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"oblong" poems
the average cost of a funeral is $8,515 death is unaffordable for me put me in  big oblong cardboard box 2 feet by 3 feet by 6 feet packing list enclosed fragile (not really)       please handle with care keep upright        or supine send me to the grande vide postage due
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Jul 30, 2019
Jul 30, 2019 at 12:55 PM UTC
grande vide
Doom train hurtling along Through the fog in my mind Towing freight, rectangular and oblong Dim headlights, you're travelling blind Five carriages long, excluding engine and caboose Metal against metal, spitting sparks on steel Undetermined path, rails will choose Chugging along on dirt covered wheels In the cabin, I see the light Emanating from your furnace Swallowing up coals in your gaping bite Tongues of flames licking the surface Fire breathing, spewing thick black smoke Almost unseen, against the dark of night A long plumy arm as if extending to choke And plug the remaining sources of light Meandering precariously on tracks that weave Over uncharted, unfathomable terrain Your store, so reliably you heave Worming your way through my brain What's in that cargo of yours? What lies within those boxcars? What drives you to diligently run your course? What fuels you to travel near and far? Loads of self pity, self loathing and self reproach Snaking your way to an unknown destination Screeching brakes as if a stop you approach Herald the train of dubious intentions Light is upon you, dark will dissipate Your plumes starting to lessen from your stack The dawn breaking horizon you didn't anticipate To see another charging towards you on this very same track...
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Sep 27, 2014
Sep 27, 2014 at 4:16 AM UTC
Doom Train (I)
O Distinct Lady of my unkempt adoration if I have made a fragile curtain song under the window of your soul it is not like any songs (the singers the others they have been faithful to many things and which die i have been sometimes true to Nothing and which lives they were fond of the handsome moon never spoke ill of the pretty stars and to the serene the complicated and the obvious they were faithful and which i despise, frankly admitting i have been true only to the noise of worms in the eligible day under the unaccountable sun) Distinct Lady swiftly take my fragile certain song that we may watch together how behind the doomed exact smile of life’s placid obscure palpable carnival where to a normal melody of probable violins dance the square virtues with the oblong sins perfectly gesticulate the accurate strenuous lips of incorruptible Nothing under the ample sun, under the insufficient day under the noise of worms
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11.8k
O Distinct
A Noun: The oblong: a thing: The name of that lounge : a place By the face of the strange shaped lake... Dinosaur Egg / oval / green grapes. An Adj.: Oblong Longboard That’s such the coolest name A person: Not a thing oval shaped . Mr. Ellipsis made no complaints About tiny alien ant farms “From Outer Space!” The natives made to slave. *Oblong grew his beard out After the sideburns days Mr. Ellipsis far far away* Fires of the Sun Will not discern—when The Light returns The wyrm will burn . In oblong throes of defeat. At peace : A Verb.
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Jul 9, 2018
Jul 9, 2018 at 5:10 PM UTC
Oblong : i.e.
*“...Your words were found and I ate them. They became a joy to my heart. In my mouth— a sweet delight, but in my belly—bitter...”                                                  --Jeremiah* ...But that night by dim background of next-room light I could not see your face just feel your hush of shadow words on spine of shudders Seems we dropped this bomb that would not stop exploding! ...And I was sure? that it was right? because...because....! Their eyes were slanted! So they could not see— the “Good Guys” VANISH— WIDE-EYED—! in its TOO-MUCH-LIGHT Still your voice insists in pause and fissioned hiss that I MUST KNOW in tender half-life TRUTH too pure too deadly white I swallow lethal glowing dose HOW CAN YOU SPEAK SUCH WORDS SO CLOSE! EXPOSED! “...in mouth sweet—in belly bitter…” Stories? and the Grandma Song rendered tender—lull of voice Soul’s cabinet cleared of venial sin Last of all—the tucking in..... They say you first get sick.... Seems we dropped this bomb that would not stop exploding! And I am invisibly ill—with truth approaching critical mass Will angry rads incise their ways? Will leaden swords of angels drive them back? In this night— my bedtime stories fainted at your whispers...whispers...WHISPERS— fusing an oblong fear that I MUST NOT DROP! but I cannot hold! Fetal-folded frail and freezing under covers— just barely peeking “Jesus hanging on the cross…Tell me-- was it I?” Jesus hanging in the cross TELL ME! IT’S NOT TRUE! "Tell me, mother Were you God talking? I could not see your face by the next room’s light..."
