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"noonday" poems
'I slept, and dreamed that life was beauty; I woke, and found that life was duty. Was thy dream then a shadowy lie? Toil on, sad heart, courageously, And thou shall find thy dream to be A noonday light and truth to thee.'
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I Slept, And Dreamed That Life Was Beauty
Out here there are no hearthstones, Hot grains, simply. It is dry, dry. And the air dangerous. Noonday acts queerly On the mind's eye erecting a line Of poplars in the middle distance, the only Object beside the mad, straight road One can remember men and houses by. A cool wind should inhabit these leaves And a dew collect on them, dearer than money, In the blue hour before sunup. Yet they recede, untouchable as tomorrow, Or those glittery fictions of spilt water That glide ahead of the very thirsty. I think of the lizards airing their tongues In the crevice of an extremely small shadow And the toad guarding his heart's droplet. The desert is white as a blind man's eye, Comfortless as salt. Snake and bird Doze behind the old maskss of fury. We swelter like firedogs in the wind. The sun puts its cinder out. Where we lie The heat-cracked crickets congregate In their black armorplate and cry. The day-moon lights up like a sorry mother, And the crickets come creeping into our hair To fiddle the short night away.
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Sleep In The Mojave Desert
The cloudless day is richer at its close; A golden glory settles on the lea; Soft, stealing shadows hint of cool repose To mellowing landscape, and to calming sea. And in that nobler, gentler, lovelier light, The soul to sweeter, loftier bliss inclines; Freed form the noonday glare, the favour'd sight Increasing grace in earth and sky divines. But ere the purest radiance crowns the green, Or fairest lustre fills th' expectant grove, The twilight thickens, and the fleeting scene Leaves but a hallow'd memory of love!
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Sunset
A graceful water weaving dolphin swirls wakes of gentle waves - a white, silver blue phantom shimmering in the noonday sun. Piercing the surface, she dances an aquatic ballet of corkscrew pirouettes and majestic somersaults. Diving beneath the spray she churns her engine upward - soaring through the flaming hoop to the "oohs" and applause of a throng of short-sleeved hominids bleachered beyond the rails. Plunging into quiet depths, she lingers for a moment perhaps to recall the fresh sea air and the borderless waters in the golden days before the ships came. January, 2007
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Aug 4, 2013
Aug 4, 2013 at 10:52 PM UTC
Dolphin Ballet
Introduction There they stood; keeping silent company. Yet of His face, wept searing electricity. To the lovers of life Here they stand, keeping silent company. No utterance dealt; yet clear in both their minds A single, brilliant truth: He longs for her with a savage delight. And it cries from every fibre, exalting! It is in the bearing of his eye; Rifling through her tender flesh In search of what he knows, from voices ages old, is there: That her heart will beat for no other as it beats for him right now; That in this moment, their Souls are bared To each other’s glares- naked, and blemished, and cowering- Yet his eyes remain fixed and sure: And for this, she loves him. For they have seen each other for the First of Times, Truly! And as with many the Ancient Laws unfurled, They stand aware, in lack of ever being taught, Aware with every atom, every straining tendon tight That their time's so very short. And so they drink… wordless To each other, to their youth, and to their bodies Shining like never before in the noonday air Garbed in cloth that snaps and furls around their waists. They imbibe with electric eyes, Eyes that are new born to this world of light And come out screaming, living, and sensitive For lack of ever being touched. They revel in their new-found joy; Pouring from Her figure, Of Her sleek, supple waist and the arch of her back, Bristling with delight, Of His strong hands and easy smile, That spoke of laughter scattered Across countless campfires of summers past. Their light does burn intense as any fire, And when their brimming anticipation Overspills its crimson chalice The silence shall SHATTER. To find peace again in each other's arms. Fumbling in sweet darkness- Of heavy lids, of earthy flesh, With lips embraced... In ravenous finality.
