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"oats" poems
why do i crumble fall into pieces of oats and sugar something beautiful in a white bowl, but a mess on the floor when i wake up in an empty house why do i wither like brown leaves under brand new and borrowed boots atop autumn sidewalks when i’m alone, i’m alone, i’m alone it is not enough to eat breakfast however small to wash my hair with coconut milk to not step out into the busy street; i freeze before the ice touches me i do not allow the chance to warm my own hands i lie down, on ***** sheets, and wait for someone anyone anything to awaken me
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Jul 10, 2018
Jul 10, 2018 at 3:21 PM UTC
the slightest bit lonely
THEY were calling certain styles of whiskers by the name of "lilacs." And another manner of beard assumed in their chatter a verbal guise Of "mutton chops," "galways," "feather dusters." Metaphors such as these sprang from their lips while other street cries Sprang from sparrows finding scattered oats among interstices of the curb. Ah-hah these metaphors-and Ah-hah these boys-among the police they were known As the ***** Dozen and their names took the front pages of newspapers And two of them croaked on the same day at a "necktie party" ... if we employ the metaphors of their lips.
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6.5k
Alley Rats
KEEP a red heart of memories Under the great gray rain sheds of the sky, Under the open sun and the yellow gloaming embers. Remember all paydays of lilacs and songbirds; All starlights of cool memories on storm paths. Out of this prairie rise the faces of dead men. They speak to me. I can not tell you what they say. Other faces rise on the prairie. They are the unborn. The future. Yesterday and to-morrow cross and mix on the skyline The two are lost in a purple haze. One forgets. One waits. In the yellow dust of sunsets, in the meadows of vermilion eight o'clock June nights ... the dead men and the unborn children speak to me ... I can not tell you what they say ... you listen and you know. I don't care who you are, man: I know a woman is looking for you and her soul is a corn-tassel kissing a south-west wind. (The farm-boy whose face is the color of brick-dust, is calling the cows; he will form the letter X with crossed streams of milk from the teats; he will beat a tattoo on the bottom of a tin pail with X's of milk.) I don't care who you are, man: I know sons and daughters looking for you And they are gray dust working toward star paths And you see them from a garret window when you laugh At your luck and murmur, "I don't care." I don't care who you are, woman: I know a man is looking for you And his soul is a south-west wind kissing a corn-tassel. (The kitchen girl on the farm is throwing oats to the chickens and the buff of their feathers says hello to the sunset's late maroon.) I don't care who you are, woman: I know sons and daughters looking for you And they are next year's wheat or the year after hidden in the dark and loam. My love is a yellow hammer spinning circles in Ohio, Indiana. My love is a redbird shooting flights in straight lines in Kentucky and Tennessee. My love is an early robin flaming an ember of copper on her shoulders in March and April. My love is a graybird living in the eaves of a Michigan house all winter. Why is my love always a crying thing of wings? On the Indiana dunes, in the Mississippi marshes, I have asked: Is it only a fishbone on the beach? Is it only a dog's jaw or a horse's skull whitening in the sun? Is the red heart of man only ashes? Is the flame of it all a white light switched off and the power house wires cut? Why do the prairie roses answer every summer? Why do the changing repeating rains come back out of the salt sea wind-blown? Why do the stars keep their tracks? Why do the cradles of the sky rock new babies?
