Our consciousness is often conjured in the noggin the way
pompously-starved college kids microwave Ramen: phenomen-

ally over-heated and eaten up unbelievably quick, wow, you’re a
genius, now you can hurry back to completing your awesome thesis!

Neatness!

But having burned your tongue, you vilely cursed inside
with words rougher than ***, not knowing where they were from,

and flustered, said you were done; plus, **** it, this work is dumb.

Oh, freshman, if only you had savored dem noodles!

Noggin ferments the senses in mire
Ruby-wrapped in friendship or desire
Nurtures Dutch courage, kisses and amour
Furtive affairs distant, fading more

At the wheel, oh, he’s in control
He’s a mate, a real card, a party soul
His friends ahead had one for the road
They’ll be safe; they walked as told

Windscreen shatters, crimson-smeared
Carved mosaics of friends without tears
Tanked up on noggin and that extra jar
Crimson-wrapped denial in a twisted car

I see you, monster...
In your sockets bore dead, dark eyes
They hold the blackest of stares
Nebulous swirling pits of demise

Thin lips would spout the most sibilant of hisses
Every so often would curl into a snarl
Dry and chapped, almost unworthy of kisses

Large, rough snout, jutting out like a crag
You sniff around tirelessly for easy targets
Preying on the unsuspecting minds of those under your flag

Tapering chin, sprouting strands of coarse hair
Unkempt and gritty from your last meal
Decaying teeth, crooked due to little to no care

Your face is cratered; tales of trying adolescent years
Wearing a face only a mother could love
Expressionless but it screams out your fears

Ugly jointed limbs that grew out of sync
Disproportionate, misshapen, grotesque
Little noggin with sparse hair, packed within, a brain that thinks


I hear you, monster...
As you stalk your sleepless nights
Nocturnal ambience be your playground
Lurking in the dark; places with no light

Bulky, heavy feet but deft and silent
Can barely notice when you're up and about
As if cloaked yourself stealthy, with steps ever transient

Respire you do, exhaling breaths so gnarly
Ingesting good air, converting into fervid, loathsome notions
With which you paint a portrait so ghastly


I feel you monster...
Deep within the recesses of my heart
Destroying and distorting all that was pure
Testing my will till I should fall apart

You're but the twisted manifestation of conscience
Feeding on my trials and nurturing them into vile abominations
I despise that of you but I seem to have developed dependence


I see you, monster...**
You're horrid and beastly, an embodiment of absolute horror
I await the day that you would finally dissolve
For I am weary of seeing you staring back in the mirror

Triggered much
I'm the boss
Take the loss -
I'm the sauce *****,
A1

Call my bluff
Mindless thots
Gobble ****
Catch me bustin
Like it ain't nut

Go to sleep

Fighting wars with keyboards,
While Grandma knits
Globally postal
Wit that anthrax mix
only hoping that reality splits;

These Lizard overlords
be slitherin quick
Underground:
u kno this wigga, B. Hittin-Licks

I’m ****** imminent  
to infinity and beyond
This dude buzzed lightyear,
Woody full attention;
Lil Bo Peep
She be getting no sleep,
Its a methed up situation yuh

This the celebration

Make yo ****
fissure into splinters
Crack the Ripper
with my finger
on the trigger
just hope it dont slip
~make you quiver
Rock a tight sphincter

Boi got nothing to lose
u bet your *** that I deliver
Devastating maneuvers
leave you hatin fools
Like who dis kid
with parkinsons jitters

Its a disgrace
cant lace ya shoes
But tryna play catch up
**** outta my face
*****,  hail the victor ya trippin'

Make no mistake,
my alias is satan
You lost the game
Restart the mission?

Dyslexic peasant,
I brought yo presents
I'm aggressive
reckless and relentless
got a rope necklace take some lessons

Finna hit em with that finisher
Sippin licks with dinner sure
Smokin out the villagers
**** and pillage conqueror
Down the bottle slurring words
Blurring out the big pictures
Swinging from a high fixture
Slanging sherm above the curve

rello I be rollin
biscuit limp but i be blowin
Out the water laps I'm stroking
Real **** love got homies choking

Smoke bricks kick rocks
Got the socks on with the flip flops

Golf cap on my noggin
Give me top like its hats off
grab some charmin
keep that *** soft
***** gravier than thicc sauce
Like my salad full toss
About to clobber em
Jump jump ***** crisscross

Taskforce Outlaws with chainsaws
Pale horse when that bass drop

And it’s occured to me
Since I lack the courtesy
To say the pleasantries
fore i be pushing out them boundaries

Killer O.J. quenches thirst
a murderous summer is the worst
But if the glove fits, must acquit
need a magnum, Jonnie Cochran
blast em wit the Chewbacca defense

Flowerboy spit my seed *****
Loose lips in the whip aye
Firmly grasp the shaft
when I switch lanes
Pallets of ******* call me rick James
Pull up round the clock
Gone off that rock
Knocked my mf block off ***** I'm insane
Tha fire token renegade

through that snapback
Spills ya ****** brains

Comin Thro the Rye
by Robert Burns
modern English translation by Michael R. Burch

Oh, Jenny's all wet, poor body,
Jenny's seldom dry;
She's draggin' all her petticoats
Comin' through the rye.

Comin' through the rye, poor body,
Comin' through the rye.
She's draggin' all her petticoats
Comin' through the rye.

Should a body meet a body
Comin' through the rye,
Should a body kiss a body,
Need anybody cry?

Comin' through the rye, poor body,
Comin' through the rye.
She's draggin' all her petticoats
Comin' through the rye.

Should a body meet a body
Comin' through the glen,
Should a body kiss a body,
Need all the world know, then?

Comin' through the rye, poor body,
Comin' through the rye.
She's draggin' all her petticoats
Comin' through the rye.

The poem "Comin Thro the Rye" by Robert Burns may be best-known today because of Holden Caulfield's misinterpretation of it in "The Catcher in the Rye." In the book, Caulfield relates his fantasy to his sister, Phoebe: he's the "catcher in the rye," rescuing children from falling from a cliff. Phoebe corrects him, pointing out that poem is not about a "catcher" in the rye, but about a girl who has met someone in the rye for a kiss (or more), got her underclothes wet (not for the first time), and is dragging her way back to a polite (i.e., Puritanical) society that despises girls who are "easy." Robert Burns, an honest man, was exhibiting empathy for girls who were castigated for doing what all the boys and men longed to do themselves. Keywords/Tags: Robert Burns, Jenny, rye, petticoats, translation, modernization, update, interpretation, modern English, song, wet, body, kiss, gossip, puritanism, prudery


Translations of Scottish Poems

Sweet Rose of Virtue
by William Dunbar [1460-1525]
loose translation/interpretation by Michael R. Burch

Sweet rose of virtue and of gentleness,
delightful lily of youthful wantonness,
richest in bounty and in beauty clear
and in every virtue that is held most dear―
except only that you are merciless.

Into your garden, today, I followed you;
there I saw flowers of freshest hue,
both white and red, delightful to see,
and wholesome herbs, waving resplendently―
yet everywhere, no odor but rue.

I fear that March with his last arctic blast
has slain my fair rose of pallid and gentle cast,
whose piteous death does my heart such pain
that, if I could, I would compose her roots again―
so comforting her bowering leaves have been.



Ballad
by William Soutar
translation/modernization by Michael R. Burch

O, surely you have seen my love
Down where the waters wind:
He walks like one who fears no man
And yet his eyes are kind!

O, surely you have seen my love
At the turning of the tide:
For then he gathers in his nets
Down by the waterside!

Yes, lassie we have seen your love
At the turning of the tide:
For he was with the fisher folk
Down by the waterside.

The fisher folk worked at their trade
No far from Walnut Grove:
They gathered in their dripping nets
And found your one true love!

Keywords/Tags: William Soutar, Scottish, Scot, Scotsman, ballad, water, waterside, tide, nets, nets, fisher, fishers, fisher folk, fishermen, love, sea, ocean, lost, lost love, loss



Lament for the Makaris (“Lament for the Makers, or Poets”)
by William Dunbar (c. 1460-1530)
loose translation/interpretation by Michael R. Burch

i who enjoyed good health and gladness
am overwhelmed now by life’s terrible sickness
and enfeebled with infirmity;
the fear of Death dismays me!

our presence here is mere vainglory;
the false world is but transitory;
the flesh is frail; the Fiend runs free;
how the fear of Death dismays me!

the state of man is changeable:
now sound, now sick, now blithe, now dull,
now manic, now devoid of glee;
and the fear of Death dismays me!

no state on earth stands here securely;
as the wild wind waves the willow tree,
so wavers this world’s vanity;
and the fear of Death dismays me!

Death leads the knights into the field
(unarmored under helm and shield)
sole Victor of each red mêlée;
and the fear of Death dismays me!

that strange, despotic Beast
tears from its mother’s breast
the babe, full of benignity;
and the fear of Death dismays me!

He takes the champion of the hour,
the captain of the highest tower,
the beautiful damsel in full flower;
how the fear of Death dismays me!

He spares no lord for his elegance,
nor clerk for his intelligence;
His dreadful stroke no man can flee;
and the fear of Death dismays me!

artist, magician, scientist,
orator, debater, theologist,
all must conclude, so too, as we:
“the fear of Death dismays me!”

in medicine the most astute
sawbones and surgeons all fall mute;
they cannot save themselves, or flee,
and the fear of Death dismays me!

i see the Makers among the unsaved;
the greatest of Poets all go to the grave;
He does not spare them their faculty,
and the fear of Death dismays me!

i have seen Him pitilessly devour
our noble Chaucer, poetry’s flower,
and Lydgate and Gower (great Trinity!);
how the fear of Death dismays me!

since He has taken my brothers all,
i know He will not let me live past the fall;
His next victim will be —poor unfortunate me!—
and how the fear of Death dismays me!

there is no remedy for Death;
we must all prepare to relinquish breath,
so that after we die, we may no more plead:
“the fear of Death dismays me!”



To a Mouse
by Robert Burns
modern English translation by Michael R. Burch

Sleek, tiny, timorous, cowering beast,
why's such panic in your breast?
Why dash away, so quick, so rash,
in a frenzied flash
when I would be loath to pursue you
with a murderous plowstaff!

I'm truly sorry Man's dominion
has broken Nature's social union,
and justifies that bad opinion
which makes you startle,
when I'm your poor, earth-born companion
and fellow mortal!

I have no doubt you sometimes thieve;
What of it, friend? You too must live!
A random corn-ear in a shock's
a small behest; it-
'll give me a blessing to know such a loss;
I'll never miss it!

Your tiny house lies in a ruin,
its fragile walls wind-rent and strewn!
Now nothing's left to construct you a new one
of mosses green
since bleak December's winds, ensuing,
blow fast and keen!

You saw your fields laid bare and waste
with weary winter closing fast,
and cozy here, beneath the blast,
you thought to dwell,
till crash! the cruel iron ploughshare passed
straight through your cell!

That flimsy heap of leaves and stubble
had cost you many a weary nibble!
Now you're turned out, for all your trouble,
less house and hold,
to endure the winter's icy dribble
and hoarfrosts cold!

But mouse-friend, you are not alone
in proving foresight may be vain:
the best-laid schemes of Mice and Men
go oft awry,
and leave us only grief and pain,
for promised joy!

