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"nightgown" poems
*Supreme Love, Through a land of barren fields, leads to a nourishing tree, that rhythms in the wind like a heart of bleeding green. There, you will find me, prostrating in its lingering boughs, gazing into your sky with smiles of Eros. A nightgown of innocence awaits you in the lotus, falling amongst the constellations of my parallel.* ©Copyright 2007 Written and Edited by Racquel Davis
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Jul 31, 2014
Jul 31, 2014 at 1:49 PM UTC
Spirit's Epistle
It was early morning when she descended the steps to the porch side, teacup in hand, dressed in her nightgown. Steam billowed from her cup, and with a swallow she examined her garden of weeds and unexpected peonies. It was early for blooming peonies; frost, like glass, still settled on the lawn, reflecting sunrise light of tangerine. The radiant glow of tangerine cast amber trails across steps covered in an icy coating of glass. Between her fingers she tucked her nightgown and gingerly treaded the garden of peonies that melted the frost in one great flower swallow. The barn swallow, perched not far from the path of tangerine, must have also taken notice of the peonies as he took the first steps to nest-building. She imagined that his lady bird, also in her nightgown, would enjoy the flowerbed of glass that he chose for their home. Sipping her glass of tea, she admired the familiar swallow lover as she folded into her nightgown bouquets of peonies that glistened in the tangerine sunlight. She took the steps back to the house, recalling her own swallow’s peonies: Peonies placed in vases of glass, peonies lining the porch steps, peonies presented over morning tea. With a swallow, she carefully, methodically lined the tangerine trail with the peonies from her nightgown. Her nightgown, stained with the rouge petals of peonies, dragged along the tangerine terrace of glass, blood red with the memory of her swallow lover’s peony-petaled steps. The steps to the house creaked beneath her nightgown. The barn swallow, quieted by the rouge of the peonies, shut his glass eyes to the skies of tangerine.
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Feb 16, 2010
Feb 16, 2010 at 4:49 PM UTC
Peonies: A Sestina
It was early morning when she descended the steps to the porch side, teacup in hand, dressed in her nightgown. Steam billowed from her cup, and with a swallow she examined her garden of weeds and unexpected peonies. It was early for blooming peonies; frost, like glass, still settled on the lawn, reflecting sunrise light of tangerine. The radiant glow of tangerine cast amber trails across steps covered in an icy coating of glass. Between her fingers she tucked her nightgown and gingerly treaded the garden of peonies that melted the frost in one great flower swallow. The barn swallow, perched not far from the path of tangerine, must have also taken notice of the peonies as he took the first steps to nest-building. She imagined that his lady bird, also in her nightgown, would enjoy the flowerbed of glass that he chose for their home. Sipping her glass of tea, she admired the familiar swallow lover as she folded into her nightgown bouquets of peonies that glistened in the tangerine sunlight. She took the steps back to the house, recalling her own swallow’s peonies: Peonies placed in vases of glass, peonies lining the porch steps, peonies presented over morning tea. With a swallow, she carefully, methodically lined the tangerine trail with the peonies from her nightgown. Her nightgown, stained with the rouge petals of peonies, dragged along the tangerine terrace of glass, blood red with the memory of her swallow lover’s peony-petaled steps. The steps to the house creaked beneath her nightgown. The barn swallow, quieted by the rouge of the peonies, shut his glass eyes to the skies of tangerine.
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39
Love set you going like a fat gold watch. The midwife slapped your footsoles, and your bald cry Took its place among the elements. Our voices echo, magnifying your arrival. New statue. In a drafty museum, your nakedness Shadows our safety. We stand round blankly as walls. I'm no more your mother Than the cloud that distills a mirror to reflect its own slow Effacement at the wind's hand. All night your moth-breath Flickers among the flat pink roses. I wake to listen: A far sea moves in my ear. One cry, and I stumble from bed, cow-heavy and floral In my Victorian nightgown. Your mouth opens clean as a cat's. The window square Whitens and swallows its dull stars. And now you try Your handful of notes; The clear vowels rise like balloons.
