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K Balachandran Sep 2014
Charming lass, the shark she did trust , was a nimble one,
softly nibbled the dead cells laid crusted on her heart
genial it was so she felt like closing her tired eyes a bit,
her bed, lukewarm water, ominously bobbed all the while.
A woeful clown, she dreamed, tried everything to make her laugh
with his pathetic pranks; a jellyfish wearing a  wedding dress
seeing this, smelled blood, tried to raise an  alarm.
The shark was the one responded, "Don't you wake her up"
the waves were lapping on the shore, then dense silence reigned,
as expected a sanguinary sunset it was,on water blood lay splattered.
shyann raulerson Jul 2013
I heard faint noises downstairs, and I decided to investigate. I pulled on a pair of cut-off jeans and grabbed the old pump shotgun that had served me so well in Viet-Nam from under my bed and crept downstairs to check. My Ranger training came into play, and I moved soundlessly, down the stairs and into the living room. An air of vague shadowy figures were searching through the cabinet that housed my collection of antique silver. I announced my presence in a sudden and intimidating manner: I merely pumped the action of the shotgun, then immediately moved to the right so if anyone shot, he would shoot where I had been, not where I was now. That sound was a language that everyone understood, including the two figures before me. They froze, and were still motionless.

"Mr. Steve?" one of the figures quavered. "Please don't shoot!"

I recognized the voice as belonging to Lisa, the twenty-year-old daughter of my nearest neighbor. I didn't know who the other person was or who else may be in the house, so I kept the shotgun pointed in their direction and hit the light switch with my free hand. Immediately a car cranked up in my driveway, and tires squealing, raced out to the road and away. I looked at my midnight visitors. I recognized Lisa and Julie, who was a close friend of Lisa's and a frequent overnight visitor of hers. They were holding between them a laundry bag containing most of my silver collection. I lowered the muzzle of the cut down shotgun.

"You sure know how to get yourselves killed," I stated. "Mind telling me who was in the car? You don't want to take the rap all by yourselves."

"Please don't shoot! That was Mike, it was all his idea! He made us do it! He said he would put us out and make us walk home if we didn't do it! Are you going to call the Cops?"

Now I could understand why the girls tried to burglarize my home. It was a fifteen-mile walk home in pitch darkness on a moon-less night for the two frightened girls. It was just what a worthless **** like Mike would pull. Knowing what I did about Lisa's boyfriend, I knew what he probably needed the money for. He was nineteen; the only job he had ever had was selling drugs, and I don't mean at the pharmacy. He was a charmer though. Girls fell for his good looks and his charm, and would do anything for him, and he of course chose the best looking one of the bunch, Lisa. She never realized what a slime-ball he really was. The problem was that Lisa didn't have a father to threaten to put a bullet in Mike's behind, and her mother was just as deceived as she was.

"You broke into my house and attempted to steal my belongings. Why shouldn't I?" I said with false sternness. I wouldn't really turn them in, now that I knew the situation. I would give the girls a good scare, then a ride home. Maybe then Lisa would see through Mike's veneer.

"Because we'll do anything you want," Julie offered, speaking for the first time. "Anything at all!"

Julie stepped over and ran her hand up my leg, pausing to tweak the head of my ****, which was hanging out of the leg of my cutoffs. I hadn't bothered to pull on any underwear. Julie was almost as good looking as Lisa was. Both girls had fabulous bodies, large firm ****, and smooth well-rounded *****. Julie had a cute face, whereas Lisa was absolutely beautiful.

"Yes, anything you want to do!" Lisa agreed.

The girls weren't wanton *****, but scared out of their wits and taking the only way out that they could think of. Of course they weren't virgins. It hadn't occurred to me to take advantage of the girls like this, and I would have declined Julie's offer if she hadn't fooled with my **** like that. You see, I was developing an outrageous *******, and with my **** hanging down the leg of some fairly tight shorts, the situation was rapidly becoming painful and serious. I had to get those pants off fast! Also, I hadn't been laid in quite a while. I decided to lay my cards on the line.

"You kids know me. I never had any intention of calling the Cops. I was going to give you a scare to teach you a lesson, then drive you home. Does that mean the offer is withdrawn?"

The girls looked at each other and both breathed a sigh of relief, big smiles on their faces. Lisa winked at Julie. "Nope," Julie said, smiling, "It still stands. Lets go upstairs."

I escorted the girls to my bedroom, pressed the magazine block on the shotgun, pumped out the shell that was still in the chamber, then put it back in the magazine. I tossed it onto the dresser with a loud thump.

I turned around and both girls were stark naked. Lisa came over, dropped to her knees, and planted a wet kiss on the head of my painfully throbbing ****. My ******* became harder still. I had to get out of those cutoffs! Julie solved that problem. She unzipped and unbuttoned them and gently worked them down around my rock-hard ****, allowing it to spring up to freedom.

"Lets get on the bed first," I suggested, "Then we have fun."

"Lay down on your back," Lisa insisted. "Have we got something for you!"

I complied, and Lisa leaned over and put my **** in her hot mouth. Her tongue swirled over the head, ran up and down the shaft, and started over again. I looked over at Julie and she was watching avidly. Not having anything better to do with my hands, I reached between her legs and caressed her ****. Julie gasped with surprise, then spread her legs. Her **** was already hot and wet, so I slid my ******* in all the way, then started finger ******* her and massaging her **** with my thumb. Her **** hardened and grew. Julie had her eyes closed and was erotically tweaking her ***** *******. She was slowly lowering her body, deepening the ******* of my finger, and rocking her hips back and forth, intensifying the stroking of her ****. Julie's hot ***** juices ran down my hand while Lisa's mouth was still working on my throbbing ****.

I began to draw my hand from Julie's sopping wet ****, but she grabbed it and held it tightly to her crotch. I pulled my hand now, and she came with it. I grabbed her thigh and swung her leg over me, so she was now sitting on my chest. I pulled my finger from her hungry ****, grabbed her ***, and pulled her ****** right up to my face. As soon as I flicked her **** with the tip of my tongue, she went wild, ******* my face, filling my nostrils with the sweet aroma of her **** juices. I thought I would give her all the licking she could handle. I rammed my tongue into her ****-hole with all my might, then gently nibbled on her ****. Apparently she had a low threshold, as this was all she could stand.

"Oh God, I'm coming!" she screamed, ground her **** into my face one more time, quivered, then collapsed sideways onto the bed.

One down, one to go. I looked at Lisa, still ******* my **** for all she was worth. I was nearing the end of my endurance, and I still hadn't had my **** in any hot **** yet. I grabbed Lisa's shoulders and pulled her mouth from my ****. I turned her around and held her up, her blonde ***** triangle just inches over my waiting tool.

"Give it to her! Now!" Julie whispered.

Lisa's **** didn't look wet or ready to take anything in it yet, but my **** was ready to take some *****. Julie reached over and spread the lips to Lisa's still dry *****, and began tweaking her ****. Lisa gasped her surprise at her most private place being touched by another chick. Within seconds though, her **** and inner ***** lips began to swell, and her juices started flowing. I slowly lowered Lisa to my rod, admiring her glistening pinkness. Julie guided my throbbing rod into Lisa's wet love hole.

"Please, be careful! Ah-h-h-h! Go slow, I'm so tight!"

