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MCWA Nov 2010
O Viking Gods of the Norse,
you governed the mighty seas.
your boats were built of gopher wood;
and you made wise use of a breeze!
PNasarudheen Sep 2013
O, dear friends! May I tell  
a , tale of   Graceful Norse God ?.
Odin or Woden of the Norse Myth
Father of gods and men on Earth
Faced much risk, to help His world
Mimir the God of Knowledge claimed
One of His eyes to  share  knowledge.
Suffering much studied  Woden-
Runes on wood, metal  and stone.
Ravens on either side of His shoulder
Fetch the  news from far and wide
Thought and memory were two birds
Hugin and Munin they were called.
He got  skaldic mead from the Giants
Touch of which makes  anyone a poet.
Gracious Odin gave away His skills
To  all gods and men of His reign.
Can you be such a heroic leader
To save our sighing Motherland?
Note:Norse Myth=Mythology of the Scandinavian area. The day of the Woden is Wednesday.
Nigel Morgan Jun 2013
She sent it to me as a text message, that is an image of a quote in situ, a piece of interpretation in a gallery. Saturday morning and I was driving home from a week in a remote cottage on a mountain. I had stopped to take one last look at the sea, where I usually take one last look, and the phone bleeped. A text message, but no text.  Just a photo of some words. It made me smile, the impossibility of it. Epic poems and tapestry weaving. Of course there are connections, in that for centuries the epic subject has so often been the stuff of the tapestry weaver’s art. I say this glibly, but cannot name a particular tapestry where this might be so. Those vast Arthurian pieces by William Morris to pictures by Burne-Jones have an epic quality both in scale and in subject, but, to my shame, I can’t put a name to one.

These days the tapestry can be epic once more - in size and intention - thanks to the successful, moneyed contemporary artist and those communities of weavers at West Dean and at Edinburgh’s Dovecot. Think of Grayson Perry’s The Walthamstowe Tapestry, a vast 3 x 15 metres executed by Ghentian weavers, a veritable apocalyptic vision where ‘Everyman, spat out at birth in a pool of blood, is doomed and predestined to spend his life navigating a chaotic yet banal landscape of brands and consumerism’.  Gosh! Doesn’t that sound epic!

I was at the Dovecot a little while ago, but the public gallery was closed. The weavers were too busy finishing Victoria Crowe’s Large Tree Group to cope with visitors. You see, I do know a little about this world even though my tapestry weaving is the sum total of three weekends tuition, even though I have a very large loom once owned by Marta Rogoyska. It languishes next door in the room that was going to be where I was to weave, where I was going to become someone other than I am. This is what I feel - just sometimes - when I’m at my floor loom, if only for those brief spells when life languishes sufficiently for me be slow and calm enough to pick up the shuttles and find the right coloured yarns. But I digress. In fact putting together tapestry and epic poetry is a digression from the intention of the quote on the image from that text - (it was from a letter to Janey written in Iceland). Her husband, William Morris, reckoned one could (indeed should) be able to compose an epic poem and weave a tapestry.  

This notion, this idea that such a thing as being actively poetic and throwing a pick or two should go hand in hand, and, in Morris’ words, be a required skill (or ‘he’d better shut up’), seemed (and still does a day later) an absurdity. Would such a man (must be a man I suppose) ‘never do any good at all’ because he can’t weave and compose epic poetry simultaneously?  Clearly so.  But then Morris wove his tapestries very early in the morning - often on a loom in his bedroom. Janey, I imagine, as with ladies of her day - she wasn’t one, being a stableman’s daughter, but she became one reading fluently in French and Italian and playing Beethoven on the piano- she had her own bedroom.

Do you know there are nights when I wish for my own room, even when sleeping with the one I love, as so often I wake in the night, and I lie there afraid (because I love her dearly and care for her precious rest) to disturb her sleep with reading or making notes, both of which I do when I’m alone.
Yet how very seductive is the idea of joining my loved one in her own space, amongst her fallen clothes, her books and treasures, her archives and precious things, those many letters folded into her bedside bookcase, and the little black books full of tender poems and attempts at sketches her admirer has bequeathed her when distant and apart. Equally seductive is the possibility of the knock on the bedroom / workroom door, and there she’ll be there like the woman in Michael Donaghy’s poem, a poem I find every time I search for it in his Collected Works one of the most arousing and ravishing pieces of verse I know: it makes me smile and imagine.  . .  Her personal vanishing point, she said, came when she leant against his study door all warm and wet and whispered 'Paolo’. Only she’ll say something in a barely audible voice like ‘Can I disturb you?’ and with her sparkling smile come in, and bring with her two cats and the hint of a naked breast nestling in the gap of the fold of her yellow Chinese gown she holds close to herself - so when she kneels on my single bed this gown opens and her beauty falls before her, and I am wholly, utterly lost that such loveliness is and can be so . . .

When I see a beautiful house, as I did last Thursday, far in the distance by an estuary-side, sheltering beneath wooded hills, and moor and rock-coloured mountains, with its long veranda, painted white, I imagine. I imagine our imaginary home where, when our many children are not staying in the summer months and work is impossible, we will live our ‘together yet apart’ lives. And there will be the joy of work. I will be like Ben Nicholson in that Italian villa his father-in-law bought, and have my workroom / bedroom facing a stark hillside with nothing but a carpenter’s table to lay out my scores. Whilst she, like Winifred, will work at a tidy table in her bedroom, a vase of spring flowers against the window with the estuary and the mountains beyond. Yes, her bedroom, not his, though their bed, their wonderful wooden 19C Swiss bed of oak, occupies this room and yes, in his room there is just a single affair, but robust, that he would sleep on when lunch had been late and friends had called, or they had been out calling and he wanted to give her the premise of having to go back to work – to be alone - when in fact he was going to sleep and dream, but she? She would work into the warm afternoons with the barest breeze tickling her bare feet, her body moving with the remembrance of his caresses as she woke him that morning from his deep, dark slumber. ‘Your brown eyes’, he would whisper, ‘your dear brown eyes the colour of an autumn leaf damp with dew’. And she would surround him with kisses and touch of her firm, long body and (before she cut her plaits) let her course long hair flow back and forward across his chest. And she did this because she knew he would later need the loneliness of his own space, need to put her aside, whereas she loved the scent of him in the room in which she worked, with his discarded clothes, the neck-tie on the door hanger he only reluctantly wore.

Back to epic poetry and its possibility. Even on its own, as a single, focused activity it seems to me, unadventurous poet that I am, an impossibility. But then, had I lived in the 1860s, it would probably not have seemed so difficult. There was no Radio 4 blathering on, no bleeb of arriving texts on the mobile. There were servants to see to supper, a nanny to keep the children at bay. At Kelmscott there was glorious Gloucestershire silence - only the roll and squeak of the wagon in the road and the rooks roosting. So, in the early mornings Morris could kneel at his vertical loom and, with a Burne-Jones cartoon to follow set behind the warp. With his yarns ready to hand, it would be like a modern child’s painting by numbers, his mind would be free to explore the fairy domain, the Icelandic sagas, the Welsh Mabinogion, the Kalevara from Finland, and write (in his head) an epic poem. These were often elaborations and retellings in his epic verse style of Norse and Icelandic sagas with titles like Sigurd the Volsung. Paul Thompson once said of Morris  ‘his method was to think out a poem in his head while he was busy at some other work.  He would sit at an easel, charcoal or brush in hand, working away at a design while he muttered to himself, 'bumble-beeing' as his family called it; then, when he thought he had got the lines, he would get up from the easel, prowl round the room still muttering, returning occasionally to add a touch to the design; then suddenly he would dash to the table and write out twenty or so lines.  As his pen slowed down, he would be looking around, and in a moment would be at work on another design.  Later, Morris would look at what he had written, and if he did not like it he would put it aside and try again.  But this way of working meant that he never submitted a draft to the painful evaluation which poetry requires’.

Let’s try a little of Sigurd

There was a dwelling of Kings ere the world was waxen old;
Dukes were the door-wards there, and the roofs were thatched with gold;
Earls were the wrights that wrought it, and silver nailed its doors;
Earls' wives were the weaving-women, queens' daughters strewed its floors,

And the masters of its song-craft were the mightiest men that cast
The sails of the storm of battle down the bickering blast.
There dwelt men merry-hearted, and in hope exceeding great
Met the good days and the evil as they went the way of fate:
There the Gods were unforgotten, yea whiles they walked with men,

Though e'en in that world's beginning rose a murmur now and again
Of the midward time and the fading and the last of the latter days,
And the entering in of the terror, and the death of the People's Praise.

Oh dear. And to think he sustained such poetry for another 340 lines, and that’s just book 1 of 4. So what dear reader, dear sender of that text image encouraging me to weave and write, just what would epic poetry be now? Where must one go for inspiration? Somewhere in the realms of sci-fi, something after Star-Wars or Ninja Warriors. It could be post-apocalyptic, a tale of mutants and a world damaged by chemicals or economic melt-down. Maybe a rich adventure of travel on a distant planet (with Sigourney Weaver of course), featuring brave deeds and the selfless heroism of saving companions from deadly encounters with amazing animals, monsters even. Or is ‘epic’ something else, something altogether beyond the Pixar Studios or James Cameron’s imagination? Is the  ‘epic’ now the province of AI boldly generating the computer game in 4D?  

And the epic poem? People once bought and read such published romances as they now buy and engage with on-line games. This is where the epic now belongs. On the tablet, PlayStation3, the X-Box. But, but . . . Poetry is so alive and well as a performance phenomenon, and with that oh so vigorous and relentless beat. Hell, look who won the T.S.Eliot prize this year! Story-telling lives and there are tales to be told, even if they are set in housing estates and not the ice caves of the frozen planet Golp. Just think of children’s literature, so rich and often so wild. This is word invention that revisits unashamedly those myths and sagas Morris loved, but in a different guise, with different names, in worlds that still bring together the incredible geographies of mountains and deserts and wilderness places, with fortresses and walled cities, and the startling, still unknown, yet to be discovered ocean depths.

                                    And so let my tale begin . . . My epic poem.

                                                 THE SEAGASP OF ENNLI.
                                                AND REDEMPTIVE LOVE.
Mateuš Conrad Jun 2016
preliminary explanation

before i really begin the project i have a few scatterings
of thought that made me do this, without real planning,
a different sort of impromptu that poetry's good at,
less Dionysian spur-of-the-moment with an already
completed poem entwined to a perfect ensō,
as quick as the decapitation of Mary Boleyn with the
executioner fooling her which side the swing would
be cast by taking of his hard-soled-shoes -
i mean this in an Apollonian sense - i know, sharp contrasts
at first, but the need to fuse them - i said these are
preliminary explanations, the rest will not be as haphazardly
composed, after all, i see the triangle i'm interested it
but drawing a triangle without Pythagorean explanation
i'm just writing Δ - i'll unravel what my project is
about, just give me this opportunity to blah blah for a
while like someone from an existential novel;
what beckoned me was the dichotomy of styles,
i mean, **** me, you can read poetry while in an awkward
yoga position, you can read it standing up, sitting down,
eating or whatever you want - obviously on the throne
of thrones taking a **** is preferred - the point being
what's called serious literature is so condensed for
economic reasons, font small, never-ending paragraphs,
you need an easy-chair and a bottle of cognac to get
through a chapter sometimes - or at least freshly mowed
grass in a park in summer - it's really uncomfortable because
of that, and the fact that poets hardly wish upon you
to be myopic - just look at the spacing on the page,
constantly refreshing, open-plan condos, eye-to-eye -
but it's not about that... the different styles of writing,
prose and the novel, the historical essay / encyclopedia
or a work of philosophy - what style of writing can
be best evolutionary and undermine each? only poetry.
poetry is a ballerina mandible entity, plastic skeletons,
but that's beside the point, when journalism writes history
so vehemently... the study of history writes it nonchalantly,
it's the truth, journalism is bombastic, sensationalist
every but what courting history involves -
a journalist will write about the death of a 100 people
more vehemently than a historian writing about the Holocaust...
or am i missing something? i never understood this dichotomy
of prose - it's most apparent between journalism and history...
as far as i am concerned, the most pleasurable style of
prose is involved in the history of philosophy, or learning per se,
but i'll now reveal to you the project at hand -
it's a collage... the parameters?

the subject of the collage

it weighs 1614 grams, or 3 lb. and 8 7/8ths oz.,
it's a single volume edition, published by Pimlico,
it's slightly larger than an A5 format,
3/4 inches more in length, and ~1 centimetre in
width more, it has a depth of 1 and 3/4 inches in depth,
a bicep iron-pumping session with it in bed -
i was lying with this behemoth of a book
in bed soothing out a semi-delirium state
listening to Ola Gjeilo's *northern lights

and flicking through the appendix, and i started thinking,
no would read this giant fully, would they?
the reason it's a one volume edition is because
the only place you'd read such an edition would
be in a library, at a desk, and you'd be taking snippets
out from it, quotes, authentic references points
for an essay, esp. if you were a history student,
such books aren't exactly built for leisure, as my arms
could testify... after the appendix i started flicking
through as to what point of interest would spur me
onto this audacious (and perhaps auspicious)
act of renegading against writing a novel (in the moment,
in the moment, i can't imagine myself rereading plot-lines
after a day or two, adding to it - that's a collage too,
but of a different kind - and no, i won't be plagiarising
as such, after all i'll be citing parallel, but utilising
poetry as the driving revision dynamic compared
to the chronologically stale prose of history) - i'll be
extracting key points that are already referenced and not
using the style of the author - the book in question?
Europe: a history by Norman Davies prof. emeritus
at U.C.L. - the point of entry that made me mad enough
to condense this 1335 page book (excluding the index)?

point of incision

Voltaire (or the man suspected of Guy Fawkes-likes spreading
of volatility in others) -
un polonais - c'est un charmeur; deux polonais - une
bagarre; trois polonais, eh bien, c'est la question polonaise

(one pole - a charmer, two poles - a brawl, three poles -
the polish question) - mind you, the subtler and gentler
precursor of the Jewish question, because the Frenchman
mused, and not a German, or a Russian brute...
and i can testify, two Polish immigrants in a pub,
one senior, the other minor, one with 22 years under
his belt of the integration purpose, one with 12 years,
the minor says to the senior about how Poles bring
the village life to cities, brutish drunkards and what not,
it was almost a brawl, prior to the senior was charming
a Lithuanian girl, before the minor's emphasis on
such a choice of conversation turned into idiotic Lithuanian
nostalgia about the disintegration of the Polish-Lithuanian
commonwealth, primarily due to the Polish nobility.

10,000 b.c.

looking that far back i don't know why you even
bother to celebrate the weekend -
i mean, 10,000 years back Denmark was
still attached to Sweden,
England was attached to France,
and there was a weird looking Aquatic landmass
that would become a myth of Atlantis
in the Chronicles of Norwich,
speedy ******* Gonzales with the equivalent
of south america detaching itself from Africa...
mind you, i'm sure the Carpathian ranges are
mountains. they're noted here are hills or uplands,
by categorising them as such i'm surprised
the majority of Carpathian elevations as scolded
bald rocky faced, a hill i imagine to have some
vegetation on it, not mountain goats with rock and roof
for a blacksmith in a population of one hundred...
at this point Darwinism really becomes a disorientating
pinpoint of whatever history takes your fancy,
Europe - mother of Minos, lord of Crete,
progenitrix / ******* and the leather curtains
of Zeus's harem (jealous? no, just the sarcasm
dominates the immortal museum of attachable
****** to suit the perfect elephant **** of depth
the gods sided with, by choice, excusing the Suez
duct tightening of a prostate gland... to ease the pain
upon ******* rather than *******); mentioned by Homer
the Blind tooth-fairy, the Europe and the bull,
Europoeus and the swan, same father of wisdom to mind,
on the shores of Loch Lomond -
attributes a lover to the bull, Moschus of Syracuse,
who said earring Plato cured him of where the ****
should not enter even if it shines a welcome
in the disguise of Dionysius... revisionists bound to Pompeii
named Titian, Rembrandt, Rubens Veronese
and Claude Lorrain revived the bulging bull's *******
and her mm hmm mm, too gracious my kind, hehee...
Phonecians from Tyre and Io - so too the Sibyl of ****** -
and unlike the great river civilisations of the Nile,
the Ganges, soon to be the Danubian civilisations
and gorged-out-eyes-that-once-sore-colour-but-lost-sight-of-
soon the seas overcame civilisations of the rivers,
as Cadmus, brother of the thus stated harlot said:
i bring you orbe pererrato - hieroglyphics of the cage,
but not an owl or a hawk inside it -
so let's perfect speaking to an encoding by first
rummaging into learning how to procure the perfect
forms of counting - i say left, you say I, i say right
you say II, left right left right, what do you say?
VI. bravo! the Hellenic world just crossed the Aegean
and civilisation bore twins within the cult of a lunar-mother,
Islam of Romulus and Remus, a she-wolf
a canine of the night - according to another -
tremulae sinuantur flamine vestes - or so the myth goes -
a cherished phantom of what became the fabled story
of sole Odysseus with his ears open and the remnant
sailor's ears waxed shut - as if the bankers of this world,
revelling in culprit universal fancy than nonetheless
bred the particular oddities - lest we forget,
the once bountiful call of the sirens to the oceanic
is but a fraction of what today's sirens claim to be song,
a fraction of it remains in this world, the onomatopoeia
of the once maddening song, the crude *******
arrangement of vowels bound to the jealous god's
déjà vu of the compounding second H.

