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"octave" poems
New Year's Day 1:16 AM and my body is weary beyond time to withdraw and rest ample room allowed me in everyone's head but community calls right over the threshold drums beating through the walls children playing their truck dramas under the collapsible coatrack in the narrow hallway outside my room The TV lounge next door is wide open it is midnight in Idaho and the throb easy subtle spin of the electric slide boogie step-stepping around the corner of the parlor past the sweet clink of dining room glasses and the edged aroma of slightly overdone dutch-apple pie all laced together with the rich dark laughter of Gloria and her higher-octave sisters How hard it is to sleep in the middle of life.
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10.8k
The Electric Slide Boogie
Just a crack in the brick wall A red rubber ball The last time you can't remember When you stood tall The monotonous hologram The seaside hotdog stand The regrets piled higher than any mountain can Four stringed guitar Home in an abandoned car Courage in a bottle Wishing still on the first star Still he caresses the neck Presses down the frets Sings three octave blues On life's reef of wrecks He's free lost in the chords The music opens doors The pathway is as bleak as sin While inside he reaches for more He goes off to sleep He has his dreams deep About a paradise for losers And a five string guitar
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Oct 14, 2018
Oct 14, 2018 at 10:12 PM UTC
Four String Guitar
You choked on chariots raw. Red egg yolk suppers, churned of the milk oceans this morning you kept. The lintel of stone turned toward dusk. Some great dynasty of submissive spirits catering your morning Out on a cart of muse, forms of heaven cannot even hear you. You are a soporific knot in the tale of your Old womanhood. In this infinite Tuesday morning your small black eyes, like an oil tanker toppling over The intense azure sea- shipwrecked, and lost. Departing from your childhood you slurp Coca-Cola from a silver straw. From the corner store and inside Winter yawns. There is no face, only strikingly beautiful black hair. The body under you is at home in all My hand's fingers have to fill. All the clothes that you could carry for the two-way adventure. There are Never enough bubbles between your lips and the glass bottle you have. Only the score of the whistleblower. And the poor symphony you had prayed for into the dial-tone phone, the deep Wilderness, that stiff forever-ago budding from your coffee cup. Neurogenesis lifted from your Fingerprints and emblazoned into this lump of human ingenuity. The hopeless octave that cut us all short. Every short story that was left untold. There are the brief deaths recoiling in your spiritual architecture. The ****** of morphia has bourn me awake. Inside you are often unscathed, vanishing as some of Tonight's parts assemble you, on you blue is a beautiful color. The sweet retreat that gave you life or the bountiful deaths that counted you too cutely by your side. You are the sun in my black coat. Here is my sea, your sea, you'll see.
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Apr 26, 2014
Apr 26, 2014 at 5:34 AM UTC
Coca-Cola at 2:00AM
You choked on chariots raw. Red egg yolk suppers, churned of the milk oceans this morning you kept. The lintel of stone turned toward dusk. Some great dynasty of submissive spirits catering your morning Out on a cart of muse, forms of heaven cannot even hear you. You are a soporific knot in the tale of your Old womanhood. In this infinite Tuesday morning your small black eyes, like an oil tanker toppling over The intense azure sea- shipwrecked, and lost. Departing from your childhood you slurp Coca-Cola from a silver straw. From the corner store and inside Winter yawns. There is no face, only strikingly beautiful black hair. The body under you is at home in all My hand's fingers have to fill. All the clothes that you could carry for the two-way adventure. There are Never enough bubbles between your lips and the glass bottle you have. Only the score of the whistleblower. And the poor symphony you had prayed for into the dial-tone phone, the deep Wilderness, that stiff forever-ago budding from your coffee cup. Neurogenesis lifted from your Fingerprints and emblazoned into this lump of human ingenuity. The hopeless octave that cut us all short. Every short story that was left untold. There are the brief deaths recoiling in your spiritual architecture. The ****** of morphia has bourn me awake. Inside you are often unscathed, vanishing as some of Tonight's parts assemble you, on you blue is a beautiful color. The sweet retreat that gave you life or the bountiful deaths that counted you too cutely by your side. You are the sun in my black coat. Here is my sea, your sea, you'll see.
