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"numberless" poems
i come to you half mad with desire like slithers tongue i wish to have painfully stitched to your silky **** an act of desires supplication my *** turned to poison deprivations effulgent obsidian flower salivating your every smile fleshy bells ringing warping tintinnabulations i am a starved incubus drooling at your knees behind me a frothy junket of misdeeds for loves sake your feet the scent of lavender and salt their shape evoking numberless poems and begging adorations your belly a tender cauldron undulating tummy ***** dancer sacred ********** temple of worship the site of your rounded bottom naked red mouth calling my sacred liturgy your ***** velvet tulips for a tremulous kiss I seed you a thousand times a raging bludgeon storming wounded gates Palisades drenched and florid fruit and milk **** until jaws lock and spire drops turning me to midnight cadaver ***** black hollows a dark eyelid, blink-less dead **** face down a slumped snake then soft dew and cool ales clear thickened muds saturation lighten heat and peel the warm palate with agile caress tender haunches wide and spiced milk and butter thighs her hair in mine rushing river life again i animate an embryo id dressed in fire all vices and virtues blood and sky
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Jul 12, 2017
Jul 12, 2017 at 1:23 PM UTC
*** DEATH AND RESURRECTION
How many marbles can you fit into a bowl until you say you can't count them? I do not want events layered upon events. Birthdays toppling over birthdays: a layer cake of responsibilities that aren't 'responsibilities'. That do not count. That cannot be measured or described as taxing or numerous. I am outnumbered by numberless nonsense. I am outweighed by weightless wafting pleasantries; and opportunities; and life-sustaining things; that bowl me over. My womb is a desert called Death Valley and you wish to comb it for antique glass bottles. I care not. I cannot partake in any more suggestions of what I might do with my 'free time'. But you're not feeling the tingling sensation in your gut every time you wake up and the lights don't turn on. The wheels don't work. The mechanical arms don't move like they are supposed to. Like the parts of you you're supposed to have on automatic have just given up the ghost and abandoned you. You're alone and miserable and none of it rings any bells. None of it gives out any signs. None of it counts. I'm crying because the milk spilled and there isn't any milk left anywhere in the world. We're out. We're just the land of Honey now.
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Apr 21, 2016
Apr 21, 2016 at 12:43 AM UTC
The Land of Honey
the blank face of a blow up doll beneath a numberless clock. a sleeping bag outside of a boy. two brothers rumored to have nursed at the wrists of their father to reach the same high note. gripping a rolling pin with both hands my mother on the tin roof of a neighbor’s shed. a dove circling a church bell to elude the crow it was.
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Mar 19, 2013
Mar 19, 2013 at 1:34 PM UTC
an accounting of midwestern balloons
Tomorrow is my beloved Swedish Kent's birthday - a day he completely rejects. I do not, writing this birthday poem which I will present to him in spite of all protestations. I'll bet he loves it! An Icke* Birthday “I have no birthday” you insist. Bemused, a bit confused Reflecting, un-rejecting, I conclude, “Good for you! You never need add numbers to Your written age. You’ll grow more sage Without a wrinkle. Passing years will never sink you, You who have no birthday, Never born, Never gone.” At any rate, I celebrate This date And will continue every eight, For February is your birthday. Enjoy the numberless-ness in your way. So if I may, I’d like to take you out to lunch To munch on something to your taste. Why waste an eight? Why wait? We’ll go to lunch sometime this week, Take our big car somewhere To crunch on something nice to eat. Peaceful, sweet, We’ll have a great non-birthday dear! Your icke- birthday’s growing near. An Icke- Birthday 2.8.2020 Birthday Book; Arlene Nover Book *icke; Swedish for non-
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Feb 7, 2020
Feb 7, 2020 at 6:26 AM UTC
An Icke* Birthday
Glowing bright in the dark is the moon the half of the sun! The sun from the heavenly blue colour in the midday rose to bear the light and basks into the other half of the night. Goodness knows when but God willing the ancient bird of time once will fly. Numbering the numberless stars filling the one halve the half of the sky! Maybe each star is a shining piece of one half cut halve that's yet to reunite. As the cream always rises to the top and God promised the believers paradise. Perhaps then without cutting in a fraction, once paradise is packed with the folks of the good ones there will be no more partial decimals of the pi! I wonder then how will it look, a full moon picture? If then the forever intact paradise lends a mirror of the ‘immanent feminine’ In Shaa Allah God willing that will still be my better half!