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8.2k
Morning Song
Rugby town, of landlocked streets, of wasted field and barefaced retreat; I miss you now, in absence of a friend, I miss you now, in the verse that I lend. Suburb grove, of sleepy mist, oh, battered housewife, oh blastocyst; you will remain in place forevermore, and forevermore, you'll become a bore. Holding cell, of sporting fame, you stole my dreams but gave me my name; I think of you: a multi-storey view, of happy faces, of which there is few. Still, my town, in debt's nightgown, the shop-fronts vacate, we're feeling down; these streets are poisoned with names of the past, each memoir to teach: nothing's built to last Rugby town, of weary folk, the private school is a private joke; I miss you now, as I sleep through the day, I miss the old walks, and all that you'd say. Old market town, the aftermath, of British summer, suicide bath; of open mics and closing the shutters, of waking graveyards, sleeping in gutters. Hopeless climbs, of dreary times, of childhood state and nursery rhymes; each time that I come home, I know you less, becoming a stranger in my redress. Clock tower, chiming, chiming loud, singing for history long and proud; of Rupert Brooke and the question: “what if?” What if I was born to some lover's tiff? To some large and friendless town, to some body of land, which I drown; to some active place of pain unknown, to some place that I'll not gauge that I've grown, oh Rugby dear, stay with me, let me live on the periphery; and although this town seems terribly dull, it could be worse – I could live in Hull.
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Mar 14, 2014
Mar 14, 2014 at 7:18 PM UTC
Rugby, Warwickshire
Rugby town, of landlocked streets, of wasted field and barefaced retreat; I miss you now, in absence of a friend, I miss you now, in the verse that I lend. Suburb grove, of sleepy mist, oh, battered housewife, oh blastocyst; you will remain in place forevermore, and forevermore, you'll become a bore. Holding cell, of sporting fame, you stole my dreams but gave me my name; I think of you: a multi-storey view, of happy faces, of which there is few. Still, my town, in debt's nightgown, the shop-fronts vacate, we're feeling down; these streets are poisoned with names of the past, each memoir to teach: nothing's built to last Rugby town, of weary folk, the private school is a private joke; I miss you now, as I sleep through the day, I miss the old walks, and all that you'd say. Old market town, the aftermath, of British summer, suicide bath; of open mics and closing the shutters, of waking graveyards, sleeping in gutters. Hopeless climbs, of dreary times, of childhood state and nursery rhymes; each time that I come home, I know you less, becoming a stranger in my redress. Clock tower, chiming, chiming loud, singing for history long and proud; of Rupert Brooke and the question: “what if?” What if I was born to some lover's tiff? To some large and friendless town, to some body of land, which I drown; to some active place of pain unknown, to some place that I'll not gauge that I've grown, oh Rugby dear, stay with me, let me live on the periphery; and although this town seems terribly dull, it could be worse – I could live in Hull.
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40
A secret society founded as a dark, heavy rainstorm loomed menacingly one night in November of 1888 over Boston University;      Sarah Ida Shaw, Eleanor Dorcas Pond, Isabel Morgan Breed &   Florence Isabelle Stewart sneaking in their nightgowns into the dusty attic where Florence swore she had seen three black cats sitting in the rocking chairs talking; to humor their friend, the others followed her up into the dark attic: meaning only to frighten Florence,   Eleanor pulled a kitchen knife; the uncomprehending Isabel & Sarah forcing the terrified [so they thought] Florence to her knees; while there, eating the ***** of the knife-wielding Eleanor, who raising her stiff nightgown told the others to do likewise until they all were satisfied, shouting - meow meow meow meow - old lady Murphy hollering up the attic steps: 'who's up there?' the three girl giggling their little heads off running past her down the stairs;   Florence nearly tripping, coming down a few moments later,    also grinning but silently to herself.     'what are u girls doing up there?' - 'playing w/ the cats,' said Flo,    slipping past her; 'Cats! Cats!' shouted the old witch, rushing up the stairs raising her broom [from that evening Delta Delta Delta (ΔΔΔ) has met to lick talking black cats in secret college sorority rituals]
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Jul 19, 2018
Jul 19, 2018 at 12:28 PM UTC
Delta Delta Delta (ΔΔΔ)
Standing outside the coliseum He wipes his tattered brow As he waits in chains And what remains Of a worn and used nightgown The oak doors creak as they slowly bow He walks the axis road The dogs at his heels, he knows, he feels Pains that have been bestowed A table is set upon which blades rest The choice of which he makes He reaches forward, picks up the sword No room here for mistakes The helmet is hot, he feels his breath As he walks upon the field He is a trapped snake inside a crate He raises up his shield His adversary stood there watching With a shaking fretful eye They prepared to fight until deaths bite Took and run them dry With one fell swing of the sword He brings his foe down The steel glistens in the sunlight Enhanced with the smell of blood The crowd cheers and roars What do they know of it? The life he has taken It cannot be replaced He is trapped inside He cries for freedom inside Slowly he dies inside Inside himself.