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4.4k
Haze
KEEP a red heart of memories Under the great gray rain sheds of the sky, Under the open sun and the yellow gloaming embers. Remember all paydays of lilacs and songbirds; All starlights of cool memories on storm paths. Out of this prairie rise the faces of dead men. They speak to me. I can not tell you what they say. Other faces rise on the prairie. They are the unborn. The future. Yesterday and to-morrow cross and mix on the skyline The two are lost in a purple haze. One forgets. One waits. In the yellow dust of sunsets, in the meadows of vermilion eight o'clock June nights ... the dead men and the unborn children speak to me ... I can not tell you what they say ... you listen and you know. I don't care who you are, man: I know a woman is looking for you and her soul is a corn-tassel kissing a south-west wind. (The farm-boy whose face is the color of brick-dust, is calling the cows; he will form the letter X with crossed streams of milk from the teats; he will beat a tattoo on the bottom of a tin pail with X's of milk.) I don't care who you are, man: I know sons and daughters looking for you And they are gray dust working toward star paths And you see them from a garret window when you laugh At your luck and murmur, "I don't care." I don't care who you are, woman: I know a man is looking for you And his soul is a south-west wind kissing a corn-tassel. (The kitchen girl on the farm is throwing oats to the chickens and the buff of their feathers says hello to the sunset's late maroon.) I don't care who you are, woman: I know sons and daughters looking for you And they are next year's wheat or the year after hidden in the dark and loam. My love is a yellow hammer spinning circles in Ohio, Indiana. My love is a redbird shooting flights in straight lines in Kentucky and Tennessee. My love is an early robin flaming an ember of copper on her shoulders in March and April. My love is a graybird living in the eaves of a Michigan house all winter. Why is my love always a crying thing of wings? On the Indiana dunes, in the Mississippi marshes, I have asked: Is it only a fishbone on the beach? Is it only a dog's jaw or a horse's skull whitening in the sun? Is the red heart of man only ashes? Is the flame of it all a white light switched off and the power house wires cut? Why do the prairie roses answer every summer? Why do the changing repeating rains come back out of the salt sea wind-blown? Why do the stars keep their tracks? Why do the cradles of the sky rock new babies?
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44
As the warm days of summer give way to chill, and shadows grow longer as days shed their hours. High winds and rain storms scrub the tired landscape down. Colours are changing from rich green to gold, from yellow to red and orange to brown. The grain has been gathered, wheat, barley and oats, cut and collected, sifted and sorted and put into store. Grown by God, and by man with machine and by effort of hand. Poppies and stalks now mark the spot, of the return for their labour. The wealth of the land. Birds follow the tractor, rising and falling, swirling and soaring they move like a cloud. The farmer is out and turning the stubble into the ground. Rooks and crows, gulls and wood pigeons, starlings and magpies follow him round. Hay long since mown is now bailed and in barns, or rolled up and bagged, ferments now in high silage towers. The countryside has yielded reward for all Adam’s toil. Work done in rhythm with the seasons, sowing, growing, reaping, ploughing and tilling the soil. Gathering goodness, from garden, and greenhouse, carrots and courgettes, tomatoes in bunches. Fresher than any you can get in the shops. Picking the bounty gleaned from the hedgerow. Rosehips and cobnuts, damsons and hops. Elder and sorrel, mushrooms and puffballs, sour green crab apples, and brambles in tangles. Sloes that were missed by the late winter frost. Not all are pleasant and some really can hurt you, pick only those that you know and trust. Take full advantage of God’s generosity, share it with gladness, with thanks, there is plenty for all. Sticky syrups and cider, wines, cordial and beer. Pies, puddings, sorbets and ice creams, jam, jelly, and chutney and enough pickles to last into next year. As the warm days of summer give way to chill, and shadows grow longer as days shed their hours. High winds and rain storms scrub the tired landscape down. Colours are changing from rich green to gold, from yellow to red and orange to brown.
