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"notebooks" poems
big sweaters, ghibli, acrylic paint, cafes, knit blankets and unplanned afternoon naps on the couch, gardens, bananas, vanilla almond milk, soft yarn to crochet into ****** scarves, candles after midnight, the big trees with bulky roots, patio furniture, pianos in random buildings, the internet, manatees, the boundless colours of nail polish, peanut butter & honey, rubber boots, pens that write well, fresh new notebooks, skylights, american netflix, mothers that understand, tête à têtes, one glass of sweet white wine, awkward eye contact that turns into comfortable kissing, airplanes, fresh air, baseball caps, the female collective, the really good dark chocolate, flowers, pumpkin spice lattes and ***** chai lattes, candid laughter, yoga, oceans, high waisted shorts, striped t-shirts, docile cats, playful pups, french presses, integrity, sunscreen, meerkats, penguins, chameleons, autumn leaves, fall fashion, ruby woo mac lipstick, osho, dynamic meditation, compassion, siblings, scrambled eggs, smart phones, garageband, metronomes, hot glue guns, quinoa, ferry boats, soft hands, bicycles, real people, fat snowflakes in ample, graceful ********** backpacks that don't hurt your shoulders, hair conditioner, multi-vitamins, soft sand under bare feet, people that own up to lies, clarity, samsara, satori, samasati, visions, echinacea, lavender oil and frankincense, ambrosia apples and ripe avocados, authenticity, Morgan Freeman's voice, good kissers, ******* iced tea on a hot day, curtains, the smell of beeswax, art galleries, hand massages and foot massages, reiki, plums, mild thunderstorms, soccer ***** good surprises, when birds don't **** on your head.
0
Oct 9, 2013
Oct 9, 2013 at 7:24 AM UTC
thank the universe for:
big sweaters, ghibli, acrylic paint, cafes, knit blankets and unplanned afternoon naps on the couch, gardens, bananas, vanilla almond milk, soft yarn to crochet into ****** scarves, candles after midnight, the big trees with bulky roots, patio furniture, pianos in random buildings, the internet, manatees, the boundless colours of nail polish, peanut butter & honey, rubber boots, pens that write well, fresh new notebooks, skylights, american netflix, mothers that understand, tête à têtes, one glass of sweet white wine, awkward eye contact that turns into comfortable kissing, airplanes, fresh air, baseball caps, the female collective, the really good dark chocolate, flowers, pumpkin spice lattes and ***** chai lattes, candid laughter, yoga, oceans, high waisted shorts, striped t-shirts, docile cats, playful pups, french presses, integrity, sunscreen, meerkats, penguins, chameleons, autumn leaves, fall fashion, ruby woo mac lipstick, osho, dynamic meditation, compassion, siblings, scrambled eggs, smart phones, garageband, metronomes, hot glue guns, quinoa, ferry boats, soft hands, bicycles, real people, fat snowflakes in ample, graceful ********** backpacks that don't hurt your shoulders, hair conditioner, multi-vitamins, soft sand under bare feet, people that own up to lies, clarity, samsara, satori, samasati, visions, echinacea, lavender oil and frankincense, ambrosia apples and ripe avocados, authenticity, Morgan Freeman's voice, good kissers, ******* iced tea on a hot day, curtains, the smell of beeswax, art galleries, hand massages and foot massages, reiki, plums, mild thunderstorms, soccer ***** good surprises, when birds don't **** on your head.
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1
She introduced herself, as Sunset. Batted her lashes not to be flirtatious , But to hide that her eyes were wet. All around me were blurred, but beautiful faces. Yet, my eyes only focused on hers The first that I noticed. *When I bought my first camera, From that sales-man down in Alabama. And he taught me how to use it, He said, "see here son, if I was to take your picture I'd set this camera here on portrait. But if I took a picture of that pretty little girl 'cross the road" he said with a smirk "I'd have to set this here camera on Firework"* It's funny how memories work. I think of that man now, of his coffee colored skin and straw hat. I never thought I'd need to know any of that. but right here and now I set that camera to sunset. raise it to my eye And take a picture of Sunset. As if she were a colorful sky. and that's it. some people deserve more than a portrait. And I know, I'm going to take her to a dark room. And see what develops, of her negatives. But first, I want to hear all about her crazy relatives. Who gives her, her beauty? where's she take her dog to groom? The poodle on her leash is a cutie. and what does she doodle on her notebooks? stars or hearts or sugar skulls.... Does she know she's caught me on her fishin' hook? What's she think of me, I'm sure I look dull. Why are her teary eyes so full, About to overflow. There were so many things I wanted to know.... before I took her to a dark room. But it happened And all I found in the picture that developed was gloom. I realized I was her first. And the best night of my life became my worst. because I took something from her she didn't want to give. But I just didn't know that she wouldn't want to live. Keep reading, this ends beautifully. beautifully like a sunset ends a day. But, you have to believe me when I say that's not nearly as beautifully As Sunset ends my hopes and dreams. How she ended her own life With pretty little pink pills. One....Two....Three gripped in her hand they found a picture of me. And now I know, Sunsets are all about Beautiful Endings. It's funny how memories work © copyrighted Nicole Ann Osborn
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Aug 21, 2014
Aug 21, 2014 at 9:16 PM UTC
Sunset
She introduced herself, as Sunset. Batted her lashes not to be flirtatious , But to hide that her eyes were wet. All around me were blurred, but beautiful faces. Yet, my eyes only focused on hers The first that I noticed. *When I bought my first camera, From that sales-man down in Alabama. And he taught me how to use it, He said, "see here son, if I was to take your picture I'd set this camera here on portrait. But if I took a picture of that pretty little girl 'cross the road" he said with a smirk "I'd have to set this here camera on Firework"* It's funny how memories work. I think of that man now, of his coffee colored skin and straw hat. I never thought I'd need to know any of that. but right here and now I set that camera to sunset. raise it to my eye And take a picture of Sunset. As if she were a colorful sky. and that's it. some people deserve more than a portrait. And I know, I'm going to take her to a dark room. And see what develops, of her negatives. But first, I want to hear all about her crazy relatives. Who gives her, her beauty? where's she take her dog to groom? The poodle on her leash is a cutie. and what does she doodle on her notebooks? stars or hearts or sugar skulls.... Does she know she's caught me on her fishin' hook? What's she think of me, I'm sure I look dull. Why are her teary eyes so full, About to overflow. There were so many things I wanted to know.... before I took her to a dark room. But it happened And all I found in the picture that developed was gloom. I realized I was her first. And the best night of my life became my worst. because I took something from her she didn't want to give. But I just didn't know that she wouldn't want to live. Keep reading, this ends beautifully. beautifully like a sunset ends a day. But, you have to believe me when I say that's not nearly as beautifully As Sunset ends my hopes and dreams. How she ended her own life With pretty little pink pills. One....Two....Three gripped in her hand they found a picture of me. And now I know, Sunsets are all about Beautiful Endings. It's funny how memories work © copyrighted Nicole Ann Osborn