I lowered Lisa very carefully, for her hot ****-hole was indeed the tightest ***** I had ever felt. With that in mind, I fought the urge to slam her down on my eager ****. As soon as she was down, I grabbed her *** and began sliding her back and forth. Lisa bit her lip as a tear trickled down from one eye.

"Stop, Mr. Steve! It's hurting her!" Julie commanded. Then to Lisa, "You haven't done it much, have you?"

"Just once, with Mike, and he isn't this big. It hurt then, too!" Lisa sobbed. "I wanted so bad to do it with Mr. Steve because he's been so nice to me, and I was so scared when I saw how big he was. Oh, it hurts!"

"You'd better get up then." I reassured, "I don't want to do anything to you that you don't want me to do."

"I want to go on, really I do! But don't you have anything I could use to make it easier?"

"Yeah, any Vaseline, or KY jelly, or something like that?" Julie asked.

"I have some KY jelly in the bathroom." I answered.

Julie jumped up and padded into the bathroom. I watched her naked *** jiggle as she left.

"You're gonna have to get up." I told Lisa. I gently lifted her ***. She bit her lip again and moaned as my **** slowly withdrew from her tortured hole. With a pop from her *****, a shriek burst from her lips as my **** sprung from her nearly dry ****-hole. She knelt on the bed next to me, softly crying, clutching herself where it hurt. I realized that she had been wrong in pretending to be so eager. A more gentle approach was needed.

I reached over, pulled her to me, and kissed her lips passionately. She ****** once in surprise, then melted into my arms, returning my kiss, forgetting the pain in her ****. I ran my hand around to her firm **** and gently stroked her *******, feeling them harden under my touch. I pulled my mouth from hers and kissed the point of each hard ******. She moaned and gasped with each touch of my lips, but from pleasure this time, not from pain. While I had her aroused, I lightly traced circles on her tummy with my finger, each circle going lower and lower, until I finally reached the blonde **** of her ***** hair. Slowly, I reached down and cupped her ***** with my hand, being careful not to press too hard or insert my finger. I would know when she was ready for *******. She responded with a **** and a gasp. I pressed again, and she gasped again. I kissed each firm ****** one last time, then started kissing down her tummy to her love nest, which was now warming and starting to respond to my touch.

I spread her legs and gently ran the tip of my tongue the full length of her slit. When I reached the vicinity of her ****, she reacted as though she had been shocked. She arched her back, pressing her **** against my face. Maybe she was ready. I probed again with my tongue, harder this time, hard enough to separate her ****-lips and tickle her ****. She went mad again, jerking and twitching in response to the touch of my tongue, moaning and panting. Then I felt her **** harden, her inner lips swell and spread, and her delicious juices start to flow. Now she was definitely ready for more. I probed her ****-hole with my tongue, licked all the way up to her ****, swirled it around, bit it gently, and then probed her hole again. When I started doing all this, she went even wilder. She spread her legs, ****** and reared against my face, and pulled my head tight against her hot cooze.

"Oh-h-h-h-h, **** me," she moaned, "I can't stand it any more! I don't care if it does hurt! Please, please **** me!"

I put her throbbing **** between my lips and gave it one hard ****, drawing it completely into my mouth, and pulled my head back sharply, causing her **** to pop back. She screamed, ****** her hips at me, and grabbed her sweating *******.

When she had subsided, her legs still spread, I mounted her in the traditional position. I started to position my throbbing pole for a gentle entry, but Lisa released her **** and spread her ****-lips with one hand and guided my tool to her sopping wet ****-hole with the other. She was much wetter now than when Julie diddled her ****, wet enough to ****.

"Please do it now!" Lisa pleaded.

I began to insert my **** cautiously, and found that due to her juices, entry was no problem. Lisa groaned like a ****** as I slid into her hot wetness. When she had taken as much of my ten-inch tool as she could, I still wasn't all the way in. But she began pumping her hips, causing the swollen head of my **** to ram against the back of her *****. She was as deliciously tight as before, but she must have been stretching, for with just a few strokes, my ***** were slapping against her ***, and I was in to the hilt. My tenderness and foreplay had paid off.

"Oh-h-h-h, that's good!" she purred when I began pumping to meet her rhythm. She wrapped her legs around my waist, and was pumping as hard as I was. With each stroke, I would completely withdraw from her hot, tight wetness, then shove my eager tool back in to the hilt, never missing her voracious target, always sliding easily in, jamming against the back of her *****.

Her pumping increased in tempo, and I sped up to match. Each pump became harder and more frantic than the one before. Lisa's breathing became harder and faster. She was about to come, and I wanted to come with her. I raised her legs over my shoulders so that I had a better angle at the depths of her tight hole, and started ramming as hard as I could.

"Don't stop! I think I'm gonna come! Oh-h-h, its so good! Come in me! Oh, please, I want to feel your load in me!" Lisa screamed. She bucked and reared and screamed incoherently, then went limp. I continued to pump. In just a few seconds, she began to pump anew. For more times than I could count, she orgasmed.

Once I felt my ****** approaching, I gave her one last hard ram and drove my weapon in as far as I could. I came at this point, spurting her sweet, tender Steve **** full of my hot sticky come, like an erupting volcano. She gasped, trembled, and fell back to the bed. I pulled out my softening ****. Our ****** energies were spent for the moment.

I glanced down at the foot of the bed, and saw Julie, whom I had forgotten. She sat in the chair at the foot of the bed, her legs spread, working a coke bottle in and out of her *****. She had found the KY jelly, then found us ******* away. Feeling left out but excited by the ****** sight of her best friend getting a good *******, she slicked up the coke bottle and began using it as a *****.

I saw that Lisa also was seeing something she had never seen before, her best friend's ****, gaping open, a coke bottle almost disappearing inside it. "Look how far in she puts it! And see how big it is to go in her like that. How does she do it?" Lisa asked, amazed.

"Why don't you get a closer look," I suggested. "Ask her." Lisa crawled down to the foot of the bed and sat on the end, astounded, watching Julie *******.

Julie finally looked down, under heavy-lidded eyes and saw Lisa so close. "Why don't you do this for me?" Julie asked.

"How?" Lisa queried.

"Just do what I'm doing now," came Julie's reply. Lisa watched for a few seconds more, then pushed Julie's hand aside and grasped the slippery end of the bottle. "In and out, and twist it a little bit. Oh, yes-s-s, oh, yes-s-s. Do it good, oh, that's so good!" Julie purred.

My **** was hardening again at the sight of one female ******* another.

I had an idea. If Julie was as promiscuous as she seemed, she might not object to what I had in mind. While Lisa continued to work the bottle in Julie's stretched ****, I helped Julie out of the chair and down to the floor, her heaving **** on the floor, her *** up in the air. She stayed in the position, crooning wordlessly, **** juice dribbling down her thighs, Lisa still ******* her.

I picked up the tube of KY jelly that Julie had used, and liberally covered my ***** rod with it. Then I stood behind Julie, straddling Lisa.

"What are you going to do?" Lisa asked.

"Watch and see!" I responded. With that I grasped Julie's hips and aimed my **** at the delicate rosette of Julie's ***. Using my **** like a weapon, I suddenly shoved my tool in as far as I could. Julie let out a scream, tearing out fistfuls of carpet.

"Oh God, **** my ***! That hurts so good! **** me harder, give me all you've got! Make it hurt! Give me more of that bottle!"