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Sep 27, 2018
Sep 27, 2018 at 8:24 AM UTC
The Better Half
For us like any other fugitive, Like the numberless flowers that cannot number And all the beasts that need not remember, It is today in which we live. So many try to say Not Now, So many have forgotten how To say I Am, and would be Lost, if they could, in history. Bowing, for instance, with such old-world grace To a proper flag in a proper place, Muttering like ancients as they stump upstairs Of Mine and His or Ours and Theirs. Just as if time were what they used to will When it was gifted with possession still, Just as if they were wrong In no more wishing to belong. No wonder then so many die of grief, So many are so lonely as they die; No one has yet believed or liked a lie, Another time has other lives to live.
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5.3k
Another Time
The stinging nettle only Will still be found to stand: The numberless, the lonely, The thronger of the land, The leaf that hurts the hand. That thrives, come sun, come showers; Blow east, blow west, it springs; It peoples towns, and towers Above the courts of Kings, And touch it and it stings.
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5.1k
The Stinging Nettle
I WOULD that we were, my beloved, white birds on the foam of the sea! We tire of the flame of the meteor, before it can fade and flee; And the flame of the blue star of twilight, hung low on the rim of the sky, Has awaked in our hearts, my beloved, a sadness that may not die. A weariness comes from those dreamers, dew-dabbled, the lily and rose; Ah, dream not of them, my beloved, the flame of the meteor that goes, Or the flame of the blue star that lingers hung low in the fall of the dew: For I would we were changed to white birds on the wandering foam: I and you! I am haunted by numberless islands, and many a Danaan shore, Where Time would surely forget us, and Sorrow come near us no more; Soon far from the rose and the lily and fret of the flames would we be, Were we only white birds, my beloved, buoyed out on the foam of the sea!
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4.4k
The White Birds
I was asking for something specific and perfect for my city, Whereupon, lo! upsprang the aboriginal name! Now I see what there is in a name, a word, liquid, sane, unruly, musical, self-sufficient; I see that the word of my city is that word up there, Because I see that word nested in nests of water-bays, superb, with tall and wonderful spires, Rich, hemm’d thick all around with sailships and steamships—an island sixteen miles long, solid-founded, Numberless crowded streets—high growths of iron, slender, strong, light, splendidly uprising toward clear skies; Tide swift and ample, well-loved by me, toward sundown, The flowing sea-currents, the little islands, larger adjoining islands, the heights, the villas, The countless masts, the white shore-steamers, the lighters, the ferry-boats, the black sea-steamers well-model’d; The down-town streets, the jobbers’ houses of business—the houses of business of the ship-merchants, and money-brokers—the river-streets; Immigrants arriving, fifteen or twenty thousand in a week; The carts hauling goods—the manly race of drivers of horses—the brown-faced sailors; The summer air, the bright sun shining, and the sailing clouds aloft; The winter snows, the sleigh-bells—the broken ice in the river, passing along, up or down, with the flood tide or ebb-tide; The mechanics of the city, the masters, well-form’d, beautiful-faced, looking you straight in the eyes; Trottoirs throng’d—vehicles—Broadway—the women—the shops and shows, The parades, processions, bugles playing, flags flying, drums beating; A million people—manners free and superb—open voices—hospitality—the most courageous and friendly young men; The free city! no slaves! no owners of slaves! The beautiful city, the city of hurried and sparkling waters! the city of spires and masts! The city nested in bays! my city! The city of such women, I am mad to be with them! I will return after death to be with them! The city of such young men, I swear I cannot live happy, without I often go talk, walk, eat, drink, sleep, with them!