from myth to perpetuating a modern sentiment

you can jump from 10,000 b.c. to the Munich Crisis
of 1938 - 9 with a snap of the fingers,
imitating quantum phenomenons like gesticulating
a game of mime with Chinese whispers necessary,
if Europe is a nymph, Naples her azure eyes,
Warsaw her heart, Sebastopol and Azoff,
Petersburg, Mitau, Odessa - these the thorns
in her feet - Paris the head, London the starched collar,
and Rome - the sepulchre
or... die handbuch der europaischen geschichte
notably from Charlemagne (the Illiterate)
to the Greek colonels (as apart from Constantine to
Thomas More in eight volumes, via Cambridge mid
1930s)... these and some other books of urgency
e.g. Eugene Weber's H. A. L. Fisher's, Sr. Walter Ralegh,
Jacob Bronowski... elsewhere excavated noun-obscurities
like gattopardo and konarmya had their
circas extended like shelved vegetables in modern
supermarket isles, for one reason or another...
prado, sonata sovkino also... some also mention
Thomas Carlyle (i'd make it sound like carried-away isle,
but never mind); so in this intro much theory,
how to sound politically correct, verifiable to suit
a coercion for a status quo... Europe as a modern idea,
replacing Imperum Romanun came Christendom,
ugly Venetian Pirates at Constantinople,
Barbarossa making it in pickled herring juice
in a barrel to Jerusalem... once called the pinkish-***-fluff
of Saxony, now called the pickled cucumber,
drowning in his armour in some river or Brosphorus...
alchemists, Luther and Copernicus were invited on
the same occasion as the bow-tie was invented,
apparently it was a marriage made for the Noir cinema,
beats me - hence the new concept of Europe,
reviving the idea of Imperium Romanun
meant, somehow including Judea in the Euro
championship of footie gladiator ***** whipped
narcissists, rejecting the already banished Carthage
(Libya / Tunisia by Cato's standards) and encouraging
the Huns, the Goths and the even more distant Slavs and
Vikings to accept not so much the crucifix as
the revised spine of the serpent but as the geometry of
human limbs, well, not so much that, but forgetting
Norse myths of the one-eyed and the runic alphabet
and settling for ah be'h c'eh d'ah.
dissident frenche stink abbe, charles castel de st pierre
(1658 - 1743) aand this work projet d'une paix perpetuelle
(1713) versus Питер Великий who just said:
never mind the city, the Winter Palace... i have aborted
fetus pickles in my bedroom, lava lamps i call them.
the last remaining reference to Christianity?
Nietzsche was late, the public was certain,
it was the Treaty of Utrecht, 1713, with public reference
to the republica christiana / commonwealth was last made.
to Edmund Burke: well, i too wish no exile
upon any European on his continent of birth,
but invigorate a Muslim to give birth on it
and you invigorate an exile nonetheless:
Ezra expatriate Pound / sorry, if born in eastern
europe a ***** Romanian immigrant, pristine
expatriate in western Europe, fascist radio has
my tongue and *****, so let's play a game:
Russian roulette for the Chinese cos there's
a billion of them, and no one would really mind
a missing Chow Mein... chu shoo'ah shaolin moo'n'kah!
or a cappuccino whenever you'd like to watch
classic Italian pornographic cinema with dubbing
with nuns involved... Willaim Blake and his
stark naked prophesy, pope pius II (treatise 1458)
even though Transylvania, Tharce and Hungary
shared the same phonetic encoding with diacritical
distinctions like any Frenchman, German,
or Pole at the Siege of Vienna (1683)
to counter the antagonising Ottoman - i swear historians
do this one purpose, juggle dates and head-of-state figures
prior to entering a chronology - they must first try out
a ******* carousel before playing with the toy-train...
broadcasting to a defeated Germany public, T. S. Eliot
(1945) ****** import to into Western Germany
and talk of the failing moral fabric, China laughing
after the ***** intricacies of warfare of trade,
what was once wool we wished to be silk...
instead of silk we received vegetarian wool, namely
hemp, and Amsterdam is to blame... nuke 'em!
that's how it sounds, how a historian approaches
writing a history from the annals, from circa and
circumstance and actual history, foremost the abbreviations,
the fishing hook standards, the parameters,
the limits, and then the mathematics of history,
one thing culminating into another... contra Lenin
N. S. Trubetskoy, P. N. Savitsky, G. Vernadsky
Russian at the perks of the Urals - steppe Tartar shamans
or salon pranced pretty **** boys? where to put
the intoxicant and where to put the mascara... hmm,
god knows, or by 21st calculations, a meteor;
they say the history of nations is a history of women,
then at least the history of individuation
and of men who succumb to its proliferation
is astoundingly misogynistic.
Seton-Watson, among the the tombstones too reminded
of remarkable esteem and accomplishment
with only one gravedigger to claim as father...
as many death ears as on two giraffe skeletons
stood Guizot, men of many letter and few fortunes,
or v. v., incubators of cousin ***** and none the kippah
before the arrogant saintly diminished to
a justly cause of recession, ha ha,
by nature's grace, and with true advent of her progression
as guard-worthy pre- to each pro-
and suggested courteous of the ****** fibre,
oh hey, the advent of masqueraded woofing,
a Venetian high-brow, and jealousy out of a forgotten
spirit of adventure that once was bound
to hunting and foraging... forever lost to write  history of
a king dubbed Louis the XIV...
crucibles and distastes for the state to be pleased,
once removed from Paris, forever to Angevin womb
accustomed once more, at Versailles released -
as cake be sown so too the aristocratic swan necks
for worth of mock and scorn - and the dampening rain
rattle the blood-thirst of the St. Bartholomew's Day
slaughter, to date, the rebirth of Burgundy,
of Anjou, and with the dead king presiding, to be
of no worth in judging himself a king before god or pauper...
saluer Antoine Quentin Fouquier-Tinville!
that i might too in stead rattle a few bones prior to burial
with the jaw that will laugh and chatter least
had it been to my kingly-stead a birth so lowly.
then at least in satisfactory temperament i procure a
judgement of the noble like of a *****
for an hour's worth of pistons and jarring tongues...
as if from a nobleman then indeed as if from a *****,
for who sold Europe and said: Arabia, if not the
Frenchman, the Englishman, the Spaniard?
the former colonial conquests served you not enough?
i imagine the reinstatement of Israel like
the Frankish states under Philippe-August...
precursors to a cathedral dubbed Urban the 2nd's..
there were only Norwegian motives in the Ukraine
and the black sea... Israel to me is like plagiarism
of the Frankish states of the middle-east, with Europe
slightly... oom'pah loom'pah mongolian harmonica.
some said Rudyard Kipling poems,
some said Mr. Kipling's afternoon tea cakes -
whichever made it first on Coronation St.
some also say the Teutonic barbecues -
it was a matter of example to feed them hog
and cannibalise the peasants for ourselves,
a Prussian standard worth an army standard of
rigour - Ave Maria - letztre abendessen nahrung -
mein besitzen, wenn in die Aden, i'd be the last
talking carcass...
gottes ist der orient!
gottes ist der okzident!
nord - und sudliches gelande
ruht im frieden seiner hande.

germany's lebensraum, inferiority and classification,
inferior slavs and jews, genetics and why my
hatred of Darwinism is persistent, you need
an explanatory noting to make it auto-suggestive
for Queen & Country? diseased elements,
Jewish Bolshevism, Polish patriotism,
Soviets, Teutons, the grand alliances of 1918
or 1945? Wilsonian testimony of national self-determi
Micheal Wolf Feb 2013
Phoenician to  Aramaic 950 BC the start of modern writting for others to see
Then Hebrew to  Moabite then Phrygian as well around 800 BC
The written word was now afoot, oh Ammonite as well

Then a split as often comes between one arab and another
Old North Arabian and Old South Arabian argue with each other
So moving west Etruscan came at 700 BC
Then Umbrian and North Picene you heard of them today?

As Lepontic and Tartessian tried to talk to others
Now we start to get a grip and influence the modern
From Lydian to Carian,  Thracian to Venetic
All around the 6th century BC people started jotting

Old Persian came and went Latins still around
Then South Picene and Messapian to Gaulish
Language now ruled the world and all the ways we wrote it

Mixe–Zoque some say isnt really true
But Oscan and Iberian followed on through
So Meroitic,  Faliscan at 300 BC came next
Then Volscian and Middle Indo-Aryan or Prakrit the Ashoka calls it
Then one thats still around Tamil you might know it

Christianity was on its way as Galatian was used
Pahlavi and Celtiberian al cald pre antiquity
Lets move on till after Christ and language moves full on

Bactrian and Proto-Norse in northen europe common
Cham and Mayan, Gothic and Ge'ez and accepted Arabic
Christs been dead 300 yrs and language starts to flourish

Primitive Irish now exists and an odd one called Ekoi
Try to remember though its still only the 4th century

Georgian now is used in a  church in Bethlehem
A bible is written  in Armenian
Kannada in Halmidi
West Germanic to that becomes  Old High German
English now for the first time starts to rear its head

Old English to Korean  Tocharian to  Old Irish
In parts of southern England they even speak Cornish  
Centuries before Pol *** there is now Cambodian
Others speaking Udi, Telugu and Tibetan
Now language is getting modern

Old Malay in the far east to Welsh in my back yard
It wasnt long before the world was writting many forms
Mandarin and English now are common place
A miriad of people and language in their states

So venture forth to foreign lands and visit as a guest
Take a pen and paper to help you on your quest
If you can cross your legs or draw a beer you really cant go wrong
Remember you dont speak their tongue its you not them thats dumb!!!
Criss Jami May 2014
What I do is a vacancy with
A disposition made just for me and it's
In a position that they can't see, you see
In deep blue seas
There's the place where a vacation is free for me

And then you dream in peace

So call me maybe the ghost protocol where most of those photos of all the things I do
Are used as prototypes, baby so-called clues of my new call to move where-
In everywhere and wherever and with whomever and whenever which
Is whosoever or whoever's whichever of whatever, for all of you
Whether the weather's a typhoon in-
Cluding the SoCal blues but
This isn't all I do
It's just that it's my call of duty
On a mission for all of what's true
But without bailing, balling or brawling in her suit
And then failing, falling, bawling and calling and then crawling in pursuit

Like some other subliminal, minimal flukes
'Cause it's done much better than those "lyrical, miracle, spiritual, individual and criminal" dudes
Or bitter, fritter critiques with the use of twitters
In order to refute the fullest of all hippo-critical fools and critters sitting and fitting
Itching to switch to snitching about this glitch
Which is hitched to renewing, stitching and gluing our fitches to truth and
And yes without twitching to their witch's magical, musical flute

Then in lieu of the altitude of the attitude rude of my pirate-like crew's mood
Whether longitude or latitude and more than impractical platitudes
I'm not as irate as I seem al-
Though it ensues that right on cue in due
Time with an aptitude of gratitude and exactitude in
Solitude throughout fortitude or servitude, to allude what you elude and dude
To intrude what you conclude with certitude in an interview interlude and now
Then out of you, under coveralls to view the overall outerlude
I rate the magnitudes of the habitudes it seems you take for granted in dreams and all types of things

And though my soul is a hologram
Hollow weight and zero grams
Hero traits with a villain glam I'm
The man of love and that of
One of the toughest clams above
Or below, I should say
Like Poseidon
Oh baby we ride on
Or sail on, should I say
The ghost of Poseidon

Then in lieu of the attitude of my pirate-like crew
I'm not as irate as I seem or
Even irritated as they deem nor
Norse, Thor or a heart of granite
I rate the things we take for granted, granted far asleep
Stereo-hyped in dreams with all heights of wings and

Although my soul is a hologram
Hollow weight and zero grams
Hero traits with the chill of a villain vibe or glam I'm
The anti-hero, champion of love and that of
One of the toughest clams clamping it above
Or below, I should say
Like Poseidon
Oh baby we're riding
Or sailing, I should say and it's

It's the ghost of Poseidon that's
That's trailed night and day
The ghost of Poseidon that's
That's trailed night and day 'cause
They say, I did it my way then they're
On my tail right away
On my tail right away
Aa Harvey Sep 2018
This is my Blood Bowl.

Thank you Games Workshop for giving us Blood Bowl;
I’ve played it all my life and I’ve completely re-written the rules.
It allows my imagination to run wild carrying a sword,
Attacking all sorts of creatures, whilst playing American Football.
It has magic, magic items and you may think it’s just for kids;
But without Blood Bowl,
I wouldn’t have imagined half of the things that I did.

People need a release from the real world;
Mine is found on a football pitch in the game of Blood Bowl.
People cheat, steal and bribe referees and do almost anything.
If you give this game to your kid,
They could imagine the impossible
And some day, maybe, write random poetry like me!  He, he.

…And now down to the pitch to see the kickoff!...

The humans line up against the bad boy orcs;
The dwarfs and elves are in support.
Chaos lords and chaos spawn (twisted creatures);
Rain down pain and death on the undead and the living.

The undead walk slowly, the goblins flee!
Rat Ogres and trolls are invading the pitch!
The referee blows his whistle to send the giant off!
The deadly dark elves chop the referee’s up with chainsaws,
Or use swords and axes, grenades and clubs.
They are all fighting to win the B.B.C. cup.

The Blood Bowl Championship;
It’s like the NFL Superbowl trophy.
I’ve made leagues and cups
And every single thing possible, just for fun; just for me.

The Official Blood Bowl Organization,
Try to make all weapons illegal, but oh no, no, no!
This is the sport of death!  
This is Blood Bowl!

Use spells and magic items and cause suffering;
The tiny snotling is beaten by the little Halfling.
The ***** in there somewhere, though nobody cares;
The Beastmen are just here to fight,
Whilst the gnomes laugh at the high elves hair.
Such pampered fools, in love with themselves;
Vanity and self-love?  That must be the elves.

Here comes a chaos dwarf, driving a steam roller;
He flattens the Fimir and another vampire.
The zombies are clueless and one fumbles the ball,
Before he is decapitated, by the Reikland Reavers’ Mighty Zug!

The ghoul’s are hungry for blood;
Here come the orks, the band of goffs.
Crazy *** gitz, just having a laugh.
Here are the sneaky Skaven to stab someone in the back.

Amazonian women are running around screaming,
Like the banshee’s and all sorts of scary demons.
The Sisters of Battle are from the future;
A bear charges at a Treeman and look!  There’s a little Gnoblar.

Giant bats, giant snails, giant rats and giant eagles,
Giant leeches, giant frogs, giant spiders and giant scorpions.
The norse are Vikings, (ranked titles include kings);
There’s a termagant from the year 40,000 and something.
There are space marines, and space wolf marines,
All armed to the teeth with weapons.

The genestealer’s steal genes to make new creatures/weapons;
There are evil gnomes, evil ewoks, ewoks and evil Treemen.
Lesser demons fight lesser goblins and run from the Lictor!
The werebear’s and werewolves fight the wolves and Saurus creatures.
There is no victor.

The skinks fire poisoned blowpipes at the Large beasts & minions.
Chaos Halflings beat up people on camels and horses
And they beat up Khemri with anything.
Mummies climb out of their crypts to bring death to the mutants;
The slayers are here to bring down the mighty bone giants.

The noble Brettonians see Blue and Pink Horrors running around;
Tyranids, Tyranid warriors and tyrants send people underground.
Dead now in this game of Blood Bowl; the game of death!
Witch elves are being hunted by Witch Hunters;
There’s only three left.

To the right is a Zoat fighting a huge Yeti.
A chaos human rides a chaos horse; look out Goddess Betty.
Greater demons bring down Griffons and **** the crazy monkeys;
The mushlings and snotrooms are simply fleeing and screaming.

Skeletons on skeletal horses, fight salamanders and satyrs.
Jabberwocks and Juggernauts,
Destroy Hydra’s with the Hydra’s own fire.
Chaos Warriors and Chaos human cowboys, slug it out with Gods;
Norse dwarves fight Nurgles rotter’s and nurgling’s fight ogres.

The slann were the originators of the game of Blood Bowl;
The Ushabti Tomb Kings come from Khemri to fight the robotic Tau.
Vostroyan drunks are fighting with Wood elves.
Oh my God!  That troglodyte really does smell!

Warhounds race Gladehounds and cyborg’s fight cyboar’s;
Big cats include tigers and lions, so we must quickly carry on.
A carrion is an undead bird and they are ****** huge!
The imperial guard are like the rebels in Terminator;
They are humans.

Kroxigor’s smash boney clubs & break Kroot’s predator-like heads;
Kislevite Horsemen and Cowboy’s ride horses onto the pitch.
Night goblin’s and forest goblin’s steal from all including the Eldar.
They are elves of the future and there are chaos space marines…

They have travelled far.

Every creature has come to take part in this game of football.
Its American football with death included; it’s so much fun!
Harpy fly above Haradhrim as a Necron breaks his own jaw;
He fell over when dodging the tomb scorpion’s claw.

Thrall and Wights march to battle on the pitch against the living;
Undead champions are leaders of death
And the minotaur’s eat the dead.  
Nobody knows who is winning.
Chimera and other daemonic beasts are really tough to ****, I see;
But that boar just exploded, thanks to the grenade…
Bye life, hello death; he, he.

Elementals are like Gods of earth, wind, water and fire.
Dragon ogres are going to **** anything that gets in their way!
Dreadnoughts are made to ****; there’s a wolf!
This undead one’s dire.
Dryad are small Treemen; there are some Elite Skaven!
Open fire!

Savage orcs fight sea elves as squig hopper’s bounce past randomly.
Ungor’s are little Beastmen, but there are still quite deadly.
Manticores destroy lizardmen and there’s a blood-soaked cold one.
Bull centaur’s charge at black orc’s,
Who are ganging up with a chaos champion.

Centaurs crash into carnosaur’s,
As Dark eldar fly down from their space ships.
Hobgoblins can’t be trusted; the thieving gits!
Orc leaders are warlords, bosses and big bosses too;
The Redemptionists are the priest from aliens 3 or aliens 2.
Whichever I can’t remember and haven’t got time to look;
Oh yeah let’s watch the game again and see who has got the ball.

Golem!  (phlegm!)  Golem!  No; not that one!
These golems are Flesh golem’s and some are made of stone.
They are creature of magic and are here to smack some heads;
And this is the end of the poem…

Dedicated to Games workshop (thank you) and the sport of death!

(C)2013 Aa Harvey. All Rights Reserved.
Ken Pepiton Nov 2018
life more abundant calls forth an expandable reality primo,
thus wisdom, the principal thing when-ce all other
things may be made

machine level codifiers ifying
meaning back into idle words.

Keep the secret. Answer the call,
who will help the widow's son?

You, Templar, what message bear ye to my child?,
asked the widow.
Fi-del-e-tus. with a squeeze and a tap,
wink and grin

Poet, who named the prophet?
who named the teller to tales?
who gave thee hearing ear and seeing eye?

Some mind imagined those as yet unformed in forever past.
You agree. You experienced living, so far.

So good, we move on, figurative re re re al-it if-ity
Haps apt to appear be fore your veri variety of being even
hapt as a thing thought, imagined made for a function, as yet

undone. Conserve the NULL set, that whole idea is dangerously
close to fading…

Have you seen those videos of soap bubbles filled with H
and no O?
You should see those, to recall the phenomenonal pre-dictatorial
image, see the bubble, invisible but
for reflection of ambient ambits in our epigenetic radiosphere,

bubbles collapse, and for a flash, flame orange shaped
as the bubble was.
No ex-plo sion it-a-tivity, mere dis cipation,
loss of grip on the shape of things that were, now
con forms to re per ceive,

try again, get a good grip, swing and a miss, go again
take a Mulligan, I think, some game has such a rule,

We can use it here. We can scroll back up,
like a rope lift on the bunny hill at Big Bear, back when…

wheels in wheels, bubbles in bubbles, forms in forms

this is the information age I was informed. Adamkind, those
qubitical, ambitical little images of

Who, who? would a name comfort-you worth more than a breath?
Fresh air after a minuted moment twixt out and in again,

Power, create ific power haps twixt out an in again,
the cipitation, the d was missed, what if it were not?

re-read, religion once meant that, re-connect, too,
religion meant that state of having re-read the map,
re-tied the worth carrying,
stacked the worthless by the trail so
some hapless stranger may see
the treasure it was and is, to any who care to

receive, or con ceive it for the
truth I found in it and kept, which I leave to you
Both treasure and truth are where ye find them,
and shall be for ever, when ever starts for you.