"I'm ***-******* Julie!" I informed Lisa, who was now completely mind-blown.

I needed no invitation, and neither did Lisa. Both of us gave Julie all we could, Lisa with the bottle in Julie's ****, me with my **** far up Julie's clenching ***. Julie rocked back to take us both in, then forward, then back for more. I couldn't see
Daniel James Sep 2011
Neil was a nervous boy
Who no one ever noticed
He often knew the answer
But he very rarely spoke it.

He had an older brother, Jim,
Who was big and tall and strong.
He never said a word to Neil
Except – Eargh - “WRONG!”

So Neil took to playing
His own game of hide and seek
How long could he be silent for?
His record was a week.

“Wakey, wakey Neil!”
Said his dad one night at dinner.
“You had a quiz at school today –
I asked who was the winner?”

But just as Neil’s words
Were forming into song,
His brother flicked a pea at him
And said – Eargh – “WRONG!”

All his family laughed at him
But rather than go red,
Neil bit his fingernails
And disappeared upstairs.

He stayed up all night in his room
Plotting his revenge,
Still fiddling with his fingers
Till he’d bitten off the ends.

Morning came – he did not stop
He plotted and he fiddled.
He did not even notice that
His knuckles had been nibbled.

Back at school it carried on
Pinky – Ring – Index – Pointy – Thumb…
It wasn’t till the lunch bell rung
He noticed his two hands were – none!

“How embarrassing!” He sobbed,
“I ate my hands!” But did he stop?
“I can’t go back to class like this
Everyone will take the ****.”

Nails, fingers, knuckles, wrists
Then funny bones and both armpits
Head, shoulders, knees and toes –
That’s how nervous nibbling goes.

By the end of double biology
Neil was half the boy he used to be
And by the time he’d got back home
He was no more than a mouth and a nose.

“Neil’s quite quiet tonight,”
Said Neil’s dad, “Think he’s all right?”
“Oh he’ll be fine,” Said Neil’s mum,
“Probably just lots of homework on.”

That night, Neil’s mouth and nose
Packed a toothbrush and some clothes
And stepped out on to the moonlit road
Their plan: to run away from home.

They wandered round the town all night
And saw a hundred unseen sights
They saw the things most people miss
The shadows of unhappiness.

Till round a corner he found a group
Of kind old ladies making soup
“Oh dear, my dear, what’s up with you?
Has someone been ignoring you?”

Now Neil’s nose was so surprised
He stood there, mouth open wide -
One lady took this as her cue
And poured in some tomato soup.

“There you go dear, see – much better!
Your neck and belly back together.
Now be a dear and lend a hand –
This piece of bread’s for that old man.”

Though Neil was less than a head
He did his best and took the bread
And when the man said “Thank you friend.”
Neil’s face lit up again.

So Neil worked the whole night through
Making, stirring, pouring soup.
“My dear, why don’t you sit down now as
You’ve been on your feet for hours.”

And sure enough, below his head
Were shoulders knees and toes
“Oh!” Said Neil, “Hello, hello…
I missed you lot, where did you go?”

His foot said, “I was in your mouth.”
His knees – “We knocked each other out.”
His gut - "All eaten up with doubt.”
Till his whole being began to shout.

"WE are Neil! Stand up for us!
Or others will just miss us all -
And the boy in each of us
Who eats himself invisible."

So, next morning, back at home,
Neil put on his brightest clothes
And in his loudest voice he spoke
Of that long night that he left home.

And no one interrupted him –
Not mum, not dad, not even Jim,
And when he’d told of the whole night
Jim turned to him and said… “Oh. Awright.”
A Tale of Two
Her Story>>>>
Today was my free day and I longed for some soothing nature time. I had my picnic basket with some food and wine. I wanted to enjoy my afternoon alone. I was just standing there, waiting for the cars to pass me so I could cross the street to the park. He walked by me and the wind blew his scent right to me. He smelled like heaven on earth.
I am very familiar with many scents and this one was new to me. I watched him walk past me. He was hansom with dark hair are mysterious eyes. His hair blowing in the breeze just as mine was. I love that feeling, being caressed by the wind. Before I knew it he was out of sight. I did not see where he had gone, for I had been day dreaming of what he would be like to kiss.
I continued on my way to the park and found a nice quiet place to read my book. I laid out my blanket and flung off my shoes. I wanted to lay there under the fading sun and enjoy the wind flirting with my dress while I read. It’s a warm windy day and its perfect. I had been reading for 30 minutes before I was warmly surprised by the smell that came to me. It was the smell of the man who had passed me. I looked up and saw him; he was standing over me with a poetry book in his hand. I smiled and invited him to sit down.

He smiled and introduced himself as a fellow nature lover. He didn’t tell me his name and at this point I was so surprised by his presence that it didn’t matter. I sat up and I asked him if he would join me in a glass of wine. He comically answered that he is sorry but we both cannot fit in that glass! I laughed and poured two classes of BlackStone red. He accepted with a smile. I lay back down on my stomach with my book half-open. My heart was beating so fast, he was right here with me and I could smell him, it was wonderful. We were strangers and I had no idea how he found me or why.
"What brings you to the park today?" I asked. He didn’t answer me, he just looked into my eyes for the longest time and then slowly bent down and kissed me. I thought my heart was going to be heard for miles. Surely he could hear it! It was a very long sweet kiss, perfect in every way, as if we had been kissing each other for years. I broke my lips free reluctantly and asked him once again, "who are you?" He opened his mouth and he said, "I came to the park today because you are here" I was speechless, I didn’t know what to say.

I turned over and lay on my back ready to question him again. He was right next to me, a man out of a dream, just appearing from no where. My mouth opened to ask once again who he was and as soon as I did his lips fell to mine in a long wet kiss. He was pure heaven to touch tongues with. I was enjoying myself too much to ask him anything. I dropped my book and heard the pages flapping in the wind while we kissed. My hands made their way to his dark hair and I could not help myself, I pulled him closer to me. There was no one around; we were in no danger of being seen. He moved closer to me and held me tight. I could not brake away from his kiss, nor did I want to.
He left my lips on his own, kissing my neck. He whispered in my ear "I have been watching you for a while now". I suddenly felt a little frightened. I do not know this man at all and yet he is kissing me. He reached past me and into my picnic basket. He pulled out the strawberries and nibbled on one while staring at me. I couldn’t speak, I was staring right back and it was like he had my mind engulfed with thoughts.
He then fed me a strawberry very slowly; juice ran down the side of my mouth. He reached down and licked it off with his tongue. I whimpered, I wanted him so bad. He picked up another berry and took a big bite, the juice feel on my chest between my *******. I looked him in the eyes, smiled and closed my eyes and waited for him to lick it off me. And he did, very slowly lick it off and trailed his tongue down the length of the opening of my blouse.
He began unbuttoning me, my hand went to stop him, and he reached out and held my hand. He kissed my fingers and said, "abandon all fears". I let my hand fall to the grass and let him unbutton me. I was wearing nothing under my shirt, no bra. I felt his breath touch me on my ******, and I felt it rise to a stiff peak. He took a bite of a strawberry and left half of it on the stem. He kissed me once again, and at the same time I felt the chill of the cold half strawberry touching my ******.
This was heaven, my god I felt a trickle of my own juice run from my *****. I was whimpering while he was kissing me. He touched me so slowly and with such care. The cold berry circling my ****** and the kiss at the same time was driving me wild. He moved and began ******* the strawberry mess of my ******. I held his head to my ****** for a moment, it felt so good. I felt his hand reach for my thigh, soft and warm hand just caressing me. He found my wetness and was surprised by it.
I smiled and giggled, what could I say. He looked right in my eyes and told me I was about to get a licking I would never forget. He was very right! He knew what he was doing, and he made me *** so fast I couldn’t believe it. I was in heaven. Still quivering and whimpering I rolled over on top of him. I kissed him like he was my long lost love. I quickly unbuttoned his pants while a stared at him with glazed satisfied eyes. I moved lower and found his throbbing **** staring at me. I took him into my mouth while I stared into his eyes. I saw the thrill he was having as the moistness from my mouth mixed with the wind as I moved up and down. He tasted and felt wonderful and I couldn’t stop myself from wanting all of it for myself.
I heard the noise of pleasure comes from him and suddenly he stopped me and laid me down in the grass next to the blanket. He wanted me as much as I wanted him. He joined me and made love to me in the grass. The breeze blowing over our bodies, the currents within exploding. He stayed on top of me and started kissing me again.