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4.2k
Mannahatta
I was asking for something specific and perfect for my city, Whereupon, lo! upsprang the aboriginal name! Now I see what there is in a name, a word, liquid, sane, unruly, musical, self-sufficient; I see that the word of my city is that word up there, Because I see that word nested in nests of water-bays, superb, with tall and wonderful spires, Rich, hemm’d thick all around with sailships and steamships—an island sixteen miles long, solid-founded, Numberless crowded streets—high growths of iron, slender, strong, light, splendidly uprising toward clear skies; Tide swift and ample, well-loved by me, toward sundown, The flowing sea-currents, the little islands, larger adjoining islands, the heights, the villas, The countless masts, the white shore-steamers, the lighters, the ferry-boats, the black sea-steamers well-model’d; The down-town streets, the jobbers’ houses of business—the houses of business of the ship-merchants, and money-brokers—the river-streets; Immigrants arriving, fifteen or twenty thousand in a week; The carts hauling goods—the manly race of drivers of horses—the brown-faced sailors; The summer air, the bright sun shining, and the sailing clouds aloft; The winter snows, the sleigh-bells—the broken ice in the river, passing along, up or down, with the flood tide or ebb-tide; The mechanics of the city, the masters, well-form’d, beautiful-faced, looking you straight in the eyes; Trottoirs throng’d—vehicles—Broadway—the women—the shops and shows, The parades, processions, bugles playing, flags flying, drums beating; A million people—manners free and superb—open voices—hospitality—the most courageous and friendly young men; The free city! no slaves! no owners of slaves! The beautiful city, the city of hurried and sparkling waters! the city of spires and masts! The city nested in bays! my city! The city of such women, I am mad to be with them! I will return after death to be with them! The city of such young men, I swear I cannot live happy, without I often go talk, walk, eat, drink, sleep, with them!
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Stretching and shouldering night away a sun crouches to birth black's ousting by one more empty circle of dark's hollowed pouches then outs in sparkling showers. Spangled with myriad star-labour unfolding membranes, like numberless leaves dreamers listen to soft serenades as the universe favours lullaby-songs to deep breathing. Silvered surface shivers with night-eyes as glittery dust follows with dart-swift flight each soul's winged journey while murmuring such mysteries to those sleeping still. Glimmers on sightless horizon reveal light's celebration while untrodden dew newly writhing in close-capped life waits inertia's frame stirring to shake before rising. Piercing the brain time's needle regathers worn threads and remembers that more sown seed means now-grown grain needs re-collection in daylight's mind-aware storage. Open-eyed, naught is over as hinging on less or more, sun, with slumber done, now hurries to open the thin partition between yawns of torpidity to more hours won.
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Mar 4, 2017
Mar 4, 2017 at 5:12 PM UTC
Time's Needle.
Too proud to die; broken and blind he died The darkest way, and did not turn away, A cold kind man brave in his narrow pride On that darkest day. Oh, forever may He lie lightly, at last, on the last, crossed Hill, under the grass, in love, and there grow Young among the long flocks, and never lie lost Or still all the numberless days of his death, though Above all he longed for his mother's breast Which was rest and dust, and in the kind ground The darkest justice of death, blind and unblessed. Let him find no rest but be fathered and found, I prayed in the crouching room, by his blind bed, In the muted house, one minute before Noon, and night, and light. The rivers of the dead Veined his poor hand I held, and I saw Through his unseeing eyes to the roots of the sea. (An old tormented man three-quarters blind, I am not too proud to cry that He and he Will never never go out of my mind. All his bones crying, and poor in all but pain, Being innocent, he dreaded that he died Hating his God, but what he was was plain: An old kind man brave in his burning pride. The sticks of the house were his; his books he owned. Even as a baby he had never cried; Nor did he now, save to his secret wound. Out of his eyes I saw the last light glide. Here among the light of the lording sky An old blind man is with me where I go Walking in the meadows of his son's eye On whom a world of ills came down like snow. He cried as he died, fearing at last the spheres' Last sound, the world going out without a breath: Too proud to cry, too frail to check the tears, And caught between two nights, blindness and death. O deepest wound of all that he should die On that darkest day. Oh, he could hide The tears out of his eyes, too proud to cry.