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Oct 23, 2011
Oct 23, 2011 at 3:16 PM UTC
Harvest
As the warm days of summer give way to chill, and shadows grow longer as days shed their hours. High winds and rain storms scrub the tired landscape down. Colours are changing from rich green to gold, from yellow to red and orange to brown. The grain has been gathered, wheat, barley and oats, cut and collected, sifted and sorted and put into store. Grown by God, and by man with machine and by effort of hand. Poppies and stalks now mark the spot, of the return for their labour. The wealth of the land. Birds follow the tractor, rising and falling, swirling and soaring they move like a cloud. The farmer is out and turning the stubble into the ground. Rooks and crows, gulls and wood pigeons, starlings and magpies follow him round. Hay long since mown is now bailed and in barns, or rolled up and bagged, ferments now in high silage towers. The countryside has yielded reward for all Adam’s toil. Work done in rhythm with the seasons, sowing, growing, reaping, ploughing and tilling the soil. Gathering goodness, from garden, and greenhouse, carrots and courgettes, tomatoes in bunches. Fresher than any you can get in the shops. Picking the bounty gleaned from the hedgerow. Rosehips and cobnuts, damsons and hops. Elder and sorrel, mushrooms and puffballs, sour green crab apples, and brambles in tangles. Sloes that were missed by the late winter frost. Not all are pleasant and some really can hurt you, pick only those that you know and trust. Take full advantage of God’s generosity, share it with gladness, with thanks, there is plenty for all. Sticky syrups and cider, wines, cordial and beer. Pies, puddings, sorbets and ice creams, jam, jelly, and chutney and enough pickles to last into next year. As the warm days of summer give way to chill, and shadows grow longer as days shed their hours. High winds and rain storms scrub the tired landscape down. Colours are changing from rich green to gold, from yellow to red and orange to brown.
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24
Water the Greenhouse Water the plants on the deck. Walk Autumn Moon. Salutation to the Sun Yoga on the deck Prayers Angel of Air Reading & Study with Ken Sipping herbals & he, his coffee. Pick up. Moving the living room furniture Rearranging. Sweeping. Mopping. Clean the kennel. Fresh bedding for Autumn. A break for Sevenfold Peace in the sunshine. Listening to the Holy Stream of Sound. Playing with Autumn. Laughing with Ken. Continuing with rearranging & cleaning Done! Another break With Ken, Autumn & Habibie By the firepit in front of the shop. Auti chasing water up and down and around. Walk to Alli's, talk and pick up the key. Cut broccoli, cabbage, carrots, & kale Add a few pods of peas Drizzle poppy seed dressing. Two bowls with 1/2 cup of rolled oats each Add cinnamon. Taking a teaspoon Half full with honey. Dipping it into the center of the oats Pouring boiling water over the honey. Into the oats. Stirring and stirring Watching the cinnamon spirals Mix into the sweet porridge. Small cacao chips, sunflower seeds A few raisins Sprinkled as garnish. Eating together Smallville, playing with Autumn Habibie resting near by. She maybe carrying kittens. Too early to tell. Tired. Good night. Sleep. 2:30 am. Ken up watching a movie on is phone. My, my, how times have changed. Return to bed. Writing, writing, writing….now it is done.
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May 16, 2021
May 16, 2021 at 1:07 PM UTC
Flowing Movement
You mumblers and raspers Of resp'rat'ry rattle: Open your throats! Forsake ye! the gaspers, You quoters of cattle And prattle of goats! Or lay ye with horses Whose tongue ne'er divorces Those ivory choppers, Those sibilant stoppers; You lispers: beware, Whether stallion or mare, While you nibble your oats! Stop your speech-stumbling! Go suckle an udder You dizzy, damp calfs! Restrain your talk-tumbling, And swallow your stutter Nor utter foul laughs! You outspoken nags Mimic bolt-broken stags As you bleed allegations Down paths of my patience And clatter your antlers; What heavy-hoofed ranters For no one's behalf!
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Apr 1, 2014
Apr 1, 2014 at 5:06 PM UTC
Four-Legged Locution
Porage Oats? Porridge simmering slowly on an old gas hob, In a large enamel *** that was kept for this job. We stirred it occasionally with a spoon shaped stick, This stopped it burning or getting too thick. You knew when it was time to do the spoon test, If the spoon stood up strait then it was at its best. Served with golden treacle the way I liked it most, That melted like a glaze Oh yes and a slice of toast. Those cold winter mornings it warmed the heart, We would all walk to school with a healthy start. Just been too busy working all my life, No time to make porridge for me and my wife. I have tried many new cereals in the past 40 years, Some not to bad but containing too much sugar. They call it glaze with bits of chocolate to, But with a threat of diabetes it just will not do. Now that I’m retired I go shopping every day, More time for cooking in the old fashioned way. Last winter a large promotion caught my eye, It was for porridge, I could not pass it bye. Not the instant stuff, cooked in minutes two, It's Proper Porage Oats that sticks like glue. Is this a second childhood where I want to play? No, just a wholesome breakfast for a frosty day.
