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"observational" poems
Time: 7:30 pm Temp.: 68F ~~~ overlooking the runways, festooned by accidental heavenly whimsy, or humanistic whimsical inten-sity, all the the planes and trucks are flashing electrifying speckles, of eclectically synced red and green it is not my holiday, but no matter, like every New Yorker this day, I am happily celebrating its double U, unique, unusual "record breaking warmth" yes, the Fahrenheit is outtasight, and by the dawn of early eve~night, the Centigrade is spiraling in reverse retrograde, as the temp eases on down, just below seventy degrees, on this dewinterized twenty fourth day of December, two nought and fifteen traffic is light, the terminal, an unbusy, slim shadow of itself, the maddening crowds gone, now all are among the dearly departed and either/or, the newly arrived so composition of the observational, brings cheer and smiles to my faith, (I mean my face), the crowning quietude of clear skies, the absence of street smart city  bustle and hustle, the languid atmosphere at the gates, (where seldom is heard an encouraging word)# makes me reconsider the true meaning of the au courant phraseology of this day "record breaking warmth" for there is indeed a calm invisible warmth suffusing all tonite, chests glowing from fireplaces within, contentment chamber containers in both hearth and heart, and I am thinking miracle, about all the human warmth on this celebrated evening, holy night indeed, it is breaking records of recorded human fusion, the united commonality of millions warming his and her stories world-over, that your personal poet is warming to record
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Dec 24, 2015
Dec 24, 2015 at 8:21 PM UTC
Christmas Eve, 2015, LaGuardia Airport, NYC
Time: 7:30 pm Temp.: 68F ~~~ overlooking the runways, festooned by accidental heavenly whimsy, or humanistic whimsical inten-sity, all the the planes and trucks are flashing electrifying speckles, of eclectically synced red and green it is not my holiday, but no matter, like every New Yorker this day, I am happily celebrating its double U, unique, unusual "record breaking warmth" yes, the Fahrenheit is outtasight, and by the dawn of early eve~night, the Centigrade is spiraling in reverse retrograde, as the temp eases on down, just below seventy degrees, on this dewinterized twenty fourth day of December, two nought and fifteen traffic is light, the terminal, an unbusy, slim shadow of itself, the maddening crowds gone, now all are among the dearly departed and either/or, the newly arrived so composition of the observational, brings cheer and smiles to my faith, (I mean my face), the crowning quietude of clear skies, the absence of street smart city  bustle and hustle, the languid atmosphere at the gates, (where seldom is heard an encouraging word)# makes me reconsider the true meaning of the au courant phraseology of this day "record breaking warmth" for there is indeed a calm invisible warmth suffusing all tonite, chests glowing from fireplaces within, contentment chamber containers in both hearth and heart, and I am thinking miracle, about all the human warmth on this celebrated evening, holy night indeed, it is breaking records of recorded human fusion, the united commonality of millions warming his and her stories world-over, that your personal poet is warming to record
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51
"sly wordplay, it glows, feels like a shimmering address, half warning and half blessing, really alive with cadence" read Kiki Dresden poetry^ once more into the sea trench divide, I dive to devise, Your provoking comment, demands my full attention, you divert me from struggling with ginger & clay, a contra concept that molds and enflames, yet strikes overtly sweet, it does not come so easy as this playful notion But your words deserve the attention immédiate atenção imediata that births this script, tumbling forth in an instantly instantaneously me student, you mistress~master, schooling me on sublimity subliminal, capturing the capering stylistic that bursts forth from within, that my fingertips provide, while my brain connives & connivers continuously you overlay analytics that never are to me revealed, the what and wherefore of the whom hiding within of the im~perpetuity impish essence of i m p ishness by charmingly doing me, not once, but many times better here a spillage: an observational ditty, dressed in a tux, most formally, to render the greatest wordplay ever invented t, the uniqueness of a simple thank you my favorite poem a forever for ever, the song that plys and plays me in the me so often, the linguists have banned the word repeatedly from my lexicon so in its stead, this all-in-one mighty steed (verb phrase, a noun, or an adjective depending on its usage) this phatic expression, here disguised in Portuguese, muito obrigado! muito obrigado! muito obrigado!                                                                     nml 5:39am nyc 10/4, 10/4