Ezekial, judge my riddle, please. The fool missed the
point of conception…
No, no no no

A fool's dance in a Phrygian cap with useless, symbolic wings…
gee, Phrygian, means nothing to you? Google it, you live in the future.
A time upon which a Mercury dime would comfort
a rich American Tyrant, son of the Flim-flam man,
no lie, this is mythic, you can't make this stuff up
its history. Hysterical, right
John D. Standard-for-Petropower-manifestation,
the dead's carbon footprints bubbling up
to fire and fridgin' ice, whoa, who broke the world,

I was distracted. Did you know the planet is
as self healing as those scabs on my grandkids knees?

ah, caper, eh? Capere, to grasp, to take,
ceive means accept by taking,
be liefing an idea ceived ex nihilo, is likened unto

Drinking from a still pond in a distant land. Sults,
results. may result in,
Dear Rhea revenging Montezuma, at a gut level.

However, a sort of how in an open mind facing forever,
a sort of omni-directional saliency
seeing further,
--Bomb, Jesus-bomb--

At least two reasons for thinking Jesus is objective, out side
you or inside you. You aren't Jesus. Jesus is a friend of mine,
in my mind, object-if-I-try
to pray, listen pray hopes
shapes form
forever from ever point, every point, not of, in buy

a why..
why does a y on the end of every mean any thing?

That's the y-factor. You will learn why wise men still seek those.
As treasure, they are light, and the taste is beyond

the grasp of tongue to tell

that whole class of moded-ever words weave wards
whenever, forever, however, whatever
used proper, everafter,
that will save Dresden, some time, we think.

However, now, Rhea by name has entered the game.

Who is this named femofame? What game is she good in?
Or does she just knock the **** out of lying spirits?

Ah, mother of all the gods, I recall, I mean
I meant to say
I remember, then I for got the power words hold here
exactly heare in eleven metrixed mentions,

this point, in time, not of time.
In the world, not of the world, you've heard the pharse?
The allusion is not lost on you, you know the phrase,

In the world, not of the world, holier men than I have
claimed to be, while I follow a few fine words,
linguistic kief, sprinkled fairy dust, like the stuff
captured in the gleaming film on your
microscopic-outer eye

see a salient point in time.

A pin point 'pon which one,
no more,
one story begins for ever, a gain in good net
value, if

we have tasted that word, chewed the gristle,
indigestible ligaments and sin-yews and such,
which once anchored meat to bone,

value is first good. Good e nough, nough
Gut genug, okeh,
maybe not my best, my best is yet to come, they say.

sufficient for today

enough (adj.)
c. 1300, from Old English genog "sufficient in quantity or number,"
from Proto-Germanic compound *ganog "sufficient"
(source also of Old Saxon ginog,
Old Frisian enoch, Dutch genoeg,
Old High German ginuog, German genug,
Old Norse gnogr, Gothic ganohs).
First element is Old English ge- "with, together"
(also a participial, collective, intensive, or perfective prefix),
making this word the most prominent surviving example
of the Old English prefix,
the equivalent of Latin com- and Modern German ge- 
(from PIE *kom- "beside, near, by, with;" see com-).
Second element is from PIE *nok-, from root *nek- (2)
"to reach, attain"
(source also of Sanskrit asnoti "to reach,"
Hittite ninikzi "lifts, raises,"
Lithuanian nešti "to bear, carry," Latin nancisci "to obtain").

As an adverb, "sufficiently for the purpose,"
in Old English; meaning
"moderately, fairly, tolerably" (good enough) was in Middle English. Understated sense, as in have had enough "have had too much" was in Old English (which relied heavily on double negatives and understatement).

As a noun in Old English,
"a quantity or number sufficient for the purpose." As an interjection, "that is enough," from c. 1600. Colloquial 'nough said is attested from 1839.

From <>
Godliness with contentment is great gain, a precept I was chewing on following a ritual holy day of gratitude to goodness for goodness sake in my cultural gut genug state of mind.
The relaunches of the feet begin. The twelve Gigas camels stand up, with their even fingers; they would begin to detach with their ungulate nails the fat deposits of the six remaining camels. They ripped the epidermis with their nails to pour out the oil and grease lamps that they would need to distribute the Full Moon on each palm of each component. The moon was festive, he walked everywhere and he imagined himself in the court of King David, lethargic in his cubicles at the first light of the second dream of the morning. Undivided walked in procession through the source of the change in the socio-religious paradigm that held them together, they were Raeder and Petrobus, Alikanto with a golden mount on his small back, the Lepidoptera, bumblebees, bees and wasps, they walked silently and on tiptoe over the first level of wet wind at dawn, many of them alighted on the backs of the immune camels, to advance with them to the starting point of restored Gethsemane.
In their phylogeny they collaterally impute the taxonomy that belongs to the camelid genus, which is a taxonomic category that is located between the Judah family and the Middle East in the buried ecclesiastical species; thus a genus of a group of organisms is favored that in turn can be divided into several species. They, being strictly herbivorous, the musculature differs from other ungulates, since the legs are attached to the body only in the upper part of the thigh, instead of being connected from the knee upwards by skin and muscle, therefore they will be made very easy to connect with the flying insects so you don't have to kneel. While the six that sectioned the deposits of the other six, they will remain stationed and operated, until their superficial wounds heal, before leaving for the port of Jaffa. On this long journey until dawn they must remain standing on their foot pads, to resist the final farewell rite of the twelve caverns, when they leave the placental sites that they had developed with the Primogeniture to empower the vestigial area of the rescued Aramaic word. This will be to grant and scale the prosperity of having the signs of vitality intertwined, with each reminiscence of the calls and responses of the messages for the "Propitius This Humanity" that is projected in the secular future. This will be generated by external stimulus each time the intention to communicate with the ceremonial of existence - life - deaths - fullness is presented, thus the voice of the greatest incisive devotional forces will resemble, grabbing or grasping the smallest voices that may even be overlooked or misunderstood when the Golden Gate of Jerusalem opens.

From the top very high you can see the Gigas species walking with six chandeliers, these species wade with their artiodactyl locomotion, towards a fluctuation on the flames of the chandeliers towards the rock of the Mashiach. While the other camels were recovering from their wounds, they looked with their serene and very alert eyes for the proselytizing nunciature that channeled the reactions of the Hexagonal Progeny, thus being absolved from the commitment of the prayers for the new set with the atmospheric ordering ceremony. in Gethsemane with the voices of the Messiah, with the frame, volume, and reverberation to flood with light and sounds in all geographic areas that have not had a subscription. While the Gigas trod the grounds with their ungulate nails, Vernarth and Alikanto, Saint John the Apostle, King David, Eurydice, Raeder, and Petrobus (The Hexagonal Primogeniture), took solemn vows before such an episode. It was just a short time before dawn and even the moon disputed with other stars to shine more for such a great event…., As is surprising, at the moment that everything would seem of stillness and the gestation of winged embryos, appearing from the top of the Olivos Berna , near the Cherubim. They came with the Mashiach, which brought them charitable news ..., he could be seen in a deep field, in two points of clarity of his white robe, full of golden and blue lace ... with Lepidoptera around the ..., and by the contour flowing the celestial radiosities - crimson.

Meshuva White Mantle

Descending through the foliage of the lighted and previously illuminated olive trees on the northeast ***** of the orchard, the Cherubim and Archangel Michael and Gabriel came with the decided parallelism of sixfold the interpretation manifested by the lepidoptera, in order to consolidate the institution on the north side of Gethsemane. as a sanctified area of Aramaic prayer and devotion, of absolute naturalization of classification of the Cherubim and Lepidoptera as winged tetra and cultivators of the phylogenetic transmission of the pollen-garden on the opening of the gynoecium of the Olive Tree Bern, in the Valley of Olives, and the taxonomic choice in the hierarchical order of the species and the geo-referencing of the aerosismic corridor and the narrow passage between Bethhelem and Getsemaní.

On the tops of the olive trees were the Cherubim and the Lepidoptera, they fluttered through the flowery branches intertwined with the Messiah's tunic that had been descending with an accent of Torah grace, then light of pre-dawn fireflies re-blooms on his face ..., they brought a million beams of another thousand beam groups to be born among the first lights of the day. The Lepidoptera ascended by oval interval and in a spiral path through the petiole until the fifth generation of  Rapa or Eskimo of forty flowers, with four white petals in phylogenetic synchrony with the Cherubim and Lepidoptera with four elemental portions, to deliver the fundamental membrane that will generate the physiognomy of the Messiah between the transposed and rosy ruddy lights of the Messiah's face, with the cross-shaped texture of themselves, on his shoulders of Capernaum dew. The Esquimo, or the flowers would grow in clusters of between ten to forty flowers in perfect series, depending on the variety, each flower would also have four white petals, a bit pulpy, facing in a symmetrical cross, the flower will bring in the center a yellow-orange hue of an arboreal sphinx that would fill with clusters that will gradually transform the appearance of the oily tree, giving white brushstrokes to the olive grove before stinging looks of gallantry. Each flower will dine on its captive pollen for about a week so that the flowering phase of the olive trees will become before a short duration, but of a messianic period with the cyclical lives of its Syriac Aramaic poetics. The female and hermaphroditic caste will bring you the biblical universal pollen, with quivering stamens and overloaded pistils traveling more than nine and a half kilometers from Bethlemem of the “Kafersuseh” to the orchard. Before the majestic pollination, the archangels Michael and Gabriel will invade two percent of the gynoecium of the flowers, giving way to the Meshuva White Mantle, full of white apotheosis petals. Vernarth rushes to the ground and wallows between the petals, filling his entire body and face with thousands of them, many of them being transfigured into the oily fruit of the Universe palate between the ring finger and the index finger with an accent of Purification of the Mikveh, floating like a neutron orbit of Life and Micro Universe only to be ecstatic with the presence of the Messiah in his white robe of petals. Coming down with tassels of Petals of Berne on his robe alba, the Mashiach rushes to Vernarth, takes it and says to him secretly:

Mashiach: “Only you…, in each one of these white cells you are…, and in which you are not, in my memory is reborn as the fruit of the Bern Olive Tree. On the top of this species I heard your prayer, I know who you are and gratitude for resisting this lymphoma so nobly, I took it out of your soul when it was confused with the fresh breeze of the grass that the fungi of pain feed. Immerse yourself in this Mikveh of columns of white petals of Bern, here the voices and words of Aramaic, will run in a row to the right, to **** white in my thoughts of the Gospel, with your miraculous grace when returning to me John the Apostle being exiled by Domitian. Come to me walking on this unleavened bread with Bern olive elixir and let us drink Hanukka wine and its vital dawn that boils with every sip of the glandular thymus and of your aching chest. I am tired I come from far away, but I have taken this road from Emmaus to get you up. Get up and come to My Vernarth ”.

Vernarth erects his purified column with the petals emulating the Mikveh "Purification", he predisposes himself to the Holy path of the Meshuva "Return to God". Thus from today Vernarth is born and revives to continue his journey back to Patmos.

Mashiach says: “The reason for the naive wayward will **** them, and the complacency of fools will destroy them. Your own wickedness will correct you, and your apostasies will rebuke you; know, then, and see that it is bad and bitter so that you abandon the Lord your God, and the fear of me is not in you”

Vernarth says: “We will be loyal and under these lush trees Bern, I will proclaim to the north deciding; May we lead to merciful fidelity and we will all declare it together! We know that you, my Lord, will heal us of our infidelity that is why we have come here because you are our Lord God. "

Saint John the Apostle replies: “The lion, wolf, leopard, will **** us, destroy and tear us apart because transgressions and apostasies in great numbers have invaded…, my beloved Mashiach, we have already got rid of the deception and we want the Meshuva back to your ether of the desert accomplice, with the aromas of the flying insects that the Aramaic lexicons bring us from Kafersesuh, to re-graft them into the eternity of your word that crosses the entire universe. The world has sinned against you, the apostasies are innumerable, and we are here to lovingly honor your name. So my people were determined to turn me away, although they call them to the Highest, none at all exalt Him. I will heal their apostasy; I will love them freely because my anger has turned away from them”

The Garden was eclipsed by the cardinal points, it was delineated by a Cherub from South to North, for the main border that passed through the zenith where the Mashiach would order the promontory of the rock dependent on the placental rocks, which coexist with the twelve inhabitants that They had been erected with their eyes closed and open by the light of Faith. The border that Vernarth and the Apostle saw it nominally, was connected with the new division of the world of the stagnant word, and in the new route it revived in a perfect cross of west to east, towards the paleo trill of the Palestinian Eagles loaded with incense and sawdust from cut olive trees, for the furniture that they used as input in the lavish displays of the Romans. The magnetic needle will fissure the back of each of the members, engraving the northern magnetic needle and inscribing the Greek micro prose "O Kýrios that epistrépsei se mas, tis rízes tou Kósmou, ópou krémetai ta skoupídia tou" (The Lord will return the roots of the World, where their concrete waste hangs). Then this voice takes from the vague state, aligning the northern excellence of the Messiah, together with the iron of the blood plasma of Vernarth and the Apostle, to be magnetized northward in the cardinal sublime magnetized.

Shemesh-Sun King order of cardinal parallelism is thus established; North: northern or boreal ruled by Vernarth and Apostle San Juan, South: Meridion or Austral by Etréstles and Eurydice, East: East, rising or rising ruled by Raeder and King David West: West or West. In this way, the insects and animals declaimed the sunrise from the Sun to the Levant before each cup of Chalice synchronous with the intercession of the cross, at the tangential of the horizontal that extends to the west, when both phases of the solar cycle are aligned with the departure of the Bread and the departure of the Messiah from his cloister time. The Alikantus and Petrobus animals will rule with the Northeast and Northwest, while the flying insects will rule the Southeast and Southwest.

Etymological Ellipsis of Ancient Norse Civilizations:

The east-west perimeter is considered as the abscissa axis in a geographic coordinate system, the ordinate axis would be described by the north-south line, which corresponds to the axis of earth rotation. This composition generates four ninety-degree angles that are in turn divided by the bisectors, generating northwest, southwest, northeast, and southeast. Thus the Rose of the Winds is demarcated by the Esquimo Olive´s flower in perfect harmony with the circumference of the horizon. This will attract the lines that intersect verbal and non-verbal, by the abscissa that delineates the guideline of the rock of the Messiah, overflowing with total generosity to shine the caves at dawn, to sprinkle the rays that they lack due to supposed static latitude. In order to parody the line of the lethality of the Nordic Gods, being tangential to this new alignment of the earth's axis and laterality coordination, and that only through the Apples of Asynjur can they hope to revive until the final destination of the Gods? This Norse parallelism goes back to us in the Vernarth Chapter II - War Animal in Tel Gomel, where Asgard is mentioned, which in Norse mythology is the one that is conceived on earth, and is a rainbow bridge, Bifrost, that connect with paradise. This etymology will cross the genesis of the plotline of the entire Hellenic epic in the first chapters until it is reiterated here in this Messianic epic, with the demarcation of the limits in Gethsemane, which marks the guideline that intersects the exact point of the Rock of Prayer Aramaic, for the diction of words and cosmogonic interrelationships of cultures and the sparkling use of atavistic language before the year 332 BC and even later, to be projected with the timeline of the regressive line of parapsychology after 1820, in the Spanish Revolution of this same work. This demarcation has intertextuality in the coordinates of time-history, to make this neo Gethsemane map the timelessness of the archaeo civilizations, which have cheered and prostrated all the cycles of life and death under the same cardinal laterality precept, acclaiming a God who flowed and created the North, even if he lives or dies, but if he wants to revive he will have to come to his threshold of quantum departure "The Garden of Gethsemane"
Chapter XXVIII
Mashiach of Judah Part VI
Miracle VII - Gethsemane / Foundations
SG Holter May 2014
Few can pronounce it
Unless Scandinavian.
The r's are all rolling,
And the letters all sound...
More or less not as
In English.
Just let it go, it's a 'twister,
I know.

My names are all old-norse,
Not modern Norwegian.
(Viking-speak sounded
More close to Icelandic).
Sverre means "spin like an arrow",
Expression for being untamed; un-
Controllable; wild-man.
G is for Guttorm: "Where Gods
Seek Shelter"; a fortress for those
One thought needed one least.
Holter means "edge of the woods";
The end of the forest (or where it

The Wildman Where the
Gods Seek Shelter at the
Edge of the Woods.

My friends call me Sverre.
It is a name I've shared with
Swordbearing kings.
I am equally proud
When addressed.
Mateuš Conrad Apr 2019
****, i've just ran out of drafts, good news:
this 15th Dec. suspension on ola
is going pretty well...
               well: as any worth that's the worth
of dealing with jealous people...

   only today i remembered myself,
shackled in the edinburgh university
never close to the Pleasance courtyard,
St. Andrew's Place...
       oh no, i didn't wish to live on the main
university campus, with its own canteen...
i wanted to learn chemistry,
but also perfect my cooking skills...
every single morning waking up to the sight
of the Salisbury Crags...
    one wild night i stayed up all night,
to walk up Arthur's Seat... returning from
the mountain (in the middle of a ******* city)
to buy myself some cornflakes and full-fat
   why would anyone even bother
with ******* Halls of residence...
   a university campus makes sense,
if you're talking about a city the size
of Warwick, or Brighton...
         but Endinburgh? to live in a university
bubble, in the middle of the city
like it's some sort of fortified "defiance"?
             where am i, at university,
     or the ******* high school canteen?!
i would still bring packed lunch...
          i liked the nicknames i acquired
over the years...
                  the strange fruit man (pomegranates,
passion fruit, sharon fruit, etc.),
   at times i would really love to hate myself,
but i found the stoic alternative of:
just laughing at myself...
   never mind that...
        ah... sweet sweet 18...
having discovered a new prog rock band
outside the top 50 mentioned in the mojo
music magazine while still in high school:
atomic rooster: death walks behind you...
tomorrow night, the devil's answer...
     i would plug in my electric,
put the piecyk (slang for amp) on the windowsill
and muse, full volume, blasting solo after
solo outside the window, trying to see if i could
make the Salibsbury Craig crumple
just a little bit...
                   mind you, in terms of playing
the guitar - i clearly remember Anthony
introducing me to tablature...
                        i can't read music, i wish,
but i can't...
    you really don't have to start with
smoke on the water, or iron man...
               death walks behind you is pretty
easy to learn, even without tablature...
even black sabbath... let's see if i remember
the strings correctly

E.... let's check.... ****...