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Jul 19, 2011
Jul 19, 2011 at 8:32 AM UTC
Porage Oats
The rear axles hold the kick of twenty Missouri ********* It is in the records of the patent office and the ads there is twenty horse power pull here. The farm boy says hello to you instead of twenty mules-he sings to you instead of ten span of mules. A bucket of oil and a can of grease is your hay and oats. Rain proof and fool proof they stable you anywhere in the fields with the stars for a roof. I carve a team of long ear mules on the steering wheel-it's good-by now to leather reins and the songs of the old mule skinners.
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3k
New Farm Tractor
Lie back think of England Tuck into toad in the hole Cider with Rosie,  peaches and cream Juggle dumplings scoring a goal Oats in the nose-bag, flip-flop away Doggie do in the park Scream shout, dip in and out On the side after dark Wellies squidgy in the mud Carpet burns tickling trout Marigolds in the soap suds Eyes askew, up the spout
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Jul 16, 2012
Jul 16, 2012 at 4:30 PM UTC
Filling a bottle with a tundish
Like wild oats the lonesome poets grow in the ditches alongside back roads and when it rains they drink too much like the low cotton in dry fields forgotten by dirt poor farmers whose wives run off with the first stranger who wipes his shoes on the porch before selling her a pretty pair of green lace underwear like a bird sick of its tree dreaming of new leaves.
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Jun 6, 2016
Jun 6, 2016 at 3:22 PM UTC
Leaves
let me structure you first: there, now, ready, fly my owl granting vision logic, guiding thoughtform fair. what softness in the earth gives way to waterway, what forceful gust of air to final quench of earthy thirst... such unseen pyschomancy dusts the wing-stroke of your flight, and weathers well my musing trust; you see with ancient zero eye, and die to my dull interpret edge; like a certain volcano jumper's ox of oats and honey you coat the stone of time to symbolize my rhyme. hold, softer, still, i do not need to cut or pluck or forge with harshness -- your shrill screeching from the cage of lines here summons more than Athene's gavel ever forced. otherwise than writing, you wait... cradled darkly, unknown priorlife of avadhuta colors mixing in, of whalesong faintly felt like stegosaurus moans, like city-ships to overreach and then to rot, forgotten tattva vidya shastra forgotten sukha, Megbe, Tirawa, Awen, Asha, Ichor...
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Jun 21, 2012
Jun 21, 2012 at 5:17 PM UTC
avadhuta owl
I do not think of you lying in the wet clay Of a Monaghan graveyard; I see You walking down a lane among the poplars On your way to the station, or happily Going to second Mass on a summer Sunday-- You meet me and you say: 'Don't forget to see about the cattle--' Among your earthiest words the angels stray. And I think of you walking along a headland Of green oats in June, So full of repose, so rich with life-- And I see us meeting at the end of a town on a fair day by accident, after the bargains are all made and we can walk Together through the shops and stalls and markets Free in the oriental streets of thought. O you are not lying in the wet clay, For it is harvest evening now and we Are piling up the ricks against the moonlight And you smile up at us -- eternally.