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Oct 4, 2025
Oct 4, 2025 at 5:44 AM UTC
Love of Wordplay for Kiki Dresden
"sly wordplay, it glows, feels like a shimmering address, half warning and half blessing, really alive with cadence" read Kiki Dresden poetry^ once more into the sea trench divide, I dive to devise, Your provoking comment, demands my full attention, you divert me from struggling with ginger & clay, a contra concept that molds and enflames, yet strikes overtly sweet, it does not come so easy as this playful notion But your words deserve the attention immédiate atenção imediata that births this script, tumbling forth in an instantly instantaneously me student, you mistress~master, schooling me on sublimity subliminal, capturing the capering stylistic that bursts forth from within, that my fingertips provide, while my brain connives & connivers continuously you overlay analytics that never are to me revealed, the what and wherefore of the whom hiding within of the im~perpetuity impish essence of i m p ishness by charmingly doing me, not once, but many times better here a spillage: an observational ditty, dressed in a tux, most formally, to render the greatest wordplay ever invented t, the uniqueness of a simple thank you my favorite poem a forever for ever, the song that plys and plays me in the me so often, the linguists have banned the word repeatedly from my lexicon so in its stead, this all-in-one mighty steed (verb phrase, a noun, or an adjective depending on its usage) this phatic expression, here disguised in Portuguese, muito obrigado! muito obrigado! muito obrigado!                                                                     nml 5:39am nyc 10/4, 10/4
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67
A bridge from colloquial to courtly fare A span where idealism and fantasy pair A railway to the existential realm; celestial lair A conduit through which rational discourse can flare Deep medium to: forage, inculcate, and inform Broad brush to paint rare beauty; sculpt surrealistic form Incisive scalpel to surgically alter the societal norm Delicate utensil to educate on civility and decorum A literary ***** a prosaic construct A mechanism our syntax to deconstruct An analytical tool; an observational viaduct Introspective milieu to reduct; extrovertive sphere to reconstruct A semantical edifice that aspiring wit, lofty orations implore An experimental structure gramatical anomalies to explore A thematic repository in which concrete ideas, abstract notions to pour A vernacular cathedral butressed by an idiomatic core
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Jul 25, 2012
Jul 25, 2012 at 6:37 PM UTC
On Poetry and Prose
hole in the sky. tap tap, the empty vessel flows out. a weightless sink. the hour goes, blaring swell of humidity, and the jug lukewarm, leaven oft in the barred space. I return to my room. I drink the cold milk on the sill. I finish the third wretched spill of the journey to Olympus. Downstairs a howl, a wind slam SOLOM OBSERVATIONAL MATRIX STRUCTURED TASKS AVAILABLE IMMEDIATELY TO ASSIST WITH INSTRUMENTAL DECISIONS. I close the door I close the door I close the door I close the In this uneasy slumber, the bed shakes, the windows rattle, the sky splits, the earth floods a red simpering capitulatory spasm of earthly flesh. Here is the circuit, the tired nervous tic of inaction, I shrink back from the outstretched hand, a condition which recommends two pills in the morning to mask the double image beneath my hands. i have slept through the week again, this pathetic flesh obeys nothing, where are my pills inescapable ******* dullery THE JUG IS HOT. I return to my room. I close the door two pills on the sill to go down with the milk THE DOOR SLAMS GALL BUCKLING FIT ODE BREATHLESS CLOSER CLOSER CLOSER BUT THE SOUND REMAINS Figures muffled by the walls. There are guests in the house, the looming presence of multiple species with incomprehensible intentions. In a bout of uncharacteristic curiosity, I slip my sight through the crack of my door. UNDER RCG IT WILL BE MANDATORY FOR ALL CUSTOMS CARGO REPORTERS IN THE AIR SEA AND ROAD INDUSTRIES TO SUBMIT REPORTS TO SARS ELECTRONICALLY. I am unmoved by such perceptions. I prepare the final climb to Olympus. the cyclone is ended. the front door is barred. the jug is cold. the yard is littered with unmoving shapes.