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Jun 29, 2015
Jun 29, 2015 at 5:14 PM UTC
In Garbs of Light Unfurled
Introduction There they stood; keeping silent company. Yet of His face, wept searing electricity. To the lovers of life Here they stand, keeping silent company. No utterance dealt; yet clear in both their minds A single, brilliant truth: He longs for her with a savage delight. And it cries from every fibre, exalting! It is in the bearing of his eye; Rifling through her tender flesh In search of what he knows, from voices ages old, is there: That her heart will beat for no other as it beats for him right now; That in this moment, their Souls are bared To each other’s glares- naked, and blemished, and cowering- Yet his eyes remain fixed and sure: And for this, she loves him. For they have seen each other for the First of Times, Truly! And as with many the Ancient Laws unfurled, They stand aware, in lack of ever being taught, Aware with every atom, every straining tendon tight That their time's so very short. And so they drink… wordless To each other, to their youth, and to their bodies Shining like never before in the noonday air Garbed in cloth that snaps and furls around their waists. They imbibe with electric eyes, Eyes that are new born to this world of light And come out screaming, living, and sensitive For lack of ever being touched. They revel in their new-found joy; Pouring from Her figure, Of Her sleek, supple waist and the arch of her back, Bristling with delight, Of His strong hands and easy smile, That spoke of laughter scattered Across countless campfires of summers past. Their light does burn intense as any fire, And when their brimming anticipation Overspills its crimson chalice The silence shall SHATTER. To find peace again in each other's arms. Fumbling in sweet darkness- Of heavy lids, of earthy flesh, With lips embraced... In ravenous finality.
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46
So much have I forgotten in ten years, So much in ten brief years! I have forgot What time the purple apples come to juice, And what month brings the shy forget-me-not. I have forgot the special, startling season Of the pimento's flowering and fruiting; What time of year the ground doves brown the fields And fill the noonday with their curious fluting. I have forgotten much, but still remember The poinsettia's red, blood-red in warm December. I still recall the honey-fever grass, But cannot recollect the high days when We rooted them out of the ping-wing path To stop the mad bees in the rabbit pen. I often try to think in what sweet month The languid painted ladies used to dapple The yellow by-road mazing from the main, Sweet with the golden threads of the rose-apple. I have forgotten--strange--but quite remember The poinsettia's red, blood-red in warm December. What weeks, what months, what time of the mild year We cheated school to have our fling at tops? What days our wine-thrilled bodies pulsed with joy Feasting upon blackberries in the copse? Oh some I know! I have embalmed the days, Even the sacred moments when we played, All innocent of passion, uncorrupt, At noon and evening in the flame-heart's shade. We were so happy, happy, I remember, Beneath the poinsettia's red in warm December.
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Flame-Heart
There's a keen and grim old huntsman On a horse as white as snow; Sometimes he is very swift And sometimes he is slow. But he never is at fault, For he always hunts at view And he rides without a halt After you. The huntsman's name is Death, His horse's name is Time; He is coming, he is coming As I sit and write this rhyme; He is coming, he is coming, As you read the rhyme I write; You can hear the hoof's low drumming Day and night. You can hear the distant drumming As the clock goes tick-a-tack, And the chiming of the hours Is the music of his pack. You may hardly note their growling Underneath the noonday sun, But at night you hear them howling As they run. And they never check or falter For they never miss their **** Seasons change and systems alter, But the hunt is running still. Hark! the evening chime is playing, O'er the long grey town it peals; Don't you hear the death-hound baying At your heels? Where is there an earth or burrow? Where a cover left for you? A year, a week, perhaps to-morrow Brings the Huntsman's death halloo! Day by day he gains upon us, And the most that we can claim Is that when the hounds are on us We die game. And somewhere dwells the Master, By whom it was decreed; He sent the savage huntsman, He bred the snow-white steed. These hounds which run for ever, He set them on your track; He hears you scream, but never Calls them back. He does not heed our suing, We never see his face; He hunts to our undoing, We thank him for the chase. We thank him and we flatter, We hope -- because we must -- But have we cause? No matter! Let us trust!