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May 9, 2017
May 9, 2017 at 11:40 AM UTC
Whispers at Bedside
*“...Your words were found and I ate them. They became a joy to my heart. In my mouth— a sweet delight, but in my belly—bitter...”                                                  --Jeremiah* ...But that night by dim background of next-room light I could not see your face just feel your hush of shadow words on spine of shudders Seems we dropped this bomb that would not stop exploding! ...And I was sure? that it was right? because...because....! Their eyes were slanted! So they could not see— the “Good Guys” VANISH— WIDE-EYED—! in its TOO-MUCH-LIGHT Still your voice insists in pause and fissioned hiss that I MUST KNOW in tender half-life TRUTH too pure too deadly white I swallow lethal glowing dose HOW CAN YOU SPEAK SUCH WORDS SO CLOSE! EXPOSED! “...in mouth sweet—in belly bitter…” Stories? and the Grandma Song rendered tender—lull of voice Soul’s cabinet cleared of venial sin Last of all—the tucking in..... They say you first get sick.... Seems we dropped this bomb that would not stop exploding! And I am invisibly ill—with truth approaching critical mass Will angry rads incise their ways? Will leaden swords of angels drive them back? In this night— my bedtime stories fainted at your whispers...whispers...WHISPERS— fusing an oblong fear that I MUST NOT DROP! but I cannot hold! Fetal-folded frail and freezing under covers— just barely peeking “Jesus hanging on the cross…Tell me-- was it I?” Jesus hanging in the cross TELL ME! IT’S NOT TRUE! "Tell me, mother Were you God talking? I could not see your face by the next room’s light..."
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59
Yesterday my childhood came. Playing and jumping around. Unburdened, without any aim. I kept on looking, spellbound. With half eaten oblong eclair. He ran after the goats herd. Stopped to look at the hare. And scared the tiny blue bird. He moved slily to catch butterflies. And plucked flowers from a tree. I kept looking with yearning eyes. Baffled, surprised he looked at me. He ran towards the narrow ravine. And disappeared into bushes green.
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Dec 19, 2014
Dec 19, 2014 at 3:55 AM UTC
Yesterday my childhood came
The broken biscuits lay in a tin An ordinary oblong tin With turquoise pattern And pink embossed flowers Gold edged to finish the job. How many times I visited That tin on the middle shelf In the top half of a cupboard, Sawn door, to allow for fridge, And quietly took out the tin. Broken biscuits were my delight All shapes and sizes tasty bites Wafers, bourbon, custard creams Rich tea, digestive all suited me Sometimes fig sandwich, pleased. Love Mary
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Aug 11, 2018
Aug 11, 2018 at 7:05 AM UTC
A collection of flavours
Guns, Long, steel guns, Pointed from the war ships In the name of the war god. Straight, shining, polished guns, Clambered over with jackies in white blouses, Glory of tan faces, tousled hair, white teeth, Laughing lithe jackies in white blouses, Sitting on the guns singing war songs, war chanties. Shovels, Broad, iron shovels, Scooping out oblong vaults, Loosening turf and leveling sod. I ask you To witness-- The shovel is brother to the gun.