                     E...      i'm pretty sure i'd still
be able to tune a guitar...
    i.e. make A sound like E on the 5th (divide)
   make D sound like A on the 5th divide...
   F like D on the 5th...
      G like F on the 4th divide...
     e like G on the 5th divide... i think that's right...
5th divide? you press down on the string...
and play E & A together, if they sound the same...
well... you're tuning a gee'tar...

                     E--1---------------  black sabbath - black sabbath
   but the next tablature will break
the camel's back...
           it's so... so... simple... & therefore
so genius... it goes against all of punk,
the punk of the rhythm section with only
3 chords... well... this song uses only 2 chords...

free - all right now... i still don't know how
mungo jerry's - in the summertime beat
all right now to the no. 1 spot in england...

                      (obviously you have to find
the rhythm yourself ADG 577 yourself,
       bouncing from a 1-2-1-2 on the EAD 577)...

i really should have succumbed
to teaching my former marijuana dealer's daughter,
a paranoid schizophrenic with an obsession
regarding the illuminati straight out
of Kingston ya'man Jamaica the guitar...

.well at least the english peoples
got one thing right,
            name me an ale that
doesn't hide a hint / accent of
specific, or an irish stout,
       and i'll show you a cross-dressing
nun riding a chimera
coming from some german
convent, alright?

i guess it's just the tale
of the said / "unsaid" times...
    it's about to crank up the use
of cipher...
   if i get one haiku in old norse,
i'll be happy:
since, as much as i favour
   grammatical rules,
   i'm not a big fan of poetical

    ᚱᚨᚦ ᚺᛟᚻᛖᚾᛋᛏᚨᚢᚠᛖᚾ

                    which alludes to
          ᚠᚱᛖᛞᛖᚱᛁᚳᚴ  ᚨᚾᚾᚨᚱᚱ

frederick annarr (second) -

some prepositional words
will be missing,
notably the / a,
   direct and indirect articles...
but some prepositional
words might appear...

mind you, if i pull this project
   and forget however many times
i have to ctrl + c / ctrl + p
   my way through it,
how i will have to
                  consult the english v.
old norse dictionary...

how i will also consult
                 futhorc runes
of the english,
         and the younger futhark
of old norse
over an aesthic squabble
when it comes to

             ᛄ / ᛅ - j (futhorc runes)                (ᛃ)

(not to be confused with ᚾ...
which... already exists in a modern
tongue, mein zunge...
          Ł,                     ł -    wom-bat...
             i once heard a scientist
say: 'why bother swabbing
the inside of your mouth,
sending off your genetic
                                signature to
a company,
   to find out your ancestry?
   you'll naturally gravitate to it

and...           "kaunan" (ᚲ),
   i.e. before the whole mathematical
greater than >
                    and lesser than <
    became problematic,

younger futhark ᚴ - k
                 (anglo-saxon) futhorc ᚳ - c (k) -

this could somehow work...
all i'll need is enough nouns and verbs,
prepositions will be troublesome,
given that modern english
is littered with this sort
of shrapnel...

                     but it's about time
to start to elevate the cipher,
if all the youtubers are jittery...
you know something's coming,
and it's not good...

i probably will stick to english
   i can't promise a haiku,
         but at least...
          it will seem like...
speaking a language
                  from, my,
previous, now,
                   reincarnated, "self"?!
i don't believe in reincarnation
to begin with...
   it's too NPC for me,
and that's not even a reference
to mahjong solitaire;
     i once sat down and solved
one... then solved another...
i just don't like
        the whole:
there's only a limited number
of authentic souls,
   and they behave in a benign way,
while everyone is just plain
outright zombie.
- so this is the plan...
   rarely do i plan something...
might as well give it a shot...

            beside that...
i do remember youtube's algorithm
when it was intelligent...
oh... 4 years ago... maybe even 2...
it behaved like
a thesaurus...
          glory days of exploring
music, i never even managed
to come across these current youtubers...
i couldn't care less...
the algorithm shifted from smart,
to dumb, real dumb...
     and then exploring new music
became a hag, not a hack,
a hag...
                       i'm not even
surprised to say that i never left
      i can sort that **** in my own
head, i don't need to comment...
                  oh right...
and if you're reading this soliloquy...
i supposed i never asked
for money.

p.s. good thing that i didn't
desire to consult the paragraph...
if it's poetry or "poetry"
or, more of the allure considering
it a soliloquy...
  well... imagine the claustrophobic
optics of your standard
   piece of paper...
in a book, with a paragraph...

this would never work in a paragraph.

p.p.s. seeing how
i didn't find the old norse
for not...
   but no: neinn (ᚾᛖᛁᚾᚾ)
alludes to a "missing" Tyr (ᛏ)...
which would elevate
the modern word not
               from an adverb
to the status of a definite article...
no and yes are not determiner
words for me,
they share the same article
status as the aesir and,
                                           esp. Tyr.

   red ice tv disseminating
   ms. beat-box gala
                       for the ultimate
stut-stut-stuttering contenst
Mateuš Conrad Jul 2016
rarely do i have a title before a poem,
but sometimes it feels like i've abstained
from ******* for a month and i write one down;
i'm surprised i didn't take the bait,
i was a blind man that was give sight years later,
every gold-digger's wet-dream some might add,
but what post-Marxism has revealed is that
that bourgeoisie like to belittle those of menial-task
labour rather than the upper-tier socialites,
it's just that they don't possess insignia of power,
they exercise their power on the lowest kind,
men who'd gladly spend a hot summer's day toiling
the fields in full happiness of physical splendour
than spend it pampered in a Versailles parlour kin -
they think books are their macaroons...
i should have not minded my self-worth so much
and settled for the prize of easy-living,
it was more like a self-obsession but made kinder
with the word solipsism... whatever it was,
i spent a month in St. Petersburg like Al Paccino in
Alaska insomniac witnessing the white nights...
i could write a honorary poem with rhyme and
perfect punctuation... but life isn't like that...
it was a night to remember, a great **** on a bed
with a tortoise green headboard and a line of mirrors
where the concept of ******* was made clear:
Narcissus watching himself ******* with nymph
after nymph until Echo's turn came; it was no longer about
the face or beauty, but the insect-like banality,
Narcissus inventing fiction, ******* in-front of a mirror,
discharged and opened a Pandora's box for himself,
pronoun usage... strange how all monotheists contest
the existence of one among no other, like polytheists
contests the existence of one among many... like now...
if they be gods, their names do not necessarily denote
a chance encounter and formal airs or grievances mastered
for a brief conversation; very much resides in their poetic
investment being banked, that Narcissus, less noun
and more imagery is best understood -
for i claim that poetic techniques are equally needed in
the lessons of grammar: such that metaphor,
onomatopoeia, imagery, pun are equal with noun, verb,
adjective... etc.

rude words? crude words? well, i guess
you're fine with the carnage of images,
you abstract someone in alternative versions
of dimension and say a £-D person doesn't matter...
when did Luis XIV ever bow before a *******?
so she calls you up, this rich, pampered,
self-righteous Cinderella hopeful from
St. Petersburg with a flat about 10 minutes
shy from the the Hermitage...
she's walking on glass, i can hear her from
a mile away like a shark sniffing a droplet
of blood from a mile, the salt, the salt
agitates it's senses, god be merciful,
but god wasn't with missing eyelids on
aquatic creatures and serpents, i'm guessing
the Darwin in me swoons to say:
eyelids breed dreams, mammalian blood,
no eyelids, no dreams,
amazing how a rainbow can penetrate a
cave of darkness, don't give me the meaning
of dreams, Freud, give me how it happens,
your why is perfect for the rich,
a second coming of communism -
those neo-**** punks don't know what
they're defending, they think is glam-rock
style obituaries, it's degenerate culture
right on the pitch of saying... it's a fork.
no, i don't have any respect...
why did you leave Edinburgh, she asked.
i don't know, he replied.
now comes the abstracting of rigid
fiction systems due to the psychology of
being attracted to ancient pronouns,
after all psychology was always attracted to
ancient pronoun uses,
we have the scholarly etymology from ego
as the up-keeping of Greek -
fair enough, keep the alphabet, but forget about
the ideas behind it... but wait, you kept both!
and the urban etymology from self
as the insertion of slang & slur and what
other nonsense you'd come up with for applause...
so she calls you up after you asked her:
those anti-contraceptive pills working?
you asked me to not use a ******.
can we keep it casual?
am i looking at torture instruments in a museum?
**** me, i better get drunk every night and hope
for an early death... 'cos that's what i'm doing right now!
i don't want to live more than i had wished to live...
every ******* time i open *harold norse'

autobiography: memoirs of a ******* angel i'm nagging,
i read the **** thing, too much premature **** in it -
or.. swearing... a healthy approach to a vault of vocabulary -
it's not a version of bankruptcy, it's just economics babe,
say it blunt, use a sharp knife... better that than
saying it sharp, and having to use a blunt knife,
believe me, you'll be taking oaths on a guillotine by then...
but you'll find it easier buying a harold norse memoir
than one book of his poetry...
it's antiques we're dealing with, this ain't
alan ginsberg's howl, it's the fringe, a scotland of
the roman empire, antiques!
i do wish i never said: get an abortion...
but the dialectical dichotomy in me that some would
say less eloquently as being schizophrenia now wishes
i didn't... but... what's that argument for feminism?
i forget taking contraceptive pills he ***** me on my period
or he ***** me on my period and i get impregnated,
so this is some miraculous ****-up situation by chance?
she said the exact words: i think i'm pregnant.
the Cartesian in me says: i think... so i'm guessing
she doubts she is.
better still... i don't know!
so she is, she isn't... my truthful reply would be...
i, don't, have, any, money... she's the one with
a spare apartment roughly 10 minutes from the *******
Hermitage and i'm stuck in limbo to her game plan of
having parents and never growing up...
well of course poetry doesn't sell, we don't have
patronages from popes, and if only english teachers
and aristocrats write in this medium...
then you're all about to pack your bags for
still the first page from that autobiography ****** me off,
i don't know why, there's so much pompous pie
in it... given social stratification the outcasts feel
empowerment by rebelling against social norms and
expectations, while the social in-casts have to feel
shame... and this is an existential shame, a sense of
purpose without a sense of continuum -
that's what's bothering me, it's that shady grey area
of ratios 2 : 1 in China, 2 : 3.4 in England or...
1 : 2 (single mother, two children)... if i really did a runner
would i write for zilch? if i did a runner i'd run blind
completely, i wouldn't expose myself to some minor
event in my life... i'll repeat...
approximately 10 minutes... from the Hermitage...
i can see the Shard of London as a toothpick from where
i'm sitting on the odd day in the park...
my position isn't exactly one of power, but more of gob.
Chris Slade Dec 2018
I’ve O’D’d on Glucosamine Sulphate, so much I’m mentally scarred.
It’s escalated now I’m 70… I’ve mainlined on my Senior Railcard…
I bow down to the Norse God Voltarol… He eases all my pains…
and there’s Deep Heat, Germaloids, even Anusol for the other stresses and strains.

The wondrous Winter Fuel Allowance! That’s what lights our lamp these dark days - ahh, those twilight hours!
But after the logs, it’s not Leccy or Gas we crave? No! We buy ***** with ours…
the Whisky, Gin, *****, Wine, a drop of Brandy too. It all helps us numb the cold
whilst memories of happier times gone by - brighten up this ****** growing old.

Supplements, sterols, statins, aspirin, beta blockers… All the heart meds - life’s a battle.
In the 60s it was *** and Drugs and Rock ’n’ Roll… Now there’s less *** and a lot more rattle!
****** fails to make it now - “no more”, after the last time - she said!
These days the only thing it does is stop me rolling out of bed!

The bus pass lets me roam the world… from John O’Groats to Land’s End.
But these days I travel locally Southwick, Lancing, Steyning; oh yeh and a cousin in far Gravesend.
Further afield; abroad perhaps? Well no…Back then it was Newhaven for the Continent.
But now I’m over 70, well, it’ll just be Worthing for the INCONTINENT!

And… did I say? Not that I was ever in the habit of measuring it you understand - or straightening out the kinks
I’m pretty sure that these days - and ’no’ it’s NOT just the cold… but, your once adequate **** - it shrinks!

I'm sorry...Your *******! It ain't so long!
First poem I read in public as a poetry ******... It went well enough for me to decide that I would do it again.
Fah Oct 2013
beat waves , beach haze

beat drips , in slaves mouths as they thank the rich for their gift of tapped water

and tapped shoes on tapping feet dancing not to entertain but to save their skins from narrow , harrow mishap and they know , if they make it out of there alive they’ll never go back

not now , not ever.

not now , never .

not now .

not now ...
not now...

not now....
then when?...

when , were they,  there
and where were they there..

who  - . ? (owls)

who sat upon drinking mats and dancing streets who ate with their shoes at their feet?
who licked up their milk , who danced with starlight naked with no more gilt then guilt
and shame to beneficiours name and thankful legend doth save mankinds *** - once again.

and you tell me i shouldn’t be writing stories and tales
and bed time nightmares
wait till i get dark -


is the name.  winks

i am not the moon , no ,  but i am a faucet of moon’s taste and moon’s style her failures and her virtues , if it’s easier for you , i am moon personified...

hovers slightly

i once read somewhere - love is  metaphysical gravity -

i’ve never heard anything more scientifically accurate.

Lips lock - the poppers drop
one by one , zip slide ,
electric skin , carnvicours sins - some would deem un worldly
well - i wouldn’t put it past yourself
it’s only in the shadows of days death ,

the night time arena
many a metaphysical friend and maybe a few foes

Life , knows....

Maybe that’s who we should start with eh , noob?

Life? His house is over there.

Take my hand -

See , down below - we have the lands of El Salvador

and here , is Papua ,

Look Svalbard....and the elves are having a party...

*Dive bombs to Svalbards shores ....the mountain white drenched in sipping brews the elves rest in woodland - night begins to wrap the company in shivers and the light flickers out * - shh say’s moon - it’s almost time -

the last full moon of summer , is rising.

from beyond the frozen lake shores where all lay still sat the moon’s crest her light before her self
up on the shelf of mountain lip ,

and with grace like no other - the orb slowly began to glow green

and the thunderstorm no one had seen cracked lightning behind , called up by norse winds and norse tides.

The elves looked upon the tree and a single blossom falls,

touches the floor and blinds them all in bright light.

comic book - i am currently creating called 'Moon Cat'

just the prolouge tease
Mateuš Conrad Mar 2016
i only started collecting a library, because, would you believe it, my local library was a pauper in rags and tatters; apologies for omitting necessary diacritic marks, the whiskey was ******* on icecubes to a shrivel.*

ernest hemingway, e.m. forster, mary shelley,
aesop, r. l. stevenson, jean-paul sartre,
jack kerouac, sylvia plath, evelyn waugh,
chekhov, cortazar, freud, virginia woolf,
philip k. ****, dostoyevsky, aleksandr solzhenitsyn,
oscar wilde, malcolm x, kafka, nabokov,
bukowski, sacher-masoch, thomas a kempis,
yevgeny zamyatin, alexandre dumas,
will self, j. r. r. tolkien, richard b. bentall,
james joyce, william burroughs, truman capote,
herman hesse, thomas mann, j. d. salinger,
nikos kazantzakis, george orwell,
philip roth, joseph roth, bulgakov, huxley,
marquis de sade, john milton, samuel beckett,
huysmans, michel de montaigne, walter benjamin,
sienkiewicz, rilke, lipton, harold norse,
alfred jarry, miguel de cervantes, von krafft-ebing,
kierkegaard, julian jaynes, bynum porter & shephred,
r. d. laing, c. g. jung, spinoza, hegel, kant, artistotle,
plato, josephus, korner, la rochefoucauld, stendhal,
nietzsche, bertrand russell, irwin edman,
faucault, anwicenna, descartes, voltaire, rousseau,
popper,  heidegger, tatarkiewicz, kolakowski,
seneca, cycero, milan kundera, g. j. warnock,
stefan zweig, the pre-socratics, julian tuwim,
ezra pound, gregory corso, ted hughes,
guiseppe gioacchino belli, dante, peshwari women,
e. e. cummings, ginsberg, will alexander, max jacob,
schwob, william blake, comte de lautreamont,
jack spicer, zbigniew herbert, frank o'hara,
richard brautigan, miroslav holub, al purdy,
tzara, ted berrigan, fady joudah, nikolai leskov,
anna kavan, jean genet, albert camus, gunter grass,
susan hill, katherine dunn, gil scott-heron,
kleist, irvine welsh, clarice lispector, hunter thompson,
machado de assisi, reymont, tolstoy, jim bradbury,
norman davies, shakespeare, balzac, dickens,
jasienica, mary fulbrook, stuart t. miller,
walter la feber, jan wimmer, terry jones & alan ereira,
kenneth clark, edward robinson, heinrich harrer,
gombrowicz, a. krawczuk, andrzej stasiuk, ivan bunin,
joseph heller, goethe, mcmurry, atkins & de paula,
bernard shaw, horace, ovid, virgil, aeschyles,
rumi, omar khayyam, humbert wolfe, e. h. bickersteth,
asnyk, witkacy, mickiewicz, slowacki, lesmian,
lechon, lep szarzynski, victor alexandrov, gogol,
william styron, krasznahorkai, robert graves,
defoe, tim burton, antoine de saint-exupery,
christiane f., salman rushdie, hazlitt, marcus aurelius,
nick hornby, emily bronte, walt whitman,
aryeh kaplan, rolf g. renner, j. p. hodin, tim hilton... etc.
Loudly it sounded,
The horns message clear,
The gods had been warned,
The giants were near.

From Jotunheim to Midgard
To Asgard they came,
Their intent was clear,
Their purpose the same.

Loudly they shouted,
They yelled, and they raged,
The gods and the giants
Were battle engaged.

Thor with his hammer
and Vidar with shoe,
One would think battle
Was all that they knew.

Tyr with one hand
And Frey with no sword,
They should have stayed back,
But of their own accord

Into battle they leapt,
Into battle they ran,
Against the giants
To make their stand.

The moon and the sun,
Luna and Sol,
Went into the bellies
of Hati and Skoll.