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The Old Huntsman
There's a keen and grim old huntsman On a horse as white as snow; Sometimes he is very swift And sometimes he is slow. But he never is at fault, For he always hunts at view And he rides without a halt After you. The huntsman's name is Death, His horse's name is Time; He is coming, he is coming As I sit and write this rhyme; He is coming, he is coming, As you read the rhyme I write; You can hear the hoof's low drumming Day and night. You can hear the distant drumming As the clock goes tick-a-tack, And the chiming of the hours Is the music of his pack. You may hardly note their growling Underneath the noonday sun, But at night you hear them howling As they run. And they never check or falter For they never miss their **** Seasons change and systems alter, But the hunt is running still. Hark! the evening chime is playing, O'er the long grey town it peals; Don't you hear the death-hound baying At your heels? Where is there an earth or burrow? Where a cover left for you? A year, a week, perhaps to-morrow Brings the Huntsman's death halloo! Day by day he gains upon us, And the most that we can claim Is that when the hounds are on us We die game. And somewhere dwells the Master, By whom it was decreed; He sent the savage huntsman, He bred the snow-white steed. These hounds which run for ever, He set them on your track; He hears you scream, but never Calls them back. He does not heed our suing, We never see his face; He hunts to our undoing, We thank him for the chase. We thank him and we flatter, We hope -- because we must -- But have we cause? No matter! Let us trust!
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56
The Sun at noon to higher air, Unharnessing the silver Pair That late before his chariot swam, Rides on the gold wool of the Ram. So braver notes the storm-cock sings To start the rusted wheel of things, And brutes in field and brutes in pen Leap that the world goes round again. The boys are up the woods with day To fetch the daffodils away, And home at noonday from the hills They bring no dearth of daffodils. Afield for palms the girls repair, And sure enough the palms are there, And each will find by hedge or pond Her waving silver-tufted wand. In farm and field through all the shire The eye beholds the heart's desire; Ah, let not only mine be vain, For lovers should be loved again.
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March
BENEATH the flat and paper sky The sun, a demon's eye, Glowed through the air, that mask of glass; All wand'ring sounds that pass Seemed out of tune, as if the light Were fiddle-strings pulled tight. The market-square with spire and bell Clanged out the hour in Hell; The busy chatter of the heat Shrilled like a parakeet; And shuddering at the noonday light The dust lay dead and white As powder on a mummy's face, Or fawned with simian grace Round booths with many a hard bright toy And wooden brittle joy: The cap and bells of Time the Clown That, jangling, whistled down Young cherubs hidden in the guise Of every bird that flies; And star-bright masks for youth to wear, Lest any dream that fare --Bright pilgrim--past our ken, should see Hints of Reality. Upon the sharp-set grass, shrill-green, Tall trees like rattles lean, And jangle sharp and dissily; But when night falls they sign Till Pierrot moon steals slyly in, His face more white than sin, Black-masked, and with cool touch lays bare Each cherry, plum, and pear. Then underneath the veiled eyes Of houses, darkness lies-- Tall houses; like a hopeless prayer They cleave the sly dumb air. Blind are those houses, paper-thin Old shadows hid therein, With sly and crazy movements creep Like marionettes, and weep. Tall windows show Infinity; And, hard reality, The candles weep and pry and dance Like lives mocked at by Chance. The rooms are vast as Sleep within; When once I ventured in, Chill Silence, like a surging sea, Slowly enveloped me.
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Clowns' Houses
BENEATH the flat and paper sky The sun, a demon's eye, Glowed through the air, that mask of glass; All wand'ring sounds that pass Seemed out of tune, as if the light Were fiddle-strings pulled tight. The market-square with spire and bell Clanged out the hour in Hell; The busy chatter of the heat Shrilled like a parakeet; And shuddering at the noonday light The dust lay dead and white As powder on a mummy's face, Or fawned with simian grace Round booths with many a hard bright toy And wooden brittle joy: The cap and bells of Time the Clown That, jangling, whistled down Young cherubs hidden in the guise Of every bird that flies; And star-bright masks for youth to wear, Lest any dream that fare --Bright pilgrim--past our ken, should see Hints of Reality. Upon the sharp-set grass, shrill-green, Tall trees like rattles lean, And jangle sharp and dissily; But when night falls they sign Till Pierrot moon steals slyly in, His face more white than sin, Black-masked, and with cool touch lays bare Each cherry, plum, and pear. Then underneath the veiled eyes Of houses, darkness lies-- Tall houses; like a hopeless prayer They cleave the sly dumb air. Blind are those houses, paper-thin Old shadows hid therein, With sly and crazy movements creep Like marionettes, and weep. Tall windows show Infinity; And, hard reality, The candles weep and pry and dance Like lives mocked at by Chance. The rooms are vast as Sleep within; When once I ventured in, Chill Silence, like a surging sea, Slowly enveloped me.