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4k
Elegy
Too proud to die; broken and blind he died The darkest way, and did not turn away, A cold kind man brave in his narrow pride On that darkest day. Oh, forever may He lie lightly, at last, on the last, crossed Hill, under the grass, in love, and there grow Young among the long flocks, and never lie lost Or still all the numberless days of his death, though Above all he longed for his mother's breast Which was rest and dust, and in the kind ground The darkest justice of death, blind and unblessed. Let him find no rest but be fathered and found, I prayed in the crouching room, by his blind bed, In the muted house, one minute before Noon, and night, and light. The rivers of the dead Veined his poor hand I held, and I saw Through his unseeing eyes to the roots of the sea. (An old tormented man three-quarters blind, I am not too proud to cry that He and he Will never never go out of my mind. All his bones crying, and poor in all but pain, Being innocent, he dreaded that he died Hating his God, but what he was was plain: An old kind man brave in his burning pride. The sticks of the house were his; his books he owned. Even as a baby he had never cried; Nor did he now, save to his secret wound. Out of his eyes I saw the last light glide. Here among the light of the lording sky An old blind man is with me where I go Walking in the meadows of his son's eye On whom a world of ills came down like snow. He cried as he died, fearing at last the spheres' Last sound, the world going out without a breath: Too proud to cry, too frail to check the tears, And caught between two nights, blindness and death. O deepest wound of all that he should die On that darkest day. Oh, he could hide The tears out of his eyes, too proud to cry.
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I'll take your hand as I've had in many dreams and together we'll fly in the night's sky our love braided with the numberless stars will make angels cry. We'll find our place next to the moon caressed by the light of the stars I'll lay my head on your chest and in the sweetest dream forever we'll be tasting the joy of living our bodies will float above the mortality untouched by death's sour kiss. I'll take your hand and fly with you to the stars and there our souls will discover immortality. *À gauche de la lune et parmi les étoiles nous trouverons l'amour éternel.*
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May 18, 2016
May 18, 2016 at 3:42 PM UTC
Amongst the stars
The mind, divine Through the vine Of time Tangled, entwined In some Grand design Of marvelous form And numberless prime A nothingness enshrined All the light We cannot see Lovely, dark, Soundless and deep Figures shift, restless In the mist A maskless mayhem Patiently waits
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Aug 28, 2023
Aug 28, 2023 at 1:24 PM UTC
Maskless Mayhem
Too proud to die; broken and blind he died The darkest way, and did not turn away, A cold kind man brave in his narrow pride On that darkest day. Oh, forever may He lie lightly, at last, on the last, crossed Hill, under the grass, in love, and there grow Young among the long flocks, and never lie lost Or still all the numberless days of his death, though Above all he longed for his mother's breast Which was rest and dust, and in the kind ground The darkest justice of death, blind and unblessed. Let him find no rest but be fathered and found, I prayed in the crouching room, by his blind bed, In the muted house, one minute before Noon, and night, and light. The rivers of the dead Veined his poor hand I held, and I saw Through his unseeing eyes to the roots of the sea. (An old tormented man three-quarters blind, I am not too proud to cry that He and he Will never never go out of my mind. All his bones crying, and poor in all but pain, Being innocent, he dreaded that he died Hating his God, but what he was was plain: An old kind man brave in his burning pride. The sticks of the house were his; his books he owned. Even as a baby he had never cried; Nor did he now, save to his secret wound. Out of his eyes I saw the last light glide. Here among the light of the lording sky An old blind man is with me where I go Walking in the meadows of his son's eye On whom a world of ills came down like snow. He cried as he died, fearing at last the spheres' Last sound, the world going out without a breath: Too proud to cry, too frail to check the tears, And caught between two nights, blindness and death. O deepest wound of all that he should die On that darkest day. Oh, he could hide The tears out of his eyes, too proud to cry.