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3.1k
Iron
Curiousity killed the cat, What of it? I am not a cat and neither am I curious, I think. I want to know and see, but few things hold my interest. Lately I crave being craved, Lately I hate that I love the concave of my stomach when fasting for a smaller waist to contemplate in my mirror before going to work, Lately I’m waking up moody, Lately I’m grateful. Lately I need more sleep, Lately I’m not quite in the place I used to be, Lately I think I must be growing or changing because this new sense of knowing is gnawing so softly on my skin it feels like luxury. I think I must be on the edge of an expansive biosphere of me, complete and untouched, because the vision of her is fading as my ten little prints and their oblong archless counterparts bring me closer to the edge. Staring boldly, daring no one proving nothing peering down into my canyons. Just on the edge of this cliff, feeling my wind my edges my rivers holding me up, And up, And up, And down so far below. Though it’s not down that I will go. It it through. And richly on the other side I will emerge. But for now that is not my concern. Standing on the edge, arms spread wide, I’m alive. Quite Grand Indeed.
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Aug 20, 2018
Aug 20, 2018 at 12:09 PM UTC
I am not a Cat
Take me to the Rookery with its many paths A tea house selling refreshments in pretty glass Three striped lollies covered in chocolate beads Biscuits and sandwich are all that we need. The garden was set out, in brick oblong beds Raised from the ground and divided by hedge Many bush roses, of the older kind, smelling of Cold cream and sweet camomile. There was a terrace with steps leading down To a sunken garden where the roses reclined Hanging over arbours, pink , white and cream And other perennials added to the scene. This place a haven at the top of Streatham hill Does anybody know it, it might be there still? My daddy took me often on a Sunday afternoon To ramble in the sunshine, and play at my will. Love Mary x
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Jun 15, 2018
Jun 15, 2018 at 8:02 AM UTC
The Rookery, Streatham.
a tiny round pearl a thin oblong sapphire a small smooth ruby a fat opaque opal keep me alive control me erase me i want to smash them implode them they are not worth the effort it takes to mine the earth i am powerless not real i do not exist
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May 12, 2013
May 12, 2013 at 6:06 PM UTC
gemstones
We sat outside the coffee shop next to a fire, watching the sun set behind decrepit buildings. I lamented over the lack of a roller rink in the area, reflecting on memories of wobbling around in circles with dizzying lights and blaring speakers ejecting Pink, Daft Punk, and Eiffel 65 onto my critical youth. I felt like a king. We finished our smoothies and retreated to an empty hotel parking lot, where I taught her to skateboard. One foot over the front bolts, the back foot over two of the back bolts but resting over the tail, kick, push, it's in the ***** of your feet-- weight distribution. Tic, tac, scrape, thud-- she falls repeatedly and gets back up. I admire her resilience and perpetual smile-- This is what skateboarding is all about. We roll around the hotel parking lot, our endpoints being a lone luminescent lamppost and a telephone pole beleaguered by a plot of shrubbery that demarcates itself from the pavement. We circle around the poles for hours, forming an imaginary oblong track between the two, our laughs carrying into the cool summer night lullaby that sang the drowsy small town to sleep. The fading throb of the wedding reception at the bottom of the town square by the wharf, carrying over to us. The stores closed up hours ago, silent empty windows reflecting the lonely streetlights and our ambulance back at us. We skated on unperturbed into the night hour. A man walks outside the hotel to have a cigarette on the sidewalk-- I imagine he is watching us and admiring our glee. Rolling between this telephone pole and lamppost, the glare and reflection of the empty silent windows, the soundtrack singing above our heads, our laughs, and the tic-tac of skateboards and groaning of wheels over stubborn pavement bringing my melancholic reverie to a halt, recognizing and understanding happiness in the present moment-- This is my roller rink.