Still, friend, you're blessed compared with me!
Only present dangers make you flee:
But, ouch!, behind me I can see
grim prospects drear!
While forward-looking seers, we
humans guess and fear!



To a Louse
by Robert Burns
translation/interpretation by Michael R. Burch

Hey! Where're you going, you crawling hair-fly?
Your impudence protects you, barely;
I can only say that you swagger rarely
Over gauze and lace.
Though faith! I fear you dine but sparely
In such a place.

You ugly, creeping, blasted wonder,
Detested, shunned by both saint and sinner,
How dare you set your feet upon her—
So fine a lady!
Go somewhere else to seek your dinner
On some poor body.

Off! around some beggar's temple shamble:
There you may creep, and sprawl, and scramble,
With other kindred, jumping cattle,
In shoals and nations;
Where horn nor bone never dare unsettle
Your thick plantations.

Now hold you there! You're out of sight,
Below the folderols, snug and tight;
No, faith just yet! You'll not be right,
Till you've got on it:
The very topmost, towering height
Of miss's bonnet.

My word! right bold you root, contrary,
As plump and gray as any gooseberry.
Oh, for some rank, mercurial resin,
Or dread red poison;
I'd give you such a hearty dose, flea,
It'd dress your noggin!

I wouldn't be surprised to spy
You on some housewife's flannel tie:
Or maybe on some ragged boy's
Pale undervest;
But Miss's finest bonnet! Fie!
How dare you jest?

Oh Jenny, do not toss your head,
And lash your lovely braids abroad!
You hardly know what cursed speed
The creature's making!
Those winks and finger-ends, I dread,
Are notice-taking!

O would some Power with vision teach us
To see ourselves as others see us!
It would from many a blunder free us,
And foolish notions:
What airs in dress and carriage would leave us,
And even devotion!



A Red, Red Rose
by Robert Burns
modern English translation by Michael R. Burch

Oh, my love is like a red, red rose
that's newly sprung in June
and my love is like the melody
that's sweetly played in tune.

And you're so fair, my lovely lass,
and so deep in love am I,
that I will love you still, my dear,
till all the seas run dry.

Till all the seas run dry, my dear,
and the rocks melt with the sun!
And I will love you still, my dear,
while the sands of life shall run.  

And fare you well, my only love!
And fare you well, awhile!
And I will come again, my love,
though it were ten thousand miles!



Auld Lange Syne
by Robert Burns
modern English translation by Michael R. Burch

Should old acquaintance be forgot,
And never brought to mind?
Should old acquaintance be forgot,
And days for which we pine?

For times we shared, my darling,
Days passed, once yours and mine,
We’ll raise a cup of kindness yet,
To those fond-remembered times!



Banks o' Doon
by Robert Burns
modern English translation by Michael R. Burch

Oh, banks and hills of lovely Doon,
How can you bloom so fresh and fair;
How can you chant, diminutive birds,
When I'm so weary, full of care!
You'll break my heart, small warblers,
Flittering through the flowering thorn:
Reminding me of long-lost joys,
Departed―never to return!

I've often wandered lovely Doon,
To see the rose and woodbine twine;
And as the lark sang of its love,
Just as fondly, I sang of mine.
Then gaily-hearted I plucked a rose,
So fragrant upon its thorny tree;
And my false lover stole my rose,
But, ah! , he left the thorn in me.

"The Banks o' Doon" is a Scots song written by Robert Burns in 1791. It is based on the story of Margaret (Peggy)Kennedy, a girl Burns knew and the area around the River Doon. Keywords/Tags: Robert Burns, air, song, Doon, banks, Scots, Scottish, Scotland, translation, modernization, update, interpretation, modern English, love, hill, hills, birds, rose, lyric

Immerse yourself until wholly submerged
in my unholy divergence;
Poor form tormented soul - 
Roll your pain in a J
then dip it in chloroform
Embrace my urges to purge
the remnants of sanity,
Spilling and screaming
all these profanities at humanity

Confuddling all posers
with my bastardized prose ~
Please, continue badgering
and nagging me
with your ****-******* menagerie
of trivial drudgery
I’m in misery so
go ahead and bludgeon me
Square in the noggin’
So that I can jog it,
whilst juggling all these nails
from my coffin

I’m awfully harmful and cruel
got these scoffing jealous skeptics
Acting a fool,
coughing up a lung-full of fuel
for all of the putrid mind puke I spew
My mixing *** skull’s
where the ingredients accrue
Just stew with me for a little
while longer though won’t you

I’m a cancer-ridden addler
babbling mad adages,
ravishingly tenderizing my meat
Laced with some dust from space, yes, no lackage/absence of it lining
within my nasal passages see
spun off some of that absinthe
In a cloud of burning trees
Please tell me you feel me

It’s staggering how I’m both crazy batshit,
**** smooth as rotten laxative cheese
Brain’s melting acidic beef
I’m like Randy Savage I got
Bombastic fat ******* in heat
Straight making my **** go flaccid post-weep

Don’t get offended women
just imagine
How painfully average the package
is within my lap that I’m packin
But now it’s wrapped
and I’m ready to fucken
fully send it no cap
My turnaround is lightning fast
In and out of your *** quick as a wink like The Flash

Faces contort in ghastly panic, actually
Dastardly antics unleashed in vast swarms
Plague the masses in pandemic proportions with them massive casualties factually once more
Give ya some relaxing action 
And skull-**** y’all
with such a passion *******
Your corpse falls to the floor
and right through the trapdoor

Candid, my pen-chance enchants
Heavy-handedly inanimate
in suspended animation
Supplant reality augmentation
Machinations of my imagination;
Implicating **** ransacking  
and seafaring through crab infestations 
Wreaking havoc and bequeathing vengeance
I’m a fire breathing grim reaper reeking of ****** ~

- Off is the nearest direction in which to ****
Dissect my ******* with your tongue
Turnt up ******* plumpies in the rumpus 
Just for the fun of it until I erupt
Remember, I’m avid for dismembering appendages
I expect you’re exceptional at accepting
a barrage of septic bombardment
Chance of success: logistics analysis zero percentage
(Cos I done ******* on all those *******.)

Superbly superlative and speculative
So fast on Adderall
I make Mad Hatter’s head spin
Quicker than you can snap: 
Giving your family heart attacks
Smack you in the face, 
While fapping my fabulous lap rocket

Thunderously plundering under covers
Spring-loaded with faux pas’ so hot
Make your mother’s ***** pop out
and say “hello”
like a Jack-in-the-Box

& U kno Those foxy grandmas
be jaxing off my **** -
Bingo wings beckoning me to flock
Choppin’ up rocks round the clock
with the glock in my pocket til I rot 
Undoubtedly
Caught em wit the molly-whop eyeballs pop out they sockets all dramatically
Whole squad **** swap the rod, on God
Blow my whole *** when I start spitting them double entendre fatality snowballs
Zippity-zop like Cosby’s special BBQ sauce
Bet I’ll dip my puddin’ pop and stay fresh with the drip til I drop
Y’all just holler when you want me to stop

Palpable, these **** butts malleable as putty
Barbarically barrel rolling into dat ***
rip it to shreds like confetti
Power Pole extend
Face pressed into your *******
Inhaling the wafting aromatic stenches
of distant French fish factories

Clearly getting dome from your dearly betrothed violently
Now she bridal and my seeds spiraling virally
Vital signs finalizing
Bounce that *** like jello
Swell; I’m in your hair like gel
Now swallow my jollies and don’t bother
Unless you hollerin’ and giving me dollars
Zealots idol my harlotry

If nose goes go slow grow low
Throwing those yoloing hoes out windows
This ***** simply bonkers
I conquer fear me

***** DON’T HARSH MY MELLOW
SWEAR I’LL MARSH YOUR MALLOWS

To whom it may concern,

     I am alone.  Although it may never quite seem that way, both night and day I am confined to solitude.  These past six years hitherto have been filled with nothing more than the fictional characters in my texts and the short pleasantries granted in passing by dismal men, women, and even children that occupy my days.  Each morning, as the dawn breaks, I wake up disgusted with myself in that same manner which sundry men and women have.  It is not the loneliness, however, that disgusts me.  No, I do believe I have grown quite fond of the residual silence.  Instead, I believe it to be the dull monotony of my routine that has left me truly disturbed.  The days have begun to fade in with each other, along with the nights---especially the nights.  I cannot say, for instance, whether or not it was last evening or that of a day three months afore that I was seated at my desk, much like I am now, finishing the latest draft of a poem in my journal.  Nor could I tell you the present date, although the heat of the day, still trapped in the rafters, is so persistent that I am obliged to say it must be one of those blue summer nights when children run, squealing, through the streets, like plump pigs to the trough.  I have become somewhat of a hermit, secluded in my small, run-down apartment above my bodega.  My mind has grown as wild as the violet petunias, bridging the gap over the narrow, brick walk which separates my garden--- as the myriad of dandelions that have invaded the surrounding lawn.
     Throughout the day I work the till in my shop, observing the assorted physiognomies that populate the three small isles.  As they walk up and down, deciding what they most desire, I, too, contemplate to myself, deciding the few whom I might admire should I get the chance.  I often attempt to strike up conversations with my customers, much to their dismay.  I comment on the weather, the soccer scores from a recent game, or perhaps a story from the local section of the Post & Courier, only to receive terse responses and short payments.  However, I never let these failed attempts at congenial conversation discourage me.  Day after day, I persist.
     The nights are easier.  Although I do not attend the boisterous bars spread out amongst the small restaurants and boutiques that line the narrow city streets as I once did, I often drink.  Seated alone, armed with a liter of Ri, two glasses, one with small cubes of ice and one without, and a pen; I waste my nights scribbling down nearly every thought that leaps into my inebriated mind.  My prose has yet to show any real promise, but my thirst to transcend from this pathetic, pseudo-intellectual literature student struggling with his thesis into something more drives me to ignore those basic desires, defined by Maslow as needs; venturing out and exploring the community that I inhabit or talking to another person as a friend.  So I sit, night after night, at the foot of this large bay window, looking out onto the tired faces of the busy street below.  I sit, night after night, tracing the streaks of red light from the tails of passing cars, imprinted in the backs of my eyelids like sand-spurs stuck in a heel.
     I can recall a time when my flat was not the dank, dimly lit hole in the wall that it has become today.  A time, not too distant, when the rich chestnut floorboards glistened beneath the fluorescent pendant lights, when champagne dripped like rain from the white coffers in the blue ceiling, and music shook the walls and rattled the windows.  Men and women alike would wander through the rooms, inoculated by my counterfeit Monet's and their glasses of box wine.  When not entertaining, I wrote.  At long length I sat beneath my window, proliferating prose or critiquing a classmate's from workshop, but those days have passed.  The floors no longer shine; instead they lay suffocating under piles of fetid clothes.  The halls no longer echo with the rhythmic chorus of an acoustic guitar or the symphonies of men and women's laughter;  the lights are burnt out, the paint is peeling off the walls, and the homages are concealed beneath vast fields of mildew and mold.  Puddles of whiskey sit unattended on the granite countertops around the bottoms of corks for weeks, allowing the strong scent to foster and waft freely through the air ducts into the store below.  The dilapidation that ensued after I stopped receiving visitors was not just of the home, however. Worse yet was the steady rot of my own mind.  Although I have often been referred to as "a bit eccentric," and often times folks would inquire if I had, "a ***** loose in [my] noggin," I have only recently begun to find myself walking about the neighborhood garden in the small hours of the morning more than occasionally.  Further still, it is only recently that I cannot remember how, or when, I came to be where I am. Whenever I do happen to roam the night, it appears as if I do it unbeknownst to myself, throughout the throes of my sleep.  Similarly, I have only just begun to notice that, often times while I attempt to write, I sit, talking feverishly---yelling at an empty bottle, until I find another to quench my thirst.  Luckily, there is always another bottle.
     Needless to say, these past few years have left me very tired, and, after much consideration, I have decided that it would be best if I were to "shuffle off this mortal coil."  However, much like Hamlet himself, I could never bring myself to act upon the feeling.  Though I often wonder about what awaits me after my last breath warms the winter of this world, the coward that I have become is in no hurry to find out.  Alors, I am left with one option: leave.  Though I am not yet brave enough to slip into that, the deepest of sleeps, I have gathered courage enough to walk throughout the day.
           Charon Solus

Jackal in his church pants,
Bad kid with punk jams,
Cramming nonsense in his conscience,
Skateboarding prophets,
Dividing light into chambers,
Bag of **** for his neighbors,
Turned into a living demon bleeding thru the paper,
Applesauce in the inside,
A coconut shell for the front,
Pineapple knives for the slaughtering,
Right into a strawberry's gut,

He was not a normal scorned, occulting youth,
But the lore of a regretful teen plaguing the afternoons,
Till that strawberry gut cracked his coconut noggin,
And shall he rest in bygones and Hanna-Babara monsters,

Chapter one:

  The strange entanglement of the sun, twisted in kooky bedlam with The Great King Moon in winter.