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Jan 31, 2018
Jan 31, 2018 at 11:19 PM UTC
OLYMPUS CORPOREATION IS A JAPANESE MANUFACTURER OF OPTICS AND REPROGRAPHY PRODUCTS
hole in the sky. tap tap, the empty vessel flows out. a weightless sink. the hour goes, blaring swell of humidity, and the jug lukewarm, leaven oft in the barred space. I return to my room. I drink the cold milk on the sill. I finish the third wretched spill of the journey to Olympus. Downstairs a howl, a wind slam SOLOM OBSERVATIONAL MATRIX STRUCTURED TASKS AVAILABLE IMMEDIATELY TO ASSIST WITH INSTRUMENTAL DECISIONS. I close the door I close the door I close the door I close the In this uneasy slumber, the bed shakes, the windows rattle, the sky splits, the earth floods a red simpering capitulatory spasm of earthly flesh. Here is the circuit, the tired nervous tic of inaction, I shrink back from the outstretched hand, a condition which recommends two pills in the morning to mask the double image beneath my hands. i have slept through the week again, this pathetic flesh obeys nothing, where are my pills inescapable ******* dullery THE JUG IS HOT. I return to my room. I close the door two pills on the sill to go down with the milk THE DOOR SLAMS GALL BUCKLING FIT ODE BREATHLESS CLOSER CLOSER CLOSER BUT THE SOUND REMAINS Figures muffled by the walls. There are guests in the house, the looming presence of multiple species with incomprehensible intentions. In a bout of uncharacteristic curiosity, I slip my sight through the crack of my door. UNDER RCG IT WILL BE MANDATORY FOR ALL CUSTOMS CARGO REPORTERS IN THE AIR SEA AND ROAD INDUSTRIES TO SUBMIT REPORTS TO SARS ELECTRONICALLY. I am unmoved by such perceptions. I prepare the final climb to Olympus. the cyclone is ended. the front door is barred. the jug is cold. the yard is littered with unmoving shapes.
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8
From the veil of trees, I can peer into your window, and count the family, imagine them gone to bed, dreaming of blue, "underwater, unaware." Those summer evaporations tickle my skin, bring on such an observational itch: how you, freshly out of the pool, bloomed brightly on Betamax.
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Dec 20, 2020
Dec 20, 2020 at 10:42 AM UTC
Watching the Wildlife
*"Be the harpooner of the unexamined life, with unfettered rhapsody, comfort caress us, exhort the loopy to light their illusionary candles, turn the sad eyed lowlanders into crinkly eye-lined smilers."* l<>| writ many years past, just another dusted off phrasing, composed from life's lecture notes, collected by eyes tired from the hazing, eyes wearied by the addict-strong, incessant observational needing, of celebrating the loopy, they who make this planet capable of laughing at itself, a helping habit for mutual survival... *should you spot a man ungainly wrought, weighted down by a harpoon cross cursed  'pon his Cain-marked back, you need not move to the other side, 'tis only a make-believe poet, with his recording device, seizing your rhapsodies to rhyme, his collected artifacts, your crinkly smiles, his meat, his metier, his chosen career, a comfort caresser of your illusions into a shapely sculpture of words for you to keep, a token of your now examined worth, a celebration for the keeping...*
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Aug 13, 2016
Aug 13, 2016 at 7:05 PM UTC
the harpooner of the unexamined life
Trash bag suits, ****** innuendos galore. She’s a potato! He’s a pterodactyl! Well, she just transformed, She’s now a sock. Bro ******* Analyzing bread. She can’t comprehend. Snapping, Shoddy renditions of West Side Story. Bashing, On my observational skills. This is normal, It is routine. No drugs, No mental asylums, Just my lunch table.