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Nov 16, 2014
Nov 16, 2014 at 6:40 PM UTC
Gladiator
step one. you close your eyes. you close them tight. then you press your palms against your closed eyelids, until you start seeing red spots that remind you of a song you wrote for someone so long ago. that someone doesn't matter anymore, not really, so eventually, neither will he. step two. you wear a nightgown. the one with the lacy v neck, the one that exposes your thighs, the one with the vintage roses. you wear it to bed to remind yourself that you don't have to wear his attention like a perfume to feel **** step three. you listen to those songs. you know which ones. you listen to them and sing or rap along until your throat is sore, until your chest hurts. do it until you don't know why you're crying, then write a song about why you are crying, so that when you look back, you can see that it doesn't matter. heartache fades. step four. dive into a body of water in only your under garments. force yourself to swim, no matter how much you want to drown.
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Oct 4, 2016
Oct 4, 2016 at 1:18 PM UTC
how to move on (in four easy steps)
I wake and the light of this fine day edges round the curtain. The birds have chorused and my left foot lies cold outside the sheets. Standing in my nightgown I draw the curtains and look out at my garden. Let me pad downstairs, open the front door and walk brief steps to the arbour of ferns and shells. From a cane chair I shall view my private corner with its tiny pool and privet hedge: whilst there is still a little dew; whilst the cobwebs still glisten; whilst there is no wind, just a grumble of the surf at Porth Neigwl, the sound my father makes dozing over his paper. Miniature, enclosed, protected I will place my thoughts in this dolls’ house garden, amongst the dank, dark shadows of its many rooms, its parterred spaces. You don’t walk in this garden; you take a step . . . and you are elsewhere. Take three steps and you are quite lost. I hear the kitchen door bang in the manor house, Meriel is taking breakfast to my sisters. I think I shall stay here a moment longer.
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Aug 28, 2012
Aug 28, 2012 at 2:33 AM UTC
Honora Keating surveys her garden at Plas yn Rhiw
Your Uncle Fred on Christmas Eve at Gran’s house when you were a kid did the sand dance wearing an old fashion man’s striped nightgown and a red fez (he got that in Egypt during WW2 Gran said) and brown open toed sandals and Uncle Ed turned the handle of the windup gramophone where an old 78rpm record was playing and there were glasses of sherry being consumed and cigarettes being smoked and you sat watching clapping your hands and Gran would get up afterwards and do her Can-Can like she used to as she young woman on the stage and Granddad sat there quiet saying nothing looking at the people gathered sipping his sherry watching his wife lifting her legs her white fuzzy hair going to and fro as she moved and you wanted to have some sherry but your mother said no you have lemonade little boys don’t have sherry so you sat with your lemonade watching Uncle Fred and his dance and the music coming from the old gramophone and the smell of sherry and beer and cigarette smoke and Uncle telling the adults one of his old army jokes.
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Sep 15, 2012
Sep 15, 2012 at 5:26 AM UTC
UNCLE FRED AND THE SAND DANCE.
Muck bit her ivory nightgown, as if earth hungering after her...the delicate collapse of a napkin,she. Hours poured atop her head, her shaggy, silvery mane suspended--its reluctant bounce captured at midpoint...as a spiderweb under ultraviolet light. Desert sands lost in contemplation, reminiscent of her flesh--divulge her core as she sleeps in a fetal position. Her body spasms awkwardly...its will visibly slowed from initial motion. As the paralysis experienced by prey amid the astral annals of nightmares. She'll rise into that shine, wonder at the nightmare's symbology...talk to her garden--whilst thinking of her time to come. Silkworm breached the parcel of time, its cocooned inertia coarsed through the opalescent eye of God to Godhood. Of time's ruination redeemed in a solitary work...cupped airless the unbridled form of a trapezist spent itself. Opened and closed somersaults atripped a piece of said space... nothingness regenerated to move, to take step of itself. A self-argumentative abstraction glowed...undid its silken flag-- firmly planted in an undiscovered region...her time come.