Tidal waves crashed
all over the world,
Out of the oceans came
The serpent of Midgard.

Thor ran at the beast,
The great Fenrir Wolf,
But he was soon
In snakes coils engulfed.

Thor pounded away,
He hammered the snake,
But he did no damage,
No dent did he make.

The great Fenrir Wolf
Rushed at Odin,
The god stabbed with his spear,
But the great wolf did win.

Vidar rushed at the beast
With his big heavy shoe,
Kicked in the jaw,
The Fenrir Wolf flew

Away from the battle,
away from the fray,
In the depths of space
The Fenrir Wolf stays.

The gods and the giants,
The battle they fought,
And in the end
it was all for naught.

They destroyed each other,
Each and every one,
And out of the darkness
Came a new sun.

In the sun’s warmth,
A great green was spread,
The great land had died,
And was back from the dead.

Two gods were left,
The young sons of Thor,
They were spared because
they were good and pure.

The gods met with two humans
Who had lived through the strife,
And together they planned
a new and better life.

And for this reason,
The Norse people say,
The gods stay in Asgard
To this very day.

But if in the future
The giants attack,
The gods will come to Midgard,
And they will attack.
i read some Norse mythology, and turned it into a poem.  this was written a while ago.
Neil Brooks Aug 2013
Laugh openly, mockingly,
at every other Religion,
Philosophy, Opinion,
Yet still I am expected to handle them with kid's gloves.
Expected to tread carefully, not to offend any of their sacred sacraments.
who conquered and enslaved my ancestors through treachery and deceit.
Maybe you should die for your own sins.
My heathen greeting for I am old now

Wildfowl whispered on marshland like maidens around burning fires,
The Norse winds breathing in my soul ‘Odin doth call’
Blood is the sweat of this iron sword; proud are war smiths
I watch the coal biter musing in blood damp earth,
Before a fire and smoke of tallow he dreams of war

Fill these horns to brim, for I shall drink to Odin’s law
And eat I this meal of bread oyster and mussel shell
I see heavens stained blood red clouds as we cross the rainbow crystal bridge,  we shall enter Valhalla victorious once more,

Lo shall they bleed at shores blooded by iron the Saxons fall,
Raged fires shall consume their roof as thunder of north comes forth
You call us ****** that which pierces dark shadows,
We blow our horn in assembly before Odin warriors of the north

Settings suns shone red as quiet falls, serene I see Valhalla
the goat and mead hall, roasting beef and herring
I no longer fear drowning suns for the Valkyries sweet song I do hear
Freyja shall breathe my new reign at dawn  

The old wars are over but our fight shall ne’er end,

─ Lo I see my father

ASPAR (Arnay Rumens)  © 2013
Mateuš Conrad Feb 2017
anyone can be a dritte ***** fetishist... anyone! say one word in german, and the left will deem you adequate for a fist, rather than a lip... or at least that's how speaking german words, with their compound-anti-hyphen "getting together" looks like... the French utilise diacritical marks intended as syllable incissors: but frequently utilise them, unless you're Lacan and say: transcend them... i.e. move them to the side... ensuring that a monopoly on literacy is kept... the only remnants of Saxon in Anglo-Saxon is enclosed in chemical nouns.... the rarity of actually using a hyphen, you literally over-use in everyday sprechen... talk a word of deutsche and you're 1 centimetre away from saluting and to a hymn stating a sieg heil! Germany is originally community building, English, for all it's **** antics, isn't... Germany can have the concept of a zeitgeist tomorrow... German society is as thick as *****... Germans best represent *****... i never lived there, but i have enough instruments to see it... they have a tendency to disregard the individual when the mass is threatened... the Englsih? they don't have that tendecy... they are more into einsgeist than anything else... they are the single ethnic group that cherishes iconoclasm above anything else... i spent 3 weeks in Poland: how many times did i hear the word selfie used? not once, zilch... 0. i know that English is a lingua franca of modern times, but it's so easy to speak, given the fact that so many people speak, that i feel horrid using it... i want it to remain small, the tinniest of tiny in its post-imperial structure... comedy-hysterics prone... debating the question: why are Scots in the Houses of Westminster? making adequate demands? the English will never experience a zeitgiest... they're living in one at the moment, but given the disparity of accents: they''ll never accept it... which is why, whenever i travel to Poland, i have a luxury suite in how i deciphered diacritcal marks... i can't be recognised as a foreigner... but of course the gnat questions in Essex (England) given my Germanic physiogomy... it's self-evident... but why didn't god die in Auschwitz? i believe it to be akin to Jesus having no inkling into the struggle contesting the need to build pyramids... unlike the need for what later became a misinterpretations of Conquistadors seeing the Aztec similitude of Egypt... i.e. the scaffolds... capital punishment... ******* didn't get it... now the entire continent is overrun with them asking for the some obscure demand for a Juan buying them the next round of drinks... the English will never create a zeitgeist... my fascination with the dritte ***** is simply that: to see a zeitgeist... a complete and utter obedient ethnicity... a singular testmanet of a volk... Jews i too could praise, but they're too scattered, too "english" i.e. too individualistic, too disguised... i see them re-owning Israel a bit like some fetish ***** with latex and gimp... what i want to see is the volk, from the mistakes sentenced in Versailles... i want to simply see the volk... well... no can do... i can't see it, history says... it's a natural fetish of history students... American protests don't really do it for me... there's no omni-cohesion akin to a *****-like appropriation of the leader *****... that's the closest i'll ever get with getting to see a theocracy, minus the idiosyncratic psychosis... clear geometry! lines! shapes! regiments! i'm so tempted by it that i can't but lead my narrative with it! the English will never understand this concept... they're too idiosyncratic in their approach... they all think they're unique... or as that motto in school hanged over me echoed, it hanged there in the air like a guillotine, some anonymous dictator spoke to us: you're different... just like everybody else! it was never a concern for keeping a place of origin as ostriches might... ther was always that moral "obligation" surfacing from Hong Kong and king kong... and Timbuktu... which is why i said ω = oo and a pair of ****, or a bottom... and o = +h... or a breath central yielding to an islam of yhwh... versus the need for a macron over the omicron... and indeed the umlaut above the o merely invoked the siamese cut-off of e, so a tongue-curler... but the seeing the volk! we all go mad after a while... i can't see the years according to Adoolf as something worth a romance... it has all the traits of a noumenon about it... but you know why i write this? my grandfather remembers ᛋᛋ-men kleiden im schwarz in my home-town, just before the Russian army came with their youths who preferred to sleep with the animals in equivalent of Bethlehem grottos... he remembered the ᛋᛋ-men, not as kleiden im schwarz: but as.... herrbittebonbon... or should i punctuate that: herr! bitte bonbon! some have a fancy on remembering the romance of the Warsaw Uprising of '44... my only clue into the reality of world war ii was once said by my grandfather... and they gave him sweets... so that he ran home and had to put his hands under the tap, because the sweets were so glue-like, that only water could tear them apart in order that he might clasp something else... it's sad in a way: i ahve no memorial to go to... no need to express a pride... merely fragrant my vocab with a german word or two... to indeed see: that there must have been something human in that ******* embryo at some point... something counter Versailles... i can't feel being touchy about these neurotic spreading their opinions as if their opinions are above the facts that history dictates... and personal memories, however many generations apart... but at least kept... if my grandfather remembers ᛋᛋ-men being herrbittebonbon... i can only wish to have an unlimited amount of ****... given my libido... and the complexity of modern women demanding as they demand: the restrained man, the man not willing to explore easing ******* by having *** while she's in the cyclone... oh well.... thumbs up!

well... looking at it now, i can only see left-politics
without an economic model... or what happened when
communsim was undermined: my grandfather,
a communist party member has a state pension....
so it's not like he's on a 0-hour contract...
   what's missing with the current left-leaning
politics? an economic model...
the left has no economic policy in the west...
it was been weeded out, what with the original
model asserting Marx and Dickens' Oliver Twist
tragedy... the left has absolutely no
economic model, which makes for crude politics:
   once upon a time the workers
in eastern europe celebrated workers
day... and you had absolutely
no protest: i.e. not engagement in
Hegelian dialectics...
    minus: is there really a theological
dialectic? i'm not so sure
given that atheism is populist
in motto, and anti-centrist
and giving up the individual so easily...
i don't trust it...
       so i don't really
respect it, however many intellectuals
take to the pulpit...
   i too ordain myself with a strict rigour
of "religious" akin dynamics:
i drink to excess, daily...
   well... wouldn't you:
given too many wanted you dead...
you'd start to imitate them
and take gambles at your own life,
finally! **** me! they suddenly disappear,
those same people who wanted you dead!
****! gone... blah blah and pa pa much
                i still think i'm more useful
rhyming snipptes i call poetry
and necessarily not rhyme: because i don't
like orthodoxy, whether church or
poetry bound... because it just seems
too much like ping-pong after a while...
   i never knew why rhyme needed rubric, strict,
only identifiable by rhyme...
  never knew why that was the case...
i always thought: impromptu against rhyme...
                  but i'll give Islam
one thing that overpowers the rest...
the fact that "saints'" heads are on fire...
rather than encapsulated in halos...
       i see the item: halo like
the fact that left politics is needy in a care for
anything but a rebellion against an economy...
left-wing politics have no economy to support...
you can't teach people communism
     without being left out in the cold
without Marshall Plan antics of benefits
and left with an idea of Marx...
            the shadow of Hegel looms too heavily
over the attempts...
  the shadow of Hegel is too thick
and coercing... to do otherwise...
                 leftist politics is without an economy:
therefore they have to imitate
  far-right tendencies...
  they have to employ damage...
well: this is coming from someone who's grandfather
was a communist party member...
                        i can't see the left....
i can't see a purpose: an economy as a wanking
hippy commune? really? is that all?
                     smashed windows, is that all?
i always liked the fact that Islamic saints
had their heads set alight... on fire my son,
on fire...
   no halo, akin to the current leftist attempt
at dialectics: by halo i mean: membrane,
i mean: the untouchables... meaning pristine ego...
if only the Sunnis allowed the artists of Persia
to come to their calling, to ease the strain
imposed by Muhammad...
but now... well: if writing is supposedly "holy"
what will the Sunnis ever make
of the iconoclasm of words in adverts?
nothing... are we being temped with a warring spirit,
are we? aren't we?!
   who's waking up the populists?!
you really want germans on the warring path?
of course... let me tell you how *william burroughs

noted the creation of the schutzstaffel
as over-heard:
pet a kitten for month... then gauge its eyes out.
oh i have no care for a romance:
i'm seeing Paris contained in an envelope
citing the address: Hades... arise!
it's not the same Paris i remember, not the Paris
of 2004 or 2005...
       it's really a case of playing with
    an elastic band.... you pull it, stretch it...
but finally it snaps! and yes...
we'll be drinking schnapps in Libya at some point...
i'm thinking: what will ever make a man
relieve himself of using a hammer and a nail
as a carpenter, and take to a machine gun?
there must be an enzyme-point that just festers
in its ability to give momentum...
there must be... perhaps when being global merchants
leaves people too ordained to wait for death
that they start seeking it in the ***** of Mars?
   when utopia nears and merely breathes into
man's ear, and says no word, unlike a god:
that the fatality dynamo begins...
    akin to the fateful comparison of Damocles -
dangling, but at the same time: tickling... teasing...
isn't the Islamic world merely agitating?
  trying to move the Christian world from
fully engrossing the "protestant"-liberal
easy adaptation working from unearthing
the nag hammadi library?
              well... the left is without an economic
model... so it's politics is what it is:
    the original intention of Hegel:
        outlines of the philosophy of right -
what's the genesis of Marx... funny enough
the book is merely a collection of notes on lectures...
      there no thesis involved...
nothing as grand as what could stand alone
akin to the phenomenology of spirit -
they're just notes... just like i'm reading heidegger's
ponderings ii - vi... notes... half-baked scripts...
   so my post-communist inheritence...
just when inflation gripped Polish economy...
and we had the Kantian idea reaching pulpit
1000000zł, i.e. so many denials of a stable 1...
    thus the inner working of modern capitalism...
how certain things are really worth
nothing, as such: £0.000001 -
i can only guess to state, the only class of people
able to experience this counter-inflation    
in western societies are "artists"...
    or artists, in the context of a harold norse
autobiography: memoirs of a ******* angel;
i.e. getting published, giving ****...      
   it would have been easier under Stalin or ******...
at least the chance of martydom
and the holy ghost of censorship...
  at least it would have made sense then...
but the concept of counter-inflation isn't that alien...
it exists for a reason to suggest:
we really don't need so many contestants
in an x-factor show... we don't need so many
artists... counter-inflation is at work already...
   the same sort of inflation that worked its way
to ensure plumbers and carpenters, roofers
from eastern europe at the end of communism
were necessarily exported into western europe...
given the communist work ethic...
    hence the power of money, so inhuman and
akin to an elemental force that man
can contain with pocket-money as a child,
but as a man, can't contain neither forest fire
or tsunami, so too money: with the economic crisis...
money overpowers man, akin to the elements...
the same inflation in poland at work
to shift people is apparent now, but as counter-inflation...
because England can't be known as a nation
of singers... but of nurses and carpenters and
   shopkeepers, hence the counter-inflation:
when a song on Spotify is worth £0.000001 per streaming...
an immigrant plumber from eastern europe is
worth 1000000zł... or how the coordinate (0, 0)
cancels out... and we're left with what's later just
a pedantic fact stated by someone like me: a zzzzzzzz
            we can't control money no more than
we can control seas...
   could we ever not dream of being given enough
money to then not waste them on pointless urges
akin to a lottery win and the easy way, via no
business or syndicate?
   really? there's a reason we live in a time
that's necessarily soulless...
   i can't give it a piquant phrase (only a phrase
as germans put it, chemically, hydrocarbon spelling
akin to zeitgeist - spirit of the times,
and there's nothing holy about it...
   it just moves to the next generation,
and the next poker hand... so **** that trinity
um... person?) - it gets ***** with fashion...
   or as i see it: cannibalism of 20th century trends
as the neo-original basis of fashion in the 21st beginning...
this is the one time i'll get to coin a phrase,
i.e. pick up a penny from the street pavement...
   counter-inflation brought it about...
rather than a zeitgeist where we can share afflictions
and, perhaps succumb to empathy early on...
nein... none of that... let's see what we really see it as:
ebenegeist - or? the levelling spirit...
         ebene-    (level)... ah... even better!
   stufegeist... you hear it all the time!
                         buying a house and getting onto
the property ladder!
                                    stufegeist -
           always that tease, always that ******* carrot
and that donkey... well... that's one way to get
motivational... invert the inflation of Zimbabwe...
  ensure people stop dreaming,
   make a plumber worth £0.000001 in Zimbabwe
and £1000000 in England...
      likewise make an "artist" worth
   £0.000001 per poem / song / painting...
  and likewise make him worth £1000000
in Zimbabwe as a "good" person...
  well... by now completely mentally ill...
   but hey! it's money! look at money like you might
look at water or fire or earth... and it's not
exactly a Monday's edition of the Financial Times...
mind you: given that we're so "advanced",
and given how old the concept of money is...
   is it really not as primitive as it really is
in what it makes people do?
   oh sure, because i'm so not used to it:
i'd rather be paid with the currency of peanuts!
                but then my love for the art is greater
than my ability to buy a brand new kettle...
or a doormat... so... what's the word... m'eh?
Mateuš Conrad Sep 2016
the man drops the package off at 6 a.m.,
he is a man, in that Harold Norse sense
of the word - he's a grafter -
he's been riding from Poland for god knows
how many hours, he was supposed to
be here for 3 a.m., but i'm not complaining,
i pay him £20 for delivering the package,
ask him whether he had a good journey,
then i wish him a good day, no reply -
i put the package in a room, unzip it and
take one of the copies out... strange...
just like Augustus commenting on the death
of Marcus Aurelius: the soup is hot, the soup
is cold... a piece of writing is printed, published,
a piece of writing isn't printed, nor published...
it's in my hand now, slim, literature's anorexia:
poetry... i can stash it in the library and
think about it for a while: no goosebumps,
no thrill... just this strange: apathy -
the sinking feeling of being at the bottom of a dung-heap
of civilisation - i'm sure it was different before
the internet: writers huddling in tiny rooms,
writing with a big dream to escape -
rejection after rejection, until the magpie was spotted
to actually be a peacock - the 21st century is
a lot different, it would appear,
after 9 years at it, there's no sense of relief -
it's all about the pixel glitz, the pixel paparazzi,
the pixel red carpet - the Beelzebub looking back
at you - an abhorring feeling in all honesty,
the quick-fix medical procedure - all done in an
instant: and the snobs out there who still
preserve the insistence: paper is authority -
paper is respect... on paper means authenticity -
paper solves everything... sure, most assuredly
a trip to the toilet.
i just don't recognise the person on these pages,
so many things have changed since then,
so much was given to the dwarfs to mine that
any man or elf in me, is... well... not even there
on the pages, or here, ploughing along.
back in the 20th century, someone must have thought:
books, a great commodity, keep them secret,
keep them safe... let's wait for the next buds of
capitalism's May - how the dynamic has changed,
and this is even with a critical introduction
by someone who obtained a PhD in literature -
a picture of me on the back cover:
yeah, because that will really sifter through the
demographic with more observable definitions
of who's to read what -
but it's just odd... i think of all that effort
put into printing a piece of work...
and i think of Salman Rushdie and the satanic
verses being burned...
                   i think of the wartburg säuberung:
and i find myself sitting alone like king
solomon - none the wiser,
                             all is vanity - and i know nothing -
because i was never taught to experience
something like this the second time:
                    the only thing to understand
   is the self that cannot comprehend experiences
given unto it... all that jack-in-the-noumenon stuff;
but i look at this little thing, these 115 pages
and wonder: so much? for so little?
   how fortunate, or unfortunate to be given this
spider-web... it always feels so glitzy,
   so: at the right place at the right time...
then the physical artefact appears...
                    and you go back to the syringe of
open access, and say: pressurised by the ever
changing circumstances...
                back in the 20th century a writer
was told to shut herself away in a tiny rented room
and become a clarice lispector: become
a hurricane simply by writing about good
first lines: the writer's aesthetic, typewriter or
ink blotches - or the blank page... and later
become sensational, hurricane-like -
i feel no nostalgia toward the 20th century in this
regard... i'm immersed in what has only
begun in 2006 - circa or no circa, whatever -
we can't rent rooms like that - or do things like
that, given the 24/7 society structure -
and i mean that in the least ****** sense
when i say, as Harold Norse did, without
a backdrop of homosexuality (even though
he was working out with arnold "the governor"
schwarzenegger at some point in his
autobiography: memoirs of a ******* angel) -
a cartoon fix: the book of life -
                        the man, and the man -
ah what fanciful trivialities that bind one man
to goofy ideals, and another to duties -
and only when an artist becomes successful does
he really become a *****... cocktail and *******
parties and Sid Vicious cameos -
all the Renaissance artists had it easy,
with the Pope their patron, they could be as
****** with their contempt for earthly privileges
and could get away with it -
              the days of a homosexual saying:
i am not a man...
                               the 20th century liberation
paved a way for the obsolete purpose of
the heterosexual man... apparently we have
grown a potential to grow ***** in
the laboratory - we are, quiet literally disposable
in that epitome of the Wrath of Eden:
just repeat after me: deluded by the mere
notion of reincarnation, deluded by the mere
notion of reincarnation - as constantly striving
to be the unique peacock among a *****-count
of peacocks without distinction on the
plateau of the living self-bound: you uniqueness
expired with the process of insemination:
you were once the one and only wriggly
                world record holder at the 100 metre sprint...
a natural dictator it would seem,
but apparently, the ones that didn't make it
now respond: me too! me too! me too!
or something like that.
                                           either through the eye
of the microscope or the telescope - cul de sacs either
end... because of the glue...
                       call it god, call it love, call it nothing...
it's still some sort of glue... sniff it, play with it,
             avoid it... it's still glue...
gravity is a glue, but it's not the glue that keeps
muscles bound to bone - yes, tendons are
the happy ******* children of that ******* union
of all things apparent...
   but in the sense that i keep repeating:
it's easily done - falling for the fake pixel glitz -
however official or unofficial it all is -
with or without advertisement on the pages -
it's the only junk that's out there these days...
if i were more of a man, i'd be chasing
the dream of a steady income, family and obligations...
can we call being a man a fool's errand?
i like to think of it as that... being man is synonymous
with a fool's errand -
                             no love transcend the grave,
no love can be engraved into epitaphs -
                  epitaphs and their respective soloists -
     it's not even out of bitterness -
not in this pixel desert where 10 years later
those of us who used this medium will become
exponentially out-dated: archaeological -
                              and it will be thus -
              Ouroboros Capitalism -
or back when communism and capitalism were
in competition, and somehow healed the 1st
half of the 20th century, and were indeed
the Caduceus - like the story of the cannibalistic
rats... what did the last rat eat in the pit-hole?
       back when capitalism had to compete,
and competed it did, and healed by competing,
after it supposedly overpowered its opponent...
it started to eat itself... as i see it:
   the transformation of the caduceus into
    ouroboros has taken shape... and we're still
only 16 years into the 21st: oh my god! it's the 21st
century! this is preposterous! not really... no...
                   the same was said in the 20th century...
and the 19th century...
                         the steady improvement in living standards
always fed these gimps to say the exact same words
while being gagged by being paid to say those words
    and doing the slosh-wash part of a *** ****:
Apache Vinnetou hail satan blah blah, V shaped ave,
   skull-and-bones secret handshake etc.
Michael R Burch Jun 2020
Caedmon's Hymn: a Modern English Translation of the Old English (Anglo-Saxon) Poem