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54
1. Find a Poet Not a poser, not a "it's just a hobby" poet. Find one who mumbles lines as they scramble for a pen at breakfast; who shakes their head randomly when their thoughts aren't rhyming properly;  who has notebooks stashed around the house that you must never touch. 2. Listen Savor the spoken words, for those are harder to express. Keep in mind that they can't be edited and re-written, and be forgiving when a mistake is made. 3. Read The body speaks as loudly as words on a page do. When their eyes are closed or focused on the ceiling and the fingers are tapping out syllables, recognize the unique process. Respect the need for quiet, because if you look closely, you can read the poem on their face before they write it on the page. 4. Write Write your story together. Grab hold of the pen and hang on as you move across the page of life. Sometimes you will dance across, others you will be dragged. You may have to cross out a word, or a line, or a page, but don't give up. Discouragement is a poet's biggest enemy, inarticulateness their biggest fear. So end each day with a semi-colon, because the story will never end the way you think it will, and there must be room for more. There is always room for more, more words, more laughter, more tears, more love, When you love a poet.
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Nov 22, 2014
Nov 22, 2014 at 7:28 PM UTC
How to Love a Poet
I use to write of pain and tribulation mmm I've always just been looking to feel the greatest sensation senses at peaks, they peak when they peek at the sight of elation I've always taken to sealing all my stories away in notebooks with binding finally looking to fray because the pressure they hold brings such a dismay Binded in between faded blue lines I swear im fine I swear im fine in these lines of what could have been mine and I'll lose it all in this glass of wine where red bleeds to black and I've done away with that The great purge of endless words heard by no one other than the mad man running through my head screaming that I can do anything I thought my mind and limbs had banned from the realm of possibilities Because pain ought not be sealed to live an endless life So I now write of hope and dreams and the endless possibilites that stretch from the cities and into the trees finally dancing down into these seas but I'm also writing of wishes and laughs and smiles too because what else can you do there are only a few who know everything is new everything we knew can be lost in the great blue that paints our skies and seas carrying away the bundle of keys that locks pandora's box and leaves us with happiness and cheer Because happiness can be carried in anything as simple as a tear racing down the lines of your cranial that houses your greatest fears From the lines of light blue to the minds of the hopeful and the true And words of optimism should live And breathe and smile and laugh In the hearts of the world for a lifetime and I digress In a habitat so vast With horizons reaching from sky to sky Drowned in blues and red I'm glad to of found you at last We're left to defy all that society presents as lies I wanna speak at an intimate decibel Acknowledge your flaws, don't be bound by them Open your mouth to nothing coming own Settle down in your head and make a home I just want to compliment your soul
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Jun 19, 2014
Jun 19, 2014 at 6:28 PM UTC
Intimate Decibel
I use to write of pain and tribulation mmm I've always just been looking to feel the greatest sensation senses at peaks, they peak when they peek at the sight of elation I've always taken to sealing all my stories away in notebooks with binding finally looking to fray because the pressure they hold brings such a dismay Binded in between faded blue lines I swear im fine I swear im fine in these lines of what could have been mine and I'll lose it all in this glass of wine where red bleeds to black and I've done away with that The great purge of endless words heard by no one other than the mad man running through my head screaming that I can do anything I thought my mind and limbs had banned from the realm of possibilities Because pain ought not be sealed to live an endless life So I now write of hope and dreams and the endless possibilites that stretch from the cities and into the trees finally dancing down into these seas but I'm also writing of wishes and laughs and smiles too because what else can you do there are only a few who know everything is new everything we knew can be lost in the great blue that paints our skies and seas carrying away the bundle of keys that locks pandora's box and leaves us with happiness and cheer Because happiness can be carried in anything as simple as a tear racing down the lines of your cranial that houses your greatest fears From the lines of light blue to the minds of the hopeful and the true And words of optimism should live And breathe and smile and laugh In the hearts of the world for a lifetime and I digress In a habitat so vast With horizons reaching from sky to sky Drowned in blues and red I'm glad to of found you at last We're left to defy all that society presents as lies I wanna speak at an intimate decibel Acknowledge your flaws, don't be bound by them Open your mouth to nothing coming own Settle down in your head and make a home I just want to compliment your soul
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51
~ ~ I've lived a thousand lives And died a thousand deaths Within the pages of my notebooks ~ ~
0
Aug 7, 2015
Aug 7, 2015 at 12:23 AM UTC
Untitled
(October 17th, 2013, I think is when I wrote this.) There aren’t many things that I’m good at. I have bad grades. I’m aware of this, but they still insist on shouting as if three letter F’s determine my worth as well as my ability. I’m not athletic, never been remotely decent at sports, picked last for soccer, football, basketball, and everything else, tried to do parkour once- however, that hope quickly dissolved when I discovered that it was still nerve-wracking for me to climb a fence. (One of the many gifts that comes with a severe lack of coordination.) I’m not a quiet person. I don’t know how to hold my tongue most of the time. So when my father’s paycheck is cut shorter and shorter, when he makes little enough as it is, my stay-at-home mother fighting her demons of the severe depression and anxiety that she passed down to me as well as her (auditory) hallucinations, her BPD, her physical disabilities, not making a paycheck at all, and my school supplies consist of 50-cent notebooks that fall apart, and 75-cent pens, I get a little… “upset”. I’ve played guitar for three years. Sometimes, it’s what I’m best at, playing strings of notes and minor chords that come together to form beautiful harmonies- but more often than not, every note is sour… Another thing I’m not good at. But I am a writer. People don’t pay attention to teenagers, they say We’re so full of ourselves, We think we’re so important, they say We need to communicate, but when we try all they hear is whining, and complaining. Teenagers telling their friends in passing conversation that they’re suicidal, that they hurt themselves, just to see who will notice- who will listen- and of course, no one does. Nobody notices that teenagers are the voice of our generation, and our generation, as such, is royally ****** because nobody pays attention. There aren’t many things that I’m good at. But I am a writer. And I have a voice, a pen… And paper torn from a 50-cent notebook.