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2.5k
In Memory of My Mother
You always talk about how you conquer lay women of all types and credentials figure it out that you are a ***** of a man and pieces you have shattered along promising empty and delayed dreams get your sick **** to sleep for a while and treat your girlfriend right and good because she is a queen and deserves love Don’t fool yourself in this age dear friend As your flag posts don’t really matter because you still remain so cold and lonely shallow and always disrupted to grow as your oats floats with the melting snow watching all your friends leave you behind wanting, groaning, moaning and frowning It’s like some sort of a Piscean crises crushes of addiction and utter mind games When will it stop, come to a halt dear friend
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Aug 16, 2018
Aug 16, 2018 at 5:24 AM UTC
The Pisces Crises
To ocean's roar--the sea oats dance To music of--nor'easter's glance Holding fast on--windswept seashore Lending hand to--rippled dunes' chore Paniculata's--feathered lance Leaves not the sand--to nature's chance To leave in dunes--an open door To ocean's roar Sea oats seeking--perfect balance Barren beach and--storm's dalliance Shorebirds nesting--while sea gulls soar Still ocean tries--and shouts for more Sea oats bending--yet still they dance To ocean's roar r ~ 9Mar14
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Mar 9, 2014
Mar 9, 2014 at 1:40 PM UTC
To Ocean's Roar
i am a poet and still i can’t comprehend these symbols these missing heartbeats and hours spent counting thimbles i am perplexed by love shall we seek herbs and remedies lose ourselves in cures and compounds must our inner territories be colonized while we remain captivated by inconvenient theories struck down by doubt and insecurity the mind wields no ammunition and yet its cavalry has desecrated the land without the slightest sign of inhibition or a trace of empathy, justice or compassion will we make a new peace treaty will the blessed earth be forgiven and can the sweet essence of her children comprehend the innocence of spring oh how our hearts yearn for dancing still you spend your dollars and your pennies but give your emptiness to the king i eat oats and honey cooked upon the fire while you distill golden nectar from the garden of desire in the ancient inside-out alembic of your will and imbibe spagyric liquid that eradicates all pride and confers wisdom, truth, beauty and longevity upon the already immortal nature of your mind
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Sep 5, 2018
Sep 5, 2018 at 5:04 PM UTC
alchemy of desire
An ogre set out to have a feast one day. Dreaming of all the creatures he would slay. He'd have bowls full of trolls. And fairies buttered on rolls. He'd eat hairy mountain goat coats And fattened up ducklings full of their oats. He'd chomp on legs of forest elves And pickled gnomes feet from his shelves. This fearsome young ogre planned quite well, Except for a troublesome oyster shell. It landed quite wrong deep in his gullet. And never more was heard from Ogre Trullet.
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Jun 10, 2011
Jun 10, 2011 at 4:12 PM UTC
Hungry Ogre
I want to make that journey from your knees to your hips again- it was always my favorite route. Soft plains, colored of oats, and each road I know like the back of my hand. With my destination in sight, it's getting more humid by the inch. Hotter, wetter, hotter, wetter.
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Oct 21, 2019
Oct 21, 2019 at 4:22 AM UTC
The Journey
Pacing the floor in the middle of this watching the kettle 'til steam starts to hiss A strange fascination we have with the bliss with nothing behind us but one heated kiss. Underneath an umbrella I stand in the rain and wait on the platform for the six o'clock train well you never quite hold me and I rarely complain and soaked with frustration I walk home again. We bid for each other in some Chinese auction and you got the ***** one mixed up concoction we checked out our prizes at a much closer range What were we thinking and can we exchange? And without any memories to dry up the tears we long for the fire and the comfort of years but it's just one more lesson, a good one we learned. the slow-cooker is better and we're less often burned. And then as I ponder you come in the door I smile at your tired eyes and looking for more I stir up the *** as you take off your Totes and you ask me to make you some Five-Minute Oats. "I made 'em already to warm up your cockles the seat of your heart and without the debacles I sensed that the cold rain would stir the desire so I whipped up a batch and rekindled the fire". And inspite of my rambling it seems rather clear that Five-Minute Oats can mean something more dear it's that person who waits in your kitchen above stirring Five Minute oats into passionate love. -Gina Morrone