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Jun 12, 2016
Jun 12, 2016 at 1:13 AM UTC
Roller Rink
We sat outside the coffee shop next to a fire, watching the sun set behind decrepit buildings. I lamented over the lack of a roller rink in the area, reflecting on memories of wobbling around in circles with dizzying lights and blaring speakers ejecting Pink, Daft Punk, and Eiffel 65 onto my critical youth. I felt like a king. We finished our smoothies and retreated to an empty hotel parking lot, where I taught her to skateboard. One foot over the front bolts, the back foot over two of the back bolts but resting over the tail, kick, push, it's in the ***** of your feet-- weight distribution. Tic, tac, scrape, thud-- she falls repeatedly and gets back up. I admire her resilience and perpetual smile-- This is what skateboarding is all about. We roll around the hotel parking lot, our endpoints being a lone luminescent lamppost and a telephone pole beleaguered by a plot of shrubbery that demarcates itself from the pavement. We circle around the poles for hours, forming an imaginary oblong track between the two, our laughs carrying into the cool summer night lullaby that sang the drowsy small town to sleep. The fading throb of the wedding reception at the bottom of the town square by the wharf, carrying over to us. The stores closed up hours ago, silent empty windows reflecting the lonely streetlights and our ambulance back at us. We skated on unperturbed into the night hour. A man walks outside the hotel to have a cigarette on the sidewalk-- I imagine he is watching us and admiring our glee. Rolling between this telephone pole and lamppost, the glare and reflection of the empty silent windows, the soundtrack singing above our heads, our laughs, and the tic-tac of skateboards and groaning of wheels over stubborn pavement bringing my melancholic reverie to a halt, recognizing and understanding happiness in the present moment-- This is my roller rink.
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48
A fruit bowl, Adorned with colors, Red, yellow, orange, green; And shapes, Round, oblong, curved, curvy; And sizes, Large, medium, small, smaller, Create a beautiful image, With their contrasting differences. Inspire an artist to experiment Colors, shapes, sizes, And inspires the poet To see communion and beauty Between those that may be different.
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Jan 13, 2014
Jan 13, 2014 at 12:21 AM UTC
Fruit Bowl
IN the cool of the night time The clocks pick off the points And the mainsprings loosen. They will need winding. One of these days... they will need winding. Rabelais in red boards, Walt Whitman in green, Hugo in ten-cent paper covers, Here they stand on shelves In the cool of the night time And there is nothing... To be said against them... Or for them... In the cool of the night time And the clocks. A man in pigeon-gray pyjamas. The open window begins at his feet And goes taller than his head. Eight feet high is the pattern. Moon and mist make an oblong layout. Silver at the man's bare feet. He swings one foot in a moon silver. And it costs nothing. One more day of bread and work. One more day ... so much rags... The man barefoot in moon silver Mutters "You" and "You" To things hidden In the cool of the night time, In Rabelais, Whitman, Hugo, In an oblong of moon mist. Out from the window ... prairielands. Moon mist whitens a golf ground. Whiter yet is a limestone quarry. The crickets keep on chirring. Switch engines of the Great Western Sidetrack box cars, make up trains For Weehawken, Oskaloosa, Saskatchewan; The cattle, the coal, the corn, must go In the night ... on the prairielands. Chuff-chuff go the pulses. They beat in the cool of the night time. Chuff-chuff and chuff-chuff... These heartbeats travel the night a mile And touch the moon silver at the window And the bones of the man. It costs nothing. Rabelais in red boards, Whitman in green, Hugo in ten-cent paper covers, Here they stand on shelves In the cool of the night time And the clocks.
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2.5k
Interior
IN the cool of the night time The clocks pick off the points And the mainsprings loosen. They will need winding. One of these days... they will need winding. Rabelais in red boards, Walt Whitman in green, Hugo in ten-cent paper covers, Here they stand on shelves In the cool of the night time And there is nothing... To be said against them... Or for them... In the cool of the night time And the clocks. A man in pigeon-gray pyjamas. The open window begins at his feet And goes taller than his head. Eight feet high is the pattern. Moon and mist make an oblong layout. Silver at the man's bare feet. He swings one foot in a moon silver. And it costs nothing. One more day of bread and work. One more day ... so much rags... The man barefoot in moon silver Mutters "You" and "You" To things hidden In the cool of the night time, In Rabelais, Whitman, Hugo, In an oblong of moon mist. Out from the window ... prairielands. Moon mist whitens a golf ground. Whiter yet is a limestone quarry. The crickets keep on chirring. Switch engines of the Great Western Sidetrack box cars, make up trains For Weehawken, Oskaloosa, Saskatchewan; The cattle, the coal, the corn, must go In the night ... on the prairielands. Chuff-chuff go the pulses. They beat in the cool of the night time. Chuff-chuff and chuff-chuff... These heartbeats travel the night a mile And touch the moon silver at the window And the bones of the man. It costs nothing. Rabelais in red boards, Whitman in green, Hugo in ten-cent paper covers, Here they stand on shelves In the cool of the night time And the clocks.