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Nov 22, 2011
Nov 22, 2011 at 7:45 PM UTC
Muck Bit Her Ivory Nightgown
Evenings were sandwich time brought in by big Ted sandwiches cut in triangles in white and brown and he laid the plates down on the center table and the patients bored out of their fragile brains pounced upon them and ate ravishingly as if time was running out to eat but   Yiska nibbled hers took small bites her finger tips holding the brown bread her white teeth nibbling gently Naaman watched her his sandwich held but uneaten smelt viewed but held away from lips he took in Yiska's nibbling the way her fingers held as if a holy host not fish paste and her lips parted just so her tongue seen the white teeth and her eyes unfocused her nightgown buttoned at the breast with a missing button and he wanted to be that sandwich in her fingers wanted her lips to feel him her teeth to nibble him but then the foreign woman distracted him by taking her sandwich apart opening it between fingers sniffing the contents ******** up her nose muttering something in her foreign tongue throwing it on the plate and picking up another don't waste them a nurse said ask if you don't see what you want the foreign woman chewed on the sandwich she'd picked the nurse removed the torn open sandwich Naaman ate a small portion viewing Yiska meanwhile licking her fingers ******* the ends in and out and he wished it he she was doing thus he looked away the evening sky was darkening through the locked ward windows the bright electric lights above their heads made mirrors of the windows and Naaman saw himself in his blue dressing gown sans belt in case he tried to string himself again and he gazed at Yiska once more nibbling another sandwich the same ********* technique the similar lipping routine and the missing button on her nightgown revealed a small portion of flesh viewed her small ******* pressing the cotton cloth of the nightgown and he ate unceremoniously the last of his bread watching her fingers licked again while outside the window the sound of fresh rain.
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Aug 3, 2013
Aug 3, 2013 at 3:40 AM UTC
SOUND OF FRESH RAIN.
Evenings were sandwich time brought in by big Ted sandwiches cut in triangles in white and brown and he laid the plates down on the center table and the patients bored out of their fragile brains pounced upon them and ate ravishingly as if time was running out to eat but   Yiska nibbled hers took small bites her finger tips holding the brown bread her white teeth nibbling gently Naaman watched her his sandwich held but uneaten smelt viewed but held away from lips he took in Yiska's nibbling the way her fingers held as if a holy host not fish paste and her lips parted just so her tongue seen the white teeth and her eyes unfocused her nightgown buttoned at the breast with a missing button and he wanted to be that sandwich in her fingers wanted her lips to feel him her teeth to nibble him but then the foreign woman distracted him by taking her sandwich apart opening it between fingers sniffing the contents ******** up her nose muttering something in her foreign tongue throwing it on the plate and picking up another don't waste them a nurse said ask if you don't see what you want the foreign woman chewed on the sandwich she'd picked the nurse removed the torn open sandwich Naaman ate a small portion viewing Yiska meanwhile licking her fingers ******* the ends in and out and he wished it he she was doing thus he looked away the evening sky was darkening through the locked ward windows the bright electric lights above their heads made mirrors of the windows and Naaman saw himself in his blue dressing gown sans belt in case he tried to string himself again and he gazed at Yiska once more nibbling another sandwich the same ********* technique the similar lipping routine and the missing button on her nightgown revealed a small portion of flesh viewed her small ******* pressing the cotton cloth of the nightgown and he ate unceremoniously the last of his bread watching her fingers licked again while outside the window the sound of fresh rain.
