nuit close, Ira prier à deux genoux.
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Le poème de la femme
Marbre de Paros. Un jour, au doux rêveur qui l'aime, En train de montrer ses trésors, Elle voulut lire un poème, Le poème de son beau corps. D'abord, superbe et triomphante Elle vint en grand apparat, Traînant avec des airs d'infante Un flot de velours nacarat : Telle qu'au rebord de sa loge Elle brille aux Italiens, Ecoutant passer son éloge Dans les chants des musiciens. Ensuite, en sa verve d'artiste, Laissant tomber l'épais velours, Dans un nuage de batiste Elle ébaucha ses fiers contours. Glissant de l'épaule à la hanche, La chemise aux plis nonchalants, Comme une tourterelle blanche Vint s'abattre sur ses pieds blancs. Pour Apelle ou pour Cléoméne, Elle semblait, marbre de chair, En Vénus Anadyomène Poser nue au bord de la mer. De grosses perles de Venise Roulaient au lieu de gouttes d'eau, Grains laiteux qu'un rayon irise, Sur le frais satin de sa peau. Oh ! quelles ravissantes choses, Dans sa divine nudité, Avec les strophes de ses poses, Chantait cet hymne de beauté ! Comme les flots baisant le sable Sous la lune aux tremblants rayons, Sa grâce était intarissable En molles ondulations. Mais bientôt, lasse d'art antique, De Phidias et de Vénus, Dans une autre stance plastique Elle groupe ses charmes nus. Sur un tapis de Cachemire, C'est la sultane du sérail, Riant au miroir qui l'admire Avec un rire de corail ; La Géorgienne indolente, Avec son souple narguilhé, Etalant sa hanche opulente, Un pied sous l'autre replié. Et comme l'odalisque d'Ingres, De ses reins cambrant les rondeurs, En dépit des vertus malingres, En dépit des maigres pudeurs ! Paresseuse odalisque, arrière ! Voici le tableau dans son jour, Le diamant dans sa lumière ; Voici la beauté dans l'amour ! Sa tête penche et se renverse ; Haletante, dressant les seins, Aux bras du rêve qui la berce, Elle tombe sur ses coussins. Ses paupières battent des ailes Sur leurs globes d'argent bruni, Et l'on voit monter ses prunelles Dans la nacre de l'infini. D'un linceul de point d'Angleterre Que l'on recouvre sa beauté : L'extase l'a prise à la terre ; Elle est morte de volupté ! Que les violettes de Parme, Au lieu des tristes fleurs des morts Où chaque perle est une larme, Pleurent en bouquets sur son corps ! Et que mollement on la pose Sur son lit, tombeau blanc et doux, Où le poète, à la nuit close, Ira prier à deux genoux.
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77
Willing slaves are obsessed by freedom, and envy free men's riches; Loathe to steer their own course, yet they curse their masters wishes. Beneath their oppressor's dominance they beg for their own choice, but, lest they acquire freedom even they hear not their voice. Willing slaves merit their abasement, as an odalisque securer still than the terror of sovereignty and the burdens of free will. These willing helots, shall they ever tire of their ruler's amnesty, and shed their dark age chains of fear to decide their own destiny?
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May 27, 2014
May 27, 2014 at 2:43 AM UTC
Willing slaves...