Have you ever looked down at yr feet on the long walk home & wondered if you’re really moving forward any more or if all your really doing is just moving the ground? Don’t answer that, its a rhetorical question. Of course you have. We all have. You think you’re moving in the right direction, following the north star or the compass in your brain or maybe just your nose or your thumb and fore finger. You  believe that you’re gonna make it somewhere, you have to believe. What else is there. The truth is, you’re going nowhere, we are all going nowhere, we just spin on the slanted axis & never really go anywhere. We have been conditioned to believe that this is the way the world works but I’m here to tell you that it doesn’t, you gotta buck up, **** up or ******* ‘*** let me tell you, yr ‘dreams’ mean nothing to anybody ‘*** living, real living is not connected to REM. That’s all just more ******* you’re gonna have to put up with people trying to sell you. Lick the boot, get over the barrel & bite down on your watch strap. That’s all there is to it. The mind is a magnet. If you find yourself staring in to the abyss: Jump right in. Swan dive. Hold your breath & wait. Everything will be OK. I promise you.

I’m writing, ah writing! Writing this worthless piece of *****// manuscript of means for you. For me, for the future, for love, for lust, for hatred of all things hating, for your mother & farther, for my friends, my beautiful angelic, clinically insane friends, for time, for the soles of my shoes with hundreds of miles under their laces, for your fat greedy pockets, for the moon, for the sun to spit on, for the wind to taunt, as he does like the great cowardly, perverted invisible fiend that he is, for nothing, for not quite everything, for your aching lovers, for your broken hearts, for the worlds water, may you always be clean & run free, for the great biblical liars, for the sorrowful wonder of the great homeless & may all their wants come to be wanted, for *******, for fumbling, for the vast oaken heavy doors on bars that keep us safe from the  horrors outside, for guilt, for sugar-blue smoke, for all the kids sitting in **** stained squat houses with half a horse embedded in their face, for my schools that gave up on a bored child, for warmth & fire & woollen clothing, for Paris where I can fulfil my great dream of becoming a sullen cliché, for the gravel-mounted marching marvel, may you never lose your way, for the Parthenon, for Aubergine, for The Firefly, the swan, bleeding,for growing up, for all the music makers,all people should play all instruments to any degree(rather than just, age & shrivel), for Howl for Carl Solomon, for every down & out that ever clawed his way up the street & through the yellow door, for all the animals that gave their lives to keep me fat & red faced, for Christ sake, for the invisible man in the sky, causing all war & so much death-thank you, for the wild west, for Bert & John, for the great literary mastodon to look down his reset nose at & ask me why. Why?

The way that old dial telephones look & feel. The questions that need no answers. Feeling down, down & out, upside down & inside out,upside in & downside out on the pavement at five am. Waking up in unknown beds & crawling down drain pipes. Getting lost in a place you have lived your whole life. Being in the woods simply to be in the woods. Drinking coffee even though you hate the taste. Never telling a stranger the truth. Living under a false name. Drinking yourself to death in the dark lonely-crowded corners of ***** stained wood floor warehouse floors. Feeling solid-sterling-gold for feeling so terribly horrifically half-corpse-like the only way you can really feel is completely statuesquely angelically magnificent and the only way is down(you really have no idea how far I fell that morning) , Only going out when it rains. Only going out in the dark. Staying up all night dreaming and sleeping all day. Remembering to forget, forgetting to remember to remember to be forgetful. Understanding that you and no one else understands nothing but eat-drink-sleep-****-death. Smoking until yr tongue bleeds and yr eyes burn like that fire in the sky in the fearful month of June. Wishing you knew how to tie a noose & writing ”suicide” on yr calender on a day you have no planned engagements. Shooting to the moon & back in the bee-bop-bo-bo-batter-batter-chitter-chatter like jazz on the neon streets of the earths mother. Crawling in to a stone cold bed after walking for six days & feeling bored & lonely again in ten minutes.

That’s why, I’m glad you asked. If I’m going out, then I’m out going with some steeze in a cloud of smoke, yr wife & I’m not taking you with me.

For all these things & more is the reason I write. To write for the sake of writing. For, some people write, just to write & they are truly the the lost meaning of it all.

Automatic travel rambles to plug up the holes in yr lonesome pockets. Blues.

Chapter two:  

Creeping moss-stick under-flowering the useless but grateful Tuesday poet, Jim Gravestone Sr.

The ghost of the monorail, living only in upturned memory sits slow & smooth/low against the Sunday evening rapture. You gotta know which way is down. Down. The dew on the grass & the creamy-green residue of the night before is just too close to a real drama. Absolute dahma. Down in the cold rising damp & the stain on your shirt.

He sits , sits like you, like me & like old Tom Mooney the prison king. If you ever saw such a sad sight as he, I do believe you would roll out your tongue on the pavement right there & then & wait for the road sweeper & all his secret, early morning charms & the great wolf man, pork chop sideburns (lupine dreams)to clean you up & clean you out. I do declare!

For he knows-for he has seen. Seen the sun rise from his pearly throne up on the dark side of the moon, the very face of Bowie, right there in the eye socket. He sees all. You can live your life, & you do, & you should, but he, O’ he, he has really been there & where & back again. You carry on with your sleepy routine of mule-back coffee office doom death jobs(you sleepy Bohemian, you)  & in you spare time trying to keep your nose from filling up with water & your private parts entwined with somebody else’s most private of parts, & on the side lines of you spare time you can deal with your family & all the friends that you’re sick of but hold on to, only for the fear of being left alone in the dark with nothing but all of the above. Then again you always have your studies(STDS)all of the ologies, of course.

Sleepology, cocaineology,rainolgy, sunology, lonleyology, depressionology, suicideology, talkology,empypocketsology, meaninglessology, masterbationology, coutntingyourmoneyinpintsology,walkology, onenightstandology, jumpthetaxiology, begology, borrowology, stealology,feelology, upallnightology, sleepalldayology, Xology, ologyology, etcology etc…ology etc.

Just find something you can care for ‘*** [insert atheist god/idol] knows that nobody is going to do your caring for you, even I they do in fact care for you.

I have been beginning to notice,that I(and I may not be alone)

always look at the past through a marigold monocle.

This, meaning nothing now ever seems to be joyous or gay or splendiferous until it is a past memory.

A cobweb. A rafter. A leaf on the ground. …I guess.

         Chapter three:

I know you know it but people that you don’t know, really are a funny, funny thing…

I stand outside the rain & watch the people passing by; really the most depressing experience of my ever increasing years. Un-jolly fat men with whiskey-nose & scuffle-feet stanzas of gibberish, talking gibberish & gibberish being their inner most self. Pre-war women with Arctic-blue hair, faces melting, everything pointing down, shuffle. Kids pushing prams full of ugly babies towards a house of who-gives-a-**** & ******* & I’m-gonna-die-here and what of it. Is there really no more to life. Listen to the top 40 on the radio, clueless, oblivious. Cogs. All cogs. Military troglodytes following them back in a dead eyed daze, dreaming of killing in the real and virtual. No you may not have a cigarette. Leave me alone, please. Let me listen to my watch ticking in peace & at least pretend that you don’t exist.

The human body is comprised of several ‘substances’

including..

Mercury,

hydrogen hydroxide,

fountain pens,

the lost dates of calenders,

various small woodland animals,

including…

Voles,

rabbits & field mice.

Other such things as…

Misplaced birthmarks(of the brain)

feelings of remorse and regret,

the stolen trinkets of past lovers,

and of course,

white blood cells,

pesticides,

and the second hand

from a 1956 ’Hamilton Rail road’ pocket watch.

E.L August 7th

           Chapter four:

Last night, last night was the last night it was the night last

Picasso raincoat. Imagelessness. Bottomlessness. I lost my umbrella & my Holden Caulfield head-wear, again. I was skipping on a rain cloud, corduroy boy and scarecrow girl, reunited in a soft entanglement sticky in the senses. Hoof! The only way is up when you walk down these stairs, snakes and blisters, but you’ll sweat it all out in babble cream conversation and love in your eyes. Tell me a story, tell me a story, tell me something to prop my chin up in this brown tunnel. Your name it is something I cant care to remember but of course I never really had a name of my own either, so we shall be the great wonder of the nameless masses, the ones born to no name and never wanted one anyway. A name is nothing but a label, a calling card, call me anything, call me king Charles II just as long as you do call me, the sound of a voice, your voice, any voice reeling off a comprised anagram of the alphabet is enough to get my short attentive ears to perk up and twist my noggin backwards towards the direction of my inbuilt gypsy sonar. So anyway, I was going to talk about something, something great… but now its gone and all I have is bloodshot eyes and sweaty liars palms to prove to the world that I had an idea once, I swear I did.

Here’s an idea for you to dig you heels into:

The world keeps making mistakes, everybody makes mistakes, its natural, nothing to fear, it happens all day every day. BUT, with every mistake we make, we then proceed to learn from that mistake, so.. stay with me here… Once the world, the whole world meaning everyone in it, has made every mistake they can make and of course and one would hope of course, that they have also learned from all of these mistakes; once this has happened, there will be no more mistakes to make, right? Therefore leaving the world perfect as a whole, no mistakes to make, learnt their lessons on every lesson and we can all go on with living a perfect existence, yes?…

No.

I’ve really thought long and hard about it -could never happen, people are not perfect, they never will be, if they were I wouldn’t want to know any of them, and the world, well the world is an imperfect place, and the same rule applies.