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Oct 20, 2013
Oct 20, 2013 at 3:20 AM UTC
Five-Minute Oats
Here lies, whom hound did ne'er pursue, Nor swiftewd greyhound follow, Whose foot ne'er tainted morning dew, Nor ear heard huntsman's hallo', Old Tiney, surliest of his kind, Who, nurs'd with tender care, And to domestic bounds confin'd, Was still a wild Jack-hare. Though duly from my hand he took His pittance ev'ry night, He did it with a jealous look, And, when he could, would bite. His diet was of wheaten bread, And milk, and oats, and straw, Thistles, or lettuces instead, With sand to scour his maw. On twigs of hawthorn he regal'd, On pippins' russet peel; And, when his juicy salads fail'd, Slic'd carrot pleas'd him well. A Turkey carpet was his lawn, Whereon he lov'd to bound, To skip and gambol like a fawn, And swing his **** around. His frisking wa at evening hours, For then he lost his fear; But most before approaching show'rs, Or when a storm drew near. Eight years and five round rolling moons He thus saw steal away, Dozing out all his idle noons, And ev'ry night at play. I kept him for his humour's sake, For he would oft beguile My heart of thoughts that made it ache, And force me to a smile. But now, beneath this walnut-shade He finds his long, last home, And waits inn snug concealment laid, 'Till gentler **** shall come. He, still more aged, feels the shocks From which no care can save, And, partner once of Tiney's box, Must soon partake his grave.
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2.3k
Epitaph on a Hare
There’s this tree over there Blowing leaves in the air And it’s roots go far underground. Those apples so ripe, Hold the answer to life, They just need to bite if they dare. So monkey one said to monkey two Do as I say and watch as I do, And climbed high up the tree, Where the sky was so bright Before God’s endless night, And brought down an apple or two. With a wink and a grin He bit down in sin, Then sat down and thought for a bit. Monkey two did the same And in a moment she came As his knowledge washed down her chin. They danced under the tree, Unfettered and free, And played until day turned to night. As the sun went down low Monkey one went to sow His oats in the beautiful eve. Nine months flew on by And the monkeys did try To build a home under the tree. The first was born able And they dressed him in sable But the other used a cane to get by. Now night came on fast, And the monkeys at last Left from under the care of the tree. They walked far and wide With nothing to hide, No fear of a terrible past. But then God knew their route And remembered His fruit That He grew from a seed on the branch. So He sent them a curse, With some words in verse, That he knew that they could not refute. Now the monkeys grew tall And swung from trees not at all, As they played in the ever-tall grass. But wherever they went God’s curse that He sent Would follow them all to their fall. The knowledge they gained Was cursed to be blamed On the wonder of God up above. So all that they did Was always outbid By God and all He proclaimed.
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Apr 28, 2015
Apr 28, 2015 at 5:10 PM UTC
Monkeys in Paradise
There’s this tree over there Blowing leaves in the air And it’s roots go far underground. Those apples so ripe, Hold the answer to life, They just need to bite if they dare. So monkey one said to monkey two Do as I say and watch as I do, And climbed high up the tree, Where the sky was so bright Before God’s endless night, And brought down an apple or two. With a wink and a grin He bit down in sin, Then sat down and thought for a bit. Monkey two did the same And in a moment she came As his knowledge washed down her chin. They danced under the tree, Unfettered and free, And played until day turned to night. As the sun went down low Monkey one went to sow His oats in the beautiful eve. Nine months flew on by And the monkeys did try To build a home under the tree. The first was born able And they dressed him in sable But the other used a cane to get by. Now night came on fast, And the monkeys at last Left from under the care of the tree. They walked far and wide With nothing to hide, No fear of a terrible past. But then God knew their route And remembered His fruit That He grew from a seed on the branch. So He sent them a curse, With some words in verse, That he knew that they could not refute. Now the monkeys grew tall And swung from trees not at all, As they played in the ever-tall grass. But wherever they went God’s curse that He sent Would follow them all to their fall. The knowledge they gained Was cursed to be blamed On the wonder of God up above. So all that they did Was always outbid By God and all He proclaimed.