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54
There were not many at that lonely place, Where two scourged hills met in a little plain. The wind cried loud in gusts, then low again. Three pines strained darkly, runners in a race Unseen by any. Toward the further woods A dim harsh noise of voices rose and ceased. --We were most silent in those solitudes-- Then, sudden as a flame, the black-robed priest, The clotted earth piled roughly up about The hacked red oblong of the new-made thing, Short words in swordlike Latin--and a rout Of dreams most impotent, unwearying. Then, like a blind door shut on a carouse, The terrible bareness of the soul's last house.
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2.4k
Lonely Burial
The ocean crashes and I dodge jellyfish carcasses, bloated, white and ****** like loose spittle, drenched across the sticky sand. I hop over this dead thing, so limp, so fragile. Then, I see it. A black shine. A giant pupil. Turn it ‘round in my hands and the rock is smooth as plastic feels when wet. Black, contrast, battered soft and hard by the tumultuous waves that had birthed it from existence into a sandy, shallow grave. Oblong, like and oval smashed, I slip the rock into my pocket, sinking pink toes into mushy wetness as the salty water laps at my thighs, chilling them.
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Oct 18, 2015
Oct 18, 2015 at 10:40 PM UTC
The Rock
Eyes chanced upon a brown object Nestled on  a crowd of multi-colored subjects A bunch of dried and fresh leaves, Small, thin and soft spikes of twigs And I wondered.....how on earth Did fibers and strips of polyester sack Get included in this mix? One would think it might fall, and be slung But it stayed put, steady, where it hang I was trying to figure it out: A cylnder, at first thought...but I had my doubts I realized, it was a crooked oblong And, from its opening on one side, came the soft songs A small part of which, was attached To the thorny Bougainvillea branch. Strange.....for it was small...yet steep A human hand could never go deep You wouldn't think it could contain anything And yet...inside it, were resting Three tiny eggs...warming And eventually, would be hatching. Soon, the Red Palm and Sweetsop trees Buzzed with activities Birds of many kinds, watched, upon the bay window eave, High on the electric cables...they perched and wouldn't leave To and fro.......high and low, they flew The air was filled with bird sounds i never knew Soon, too, soft tweeting was heard Along with the louder chirping of the older birds Then came that morning, when, a birdling, Eagerly, tested its wings, Then fell off its nest Down to the roots of the Red Palm tree Where it almost met its final rest... Suddenly, came to the rescue, two big palms That put the birdling back inside its home And reinforced the nearly displaced nest... Both birdling and nest, were put to a test.... Today, other birds fly around this once busy space Where life's significant phases Inevitably took place, Lonely and deserted now, For the birdlings are fully grown They're  now flying on their own... From my rocking chair, I could see Among those entangled twigs Hidden among a crowd of sprigs Still ably rests An abandoned strange nest That once told the story Of an Olive-backed sunbird....and its glory... Sally Copyright February 18, 2016 Rosalia Rosario A. Bayan ^^^^^^^^^^
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Feb 18, 2016
Feb 18, 2016 at 1:14 PM UTC
THE STRANGE NEST
Eyes chanced upon a brown object Nestled on  a crowd of multi-colored subjects A bunch of dried and fresh leaves, Small, thin and soft spikes of twigs And I wondered.....how on earth Did fibers and strips of polyester sack Get included in this mix? One would think it might fall, and be slung But it stayed put, steady, where it hang I was trying to figure it out: A cylnder, at first thought...but I had my doubts I realized, it was a crooked oblong And, from its opening on one side, came the soft songs A small part of which, was attached To the thorny Bougainvillea branch. Strange.....for it was small...yet steep A human hand could never go deep You wouldn't think it could contain anything And yet...inside it, were resting Three tiny eggs...warming And eventually, would be hatching. Soon, the Red Palm and Sweetsop trees Buzzed with activities Birds of many kinds, watched, upon the bay window eave, High on the electric cables...they perched and wouldn't leave To and fro.......high and low, they flew The air was filled with bird sounds i never knew Soon, too, soft tweeting was