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3k
Elegy
Too proud to die; broken and blind he died The darkest way, and did not turn away, A cold kind man brave in his narrow pride On that darkest day. Oh, forever may He lie lightly, at last, on the last, crossed Hill, under the grass, in love, and there grow Young among the long flocks, and never lie lost Or still all the numberless days of his death, though Above all he longed for his mother's breast Which was rest and dust, and in the kind ground The darkest justice of death, blind and unblessed. Let him find no rest but be fathered and found, I prayed in the crouching room, by his blind bed, In the muted house, one minute before Noon, and night, and light. The rivers of the dead Veined his poor hand I held, and I saw Through his unseeing eyes to the roots of the sea. (An old tormented man three-quarters blind, I am not too proud to cry that He and he Will never never go out of my mind. All his bones crying, and poor in all but pain, Being innocent, he dreaded that he died Hating his God, but what he was was plain: An old kind man brave in his burning pride. The sticks of the house were his; his books he owned. Even as a baby he had never cried; Nor did he now, save to his secret wound. Out of his eyes I saw the last light glide. Here among the light of the lording sky An old blind man is with me where I go Walking in the meadows of his son's eye On whom a world of ills came down like snow. He cried as he died, fearing at last the spheres' Last sound, the world going out without a breath: Too proud to cry, too frail to check the tears, And caught between two nights, blindness and death. O deepest wound of all that he should die On that darkest day. Oh, he could hide The tears out of his eyes, too proud to cry.
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39
Watch this woman. See how she comes in with the sun on her face, every wrinkle is a mark made by golden drops, each line a story of a time she laughed, stories she probably can't remember but will try to tell anyway. See those hips and how they sway. Those hips are strong enough to carry centuries of culture, and she's closer to a hundred than she is to fifty, but if you ask about her dancing days you'll see those hips still know exactly where they're supposed to be. Believe me, I've asked. That afternoon, we spent a good hour twirling our wrists to invisible Spanish-sounding guitars, feet darting across imaginary bamboo poles, gracefully closing the gaps between generations. I wonder if this is what she'd like to do in eternity. Watch this woman. See her hands, how they are always so full yet also always so empty. What she's holding never stays with her for long. This is how she loves. Her hands know nothing else but to love. Her hands love me when they pack my favorite food into plastic Tupperware for me to take home, her hands love me when they do their magic mending on the rips and tears in my clothes, her hands love me when they insist on doing dishes so I don't have to, her hands love me when they show me which ingredients to pour into a bowl so I can have her bread pudding anytime. This woman's hands could feed armies and she does it like everyday's tomorrow is a final battle. See her eyes, how God must have placed diamonds instead when He made them. See how they twinkle whenever someone she loves enters the room, how they glitter whenever someone she loves speaks. See how clear are the tears that so easily flow from them, how all it takes is a single tug at her heart for it to become a spring. See how pride gleams from them whenever she travels miles north to watch this woman. And Lola, this woman wants you to know that she watches you. And she sees you and her love for you often leaves her without words, except right now. And this woman wishes she's got numberless days left to watch you, but for now she says let's keep watching each other, until the day comes we are both dancing before the face of eternity.
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Aug 31, 2018
Aug 31, 2018 at 12:17 PM UTC
Watch this woman
Watch this woman. See how she comes in with the sun on her face, every wrinkle is a mark made by golden drops, each line a story of a time she laughed, stories she probably can't remember but will try to tell anyway. See those hips and how they sway. Those hips are strong enough to carry centuries of culture, and she's closer to a hundred than she is to fifty, but if you ask about her dancing days you'll see those hips still know exactly where they're supposed to be. Believe me, I've asked. That afternoon, we spent a good hour twirling our wrists to invisible Spanish-sounding guitars, feet darting across imaginary bamboo poles, gracefully closing the gaps between generations. I wonder if this is what she'd like to do in eternity. Watch this woman. See her hands, how they are always so full yet also always so empty. What she's holding never stays with her for long. This is how she loves. Her hands know nothing else but to love. Her hands love me when they pack my favorite food into plastic Tupperware for me to take home, her hands love me when they do their magic mending on the rips and tears in my clothes, her hands love me when they insist on doing dishes so I don't have to, her hands love me when they show me which ingredients to pour into a bowl so I can have her bread pudding anytime. This woman's hands could feed armies and she does it like everyday's tomorrow is a final battle. See her eyes, how God must have placed diamonds instead when He made them. See how they twinkle whenever someone she loves enters the room, how they glitter whenever someone she loves speaks. See how clear are the tears that so easily flow from them, how all it takes is a single tug at her heart for it to become a spring. See how pride gleams from them whenever she travels miles north to watch this woman. And Lola, this woman wants you to know that she watches you. And she sees you and her love for you often leaves her without words, except right now. And this woman wishes she's got numberless days left to watch you, but for now she says let's keep watching each other, until the day comes we are both dancing before the face of eternity.