I broke the kiss and I whispered to him, "Who are you?" He simply reached for the wine and smiled. He filled my glass and placed the cup in my hand while he buttoned my blouse and smiled. I sat up and looked into his eyes, why do I feel is if I know him! He bit my thigh and I jumped spilling the wine on my skirt. I ran to the water fountain to rinse it off and when I looked back he was gone. There was no way he could have left without passing me! I was stunned. I went back to my blanket and collected my things. My book was gone, he taken it. And he had also replaced it with the book of poetry he had brought with him. There was no name written in it, no sign of who he was. Just a book of poetry and a note slipped into a fitting page of love for a moment and it read ‘Meet me in the moon light tomorrow night, I will be waiting" and it was signed no longer a secret admirer.

His Story>>>>
I saw her again yesterday. This time when I went past, she seemed to notice me. Like so many days recently, she took my breath away. I remember the first time I saw her; she was wearing a **** black dressed that crossed at the front. Today, she was carrying a picnic basket.
I ducked behind a corner and watched. Who was this woman? And more important, whom is she going to have a picnic with? I followed at a safe distance and watched her unpack & prepare a picnic for one. She started reading a book and I knew she would be there for a while. I don’t know why, but I decided to backtrack and bought collection of Emily Dickinson poems before making my way back to the park. When I got back, my heart pumped hard in my chest. I could feel a throbbing in my head as the blood coursed through my brain.

Suddenly, I was only aware of our immediate surroundings. The sun caressing my face, the wind lapping at my hair. And her. She looked radiant in the dappled light of the afternoon, her hair flowing over her shoulders. Her sensuous mouth twitched every now and again as she read. Something caught her attention and she looked up at me. I was a mess. All I could come up with was that I was a fellow nature lover. I just stood there until she invited me to sit down.
Worse still, when she asked me to join her in a glass of wine, I blurted "I’m sorry, but we both cannot fit in that glass". At least she laughed and when she handed me the wine she asked why I was there. Having made a fool of myself already, I decided that actions would speak louder than words and surprised both of us by leaning forward and kissing her.
Her mouth was beautiful- soft, full lips. I could taste the wine on her lips and as my tongue gently parted them. Her mouth opened to greet mine and I took her lower lip between my lips.
She was reluctant at first but warmed to me and I felt her hand on the back of my head pulling me to her. I was no longer aware of anything but her. Nothing else mattered.
At one point she asked me again why I was there. I couldn’t believe it when I heard myself say that I had been watching her. "Great", I thought. "Don’t worry about looking foolish because now you look like a psychopath". Deciding for the second time that silence was golden, I kissed her again. Our tongues explored each other’s mouths.
I could feel her warm breath on my face and I pressed my body firmly against hers. My leg found its way between her legs as I used it to press on her *****. Reaching for some of her strawberries, I took one in my mouth and fed her the rest. I put a strawberry half in my mouth and lent forward to give her the rest. She bit into it and our lips caressed as she swallowed it. When some juice escaped her mouth and ran down her cheek, I licked it off, running my ******* trail from the base of her neck up to her mouth.
She was now irresistible; I had to have her. I undid her dress button by button. I licked berry juice from her ****** as I felt it harden under my tongue. I ran my tongue around and around her ******, then from the base of it to the tip. I felt her back arch towards me as my hand wandered down her body. The leg, which had been pressing against her *****, was damp. Her ******* were completely soaked and I was astonished to find her completely shaven as my fingers slipped under the waistband.
She opened her legs as my fingers slipped inside her. As I let my fingers caress her ****, I kissed and nibbled my way down her body. The further I moved down, the stronger her scent became. It was intoxicating and I knew that I must have her juices flowing over my tongue. My fingers slipped under her ******* and I gently pulled them down, very slowly. She lifted herself off the ground, inviting me to take them off completely. It felt like I was 6 years old and opening a Christmas present. When they slipped off her ankles, I brought her ******* to my face and inhaled deeply.
The scent hit my nostrils and went straight to primitive parts of my brain. I dropped them and immediately ran my tongue up her inner thigh towards her *****. I stopped before my tongue reached there and let her feel my breath. I enjoyed the smell while I could as I plunged my tongue between her lips and straight into her *****, the sharp tang of her juice stimulating my taste buds.
She tasted as good as she smelled. I made my tongue rigid and slid the tip of it along her ***** up to her ****. My tongue broadened as I delicately licked her **** like it was a melting ice cream. My wet fingers found her ****** and I caressed it to the same rhythm as my tongue on her ****. I felt her ****** build up and a gush of her *** soaked my chin and my chest.
I was aroused to the point of unconsciousness when she suddenly pushed me on my back and straddled me. She was quick to free my **** and took it in her mouth and looked up at me. Our eyes met in a moment that I will never forget. We both knew what was to come. Releasing my ****, she straddled me and lowered herself onto my ****. We both gasped as she opened up and slipped over my head and down the shaft, her **** grinding against my ***** bone. We kissed deeply as our bodies united and we tasted each other’s juices. When I first saw her, I thought how much I would love to **** this angel. But we were not *******, we were making love.
At last, our bodies climaxed as we ****** hard at each other, my **** slamming hard, my ***** slapping against her *******.
We lay on the soft grass in ******* bliss and she asked me again "Who are you?". I avoided the question by biting her thigh, which made her spill her wine. I took my opportunity and left, but not before swapping books with her. I left a note for her asking her to meet me tonight. Such unimaginable beauty and sensuality can only be enhanced by the moons pale light.
a situation told by male and female perspectives
Mateuš Conrad Dec 2016
by simply watching 'don't call me crazy'
with regards to mental health... a bbc3 documentary.