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54
I’d jump at the chance to ride shotgun on Henry’s medicine wagon rolling from city to village hawking 'Stickin’ Salve' and 'Oil of Gladness'. We’d ride into Elmira’s County Fair and set up over by the lake. I’d fix old Diamond a pail of oats and draw her a bucket of water. while great, great grandpa squeezed on his Union coat and arranged his potions on the shelves. Henry’s voice would boom across the water like a megaphone and people would gather close - lured in by the old codger's hypnotic banter of miracle cures - and perilous Civil War battles.    He’d swear on his mother’s lumbago that 'Stickin’ Salve' works just as fine as the lead and powder he’d fired at Cedar Mountain. The folks would shake with mirth whenever he bellowed, “I’m Henry Howard from Bunker Hill - Never worked and never will." Women would tug their husband's sleeves and they’d bring me pennies and dimes. After dusk we’d tally the coins and latch down the wagon for the night then sleep side by side on the grass beneath the New England stars. At sunrise I'd wipe his brow - to ease him gently back from the thunder of enemy shells still firing in his restless sleep. We'd cook up some bacon and biscuits, hitch Diamond up to the wagon then head south through the rolling hills along the Tioga valley. We’d breathe in the fresh country air and tip our caps to the farmers. If Henry would come to tap my shoulder some promising morning in spring and whisper "the wagon's hitched outside," I’d go in a Tioga minute. December,  2006
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Aug 3, 2013
Aug 3, 2013 at 6:13 PM UTC
Medicine Wagon
I’d jump at the chance to ride shotgun on Henry’s medicine wagon rolling from city to village hawking 'Stickin’ Salve' and 'Oil of Gladness'. We’d ride into Elmira’s County Fair and set up over by the lake. I’d fix old Diamond a pail of oats and draw her a bucket of water. while great, great grandpa squeezed on his Union coat and arranged his potions on the shelves. Henry’s voice would boom across the water like a megaphone and people would gather close - lured in by the old codger's hypnotic banter of miracle cures - and perilous Civil War battles.    He’d swear on his mother’s lumbago that 'Stickin’ Salve' works just as fine as the lead and powder he’d fired at Cedar Mountain. The folks would shake with mirth whenever he bellowed, “I’m Henry Howard from Bunker Hill - Never worked and never will." Women would tug their husband's sleeves and they’d bring me pennies and dimes. After dusk we’d tally the coins and latch down the wagon for the night then sleep side by side on the grass beneath the New England stars. At sunrise I'd wipe his brow - to ease him gently back from the thunder of enemy shells still firing in his restless sleep. We'd cook up some bacon and biscuits, hitch Diamond up to the wagon then head south through the rolling hills along the Tioga valley. We’d breathe in the fresh country air and tip our caps to the farmers. If Henry would come to tap my shoulder some promising morning in spring and whisper "the wagon's hitched outside," I’d go in a Tioga minute. December,  2006
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46
I asked the mule just yesterday Whether he ever envies the bay Who burrows her soft, brown nose in the oats Laid out for her pleasure, to brighten her coat. The mule responded, with just a hint of chagrin, “I know nothing of the world or the way I should live; There are others who tell me this for my own good, thus: My life is blissfully simple, yet lush— “Lush,” he continued, while he swatted the flies Gathered round his muddy coat and panicked eyes, “Lush is my life that they make so secure: By bringing me down, they make me demure. “And,” he concluded, with a wheezing sigh, “It’s for my own good that I’m covered with flies, And for the good of the people that the bay gets the oats, While I struggle and toil catching flies with my coat.” I meant to ask the mule again On the issue of his grievous chagrin, But a crowd led the keening bay out of her stall, And the world stopped to answer her demanding call.
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Aug 15, 2010
Aug 15, 2010 at 11:17 PM UTC
The Mule