I know this b/c I was told by a palace eunich who bore silent witness for centuries; he & his odalisque wife who tends the sacred flame & bears prophecies from the gods when they are not too urgent; otherwise Prometheus passes them off to Hermes who then informs Dionysus; but when Medusa goes below his belt & discovers she has been secretly married in Vegas or Hades; her shade honeymooning in ***** which resembled old Beirut in those days; as if twere her own mirror’s image she shopped for big colorful hats & wore them to ceremonial parades but not wanting to be caught out changed her name to Kali going by the moniker mother of destruction; sounds cool right? Shiva didn’t know what she got up to when she was out of his sight but he was too busy wreaking havoc of his own; her jewelry damningly strange; skulls & bones of men she'd turned to stone; Medusa cleaned up nice & calling herself Parvati stepped out w/ Hermes & went slumming in the Neoplatonic bars along the coast in her bikini; shocking Shakti tan the envy of every Mediterranean maiden; every matronly Roman **** talking about that gorgeous black girl on the beach whose skin sparkled like night; Medusa laughing up the sleeve of her striped cover up; is she a Jew, they asked, or the reincarnation of Cleopatra; surely the latter, let’s ask the witch of Endor but Samuel isn’t saying; let’s ask ************ Apollo but he isn’t saying, spitting in Cyclop’s eye; Hermes isn’t saying & even Hera is yesterday’s news
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Jan 31, 2018
Jan 31, 2018 at 1:20 PM UTC
Medusa’s Secret Life
I know this b/c I was told by a palace eunich who bore silent witness for centuries; he & his odalisque wife who tends the sacred flame & bears prophecies from the gods when they are not too urgent; otherwise Prometheus passes them off to Hermes who then informs Dionysus; but when Medusa goes below his belt & discovers she has been secretly married in Vegas or Hades; her shade honeymooning in ***** which resembled old Beirut in those days; as if twere her own mirror’s image she shopped for big colorful hats & wore them to ceremonial parades but not wanting to be caught out changed her name to Kali going by the moniker mother of destruction; sounds cool right? Shiva didn’t know what she got up to when she was out of his sight but he was too busy wreaking havoc of his own; her jewelry damningly strange; skulls & bones of men she'd turned to stone; Medusa cleaned up nice & calling herself Parvati stepped out w/ Hermes & went slumming in the Neoplatonic bars along the coast in her bikini; shocking Shakti tan the envy of every Mediterranean maiden; every matronly Roman **** talking about that gorgeous black girl on the beach whose skin sparkled like night; Medusa laughing up the sleeve of her striped cover up; is she a Jew, they asked, or the reincarnation of Cleopatra; surely the latter, let’s ask the witch of Endor but Samuel isn’t saying; let’s ask ************ Apollo but he isn’t saying, spitting in Cyclop’s eye; Hermes isn’t saying & even Hera is yesterday’s news
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29
how cursory the mind of a saint goes from caring to devil's tasks the poet basks in words of fleshlike tone while the preacher tomes of sin on a pulpit robed in black with a winged angel under his foot a barefoot tinge of an odalisque a mosque cringes the divine temple sways as the condemned say thou shalt not and traffic goes on by past faster than a wink a touch of an eyelid to the cheek of a doll sacred water sheds a teardrop down her thigh and god blesses those who sign
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Mar 23, 2017
Mar 23, 2017 at 2:47 AM UTC
mysterious
*she is LuNa she called him Mr hypnotic maybe because he practiced the subtle art of conversational hypnosis or perhaps he was a night dragon blink-less staring into her soul as if she where naked and her thighs were cradled in his amorous arms she ached to be his love slave on her knees, she wept a mosaic of desires her toes adorned with inlaid rings her tongue in flames wanting him thick in her mouth her ******* heaving like a black sea ******* sticky hot her ***** a cracked *** leaking buttery ooze a mindless baby doll in a chaotic embrace he all mad mans grasp she would be his butter cup and blood buffet to be buried feet over her head and spread wide seized fingers entwined a rose of ruin fuckarella a dark hazel with a wandering ****** her soul on a ferris-wheel from heaven to hell a ****** odyssey endearments and bites a blood soaked mouth lapping up his wet crotch fruit raving red rage burning she eaten and licked like blood cherries impaled used abused and forever gratefully amused beaten sweeter than a *** at a ***** movie waiting desolate for her demonic lover odalisque in love*
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Oct 4, 2017
Oct 4, 2017 at 12:59 PM UTC
ODALISQUE