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Crescendo at the pitch , the touch of the octave, the slide of my ribcage. Put me on the overdrive the feel of the rhythm, beautiful eyes in glimmer. I can't believe we are back, on the track and split laps, the untimed togetherness. At the start of the race, where heat and mist rose, steams in the gush of the **** Poised passion rose to the skies, wetness and action felt so right, the torrential evaporated rain. My future lies in your bed, on the blue walls with graffiti, away in a continent afar. Inside the cocoon of a time-space, irrigated by sprinkles of growth, where we hum through civilisation.
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May 24, 2016
May 24, 2016 at 6:07 PM UTC
My Future Lies in your Bed
However this Stag Tradition breathes thus far Which works in all cases of Merriment That Ring is no Joke; And Youth points a Star To where your Heart will land in Sentiment He only Encourages, Dreams and Promotes As no Singer sang such Octave before Mark him Stranger; Not a Contest he connotes To challenge what had been Promised once more Such tell, that Woolen Strings are Postulate, A Theory already penned into Law That Fixed Hearts are veined in Mutual Rebate And Cupid signs both your names into Straw. Go to Her. She has sung Poems better Written This Bard resigns; Knowing he was Beaten.
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Mar 12, 2013
Mar 12, 2013 at 3:18 AM UTC
SONNET TRIBUTE SUNDRY - SIXTY-FOUR - TOM DALEY
It is nothing, a mordant of the soul, an elixir, a panacea, a placebo for my lesions, there in the thistle, grows our drastic garden of red posies and hyacinths, such little things, on the verge, lilting as the decorum begins to bobble and slump sideways, and murmur, on Mondays I can swallow the octave of your absence, tendrils and all, red quince limbs parting from the deluge and in its wake, the wreckage of black pumpkins and purple corn, hanging pendulum at our door, the Autumn lights summon a lavish song to harvest, thirty seven colours in the brocade you gift me, tangled and heavy the years upon my bones begin to spur and flower into cunning disruptions, and stratify upon my body like rinds of ricepaper, vellum for another wish in the complacent burial of mango flesh, listen, as my song liquefies, drowns you, inundates each alveoli, and our love in the swallowing gush, perched, begins to shudder, devoured by its symmetry, stem cells all akimbo in the shallow pitch of days bound in a nostrum of wine and liquorice it is nothing, really, a mordant for the soul, a tulle filament twitching in a raincoat of lightning....
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Oct 21, 2012
Oct 21, 2012 at 4:35 PM UTC
The Biography of a Wish:
Dad’s blood vessels wrap around my ankles. His numbing sclerosis infects my toes. Mom and Dad sing I alone love you in an octave with the front-man on stage. They cry together, subdued through flickered smiles, and I understand what it is to be devoted in the way a fire fights to cling with candlewick. I can feel it coming back again, he whispers near her ear lobe. The arches of his feet tingle as mom’s veins tangle with dad’s, his spine reignited by the warmth of their flame.