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112
Let Christ give his final sacrament to us through the holy Eucharist of his jizzum. He shall raise the skirts of all boys and decimate the trousers of all who fear him. I was a kid once and i know this. Don't worry he ***** me too. Feels good if you know him in the flesh in fruity underwear tighty see throughs. Death plague. He brings to us. Through the work of his ***** Whacking off each head to *** Come one come all, to the shitshow circus called religion, **** morals owned by slavery and god, All fallacy is see through like his ******* nightgown God is the **** of ******** Get a hard on from your violence absolvance. **** one another destroy. Empathy is for ******* God is dead. Shot with led, fed to the Nazis, in their death holes for the unclean, God is a *** The **** of earth isn’t me or you It's the constructs of dogma, That they abused us with as children. Come on now we all aren’t bad guys. It's the ***** in power. **** **** Follow, follow, into a pit like the communist. I had *** with Stalin and created democracy. Chairmen Mao is necrophagist. ****** was was the savior of the Semites. The Popes are the largest mass murderers in history.
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Mar 27, 2013
Mar 27, 2013 at 1:58 PM UTC
Mao those Lenins ****** Stop Stalin
Nightgown still on....feet bare Tangled mess of curly chocolate hair Not a stitch of makeup on but that is when you say I look my best Your knock this morning was a surprise I was not expecting a guest Silly me, when you said  I am hungry I thought you meant for food Till you came out from under the breakfast table and I got a better view You play with the bow at the top of my gown Then pull my arms up and then let it fall to the ground You search out and make love to my mouth with exploring tongue You drink thirstily as we both slip into oblivion Your warm lips feast by licking and nibbling everything you can get to I whisper in your ear I cannot wait to feel you inside me...every inch of you An overwhelming necessity to have you RIGHT NOW comes over me I yell out Don't stop, Please do not Stop as I begin to wiggle against you with my hips You finally release the ache inside of me as you enter and part my lips They say that breakfast is the most important meal of the day Cannot wait to see what lunch will bring my way :)
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Oct 29, 2012
Oct 29, 2012 at 11:24 PM UTC
Breakfast ~ Most important Meal of the Day :)
nightgown floors episodic pulses in knots spread your pink punk drama like the blossoms on the streets china town red lights i bite off more than i can take
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Jun 27, 2018
Jun 27, 2018 at 6:02 AM UTC
TIL bad words r filtered
I have a pack of letters, I have a pack of memories. I could cut out the eyes of both. I could wear them like a patchwork apron. I could stick them in the washer, the drier, and maybe some of the pain would float off like dirt? Perhaps down the disposal I could grind up the loss. Besides -- what a bargain -- no expensive phone calls. No lengthy trips on planes in the fog. No manicky laughter or blessing from an odd-lot priest. That priest is probably still floating on a fog pillow. Blessing us. Blessing us. Am I to bless the lost you, sitting here with my clumsy soul? Propaganda time is over. I sit here on the spike of truth. No one to hate except the slim fish of memory that slides in and out of my brain. No one to hate except the acute feel of my nightgown brushing my body like a light that has gone out. It recalls the kiss we invented, tongues like poems, meeting, returning, inviting, causing a fever of need. Laughter, maps, cassettes, touch singing its path - all to be broken and laid away in a tight strongbox. The monotonous dead clog me up and there is only black done in black that oozes from the strongbox. I must disembowel it and then set the heart, the legs, of two who were one upon a large woodpile and ignite, as I was once ignited, and let it whirl into flame, reaching the sky making it dangerous with its red.