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Uncle Sam sometimes whispers a little bit too close. I’ve felt so many scraps scraping against my cheek- those numerous numberless things he carries in his beard by ‘accident’. So many things get stuck there and I feel them all, whenever he dares, and he dares often, to whisper alittlebittooclose. One time the grey beard leaned in and touched me in my sleep and planted in me strange dreams of faraway gothic towers passing off as libraries: Harvard dreams, Princeton dreams, Yale dreams: I haven’t quite slept since. The shaggy scraps stuck to the forest of strands on his face would never let me. They scratch away at me often even in the brightness of day, and claw jaggedly in the darkness of night. Little heart of mine has lost its own beat. It beats to the beat of a beat on a beat from a beat with a beat by a beat which beats those beats and beats beats that beat not of my beat. Little heart of mine, when did you lose your own pulse? Why won’t you tell your family that Uncle Sam’s whispers are more than whispers? Why won’t you tell your family what Uncle Sam does to you in the brightness of day when everyone is smiling as Uncle Sam pats your shoulder? Little heart of mine, why doesn’t your family know what Uncle Sam does in the darkness of night as he whispers whispers under your whispers and what he does beneath your skin? Didn’t you know, little heart? They have laws that say that greybeards shouldn’t be digging into little boys’ insides, don’t they. (Uncle Sam has travelled far and wide, far and wide to tell me lies. Recall that this is not the first time…) But little heart you know why. This is not the first time. It is the natural progression for a Coconut like you: darkness of night on outside and brightness of day on inside. Your skin doesn’t matter; you all taste the same. Cut you off the homeland-tree and cart you all away. Then, in this way we can say and say the homeland is “Rising”- Uncle Sam tells the world of his diversity in selection of little boys to touch with strange dreams. And I like the feel of the scraps in his beard. Maybe I can become one of them. One with them.
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Sep 21, 2015
Sep 21, 2015 at 10:58 PM UTC
'Murica.
Uncle Sam sometimes whispers a little bit too close. I’ve felt so many scraps scraping against my cheek- those numerous numberless things he carries in his beard by ‘accident’. So many things get stuck there and I feel them all, whenever he dares, and he dares often, to whisper alittlebittooclose. One time the grey beard leaned in and touched me in my sleep and planted in me strange dreams of faraway gothic towers passing off as libraries: Harvard dreams, Princeton dreams, Yale dreams: I haven’t quite slept since. The shaggy scraps stuck to the forest of strands on his face would never let me. They scratch away at me often even in the brightness of day, and claw jaggedly in the darkness of night. Little heart of mine has lost its own beat. It beats to the beat of a beat on a beat from a beat with a beat by a beat which beats those beats and beats beats that beat not of my beat. Little heart of mine, when did you lose your own pulse? Why won’t you tell your family that Uncle Sam’s whispers are more than whispers? Why won’t you tell your family what Uncle Sam does to you in the brightness of day when everyone is smiling as Uncle Sam pats your shoulder? Little heart of mine, why doesn’t your family know what Uncle Sam does in the darkness of night as he whispers whispers under your whispers and what he does beneath your skin? Didn’t you know, little heart? They have laws that say that greybeards shouldn’t be digging into little boys’ insides, don’t they. (Uncle Sam has travelled far and wide, far and wide to tell me lies. Recall that this is not the first time…) But little heart you know why. This is not the first time. It is the natural progression for a Coconut like you: darkness of night on outside and brightness of day on inside. Your skin doesn’t matter; you all taste the same. Cut you off the homeland-tree and cart you all away. Then, in this way we can say and say the homeland is “Rising”- Uncle Sam tells the world of his diversity in selection of little boys to touch with strange dreams. And I like the feel of the scraps in his beard. Maybe I can become one of them. One with them.