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Oct 31, 2014
Oct 31, 2014 at 1:35 PM UTC
I Am A Writer
(October 17th, 2013, I think is when I wrote this.) There aren’t many things that I’m good at. I have bad grades. I’m aware of this, but they still insist on shouting as if three letter F’s determine my worth as well as my ability. I’m not athletic, never been remotely decent at sports, picked last for soccer, football, basketball, and everything else, tried to do parkour once- however, that hope quickly dissolved when I discovered that it was still nerve-wracking for me to climb a fence. (One of the many gifts that comes with a severe lack of coordination.) I’m not a quiet person. I don’t know how to hold my tongue most of the time. So when my father’s paycheck is cut shorter and shorter, when he makes little enough as it is, my stay-at-home mother fighting her demons of the severe depression and anxiety that she passed down to me as well as her (auditory) hallucinations, her BPD, her physical disabilities, not making a paycheck at all, and my school supplies consist of 50-cent notebooks that fall apart, and 75-cent pens, I get a little… “upset”. I’ve played guitar for three years. Sometimes, it’s what I’m best at, playing strings of notes and minor chords that come together to form beautiful harmonies- but more often than not, every note is sour… Another thing I’m not good at. But I am a writer. People don’t pay attention to teenagers, they say We’re so full of ourselves, We think we’re so important, they say We need to communicate, but when we try all they hear is whining, and complaining. Teenagers telling their friends in passing conversation that they’re suicidal, that they hurt themselves, just to see who will notice- who will listen- and of course, no one does. Nobody notices that teenagers are the voice of our generation, and our generation, as such, is royally ****** because nobody pays attention. There aren’t many things that I’m good at. But I am a writer. And I have a voice, a pen… And paper torn from a 50-cent notebook.
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85
Somehow I scrounge through these jumbled words in my notebooks and I piece together this puzzle. When connected it forms some idea of who I am - my brain... my heart... it personifies my existence, so to speak. Although, like all puzzles even when put together as a whole to form a landscape or object, the cracks from the pieces are still present... Now, from afar people wouldn't notice these cracks - these blemishes in the photo, but like a collage when up close, it becomes more evident - the imperfections become more radiant or profound... The glue so to speak for this picture of words - this illustration of life would be - it is those cracks, those blemishes that make a puzzle - a puzzle... and a person - a person. Each individual, as everyone knows, has different life experiences, different scars to form different pieces to make up their own unique puzzle. One piece may be interpreted through skills or hobbies and another with goals. Each and every second of a persons' life could ultimately be a piece of a puzzle.
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Sep 13, 2012
Sep 13, 2012 at 8:56 PM UTC
Puzzle
Fine arts is my major in school...I have enjoyed art, photography and of course writing ever since I was young; and I still do... I know this may sound odd but no matter the form of art; even if its just scribbled notes I keep all my rough drafts... My mom she calls me the "paparazzi" of the family...I am always snapping picture... Can you believe I have over 900  and counting; notebooks, sketchpads, and loose-leaf binders full of all my ideas, sketches and odd thoughts that may pop in my head?.. I've been collecting since I was 6 years old.... ART; any type was and still is my passion today...  I try to carry a notebook, sketchpad and my camera everywhere I go to jot down or capture the little things that come to my mind.... Sometimes my notes don't even make a bit of since but it is the creativity I put into them that makes it fun.... When ever I feel I've hit a writers or artist BLOCK I go through my notebooks.  I'm always seeing something inspiring that may take me to another world of imagination. I think I could probably write a book or two with all the thoughts I've collected.. Yep That's Me ... LadyBird
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Jan 14, 2015
Jan 14, 2015 at 11:30 AM UTC
LadyBird-- Bio
Touch me my soul make the words roll over my skin Only if you know how to write to me my angel my kin I am not waiting for a mask not either a disguise Open your veins to me Let me read in the red waters on my lips Let me read the words, free me of the words in any possible way may the rain down my eyelids may they kiss my legs Make me laugh like a springtime morning A soft laughter that tears up the skies Those who gives shivers and marvels send a shiver to my spine make my head spin feed on my sapiophile soul more never stop or only to make me miss you only to make me deliciously pine for them ever more I am tired by the dalliances I want the four season muse You are so right I am the demure sylph Inured by the tar black clouds and the tempests so delicate with those thin dragonfly lyrics It's all made of your sighs and your caresses One day perhaps you'll have your own epiphany You will call me Marie and all of my other names You'll use your precious eloquence to tell me How we were meant to be Resonate like a familiar sound snowing in my mind Purifying the emotional landscape NOW is the time even if there's no hurry Haven't we lost enough time to be without one another Every of my names no matter my dress They will all adore you as bitter as sweet I'll be on your ego like a caress I will read you like a sassy poem Like an impatient flame You'll be the one who dares to be frail You'll dive in my treasure and get out of the bitter sea Together like a team united for the beauty of the worse(...)