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Nov 29, 2012
Nov 29, 2012 at 10:27 PM UTC
My Life
As I sit on this assigned desk ears drooling with institution gel I swirl on the seat, the wind pause Musing in evangelised dilemmas Lobotomised to jerking veracities Sagacity amateurs boost egos Stooping and stooging in asylums Barricading others progression Regressed losing solid grounds Jurisdictional custodial supervisions An infused scent of propagandism Scenes of robotic observational modelling Unprincipled to insist on another destiny Calculating targeted risked predictions Regulated to invigilate and unroll a matrix grid Who am I? To forge his,her or their trench
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Mar 9, 2016
Mar 9, 2016 at 7:56 AM UTC
Propagandism
Sitting packed in the back of a semi-decrepit white Subaru belonging to the Swedish Harpist driven by the Romanian Drummer with a literal car-full of perfectly tetrised musical instruments, including: Four cymbals, two toms, a hi-hat, and a stool, a Celtic double-Harp, an electric Piano, and two guitars (an acoustic-electric twelve-string and an electric six-string) with a few days' clothing and, not knowing where we're sleeping, a sleeping bag, all the while devouring Matza and pumpkin seeds (that we bought at Trader Joe's) as we barrel moderately safely down various back roads and Highways in this car weighted as a truck and driven as a motorcycle towards enigmatic San Francisco to play a couple shows, two days in a row: one, at a literally underground Theatre (in which improv comedy is, apparently, king of kings) smack-dab 'pon the border of Union Square, and another, for a private birthday party typified by oh so many avid Burners. Surely, our Psychedelic Jazz Funk-Rock will find some empathic ears! Y'know, last summer, when I said I wanted to be in a Gypsy Band, I sure didn't see this coming: this is pretty ******* Gypsy, in my observational opinion. Well, here I am, and I even asked for it. For us three, this will certainly be an interesting few days, down in the Bay, on our way to play wherever it is we may, and all I can say is: "Okay, this is the stuff books are made of," and, "Well, time to live one hell of a story!"
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Feb 23, 2014
Feb 23, 2014 at 4:46 AM UTC
Gypsy Band
It may be in error, but it's in the air in my daring, smelling of her hair and still of no detriment, to my caring for her glare, when she caught me there, eyes closed, sniffing her clothes unaware as to her presence, her elegance, her observational, lingering through her fare Unhindering my endearing, to her scent, in exemption, as she's staring unto my intent' and simply smiling She, the beautiful mess, in a light sweat, on a peach blessed with beautiful flesh, as her alluring scent, took me where i haven't been yet And I'm staying.
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Apr 2, 2014
Apr 2, 2014 at 12:13 AM UTC
The black eye.
suspected of being problematic, one is a common but questionable model, and an adjustment may be required to address all the nonsignificant differences— how they nonetheless constitute important arbitrary criterions for equivalence the significance test based on observational data is susceptible to (errors of) interpretation over the question at issue namely, do case differences arise because of exposure to a comparatively small sample or because of another variable? Exposure can be only mediated by crude estimates and so may be misleading during the forming of the hypothesized model of one that describes the association between exposure, bias, and the variables, and reconciles difference with equivalence significantly. The model provides little information that is incontrovertible but the results suggest if adjustment for the variable makes no substantive difference ignore it but if your knowledge indicates the adjusted variable to be preferable then prefer it
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Mar 27, 2012
Mar 27, 2012 at 7:25 PM UTC
Confounding
I have left this marbled host of the future's tired, brilliant minds at a quarter to four in the morning. I am still and bewitched from the latest spell of writer's mania. I have reached the highest point of the neighboring smokies. It's advised that when descending from a hike, one should proceed with caution in order to avoid straining. So I slowly observe the surroundings I have detached myself from for the past couple of hours. I line my psyche in a goldenrod shade of velvet. Simultaneously comforted and stimulated. The observational sky is inky, like the residue resting in between the lines on my finger tips. The person striding next to me and I have made the conscious decision to enjoy the silence. We step in unison, their gaze wanders, but their intent is fixed on the destination. Uncalled for precipitation is falling in a quixotic manner. It is now three minutes past four and there are cardinals chirping. I bid my companion from this stroll a goodnight. As the elevator closes they earnestly compliment the magnitude of my pupils. I had been complaining about sleepless nights, but now I am being tucked into bed by the nocturnal kind's ways. It is now twenty-seven minutes past four.