"Cædmon's Hymn" was composed sometime between 658 and 680 AD and appears to be the oldest extant poem in the English language. Information follows the poem for anyone who’s interested.

Cædmon's Hymn (circa 658-680 AD)
loose translation/interpretation by Michael R. Burch

Humbly now we honour heaven-kingdom's Guardian,
the Measurer's might and his mind-plans,
the goals of the Glory-Father. First he, the Everlasting Lord,
established earth's fearful foundations.
Then he, the First Scop, hoisted heaven as a roof
for the sons of men: Holy Creator,
mankind's great Maker! Then he, the Ever-Living Lord,
afterwards made men middle-earth: Master Almighty!

Bede's Death Song (circa 731 AD)
ancient Anglo-Saxon/Old English lyric poem
loose translation/interpretation by Michael R. Burch

Facing Death, that inescapable journey,
who can be wiser than he
who reflects, while breath yet remains,
on whether his life brought others happiness, or pains,
since his soul may yet win delight's or night's way
after his death-day.

Translator's Notes: "Cædmon's Hymn" is one of the oldest surviving examples of Anglo-Saxon alliterative verse. By way of illustration, in the first line I have capitalized the repeating sounds:

Humbly Now we HoNour HeaveN-kiNGDom's GuarDiaN

In defense of my interpretation that Caedmon may have regarded God as a fellow Poet-Creator, please let me point out that the original poem employs the words scop and haleg scepen. Anglo-Saxon poets were called scops. The term haleg scepen seems to mean something like "Holy Poet" or "Holy Creator/Maker" because poets were considered to be creators and makers. Also the verb tīadæ has been said to mean something like "creatively adorned." So I don't think it's that much of a stretch to suggest that a Christian poet may have seen his small act of creation as an imitation of the far greater acts of creation of his Heavenly Father.

As in the original poem, each line of my translation has a caesura: a brief pause denoted by extra white space (which may not show up in some browsers). In each line, there are repeated vowel/consonant sounds. This alliteration gives alliterative verse its name. The original poem is also accentual verse, in that each line has four strong stresses, and the less-stressed syllables are not counted as they are in most other forms of English meter (such as iambic pentameter). My translation is not completely faithful to the original rules. For instance, I have employed a considerable amount of internal alliteration (which gives me more flexibility in the words I can employ). And some of my lines contain more than four stresses, although I think there are still four dominant stresses per line. For instance, in the first line: HONour, HEAVen, KINGdom's GUARDian. In the second line: MEASurer’s, MIGHT, MIND-PLANS. And so on. I don't think the technique is all-important. The main questions are whether the meaning is clear, and whether the words please the ear. Only you, the reader, can decide that, and you don't need a high-falutin' critic to tell you what you like!

I believe the poem is "biblical" in its vision of creation. According to the Bible, the earth was set on an immovable foundation by the hand of God. (Little did the ancient writers know that the earth is actually a spinning globe whizzing through space at phenomenal speeds!) We see this foundation in line four. Next, in line five, we see the hand of God creating the heavens above, where according to the Bible he then set the sun, moon and stars in place. (The ancient writers again got things wrong, saying that the earth existed first, in darkness, and that the sun, moon and stars were created later; we now know that the earth's heavier elements were created in the hearts of stars, so the stars existed long before the earth. The writers of Genesis even said that plants grew before the sun was formed, but of course they had never heard of photosynthesis.) The poem's last line sounds a bit more Germanic or Norse to me, since Middle Earth is a concept we hear in tales of Odin and Thor (and later in the works of J. R. R. Tolkien). But that makes sense because when Saint Augustine of Canterbury became the first Christian missionary to evangelize native Britons, I believe it was the policy of the Roman Catholic Church to incorporate local beliefs into the practice of Christianity. For instance, because sun gods were worshiped in Rome, the Sabbath day became Sun-day, and the birth of Christ became December the 25th (the day the winter sun is "resurrected" and the days begin to lengthen, heralding spring). So in northern climes we should expect to see some "fusion" of Norse and Germanic myths with Christianity. For instance, there was never a mention of "hell" in the Hebrew Bible; the Hebrew language did not even have a word that meant "hell" at the time the books of the Old Testament were written. The closest Hebrew word, Sheol, clearly means "the grave" and everyone went there when they died, good and bad. The Greek word Hades also means the grave, and likewise everyone went there when they died. Hades had heavenly regions like the Elysian Fields and Blessed Isles and thus was obviously not hell! "Hell" is a Norse term. If this subject interests you―for instance if someone has said you are in danger of "hell" and need to be "saved" from it―you many want to read my simple, logical proof that There Is No Hell in the Bible.

Keywords/Tags: Caedmon, Hymn, Old English, Anglo-Saxon, translation, God, religion, religious, praise, worship, oldest poem, first poem, Bede
Micheal Wolf Nov 2016
Breeze blown leaves and the suns dying rays
Shadows become darkness at the fadeing of the day
Eyes become heavy and limbs like lead
Our ancestors protect us as we take to our bed
Summer ends as winter begins
Rituals practiced across the world
Prepare now for winter
Prepare for snow
Look towards spring
When new buds will grow
sarah minks Apr 2012
I’d Love to go to France
And sail upon the Sine
I’d love to go to Germany
And Sail upon the Rhine
I’d love to see the castles
Of England and of Spain
To see the royal Princess Kate
And her lovely husband William,
Oh, to have Prince Charming as a mate
And then the rain that stays mainly in the plane
Having traveled there in luxury by lavish gilded train
I’d love to see the mountains
In Switzerland and Austria
And see the vast rice fields
In Countries like Korea
And drink frothy bubbling ale
From a tavern near a windmill in the Netherlands
And climb a tiny mountainous hill
In enchanting charming Whales
I’d love to see the canals
In a Gondola in Venice
Or maybe go to China to watch some table tennis
I’d love to see the pyramids
Of Egypt and Peru
And see the Ancient Monoliths
On Easter Island too
And feel the spirits of Celtic and Norse Gods rise inside of me
At magical stunning Stonehenge
While far off in the distance Scottish Bagpipers play for free
But Alas, Alas sadness ensues
These things I’ll never see
Poverty always haunts me
And I won’t win the lottery
I’ll never see the breathtaking things
That others take for granted
Though they will always be here
Part of this amazing planet
I’ll have to take in what I can
And not hope for what cannot be
I’ll have to imagine all these things
In my own special way
and see all I can see
Watching shows like, “Rick Steve’s Europe”
Scheduled to air, everyday

Sarah Hall Minks Copyright 4/28/12
I love watching shows like "Rick Steve's Europe" because there are so many many things to learn from them.  If you can afford it please support Public Television so that those who can not support PBS can continue to see programs they would never otherwise see.  The undereducated, under privileged, and under cultured deserve this kind of programing from programs like "Rick Steve's Europe" to "Phantom Of The Opera"  People who have never been to the theater or a museum should have the choice to be exposed to the things and ideas that the educated and wealthy take for granted.
Àŧùl May 2013
Enter Lizzy in the foothill forests & Loki up in the mountains

Both say their hymns separately initially.

Loki at the mountains
Loki: I am so happy of my freedom

Lizzy in the forest at the foothills
Lizzy: I can't imagine of a better situation

Loki moving down the mountain
Loki: But I want a true lover to mould me better

Lizzy moving towards the mountain
Lizzy: I now want a true lover to honor my feelings

They meet each other and conversation follows
Loki: How could I come across such a beauty!
Lizzy: Even I think likewise, you are so handsome!
Loki: Come, let's make love right now & right here.
Lizzy: How could you ****** me so easily, is it a magic.

Loki: My name is Loki, I'm the God here and you should fall into my arms listening this.

Loki transforms into his celestial form.

Lizzy faints seeing Loki's transformation as she realizes that it was the dreaded-scheming Norse God.

Loki catches her as she faints and takes her to his cave on the mountain.
A poem themed on Norse Mythology.
My HP Poem #204
© Atul Kaushal
Taking place where you calumniate
with hidden mask behind interface

An embolism hidden behind your lines
Where a falsetto lies your charm

How you create isobaric pressure degradation between your monodical screaming mee-mee's

Creator of sheol , abode of the dead poets
So supine in way and thought

Where will your Valhalla be
You valetudinarian
_ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _
Caluminate - to utter maliciously false statements .

Interface - a shared boundary across

embolism - a swelling of a blood vessel due to blockage

isobaric pressure degradation - lines drawn on a weather map marking increasing or decreasing air pressure

Sheol - the place of the dead

supine - failure to act due to moral weakness

Valhalla - Norse hall of God's where slain hero's are received

valetudinarian - one who shows unduly concern for their health
Mateuš Conrad Sep 2015
once rastafarianism entered language ploys with wittgenstein's language games in mind it misplaced pronouns, existentialists just dittoed the signifying moral singular with the un-signifying immoral plural; like i was partly holocaust bound, ha ha (example); cherub and a scotch bonnet of my opinion tingling a contest of: chilli v. pepper v. horseradish. let's just say i'm a plasterer rather than i.q. me as a drinker. slaps in chequers on a bench to sober up momentarily.*

trust the saxon, trust the saxon to speak worse german
than the bavarian, and entrust german to the turk
above the saxon; trust the audacious saxon to leave the alphabet's
diacritic out, to spell like a roman would, from the celtic netherlands of gloom
in scotch egg on a couch, the potato of them all,
trust them with audacity and vocabulary  to conquer the world:  
relieving us norse with ****** never mind
the geese of brazil; exact roman care for all dwindles and fibrous excesses,
conquer the world what have you,
at least you have black skin and opera sunsets
while i have white skin and grey clots of 7pm in september,
or as the censors announced:
rather my vanity than the proof of god,
rather me than you in the minotaur's prison of winding zigzag vocabulary;
you're left politico correct i have three thousand
longboats waiting, you're right i have the same number
awaiting wind and sail. trust the saxons among bavarians to do the following:
but you have the caribbean and that's worth more than kenya
in a 100m sprint. you have the caribbean and i'm african,
nuance the scandinavian proust waging war with
a burnt toothpick not giving enough warmth. each me of the lost tribe walks asking:
blondish in the sea i dare you to walk and reason
the heraclitean suburbia of the river of emptied housed-in arsons worth a life.
come alaskan winters come!
trust the saxons to conquer the world without a holy implied for empires
and lost tracts in order that the romans might utilise proper a and proper o
while the saxons in **** with normans and celts said:
we'll roman-speak about the amazon girlies while our girls party out
a craft of whitened cotton for champagne ship-sailed virginity!
trust the saxons to speak worse german thank turks in order to bind by migration
an island as a ship, and sail away sail away wondering
why the roots of other european nations used the goggles to speak
as much microscope as microphone when accenting
and, in so doing accepted dialectics rather than a pompous excess of fibrous ginger plastic
known as dialects: in england dialectics is known as dialects - caged owls elsewhere
didn't coo coo but mooed with gags in nostrils sneezing when snorkelling:
we say error in sussex and say wok cumin seed sizzle in essex;
close enough to be a cockney in hackney rhymes up a mango.
Anthony McKee May 2013
I shall go to the woods
One summer’s afternoon.
I shall go to hear the cuckoo cry
And listen to the jackdaw croon.

I shall go to seek shelter from the summer heat
Against the cool of the tree bark.
The mantra of old evergreen pines is heard:
Tales of Norse gods, and their lark.

I shall go to visit the heron
Who waits by the stream.
Patiently, she strides down the brook
Until she catches the small bream.

I shall do all these things
Missing the city, where I roam –
I shall go to the woods
And then, I shall go home.
Isabel Bonilla Mar 2014
My fiercest desire.
Is to get lost in your sapphire eyes,
Exult in your flowing golden hair,
until I'm breathless with longing.

Your smell.
That speaks of sage-filled plains,
scorching suns,
and quenching rains.

Rugged arms around me,
hearts synchronized in beating.
The female weakness,
that yearns for the virile touch
of that chosen one.

Two lost souls,
that have finally found each other,
following a trail of silver tears
and shattered illusions...
A FOREFINGER of stone, dreamed by a sculptor, points to the sky.
It says: This way! this way!

Four lions snore in stone at the corner of the shaft.
They too are the dream of a sculptor.
They too say: This way! this way!

The street cars swing at a curve.
The middle-class passengers witness low life.
The car windows frame low life all day in pictures.

Two Italian cellar delicatessens
            sell red and green peppers.
The Florida bananas furnish a burst of yellow.
The lettuce and the cabbage give a green.

Boys play marbles in the cinders.
The boys' hands need washing.
The boys are glad; they fight among each other.

A plank bridge leaps the Lehigh Valley railroad.
Then acres of steel rails, freight cars, smoke,
And then ... the blue lake shore
...Erie with Norse blue eyes ... and the white sun.
Mateuš Conrad Jul 2016
.of all days, but esp. a day such as this,
so little must happen,
  but at the same time so much can happen,
and it did, later in the day i watched
the magic at wimbledon: cori "coco" gauff
went into the 4th round -
     clinging on to reply with 2 match
points against her...
    coming back in a tie break in the 2nd
set, winning the 3rd 7 - 5...
    and... as ever, of all the grand slams in
tennis... wimbledon is always packed...
fancy seeing a full crowd at either the u.s.
open or roland garose...
   which makes for ****** viewing...
you really do need the crowd there,
the commentary doesn't really matter when
the crowd is there: the crowd and subsequently
the atmosphere... which is a delight
for t.v. viewing...
       but prior?
               the unadulterated pleasure from
physical labour... notably gardening in this example...
mawing the lawn...
  and then cutting down my grape vine:
poor ****** died somehow...
  many a good bottles of wine it did provide...
i'll miss making my own wine...
              but more importantly...
a rekindled sensation i once associated with
physical labour...
   after the work was done...
to sit, smoke a cigarette, have 3 sips of coffee...
and just feel a full-embodiment
without any necessities of thinking,
of the mind,
    to have invested so much much in the body
and so little in the mind...
   physical labour has to be the most
gratifying aspect of life:
    i'm jealous of the men in trades where
physical labour is required...
   how they can block thinking,
while perfecting their physical deeds...
an act of physical labour eventually outstrips
any gratification from that mollusc
    slouch into intellectualism:
esp. if there is no worthy opponent and you're
performing "intellectual" deeds solo...
what permeates from physical of labour
is a clarity of mind,
   esp. in the realm of horticulture...
       but i remember it was the same after
an honest day's work on a construction site...
there is no superior feeling:
not even during or after ***...
                           the body disavows the mind,
it disallows any bothersome minor existential
crisis to enter the foray of man's immediate
    almost all "intellectual" excursions can be
so ****... unsatisfying -
                   it would appear that physical
labour is more rewarding than any
intellectual "labour"...
                         since after the work is done...
both the body and the mind rest...
     unlike the opposite:
         where the body is perhaps at rest,
but the mind continues its "perverted"
                         distaste for a sense of completeness
and its furthered inability to sway
away from prodding abstracts or concrete
shame about the grape vine...
     making your own wine is probably
the most rewarding part of life -
   well... it was for me.