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Dec 1, 2015
Dec 1, 2015 at 4:05 PM UTC
Love by Candlelight at a LIVE Concert
Harmonica and strums sail my shores Tell my whole clan sonny, he ain't good That I met a troller under a sycamore He passed me all the love as he veiled We walked around,camouflaged by leaves Tell mummy he was a preacher's son A soul that was open and hid it's stick Unharmonised in accapellas I drowned Swingers of melodic stormy strings Tell sassy to keep her tassels tucked To calm her tussles and noisy gongs Shake on the octave of the beats Whisked dreams of the lost yesterdays Tell Jimmy to listen to her heart raise Tie her down, bring her back home Liberate and let her fly like a wild bird
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Apr 28, 2016
Apr 28, 2016 at 6:42 PM UTC
Stormy Strings (Blues Music)
She let the tape go— on record one evening for an ordinary hour Five years later, we play it back for laughs after dinner—then as now “Remember how the stove door screeched at the house on Olive Street?” And our voices! Phoeb’s, lighter–tired wrapping the nine’s tables in elastic yawns like flash cards in a rubber band “Phoeb, your pitch changed so— while I turned...” to run water in the tub lamenting the **** of Two in frenetic escape of hands Unruly! Running rebel taunts in Time’s strict face who would not dare disturb her dawns only mine— Roused by the first round of another day’s ring of twelve digits that insist like uniform with apron waiting on ironing board that’s never folded Now the **** of Two cries out Exultant! of success in ***** Then, Oratorio for Soap! The splashy version with endless bubblings of “Rocky Baby!” and obbligato of “Where’s Shampoo?” in jubilant glissadal plunge an octave through vocal whoops! …I had not thought she hardly talked but sang and squealed or whined in tunes Her voice lay open to her soul a roost of piercing humming birds small of words but filled with sweet and want incessant wings and things to say.... How could we have forgotten? “Are these your boots? Your clothes laid out?” From sound and talk, we still can hear frost phantoms in winter window rattles—then as now And Phoebe remarks how one voice didn’t change though— “Still talking to herself” We laugh and let the tape go....
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Feb 4, 2017
Feb 4, 2017 at 12:31 AM UTC
This is -- a Recording
She let the tape go— on record one evening for an ordinary hour Five years later, we play it back for laughs after dinner—then as now “Remember how the stove door screeched at the house on Olive Street?” And our voices! Phoeb’s, lighter–tired wrapping the nine’s tables in elastic yawns like flash cards in a rubber band “Phoeb, your pitch changed so— while I turned...” to run water in the tub lamenting the **** of Two in frenetic escape of hands Unruly! Running rebel taunts in Time’s strict face who would not dare disturb her dawns only mine— Roused by the first round of another day’s ring of twelve digits that insist like uniform with apron waiting on ironing board that’s never folded Now the **** of Two cries out Exultant! of success in ***** Then, Oratorio for Soap! The splashy version with endless bubblings of “Rocky Baby!” and obbligato of “Where’s Shampoo?” in jubilant glissadal plunge an octave through vocal whoops! …I had not thought she hardly talked but sang and squealed or whined in tunes Her voice lay open to her soul a roost of piercing humming birds small of words but filled with sweet and want incessant wings and things to say.... How could we have forgotten? “Are these your boots? Your clothes laid out?” From sound and talk, we still can hear frost phantoms in winter window rattles—then as now And Phoebe remarks how one voice didn’t change though— “Still talking to herself” We laugh and let the tape go....
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1003 Dying at my music! Bubble! Bubble! Hold me till the Octave’s run! Quick! Burst the Windows! Ritardando! Phials left, and the Sun!
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Dying at my music!
When I hear a concealed clock ticking, I think it's some shouldered past jello grenade ready to chastise my fletched thumbs. Like the last time Sandman drew supper with his knees, and decided to fling cherry cobbler at my nose, I realized this homeless perfume actually belonged to Mother. Her pearls redeem her complexion, milk marrow of silk against her nose-- three strikes dawdling their tongues from underneath tin necks. Steady, rinse, exfoliate: but those are difficult to do when your rib cage cracks like the last octave of a reddening audience. Brother thinks the tree skirt is soft, coddling his pats and rabbits below a ranch full o' pine scented apples. Sister wonders if she should bring new girl home, (met at 1:33 AM on 23rd Street. Apartment documented to smell like baby powder) but friends are friends are friends are friends, just friends as furrowed Daddy repeats to himself. Even "Hallowed be thy name..." confuses the CCD out of him. "Cancel Alabama's trip this year; the bees will be humming in their own candle wax. Besides, who wants to hug Nana when her breath doubles over in grilled salmon?"