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Feb 26, 2016
Feb 26, 2016 at 8:27 AM UTC
and in thirty three-minutes it will be five
I am not an all knowing being, but a being with that of a mind so open as the universe around us. I claim I think like no other, I may be wrong. I find that everything is beautiful with a reason, I may say I don't care but "that", may be a lie. I can say I dislike "Bad" comments, but that is "they". I may be selfish , but that is "me" I may seem dramatic, but that is me as "myself" I am an observational individual. I may be selective of what I question, But that is "I". I may not be a Lover, but that doesn't mean I would not like to be "happy". I may not be a Fighter, but that doesn't mean I will not "pursue happiness"
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Dec 27, 2014
Dec 27, 2014 at 11:27 PM UTC
"Eye"
Cinéma vérité (/ˈsɪnɪmə vɛrɪˈteɪ/; French:             [sinema veʁite]; "truthful cinema"       is a style of film making,            invented by Jean Rouch &           inspired by  Dziga Vertov's         theory about Kino-Pravda &   influenced by the films of Robert Flaherty’s, it combines improvisation with using the camera to unveil truths of a higher order   or to highlight subjects hidden behind reality;  Cinéma vérité in relationship to direct cinema                                            and observational cinema:                            if understood as "pure"         cinema:                          without a narrator's perspective; There are subtle,            important, differences among the terms although                expressing similar concepts: "Direct Cinema"                                 largely concerned with                                recording         events in which the subject and audience become                           aware of the camera's presence:                         operating within what Bill Nichols,                                American film historian and theoretician of documentary film,               likens the observational mode to smashing the "fly on the wall";       many therefore seeing a paradox in drawing attention away from the camera while     simultaneously interfering in the reality it registers                in attempting to discover                                 cinematic truths
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Aug 19, 2018
Aug 19, 2018 at 12:04 AM UTC
poésie véridique
Cinéma vérité (/ˈsɪnɪmə vɛrɪˈteɪ/; French:             [sinema veʁite]; "truthful cinema"       is a style of film making,            invented by Jean Rouch &           inspired by  Dziga Vertov's         theory about Kino-Pravda &   influenced by the films of Robert Flaherty’s, it combines improvisation with using the camera to unveil truths of a higher order   or to highlight subjects hidden behind reality;  Cinéma vérité in relationship to direct cinema                                            and observational cinema:                            if understood as "pure"         cinema:                          without a narrator's perspective; There are subtle,            important, differences among the terms although                expressing similar concepts: "Direct Cinema"                                 largely concerned with                                recording         events in which the subject and audience become                           aware of the camera's presence:                         operating within what Bill Nichols,                                American film historian and theoretician of documentary film,               likens the observational mode to smashing the "fly on the wall";       many therefore seeing a paradox in drawing attention away from the camera while     simultaneously interfering in the reality it registers                in attempting to discover                                 cinematic truths
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28
if fish flew farther fishermen could catch them without going to sea the dark sushi bar has an especially dark corner booth for you finally some sun to keep vitamin d up and cool down the pale the mountain does not bend, even though it itches the rock slide teases Alfred Hitchcock is dead and yet chocolate syrup still makes a sweet blood i don’t understand dungeons and dragons and so very many things they call me crazy when i wear my bra outside my shirt on some days an ode to white walls blank canvases crisp and smooth that never can last the usher shows you to your fifty dollar seat behind a large hat i have slept 12 hours and yet i am still sleepy chronic fatigue ***** rob plays games like a fiend—new media crumbles beneath his fingers
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May 17, 2010
May 17, 2010 at 7:19 PM UTC
observational haikus
More more mere words linger rather obviously... obviously what could one possibly be so obliviously... Observational objectivity detects: Lurkers lurking to linger probably cling to love's fragile edge? An arousal of viciousness or visage of immense beauty art performance presence...more relationships steam a shore. Balancing hearts on the in deep starburst sapphire blue floating more. More to be revealed for shore. More...