what made the Freudian question more penetrable is
what made it obvious - asking the same question
whether a housewife needed a kettle
was like asking a bricklayer for trowel -
only the rich payed for the meaning
of dreams... ****... the poor were just given
the fact that, we do, actually dream -
unless it's some over-worldliness or
exacting the unconsciousness of the heart
keeping rhythm to the brain's break from
thinking in the cranium cinema -
ah yes, hierarchy; hierarchy hierarchy hierarchy,
no Saddam Hussein then to bother?
ah ****, there was. too bad, make more mistakes,
that'll be a fine excuse for being human,
given the fact that when waiters make mistakes
we turn blue with rage and call for a happy meal -
i don't know what women want,
and to be honest, i don't care -
if a house is an extension of a woman i already know
the perks of wants presupposed -
man wants sea, Norse, man wants desert, Arab -
there's nothing worth noting for him to
simply settle down and watch television or
become a gamer - there are dinosaurs about with
that theory - beware.
Big Benjamin will be hushed for a year -
just recently renamed Tower E -
but what's that? glory be to Darwin in the highest?
championing Darwinism to simply speak
a valid point will make art suffer -
it's not longer Charles II with a cravat but
fur - plus it's impossible to start from there,
better to start from a deviation like from ****** into
wholehearted matrimony - choose a negative and
improve on it, why bother a positive chimp variation?
what progress comes from that? Gorillas aren't exactly
harassed by felines in the thick jungle, or if they are,
no more than Africa-Americans in their own cars
without guns but with gun permits - which means that
Americans are more likely to own gun permits than
passports, forget the fables of ***** Dancing and
the hopes of a Roman Holiday... it's Iowa-time right now...
gonna get smaller by the day -
existence via the bungalow - and a society where there's
a friction concerning not-having-read-philosophy
and having-read-philosophy, but it won't change for either
faction, both will be diagnosed as mad for the sake of
leisure activities continuing and pharma selling.
Denmark will flourish and Iceland and
what Darwinist scientists should have concentrated on:
shorter time-frame, evolution of Scandinavians -
what the Chinese already done and the Blue Indians tilting
the earth's gravity east with their 'made in China' #madeinchina...
but in a country that regards reading Kierkegaard
as allocating the diagnosis of schizophrenia...
you beg to differ and turn dialectics into warring -
this is England 2016 - by god man, don't read
books! read seagulls regurgitating chip-mush via
the media! don't you read books in England! don't!
i warn you! and remember that the internet doesn't
exist for journalists, esp. those writing opinion pieces!
it's not reality for them (the content) - a computer is
real, but anything on it isn't - thank you very much
for the social aspect of the internet coupled with
globalisation and the non-existent village or neighbour -
thank you... it's just a defence mechanism,
the internet is without authority - the printed press
has authority looming over it - the best time to write
a load of ******* not bothersome about money.

p.s. i hate the argument from the perspective
of exercise... i see exercise as pointless...
working, doing something, goal orientation
within the confines of one organism to another,
losing weight is such a vain goal /
purpose to execrise and all that scientific jargon
about releasing your... this receptor,
that receptor, this chemical that chemica...
     mawing the lawn and cutting a grape vine...
exercise... but more importantly:
a very organic end goal
bobby burns Feb 2013
i've always wanted to apply for CSSSA,
but i'm too scared the rejection letter
will be the future shades of senior year
when i finally hear back from the mailman
who took my essays a year ago,
all bundled up in pre-approved envelopes,
stamped, addressed, received, thrown aside.
but that's not for two years,
so i don't know why i'm worried.
i've always wanted to do something,
not make something of myself,
even though the verb is the same in
spanish, with a reflexive difference.
in regard to this, a wise twenty-something (contradictory)
once told me to let myself feel instead of worrying so much:
"to put it less eloquently, feelings are like ****. FEEL 'EM."
apparently i haven't felt in eight months.
so maybe in compensation,
i will apply to CSSSA,
though the deadline is the 28th,
and the assigned portfolio demands
an utter lack of procrastination--
not my strong suit, you could say,
as a month of homework is still
sleeping in my bed.
****, it's all due tuesday.
also, while walking home
i saw a norse god namesake
on a balcony-asgard, wreathed
in the byproduct of his last smoke,
and somehow, despite my inability
to feel, that just made me so sad.
Michael R Burch Jun 2020
Deor's Lament

(Old English/Anglo-Saxon poem circa the 10th century AD)
loose translation/interpretation by Michael R. Burch

Weland endured the agony of exile:
an indomitable smith wracked by grief.
He suffered countless sorrows;
indeed, such sorrows were his ***** companions
in that frozen island dungeon
where Nithad fettered him:
so many strong-but-supple sinew-bands
binding the better man.
That passed away; this also may.

Beadohild mourned her brothers' deaths,
bemoaning also her own sad state
once she discovered herself with child.
She knew nothing good could ever come of it.
That passed away; this also may.

We have heard the Geat's moans for Matilda,
his lovely lady, waxed limitless,
that his sorrowful love for her
robbed him of regretless sleep.
That passed away; this also may.

For thirty winters Theodric ruled
the Mæring stronghold with an iron hand;
many acknowledged his mastery and moaned.
That passed away; this also may.

We have heard too of Ermanaric's wolfish ways,
of how he cruelly ruled the Goths' realms.
That was a grim king! Many a warrior sat,
full of cares and maladies of the mind,
wishing constantly that his crown might be overthrown.
That passed away; this also may.

If a man sits long enough, sorrowful and anxious,
bereft of joy, his mind constantly darkening,
soon it seems to him that his troubles are limitless.
Then he must consider that the wise Lord
often moves through the earth
granting some men honor, glory and fame,
but others only shame and hardship.
This I can say for myself:
that for awhile I was the Heodeninga's scop,
dear to my lord. My name was Deor.
For many winters I held a fine office,
faithfully serving a just king. But now Heorrenda
a man skilful in songs, has received the estate
the protector of warriors had promised me.
That passed away; this also may.

Footnotes and Translator's Comments
by Michael R. Burch


"Deor's Lament" appears in the Exeter Book, which has been dated to around 960-990 AD. The poem may be considerably older than the manuscript, since many ancient poems were passed down ****** for generations before they were finally written down. The poem is a lament in which someone named Deor, presumably the poet who composed the poem, compares the loss of his job and prospects to seemingly far greater tragedies of the past. Thus "Deor's Lament" may be an early example of overstatement and/or "special pleading."


The author is unknown but may have been an Anglo-Saxon scop (poet) named Deor. However it is also possible that the poem was written by someone else. We have no knowledge of a poet named "Deor" outside the poem.


"Deor's Lament" is, as its name indicates, a lament. The poem has also been classified as an Anglo-Saxon elegy or dirge. If the poet's name "was" Deor, does that mean he is no longer alive and is speaking to us from beyond the grave? "Deor" has also been categorized as an ubi sunt ("where are they now?") poem.


The poem's theme is one common to Anglo-Saxon poetry and literature: that a man cannot escape his fate and thus can only meet it with courage, resolve and fortitude.


Doer's name means "dear" and the poet puns on his name in the final stanza: "I was dear to my lord. My name was Deor." The name Deor may also has connotations of "noble" and "excellent." The plot of Deor's poem is simple and straightforward: other heroic figures of the past overcame adversity; so Deor may also be able to overcome the injustice done to him when his lord gave his position to a rival. It is even possible that Deor intended the poem to be a spell, incantation, curse or charm of sorts.


"Deor's Lament" is an alliterative poem: it uses alliteration rather than meter to "create a flow" of words. This was typical of Anglo-Saxon poetry. “Deor's Lament" is one of the first Old English poems to employ a refrain, which it does quite effectively. What does the refrain "Thaes ofereode, thisses swa maeg" mean? Perhaps something like: "That was overcome, and so this may be overcome also." However, the refrain is ambiguous: perhaps the speaker believes things will work out the same way; or perhaps he is merely suggesting that things might work out for the best; or perhaps he is being ironical, knowing that they won't.


My personal interpretation of the poem is that the poet is employing irony. All the previously-mentioned heroes and heroines are dead. I believe Deor is already dead, or knows that he is an old man soon to also be dead. "Passed away" maybe a euphemism for "dead as a doornail." But I don't "know" this, and you are free to disagree and find your own interpretation of the poem.

Analysis of Characters and References

Weland/Welund is better known today as Wayland the Smith. (Beowulf's armor was said to have been fashioned by Weland.) According to an ancient Norse poem, Völundarkviða, Weland and his two brothers came upon three swan-maidens on a lake's shore, fell in love with them, and lived with them happily for seven years, until the swan-maidens flew away. His brothers left, but Weland stayed and turned to smithing, fashioning beautiful golden rings for the day of his swan-wife's return. King Nithuthr, hearing of this, took Weland captive, hamstrung him to keep him prisoner, and kept him enslaved on an island, forging fine things. Weland took revenge by killing Nithuthr's two sons and getting his daughter Beadohild pregnant. Finally Weland fashioned wings and flew away, sounding a bit like Icarus of Greek myth.

Maethhild (Matilda) and Geat (or "the Geat") are known to us from Scandianavian ballads. Magnild (Maethhild) was distressed because she foresaw that she would drown in a river. Gauti (Geat) replied that he would build a bridge over the river, but she responded that no one can flee fate. Sure enough, she drowned. Gauti then called for his harp, and, like a Germanic Orpheus, played so well that her body rose out of the waters. In one version she returned alive; in a darker version she returned dead, after which Gauti buried her properly and made harpstrings from her hair.

The Theodoric who ruled the Maerings for thirty years may have to be puzzled out. A ninth-century rune notes that nine generations prior a Theodric, lord of the Maerings, landed in Geatland and was killed there. In the early sixth century there was a Frankish king called Theoderic. But the connections seem tenuous, at best. Perhaps the thirty year rule is a clue to consider the Ostrogoth Theodoric, born around 451. He ruled Italy for around thirty years, until 526. Toward the end of his reign Theodoric, then in his seventies, named his infant grandson heir. There were rumours that members of his court were conspiring against his chosen successor. Furthermore, the Catholic church was opposing the Arian Theodoric. As a result of these tensions, several leading senators were arrested on suspicion of conspiracy, including Boethius. It was while he was imprisoned and awaiting execution that Boethius wrote his famous Consolation of Philosophy. Theodoric's final years were unfortunately marked by suspicion and distrust, so he may be the ruler referred to by Deor.

Eormenric was another king of the Ostrogoths who died in about 375; according to Ammianus Marcellinus, he killed himself out of fear of the invading Huns. According to other Old Norse Eddic poems (Guðrúnarhvöt and Hamðismál, Iormunrekkr), Eormenric had his wife Svannhildr trampled by horses because he suspected her of sleeping with his son. So he might qualify as a "grim king" with "wolfish ways."

Deor has left no trace of himself, other than this poem. Heorrenda appears as Horant in a thirteenth century German epic Kudrun. It was said that Horant sang so sweetly that birds fell silent at his song, and fish and animals in the wood fell motionless. That would indeed make him a formidable opponent for the scop Deor.

Keywords/Tags: Deor, Lament, Old English, Anglo-Saxon, translation, scop, mrbtr, Weland, Wayland, smith, exile, fetters, dungeon
Mateuš Conrad Apr 2019
hvaðan (whence),
                                        miðli (among)
ᚦeir ("they"),
      hrafn (raven),
                  kalla (cry out)
    ðeir (they)
                      saka (do harm)
                                           haski (harm)




hvaðan (whence),
miðli (among)
     hrafn (raven),
             kalla (cry out)
liki (like)
             ðeir (they)

that would make sense...
given the original maxims
stands as:

when among the crows,
croak like them.


i once read into apocalytpic
the FFF scenario,
some sort of jewish fetish
for northern languages...

  well... yeah...
   φ, θ,
             ᚠ, ᚦ,
         and given the modern
"f" / "d" / ð?
    philosophy of thought.
this is where i put
the key, into a keyhole,
        turn it, and walk in;
since, clearly,
i will not be the one
to paint another picasso!

well, how would you like it,
apparently gender neutrality
is also apparent in old languages,
i've heard that latin a dead tongue,
    it's not as dead
as the polymorph of ancient norse...

          in a time when letters
had cipher meanings behind them,
architecture of resembling...
because how hard must it have been
to depict sound?
  pretty hard...
see a square, draw a square...
but sounds?
   how to depict a sound
and subsequently encode it?
i hate the modern version
of events...
  our ancestors were idiots...
   i think they found very hard
problems ahead of them...
otherwise pedagogy wouldn't
be so easy,
so easily abused, subsequently.

gender "neutral" pronouns...
well... i guess i'll have to start
speaking old norse
to understand this concept,
this, "dumbing" down prospect...
oh look...
i found one: ðeir (they) -
   here's ᚦᛖᛁᚱ...
              sure... i can use "gender neutral"
schizoid: one is many and many is
    give me a moment,
i need to learn some old norse
    to "figure" out a filter
for my vocab.,
          you needed to change,
so i guess i need to change, also...
i need to learn old norse...
eh... a stick has two ends,
right, ᚦᛖᛁᚱ?
****... sorry...
you'll have to just get used
to Σ (sigma) standing up,
from sitting, and being on a diet,
in the form of ᛖ (ehwaz)
    and then... doing the oddest thing
or getting a nose extension...
to be called the syllable: E(h).

oh i'll play this current
******-warfare game...
                     but here are my rules.
ghost queen Jul 2020
Séraphine, Vignette nº 7, Le Cercueil

I was on the phone talking to the museum. Ground-penetrating radar had found what looked like a coffin at the Lutetian layer, and they were in the process of digging down to it. I was telling Sylvain to use the new 4K video cameras to record every detail when the doorbell rang. I’d left the door ajar, knowing Madame Pinard, the concierge was bringing by an adjuster to inspect and cut a check for the repair of the leak in the ceiling that had washed away chunks of plaster, now laying on the hardwood floor in the bedroom, exposing the wooden rafters of the attic.

“May we come in Monsieur,” she shouted from down the hall in the foyer. “Yes, Madame, please come in,” I shouted back, with more exasperation in my voice than I wanted to express. “I am on the phone with the musee Madame, please show him to the bedroom.”

I saw Madame and the adjuster come in out of the corner of my eye and turned my head to see them as they walked the stairs to the bedrooms. The adjuster was not a man, but a woman, which was surprising in France. The first thing I noticed about her, was her wide round birthing hips, what the kids, called thick. She wore a long-sleeve white silk blouse, black pencil skirt, and the traditional, obligatory Parisian back seamed stockings. I didn’t make out her face but caught sight of her red hair tied in a tight bun on the back of her head, and the milky white skin of her neck.

“Damien, are you listening,” said Sylvain, the dig manager on the other end of the line. “Yes, I replied, “l was distracted by my landlady bringing an adjuster into the apartment. Yes, I’ll come down as soon as they leave.”

After a few minutes, Madame and the adjuster came back down. The adjuster walked into the foyer to wait. Madame came into the living room and said she’d have a crew out tomorrow to start repairs. As madame turned and walked down the hall, I got a better look at the adjuster. She was pure Celt, with red hair, white skin, dark brown doe eyes that looked black, high cheekbones, and the sharp straight nose of a Greek statute.

Besides her stunning beauty, I noticed her necklace, a traditional golden Celtic torc, which signified the wearer as a person of high rank. I’d never seen a person wearing one. I’d only seen one on a statue, The Dying Gaul in Le Louvres. How so very interesting I thought to myself.  

As she was talking to Madame and turning to leave, she made eye contact. She tilted in acknowledgment and goodbye. I nodded back and she was gone. I wished I could have gotten a chance to talk to her, maybe even ask her for an aperitif at the corner bistro. Oh well, c’est la vie.


I went to the dig at the La Crypt at 12:30-ish talked to Sylvain for a bit and went down to the lower levels to see it for myself. The area was gridded out and several cameras on tripods were recording. The team was within centimeters front the top, and so put down their trowels and used a high-pressure water and suction hoses to remove the rest of the topsoil. The top came into view, the excess water was ****** away. Sponges were used to clear and clean away the mud.

The stone was obviously Lutetian limestone, finely sanded and polished. The lid was craved, which first glance, looked like Norse runes and one Celtic knot. “Take pics and send them to religious studies,” I said half to myself, half to Sylvain. How strange to have Norse and Celt iconography together I thought to myself.

It was late when I exited the metro station. The air was bitterly cold, my breath appearing and disappearing around me like a mystic cloud.

I was tired, exhausted from digging, and was seeing things in the corner of my eye that I chalked up to aberrations of a fatigued mind. That is until I walked past the Boise de Boulogne. In a dark recess, along the tree line, I saw what looked like a faintly glowing woman in a white dress. My first reaction was horror, remembering all the monster movies I’d seen as a child. Then quickly, my adult mind kicked in and rationalized it away as an artsy late night photography session, which is common around Paris. The sting of the cold refocused my attention and I hurriedly resumed my walk home.

I was tired, muddy, and had to take a shower before throwing myself into bed. I showered, dried off, and pulled back the new, thick duvet I’d bought for winter. The moon was full, beaming softly, barely illuminating the dark bedroom, as I cracked opened a window to let a small amount of fresh cold air into the humid stale room.

I slid under the duvet. I liked the cold, it reminded me of camping in the mountains with my old man and being snug in our down sleeping bags as we talked half the night away. I quickly fell asleep.

I half awoke, sensing a presence. I opened my eyes and saw a woman, ****, standing at the end of my bed, enveloped in a faint blue luminescence. She looked at me with big doe eyes. I watched her watching me, trying to figure out if I was dreaming or not.

She crawled on to the bed. I couldn’t feel her as she made her up the bed. She straddled me. I saw glint around her neck and saw she was wearing a torc, and realized who she was.

Her face was centimeters from mine. Her eyes burned with ferocity, intensity, and anger. I looked back up at her, fear welling up inside of me. She looked down at me. Her penetrating eyes, looking into my soul. I could feel her in my head, my mind.

She felt my fear, and without a word, just the look in her eyes, reassured me, calmed me, and my body and mind relaxed as if a nurse had given me a shot of morphine.

She touched her lips to mine, and felt the heat of her beath, smelled her dewy scent. I didn’t move. I knew I was prey. I knew what she wanted, and let her take it.

She slid her tongue into my mouth, and I gently ****** on it. She ****** up my lower lip, biting it playfully. She tasted sweet, fresh, like spring water. I couldn’t get enough of her. I wanted more. I kissed her harder, deeper, and felt myself slide to the edge of sleep, no longer sure what was a dream, or what was real.

She pulled back the duvet, grabbed my ****, and stroked it till it was painfully hard. She kissed it, put it in her mouth, and ****** it. Her head bobbing up and down. She’d stop, bite the head, and use her teeth to scrape up and down the shaft till I winched and yelled out in pain.

I started to moan, my body tightening, and arched, thrusting deeper into her mouth, coming as she raked her nails hard down the side of my chest. To my surprise, she didn’t spit out but swallowed my ***, licking excess from around her lips.


I opened my eyes and was blinded by sunlight streaming in through the open windows and curtains. What the ****, I thought to myself, I never sleep this late. It was always dark when I wake. And the birds, chirping in the trees outside my window, were loud, and grating on my nerves.  