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2.3k
The Inventory Of Goodbye
He was lying on the futon, watching Battlestar Galactica. I was in my nightgown sitting in his windowsill, smoking a cigarette, bored, restless & lonely. I stared out the window, looked down at the ground. “Do you think if I fell out of your window, I would die?” I asked him. “I don’t know if you’d die, but you would get seriously hurt that’s for sure.” He mumbled. I took a long drag from my cigarette and looked back out the window. The street was empty and dark. The only illumination came from a single streetlight about half a block from where I was sitting. I stared at that streetlight for a long time, feeling as alone as ever. After a minute or so, I began to feel his eyes penetrate my core. I looked at him. He was all limbs spread in every direction. The flame in his eyes told me more than I wanted to know. “Do you ever feel like a moth?” I asked him. “In what sense?” “I dunno, like do you ever feel like you’re always attracted to something that is out to destroy you in the end? Like no matter where you end up, you find yourself hitting the same lightbulb over and over as if it could save you… When really it will be the death of you?” He looked at me quizzically. Electricity filled in the gaps between us. “Why are you thinking about that?” He reminded me of myself - always answering a question with a question. I looked back at the streetlight and I could see the silhouettes of insects all around it. “Oh, I was just noticing the streetlight over there and all of the bugs surrounding it. Don’t you ever feel like that though?” I asked him again. “Well when you put it that way, I’ve always felt like that, yeah.” “I have a book of poems that my friend Emma gave to me a while back - there’s a poem in there that reminds me of feeling like that. It’s called ‘the lesson of the moth’. I’d like to read it to you sometime.” I took a drag from my cigarette and looked at him again. Beautiful, he was in that moment. Just lying there listening to me, I felt like I was being heard for the first time. Battlestar Galactica had then become just a fuzz of white noise. I stared at him in silence. “What are you staring at?” I smiled. “You.” “Why?” “You’re beautiful.” I looked back at the streetlight and exhaled a long puff of smoke. Minutes rolled by. I couldn’t bear to look at him again. I have a hard time being seen. “Looking at you is like listening to a symphony.” He said at last. I was caught more by the charm of how he was more absorbed by the moment of me and not the boring television series that blurred in the background, never mind the romance of what had just escaped from his mouth. Because I knew I wasn’t the first girl he’s looked at like that, and I wouldn’t be the last. But dammnit, he sure knew how to make my skin melt and my heart burn.
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Nov 22, 2012
Nov 22, 2012 at 10:35 PM UTC
just a fling
He was lying on the futon, watching Battlestar Galactica. I was in my nightgown sitting in his windowsill, smoking a cigarette, bored, restless & lonely. I stared out the window, looked down at the ground. “Do you think if I fell out of your window, I would die?” I asked him. “I don’t know if you’d die, but you would get seriously hurt that’s for sure.” He mumbled. I took a long drag from my cigarette and looked back out the window. The street was empty and dark. The only illumination came from a single streetlight about half a block from where I was sitting. I stared at that streetlight for a long time, feeling as alone as ever. After a minute or so, I began to feel his eyes penetrate my core. I looked at him. He was all limbs spread in every direction. The flame in his eyes told me more than I wanted to know. “Do you ever feel like a moth?” I asked him. “In what sense?” “I dunno, like do you ever feel like you’re always attracted to something that is out to destroy you in the end? Like no matter where you end up, you find yourself hitting the same lightbulb over and over as if it could save you… When really it will be the death of you?” He looked at me quizzically. Electricity filled in the gaps between us. “Why are you thinking about that?” He reminded me of myself - always answering a question with a question. I looked back at the streetlight and I could see the silhouettes of insects all around it. “Oh, I was just noticing the streetlight over there and all of the bugs surrounding it. Don’t you ever feel like that though?” I asked him again. “Well when you put it that way, I’ve always felt like that, yeah.” “I have a book of poems that my friend Emma gave to me a while back - there’s a poem in there that reminds me of feeling like that. It’s called ‘the lesson of the moth’. I’d like to read it to you sometime.” I took a drag from my cigarette and looked at him again. Beautiful, he was in that moment. Just lying there listening to me, I felt like I was being heard for the first time. Battlestar Galactica had then become just a fuzz of white noise. I stared at him in silence. “What are you staring at?” I smiled. “You.” “Why?” “You’re beautiful.” I looked back at the streetlight and exhaled a long puff of smoke. Minutes rolled by. I couldn’t bear to look at him again. I have a hard time being seen. “Looking at you is like listening to a symphony.” He said at last. I was caught more by the charm of how he was more absorbed by the moment of me and not the boring television series that blurred in the background, never mind the romance of what had just escaped from his mouth. Because I knew I wasn’t the first girl he’s looked at like that, and I wouldn’t be the last. But dammnit, he sure knew how to make my skin melt and my heart burn.
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25
cool, glass favors and steep, narrow stairs, and I'm just a boy as a murmur. nightgown elicit and curving's entranced and a boy well set up for a fervor. with all borders destroyed on the floor by her bed and an innocence thrown out to sea. I sit on this isle now, well alone and awake, searching for a raft made by me.