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Oct 15, 2013
Oct 15, 2013 at 3:06 AM UTC
More...
An unethical practice to fully comprehend my existence in space and time, I took the world hostage and prodded its inhabitants with probes and electrodes only to find myself conducting self-lobotomies in front of the bathroom mirror; Gazing through the eyes of McCrae, I ****** my hands into pristine soil, tore up roots and soldier bones, creating a garden of chaos only to find myself amongst red petals and marrow strewn across green vision fields, but the larks still bravely singing fly! I splattered ******* across impressions of Monet and Renoir only to find myself dripping like Dali, screaming like Munch, is this what beauty looks like?! I passed up a hitch on a Heart of Gold only to find myself in the mire of a Brave New World, kicking at the dirt that sent electroconvulsive shocks up my spine, is that a headlight reflection in my Bell Jar?! I looked down the barrel of my fingertip guns, still smoking and listened to the hollow wind of my self-inflicted universal entropy... run. Through a wormhole, into the forest of wisdom where I reviewed observational data of my chaotic string theories, there I found myself, rejecting the null and assembling a fire of new Hope using the burrs and thistles burrowed under my skin, scratching and clawing at unethical practice.
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Mar 13, 2014
Mar 13, 2014 at 12:21 AM UTC
A Frantic Search for Meaning: Logotherapy with Viktor Frankl
I'm uncomfortable   And always tense In observational Desire From my corner coffee shop Spot. Unnoticed, I see simple embrace One for which my body aches. My body breaks I realize I'm alone and In doing so actualize my own fate. People are aliens Foreign and speaking a language which seems eerily   familiar but forgotten years ago. It seems I am not getting better at conversing just daily Rehearsing The same rhetoric Stoic lows recycled and recited to a new day, a new ethereal face Inadequate Inadequacies Inadequately Inscribed, ,described and, imbibed. Please, oh Lord, Let me imbibe before subscribing to speak to you, me, every and anyone. Send Help! Send Anyone! A person to make my lips feel a little less caustic. Casual conversation by the wayside I want what I had Not what I can or could have. I don’t want love. I’d rather have a dog to put to sleep than no dog at all.
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Jun 14, 2015
Jun 14, 2015 at 7:41 PM UTC
Inadequate Inadequacies Inadequately Inscribed, ,described and, imbibed.
You'll hear a pop and a life time of silence, this malice is unquestioningly slow. Rapid hand gestures blur and halt, as the shallow drifter stumbles on. Soft skin entangles, as your breath fogs my glasses. A vivid note twangs forever onward, though this ink quickly dries.
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Oct 8, 2012
Oct 8, 2012 at 9:08 PM UTC
Observational rules.