heard Along with the louder chirping of the older birds Then came that morning, when, a birdling, Eagerly, tested its wings, Then fell off its nest Down to the roots of the Red Palm tree Where it almost met its final rest... Suddenly, came to the rescue, two big palms That put the birdling back inside its home And reinforced the nearly displaced nest... Both birdling and nest, were put to a test.... Today, other birds fly around this once busy space Where life's significant phases Inevitably took place, Lonely and deserted now, For the birdlings are fully grown They're  now flying on their own... From my rocking chair, I could see Among those entangled twigs Hidden among a crowd of sprigs Still ably rests An abandoned strange nest That once told the story Of an Olive-backed sunbird....and its glory... Sally Copyright February 18, 2016 Rosalia Rosario A. Bayan ^^^^^^^^^^
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55
I hate love lives But I don't hate life I just don't think I could get it right in 8 lives Each one with 8 wives That's 64 beautiful women Thoroughly explored I couldn't find love in em I relish in hate right... But I don't hate life I just can't help but see the stigma that you're stained by Slithering worthless serpents working circles and sinning I heard their hymns and verse but couldn't find love in em I play to their hate right.. But they don't hate life They're just vulnerable to the flames Nihilists lay by Sleeping soundly certain that there was no divine venom Pious verses were immersive yet rehearsed I couldn't find love in em. It's subjective what's right But I don't hate life I just can't shape my morals and at the same time, Sit in oblong boxes and keep my thoughts within em I read your laws, codes, and odes but couldn't find love in em
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Aug 4, 2018
Aug 4, 2018 at 11:35 AM UTC
#48
*to be or not to be*... he stands at the lamppost, screened from view evening light slopes across the street and cuts an oblong square of light from the Hotel de Ville lobby-entrance. she wonders who he is, standing there so almost melding into post, his nondescript shadow sidling alongside while early eve strolls through Le Parc des Céléstins steady presence, half but not quite menacing. he gazes down at his silhouette, Gauloise alit and it, in turn, looks into the kerb...or up at him... he turns his head up slowly, hazy wisps as bewilderment draws reredos. she hears footsteps clack across the parquet floor as someone leaves the rez-de-chaussée she wonders what he wants; why he stands there who he waits for; and why so long..... she can never see his face, ponders much on this she longs to understand, yet feels afraid as if she's seen that shade before, across the road moving slowly, as the hours steal away... visible from her second floor, she eyes daddy-long legged limbs and dangly shapes he has merely wandered into his past seeking only the one he hopes to find. traveled so far and sought so wide crossed oceans, traversed treacherous terrain perseverance the clutch word of the day only to linger long to recover dashed prize. later, as she peers into the heavy night from windows shut, all her eyes can pierce are nought but empty shadows 'neath that solitary lamp post seems the mist carried off her spectral fear.... as well. *or... did it?* S T, 28 June 2013 (Fry-day:)
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Jun 28, 2013
Jun 28, 2013 at 8:00 AM UTC
N O R M A N D I E
*to be or not to be*... he stands at the lamppost, screened from view evening light slopes across the street and cuts an oblong square of light from the Hotel de Ville lobby-entrance. she wonders who he is, standing there so almost melding into post, his nondescript shadow sidling alongside while early eve strolls through Le Parc des Céléstins steady presence, half but not quite menacing. he gazes down at his silhouette, Gauloise alit and it, in turn, looks into the kerb...or up at him... he turns his head up slowly, hazy wisps as bewilderment draws reredos. she hears footsteps clack across the parquet floor as someone leaves the rez-de-chaussée she wonders what he wants; why he stands there who he waits for; and why so long..... she can never see his face, ponders much on this she longs to understand, yet feels afraid as if she's seen that shade before, across the road moving slowly, as the hours steal away... visible from her second floor, she eyes daddy-long legged limbs and dangly shapes he has merely wandered into his past seeking only the one he hopes to find. traveled so far and sought so wide crossed oceans, traversed treacherous terrain perseverance the clutch word of the day only to linger long to recover dashed prize. later, as she peers into the heavy night from windows shut, all her eyes can pierce are nought but empty shadows 'neath that solitary lamp post seems the mist carried off her spectral fear.... as well. *or... did it?* S T, 28 June 2013 (Fry-day:)