But let me hit you with another bit of knowledge to round things off and maybe put a positive spin on things. Hoist ye marrow-thumbs around this;

One of the many few early times that my legs forgot how to use them selves, I was sitting on the pavement, trying for one to reattach these two now useless appendages stuck like butter to my lower torso, but foremost trying to light a cigarette with my useless cold hands and equally useless matches, fearful of the sneaky clear coward, invisible old Mr wind, when a kindly stranger, half my size, red my hair, opposite my *** and now opposite my broken legs appeared like a person will appear when you mind is in other minds, a smile, a sympathetic look and two working hands to fire up the stick in my mouth. I said my thanks, babbled about babble and the generation of gibberish and im sure many other things inconceivable to the sober ear of a dame such as she, the bringer of flame and enlightenment, not of the smoke but of the simple mind, an idea is what she left with me and it never left. She stopped my rambling typewriter of a tongue and said ‘shush’ she held my head in her hands, looked at me straight,so I thought she might be death or god or that I was passing out,she all green eyed and like the woods, looked at my eyes like they were tethered together and dropped the bomb on me, she said ”if you are looking at the moon, then everything is alright” kissed my warm on frozen forehead and was gone into the night, never to be seen again.

That’s all the advice you will ever need, & so ll I will leave you with.

You never left a name, but I never wanted one anyway.

Midnight moment

beautiful rags

midnight joy.


Nevermind your little light,

set apart your golden dreams

that offen break,

& come to play.


Chapter five: There are things I want to write but I am not going to write them.

The End.

‘Stay gold, Pony Boy’

A monster came out from under my bed,
all hairy and ugly and oh so red.
He ran to my closet and ate all my clothes
then back to my bed he was tickling my toes.
I was so afraid he might suddenly eat me,
There was nowhere to go where he couldn’t see.
He threw all my toys in a great big sack
And told me meanly they’d never be back.
Then he looked at my desk and suddenly smiled
And seemed to be happy or maybe beguiled.
He looked in my eyes and pointed at me,
“give me your laptop and I will let you be”
I loved my laptop a gift from my mom
I stared in his eyes feeling so dumb.
I was no longer scared now I was mad,
Monsters aren’t fun when they behave so bad.
So I took out my bat and put on my new shoes
and said to the monster, “guess what you lose”.
One swat on the noggin and he was out cold
I keep my toys because I was bold.
It pays to be brave and never have fear
But be careful at night when a monster is near.

HAPPY LATE HALLOWEEN
to my Grandaughters
Copyright Jan/2014
WHC

It goes( as it
always goes, to )
: ! PENALTIES !

A chorus of "Oh Noooos'!"
rises from the fans like
winter breath from cattle

Hamlet, places it:
...steps back to take it
&. . .

"Do it England!"
the fanatic fans chant
"Dooooo....Itttt...Angle...la...and!"

Hamlet thinks
( No...nOOOO Hamlet don't
.     .     .think! )

But it is alas -too late
he has
already thunked!

"If it be now, 'tis not
to come; if it be not to come
it will be now!"

"Duh!" the fans think
"Agggghh...just
do it!"

The thoughts sprout
from his great big noggin like
a cartoon speech bubble.

"...if it be now now
yet
it will come!"

"The readiness is all!"
Hamlet runs up to
the waiting ball.

Hamlet hushes his
thought process
strikes the ball with his right foot &.     .     .

"To be or, aggggghhhh noooooo!"
After that comma  that
negative sentence.

'NOT TO BE!"
jeer the rival fans
'*** THEEEE...TOA...NONE...ER...EEE!"

Hamlet ends it all
with a bare bodkin.
"O, O, O, O." Dies

"Football is not...."
as Shankly so succinctly
put it

"...a matter of life and death.
It's. . .
much much more important than that!"

The rest.

Is.

silence.

Johnny Warren after life all-stars v the Saturn stringers




Johnny warren got together an after life soccer team with players like Don Bradman, as well as 2Pac, and even Christopher Reeve, also Elvis Presley, and Paul Berenyi, and Brett Eggins, we're all fired up to give Saturn a total soccer makeover, Johnny Warren alan picked Scott McDonald as well as Billy Thorpe and Tony Campbell and Saturn was a team who had some very good names as well, who are John FKennedy, Robert Kennedy as well as Martin Luther King, Walter Burley Griffin who has lived on Saturn since 1980, earth time, and never wanting to go , because Saturn has really nice homes where he can be a good athlete, also Jack Dyer and Tony Grieg and Chris Mainwaring made up the numbers.
So the game started and Johnny Warren started the play, passing it to Christopher Reeve, who is trying to bring Superman in with a really beautiful kick up the centre which is blocked by Martin Luther king, who passes it to burley Griffin who stops to look down on earth, to hear what a stupid professor is trying to say he'd like, and used his powers with a kick which made the goal, to put Saturn in the lead 1-0, the kick off came and Johnny Warren gave a big kick up which was intercepted by Jack Dyer, who dribbled it up the field, trying to stop the interception, by the other players, and then after that he passed it to Martin Luther king, who began to dribble it down a few more times, and nearly got a goal, but he missed,and the ball was intercepted by 2Pac, who ran right to the other side and kicked it in the goal, and it was counted, and that made the score 1-1, and 2Pac very happy and went to the crowd, and said, me and Johnny W, go back a long way, in afterlife sports.
The kick off happened as Martin Luther king kicked the ball over to John F Kennedy, who dribbled it further down the field, and dodged so many of Johnny Warren all star players, and finally passed it and the Johnny Warren Allstars intercepted it and John F Kennedy tried to block 2Pac the whole way, and he did and then John F Kennedy passed it to brother Robert and Robert ran down to the other side, dribbling the ball as he goes, but Billy Thorpe, intercepted it and ran down to the other side, with the ball and passed the ball to Johnny Warren who missed from right in front, and suddenly Walter Burley Griffin got the ball and dribbled it down to the other end, and yes, he kicked but it was saved very nicely by the Johnny Warren All stars goalkeeper, yes, this game was looking very good, you see these are only 1 half games,,because Johnny Warren wanted it that way, as Paul Berenyi ran it to the half way line and passed it to Brett Eggins who ran it down and as soon as he got to the goal line, he passed it to Johnny Warren who snuck it in to 2Pac who scored the Johnny Warren all stars second, and that made the score 2-1, with 2 minutes to go in the match, and the reason why there is no half time, because the players are the undead, and they don't need to break cause they can no longer be killed,
And Martin Luther king ran it down and flicked it across to John F Kennedy who passed it to Johnny Warren who was so excited he booted the ball all the way to the other side, and 2Pac knocked it in, to make the score 3-1, yes and this was really exciting for Johnny Warren and then Margaret Thatcher came into the field and Paul Berenyi booted the ball so hard, It hit Margaret thatcher right in the noggin,,and despite trying very hard to hurt her, she can't be hurt, but people can try to hurt her if they want to, and then Margaret Thatcher, left, saying I want that Paul Berenyi in Mercury, and then Martin Luther King scores a goal and at the end of the match, the score was, 3-2 to Johnny Warren all stars, and Johnny Warren sat down and had a talk with Paul Berenyi, and Paul said it's the after life coach, she can't be hurt, but Johnny, said I know, but we need to be nice to one another, or you Paul Berenyi will be locked in Mercury for all eternity, and Paul said he'll behave, and was let off with a warning.

*****, I’m still deft like a leopard;
Repping these streets,
Still chasing da paper
Quick wit the maths,
SoCal’d-rap c u lator
Innovative & faded,
I drink it straight up, no chaser

Backw(ar/oo)ds I’m facing
I’m trippin’ my laces
Inhaling clouds of a thousand lit vapors
Sowing my seeds,
Young man he ain’t got no patience
Be wading my way
Thru a crowd of y'all haters

Insane bro,
How they still don't know my name
Money and fame
I scream while I slang,
It's lame
And I can't move my feet,
my knees are weak
Padlocked to my mafkin’ seat
Yeet YEET

****** around and popped some molly,
U know I be boolin’
Wit a couple of y’all thotties
My Impala’s no ‘Rari
I’m not saying sorry,
***** I got no money
My Mom’s where my house be

I see you sneak dissin’
Just gonna squeeze this in
I’m a heathen and I mean it
~Ope please excuse the dopeness,
I’m just wokest with the flow dontcha know it?
Best have some hands to throw 4sho,
Unless u glow wit it

If I had as much love
As I had **** in my pants,
I’d fill you up at the first glance,
Given the chance
Got u entranced,
We **** when we drance
I’ll show you London,
You show me France yeah

Suicide’s on my mind
Though I can’t seem to find
Motivation inside
I say I wanna try
But I’m wasting my time
Just want some good vibes
Hmu if you find em?

Said I'm havoc wit astounding clout
Blow clouds spit them fractals wow
shifting shapes, him prismatic now
-I’m in another dimension
Guess I never questioned
the consequences
of my pathetic aesthetic

Ya I wear a ****** mask
so you can’t see my pain
Tell me does it resonate,
Does that penetrate your brain?
Man everyday, it straight feel the ****** same
So let’s just vegetate
Now watch me steady levitate
I’m breaking loud,
Falling apart like towers to a plane
Flowers to a flame burning down,
Mayday, mayday
You melt the beams in my heart,
What can I ******’ say?
Catch me diving headfirst in them opposite lanes
Then my mind,
Gets flushed down the ******’ the drain
*****, if you ain’t a succubus
Get the **** up out my gravy train

I smoke big doinks
Gets my mind zoinked
To the point I’m anointed

All about the jinkies
When I'm smoking on that ******,
Take you to the movies,
Tryna feel up them *******
Finna get *****,
I’m no noobie wit a Hoop-D
Shoot my shot up in the *******,
When I hit her wit da roofie

That beat slap harder than a drunk stepfather
When you feeling up his daughter
Got some choppers in the locker,
-Steady mob but I’m a scholar
Now they droppin’ all these dollas
Got the armor to conjure
& conquer the darkest monsters
Hollerin at my partner,
Slobber on my whopper while I stomp em’
Noggin I’m finna clobber
Coldest shoulder on the mountain

My manhood hooked in the crook of ur nook
Y’all wanna tip toe but I don’t pussyfoot,
Wanna throw bows?
Tell ya *** not to look
Vibrate in the ****,
You could say that ***** was shook

Yeah my lines are blurry,
Insufflate blizzards in a fury
Digging where the sewage be
For all these ******* I am luring

Skewering all you limp *****,
Ripe for the barbequing
Cos I been roastin y'all ***,
This **** just ain't ****** new to me

Suckle on my Johnson just to savor the taste
That’s real cheese flavor,
Parmesan off the grate
Got some fries with that shake,
Know those thighs make me quake,
Great Value™ cellulite it’s processed Equate™!

Assassinate you with stealth
God's not gonna save you
When you’re screaming for help
Guns drawn, black lung,
***** I shoot from the belt
Dead-Eye in the sights,
Just need five perfect pelts
Gettin’ litty
Spend $50’s
Pet kitties
**** *******
On this niftier side of ******
while I acquire the wealth

Yo, I smoke a rello
To un-harsh my mellow,
Y’all yellow bellied fellows
Can’t reach my own level

Don’t like my rhymes?
You can fight me
Ignite whilst I smite thee,
From the sky
These bolts come to strike, see
Now I’m magically
Sporadic as lightning

Got Gucci on my zipper -
Throw me a bag, u kno I’ma flip her
Call me Jim Lahey, *****
Cuz’ I am the ******* liquor!
Gonna put on my slippers,
And rock you wit da dripper

In tha cut,
I’m tripping ****
Yuh rolling up that indica

HAMLET AT THE WORLD CUP

It goes( as it
always goes, to )
: ! PENALTIES !