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Jun 5, 2016
Jun 5, 2016 at 6:22 AM UTC
"You cannot live when you are untouchable. Life is vulnerability."(Édouard Boubat, Notebooks, 1958)
Touch me my soul make the words roll over my skin Only if you know how to write to me my angel my kin I am not waiting for a mask not either a disguise Open your veins to me Let me read in the red waters on my lips Let me read the words, free me of the words in any possible way may the rain down my eyelids may they kiss my legs Make me laugh like a springtime morning A soft laughter that tears up the skies Those who gives shivers and marvels send a shiver to my spine make my head spin feed on my sapiophile soul more never stop or only to make me miss you only to make me deliciously pine for them ever more I am tired by the dalliances I want the four season muse You are so right I am the demure sylph Inured by the tar black clouds and the tempests so delicate with those thin dragonfly lyrics It's all made of your sighs and your caresses One day perhaps you'll have your own epiphany You will call me Marie and all of my other names You'll use your precious eloquence to tell me How we were meant to be Resonate like a familiar sound snowing in my mind Purifying the emotional landscape NOW is the time even if there's no hurry Haven't we lost enough time to be without one another Every of my names no matter my dress They will all adore you as bitter as sweet I'll be on your ego like a caress I will read you like a sassy poem Like an impatient flame You'll be the one who dares to be frail You'll dive in my treasure and get out of the bitter sea Together like a team united for the beauty of the worse(...)
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37
Look around, You will find all eyes down; some expressionless, some desperate, and few smiling! Both tiny and fatty thumbs yearning for a rest, after typing those texts. Some consulting the Doc for having a smartphone thumb and some for lacking vitamin D! Posts wanting more and more likes. Kilograms of followers on Instagram! Swapping stories on Whatsapp! Unopened notebooks when you have a Facebook! Television screens consigned to oblivion when you have a Youtube! Discovering the veiled world, missing the real scenes around. Emoticons spreading fake feelings, Stupefying infants swiping through the screens, Kids imploring to their parents- To drag out the patterns. What is more satisfying? Hitting play button on the screen or Hitting a six on the field? Carting products online or Shopping on a girls day out? Dribbling a basket ball or Dragging down the newsfeed? Watching daily soaps without a dish or Helping your mother out to wash the dish? Sharing the snaps of poverty and hunger or Reaching out to them with eager? A game of candy crush or Gifting a candy to your crush? I feel like whooping out to myself and to people around; To raise their heads and Look around!
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Jul 18, 2017
Jul 18, 2017 at 11:22 AM UTC
The New Gen
Toys What are they? Ask someone to define a toy And you may get an answer like Something for a child to enjoy, a plaything A more creative person may say An object to be enjoyed, anything imbued with love As for me, I might say the first, or the second It’s all perspective When a little child, I considered toys to be fun Enjoyable, and probably bought from the store A doll or bike, wooden blocks or a swing But now, toys are different Now, they are still enjoyable But not “toys” My notebooks My brain My pens These are my new toys I tend to create my own games these days Drawing, writing, reading and thinking Even these poems are my new fun
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Dec 13, 2012
Dec 13, 2012 at 10:07 PM UTC
toys
I’m going through a phase where I put glitter on everything I went to a craft store and I bought like five different colors And some brushes and glues so I could just paint ******* everything with glitter. I don’t want to just paint some pencils and notebooks or some shoes and headbands, I want to paint my **** walls with glitter I want to paint YOUR **** walls with glitter I want to sew glitter into your clothes I want to sew glitter into your skin Get a bunch of sewing needles dripping with shiny blood Get red and sunshine under my fingernails I want to have *** with a boy (in his car or wherever, I don’t care) and when we’re done, I’ll throw the ****** away and then toss some glitter in the air and cover his torso with sparkles Because then no matter how fast he moves on He’ll have to deal with me for just a little bit longer And he’ll have to give me just one more thought, at least when he’s washing the glitter down the drain of his shower.