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Feb 18, 2012
Feb 18, 2012 at 12:29 AM UTC
little effort and silly effort
Eight times a year I go barefoot to wish upon the moon. I leave my sterile religion folded neatly in my bedroom closet And go hunting for fairies in my nightgown, Following druid shadows across the sloping midnight lawns.
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Oct 17, 2012
Oct 17, 2012 at 3:07 AM UTC
Pagan Equinox
The Sun is growing distant The Earth is turning in her bed Waking up in an instant With her nightgown White in the cold Opting to sleep it through And dream herself up, green And breathe proximity, serene
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Oct 26, 2017
Oct 26, 2017 at 2:59 PM UTC
Fading Out and In
Up and down, I've been letdown. Will I drown, In this horrid nightgown? For I am only a clown, Fallen face down. They tell me to slowdown, For I am the talk of the town. I've achieved great renown, My name has gone around, My name a common noun. Upon my head sits a crown, In my voice a funny lown. The earth has turned to a deep mud brown, The grass has gone from my hometown. I can't help but frown, I begin to countdown. Lost in this wedding gown, My body so rundown. I want to leave this small devastating ghost town.
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Dec 30, 2013
Dec 30, 2013 at 1:25 PM UTC
Responsibilities
Dawn breaks. Sliver of light through shutters, wakes Sister Blaise, stirs her from sleep. Bell rings. Chimes loud. She sits up, legs over the side of the bed. Bare feet, wooden floor. Coldness bites. Rubs arms, legs. Crosses herself with middle digit, in nomine Patris. Bright light through shutters slices into floor. Prayer said she rises from her bed. Thoughts race through her head. Drab night gown, grey, long. She walks to the enamel bowl, pours cold water, washes face and neck and hands. Et Filii, et Spiritus Sancti. Lets water run through fingers. Wash me whiter. The Christ on the wall hangs there in His silence. Picture of Christ on her desk, hands out stretched. She runs water through her fingers, wet, cold. Wash me, cleanse me. She dries her hands on the old white towel, rubbing dry fingers, hands, face and neck. Uncle used to. Pushes thoughts of him away, they slip back in place, eel like. Uncle used to touch. Bless me Father. She folds the towel, places it neatly at the foot of her bed. She removes the nightgown. Dresses in her habit. White and black. Mother said nothing. Silence and the turning of the head. Finger pressed against lips. Dressed, she sets about her cell. Tidying, sorting, bed making. Uncle used to touch her. For I have sinned. She opens the shutters, lets light in, opens the windows, fresh air, birdsong, slight breeze. Father used to beat. The Christ hanging from the cross on the wall is silent. Nailed hands, hands curled. She has kissed the nailed feet. Now she stares at the turned head, turned slightly to one side, crown of thorns, wood carved. Sister Clare is in the cloister. She watches her walk. She stops. Looks into the cloister Garth. Flowers growing, neat rows, large bushes. Mother said nothing. Beatings. Lies told about Uncle he said. Sent to bed, no supper. The sun is warm, light on head. She walks from the window and stands in front of the crucifix. His hands curled, nailed, old nails, pins.   Feet one on top of the other, nailed in place. She kisses His feet. Presses soft lips. Uncle used to touch, said our secret, sin to tell, little girl. She presses lips to His feet. Mother weak, said nothing, dying now, cancer, pain, hurts. Father dead. Never make old bones he said. Proved right. She closes her eyes. Touches His legs, runs finger along. Stiff, cold, smooth. Uncle did; she never told again. Father displeased, the beating pleased. The bell rings again. Echoes along cloister. She crosses herself with middle digit. A bird sings. Wind moves branches by window, He calls, must leave, must go.
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May 9, 2014
May 9, 2014 at 4:58 AM UTC
SISTER BLAISE BEFORE MATINS.