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38
my love is that love swerving in novas, gobsmacked and gibbering... a funky cuss of lust oblong in the short run sprinting to horizons of forgotten doves; cooling heel and grind- in peat moss of mauve thoughts; so lurid you could find them in pitch dark. my love is the love that chinks your armor. the soft clang of a raging Kismet port of your starboard ! i am in love with you and this thing is "mostly harmless "
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Jan 14, 2013
Jan 14, 2013 at 2:28 PM UTC
The Hitchhiker's Guide To Destiny
No. I write against. (Aihmeanlike, against it.) No, against it. Like this. [The point is pressing A dark circle down down down.] So (Djiuknowhatuhmean?) I clash on this. After doing that All day, on air! With conscious Breath, (which is just force myself Breath!) out of the glued muck Moss in my sere bellum. My Me do lah. Oblong god. Duh. How long, these fractured seams of seemlessness around? In the meantime, here’s some words, an image of a Stream, and I’ll say: “Like a dead Man(’s passing.)” Look at it. And you thought infinity Could be brushed off like a fly! Wring your wet sloppy self! Undried, then sundried! Well. Now, you are one-eyed. But what about that cry Of true voice swishing lost And found in the growing Concrescent infundibular Abyss? Oh, that might be the Sublime Sadness! (That one mentioned once.) Keeping the Eternal Walker out in the dwindling Afternoons, closer than tears To littered ponds of cold light. Will he pull out the solidified Spirit, or precipitate his freedom As indistinguishable from the Mystery? Oh. Please. Then the Self would be (the question). And there. Would be. No. Need for the asked king.
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Mar 27, 2012
Mar 27, 2012 at 7:58 PM UTC
Muck Moss
I should have skeletons in my closet, but they've yet been stripped of their flesh, and I've let them loose in this small town for a game of hide 'n' seek. She returned a set of my pajamas, unwashed, her intoxicating scent lingering on hooks in my closet where her aroma constructs an illusion. I bury my face in them, feeling my damp cheeks pressed into her ******* reaching down below where my hand grasps her posterior where it takes a firm shape in the loose garments. I dig into the scent until I go crazy; I tell myself I'll wash them next week. I should have skeletons in my closet, but she's taken it on the road, in a small town parading it down empty streets where I can see it clearly, her oblong sunglasses darkly obfuscating what I perceive to be her pejorative gaze, over a narrow ivory face, sandy blonde hair flowing in the wind. (I still feel, yes, that smooth pale face cupped within my trembling hands, that sandy hair tangled around my fingers reaching up the back of her neck, pressing her face more towards mine) I look for the shallow dent in her ubiquitous red minute two-door seater on the passenger side, where she was gently T-boned by a student driver practicing their three-point turn, and the smiley-face lemon-scented air freshener dangling from her rear-view mirror, having lost its freshness years ago. (I still see, yes, us in that hardware store parking lot, in the closed evening hour, sitting cramped in the passenger seat, her knees on either side of me, our shirts off and skin warm and sweaty, nervous, trembling, trembling, lips aching and souls yearning-- where were we headed to again?) I look for it so intensely, I forgot my goal was to never see it again. Young love looking for little things in a small town. For years I play this game of hide 'n' seek, and part of me should realize that at some point she got up from her hiding spot and moved on with her life. (and no, I won't look at her engagement photos, nor the photos of her newborn child, nor the Happy Anniversaries and the congratulatory sentiments-- I can see them without social media's derision) I still scan the streets like a vulture over roadkill, yet I thought I was the one engraved into the grainy streets where she commutes over my remains. I should have skeletons in my closet, but I let them walk out of my life so I can chase them all over town.