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Love in her Sunny Eyes does basking play; Love walks the pleasant Mazes of her Hair; Love does on both her Lips for ever stray; And sows and reaps a thousand kisses there. In all her outward parts Love ’s always seen; But, oh, He never went within. Within Love’s foes, his greatest foes abide, Malice, Inconstancy, and Pride. So the Earths face, Trees, Herbs, and Flowers do dress, With other beauties numberless: But at the Center, Darkness is, and Hell; There wicked Spirits, and there the ****** dwell. With me alas, quite contrary it fares; Darkness and Death lies in my weeping eyes, Despair and Paleness in my face appears, And Grief, and Fear, Love’s greatest Enemies; But, like the Persian-Tyrant, Love within Keeps his proud Court, and ne’re is seen. Oh take my Heart, and by that means you’ll prove Within too stor’d enough of Love: Give me but Yours, I’ll by that change so thrive, That Love in all my parts shall live. So powerful is this change, it render can, My outside Woman, and your inside Man.
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The Change
What your eyes see are things that your mind cannot comprehend Beware the blasted wastes beneath the light of the frozen moon Fields of flame full of pasts and futures of endless unborn dead You gaze upon an expanse that tears at your soul This is the place where all things come to their end it seems Hope not to find shade under The True Liar’s Monolith--ruins will remain of you too Oh the hubris of man who tries to map the whimsy of the gods Dancing landmarks On the page Never coming To rest twice in the same place At the center of the maze sits the changer of ways created and sustained by desire The Architect of Fate “I could let you wander for eternity with your shattered mind, but that’s not my plan for you.” “You are a drop in a sea of thought, locked in mortality, but as long as humanity has hope I will be here.” “Go now, and make waves; I will be watching.” Cast from the hidden library of chattering pages and numberless faces, he leaves the great plotter’s realm of chaos With a mind still whole--new knowledge and memories buried deep
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Dec 14, 2016
Dec 14, 2016 at 12:23 AM UTC
Crystal Castles
I BRING you with reverent hands The books of my numberless dreams, White woman that passion has worn As the tide wears the dove-grey sands, And with heart more old than the horn That is brimmed from the pale fire of time: White woman with numberless dreams, I bring you my passionate rhyme.
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1.8k
A Poet to His Beloved
FAR-OFF, most secret, and inviolate Rose, Enfold me in my hour of hours; where those Who sought thee in the Holy Sepulchre, Or in the wine-vat, dwell beyond the stir And tumult of defeated dreams; and deep Among pale eyelids, heavy with the sleep Men have named beauty. Thy great leaves enfold The ancient beards, the helms of ruby and gold Of the crowned Magi; and the king whose eyes Saw the pierced Hands and Rood of elder rise In Druid vapour and make the torches dim; Till vain frenzy awoke and he died; and him Who met Fand walking among flaming dew By a grey shore where the wind never blew, And lost the world and Emer for a kiss; And him who drove the gods out of their liss, And till a hundred moms had flowered red Feasted, and wept the barrows of his dead; And the proud dreaming king who flung the crown And sorrow away, and calling bard and clown Dwelt among wine-stained wanderers in deep woods: And him who sold tillage, and house, and goods, And sought through lands and islands numberless years, Until he found, with laughter and with tears, A woman of so shining loveliness That men threshed corn at midnight by a tress, A little stolen tress. I, too, await The hour of thy great wind of love and hate. When shall the stars be blown about the sky, Like the sparks blown out of a smithy, and die? Surely thine hour has come, thy great wind blows, Far-off, most secret, and inviolate Rose?