This poem is dedicated to Steve Yocum, author, poet, and soldier farmer, father, grandfather, man exemplar, whom I honor and honors me, with the noblest title in all humankind, friend. But above all, I honor him most, as a tireless, truthful, harpooner of the examined and the unexamined life ~~~ *"Be the harpooners of the unexamined life, with unfettered rhapsody, comfort caress us, exhort the loopy to light their illusionary candles, turn the sad eyed lowlanders into crinkly eye-lined smilers."* ~~~ these mine words writ many years past, dusted off phrasings, on dusty shelf long lain, mined from notes, decades steadily collected by steadily diminishing ears and eyes, gathered most from self-taught lectures and self-deceiving dances, garbed and wearily grabbed by the addict-strong  observational need, persistent and perpetual, to pay off fresh debits, renewables owed to the lovely, to the loopy, inhabitants who excite and inspire my so far, rebirthing, youthful, yearling heart who provide the special crazy that justifies existence just men, connected by a bond of sonship, kinship crowning kingship, blood types as different as an A is to B both shall weep in one blood, I, as I do now, while midst the nascent commencement of this sonnet, He, at its commencement, for a good friendship has no beginning or end, but is a circular track, a loop, familial by repeated runnings, yet never, coursed in the exact same manner or speed this thought, this knowledge, bring a smile to this crinkly eyed composer, that the metaphysical will always surpass the binding physics of mortal physical, that two man, who have never met, race side by side, not in competition, but in the mutuality of composition, each a candle holder, both writers, observing the dark illusions, re-making each into a carrier, a shedder of light, each a debt giver and a debt holder to each other, hosts to all the loopy, comfort caressers, to each other and to all who too, are light-bathed by being in possession of the title friend
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Mar 20, 2016
Mar 20, 2016 at 3:39 PM UTC
Harpooners of the Unexamined Life
This poem is dedicated to Steve Yocum, author, poet, and soldier farmer, father, grandfather, man exemplar, whom I honor and honors me, with the noblest title in all humankind, friend. But above all, I honor him most, as a tireless, truthful, harpooner of the examined and the unexamined life ~~~ *"Be the harpooners of the unexamined life, with unfettered rhapsody, comfort caress us, exhort the loopy to light their illusionary candles, turn the sad eyed lowlanders into crinkly eye-lined smilers."* ~~~ these mine words writ many years past, dusted off phrasings, on dusty shelf long lain, mined from notes, decades steadily collected by steadily diminishing ears and eyes, gathered most from self-taught lectures and self-deceiving dances, garbed and wearily grabbed by the addict-strong  observational need, persistent and perpetual, to pay off fresh debits, renewables owed to the lovely, to the loopy, inhabitants who excite and inspire my so far, rebirthing, youthful, yearling heart who provide the special crazy that justifies existence just men, connected by a bond of sonship, kinship crowning kingship, blood types as different as an A is to B both shall weep in one blood, I, as I do now, while midst the nascent commencement of this sonnet, He, at its commencement, for a good friendship has no beginning or end, but is a circular track, a loop, familial by repeated runnings, yet never, coursed in the exact same manner or speed this thought, this knowledge, bring a smile to this crinkly eyed composer, that the metaphysical will always surpass the binding physics of mortal physical, that two man, who have never met, race side by side, not in competition, but in the mutuality of composition, each a candle holder, both writers, observing the dark illusions, re-making each into a carrier, a shedder of light, each a debt giver and a debt holder to each other, hosts to all the loopy, comfort caressers, to each other and to all who too, are light-bathed by being in possession of the title friend
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81
Food for the soul, no grimace, Or is it more food for the stomach? In observational methodology, No crumbs ever left here, you see, It's malnutrition villa, I dream, We're the failures of the Weight Loss industry!
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Mar 19, 2017
Mar 19, 2017 at 6:59 PM UTC
FOOD FOR THE SOUL.....
Be unrealistic, congratulations! You are privileged. And think me wrong, I am only a realist. If you don't like the observational It's because you fail to see Things as they really are And rather, how you'd like them to be.
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Aug 4, 2024
Aug 4, 2024 at 4:08 PM UTC
Pathos Logos, Ethos Dead & Gone
You're a walking flesh antenna And your input is a switch Not open to interpretation On or off, what you feel is what you define Reacting before you analyze Because when you think You don't know if you're sad or if you feel fine Were those false signals that left you dining alone tonight? Or was every bite just another piece of observational delight Numb in your insight What your gut has to say is never right Being is the best path for your mind Essence in battle with existence What new part of you you may find Nooa min anooa, you're one of many kinds Walking flesh antenna Is there an output signal lost somewhere inside that magnetic field?
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Mar 9, 2015
Mar 9, 2015 at 1:04 AM UTC
Walking Flesh Antenna