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Jun 26, 2012
Jun 26, 2012 at 10:15 PM UTC
Glitter Phase
"Everyone wants to be a little anorexic" she says "You know, like, in a glamorous way, like fashion friendly anorexic" I bite my cheek and nod, pretend to agree All I can think of is waking up to stars dancing on the ceiling Pale skin with bruises of unknown origins And battered feet on and off the scale Almonds in Ziploc baggies Bite marks on fingers Hair down the drain Measuring crunches by the marks they leave on your spine And battered feet on and off the scale Enough water to turn organs into boats Eating an apple with a fork and knife Desperate hands grasping for ribs And battered feet on and off the scale Standing and the world going dark Coughing around shots of apple cider vinegar Carrying an emergency rice cake for weak spells And battered feet on and off the scale Enough green tea to drown organs Sugar free gum to mask the smell of decaying organs Whatever nail polish covers yellow and purple And battered feet on and off the scale How many calories are in toothpaste Thinspo blogs Pillows squeezed between thighs And battered feet on and off the scale Is today the day my heart gives out Waking every day in a new body Fingers clasped around wrists And battered feet on and off the scale Notebooks filled with numbers Purple crescents under eyes Fingers clasped around forearms And battered feet on and off the scale Elbows knocking into hipbones Being scared of your own reflection Lies to get out of dinner And battered feet on and off the scale The stench of ***** Oxygen that tastes of Splenda Fingers clasped around biceps And bleeding feet on and off the scale   If this is your idea of glamour Then you can have it
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Nov 27, 2018
Nov 27, 2018 at 12:48 PM UTC
Fashion Friendly Anorexic
"Everyone wants to be a little anorexic" she says "You know, like, in a glamorous way, like fashion friendly anorexic" I bite my cheek and nod, pretend to agree All I can think of is waking up to stars dancing on the ceiling Pale skin with bruises of unknown origins And battered feet on and off the scale Almonds in Ziploc baggies Bite marks on fingers Hair down the drain Measuring crunches by the marks they leave on your spine And battered feet on and off the scale Enough water to turn organs into boats Eating an apple with a fork and knife Desperate hands grasping for ribs And battered feet on and off the scale Standing and the world going dark Coughing around shots of apple cider vinegar Carrying an emergency rice cake for weak spells And battered feet on and off the scale Enough green tea to drown organs Sugar free gum to mask the smell of decaying organs Whatever nail polish covers yellow and purple And battered feet on and off the scale How many calories are in toothpaste Thinspo blogs Pillows squeezed between thighs And battered feet on and off the scale Is today the day my heart gives out Waking every day in a new body Fingers clasped around wrists And battered feet on and off the scale Notebooks filled with numbers Purple crescents under eyes Fingers clasped around forearms And battered feet on and off the scale Elbows knocking into hipbones Being scared of your own reflection Lies to get out of dinner And battered feet on and off the scale The stench of ***** Oxygen that tastes of Splenda Fingers clasped around biceps And bleeding feet on and off the scale   If this is your idea of glamour Then you can have it
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45
A domino pile are my notebooks and the bottom thoughts hold my wand. Unleashed with certain and schemes, the past asking what ends meets means. Walking somewhere going through, But be careful to slay the monster, what a story can become. Once the swift master, now a slave to my dog. The Archer and Orion, Apollo and Venus shining. Battle for my sake. It is, there minds and souls weaved from foxed cloves the slip in space and rhyme. Just in my skin as a stitch and storm to sailor's plight, "Oh my captain, Ishmael Sank into the night!" Leaning Tower now breaks inside, opened window to the sunrise. Tap. Tap. Went the sound of ink, Ocean breathes me I breathe the sea princess and pea
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Oct 29, 2012
Oct 29, 2012 at 1:21 PM UTC
Stories
Mental illness is like burning paper in the daylight. You can hardly see the flame, but the pages disappear.
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Oct 11, 2018
Oct 11, 2018 at 5:40 PM UTC
Notebooks
The one with the crack along the middle, dark and so thin words could fall through like water in a colander. Under the grand chandelier, a slew of sheets spat with confident blue juice, cardboard-covered notebooks, a team of paper ***** to be tossed towards your wooden jail. Sketches of mice, polar bears, a recipe for rabbit at his right elbow, red Shakespeare and a well-read thesaurus as scruffy as recently rinsed blonde hair. You always ***** the lid on your own *** of ink, black, sleeping silver scissors near your French dictionary and shells over a plastic sunglasses case. The table in the room in the house on Tomás Ortuño, serenity bathing you, a golden spark of solitude.
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May 17, 2013
May 17, 2013 at 5:07 PM UTC
Honeymoon Table
Picture this, It’s April, the world is moving forward as you are inside a coffee shop. You went to be at peace, your home has felt like an enclosure. Although it is most definitely your home there seems to be something always missing. So you head to your second home, a coffee shop a few blocks away. They all know you by name, and the inside jokes you all have fills the store with a warm laughter that can be felt even before anyone opens the door. You have your bag, within it is two notebooks and a laptop. One notebook for any ideas you want to write down, and the other just in case. You have your laptop, because you said you will write on it, but you end up looking up random thoughts in your head. You seem to not be able to focus, but that’s fine because you’re having better thoughts then when you were at home. You spend a few hours there before you pack your bag, you get up, say your goodbyes, you look outside, the rain is pouring. You remember you didn’t bring a coat, you couldn’t wait to leave the obstacle you call home that you never looked outside at the clouds that loomed overhead. But in your defense you felt that same feeling for weeks now, the way those dark clouds in the sky look is how you’ve felt for most of your life now. But as you’re walking out of this coffeeshop, someone stops you and asks why you didn’t bring a coat. Without thinking nor without a hesitation you say, “I’m wearing one can’t you see.”, and before they can say anything else, “I wear my heart not on my sleeve, I wear it as a coat.”. They look at you and say, “Hopefully next month I will grow from the concrete”.
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Dec 15, 2020
Dec 15, 2020 at 6:22 PM UTC
Rain On The Coat
Picture this, It’s April, the world is moving forward as you are inside a coffee shop. You went to be at peace, your home has felt like an enclosure. Although it is most definitely your home there seems to be something always missing. So you head to your second home, a coffee shop a few blocks away. They all know you by name, and the inside jokes you all have fills the store with a warm laughter that can be felt even before anyone opens the door. You have your bag, within it is two notebooks and a laptop. One notebook for any ideas you want to write down, and the other just in case. You have your laptop, because you said you will write on it, but you end up looking up random thoughts in your head. You seem to not be able to focus, but that’s fine because you’re having better thoughts then when you were at home. You spend a few hours there before you pack your bag, you get up, say your goodbyes, you look outside, the rain is pouring. You remember you didn’t bring a coat, you couldn’t wait to leave the obstacle you call home that you never looked outside at the clouds that loomed overhead. But in your defense you felt that same feeling for weeks now, the way those dark clouds in the sky look is how you’ve felt for most of your life now. But as you’re walking out of this coffeeshop, someone stops you and asks why you didn’t bring a coat. Without thinking nor without a hesitation you say, “I’m wearing one can’t you see.”, and before they can say anything else, “I wear my heart not on my sleeve, I wear it as a coat.”. They look at you and say, “Hopefully next month I will grow from the concrete”.