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The moth’s kiss, first! Kiss me as if you made believe You were not sure, this eve, How my face, your flower, had pursed Its petals up; so, here and there You brush it, till I grow aware Who wants me, and wide open I burst. The bee’s kiss, now! Kiss me as if you enter’d gay My heart at some noonday, A bud that dares not disallow The claim, so all is rendered up, And passively its shattered cup Over your head to sleep I bow.
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In A Gondola
Maiden crowned with glossy blackness, Lithe as panther forest-roaming, Long-armed Naiad when she dances On a stream of ether floating, Bright, o bright Fedalma! Form all curves like softness drifted, Wave-kissed marble roundly dimpling, Far-off music slowly wingèd, Gently rising, gently sinking, Bright, o bright Fedalma! Pure as rain-tear on a rose-leaf, Cloud high born in noonday spotless Sudden perfect like the dew-bead, Gem of earth and sky begotten, Bright, o bright Fedalma! Beauty has no mortal father, Holy light her form engendered, Out of tremor yearning, gladness, Presage sweet, and joy remembered, Child of light! Child of light! Child of light, Fedalma!
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Bright, o bright Fedalma
God is a name for the smell of squash plants under the noonday sun. When the clouds are moving across the sky and you're drifting away in a fold out chair. God is the word for when it all feels just right. Like you'll never be safer or more content than in this moment. You wish you could stretch it out forever. God is the accumulation of all these flashes of goodness---an unexpected surprise, the smell of her cooking, his distinct laughter, a shooting star that brightens the sky and disappears, your smile--- our minds unable to comprehend an end to it all. It must go on forever somehow. And perhaps it does, just not in the way we expect.
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Aug 2, 2020
Aug 2, 2020 at 10:17 PM UTC
I love summer so much I could cry
You go up the long track That will take a car, but is best walked On slow foot, noting the lichen That writes history on the page Of the grey rock. Trees are about you At first, but yield to the green bracken, The nightjars house: you can hear it spin On warm evenings; it is still now In the noonday heat, only the lesser Voices sound, blue-fly and gnat And the stream's whisper. As the road climbs, You will pause for breath and the far sea's Signal will flash, till you turn again To the steep track, buttressed with cloud. And there at the top that old woman, Born almost a century back In that stone farm, awaits your coming; Waits for the news of the lost village She thinks she knows, a place that exists In her memory only. You bring her greeting And praise for having lasted so long With time's knife shaving the bone. Yet no bridge joins her own World with yours, all you can do Is lean kindly across the abyss To hear words that were once wise.
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Ninetieth Birthday
Now that the winter’s gone, the earth hath lost Her snow-white robes, and now no more the frost Candies the grass, or casts an icy cream Upon the silver lake or crystal stream; But the warm sun thaws the benumbed earth, And makes it tender; gives a sacred birth To the dead swallow; wakes in hollow tree The drowsy cuckoo, and the humble-bee. Now do a choir of chirping minstrels bring In triumph to the world the youthful Spring. The valleys, hills, and woods in rich array Welcome the coming of the long’d-for May. Now all things smile, only my love doth lour; Nor hath the scalding noonday sun the power To melt that marble ice, which still doth hold Her heart congeal’d, and makes her pity cold. The ox, which lately did for shelter fly Into the stall, doth now securely lie In open fields; and love no more is made By the fireside, but in the cooler shade Amyntas now doth with his Chloris sleep Under a sycamore, and all things keep Time with the season; only she doth carry June in her eyes, in her heart January.
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The Spring
Hellenic Flesh and marrow Raphaelite form painted into life. Honey hair slipping through the vees between my fingers like sand conch-white skin You blind me like the noonday sun. Enveloping— body wrapped in body— ocean and sky meet at the horizon. Peel my skin from me like an orange. Apple. Heal me with hands upon thighs Stitch my ragdoll body together with the sutures of your kisses Stuck by the glue of lips Raise me like Lazarus from the valley of death from the orchard in Eden and the shame of skin Reupholster me like a dinette chair. Vivid as the Sistine Chapel your hand outs t r e t c h e d toward God I find you in pumpkin seeds scattered like tears on the floor of my car. They were yours.