i find a few pointers, apart from the fact that i've learned
English to a standard that i could
be misjudged as a native, what with african psychiatrists
   and the history of England as  a postcolonial nation...
     the problems of premature depression
and other divergences from the "norm"
  (or is that a tu-dum tss... "the norm"?
i never know how to tell the joke a proper
way, so many jokes are mothered
by punctuation, i don't know
how many there are that aren't) -
so aside from that... the fact that i'm
faking being British... if you have any grievances
against me: you'd better me Ukranian
or Lithuanian... otherwise? *******.
yes, i know the Poles did terrible things,
Vlad wasn't the only person ready to
do sadistic **** on people by impaling them
on sharpened-wooden poles...
   and you thought the crucifix was bad...
but oh look... the artists inserted a peddle-stool
so he could stand while on the cross...
rather than actually: hang from it.
talk about a woman faking an ******.
then again: he was all kissy-kissy with
a centurion having cured the ravaging libido
of his "demon possessed" daughter who
had a hot bagel flirt under her skirt for him...
or as i say: **** a prostitutes
           **** for an extra ten quid: the sigma
of how many ***** that thing has seen
turns your tongue into a dagger...
that's where i have seen my salvation:
   not in the eucharist or degrading symbols
of a godly stature.
       no, the point is:
this misapprehension of where the origin of
thinking resides...
  the true materialists posit the origin of thought
in the brain... but, honey-bee, the brain
is preoccupied with its materialistic responsibilities...
to shoot adrenaline when bungee jumping...
why think it isn't already preoccupied with anything
but thought? the brain doesn't think
no more than the heart might... or your *******
wetted or your phallus becoming *****...
there's no point in ascribing thought to the brain,
even if you abstract the source of thinking
toward the brain as a *mind
,
     the suggestion parallels what the brain does,
and what the brain isn't...
   as with the notion of god...
          ridiculous for most people:
or also ridiculous when man is taught to stress
his "individuality"...
                               both seem on equal footing
to be considered phantoms, but the individual is
more of a phantom than god...
                             and as Diogenes of Sinope found out:
you'll find god and the Archimedean eureka
quicker than finding an honest man -
who takes a candle at noon into a market square?
     ah: that famous lunacy...
but in the beginning the word was with god,
       yes, because when we started we only said ooh ooh!
and made those frightening monkey faces to
war off evil spirits and the Arabic third eye, evil.
   Darwinism created historical fiction...
           a bit like science fiction, but instead of looking
forward, historical fiction is looking back,
toward a time when people struggled against
the elements, and had no sense of having to think
given their actual pentagram equilibrium was tuned
into what was around them...
                   the senses could never deviate from
the world of shouting down a cave and hearing echo,
it's only when thought emerged and conceived words
   that the dubiousness of simple musing:
chicken or egg first? created auxiliary sense perceptions...
   we have left the sensual world...
           for we have "enriched" our lives with
thinking, the byproduct of which is what scared me
about this bbc3 documentary... that all mental
illness stems from allow thought to automate itself...
      in other words having no moral compass...
in other words: not having read a single book
   and learned a process of equating thinking with
narrating... as a sensible option to what others tend
to do (the innovators), and allow narration to be a void...
into which they pour all their thinking to
fill that void... with, say, Thomas Edison and the lightbulb...
Isaac Newton and gravity...
it's just scary that people can allow automated thinking,
     made even more evident that counters
the punitive transgender pronoun scenario
   that only focuses on the pronouns: he, it, she.
these youngsters in the documentary are dealing with
submitting to a pronoun focus of: i, it, you.
                      in some vague sense of a religiosity,
that they cannot allow cogito ergo sum into their minds,
a possessiveness of body, that later translates
into an identification with the mind: which is -
well, if you're going to posit the origin of thinking
in your brain, which isn't even there - you mind
as well posit the mind, seeing how the soul
is argued against primarily through our mortal condition.
   is the eye the window to the soul?
  and the brain merely a paraphrasing of that statement?
perhaps...
              but i wouldn't be too worried
             as Walter Benjamin was about art in the age
of mechanical reproduction... i'd be worried
that art is bound to the morgue of psychiatric institutions...
that art is not a term that suggest the origins of
   such ailments:
due the original lack of it in such places:
  but that that it was never there... and that finding
art can be therapeutic is why art can be scolded
               and establishment art is nothing more
than the pinnacle of us, having abused words,
waging fewer and fewer words, can't produce
    a work of beauty... merely a work that occupies
a space.
                art = space...
          that's the statement these days...
being oversaturated with scientific assurances has created
this insurgence of over-competence or making
art not art in a sense timelessness, as in Dante's
comedy isn't equal to space,
            but that it's equal to timelessness...
    or a statue by Donatello...
                          these days art = space...
because it's not going to be timeless... it was once
the iconoclasm in metaphor of: the lion of Judea...
          Lucifer as the morning star...
                         it will not be timeless because it
has been reduced to the establishment's aesthetic
of tracey emins' unmade bed... or
       damien hirst's the physical impossibility
of death in the mind of someone living -
i never said these things aren't art... some people
said cubism would never be art compared to
surrealism... but shove a triangle into Pythagoras'
head and you get some sort of mathematics...
              it's based on that principle...
what wouldn't work in the case of hirst would be
to put a cancerous tumour into a plastic cage...
people would associate it as some sort of atomist
representation of a nanometre worth's of some
larger thing... i do appreciate the fact that big
art works... it needs so much face to embody
the fact that you are to think about it...
                         and not to have a **** over it:
it's art that's anti-arousal and more and more
and more about how to juxtapose it in your mind,
always to abstract the brain as the mind
   and to never appreciate the idea of having
to source thinking as solely endemic to the brain...
the brain is busy, the heart is busy...
            we have perpetuated an outer-body
experience throughout our time since the time when
we first acquired the phonos of thought...
                 and it is a peculiar "sound", thought...
a dance memorable to actually having a hope in
possessing a soul... even after all sturdy things
shrink into the obsolete, and even vegetable.
but the piece i'm referring to?
     kinda paradoxical... given that a shark would
probably eat you... but then again counter-paradoxical
given the fact that most shark-attacks
     make the shark refrain from eating you,
but merely nibbling on you and leaving you alive
albeit nibbled on... maned... with scars...
so i get the part where the shark is in fact:
an impossible death to conceive... only for the lucky few.
  apart from the fact that the shark is caged
like a prehistoric mosquito lodged in amber...
              woodland gold, amber...
  that's the literal interpretation...
                                 but it's still a moving piece,
modern art isn't crap at all... it's just something you
don't get an ******* over...
            take any still life and apply a cognitively
based chemical reaction: stimulate a narrative...
in that famous phrasing, connect the: dot dot dot(s).
    become, in that almost ridiculous sense:
     a Sherlock Holmes... but all that died was about
a minute's worth of your attention...
this is what's fuelling revising a need for television,
big static things... my personal favourite?
that Tate Modern installation by richard holt -
hand on heart: about 3 times...
              i felt like a mosquito drawn into that:
ah the bright shiny light... 180º and a glass ceiling...
that's all it was...
                   art in the age of mechanical reproduction
has to almost ridicule man, or at least ridicule
the idea that he can become an individual,
    as was the ridicule of man that he could become
a god...
               sooner or later any attempt at individualism
becomes trendy, vogue, and magnetises and
monetises a need to mimic, replicate... one punk today:
20,000 punks tomorrow...
       /
           but that sort of mincing is mostly associated
by the bewilderment of our own success...
                           it's almost like a we're engaging with
a sabotage process: deliberately trying to undermine
ourselves by staging a variety of "anti-social" endeavours
we promised ourselves upon a belief in the "individual"...
      modern pieces of art debunk that myth,
it's that modern art pieces require so much space that
gave them the most adaptation prowess over, say,
a puritan's concept of art, as in a Turner painting...
           classical art can be put into a Florentine market
square and be passed by quiet casually,
because it provides an assurance - it forbids engaging
in an iconoclastic vigil, it's an assurance of the past
and how golden it was... but a modern sculpture
in a busy place where many people congregate
without first allowing it the asylum of an art gallery
and people will treat it as a chance to hone on it,
vandalise it, or steal it and sell it from scrap metal...
       modern art requires an asylum to be accepted,
an art gallery is an asylum where people with
good intentions enter and leave appreciating something
that, to the pleb, would get a rotten egg thrown at it.
    and as with regards to how i phrased something
earlier? how philosophy talks of the logos
     that doesn't see the phonos: or the dichotomy
between actual sound, and sound ascribed a
optically-phonetic disparity encryption:
deepened by a self-styled aesthetic of the "ruling elites"...
          and in the beginning the word was with god...
we're merely licking the toes of such a possibility...
         and just you try to bypass the orthodoxy of
encoding sounds with queer spelling...
                     you, in a sense, learn two-languages
with every single one you learn...
   how to say it and how to write it...
                              and then there the how you hear it
and how sometimes you hear different lyrics to
the ones sang...
                         a bit like the Chinese,
who, upon reading the English translation were
bothersome to get rich quickly after seeing
too many matchsticks in ideogram translated as merely
Li Po; i'd too go bananas and become frustrated
and retaliated by getting to Einsteinian grips with
the mathematical alphabet that bore Li Po... i.e. 1, 0
through to 9.
      ah yes... philosophy that doesn't appreciate
grammatical words, or in that sense credible for a biologist
not necessitating a genus to ease any argument,
to actually further it... or to play ping-pong...
   grammatical words are equivalent to the subconscious
given we tend to write some a sense of fluidity...
the unconscious? schematics akin to triangles...
  "images" or rather shapes...
                             beginning with Δ: isosceles...
later varied to the Γ triangle of Pythagoras...
          and as far as we got, a respectability to
not conjure up a square as worthy of encoding a sound...
nearest being the H... and that turned out to
be much ha ha ha.
                   still... i can't come to grips with these teenagers
in the bbc3 documentary talking about
automated thinking! i'm not denying it, i'm not
doubting it... it's just a question:
          how could such a pronoun muddle come about
that you discourage ownership of all your mental
activity? and instead leave a rampant kindred of an
abandoned snail's shell body to wreck havoc?
   it's almost like a a want to refuse to use words...
or encode words... rarely are people told
that the eyes are used as encoding organs...
                   but that the tongue knows no filters...
what the eye ingests... the tongue sometimes can't
digest... and vice-versus... that what the eyes digest
the tongue can't ingest: hence the rebellion
against contrary political ambitions -
   the ears? well: the ears are allocated the heart as
a partner... the tongue and eyes are entwined...
but the ears are allocated the heart...