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This is an apology to my younger self for letting her forget the ixora bracelets tucked in her tattered notebooks; for letting her blur the outline of Artemis’ body resting the edges of a waxing moon. This is an apology for the poetry and the songs she tuned out that could’ve saved her life. This is an apology for allowing her to stop hearing the midnight stories of the souls who get lost in unknown towns concealed beyond the gaps in their ribs; for allowing her to stray too far from mountain-and-sea sunsets that she can no longer smell the salty air and remember the color of the twilight skies. This is an apology for allowing her to fall out of love with the things she wanted to stay in love with — for allowing her to fall out of love with the things that kept her alive. This is an apology — for peeling the tattoo scabs between the drags on a cigarette, for sleeping drunk on a pile of ***** laundry, for wanting to keep the dreamers in the rye, and yet falling off the cliff two pages before the ending. This is an apology for writing her dreams in a bottle and throwing it out into the open ocean; now those dreams are nautical miles away, lost in the domes of a sunken city. This is an apology to my younger self for all the things she wanted to be that I never became — and an apology for all the things I am that she never wanted to be. And yet, this too is a promise to her that it’s okay: it’s okay to lose yourself in places you don’t like. It’s okay to wake up and find yourself confined in a body you no longer seem to know. It’s okay, darling; someday, you’ll find your way back. I’ll find my way back. We’ll find our way back to who we’re supposed to be. And it’ll be home.
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Aug 8, 2019
Aug 8, 2019 at 1:41 AM UTC
apologies and coming home
This is an apology to my younger self for letting her forget the ixora bracelets tucked in her tattered notebooks; for letting her blur the outline of Artemis’ body resting the edges of a waxing moon. This is an apology for the poetry and the songs she tuned out that could’ve saved her life. This is an apology for allowing her to stop hearing the midnight stories of the souls who get lost in unknown towns concealed beyond the gaps in their ribs; for allowing her to stray too far from mountain-and-sea sunsets that she can no longer smell the salty air and remember the color of the twilight skies. This is an apology for allowing her to fall out of love with the things she wanted to stay in love with — for allowing her to fall out of love with the things that kept her alive. This is an apology — for peeling the tattoo scabs between the drags on a cigarette, for sleeping drunk on a pile of ***** laundry, for wanting to keep the dreamers in the rye, and yet falling off the cliff two pages before the ending. This is an apology for writing her dreams in a bottle and throwing it out into the open ocean; now those dreams are nautical miles away, lost in the domes of a sunken city. This is an apology to my younger self for all the things she wanted to be that I never became — and an apology for all the things I am that she never wanted to be. And yet, this too is a promise to her that it’s okay: it’s okay to lose yourself in places you don’t like. It’s okay to wake up and find yourself confined in a body you no longer seem to know. It’s okay, darling; someday, you’ll find your way back. I’ll find my way back. We’ll find our way back to who we’re supposed to be. And it’ll be home.
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58
This is one of those serious poems And yet it has nothing new to say But the poet needs to keep himself busy And writing seems to be the easiest way The poet rises up on his soapbox Because he works better from an elevated height He screams about organized religion, politics And stripping away of our basic human rights Like a magician with a classic misdirection The poet wraps his moralizing in purple prose He hits you over the head with one simple point That he’s forgotten more than you’ll ever know Around the time of the nineteenth obscure reference The reader is in awe of his far-reaching knowledge Then the poet overuses polysyllabic words Just to prove he went to a good college And the poet keeps filling up the notebooks Even though he should have stopped long ago But the publisher agreed to pay by the word So unfortunately, there’s four more stanzas to go Quickly, the release date approaches There’s one printing, then two, then three And the poem becomes a hit in coffee shops Recited by grad students in between bites of biscotti His face now graces the cover of every magazine In an explosion of exuberant media admiration Dozens of talk show appearances are scheduled For the newly crowned “voice of our generation” The publisher decorates the dust jacket with blurbs Complimenting the book’s “dangerously original rhymes” But it’s nothing more than passing hyperbole Gathered from a glowing review in The New York Times Now thousands grasp the paperback edition And eagerly await the feature film adaptation Meanwhile, the poet hunches over his typewriter And commits more sententious literary ************
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Jan 8, 2012
Jan 8, 2012 at 3:18 PM UTC
This Is One Of Those Serious Poems
This is one of those serious poems And yet it has nothing new to say But the poet needs to keep himself busy And writing seems to be the easiest way The poet rises up on his soapbox Because he works better from an elevated height He screams about organized religion, politics And stripping away of our basic human rights Like a magician with a classic misdirection The poet wraps his moralizing in purple prose He hits you over the head with one simple point That he’s forgotten more than you’ll ever know Around the time of the nineteenth obscure reference The reader is in awe of his far-reaching knowledge Then the poet overuses polysyllabic words Just to prove he went to a good college And the poet keeps filling up the notebooks Even though he should have stopped long ago But the publisher agreed to pay by the word So unfortunately, there’s four more stanzas to go Quickly, the release date approaches There’s one printing, then two, then three And the poem becomes a hit in coffee shops Recited by grad students in between bites of biscotti His face now graces the cover of every magazine In an explosion of exuberant media admiration Dozens of talk show appearances are scheduled For the newly crowned “voice of our generation” The publisher decorates the dust jacket with blurbs Complimenting the book’s “dangerously original rhymes” But it’s nothing more than passing hyperbole Gathered from a glowing review in The New York Times Now thousands grasp the paperback edition And eagerly await the feature film adaptation Meanwhile, the poet hunches over his typewriter And commits more sententious literary ************