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Jul 25, 2011
Jul 25, 2011 at 2:29 PM UTC
Lily of the Valley
Aspen, stands by river, Shouting out the noonday sun, Dwarfed by foothill mountains.
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May 31, 2012
May 31, 2012 at 6:44 PM UTC
Haiku ( aspen )
I recognize this ground laced with stones and poisoned barbs hike barefoot here unafraid a barren desert feels like home when there is nothing to be lost or gained I have been here many times before stripped down naked in the noonday sun watching vultures wheel and dive as I dangle twist and spin ever the enabler enabling
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Mar 30, 2016
Mar 30, 2016 at 11:54 AM UTC
Déjà vu
Aspen, stands by river, Shouting out the noonday sun, Dwarfed by foothill mountains.
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Jan 14, 2013
Jan 14, 2013 at 1:48 PM UTC
Haiku ( aspen )
Ice-cold fear has slowly decreased As my bones have grown, my height increased. Though I shiver in snow of dreams, I shall never Freeze again in a noonday terror. I shall never break, my sinews crumble As God-the-headmaster's fingers fumble At the other side of unopening doors Which I watch for a hundred thousand years. I shall never feel my thin blood leak While darkness stretches a paw to strike Or Nothing beats an approaching drum Behind my back in a silent room. I shall never, alone, meet the end of my world At the bend of a path, the turn of a wall: Never, or once more only, and That will be once and an end of end.
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Last Word To Childhood
Vientecico murmurador, Que lo gozas y andas todo, &c.; Airs, that wander and murmur round, Bearing delight where'er ye blow! Make in the elms a lulling sound, While my lady sleeps in the shade below. Lighten and lengthen her noonday rest, Till the heat of the noonday sun is o'er. Sweet be her slumbers! though in my breast The pain she has waked may slumber no more. Breathing soft from the blue profound, Bearing delight where'er ye blow, Make in the elms a lulling sound, While my lady sleeps in the shade below. Airs! that over the bending boughs, And under the shade of pendent leaves, Murmur soft, like my timid vows Or the secret sighs my ***** heaves,-- Gently sweeping the grassy ground, Bearing delight where'er ye blow, Make in the elms a lulling sound, While my lady sleeps in the shade below.
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The Siesta (From The Spanish)
Hazel wants to put off going home, she Loves Paris, and being with her maid Dunne Has somehow made it seem to her that much More enjoyable, much more than she thought When she started out from London, but each Day now, each moment, seems to bring her to A closeness she has never had with a Maid before. She watches now as Dunne sits Beside her outside the restaurant on The Champs Elysees, the way she holds the Cup, the head to one side, the eyes focused, So aware. The clothes she had bought her for The trip to Paris fit her well, and she Looks after them as if she were afraid They might spoil in the noonday sun, folds them At night so precisely, so carefully. Hazel sips her coffee, the noon sunshine Warms her. Dunne examines the menu, tries To understand the French written there, her Finger running down the list. Hazel wants To place her hand over Dunne’s, feel it, sense The life there in the pulse. When Dunne helped her Bath the night before, her hands were so soft, So gentle, her attention to detail, Her touch. Hazel sighs. Less of a maid now, At least she sees her less so, seems more a Companion, yes, that’s it, she says to Herself, companion. The word seems odd In her mouth, like saying Doris instead Of Dunne. A class thing, she assumes, that seems To separate, putting people into Different boxes. Dunne sips her coffee And looks at Hazel. The eyes seem to drink Her in. Hazel shyly smiles. If her friend Margaret had not let her down at the Last moment she would not have brought Dunne; she’d Have made love to her Margaret in the bed At night rather than lie there watching Dunne And listening to her breathing. Yet she’s Glad now that Margaret hadn’t come, the Relationship had grown stale. Now there is Dunne. Fresh, alive, sitting there beside her, Just a few inches away, bringing a New dimension to her life, and pushing To the back of her mind, the desire Awaking there, a want, and muttering Silently to herself, looking into Dunne’s eyes, help me to resist, gazing at The lips, wanting to touch and to be kissed.