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Dec 18, 2011
Dec 18, 2011 at 8:22 PM UTC
O Christ!mas Tree
I have a hard time writing about anger because ... Anger is just sadness in a lower octave Anger is a knot between the shoulder blades Anger is a loud voice in an even louder room Anger is a distant daydream gaze Anger is a fire sustained by silence Anger is hearing your voice in another body Anger sounds a lot like "Sorry, I've been busy" Anger is realizing busy really means uninterested Anger is thinking you are in charge of your reaction Anger is knowing you're a breath from bursting Anger is breathing shallow to hide the shake Anger is saying things you don't mean Anger is not saying things you do mean Anger is a fickle thing Anger is just heartbreak wearing a cowards face
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Apr 12, 2018
Apr 12, 2018 at 5:21 AM UTC
Anger
The night grew darker and the babel hushed, To their beds, the orphans rushed. One by one sound asleep, While through the curtain slit, Peter Pan peeped. He crawled into the hut, silent as a grave Played a melody, with an unusual octave. That night had been quiet ghostly, odd and peculiar Yet strangely enough, the orphans sensed no fear. The melody chimed like a beautiful lullaby, Frosty December cold seemed to have vanished, and it felt like warm July. The misery and sorrow appeared to be ending, As though time had stopped and reality was bending. Soon it was morning with the crack of dawn, But the hut lay silent, as if the children were gone. With no guardians to search for the stray, Lifeless bodies left on the floor, stiff and grey. The little ones fell into a deep slumber, one with no breath, A slumber that was led by the angel of death. However, beneath the bed was a note that read, “Off to Neverland, we now head”                                                                                                                     -Yashaswee Das
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Sep 2, 2020
Sep 2, 2020 at 2:09 AM UTC
Wonderland
Acquiring the libel of critics Internally at times I bleat And snarl, brow furrowed Like an actress when filming a major motion ***** “Originality bid us farewell” screams my advanced intellect Nothing more than a social outcast who lacks a catalyst (though thankfully the universe is an object of open ended philosophy) The voices of such a generation fail to carry notes Beyond the octave range Only Canis lupus familiaris feces, in its rejuvenated appearance, Delivers abstract imagery What was once honorable has dissolved into media sewage Virginal darlings now dissolved into marionettes Shall my poems alienate the public They shall at least demonstrate bravery
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Sep 7, 2012
Sep 7, 2012 at 10:53 PM UTC
Universal Fuckery II
born 1900 when Austria was still a monarchy that did not know it was approaching its end growing up as the daughter of the mayor of a little district town big fish in a small pond educated accordingly as a ‘higher daughter’ be a home decorator do needlework be a gourmet cook play the piano be a respectable member of the community and the parish when she turned 18 after the end of world war I the social order for which she had been prepared simply disappeared her father became a disillusioned monarchist the town’s republicans elected a new mayor she married a railway engineer who left her after her daughter my mother was born she managed to survive world war II as a single mother watched her daughter fall in love with, at Christmas 1946, and marry in April 1947 a guy who had just escaped from a Soviet POW camp looked like a walking skeleton my father AND was the son of a communist who had survived world war I as a POW in Siberia strange bedfellows they used to play cards together once a week with great gusto class warfare morphed into social entertainment both my parents were working grandmother led the household on the side did bookkeeping for local businesses to bring in some money practically raised me and my brother cared for us when we were sick taught me to play the piano was always afraid we would not get enough to eat for a while, as a little child, I slept in the same room with her and learned that she had a wondrously melodious snore going over an octave & some such when, after grade school, I had to leave at 5.45 am to catch the train pulled by a sturdy steam engine that took me to the high school 50km down the road she was concerned when I rushing out the door just grabbed parts of the breakfast she had so lovingly prepared when I left home for university she was not happy when I went to the USA for a whole year she was disconsolate she did enjoy her great-grandkids when they visited, though too much distance for too long from the place of her birth made her uncomfortable in her later years she needed a familiar place that came with its familiar things to do and know she lived to be 87 I saw her last after a second stroke had mostly incapacitated her a tiny woman curled up waiting to leave us for a world that finally might heal the pain and disappointment she had so bravely mastered throughout her life