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May 22, 2016
May 22, 2016 at 11:02 PM UTC
Hide 'n' Seek
I should have skeletons in my closet, but they've yet been stripped of their flesh, and I've let them loose in this small town for a game of hide 'n' seek. She returned a set of my pajamas, unwashed, her intoxicating scent lingering on hooks in my closet where her aroma constructs an illusion. I bury my face in them, feeling my damp cheeks pressed into her ******* reaching down below where my hand grasps her posterior where it takes a firm shape in the loose garments. I dig into the scent until I go crazy; I tell myself I'll wash them next week. I should have skeletons in my closet, but she's taken it on the road, in a small town parading it down empty streets where I can see it clearly, her oblong sunglasses darkly obfuscating what I perceive to be her pejorative gaze, over a narrow ivory face, sandy blonde hair flowing in the wind. (I still feel, yes, that smooth pale face cupped within my trembling hands, that sandy hair tangled around my fingers reaching up the back of her neck, pressing her face more towards mine) I look for the shallow dent in her ubiquitous red minute two-door seater on the passenger side, where she was gently T-boned by a student driver practicing their three-point turn, and the smiley-face lemon-scented air freshener dangling from her rear-view mirror, having lost its freshness years ago. (I still see, yes, us in that hardware store parking lot, in the closed evening hour, sitting cramped in the passenger seat, her knees on either side of me, our shirts off and skin warm and sweaty, nervous, trembling, trembling, lips aching and souls yearning-- where were we headed to again?) I look for it so intensely, I forgot my goal was to never see it again. Young love looking for little things in a small town. For years I play this game of hide 'n' seek, and part of me should realize that at some point she got up from her hiding spot and moved on with her life. (and no, I won't look at her engagement photos, nor the photos of her newborn child, nor the Happy Anniversaries and the congratulatory sentiments-- I can see them without social media's derision) I still scan the streets like a vulture over roadkill, yet I thought I was the one engraved into the grainy streets where she commutes over my remains. I should have skeletons in my closet, but I let them walk out of my life so I can chase them all over town.
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The house broth trickles onto the plywood floor Filtered by fiberglass cotton candy A humid breeze slams the oblong door and knocks over the table I found so handy This storm has brought my ceiling down on my head The rafters are surely next to fall Thunder sings songs with words never said That entices the slugs to climb the wall A deathtrap, a battlefield, a childhood home have fused to form this cocoon of mold The flies have settled, no longer to roam and I'm left for the winds to bend and fold This leaky old roof that Grandfather built can barely now stand, let alone shelter strays But if I leave in the night, I drag only my guilt My body goes wandering, but my dream world stays
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Aug 22, 2013
Aug 22, 2013 at 11:12 AM UTC
Sneaky Storm/Rascal Raccoons/Tiles Tumble
you smelt like pears your eyes were rivers your soul was the moon watching over the night we breath in and take shelter I walked into the fields found a moon shaped rock and carved you a heart you wore it round your neck like a diamond breathing only the air we laid on soft oblong shaped couches you laid on me our hearts beat like drums I kissed your neck you taste like peaches
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Jul 24, 2010
Jul 24, 2010 at 12:14 AM UTC
Heart-Shaped Pears and Moon Peaches