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36
If I don't make you laugh on your worse days if I'm not the one that you go to when you don't want to speak to another human being if I don't put a smile on your face just by you listening to my voice If I don't make your heart skip a beat when I say I love you leave me If I'm not on your mind 24/7 maybe even less (so it can be an exception) and if my name is not on your school notebooks with hearts on it (maybe my name in a light grey) leave me run away from me far, far away if the thought of you not wanting to speak to me again crosses your path on days you hate me leave me if I don't make you squirm in happiness even if it's just by the simple word of hello and make you the saddest when i say the simple words of just good bye leave me just please leave me just please do so because you deserve better and there is someone out there who will make you feel the way I wish I could make you feel so leave me j.f
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Apr 15, 2014
Apr 15, 2014 at 8:58 PM UTC
Leave me
In my dream, drilling into the marrow of my entire bone, my real dream, I'm walking up and down Beacon Hill searching for a street sign -- namely MERCY STREET. Not there. I try the Back Bay. Not there. Not there. And yet I know the number. 45 Mercy Street. I know the stained-glass window of the foyer, the three flights of the house with its parquet floors. I know the furniture and mother, grandmother, great-grandmother, the servants. I know the cupboard of Spode the boat of ice, solid silver, where the butter sits in neat squares like strange giant's teeth on the big mahogany table. I know it well. Not there. Where did you go? 45 Mercy Street, with great-grandmother kneeling in her whale-bone corset and praying gently but fiercely to the wash basin, at five A.M. at noon dozing in her wiggy rocker, grandfather taking a nap in the pantry, grandmother pushing the bell for the downstairs maid, and Nana rocking Mother with an oversized flower on her forehead to cover the curl of when she was good and when she was... And where she was begat and in a generation the third she will beget, me, with the stranger's seed blooming into the flower called Horrid. I walk in a yellow dress and a white pocketbook stuffed with cigarettes, enough pills, my wallet, my keys, and being twenty-eight, or is it forty-five? I walk. I walk. I hold matches at street signs for it is dark, as dark as the leathery dead and I have lost my green Ford, my house in the suburbs, two little kids ****** up like pollen by the bee in me and a husband who has wiped off his eyes in order not to see my inside out and I am walking and looking and this is no dream just my oily life where the people are alibis and the street is unfindable for an entire lifetime. Pull the shades down -- I don't care! Bolt the door, mercy, erase the number, rip down the street sign, what can it matter, what can it matter to this cheapskate who wants to own the past that went out on a dead ship and left me only with paper? Not there. I open my pocketbook, as women do, and fish swim back and forth between the dollars and the lipstick. I pick them out, one by one and throw them at the street signs, and shoot my pocketbook into the Charles River. Next I pull the dream off and slam into the cement wall of the clumsy calendar I live in, my life, and its hauled up notebooks.
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3.6k
45 Mercy Street
In my dream, drilling into the marrow of my entire bone, my real dream, I'm walking up and down Beacon Hill searching for a street sign -- namely MERCY STREET. Not there. I try the Back Bay. Not there. Not there. And yet I know the number. 45 Mercy Street. I know the stained-glass window of the foyer, the three flights of the house with its parquet floors. I know the furniture and mother, grandmother, great-grandmother, the servants. I know the cupboard of Spode the boat of ice, solid silver, where the butter sits in neat squares like strange giant's teeth on the big mahogany table. I know it well. Not there. Where did you go? 45 Mercy Street, with great-grandmother kneeling in her whale-bone corset and praying gently but fiercely to the wash basin, at five A.M. at noon dozing in her wiggy rocker, grandfather taking a nap in the pantry, grandmother pushing the bell for the downstairs maid, and Nana rocking Mother with an oversized flower on her forehead to cover the curl of when she was good and when she was... And where she was begat and in a generation the third she will beget, me, with the stranger's seed blooming into the flower called Horrid. I walk in a yellow dress and a white pocketbook stuffed with cigarettes, enough pills, my wallet, my keys, and being twenty-eight, or is it forty-five? I walk. I walk. I hold matches at street signs for it is dark, as dark as the leathery dead and I have lost my green Ford, my house in the suburbs, two little kids ****** up like pollen by the bee in me and a husband who has wiped off his eyes in order not to see my inside out and I am walking and looking and this is no dream just my oily life where the people are alibis and the street is unfindable for an entire lifetime. Pull the shades down -- I don't care! Bolt the door, mercy, erase the number, rip down the street sign, what can it matter, what can it matter to this cheapskate who wants to own the past that went out on a dead ship and left me only with paper? Not there. I open my pocketbook, as women do, and fish swim back and forth between the dollars and the lipstick. I pick them out, one by one and throw them at the street signs, and shoot my pocketbook into the Charles River. Next I pull the dream off and slam into the cement wall of the clumsy calendar I live in, my life, and its hauled up notebooks.
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i filled my notebooks with your words, my canvases with your spirit you're in my soul, my heart, my being you eternally inspire me. you may be gone, but i still have you.