A chorus of "Oh Noooos'!"
rises from the fans like
winter breath from cattle

Hamlet, places it:
...steps back to take it
&. . .

"Do it England!"
the fanatic fans chant
"Dooooo....Itttt...Angle...la...and!"

Hamlet thinks
( No...nOOOO Hamlet don't
.     .     .think! )

But it is alas -too late
he has
already thunked!

"If it be now, 'tis not
to come; if it be not to come
it will be now!"

"Duh!" the fans think
"Agggghh...just
do it!"

The thoughts sprout
from his great big noggin like
a cartoon speech bubble.

"...if it be not now
yet
it will come!"

"The readiness is all!"
Hamlet runs up to
the waiting ball.

Hamlet hushes his
thought process
strikes the ball with his right foot &.     .     .

"To be or, aggggghhhh noooooo!"
After that comma  that
negative sentence.

'NOT TO BE!"
jeer the rival fans
'*** THEEEE...TOA...NONE...ER...EEE!"

Hamlet ends it all
with a bare bodkin.
"O, O, O, O." Dies

"Football is not...."
as Shankly so succinctly
put it

"...a matter of life and death.
It's. . .
much much more important than that!"

The rest.

Is.

silence.

the world hasn't changed
but blow out the candles anyway

i suggest,
  you leave the wishes
tucked somewhere in your noggin

because expectations
are disappointments
in a short and sweet disguise

A pixie marching band took their show on the road.
17 tiny horn players and a drummer
with a button for a snare.
Across the water they walked,
regimented in three lines,
playing "Has The Day So Quickly Ended" to the rhythm of water splashing
on finely cobbled pixie shoes.
Tireless they moved forward
across an entire ocean
seeking comfort and solitude of Icelandic shores.
Unnoticed by the many captains of the many ships they slipped by, their music nothing more than crickets chirping or the ringing in their ears.

It was a long journey and they never stopped playing once.
Seven hundred and seventy-six songs in their repertoire
they played each one at least twice as days turned to night
and the cycle would need to be repeated
Every pixie musician in the band had every one of those songs memorized
you could call the tune
at any time
day or night
he would pick up his pixie instrument and play it note perfect.
Not a single mistake.

Legendary songs of pixie lore, like "Call The Wild Dogs to Anglicize", "Too Many Curtains" and "Fill Your Cup With Salty Seltzer".
Popular pixie songs all pixies knew, like "Bertha You're a Hard Act to Follow", "Dropped My Horn in the Bay of Pigs", "Livestock", "Ain't No One Answerin' the Phone" and "Drop Yer Pillow, Samuel".
Sacred pixie songs celebrated their common faith in the one true God, like "God, There Ain't No Other God", "Our God Sails the Seven Seas" and "God Help the Fool Who Fools His God".
Pixie drinking songs, "Bottoms Up", "Can You Hear the Weeping Warm Beer?", "1-2-3 Let's All Get Drunk", "Pixie Drinking Song" and "Hustle That Swill".

A lot of songs.
A lot of moods.
A lot of reasons to go  home to Iceland,
as if they needed any besides the food.

The pixie band was pushing three-quarters of the marching journey across the ocean
when Big Jim Pixie turned around and scolded Billy Joe the trombone player.

"Bill, you clumsy *******!" barked Big Jim. "You just about hit me in the back of the head with that ******* trombone slide! Do I have to tell you what I'm going to do to you if you actually graze me with that spit-drippin' thang?"

Billy Joe, typically soft spoken, was not having any of this.

"It was a flying fish that whisked up 'gainst the side of yer noggin, not my slide. If I was of a mind to bean you with this here slide you'd be rubbing the back of your head right now and you'd be so shook up you wouldn't even know it was me that done it."

"You sure do talk tough now, don't ye?" asked Big Jim, reluctantly realizing that it could well have been a flying fish but not yet willing to let the trombone player off the hook. "Don't make me turn around cuz if I do you are going to be in the market for a new trombone."

"That's a well may be, Jim-Jim, but the hand that holds the pen that signs the check that pays for it is going to be yours. Let that stand as a natural fact."

If there's one thing in the world Big Jim didn't like being called
it was Jim-Jim.
Billy Joe was always calling him Jim-Jim because he knew it bugged him.
The pixies in the company had all used variations on his name when referring to him in the past  
Jimbo Johnson,
Johnny Jimson,
Little Jim Big Jim,
Jimmy Jolson,
George Jimson,
Son James the Ham Chef,
Carl Jim Has Been,
King James Version Abridged,
James Wainright Teller,
Jim the Traitor,
Jim the Christ Killer,
Jim the Destroyer of the World,
Jim the Enemy of the Known Universe  
each one of these appellations rankled him but none so thoroughly as the simple
Jim Jim
that Billy Joe would call him.

"I ain't payin' a ******* cent, trombone player."

"Then you ain't breakin' my trombone, Jimmy Jack Jehosaphath."

"Don't test me, you may have to arrest me."

"I'll bring you a file so you can get out of jail, Jim Jim".

"Well that's mighty white of you, pixie. Now what are you gonna do if that spit valve was leakin' and you got some of your nasty ebola saliva on the back of m'neck? You gonna come visit me in the hospital?"

"I might. But then again I might just wait and come visit your grave when they put you down."

"Joe, if we weren't still marchin' I swear to almighty God I would turn around and beat you so bad they'll be countin' a man short when we finally get home."

"Jim Jim, them's fightin' words but you ain't never fought nothing no tougher than the urge to **** in public. You ain't gonna do no permanent damage to me nor my trombone here. So why don't you put your money where your mouth is or keep that mouth shut?"

Big Jim turned around
hit Little Joe hard square between the eyes.
He heard and felt bone crack.

Joe looked stunned.
He'd never call that mean ******* Jim Jim again.
No,
never again
because he hit the water hard and sank down as the band marched right over him,
most not even noticing.

Jim looked for as long as he could then turned around and proceeded to march the rest of the way to Iceland.

"Don't call me Jim Jim," he said, speaking only to himself.

Then he heard a voice in the back of his head.
It was loud enough to be heard over the
music
and
the waves
and
the ocean breeze.

It was HIS voice,
but he had no control over it whatsoever.

"Jim Jim."

"Jim Jim."

"Jim Jim."

...and so it was Big Jim, whose trumpet playing had practically defined the style of this particular pixie band, lost his mind, eventually taking up residence in a Reykjavik sanitarium screaming every night, keeping up the attendants and making things worse.

"Little Joe Jangly Hops! Come here you ******* I got a lollipop for ya."

"Joe Joe Deathgrip Toenail! I'm gonna light your mama on fire!"

"Little Joe Clamfry, somebody took a **** in your bed!"

On and on he went until the people in the kitchen stopped giving him bananas. Then he stopped for awhile.

But only for awhile.

I need to know something. I don’t know if you want to tell me or not, but I really don’t care. You’re gonna tell me or you’re gonna find yourself in a world of trouble. I’m already ****** and it won’t take much to push me over the edge into dangerously angry territory.

No, **** it. Never mind. I’m ALREADY in “dangerously angry territory”. No, it wasn’t your fault. I was already close enough I could see the other side of reason before you came along.

But it would still be nice to know, if you’re willing to tell me. I mean, I’m not going to force it from you. That was the plan just a moment ago, but I’ve changed my mind. I’ve decided that my bitterness is not your fault. I won’t make you pay for it.

Yet I do feel as if it would do me a world of good to know.

Where were you when I was falling in love?

Were you sitting in a back seat of a crowded subway train with a cup of Starbucks coffee in one hand and a copy of “The Catcher in the Rye” in the other, holding it in front of your face as if it’s pages were a fascinating mirror? Was there an old man sitting near who turned to look at you every so often to the point where it creeped you out? Maybe you eventually said something to him, like “Excuse me, but is there something you wanted to say to me?"

“Why would you get that idea?” he would ask, as if he were totally oblivious to his invasive nature.

“I don’t know…you just keep looking at me and I wondered if there were a reason for it.”

“Nope. Not that I can think of.”

Did you smack him real good right then? Did you draw blood? I hope you did. I hope the driver had to stop the train to come back and drag you off of him. It would have been a real drag if the police had to be summoned, but on the other hand, wow, how ****** the thought of you resisting arrest.

Or did you cower into your corner, turn a page in your book and let the lecherous ******* carry on? I don’t think so. I really don’t think so. I don’t think that’s the kind of girl you are. I think you’re a firecracker.

And I think that wherever you were when I was falling in love is not where I wanted you to be. Not where you should have been.

Because I fell in love with a robot. Who knows why I fell in love with an ottoman? I didn’t know she was one at the time. Do you really think I’m stupid enough to fall in love with a machine? No, she was flesh and bones when I met her. She seemed normal, like all the other women I’ve ever seen or known.

But then she started smoking cigarettes. She carried them around in a little soft leather pouch that could be mistaken for nothing else but a case for holding the little *******.

God I hate cigarettes. I hate the smell of them, whether they’re lit or not. I hate the dark tan color of their filters with the little white dots speckled randomly. I hate the cotton that stuffs their filters. I hate the white paper with the almost imperceptible stripes banding around their length. I hate how the brand is stamped close to the base of the filter. I hate the packages that they come in and the cellophane that wraps them. I hate how stray flecks of tobacco gather in the bottom of the boxes and the wrappers, too. I hate how they make a person’s breath stink. I hate how they make a person’s clothes reek. I hate the way they look in a shirt pocket. I hate the way they look between people’s fingers and in their mouths. I hate the way they burn down to the nub and the ash that they leave behind. I hate pitch black nicotine stains on ******* smokers’ hands. I hate the way some people put one between their ear and noggin and actually think it makes them look cool. I hate how smokers seem to have some code of sharing, how it’s always “Hey, can I *** a smoke from you?” and 99 times out of 100 the answer is “sure”. It’s never, “Okay, but you gotta pay me back.” Oh no, Smoker’s Karma is at work here. I hate the way too many people call ‘em “smokes”. “I’m off to get a pack of smokes.” Good God, I think that’s lame. “Smokes”. Ha. I hate the way smokers ***** about laws that prohibit them from smoking in public and how so many of them have absolutely no regard for non-smokers who not only can’t stand the smell of the ******* but would just as soon not chance even the most remote possibility of getting lung cancer caused by second hand smoke. I hate how smokers would tell that person, “Oh, don’t be ridiculous. The chances of that happening are one in a million.” So what? *******. ******* with your nasty cancer sticks and **** your tar-lined wheezing lungs, too. **** the death bed you will lie on when emphysema steals your last breath. **** the oxygen tanks that cost almost as much as all the cartons of cigarettes you have wasted your money on during the last who-knows-how-many years of your life. **** all your attempts to quit. **** the feeling of disappointment that overwhelms when you fail once again, as Mighty God Tobacco hugs you, strokes your wet hair, wipes the sweat from your forehead and the tears from your eyes. Sweet summer sweat. The tears of a clown.

You know what? She never smoked before. I never would have thought she would pick up that disgusting habit, but she sure as hell did. Picked it up like it was a twenty dollar bill someone lost that she found on the side of the road as she walked to the smoke shop to buy another pack of Marlboro Lights.