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Oct 14, 2016
Oct 14, 2016 at 6:50 PM UTC
GRANDMOTHER
born 1900 when Austria was still a monarchy that did not know it was approaching its end growing up as the daughter of the mayor of a little district town big fish in a small pond educated accordingly as a ‘higher daughter’ be a home decorator do needlework be a gourmet cook play the piano be a respectable member of the community and the parish when she turned 18 after the end of world war I the social order for which she had been prepared simply disappeared her father became a disillusioned monarchist the town’s republicans elected a new mayor she married a railway engineer who left her after her daughter my mother was born she managed to survive world war II as a single mother watched her daughter fall in love with, at Christmas 1946, and marry in April 1947 a guy who had just escaped from a Soviet POW camp looked like a walking skeleton my father AND was the son of a communist who had survived world war I as a POW in Siberia strange bedfellows they used to play cards together once a week with great gusto class warfare morphed into social entertainment both my parents were working grandmother led the household on the side did bookkeeping for local businesses to bring in some money practically raised me and my brother cared for us when we were sick taught me to play the piano was always afraid we would not get enough to eat for a while, as a little child, I slept in the same room with her and learned that she had a wondrously melodious snore going over an octave & some such when, after grade school, I had to leave at 5.45 am to catch the train pulled by a sturdy steam engine that took me to the high school 50km down the road she was concerned when I rushing out the door just grabbed parts of the breakfast she had so lovingly prepared when I left home for university she was not happy when I went to the USA for a whole year she was disconsolate she did enjoy her great-grandkids when they visited, though too much distance for too long from the place of her birth made her uncomfortable in her later years she needed a familiar place that came with its familiar things to do and know she lived to be 87 I saw her last after a second stroke had mostly incapacitated her a tiny woman curled up waiting to leave us for a world that finally might heal the pain and disappointment she had so bravely mastered throughout her life
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You expect me to dance when you stare, But in fact I sit still as a rock and just stare back. You think I'm completely silent. In solitude. But no, I'm analyzing every curve Of your face, Every octave In your judge mental tone. Every fiber of your being that Makes you who you are, Wether I hate or love you. I analyze you to see you as your emotions. I see through your skin, To me you're transparent. I see what's inside, And that should scare you to death, Because it does me, Fore I am transparent as well, And if you really looked, You'd see me quite easily.
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Oct 10, 2014
Oct 10, 2014 at 10:19 PM UTC
Transparent
roaring fiery flames fill the empty void inviting colors of ambers and golds ablaze the room animates   different atmospheres of coziness sitting back in retrospection   flickering fire entertains with each crackling octave creating peacefulness and calm. whilst the flames aglow playing Chopin sipping cognac burning scented candle of pine and rosemary watching the felines and canine congregating together harmoniously mesmerized by flames coruscating shadows on the walls flames succumb catatonically    embers retire for the night.~~lorilynn copyright*lorilynn 2010
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Nov 30, 2010
Nov 30, 2010 at 6:23 AM UTC
ROARING FIRE
Let’s stay as long as we can And not worry about the end But rather, enjoy the time in the middle As much as we did the time when we first began Show me your hand Slowly unravel your fist I want to memorize the contours of each fingertip And the way the river of your skin flows down to your wrist Oh god don’t let me forget this Just this Let me at least just keep this I know the nature of our lives could never let this last But nobody told me it’d slip away this fast But even if this is all the time I get And the rest just ends in heartache I swear to whatever’s above; it was well worth it That you were the one truth I couldn’t break I think I always knew the color of your eyes The way the light bends in the corners like the edge of the sky Even if appearance is just a lie Something behind the confines of your soft blue stare shook my soul