                     you tend to feel words more than
hear them... because by the time the tongue
represses combining itself with the eyes to
that elevation of thought... your body becomes
autocratically synchronised to a sort of music
of heightened of unanimous response...
             well, it's not exactly a fetish watching such
documentaries.. iconoclasm in metaphor...
  i swear i wrote this before... how philosophy avoids
grammatical genuses... and how all too
ambivalent poetically equivalent nouns and verbs
are to hide our imperfections that precipitate from
art... iconoclasm / anamorphosis in metaphors...
                         camaïeu in allegory...
                   divisionism in pun...
                                       chiaroscuro in imagery...
gestural abstraction in onomatopoeia...
                     just some examples, and none necessarily
     convincing - as ever... this is my excuse
for i am always bound to say language is Alcatraz
   and my escape from Alcatraz is bound to metaphors,
fo
Joseph S C Pope Jun 2013
There is nothing new under the sun, but it was night and the indifferent blinks of gaseous lives above looked down while my friends and I were at a new fast food joint that moved next to a now lonely Wendy's, with a faded sign tarnished by something the new fast food joint had yet to experience—mundanity by time. But I had my notebook with me while we ate outside, but it was in the car. My mind is always in that book, and I remembered something I had written for a novel in progress: 'Nothing is new under the sun. How is it possible to watch stars die? There is nothing new to their dust. We are the flies of the universes.'
It was just when I had finished my BBQ pork sandwich when Ariana suggested visiting a graveyard. I had the idea to visit a Satanist graveyard that our friend, Lanessa warned us against for the better safety of our sane souls—good luck with that. I wanted a revival of fear. How the beast would rip at the roof off our metal can of a car—the greater our barbarism, the greater our admiration and imagination—the less admiration and imagination, the greater our barbarism. But Ariana disagrees with words I never say, Nick laughs with my simple words to that previous thought. How funny it would be to burn eternal.
But then he suggested we should go to the Trussel in Conway. I had no idea or quote to think about to contribute to this idea. I wander, as I like to, into the possibility that his idea is a good one. Like some wanting hipster, I dress in an old t-shirt with of mantra long forgotten in the meaning of its cadence.
That is the march of men and women into the sea—honest, but forgetful and forgotten.
I was wearing a shirt sleeve on my head I bought from a mall-chain hippie store, and exercise shorts, finished off with skele-toes shoes. I was ready for everything and nothing at the same time. And that fits, I suppose. But all that does matter—and doesn't, but it is hard as hell to read the mind of a reader—it's like having a lover, but s/he doesn't know what s/he wants from you—selfish *******.
But there I was,  on the road, laughing in the back seat, sitting next to a girl who was tired, but also out of place. I could see she wanted to close arms of another, the voice of another, the truth that sits next to her while watching tv every time she comes over to hang with him, but never accepts that truth. She is a liar, but only to herself. How can she live with that? The world may never know.
The simple rides into things you've never done before give some of the greatest insight you could imagine, but only on the simple things that come full circle later. That is a mantra you can't print on a t-shirt, but if it ever is, I'm copyrighting it. And if it's not possible, I'll make it possible!
When we got to the Trussel, the scenic path lit by ornamented lamps seemed tame once I stepped onto the old railroad tracks. They were rusted and bruised by the once crushing value of trains rolling across it's once sturdy structure. Now they were old, charred by the night, and more than just some abandoned railroad bridge—the Trussel was a camouflage symbol birthed by the moment I looked into a Garfish's eye as it nibbled on my cork while I was on a fishing trip with my granddad when I was eleven. I remember that moment so well as the pale, olive green eye looked at me with a sort of seething iron imprint—I needed that fear, it branded instead of whispering that knowledge into my ears.
That moment epitomizes my fear of heights over water—what lies beneath to rip, restrain, devour, impale, and or distract me.
But epitomize is a horrible word. It reeks of undeveloped understanding. Yet  I want a nimble connection with something as great as being remembered—a breathe of air and the ideas  thought by my younger self, but I will never see or remember what I thought about when I was that young—only the summary of my acts and words. And by that nothing has changed—am I too afraid to say what I need to say? Too afraid to hear what everyone else hears? Or is it the truth—depravity of depravities that has no idea of its potential, so I am tired of the words that describe my shortcomings and unextended gasping hope. I am tired of living in the land of Gatsby Syndrome waiting for Takotsubo Cardiomyopathy!
But when we got to where the Trussel actually began I felt the fear hit like the day it was born—all hope was drained, and I was okay with abandoning all aspirations of having fun and being myself in the face of public criticism. I was flushed out by the weasel in my belly—the ******* beneath those still waters. I compare it to someone being able to handle Waterboarding, but can't handle being insulted—it's that kind of pathetic.
I stood just on the last understandably steady railroad ties that I knew were safe and watched my friends sit off the edge of the bridge, taking in the cold wonder of the night, and I was told at least I was smarter than my dead cousin who managed to get on top of his high school in the middle of the night, but had to be cohearsed down for fifteen minutes by a future marine, and future mourner who still grieves with a smile on his face.
The future mourner, he laughs at the times he insulted, or made fun of, or chilled with his now dead friend. It's never the bad times he cries about, there are none—just the good times, because they don't make them like they used to.
I watched them in that moment, and I don't know if I can deal with knowing my life is real. I began to blame my morality on this fear even though I already justified the fear just seconds before. But as I write this, I look over my notes and see something I wrote a few days ago: 'Life is ******* with  us right now. You laugh and I laugh, but we're still getting ******. The demon's in our face.'
As morbid as that comes off, it resonates some truth—what is killing us is going to **** us no matter what we do—and I don't want to be epitomized by the acts and words I didn't say.
I was never in the moment as a kid—I was raised by by old people and kept back by my younger siblings. The experienced tried to teach me wisdom, and the inexperienced kept my imagination locked in time. I don't want to go home as much now because I see that the inexperienced are becoming wiser everyday and the experienced are dying before my eyes. My idea of things is enduring leprosy.
But back to the simple moments.
Ariana saw a playground as she stood up and investigated the Trussel. It was next to the river, behind the church, fenced off by the fellowship of the church to keep the young ones in and the troublesome out. Of course, we didn't realize there was a gate and it was locked until Nick stated the probable obvious within ten feet of the nostalgic playground. And that's when Ariana pointed out the bugs swarming the parking lot outdoor lamp that blazed the fleshiness of our presences into dense shadows and more than likely caught the eye of a suspicious driver in a truck passing by. But I was still on the bridge—back in the past, never the moment. Me and my friends are still children inside these ***** forms. I muttered to myself: “Life ain't about baby steps.”
Nick looked over and asked what I said. I turned around, dramatic, like I always like to and repeated louder this time, “Life ain't about baby steps.”
He asked if I needed to do this alone, and I said he could come along. I walked rhythmically across the railroad ties, and heard Ariana comment that getting to the railroad up the small, steep hill was like being in the Marines. I laughed sarcastically. Nick and I had been to Parris Island before, and I know they test your possible fears, but they beat the living **** out of them.
I casually walk into the room where my fear lives and tell it to get the **** out.
When I reached the precipice of the last railroad tie I stood on before, I felt the old remind me that death awaited me, but there was no epic soundtrack or incredible action scene where I stab a manifestation of my fear in heart—a bit fun it might have been, but not the truth. I bear-crawled over the crossings of the ties and the structure of the bridge itself. I felt Relowatiphsy—an open-minded apathy self-made philosophical term—take over me. It is much simpler than it sounds.
There was no cold wonder as I imagined. There was just a bleak mirror of water below, a stiff curtain of trees that shadowed it, and the curiosity of what lies in the dark continuing distance past the Trussel.
Nick sat with me and we talked about women and fear, or at least I did, and I hoped he felt what I did—there was a force there that is nabbed by everyone, but cherished by few—courage. And I thank him for it, but I know I did it. Now I want to go and jump in that still water below—Ariana later says she's happy I got over my fear, but I'll probably have a harder time during the day when I can see what I'm facing, but I see it differently. During the day, the demons are stone and far away—like looking down the barrels of a double-barreled shotgun uncocked and unloaded, but at night is when the chamber is full and ready to go, and you have no idea who is holding the gun with their finger on the trigger and your destination in mind.
Then we threw rocks into the water in contest to see who could throw past the moonlight into the shadowy distance . I aimed for the water marker, and got the closest with limited footing, using just my arm strength. But it wasn't long before we had to leave, making fun of people who do cooler things than us, on the way to the car. I had to ride in the back seat again because I forgot to call shotgun. But on the way home, the idea popped in our heads what we should get my hooka and go to Broadway, and get the materials so we could smoke on the beach.
Nick's girlfriend and her friend joined us.
I missed a few puns against my co-worker as I was sent to get free water from the candy store where I work. I ended up doing a chore because I was taller than most of the people there. Appropriate enough, it was filling the water bottles up in the refrigerator.
All the while I loathed the fact that I would have to be clocked in tomorrow by two in the afternoon. I grabbed the water and got out of there as fast as possible without appearing to be in a hurry.
Impression of caring matters more than the actuality where I work—and yes, that makes me a miserable ****.
Perhaps it's not too late to admit I am recovering pyromaniac from my childhood and the flavoring we use for the taffy is extremely flammable. It would be a shame to drench the store in what people love to smell everyday when they walk in, and light the gas stove. Then, maybe I could walk away real cool-like as this pimple in this tourist acne town pops like the Hindenburg. The impression of splendor is like a phoenix—it grows old, dies, resurrects into the same, but apparently different form, spreads it's wings, and eats and ***** on everything simple, or presumably so.
I forget the name of the beach, but it was the best time I've had in a while. I was whimsy, and high on the vastness of the stretch of beach around us. They could bury us here. But me in particular. I rolled from the middle of the beach to the water, stood in the waves and shouted my phrase I coined when I realize something as wonderful as conquering a fear or realizing a dream;
--******' off!
And I stared at the horizon. My friends came up behind me and I looked back to see it was Nick and his girlfriend hugging. I gave a soft smile, put my hands in my pocket, and turned back to stare at the clouded horizon. What beasts must lie out there—more ferocious than the simple fresh water beings that wait beneath the earlier placid waters. I was a fool to think that was the worst. Nick said as I pondered all that, that I looked like Gatsby, and I tried to give him a smile that you may only see once in a lifetime, but I'm sure it failed.
I wanted to tell him that, “You cannot make me happy. It is usually the people who have no intention of making me happy that makes me smile the quickest.” But I don't. Let me be Gatsby, or Fitzgerald, if to no one else, but myself.