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The Secret Rose
"Dark eyes are dearer far Than those that mock the hyacinthine bell." Blue! 'Tis the life of heaven,—the domain Of Cynthia,—the wide palace of the sun,— The tent of Hesperus, and all his train,— The bosomer of clouds, gold, gray, and dun. Blue! 'Tis the life of waters:—Ocean And all its vassal streams, pools numberless, May rage, and foam, and fret, but never can Subside, if not to dark-blue nativeness. Blue! gentle cousin of the forest-green, Married to green in all the sweetest flowers— Forget-me-not,—the blue-bell,—and, that queen Of secrecy, the violet: what strange powers Hast thou, as a mere shadow! But how great, When in an Eye thou art alive with fate!
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Answer To A Sonnet By J.H.Reynolds
Inviting. The thin blue flame in my night-burnt fire grows dim as dawn unquiets another day's numberless happenings, culls light from dark and carries life forward while I, in sated mood, watch first ***** in sparrowed pools lost on those still bedded and fastened to sleep, hear Spring-born lambs' early bleat, smell warming grass dewed with new morning and catch first breeze stirring shored boats as sand twirls grasses in shivering dunes. Unlatched my window wafts lures to ****** some moments of closer approach as closeted dawn opens eyes and secretes rising smoke on sun's thaw inviting a barefoot cavort to wild-life's awesome nature, all on my own.
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May 9, 2016
May 9, 2016 at 9:01 AM UTC
Inviting.
Eyeballs return their messages After the dial tone You find yourself silent What a milestone At twenty six You are still a ****** Useless burdens Learn to surf It combines love with gravity Strategies and striated lines Fingers align We incline our spines And elevate our torsos Mind the gap A fabricated rip in time and space Figuratively awake We speak from our hearts Your long time girlfriend Is now a victim of indecision Start talking or you’ll lose her More than ever she needs your strength Your friendship, your lips and your touch Control the rush And give time a chance to unwind Mindless fingers linger on her legs Can we beg for more Or will we get usurped by the corridors Cartons of milk left in defiance Send me your elegant negligee I neglected to beg your pardon You neglected to say you were sorry Phone calls reach dial tones And we remove the stones from our sundials Calendars are timeless timelines Wild like waves We break free of enslaved isotopes Compose songs and poems And attempt to drink atomic gold From fountains of power Houses are all just boxes That we store our souls in Gardens are living visions Virtues are numberless Hundreds of spirits join hands In parks and paintings We partake in equations of healing Save me from my longing For loving too much is a curse And purses fall like hexes Placing dents in your dresses We undress our fences And select our neighbors To dance with
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Mar 13, 2019
Mar 13, 2019 at 3:25 PM UTC
timeless timelines
One, where the pale sea foamed at the yellow sand, With wave upon slowly shattering wave, Turned to the city of towers as evening fell; And slowly walked by the darkening road toward it; And saw how the towers darkened against the sky; And across the distance heard the toll of a bell. Along the darkening road he hurried alone, With his eyes cast down, And thought how the streets were hoarse with a tide of people, With clamor of voices, and numberless faces . . . And it seemed to him, of a sudden, that he would drown Here in the quiet of evening air, These empty and voiceless places . . . And he hurried towards the city, to enter there. Along the darkening road, between tall trees That made a sinister whisper, loudly he walked. Behind him, sea-gulls dipped over long grey seas. Before him, numberless lovers smiled and talked. And death was observed with sudden cries, And birth with laughter and pain. And the trees grew taller and blacker against the skies And night came down again.
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The House Of Dust: Part 01: 03: One, Where The Pale Sea Foamed At The Yellow Sand
The half-shut doors through which we heard that music Are softly closed. Horns mutter down to silence. The stars whirl out, the night grows deep. Darkness settles upon us. A vague refrain Drowsily teases at the drowsy brain. In numberless rooms we stretch ourselves and sleep. Where have we been? What savage chaos of music Whirls in our dreams?--We suddenly rise in darkness, Open our eyes, cry out, and sleep once more. We dream we are numberless sea-waves languidly foaming A warm white moonlit shore; Or clouds blown windily over a sky at midnight, Or chords of music scattered in hurrying darkness, Or a singing sound of rain . . . We open our eyes and stare at the coiling darkness, And enter our dreams again.
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The House Of Dust: Part 03: 13: The Half-Shut Doors Through Which We Heard That Music