awake inside It's only time and a name we can't carry through But this beautiful shape, we'll never lose Our hearts are already too intricately intertwined And if even if those bonds bend they'll always be realigned   So I’ll picture the way your head feels on my chest until it all goes black With the hope that the moment I see you again it all comes flooding back Even if my mind can never find the time we stayed up all night studying the way our bodies can burn I’ll stain my soul with pictures of fire and bones until I find you all over again and learn So slow down….please Sit down with me and watch the sunset It doesn’t matter which one of us it’s for Let’s just watch it end And then ripple throughout the pond Creating waves big and small that stretch on and on Through different times and spaces across different lives and places Until all the movement comes back together in the middle And I can remember every first time I saw your face Even if we can’t stay right here in this moment I’m not quite sure that means we have to forget Let’s carve memories into our hearts and fingertips So that the next time they meet they’ll know exactly where each finger fits And even if I can’t stay right here with you in this song I’m not quite sure that means I have to be gone too long So come find me when you fall asleep I promise to leave the lights on in case it’s too dark to see I’ll shout so loud my voice will echo across the ages So that when the sound bounces back the octave changes And even though my words occupy a voice you’ve never heard I promise you’ll remember the song’s words But I can’t promise this won’t hurt And that our hearts will always be able to mend I can only promise that each time the tide resets I’ll make my way to shore and find you again Someway Someplace Someday
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Nov 11, 2014
Nov 11, 2014 at 10:26 PM UTC
Ripple
Let’s stay as long as we can And not worry about the end But rather, enjoy the time in the middle As much as we did the time when we first began Show me your hand Slowly unravel your fist I want to memorize the contours of each fingertip And the way the river of your skin flows down to your wrist Oh god don’t let me forget this Just this Let me at least just keep this I know the nature of our lives could never let this last But nobody told me it’d slip away this fast But even if this is all the time I get And the rest just ends in heartache I swear to whatever’s above; it was well worth it That you were the one truth I couldn’t break I think I always knew the color of your eyes The way the light bends in the corners like the edge of the sky Even if appearance is just a lie Something behind the confines of your soft blue stare shook my soul awake inside It's only time and a name we can't carry through But this beautiful shape, we'll never lose Our hearts are already too intricately intertwined And if even if those bonds bend they'll always be realigned   So I’ll picture the way your head feels on my chest until it all goes black With the hope that the moment I see you again it all comes flooding back Even if my mind can never find the time we stayed up all night studying the way our bodies can burn I’ll stain my soul with pictures of fire and bones until I find you all over again and learn So slow down….please Sit down with me and watch the sunset It doesn’t matter which one of us it’s for Let’s just watch it end And then ripple throughout the pond Creating waves big and small that stretch on and on Through different times and spaces across different lives and places Until all the movement comes back together in the middle And I can remember every first time I saw your face Even if we can’t stay right here in this moment I’m not quite sure that means we have to forget Let’s carve memories into our hearts and fingertips So that the next time they meet they’ll know exactly where each finger fits And even if I can’t stay right here with you in this song I’m not quite sure that means I have to be gone too long So come find me when you fall asleep I promise to leave the lights on in case it’s too dark to see I’ll shout so loud my voice will echo across the ages So that when the sound bounces back the octave changes And even though my words occupy a voice you’ve never heard I promise you’ll remember the song’s words But I can’t promise this won’t hurt And that our hearts will always be able to mend I can only promise that each time the tide resets I’ll make my way to shore and find you again Someway Someplace Someday
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Salt breezes through the door Swish, swish sings the shore. Your glass is raised Your conscience bare. Sweet fidelity fills the air. Floorboards creak, Louder, then softer, a meek Pitch you recognize An octave beneath your demise. A ****** aftermath of flowing wine Fills those eyes, the scalp, those ears His ****** wine were once your tears.