Dawn breaks. Sliver of light through shutters, wakes Sister Blaise, stirs her from sleep. Bell rings. Chimes loud. She sits up, legs over the side of the bed. Bare feet, wooden floor. Coldness bites. Rubs arms, legs. Crosses herself with middle digit, in nomine Patris. Bright light through shutters slices into floor. Prayer said she rises from her bed. Thoughts race through her head. Drab night gown, grey, long. She walks to the enamel bowl, pours cold water, washes face and neck and hands. Et Filii, et Spiritus Sancti. Lets water run through fingers. Wash me whiter. The Christ on the wall hangs there in His silence. Picture of Christ on her desk, hands out stretched. She runs water through her fingers, wet, cold. Wash me, cleanse me. She dries her hands on the old white towel, rubbing dry fingers, hands, face and neck. Uncle used to. Pushes thoughts of him away, they slip back in place, eel like. Uncle used to touch. Bless me Father. She folds the towel, places it neatly at the foot of her bed. She removes the nightgown. Dresses in her habit. White and black. Mother said nothing. Silence and the turning of the head. Finger pressed against lips. Dressed, she sets about her cell. Tidying, sorting, bed making. Uncle used to touch her. For I have sinned. She opens the shutters, lets light in, opens the windows, fresh air, birdsong, slight breeze. Father used to beat. The Christ hanging from the cross on the wall is silent. Nailed hands, hands curled. She has kissed the nailed feet. Now she stares at the turned head, turned slightly to one side, crown of thorns, wood carved. Sister Clare is in the cloister. She watches her walk. She stops. Looks into the cloister Garth. Flowers growing, neat rows, large bushes. Mother said nothing. Beatings. Lies told about Uncle he said. Sent to bed, no supper. The sun is warm, light on head. She walks from the window and stands in front of the crucifix. His hands curled, nailed, old nails, pins.   Feet one on top of the other, nailed in place. She kisses His feet. Presses soft lips. Uncle used to touch, said our secret, sin to tell, little girl. She presses lips to His feet. Mother weak, said nothing, dying now, cancer, pain, hurts. Father dead. Never make old bones he said. Proved right. She closes her eyes. Touches His legs, runs finger along. Stiff, cold, smooth. Uncle did; she never told again. Father displeased, the beating pleased. The bell rings again. Echoes along cloister. She crosses herself with middle digit. A bird sings. Wind moves branches by window, He calls, must leave, must go.
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the doctor wore secretly a nightgown and poured a glass of milk. his wife disappointed she had not seen a ghost remained his wife. - ( the wellness of my mother does not need my mother nor does the wellness of yours ) - if you see a white mouse in a dark city a light for which I have kept vigil goes on in my son’s head…
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Apr 1, 2013
Apr 1, 2013 at 4:58 PM UTC
the wellness of my mother
We've done the battle of the toys, cleaned up the crayolla mess, Mawmaw won't see the artwork on the wall and that high heel won't be missed. The dog has finally setttled down, the baby doll dress was a close fit, it's time to run the bubble bath and try a night of rest. Well half a bottle of supper bubbles and four soaked toilet rolls, we finally get the nightgown and powder on the nose. There she is , so peaceful now, a little angel don't you think? Now how did my car key keys end up in the bathroom sink?
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May 14, 2012
May 14, 2012 at 4:20 PM UTC
Baby powder Nightgown Angel
I kissed a man and he called me a ***** the name floated like a swan upon glass waves but I tucked it into my nightgown, I saved it away. Then one morning he said it again and I wore it just like pearl feathers – oh, such a shine that brightened my face! I am a ***** I told him, but at least I get laid.
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Jan 26, 2013
Jan 26, 2013 at 5:21 PM UTC
*****
You shuffle in from the kitchen half stooped over under the cover of your nightgown. Dry lips smeared with Vaseline set in a lazy frown. Stinking of Vicks vapourub and oxtail soup steaming from your favorite mug. Eyelids heavy and more than a little dozy. Hand reaching for a *** of tissue to blow your dribbling nosy. With the mug in position you slump on the sofa propped up with pillows, I've no choice but to move over. Despite the max level of the central heating I can see you are still shivering. A fit of coughing erupts, raw and bone rattling. There's a wheeze to each breath of your laboured breathing. Moments pass and then comes the first snore like an animal staking claim to its **** with a roar. I carefully remove the mug and fallen tissue Softly I kiss your forehead and whisper, “Get well soon. I love you.”
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Dec 10, 2014
Dec 10, 2014 at 8:11 PM UTC
Beautiful Colds