There’s another thing I hate about cigarettes. “Smoke Shops”. Where the value-minded smokers purchase their wares. Not “Cigarette Store”. Not “Tobacco Warehouse"…oh, no. It’s a SMOKE SHOP. You’re going to buy some smoke, brother Jim. You’re gonna spend too much money at the 7-11 and it’s all gonna go up in smoke, but by the grace of God you are gonna save a couple of bucks by purchasing them at the “Smoke Shop” instead of the convenience store. You complain until you’re blue in the face about how ridiculously high the ciggy prices are at normal retail outlets, but when you run out of ‘em and the God-blessed “Smoke Shop” is closed ‘cuz it’s Sunday you’ll drive like a madman to Love’s and blow ten bucks because there’s a “Buy Two Get One Free” special going on. What a ******* good deal that is, eh, mister?

Furthermore…CIGGYS??? I hate how people call ‘em “ciggys”. But not nearly as much as I hate the word “cigarette”. I cannot stand to speak the word. I hate the way it rolls of my tongue. I hate the way the word sounds like it means “little cigars”.

I hate the way some smokers empty out their car ashtrays in the parking lot. I hate the way all the butts look lying there in a heap, a pile of paper soaked with the spittle of a hundred different mouths. And yet the nicotine python grips some desperate smokers so tightly that they will pick them up and try to smoke the last tiny flecks of tobacco from their crushed and blackened ends. I’ve even seen people extract the remaining **** from several discarded butts, roll it all up in a Zig Zag paper and smoke it. Don’t these people even know what Zig Zag papers are for? They sure ain't for tobacco, Charter.

“Butts”. There’s another word in the smokers lexicon that just sounds silly. “Smoke ‘er down to the ****, Jack, we’ve got more!” “I don’t have an ash tray, Terry, so just put your BUTTS in that half empty soda can over there on the table”…never thinking that there might be someone else at the party who could very likely mistake that particular pop can for his own and take a mighty swig from it. Oh my God, the thought, it gags me. How nauseating it would be to feel one of those wretched things fall against your lips and…Egad…the flavor…and yet the cruel smoker will laugh at such misfortune.

****.

God help me.

She was not a robot when I met her. Oh, no, she was a beautiful, exciting, passionate loving woman with a heart of gold and a desire that was practically insatiable. Here…take a look, I have a photograph in my wallet. See what I mean? That’s right, daddy-O, she was a real dreamboat. I used to carry this picture with me wherever I went…I guess I still do, huh? But I don’t know why. I don’t know why I torture myself looking at it, remembering what was, all we had, our bright and glorious future wrecked and deserted by her newfound proclivity for smoking cigarettes. Yeah, my friend, she was a real keeper. But you know what? **** her now, y’know? Just turn her over and **** her.

But hey…perhaps I’ve been too harsh on the smoker in general (if not to her…no, not to her). Perhaps I have exaggerated a bit. After all, some of my best friends smoke. It’s their business, not mine. Never has been mine. I know that. If they knew how I felt about the whole thing, whose to say they wouldn’t tell me to ****** off and never come back? Then again, if they are so shallow as to take any of this as a personal insult, then maybe, just maybe they aren’t my friends after all. I doubt the robot would want anything more to do with me if she knew what a stalwart anti-smoker I am. But I thought she felt the same. She DID feel the same. She told me as much. Before she lost her soul. Before she started smoking cigarettes. Before she started bumming ciggys.

I got no time for changes in her life so now I ask you again…where were you when I was falling in love?

Were you sitting in a Pentecostal Holiness church on a hard pew early Sunday morning before the service began, thumbing through the hymnal, looking for one that best expressed your feelings of devotion at that point in your spiritual journey? And what would that hymn have been? “Onward Christian Soldiers”? “Peace in the Valley”? “In the Garden”? “Smoke on the Water”? “Hotel California”? Maybe some obscure Black Sabbath song tucked in at the end of the book, next to the Doxology?

Did your hair shimmer, reflected in the light that poured through the stained glass window directly behind you? Did you feel it’s heat on your neck? Did it draw out beads of perspiration there, glistening? Would you have let me lick them and taste their saltiness even in the sanctuary of the church building? Probably not. But I don’t think the idea would repulse you like it would some other bonnet headed midi-skirt wearing holy rollin’ *****.

Maybe I would have asked you outside so that you might feel a little more comfortable with what I’d had in mind.

And maybe you would have told me “no”. I couldn’t blame you for that. No, I wouldn’t. It’s only natural for a real woman to guard her integrity in situations such as this one. I could not hold that against you.

Is that where you were? I need to know. Where the hell were you when I was falling in love?

It’s a horrible feeling when you belong to nobody, and nobody belongs to you. When you don’t matter to a single soul—there is no worse feeling in the world. That feeling nagged Clem throughout much of his life. He used to walk around, wounded and broken inside. Though what he felt inside may never have shown on his tough armor that he wore in public, Clem often felt his life pretty much meant nothing. So how did he ever get to where he was today? How did he get to be so blessed? It amazed him.

Born in 1917, Clem Manning never thought he’d ever make it to one hundred years old, yet here he was. Today was his special day, though he didn’t want any fuss over it all. But he was living with his daughter, Violet, for the past few years, and she wouldn’t have it any other way but to put together a celebration to remember. With a houseful of people, some inside, some in the backyard, and some on the front porch, Clem could say that he no longer felt that he belonged to nobody and nobody belonged to him. It was a beautiful Arizona day, and the distant mountains were ablaze in a fiery purple.  It was a day made for birthdays.  

Seeing one make it to one hundred was rare and amazing sight to witness. To make it this long meant you beat the odds.  Most of all, it was amazing to good, old Clem, himself. His parents died young, long before he could remember them. If others in his family lived longer, he never would have known. The only kin he knew of was his aunt and her husband. They may have taken him in, but he certainly never felt wanted. Both of them slapped him around, punished him by locking him in closets, and prevented him from eating meals when he was bad. They also neglected his needs of decent clothing and a good bed. He had a beat up mattress on the floor or nothing but the hard floor, itself, when he was being punished.  Thankfully, somehow someone intervened, and he ended up in a boy’s home. That place wasn’t a whole lot better when it came to dodging a hard hand, but he was kept clean and with a full belly.

Clem ran away when he was fifteen from that place, and that was in the throes of the Depression. From there on, he fended for himself. His days of experiencing hunger from living at his aunt’s house helped him to be street smart. The petty thievery he learned to master—just to manage to stay alive—continued on beyond childhood.  Like many men, down on their luck and traveling the country, he rode the rails illegally. Just how did Clem survive to be so old, anyway? In his hobo days, he’s been shot at, chased by police, and bitten by dogs. He also almost drowned once in a rapid river, and had a bout with double pneumonia that made him downright delusional and on Death’s door.  

But when the second world war came about, life became easier for Clem. He found his sweetheart, Bess, married her and settled down out west. He wanted to fight in the war, but a hernia disqualified him from joining. His life was surely spared then, for many of his friends were drafted in the army, went overseas, but never made it back alive.    

It sure has been one heck of a life. Resting in his easy chair, he was thankful he still had his wits about him—had a sound noggin—and that he could see and hear still alright—with the help of coke bottle glasses and a hearing aid. Everything that surrounded him was a grand sight to look at, knowing that he helped to create all this hustle and bustle of people in his presence, those here simply to honor him.

He and Bess had three of their own children, Hank, Violet and Daisy, and they also adopted two more, Ted and Sam. It was during those days in the home for boys that Clem saw some of the luckier ones go to good families, selected by potential parents that could give them the secure homes they desperately wanted.  Clem was never picked but picked over. Because he never got that chance, he swore he’d help out those just like him, ones who felt unwanted or ignored, ones that belonged to nobody and nobody belonged to them. He did just that very thing and strove to become the best dad he could possibly be. This was a learning experience for him, and his mistakes were his teachers. Nobody showed him how to be a father, but Bess was his rock and his ally. How he longed to be with her, again.

Clem outlived all of his friends. He lost his sweet Bess fourteen years ago, and buried one of his children—his beloved firstborn child, and it wasn't easy to bury Hank. It should have been the other way around.. There were now thirteen grandchildren, and he never did remember how many great grandchildren that there were, but they were all here now. It was a miracle to have everyone under one roof, as there was family scattered all across the country. He smiled to himself as he thought about how everyone took the time out of their busy lives just for one, old geezer.  

“You better matter to someone right now”, Clem once told a good friend, “Cuz one day you’ll be long gone, and you’ll be lucky if anyone knows your name. It doesn’t matter if you are loved by one hundred people—or one person. That’s how I see it, anyways”.  

With his wife’s relations, and his children and their families, Clem knew the family tree had plenty of branches on it. His life did matter in this world. One of his grandchildren, Amber, mapped a tree out, and she made it all seem so spectacular, and put together like a royal family’s would be. Sketched around the details was a tree done in colored pencil—vivid greens and browns that were eye catching to even a old man with weak eyes—and today it was on display for everyone to inspect and talk about.  

Clem knew very well that his days were waning, that soon he’d just be a memory in the minds of his children and his grandchildren—probably not his great grandchildren who would barely remember him, if at all. Someday, he’d just be a name in the family records of that famous family tree. Like he said to his friend, his name would barely matter to anyone some day. He was simply Clem Manning, a guy who got a break in life and dodged disaster. Maybe only the good did die young, or perhaps he was just too stubborn to die.

But this wasn’t a day for having a sourpuss or for dwelling on the hard things. This was a day to remember for everyone, more than just a birthday for a lucky, old guy that beat the odds. Clem couldn’t eat much of the food made for his birthday feast—too rich or not appealing to his declining appetite—but he promised to have a nice sized slice of cake. It was red velvet with cream cheese frosting, his favorite.

Happy Birthday to you…happy birthday to you…happy birthday, dear Cle-em

Da-ad

Grand-pa

Happy Birthday to you!

There was lots of applause, cell phones out and cameras snapping for picture taking, as Clem tried to blow out the three candles—1-0-0. Thankfully, he had a bit of help from the little ones up close, for Clem wanted to still show nothing was going to beat him, especially three, little, measly candles. But those weren’t just measly candles. They represented so much of who he was.

He still couldn’t believe he made it to see this day. How on earth did he pull it off, anyway?

To a Louse
by Robert Burns
translation/interpretation by Michael R. Burch

Hey! Where're you going, you crawling hair-fly?
Your impudence protects you, barely;
I can only say that you swagger rarely
Over gauze and lace.
Though faith! I fear you dine but sparely
In such a place.

You ugly, creeping, blasted wonder,
Detested, shunned by both saint and sinner,
How dare you set your feet upon her—
So fine a lady!
Go somewhere else to seek your dinner
On some poor body.

Off! around some beggar's temple shamble:
There you may creep, and sprawl, and scramble,
With other kindred, jumping cattle,
In shoals and nations;
Where horn nor bone never dare unsettle
Your thick plantations.

Now hold you there! You're out of sight,
Below the folderols, snug and tight;
No, faith just yet! You'll not be right,
Till you've got on it:
The very topmost, towering height
Of miss's bonnet.

My word! right bold you root, contrary,
As plump and gray as any gooseberry.
Oh, for some rank, mercurial resin,
Or dread red poison;
I'd give you such a hearty dose, flea,
It'd dress your noggin!

I wouldn't be surprised to spy
You on some housewife's flannel tie:
Or maybe on some ragged boy's
Pale undervest;
But Miss's finest bonnet! Fie!
How dare you jest?

Oh Jenny, do not toss your head,
And lash your lovely braids abroad!
You hardly know what cursed speed
The creature's making!
Those winks and finger-ends, I dread,
Are notice-taking!