Hell is the deterioration of all that matters, and as the five of us sat around the hooka, and inhaled the thick blueberry flavored smoke that hinted at the taste of the Blueberry flavoring I use to make Blueberry taffy, there was a satirical realization that the coal used to activate the tobacco and flavor in the bowl is sparking like a firework, and reminds us all of where we're going.
It's a love affair between that hopelessness and hope of some destination we've only read about, but never seen.
By this point Nick and I are covered in sand, because he joined me in fun of rolling down the beach. We want so bad to be Daoists—nonchalant to the oblivion as we sit in. Just on the rifts of the tide, he and I scooped handfuls of wet sand, and I lost my fear of making sense and let Relowatiphsy take over again.
“Look at the sand in your hands. It can be molded to the shapes your hands make. We scoop it out of the surf and it falls through our fingers. There are things we're afraid of out there, and we sit just out reach of them, but within the grasp of their impressions. The sand falls through our fingers, and it plops into the tide, sending back up drops of water to hit our hands—the molders of our lives.” I said all that in hope against the hopelessness of being forgotten.
Then he said, “What if this is life? Not just the metaphor, but the act of holding sand in our hands.
I relish in his idea of wiping away my fear of an unimportant life. And by this point, it's safe to assume I live to relish ideas.

The last bit of sand from the last handful of sand was washed from my hand and I looked back at the clouded horizon, pitch black with frightful clouds and said:
“Nick, if I don't become a writer. If I live a life where I just convince myself everything's fine, and that dream will come true after I finish all the practical prep I 'must' do. I will **** myself.
I looked at him, Relowatiphsy in my heart, and he said:
“As a friend, I'd be sad, but I'd understand. But that means you have to literally fight for your life now—regardlessly.”
And he left me with those words. Just the same as my granddad left me a serious heed before he wanted to talk about something more cheerful, when I asked about his glory days fishing the Great *** Dee River. He said: “I wish I'd been here before the white man polluted the river. It would've been something to fish this water then”, then he paused to catch his breath, “Guess there are some things that stay, and others than go.” Then joy returned, as it always does.