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Mar 15, 2013
Mar 15, 2013 at 5:09 PM UTC
HAZEL PONDERS.
Hazel wants to put off going home, she Loves Paris, and being with her maid Dunne Has somehow made it seem to her that much More enjoyable, much more than she thought When she started out from London, but each Day now, each moment, seems to bring her to A closeness she has never had with a Maid before. She watches now as Dunne sits Beside her outside the restaurant on The Champs Elysees, the way she holds the Cup, the head to one side, the eyes focused, So aware. The clothes she had bought her for The trip to Paris fit her well, and she Looks after them as if she were afraid They might spoil in the noonday sun, folds them At night so precisely, so carefully. Hazel sips her coffee, the noon sunshine Warms her. Dunne examines the menu, tries To understand the French written there, her Finger running down the list. Hazel wants To place her hand over Dunne’s, feel it, sense The life there in the pulse. When Dunne helped her Bath the night before, her hands were so soft, So gentle, her attention to detail, Her touch. Hazel sighs. Less of a maid now, At least she sees her less so, seems more a Companion, yes, that’s it, she says to Herself, companion. The word seems odd In her mouth, like saying Doris instead Of Dunne. A class thing, she assumes, that seems To separate, putting people into Different boxes. Dunne sips her coffee And looks at Hazel. The eyes seem to drink Her in. Hazel shyly smiles. If her friend Margaret had not let her down at the Last moment she would not have brought Dunne; she’d Have made love to her Margaret in the bed At night rather than lie there watching Dunne And listening to her breathing. Yet she’s Glad now that Margaret hadn’t come, the Relationship had grown stale. Now there is Dunne. Fresh, alive, sitting there beside her, Just a few inches away, bringing a New dimension to her life, and pushing To the back of her mind, the desire Awaking there, a want, and muttering Silently to herself, looking into Dunne’s eyes, help me to resist, gazing at The lips, wanting to touch and to be kissed.
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49
He that dwelleth in the secret place of the most High shall abide under the shadow of the Almighty. 2 I will say of the Lord, He is my refuge and my fortress: my God; in him will I trust. 3 Surely he shall deliver thee from the snare of the fowler, and from the noisome pestilence. 4 He shall cover thee with his feathers, and under his wings shalt thou trust: his truth *shall be thy* shield and buckler. 5 Thou shalt not be afraid for the terror by night; nor for the arrow that flieth by day; 6 Nor for the pestilence that walketh in darkness; nor for the destruction that wasteth at noonday. 7 A thousand shall fall at thy side, and ten thousand at thy right hand; but it shall not come nigh thee. 8 Only with thine eyes shalt thou behold and see the reward of the wicked. 9 Because thou hast made the Lord, which is my refuge even the most High, thy habitation; 10 There shall no evil befall thee, neither shall any plague come nigh thy dwelling. 11 For he shall give his angels charge over thee, to keep thee in all thy ways. 12 They shall bear thee up in their hands, lest thou dash thy foot against a stone. 13 Thou shalt tread upon the lion and adder: the young lion and the dragon shalt thou trample under feet. 14 Because he hath set his love upon me, therefore will I deliver him; I will set him on high, because he hath known my name. 15 He shall call upon me, and I will answer him: I will be with him in trouble; I will deliver him, and honour him. 16 With long life will I satisfy him, and shew him my salvation.
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Jun 26, 2013
Jun 26, 2013 at 4:54 PM UTC
Psalm 91
He that dwelleth in the secret place of the most High shall abide under the shadow of the Almighty. 2 I will say of the Lord, He is my refuge and my fortress: my God; in him will I trust. 3 Surely he shall deliver thee from the snare of the fowler, and from the noisome pestilence. 4 He shall cover thee with his feathers, and under his wings shalt thou trust: his truth *shall be thy* shield and buckler. 5 Thou shalt not be afraid for the terror by night; nor for the arrow that flieth by day; 6 Nor for the pestilence that walketh in darkness; nor for the destruction that wasteth at noonday. 7 A thousand shall fall at thy side, and ten thousand at thy right hand; but it shall not come nigh thee. 8 Only with thine eyes shalt thou behold and see the reward of the wicked. 9 Because thou hast made the Lord, which is my refuge even the most High, thy habitation; 10 There shall no evil befall thee, neither shall any plague come nigh thy dwelling. 11 For he shall give his angels charge over thee, to keep thee in all thy ways. 12 They shall bear thee up in their hands, lest thou dash thy foot against a stone. 13 Thou shalt tread upon the lion and adder: the young lion and the dragon shalt thou trample under feet. 14 Because he hath set his love upon me, therefore will I deliver him; I will set him on high, because he hath known my name. 15 He shall call upon me, and I will answer him: I will be with him in trouble; I will deliver him, and honour him. 16 With long life will I satisfy him, and shew him my salvation.