O would some Power with vision teach us
To see ourselves as others see us!
It would from many a blunder free us,
And foolish notions:
What airs in dress and carriage would leave us,
And even devotion!

One Sunday while sitting behind a young lady in church, Robert Burns noticed a louse roaming through the bows and ribbons of her bonnet. The poem "To a Louse" resulted from his observations. The poor woman had no idea that she would be the subject of one of Burns' best poems about how we see ourselves, compared to how other people see us at our worst moments. Keywords/Tags: Robert Burns, louse, church, bonnet, lace, Scotland, Scots, dialect, translation

Not since the days
of shooting ******
into the artery in my armpit
(too many blown out veins
in my arms and feet),
have I spent multiple nights
pacing and sweating…..
******* simple carbohydrates. –
In the first months
of being a non-cigarette smoker
I would see folks light up
and near instantly collect
a chilled film on my back
and fingernails…
forget about it;
but the other day I drove
by a pizzeria
and had thoughts of ski masks
and 45 caliber pistols…
******* simple carbohydrates. –
Once upon a time
I drank near 200 ounces of
Mountain Dew
each and every day.
If I missed a day,
I would have massive headaches
combined with serious irritation;
while it has been more than 5 years
since this body ingested caffeine,
last night I could not fall asleep for anything
and no amount of cannabis oil
or ibuprofen
had the ability to curb
my aching noggin….
******* simple carbohydrates –
change is the only constant
and humanity has evolved
amazing adaptability
while I know I will be fine
at this moment only one thing
really runs through my head:
******* simple carbohydrates! –

“There is a bitter sting to reality, an unfairness to it all.” These words echo in the young boys ears. Holding what is left of his sanity, he traces the damage; rubbing the now forming bump on his forehead. Fingers circle the discolored flesh then press hard against it till he winces in a jagged remembrance.

He still feels the full force of her bible belt beating down upon him. Open hands smacking him with the made up words of her own book of revelations.

“And the dead shall rise. To feast upon the unclean. “She ranted.

Now, the yellow superhero tee comes off slowly enough. She has stretched the neck of his favorite shirt. Of course he is partly to blame. He never should have had a favorite shirt. He tries to swallow, but his nerves force him to take two swallows for one. The first one descends halfway down his throat.  Catching his anxious breath the second swallow finally goes all the way, followed by a trickle of blood.

“It is what it is.” He thinks.

With soft poet hands he pulls a different shirt from the closet. His brown hair slides messily from the neck hole as the red wool rolls gently over is sore skin providing a small degree of comfort. Then he put his long goofy looking brown and darker brown jacket on.

“I’m done” he mumbles to himself, as he stuffs his journal, sketchpad, the book he is currently reading, and an extra set of cloths in his black back pack.

The white window pane vibrates with October winds. He slides it open, shimmying over and out into the frigid autumn night. A shiver crosses his skin. Then he closes the window as quietly as possible to avoid any more drama. His sad eyes scan the night trying to decide which direction is the right way for him to run away in. With no indication of which way will work best for him he turns left and starts walking.

A mile down the road he stumbles upon the remains of a partly chewed up possum. Empty eyes point deeply into the pine forest. The moist matted fur almost matches the road’s color perfectly.  Dark dry stains mark the grey road. Chunks of slimy viscera lay displayed from the flayed features of the decomposing creature.

In the distance he hears the howls of teenage boys.
“A bunch of screaming fools ******* around,’ he thinks. “I don’t need this ****.”

So, he turns off the road and heads into the trees. Brown pine needles break under his feet. The soft forest bed gives slightly beneath his treads leaving little footprints. As he scans the ground he notices that the earth is swimming with strange footprints.

With a little daylight left he finds the perfect spot to stop. A tree plays backboard to his tense and tired frame as he sits down to rest.

His mind turns to dreams of love. A female figure fills his thoughts. She is dark and lights. Pale skin, leather jacket, with raven black hair that shimmers in the night sparkling with the energy of infinity. She moves with all the destructive grace of Kali. She is a frozen skin scythe less death; Hopes and wonders mixed in with nightmare prophecies. Doom pervades his soul. He feels perfectly alone with no hope.

Which means it is the perfect time to write a poem. One line flits past then the next till almost the whole page is filled. Then he rewrites copying and improving. Till two pages later he is finally fixing the finished draft.

With the last bits of daylight he completes the poem’s final lines. Shivering and exhausted he decides it is time to find a place to sleep. He packs his backpack with all the finesse of a ninety year ******* boy and heads out into the night.

Suddenly he senses something moving behind him. A shadow crosses his path. Panic seizes him. Shady black tendrils run across the ground followed by the sounds of strangers moaning. He runs. The moonlight flickers fast behind the fading pines as he quickens his pace.
He stumbles into a clearing where the ground is punctuated by broken stones and white marble dust. Small monuments stand marking the past. Somewhere slightly off to the side a Sepulcher sits as a testament to a hundred years of death.

“How perfectly macabre, I’m in a cemetery at night in the bitter cold.” He thinks

The earth shifts and swirls beneath his feet like quicksand. Losing his footing he falls backwards. The contents of his backpack scatter haphazardly across the disturbed dirt.

A thin hand pierces the brown ground. Then an arm makes its way writhing from the soil searching for something. Boney fingers feel around until they fall upon a pen and paper. The pen scratches furiously on the pad.

The young man stutters trying to make out the horrible handwriting.

“g-g-get of-f-f m-m-y head.”

The earth tremors beneath his feet, causing him to jump back in fear. Then a skull ascends. Empty sockets stare menacingly at him. More of its body rises, until the full corpse form is free. The wind whistles through the rotten frame. The monstrosity turns his head and heads away. Shambling off into the night to frighten someone else.

A sigh of relief escapes the young man’s lips. His heart slows to a normal rhythm. The blank October sky fills his eyes. He laughs in gratitude, deciding to find a better spot to settle for the night.

Then a jaw chomps down on his skull. Rotten teeth shatter but the bony mouth still pierces his noggin. Red droplets drip soaking the journal pages. The poet screams. His voice fades slowly away, as he struggles. Dying in agony he becomes a feast for the undead horde. The red splattered page reads---




The Graveyard Poet
He walks without sleep
Restless and awake burning inside
With all of the secrets he keeps
His pen and his paper
Lay softly on broken ground
The dead are his keepers
Their stones stand scattered all around
So he put his pen to paper
Ink is turned to flesh
The words bleed into
Each other and start to mesh
Thus the graveyard poet is born
He writes with passion
His mind becomes a storm
His body begins to feel numb
But his heart is so warm
On and on from dusk till dawn
Words erupt from the poets pen
Still the cold bites bitterly
He stops only to turn the page and write again
Hours come and go in a blur
Until he can’t move his arm
Even he is unsure
Of what is wrong
His eyelids grow heavy
And soon he is asleep
Rest peacefully young poet
Now your secrets are mine to keep

Every employee's name was listed in the address field
Except for one
The one I never noticed
That we never noticed

We all marched into the meeting room as ordered
Found the CEO on an extra tall stage
To tell us
"Today is Emma McGurk's last day
But she says it's the first day
Of her tenure
As Director of Forecasting of Unintended Consequences
She's not going
So I need all of you, all 300 of you,
To help me terminator."
(Or was that terminate her?)

So we gave each other Brady Bunch nods
I had to look up to make eye contact (or is that I contact?) with superiors
Then we marched to
The cubicle of Emma McGurk
Me remembering what Santa Ana had said:
"With a few hundred more men like the San
Patricios, Mexico would have won the battle."

And the battle wasn't to be won by us
It was to be won by Emma McGurk
The CEO tried to move her
Ten of us tried to move her
Then one hundred
And then all three hundred
Even I made an effort
But she wouldn't budge

So we had to move...
To another building
Hearing that Emma McGurk was still ensconced
In the position existing only in her noggin
Until finally the old building had to be imploded
A fifth-grader winning the honor of triggering
That dusty downfall of Emma McGurk's cubicle
And the building that sheltered it

It wasn't until Signing Day Eve
That I saw her again
Pouring ink at a haiku-con
"The pay wouldn't be that bad," she told me.
"If it was by the snicker instead of the word."

yonder wave wants to come on in
can't make it go away
try so hard to chase away
steel reserve



1.
don't come cryin' on yo broken shins
who dat talkin' ova der?
yo muvva just ain't home rite now
take ya scraggy bags
and vamoose outta here

pick up dem rings 'round yo trappin' eyes
      and lasso 'em round dat red fin
tackle yo chapped lips
      afore dem ships fall in yo calyx-cracks
quit dat naggin' *****-mouth
      here, have dis apple, ma piggie
and dems eyes o' yours dat shine so brite
       might as well switch off dat lite
hide dem leather-hands dat look like dry branches
      wat, even da desert don't win dis contest
pack dat stupid head in a box
      der ain't nuttin' inside a see-through noggin
hide dem silly hopes under a hevvy sea
      or bury it under da soles of yo crazi hart
take yo blasted treadin' to some udder place
      some dark mine where dey can use yo help
and all dem purty words on pages yo just lurve a-spewin'
      ain't no party here for fools no more


2.
den, der some funny rhydm 'gainst ma door
pushin' dat big wave
pushin' dat big wave
I'm a-pushing back jest as hard
but dat wrestlin' wave jest a-growin'
keeps a-knockin'
always rockin'
gonna come crashin' rite in

ain't no good wishing, ma beloved darlin'
so many fine dreams
running silent
in dem luvverly veins under yo kick-startin' tongue


yah, yonder waves gonna make a breakthrough
some day...
(mebbe)*




S T, 21 augury 2013

Okay, it's wild how "we" happened...this sonnet and the one that directly follows akin to black and white, and literally mere hours apart in that about 15 hours after this below was composed, my world suddenly turned upside-down by what I only dreamed could happen and had given up on, as these lines attest.



(sonnet #MMMMMMDXL)


Blue twilight.  After dark, scroll for intents
Down through the pictures of erm, fellows they'll
Assure you are a catch.  But I'm not, pale
As all my howling.  Stamp yes, "sheltered" hence
Upon the intro of me.  For good sense
Read what each wants.  Divorced will do for bail.
And only men my dad's age think t'avail
Them of a view of me.  Now don't ask whence.
Learn men aren't intrested.  To howl is poor.
They want used women.  I'm a *****?!  I do
Not put down money to subscribe.  Th'obscure
Chance one will brook that stubborn choice and woo
Is not worth hoping for.  Nah.  None shall stir
Romance save whom I shrink from.  Nothing's new.

05Aug17b

sometimes i think i see the bubbles of the infinities in-between things
but i don't
i have brain trauma

Will an eligible bloke happier be if he
Marries a ranking *ele like Miss Universe
With all her glory and graces, and 'cause
Of marriage mirth? Will a sheila pretty
An unbroken regalement have for a dream
Prince Charming--the fairy man of her whim?

Will the soul be jolly for the sophomore
More than for the frosh rapture of success
Had in the Ivy League of cosmic business,
When the heart cut a caper and an encore
Of hilarity requests of narrowed life--
To have constant binge in lieu of strive?

What man is wholly from trouble free, whose
Being be to sadness inured? Within, the
Spokes do sometimes snap at the rotary
Wheels of serenity, and chaos is let loose.
What thus can stay the pillars of pleasure in
A plagued world is above this little noggin.

