Let me start by appreciating Austen Bukenya’s stand on the challenges that boggle young African writers. He recently published in the literature pages of Saturday Nation. In which he argued that before one can be declared a bad writer we must see his or her writings first. Good. I agree with Professor Bukenya.And I also argue yes, bad writers can also survive. In fact they can thrive alongside good and popular writers. Thus the way forward is to take a pen and write. But not to surrender to the torture by internal fear that you may write a bad book or a worthless script.
Charles Darwin also toyed with an idea of presenting his manuscript of Origin of species for a decade. He also feared that may be he had written a worthless book. But when he presented the book, it was suddenly published and became a spell binder in diverse respects. Same thing to Richard Wright, the Author of the Native Son. He similarly feared presenting the Manuscripts to the publishers on the basis of fear that he was only a ***** and not formally educated. But when he presented the manuscript, it was published and became the most influential book on race relations and civil rights movement in America of those days.
Thus, the first thing is to break fear of self doubt and begin writing. If whatever you write will be bad, just keep on as you may end up surviving as a bad writer. History of written literature has a lot of bad writers who have survived to extreme. And even succeed through persistent writing regardless of their sorry state of popularity. The glowing example can be seen in the case of Patrick Mondiano the winner of 2014 literature Nobel Prize. Mondiano was not popular and has been the least read writer until the time he won the prize. In fact by the time he won the prize he had less than fifty followers on his face book page. Meaning he was not known as a writer. But he emerged the winner of the Nobel Prize against titans of Literature like Phillip Rooth, Ngugi wa Thiong’o, Salman Rushdie, Yarn Mattel and Haruki Murakami.The fact is that Mondiano’s books are not lively. But he has kept on writing alongside the discouragingly insignificant consumption of his literary workmanship.
Other writers that have persisted to write even if their works don’t excite readers are; Eric Ambler, Louis D’Amour, **** Francis and Alistair Maclean. They are all from America and they have persistently written for the past three decades. Thomas Mann also tastes to me as a very boring writer. I have read his short stories entitled Death in Venice. They proved so boring that I have gone back to read him again. But remember, this is the very book that earned him the Literature Nobel prize.
The African writers’ series has Nkem Nwanko the Author of Danda, Francis Salomey the author of the Narrow Path and Tayeb Saleh the Author of Wedding in Zayen.These are boring writers and as well their books are replete with technical mistakes of structure and grammar. But they have prospered to be known as African writers. Another supportive experience is evident in the writing career of Ayi Kwei Arma; Wole Soyinka dismissed Ayi Kwei Armah’s Beautiful Ones are Not Yet Born. Soyinka argued that Arma’s book is substandard inspite of author’s command of good English. He went a head to declare Arma as an incompetent writer. But to day every one knows that Ayi Kwei Arma is a saint of African literature.
So, writing is expression of individual ability but not excellence of education.And human ability varies from person to person. Therefore, there must be bad writers and good writers. Not every person can writer like Shakespeare. So don’t fear to write because you fear that you will not write like Shakespeare.
Alexander K Opicho
Eldoret, Kenya.