I slowly got out of bed. My body ached, my lower lip hurt, and my **** was sore. I grabbed my **** and immediately released it in pain. It was raw as if I’d had ***. I was definitely confused. My eyes darted from side to side as I tried to make sense and remember last night. I left the dig, came home, showered, and went to bed.

I trudged to the kitchen and made coffee, all the while, racking my brain for some clue as to why I felt like ****. I poured a cup, leaned back on the counter, and sip the coffee. I shook my head, placing my hand on my hip, and felt a sharp burning. I looked down and saw blood on my hand and side. I went to the bathroom mirror and saw fingernail marks down both sides of my chest. I just stared.

I had no idea, no clues as to how these happened. I jumped into the shower and washed off, bandaged up the bleeding scratches with paper towels and tape, dressed, and went to the cafe at the corner.

Despite the cold, I sat on the terrace, ordered coffee, bread, butter, and jam. I looked at my phone. It was 8:08. I looked at my text messages and emails for some clue as to what happened last night.

Breakfast came, and I sipped the coffee, staring out into the street. The waiter walked past me. “Oui madame, what would you like this morning,” he said. “Cafe et croissant,” she said. The waiter turned and walked back inside. I turned my head to the side for a quick look and blinked twice. It was the redheaded adjuster from yesterday.

“Bonjour M. Delacroix,” she said. “Bonjour Madame,” I instinctively replied. There was an awkward pause.  “I am Brigitte, Brigitte Dieudonné,” she said softly.

We small talked over breakfast and when I tab came, paid, and said, “I headed to the office.” “It is the weekend monsieur. “Yes,” I replied, “I work at an archeological dig on Ile de la Cite. The crypte.” “I am headed that way myself, do you mind if I walk with you,” she asked.

We walked to the metro station, down the stairs, through the turnstile, and onto the quay. The train came, the doors hissed open, and we strode in. The train was full of Chinese tourists and it was standing room only. I grab a pole and Brigitte did the same as she squeezed up beside me.

The train jolted forward and Brigitte bumped into me. As the train smoothed out, she kept leaning into me. Her derriere in my crouch. I could feel her body through her coat. I was getting turned on. As the trained curved around a curve, it rocked back and forth. Her *** bumping and grinding against my now hard ****. Could she feel my hard-on through the coats? She half-turned her head a gave me a coquettish smile. She knew I thought to myself.

We exited La Cité metro station, on to Place Louis Lépine. Before I could say anything, she said she’d like to see the dig. “Sure,” I said, and we walked to the La Crypt. We walked down the stairs to glass doors and pass the touristy exhibits and displays, to the back, behind the green painted plywood wall. Sylvain and several grad students were standing over and around the coffin. Two of them were in the pit setting up a portable x-ray machine, one with a still camera, another with a video camcorder, and the rest looking down at their tablets.

Brigitte and I walked to the edge. The coffin’s lid had been clean. The runes and Celtic knot were clearly visible. “Danger, death, mother,” Brigitte said. Sylvain turned his head, and said, “she is right, danger, death, mother according to the religious studies guys.” “How do you know that,” I asked. “It’s in all the teenage vampire movies,” she replied grinning.

“The top one is an inverse Thurisaz, which is means danger. The second one is an inverse Algiz, which means death. The knot is Celtic for mother, and the dot in the heart means she had one daughter,” Brigitte said trailing off.

“It looks you’ve got it under control Sylvain. I have an appointment. Brigitte can I walk you back to la place,” I said.

We walked to la place and stopped at the metro entrance. “Can I have your number,” I asked? “Yes, you may, if you promise to call monsieur Delacroix,” she said smiling girlishly. She took my phone from my hand and typed in her number and dialed. Her phone rang. “I have your monsieur, Delacroix. A bientot,” she said. We did la bise and she was off.
ceara Mar 2011
She was as crazy as a Norse horse
with a wild bleached mane and madeyes,
always willin to do anythin for ya
with a ''come on then''
her moods would drive you insane,
wrenching compassion and anger from your heart in equal parts,
spewing venom when talking of her ma,
it would hurt to listen,  yet it was easy to see this sulphuric froth
as just rage being rage.
In her kitchen she concocted over spilling potions
banana and coconut breads, her time was your time,
her table always spread, with baskets and jars,
Valerian by the bottle she sculled to help sleep,
baskets with moss and golf *****, Scottish tat in a heap
and beliefs, worn and threadbare like the carpets
in her tiny,  orange doored flat
with a gerbil called ***** and a hamster called pat,
and dear wee Jamie who spouted that Halloween mantra ''crap bat''
we filled and hung balloons with sweets and let the kids skewer
the hell out of them, it rained chocolate in the corridor for weeks,
and that is what I loved about her madness,
is that it dived and it did, and it speaked
Criss Jami May 2014
I have to admit
That I immediately knew what the media meant
As I grew up I drew out-
Side lines
Meaning kinds when you omit the 'n' so I'm sent
To set askew a few lies, yes my butterfly knife flies like a feather pen oh I've been

A berserker moving farther
Further herding words heard for war it's forward

But since before he was drafted roughly but justly
Just to sink in ink engrafted ****** because he's
Made for brigades who blockade it to shock it
Force it shoot it and make it play its poor music to Bach it
Oh face it, we rock it

The battalion's out there and they're shouting
I'm silent but they rattle
Yeah my rabble of stallions, they're rowdy

But of course, off course it is not all Norse my love because
They say the other north
Yeah your horizontal course turned up with a
Tincture of madness
And that is the one, single error and I'm glad of it
If you catch it
Maybe a troublemaker by nature but baby a peace speaker missing demeanor
With misdemeanors when getting meaner
But I practice a bit
In an out-there train re-accident be-

Cause the battalion's out there while they're shouting
I'm silent but they rattle rapidly
Yeah my rabble of battle lions rabid
To vaporize vapid rabbits
They're rowdy and
And love is getting much louder than growling it's
It's sounding much louder than growling
Mateuš Conrad Mar 2019
.i get it now, the more i make it a detention hour writing lines: doing dull work, makes sam a bored boy... intra-racial variant of slur qua intimacy, in-group standard... take any "n" word "extra g" word "thingy" among the non-exported examples, non-NBA privileged, say... in Kenya... friends? **** no... feeling intimate? huh? like i said... watching 2 hours of a washing machine cycle, is probably more entertaining, than, seeing, the cages, the - - - - - morse breaks in... so... everyone is being a ******* ******, creating a natural response to a river, that must become a reservoir / fake lake? whatever etiquette equated to politeness comes from this... no wonder we'll be doing it from spite... rather than a genuine sediment of genuine feeling, flight of the heart & and all the fickle thoughts that go with it.

please, please, put me into handcuffs
for ******* in an alleyway,
the english sort of handcuffs,
the ones where they can't handcuff
you from behind,
   because the cuffs are not connected
by a mandible chain,
but a rigid middle,
implying that you have to be handcuffed
with your hands in-front...
which also implies:
   well... if **** turned ugly...
i could just wrap my hands around
a boppy's neck and just turn into
a boa...
     but that other police officer was
nice, turning the police van cell
into a taxi...
   racial slurs...
   intra-racial, or inter-racial?
  big difference...
            inter-racial slurs,
namely an english derivative:
the empire britannia rule the waves
what not?
      not too... genius...
no real outlet phonetically...
  the language is too soft as it is...
i met one german at university
who complimented the ****** tongue
with that one general-****-over
word for everything -
conjunction, was the word,
the word is treated as a conjunction:
        i once dated a french psychology
major two years my senior
who i lost my virginity to,
who, let's say, enlightened me...
she was looking for native english speakers,
she told me the most fascinating
        the fwench used to attach
a trill to the R...
   before they started harking up
an R like phlegm when smoking too much
or down with the flu...
inter-racial slurs are... yawn...
   who gives a **** about walking
on egg-shells...
   i'm watching a ******* football match
or swan lake with 22 *******
everyone's suddenly going to be
     as sensitive as a fwench footballer?
****: french / fwench...
  it pretty much sounds the same...
the fwench speak one language,
the french write the same one language...
but the german complimented
a language for the: pristine outlet
of frustration of... tongue licking
a metaphysical punching bag...
but inter-racial slurs are crass,
for the simple fact that...
          they're just too plain in sight...
there is no intimate history of
a people...
   me? personally?
   i'd love to know what the african
royalty called would-be slaves
picked up by western europeans
for export...
   it's not like these colonialists run
these colonized countries freely,
without collusion with the african ruling class...
there was an african ruling class,
there is an african ruling class,
     what's to be exactly changed?
lost in translation:
    former soviet states people /
  but not the satellites?
   from the song husaria by bujak?
     muscovite gałgan...
never heard that one before...
   i once dated a girl from st. petersburg
that summarißed my mutterzunge
        as a crackling of radio static...
just as the english say:
of a people, with, "too many" consonants
in their surnames...
   ask a ****** about hindu surnames...
i mean: intra-racial slurs...
a movement toward real intimacy
of the use of language...
e.g. in england:
    northern monkeys,
southern fairies...
      and the rest? eurotrash...
       i once heard a intra-racial slur
about the english -
                  angol to pedzio...
and then back to cosmopolitan english...
the "n" word... night? nightmare,
                oh... the n- word?
if only i could find some malice in
the context of use...
yes, i know the content of the word,
the content of historical usage...
    and now the whole intra-racial
comradery... inclusion...
                a joke of latin...
   to me that's like saying
  and then thinking:
         so... it's not the "n" word,
is it? it's the "extra g" word?
better start writing giggle with an optional
   which could become problematic
when it came to a double omicron:
to go, among the goo...
the intra-rascial slur for a german
east of berlin?
     funny that... the saxons are
not actually minded...
  the anglo-saxons (intra-racial
mix of celt and saxon)
             as we see them today...
but... when the teutonic order came
to the area around Danzig
     and further east to Königsberg...
further... to Riga...
         a Prussian isn't a German...
              die Preußen ist: Preuße;
   the Preußen have been reintegrated
into a dialect of Polen...
        kashubian: or at least,
        that's                     sort-of...
ultra-nationalist "sentiments":
   in "exile"...
          i love that, brushing aside
any economic migrant in favor
for the immediate migrant
   of conflict, or political asylum...
you know...
   economics: is a type of war,
                                 in slow-motion...
it's a peaceful war,
   well... ergo it's a "war"...
              and the economic migrants?
disorientated *******...
who can't exactly fully assimilate
to the expectation of the natives...
i.e. speak our language in public,
and our language in private...
  no... no thank you...
         it would be easier to remove
a tattoo with a shark-bite
and a scar than to remove my
and here i am... "worried"
about the N in the word trigger...
or the "missing G" in the word: Nigeria...
like... ******* pandering
        to a panda in a Beijing zoo...
now comes the malice...
thought-prison, metaphorical dyslexia
and tattoos of grafitti on
bypass highways...
   like dirt behind my fingernails...
looking for gold nuggets
picking my nose...
   as harold norse once stated
in his memoir (of a ******* angel):
a sign of a Brooklyn intellectual...
   but i just have to point this out...
   nice acronym...
but you're missing two letters...
**** me... if mr and mrs H
  are not included...
LGBTQIA is missing two protected
     mr P and mr N...
    the ******* and
the necrophiliac...
   they'd fit right in...
        no? they wouldn't?
weren't we talking deviance,
             per se?
          those two outer-outliers
    are legit. rainbow deviances...
no? at least mr P can have some sort
of a religious backing...
whether in the desert slap-stick
ninja sketch and satan's postbox...
or at least, back of the queue of a choir,
and some boy...
   but that's the scary bit,
isn't it?
            mr N... now...
                that's... some would claim
it to be art... or what the hell became
of eddie gein in american mainstream
                  ****... forgot ms B+...
   i do remember seeing internet
in its youth,
                   rotten . com,
            and the earliest edgy ****...
now... not even a black guy can
leave adequate compensation...
   for what... began as a saddle,
reins and stirrups...
          and became:
   a demonic hybrid knock-knock-knocking
on Gomorrah's door...
men on stag outings before
being shackled by the ring...
inflateable sheep
   and granny dolls...
          oh yeah: i'm a real moralist
at this point...
                    what i do find scary
is that whenever i'm confined
to a waiting room, a confined space...
and there's a child with its parent
present... there's an animal...
   there's a very old man with
a middle aged mentally ill daughter...
i'm suddenly likeable...
a curiosity...
        just like today...
  her dad is nearing 75...
      she's unkept... greasy hair...
                  rags, rather than clothes...
and in the corner of my eye...
she just couldn't stop glaring at me...
i'm sweating like i'm the sort of hell
where i'm supposed to **** her...
or go to her pajamas sleep-over party
if the case was: she was sixteen
and i was eight...
                        as i went into
the doctor's appointment
    and recounted my 2 week psychotic
episode of being strapped
to the bed... in a quasi-paralysis...
citing metaphors of p.t.s.d.,
                   not talking a word for
2 weeks, only because i received
a ******* questionnaire from
the dept. of work & pensions...
   'am i a fraud? am i?'
   between 48 hour periods...
i'd chance 2 hours of sleep...
     the usual questions...
suicidal thoughts, hallucinations?
   no... the 1st episode, yeah...
but now? it's just debilitating,
                  nice doctor... plump...
beauty of a doughnut...
          and doughnuts are beautiful...
esp. if you throw them into a lake,
and they float,
  and then you watch the ducks
                  and the swans swarm it...
if i lied: i should be contending
for an oscar...
          then she measured my blood-pressure...
first instrument failed...
the arm-band was too small...
the air was pumped into the band
around my hand:
    arm-band snapped
  of the blood-pressure measuring tool...
so she had to resort to
the old method of using
the stethoscope and a bigger arm-band...
i guess she knew she was
dealing with a scared / agitated
   that just so happened to talk
                  some words in human;
a wounded animal,
is hardly scared / agitated...
a wounded animal,
   is whatever implies...
being elevated to a status
that transcends the wound...
the doctors came too late,
i'm fidding with letters
    like jigsaw...
  i'm fiddling with the then
larger jigsaw of words...
   and the whole point of the picture
will only arrive,
post office stamp and all...
akin to a postmortem:
  that part of life...
   eh? how would you classify
          pork, beef, game,
poultry, fish?
    all... none of the stated?
that's almost funny...
of said classes of edible meats?
am i pork?
   no... am i beef? no...
veal? no...
         well, we already know
that some examples of meat
are actually vegetables:
   brain damage, coma...
   do you bite into a tomato...
"thinking" it's a fruit...
or a veg.?
         "logic" supposes
that a tomato is a fruit...
common sense?
     it's a ******* vegetable!
   what sort of meat is man?
eh... bewildering...
   i guess we can only find
an answer, in China...
  should we ever send
a pet dog & its owner to
some obscure, countryside,
small town, famine riddled
(or straight to Kiev) place...
******* a black doesn't make
me "less", "racist"...
i might as well imitate
a colonial overlord by the act...
english, these days?
watching a ******* washing-machine
is less confusing that
walking on egg-shells in
this tongue...
currently, available...
so let's forget, black, or white...
you beef?
   you crab meat?
       you lamb?
   (slippery *****
of salivating sounds):
what are you?
       it's called:
     what's the meat worth?
is chimp meat the same
as human meat?
   no, wait...
that gorilla grew big-*******
eating shrubs?
anomaly of human
dietary requirements...
a horse became so big...
only eating... grass...
      yeah... no anomaly...
and then my brain starts to short-circuit...
past the colour,
infancy of discrimination...
how would to categorise
the "body" of christ
if no bread was available?
beef? pork? veal?
      i already know what
the ****** would be...
   sure as **** it wouldn't be
*****'s liquor worth of wine...
i went straight to the beast
of the wheat...
    and i called her...
        ms. amber...
                 and... maybe i just didn't
like the wrap-up of rap
because of the lyrics and
my unrelateable tendency
to never **** the bid-bop head...
of the music per se,
but the lyrics?
      sure... the music is great...
but the lyrics?
     i can't relate to them...
i need, something,
mythological and obscure...
a time-wrap not minding a grief
                 of / from yesterday...
mind you: i'll write this,
as i'll drink whatever is left,
and tomorrow...
            is a tomorrow without
this current zenith of the hours...
come beethoven thinking
of tux in the variant of rigid
geometry in the form of music...
           like when sartre plagiarised
joyce at the end of iron in the soul?
- that's the next tier of "racism"...
    as far as i am concerned...
it would be nice to re-evauluate
my position
    on the libra of being
reengaged in a food-chain
                  cancer is a primitive
    great... eaten by parasites...
germs... etc.,
  guess what...
   at least a lion is beautiful...
i'd rather be eaten by a lion
than a ******* tapeworm...
so what am i?
       first i'd have to put monkey
on the menu...
to tease at the taboo
     of teasing the cannibal
    while performing oral ***.
Francie Lynch Jul 2018
There was a funeral in St. Thomas d'Aquin,
And it wasn't in the Latin tongue,
Not English, Italian, not even Norse.
It was unctioned in French, of course.
But it may as well've been Greek.
I sat reserved in my seat,
As many a French rose up to speak.
But the incense was the same,
And the holy water sprayed on my glasses,
And I sat as people knelt
And blessed themselves,
And joined in on the refrain,
I knew it by its name: Le chemin. La verite. La vie.
It's a form of glossolalia,
And it's coming for us daily.
The mourners were onto something more,
Than words, gestures and litanies,
Something greater than any of these,
Yet the translation was lost on me.
The way, the truth, the life.
Glossolalia: Speaking in tongues
SG Holter Jul 2015
Up here it is more temporary; the
Sun has already turned.
In six months, the only light will be
That of the snow piercing through the
Darkness of a
23 hour night.

Words such as swimming and
Barbecue have the same taste as the
Cardboard of the box you are provided
With when being told to
Clear out your desk immediately.
And the winds pick up from

Closer to north with promises of
Ice cold rain in them.
Then just ice.
I fear not bullet nor blade, but look
Down and shiver at the thought of having
A brief, bad summer

Such as this.
I spent a week on Helene's parents'
Boat in the fjords, fishing and eating
Cod still wet with salt water, but yet;
The skies were grey; the breezes
Ungentle; unsoothing.

But I read. I wrote. Saw viking sites
Where the ground still
Smells of sacrificial blood and
Mead, and there
I shrugged the disappointment off as I
Closed my eyes and imagined paddle

Sounds and Norse grunts from a
Thousand years ago; rugged
Travellers returning after months at sea
Under a fierce foreign sun, finally home.
Thinking nothing at all
Of the weather.

— The End —