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Mar 19, 2019
Mar 19, 2019 at 3:14 PM UTC
goodbye, amor
Twenty-three years now and the same sun rises along the rim of a big blue sky with layered clouds. A myriad of kaleidoscopic colors leaks through surrounding me with nostalgic warmth. Remembering everything that brought me here. That sticky, unbearable Texas heat whirling in the wind of a summer afternoon. Sleeveless dress, sunburnt skin, watermelon smile. Five years of beauty growing into a thin young girl who wanted to learn about everything, Shifting into the youth of an actress in an over-the-top melodramatic performance at a local theatre. Selling art and collecting coins to travel across our globe, and then, my first plane ticket to Vietnam. Nineteen came dressed in bittersweet wanderlust. Packed my bags and drove my car to Portland, Oregon. Four cameras, disheveled notebooks, ink-stained hands. Those tall forest trees of enchantment, a photographer's dream. Traveling down the west coast to desert lands: Seattle, San Francisco, Santa Fe. Somewhere in there I ended up sleeping beneath the stars with a belly full of wine in Alaska. The summer solstice singing me a song while tears brim up my eyes because the world has never looked more lovely. Aurora borealis shimmering her lights above a reflecting ocean of pastel Reds and golds, blues and pinks. A lucky lady who has touched corners of love and sadness and wonder. Burned imprints of goodbyes in the crevices of my mind, but this is who I am. Living and breathing in this extravagance.
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Oct 10, 2012
Oct 10, 2012 at 12:40 AM UTC
Wayward
He told me he stopped smoking. Threw away the packs of Mayfair into the river next to his house. The river where we once spent the evening talking about why stars align the way they do, As if they know what they are doing. Neither of us knows what we are doing. We are tea stained maps, And fragile lungs, And he is bruised fingertips from writing ‘I don’t love you. I’m sorry.’ I am shallow breaths in early winter. Waking up at five to five to wait for the sun to rise. He is made of sugar cubes And campfires; Glowing in the dead of the night As if they have a right To be the main attraction. We are 3am scribbles in notebooks And origami warriors. You folded me so easily With your piano playing fingers. And when I wasn’t looking, You made me into a boat and pushed me onto that same river. Lit matches for a sail and finally, let me burn.
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Jan 1, 2014
Jan 1, 2014 at 10:15 PM UTC
Origami Warriors
We slump in mismatched chairs. Two hunches over shame and a 3am breakfast, I think: *There’s gotta be a reason why art rhymes with **** If you want anything to go anywhere with any respectable…affect, the force of pressure on the inside must exceed that from the outside. Interrupting this genius, He asks: How can you eat that crap? It’s so…empty. He is flipping through his coffeeblack back pocket note rag. It’s soiled, wrinkled concave with the ever-heaving stomachfuls of his inky midnight doubt, and I would really rather not have it at the table while I’m eating. I am pouring another glorious bowl of Frooty Froot Hoops—yeasty, store-brand sugarfuel for the lower-middle-income child poet. He spends another tasteless oatmeal evening reading essays about how to improve his writing. Instead of, like, writing to improve his writing. I ask: If you took a knife to the edge of your boundary’s boundary—stabbed right into your life-world’s fleshy monad-sac, glory running ****** down your blade, As you breached forth into the well-lit unknown, would it still be courageous, if you emerged from your warm wet ignorance, and they were all waiting outside with mylar balloons, a banner, and "Congratulations on your Artistic Rupture!” in blue icing on the cake?? There's still a moment there, right? Petrified in the sap of thrill, in the momentous-stasis between The arrow flung and the arrow fallen. A moment of advancement …a moment of abandon! (He nods along, but he isn't listening.) I say: Newness, originality, (birth), is purely indexical. It points, and no one notices that all those shiny vegas lights aren't really moving anywhere—It's just utility bills and light-bulb trickery. They're asking for genesis extended, genesis again and again and each false gesture points only towards another incandescent unreachable elsewhere. (He nods along, still, not listening.) But there's little monotony in taking a stab! Even if it's just for them, again, those perennial spectators expecting, Waiting outside with ***** little pocket notebooks of their own, crowding the bassinets, ever-eager to begin another “surprise" celebration. Gulping sweet, sugarpink milk, I say: I happen to like this crap! It keeps my knife sharp. (He nods along, but he isn't listening.)
0
Jan 2, 2015
Jan 2, 2015 at 11:47 PM UTC
Congratulations on your artistic rupture!
We slump in mismatched chairs. Two hunches over shame and a 3am breakfast, I think: *There’s gotta be a reason why art rhymes with **** If you want anything to go anywhere with any respectable…affect, the force of pressure on the inside must exceed that from the outside. Interrupting this genius, He asks: How can you eat that crap? It’s so…empty. He is flipping through his coffeeblack back pocket note rag. It’s soiled, wrinkled concave with the ever-heaving stomachfuls of his inky midnight doubt, and I would really rather not have it at the table while I’m eating. I am pouring another glorious bowl of Frooty Froot Hoops—yeasty, store-brand sugarfuel for the lower-middle-income child poet. He spends another tasteless oatmeal evening reading essays about how to improve his writing. Instead of, like, writing to improve his writing. I ask: If you took a knife to the edge of your boundary’s boundary—stabbed right into your life-world’s fleshy monad-sac, glory running ****** down your blade, As you breached forth into the well-lit unknown, would it still be courageous, if you emerged from your warm wet ignorance, and they were all waiting outside with mylar balloons, a banner, and "Congratulations on your Artistic Rupture!” in blue icing on the cake?? There's still a moment there, right? Petrified in the sap of thrill, in the momentous-stasis between The arrow flung and the arrow fallen. A moment of advancement …a moment of abandon! (He nods along, but he isn't listening.) I say: Newness, originality, (birth), is purely indexical. It points, and no one notices that all those shiny vegas lights aren't really moving anywhere—It's just utility bills and light-bulb trickery. They're asking for genesis extended, genesis again and again and each false gesture points only towards another incandescent unreachable elsewhere. (He nods along, still, not listening.) But there's little monotony in taking a stab! Even if it's just for them, again, those perennial spectators expecting, Waiting outside with ***** little pocket notebooks of their own, crowding the bassinets, ever-eager to begin another “surprise" celebration. Gulping sweet, sugarpink milk, I say: I happen to like this crap! It keeps my knife sharp. (He nods along, but he isn't listening.)
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