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Nov 26, 2011
Nov 26, 2011 at 9:58 PM UTC
Serendipity
I do not think much my place upon this earth, I am second, and you are first, and when your voice is louder than mine it is a familiar for me to sink and recline into my chair, wilful to listen to your unappealing, witted opinion and programmed flair - from which your talent glistens, and has always been there. Oh to be part of your vision. I walk comfortable in high heeled shoes that inscribe me a waggling soft tongue, and when your pace is faster than mine in brogues, and trousers that are looser, I am simply undone, at your ease to summon as the prime task-caster of more tasks to come. Your achievements are set with a slapped wet plaster. Oh that you share a crumb. And when you laugh, it is a big bellied echo that chimes in my throat to strike and produce, a small bit of fruit, just for you. As I mimic your billow in an octave but lower, that feels like part of the very same tune, but my chuckle is actually a choke, and what I could say would only provoke. Oh you laugh much harder than me. My almond eyes are softer than yours and in the day you lock them only for an answer, to some chore which requires a limited goal - don’t get me wrong – I am no prancer, my shoes are far too tight, and I’ve been taking the toll of your papers, your personal sciv, your faxer. A sniffing, weezling mole. Oh I could dig deeper… You **** much harder than me. And when you *** you look in the mirror at yourself in white unbuttoned shirt, heavy brow, so chipper that when your sun sets it does in a vulvonic decree, but you do not know that when I go home, I secretly scissor in a way that would make your morning clippers shake violently. Oh I love much harder than you, I am better than you, but somehow you are better than me.
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Aug 22, 2016
Aug 22, 2016 at 5:23 PM UTC
My vulvonic decree
I do not think much my place upon this earth, I am second, and you are first, and when your voice is louder than mine it is a familiar for me to sink and recline into my chair, wilful to listen to your unappealing, witted opinion and programmed flair - from which your talent glistens, and has always been there. Oh to be part of your vision. I walk comfortable in high heeled shoes that inscribe me a waggling soft tongue, and when your pace is faster than mine in brogues, and trousers that are looser, I am simply undone, at your ease to summon as the prime task-caster of more tasks to come. Your achievements are set with a slapped wet plaster. Oh that you share a crumb. And when you laugh, it is a big bellied echo that chimes in my throat to strike and produce, a small bit of fruit, just for you. As I mimic your billow in an octave but lower, that feels like part of the very same tune, but my chuckle is actually a choke, and what I could say would only provoke. Oh you laugh much harder than me. My almond eyes are softer than yours and in the day you lock them only for an answer, to some chore which requires a limited goal - don’t get me wrong – I am no prancer, my shoes are far too tight, and I’ve been taking the toll of your papers, your personal sciv, your faxer. A sniffing, weezling mole. Oh I could dig deeper… You **** much harder than me. And when you *** you look in the mirror at yourself in white unbuttoned shirt, heavy brow, so chipper that when your sun sets it does in a vulvonic decree, but you do not know that when I go home, I secretly scissor in a way that would make your morning clippers shake violently. Oh I love much harder than you, I am better than you, but somehow you are better than me.
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44
you are the draft of my poetries that I have kept hidden. you've taught me how to render all these feelings to be unspoken. you are the song by which the octave of my voice can't reach; and yet I still try to sing you in secrecy. you are the art that my simple mind can't seem to understand but it's okay, because I feel you and that's what gives these emotions an infinite ampersand. you are all these, and yet to me, you are still nothing. because in this life, that is all we are, and is all what we are ever going to be: nothing.
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Jun 8, 2018
Jun 8, 2018 at 12:11 PM UTC
you ask who you are to me, and this is my reply (though you'd never get to read this anyway)
music through my veins polyrhythmic synapses firing in 3/2 timing stuttering triplet rolls around my thoughts octave to octave change quicknowdoubletime overdrive of emotion s l o w s t o h a l f t i m e q u a r t e r   t i m e e   i   g   h   t   h    t   i   m   e stop these shaking hands this staccato heart a note from the end a measure too soon a crescendo to nothing discordant - anti-climatic. was the song to my life ever on beat?
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May 8, 2012
May 8, 2012 at 8:01 PM UTC
i think my cd player's broken