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54
At the midnight in the silence of the sleep-time, When you set your fancies free, Will they pass to where—by death, fools think, imprisoned— Low he lies who once so loved you, whom you loved so, —Pity me? Oh to love so, be so loved, yet so mistaken! What had I on earth to do With the slothful, with the mawkish, the unmanly? Like the aimless, helpless, hopeless, did I drivel —Being—who? One who never turned his back but marched breast forward, Never doubted clouds would break, Never dreamed, though right were worsted, wrong would triumph, Held we fall to rise, are baffled to fight better, Sleep to wake. No, at noonday in the bustle of man’s work-time Greet the unseen with a cheer! Bid him forward, breast and back as either should be, “Strive and thrive!” cry, “Speed—fight on, fare ever There as here!”
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Epilogue To Asolando
she came in out of the dark rain her guns hanging loose at the ready her worn leather death hand just driftin above the handle of her colt eyes searching for the hard glint of steel in the faces of the saloons crowded floor but none had noticed her come in from the storm she walked to the bar and called out for a whiskey leaned and let all but gun hand rest as one of the prettiest bargirls came up and smiled for a drink without conversation the girl lead her to a backroom and this gypsy's night was filled with hot passions and the gun hand was forgotten in the sweet arms of virgina citys sweetest rose but morning came with the rolling of the steamtrains whistle and the sheriff calling out the gun hand she had laid some dog of a man low for putting his hands on his woman now she got to hang cant be shootin our law abiding folk we don't take kindly this gunhand this leather clad hard riding woman with the softest sweetest heart the kindest of souls wasn't gonna let em hang her for shooting down a ***** dog of a man so she kissed sweet rose long an deep and bid that sweet girl fare thee well took up her colt out into the dusty raw heat of noonday sun she stepped with her gun hand driftin over the **** of her colt eyes blazin for the fool of a sheriff who had come to lay her low in the name of justice in the name of their lie of a town they faced eachother and drew pistols both got off a shot one fell to the dusty earth never to rise again the other laid down pistol and walked away
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Mar 14, 2014
Mar 14, 2014 at 2:29 PM UTC
gunhand
she came in out of the dark rain her guns hanging loose at the ready her worn leather death hand just driftin above the handle of her colt eyes searching for the hard glint of steel in the faces of the saloons crowded floor but none had noticed her come in from the storm she walked to the bar and called out for a whiskey leaned and let all but gun hand rest as one of the prettiest bargirls came up and smiled for a drink without conversation the girl lead her to a backroom and this gypsy's night was filled with hot passions and the gun hand was forgotten in the sweet arms of virgina citys sweetest rose but morning came with the rolling of the steamtrains whistle and the sheriff calling out the gun hand she had laid some dog of a man low for putting his hands on his woman now she got to hang cant be shootin our law abiding folk we don't take kindly this gunhand this leather clad hard riding woman with the softest sweetest heart the kindest of souls wasn't gonna let em hang her for shooting down a ***** dog of a man so she kissed sweet rose long an deep and bid that sweet girl fare thee well took up her colt out into the dusty raw heat of noonday sun she stepped with her gun hand driftin over the **** of her colt eyes blazin for the fool of a sheriff who had come to lay her low in the name of justice in the name of their lie of a town they faced eachother and drew pistols both got off a shot one fell to the dusty earth never to rise again the other laid down pistol and walked away
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46
Aspen, stands by river, Shouting out the noonday sun, Dwarfed by foothill mountains.
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Sep 24, 2012
Sep 24, 2012 at 3:52 PM UTC
Haiku ( aspen )