Everybody's trying to be appealing
As heaven
As love
As money
As trust
As ***
Im stressed
This test
Of life
Has me
A mess

Is it selfish to long for what one needs
Id hate to be labled by lust
And greed

Am i stupid for falling in love again
It feels like it
I dont like it

Let the beat meditate your noggin' joggin'/
ya memory til ya get Tired never gone Retire/
from this Game like **** **** James/
from Goodtimes i remember the Good Times/
when the world was Alive now everythings Concealed/
reality is nothin' but Joke children gettin' bad Yoke/
from generation to generation gets worse to worse/
weak pulse im seeing visions of the Hearse/
mind gone i need of a Resurrection but my Heat is my Only Protection/
cuz ****** be trippin' sherm dippin' tippin'/
in my Hood swangin' on 4 w/ vogues cool i Suppose?/
but don't know that blow ya Slang hurtin' the Nose/
of victims Cocaina is the Product from the Devil Intellectual levels are Doomed/
dumbin' us down with Indoctrination seems like our Destination is bein' in Incarceration/
but im gone continue to fight with my fullest might-

Endeavor too Clever ridin' through Stormy Weather can't Sever/
me from this **** i Spit/
too too real o so fine Lookin' for a fine Dime i can wife Mine/
but too many Single Mother lookin' too much Off a Brother because of another Brother/
who told them that he loved them just wanted To **** them/
and Impregnate them/
baby girl stuck at Home all Alone/
strugglin' to feed her baby but the Father ain't in the Presence/
so she Becomes hesitant/
sell her *** for Cash cuz Bills bout to take Clash/
hittin' Roof Top i Pause & Stop/
take a Quick Glance/
shakin' my head in Disgrace still wishin' for Amazing grace/
but it's Hard to knock the Grin off a Demons Face/Paper Chase is our Am Ambition/caged animal Subliminal Messages so ya Can't Comprehend/
no Boyz to Men but im steadily In Philly? rollin' a Phillie/
Blunt Hunt ***** pullin' Stunts/with two hands tied behind my Back Hocus Pocus/
Nigguh back to Reality im just Playin' G this is the Philosophy/
of Yosef don't Lose Focus/
pay attention cuz they waitin' for us to Fall & Gall/
and keep us confined in a Circle that me and you Can't See but im goin' to Remain Vigilant ya See...

Banks o' Doon
by Robert Burns
modern English translation by Michael R. Burch

Oh, banks and hills of lovely Doon,
How can you bloom so fresh and fair;
How can you chant, diminutive birds,
When I'm so weary, full of care!
You'll break my heart, small warblers,
Flittering through the flowering thorn:
Reminding me of long-lost joys,
Departed―never to return!

I've often wandered lovely Doon,
To see the rose and woodbine twine;
And as the lark sang of its love,
Just as fondly, I sang of mine.
Then gaily-hearted I plucked a rose,
So fragrant upon its thorny tree;
And my false lover stole my rose,
But, ah!, he left the thorn in me.

“The Banks o’ Doon” is a Scots song written by Robert Burns in 1791. It is based on the story of Margaret (Peggy) Kennedy, a girl Burns knew. Keywords/Tags: Robert Burns, song, Doon, banks, Scots, Scottish, Scotland, translation, modernization, update, interpretation, modern English



Translations of Scottish Poems

Sweet Rose of Virtue
by William Dunbar [1460-1525]
loose translation/interpretation by Michael R. Burch

Sweet rose of virtue and of gentleness,
delightful lily of youthful wantonness,
richest in bounty and in beauty clear
and in every virtue that is held most dear―
except only that you are merciless.

Into your garden, today, I followed you;
there I saw flowers of freshest hue,
both white and red, delightful to see,
and wholesome herbs, waving resplendently―
yet everywhere, no odor but rue.

I fear that March with his last arctic blast
has slain my fair rose of pallid and gentle cast,
whose piteous death does my heart such pain
that, if I could, I would compose her roots again―
so comforting her bowering leaves have been.



Ballad
by William Soutar
translation/modernization by Michael R. Burch

O, surely you have seen my love
Down where the waters wind:
He walks like one who fears no man
And yet his eyes are kind!

O, surely you have seen my love
At the turning of the tide:
For then he gathers in his nets
Down by the waterside!

Yes, lassie we have seen your love
At the turning of the tide:
For he was with the fisher folk
Down by the waterside.

The fisher folk worked at their trade
No far from Walnut Grove:
They gathered in their dripping nets
And found your one true love!

Keywords/Tags: William Soutar, Scottish, Scot, Scotsman, ballad, water, waterside, tide, nets, nets, fisher, fishers, fisher folk, fishermen, love, sea, ocean, lost, lost love, loss



Lament for the Makaris (“Lament for the Makers, or Poets”)
by William Dunbar (c. 1460-1530)
loose translation/interpretation by Michael R. Burch

i who enjoyed good health and gladness
am overwhelmed now by life’s terrible sickness
and enfeebled with infirmity;
the fear of Death dismays me!

our presence here is mere vainglory;
the false world is but transitory;
the flesh is frail; the Fiend runs free;
how the fear of Death dismays me!

the state of man is changeable:
now sound, now sick, now blithe, now dull,
now manic, now devoid of glee;
and the fear of Death dismays me!

no state on earth stands here securely;
as the wild wind waves the willow tree,
so wavers this world’s vanity;
and the fear of Death dismays me!

Death leads the knights into the field
(unarmored under helm and shield)
sole Victor of each red mêlée;
and the fear of Death dismays me!

that strange, despotic Beast
tears from its mother’s breast
the babe, full of benignity;
and the fear of Death dismays me!

He takes the champion of the hour,
the captain of the highest tower,
the beautiful damsel in full flower;
how the fear of Death dismays me!

He spares no lord for his elegance,
nor clerk for his intelligence;
His dreadful stroke no man can flee;
and the fear of Death dismays me!

artist, magician, scientist,
orator, debater, theologist,
all must conclude, so too, as we:
“the fear of Death dismays me!”

in medicine the most astute
sawbones and surgeons all fall mute;
they cannot save themselves, or flee,
and the fear of Death dismays me!

i see the Makers among the unsaved;
the greatest of Poets all go to the grave;
He does not spare them their faculty,
and the fear of Death dismays me!

i have seen Him pitilessly devour
our noble Chaucer, poetry’s flower,
and Lydgate and Gower (great Trinity!);
how the fear of Death dismays me!

since He has taken my brothers all,
i know He will not let me live past the fall;
His next victim will be —poor unfortunate me!—
and how the fear of Death dismays me!

there is no remedy for Death;
we must all prepare to relinquish breath,
so that after we die, we may no more plead:
“the fear of Death dismays me!”



To a Mouse
by Robert Burns
modern English translation by Michael R. Burch

Sleek, tiny, timorous, cowering beast,
why's such panic in your breast?
Why dash away, so quick, so rash,
in a frenzied flash
when I would be loath to pursue you
with a murderous plowstaff!

I'm truly sorry Man's dominion
has broken Nature's social union,
and justifies that bad opinion
which makes you startle,
when I'm your poor, earth-born companion
and fellow mortal!

I have no doubt you sometimes thieve;
What of it, friend? You too must live!
A random corn-ear in a shock's
a small behest; it-
'll give me a blessing to know such a loss;
I'll never miss it!

Your tiny house lies in a ruin,
its fragile walls wind-rent and strewn!
Now nothing's left to construct you a new one
of mosses green
since bleak December's winds, ensuing,
blow fast and keen!

You saw your fields laid bare and waste
with weary winter closing fast,
and cozy here, beneath the blast,
you thought to dwell,
till crash! the cruel iron ploughshare passed
straight through your cell!

That flimsy heap of leaves and stubble
had cost you many a weary nibble!
Now you're turned out, for all your trouble,
less house and hold,
to endure the winter's icy dribble
and hoarfrosts cold!

But mouse-friend, you are not alone
in proving foresight may be vain:
the best-laid schemes of Mice and Men
go oft awry,
and leave us only grief and pain,
for promised joy!

Still, friend, you're blessed compared with me!
Only present dangers make you flee:
But, ouch!, behind me I can see
grim prospects drear!
While forward-looking seers, we
humans guess and fear!



To a Louse
by Robert Burns
translation/interpretation by Michael R. Burch

Hey! Where're you going, you crawling hair-fly?
Your impudence protects you, barely;
I can only say that you swagger rarely
Over gauze and lace.
Though faith! I fear you dine but sparely
In such a place.

You ugly, creeping, blasted wonder,
Detested, shunned by both saint and sinner,
How dare you set your feet upon her—
So fine a lady!
Go somewhere else to seek your dinner
On some poor body.

Off! around some beggar's temple shamble:
There you may creep, and sprawl, and scramble,
With other kindred, jumping cattle,
In shoals and nations;
Where horn nor bone never dare unsettle
Your thick plantations.

Now hold you there! You're out of sight,
Below the folderols, snug and tight;
No, faith just yet! You'll not be right,
Till you've got on it:
The very topmost, towering height
Of miss's bonnet.

My word! right bold you root, contrary,
As plump and gray as any gooseberry.
Oh, for some rank, mercurial resin,
Or dread red poison;
I'd give you such a hearty dose, flea,
It'd dress your noggin!

I wouldn't be surprised to spy
You on some housewife's flannel tie:
Or maybe on some ragged boy's
Pale undervest;
But Miss's finest bonnet! Fie!
How dare you jest?

Oh Jenny, do not toss your head,
And lash your lovely braids abroad!
You hardly know what cursed speed
The creature's making!
Those winks and finger-ends, I dread,
Are notice-taking!

O would some Power with vision teach us
To see ourselves as others see us!
It would from many a blunder free us,
And foolish notions:
What airs in dress and carriage would leave us,
And even devotion!



A Red, Red Rose
by Robert Burns
modern English translation by Michael R. Burch

Oh, my love is like a red, red rose
that's newly sprung in June
and my love is like the melody
that's sweetly played in tune.

And you're so fair, my lovely lass,
and so deep in love am I,
that I will love you still, my dear,
till all the seas run dry.

Till all the seas run dry, my dear,
and the rocks melt with the sun!
And I will love you still, my dear,
while the sands of life shall run.  

And fare you well, my only love!
And fare you well, awhile!
And I will come again, my love,
though it were ten thousand miles!



Comin Thro the Rye
by Robert Burns
modern English translation by Michael R. Burch

Oh, Jenny's all wet, poor body,
Jenny's seldom dry;
She's draggin' all her petticoats
Comin' through the rye.

Comin' through the rye, poor body,
Comin' through the rye.
She's draggin' all her petticoats
Comin' through the rye.

Should a body meet a body
Comin' through the rye,
Should a body kiss a body,
Need anybody cry?

Comin' through the rye, poor body,
Comin' through the rye.
She's draggin' all her petticoats
Comin' through the rye.

Should a body meet a body
Comin' through the glen,
Should a body kiss a body,
Need all the world know, then?

Comin' through the rye, poor body,
Comin' through the rye.
She's draggin' all her petticoats
Comin' through the rye.



Auld Lange Syne
by Robert Burns
modern English translation by Michael R. Burch

Should old acquaintance be forgot,
And never brought to mind?
Should old acquaintance be forgot,
And days for which we pine?

For times we shared, my darling,
Days passed, once yours and mine,
We’ll raise a cup of kindness yet,
To those fond-remembered times!