But the idea of what was happening to me didn't hit me until we were a few miles away from the beach, covered in sand, but the potential of the night after conquering my fear of heights over water had been shed in the ocean.
Around midnight, when the headache from the cheap hooka smoke wore off and the mystic veil of the clouds over the horizon has been closed in by the condensation on the windows of some Waffle House in Myrtle Beach. There was a wave of seriousness that broke over my imagination. Works calls for me tomorrow by two.
There's not much vacationing when you live in a vacation town.
And midnight—the witching hour—spooks away the posers too afraid to commit to rage against the fear.
But there are others—college students that walk in and complain about the temperature of the eating establishment, and the lack of ashtrays—how they must be thinking of dining and dashing—running from a box, but forever locked in it.

They make annoying music as I write this. That is how they deal.
This one was the unedited version (if I make that sound naughty or euphemistic).
As I stand before the mountain of confidence called hope, I see a clear path up, not too steep, not too straight, but this path is embodied with rewards to the top.

At the top, there is a magnificent tree made of gold, silver leaves and Copper roots. Hope mountain held a perfect prize awaiting me, a Tree called Faith.
This sight to behold was everything I wanted, everything before me was so clear, but at the bottom where I was, there was a River.

This River was called Shame.
This river was filthy, the water was calm where I was, but looking downstream I could see the rapids of rage, the ripples of conditioning before the raging rapids were inviting.

The dreary stonewalling fortification on the banks allowed no light through, downstream was scary and looked impossible, why would I go that way? why even look?
I looked upstream and saw a blinding light, what could this be? I was so curious, so I waited, a true gentleman always waits.

Two days later the light took shape, as it came closer I could finally see, I could see a lifeboat with a caring nurturing beautiful woman.

As this beautiful woman came closer, I could see the river was being supplied by this woman, I could see she was the source.

The river of Shame was being fed by this woman, this filth in front of me was coming from her, but the beauty was something I've never seen, this beauty had me curious.

This beauty made me forget of the supply to the river.
  What I saw wasn't real all the sudden, what I believed was now real.
She came close enough for my heart to be heard, since she had no heart she was envious, she hated what others admired.

She wanted my wholesome heart, so she used her falsehood love bombing to create one, dreamingly admiring the mountain, we were planning different paths right then.
As I stared at the golden Tree of Faith glowing upon Hope mountain, I didn't notice the river was rising, as the numbing waters were rising it covered my feet, I didn't notice she also took a piece of my heart to claim as her own.

She used toxic gas and light to create a projection that this heart was hers to give back to me.

I didn't know any better so I accepted this ambient abused heart, this unfelt abuse gave me amnesia, this hidden poison of my cognitive dissonance gave her all of me.

Since she had nothing and that's what she craves, I had everything so she wanted to enslave.
I forget about the mountain with the tree even being there. I forgot I was here.

Her lifeboat was awkward, it was shaky,
it has imperfections, it has holes,
   her lifeboat is sinking,
     her heart is missing.
my knightly kind hearted empathy,
   my buffering and nurturing sympathy         pick this beautiful woman up
      I pick this gem up because of her idealization of me.
I can clean this insidious gem because she makes me believe, but through the veil I cannot see.
I throw her over my shoulder to carry all her weight, it's hard to move, hard to breathe, building a new boat was extremely hard, carrying her pain was extremely hard.

Everyone thought it was impossible to do it, my shear will power to commit ****** one foot in front of the other, I just didn't know that going downstream was impossible.

What about the mountain?

I couldn't remember from the amnesia, the dark night blinded my sight of the mountain, the drug in me was you and it consumed, i fell in love with misery and misery loves it's companies.

I stared the snake behind the veil in the eyes, standing tall on her pedastool made of spackle it breaks, I fall onto piercing confusion, I pull out shrapnel's of dissolution, I'm covered in her blood of invalidation.

I'm already floating in the boat with her, this wasn't my plan, this wasn't my reality.
I gaze upon this woman, sun shining behind her, no clouds in the sky.
floating downstream she tells me it's faster, that we'll end up behind the mountain higher.

I'm not worried now, I'm now contempt with shame.
I already forgot reality, I already forgot i'm going downstream, I forgot the searing pain, I forgot what I believe.

I'm relaxed, I'm tired, I'm still happy in love with this spellbound misery.

As we drift slowly through the stonewalls, no light shines through, I ask her for assurance, it's getting dark, I'm getting scared.

That's when the veil comes off, that's when the unnatural beauty grows quiet, that's when my voice screams silently within these stone walls.

This isn't her, this isn't real,
I know there's love I can feel, that was our bond, that was our deal, not to steal.

I fall over board and the water is cold, there's leaches, the debris is so random, the shameful water is moving faster, the all consuming cold confusion, random gaslighting and triangulations moving in around me faster.

I immediately can't bear it. My heart pulsates hard, my mind misfires my flight mode, i cannot intake the overbearingly unowned toxic Shame, her coldness activated my fawn mode, I froze, I start to doze.

luckily she had my leg, luckily she knew excessive admiration CPR, just as my body went limp in the agonizing River of Shame, she pulls me out. luckily she got me just in time, luckily she saved my life.

I awoke away from the stonewalls, it's sunny and safe again, we're together through impossible odds, we built this boat and she saved my life.

The abuse amnesia made me forget, the cognitive dissonance was real, I am not.

The mountain was now farther away, I was worried, I grew fearful, what I wanted looked farther away, that's when everything became gloomy, my goal was no longer there, but she didn't care, she knew where the river went, I believed her, I still do.

The ambient abuse made me anxious, the atmosphere was maddening of fear, it carried anxiety, I couldn't see it, but I was breathing it in.

Her eyes were so incapacitating, her heart disorienting, her soul captivating, she had a better plan, for us to press on and build another boat, to add another life, to believe in her, to not stare at the knife.

We build another boat, were out of the shame waters finally, she's helping me, were soon to be a real family, but the only thing real here was me.

Everything is better on the land, were dry, it's sunny, it's better to feel the nirvanic sand. It's here we bring our new seed, to be sprouted downstream.

I now believe in this new mountain downstream, I don't even remember the mountain I seen, were pressing on downstream past a levy, were now in the River of Grief, we're off to the end of make believe.

This river is really turbulent with rapids of devaluation, the splashes make me irrelevant, the dinigrating actions around make me small, I feel lost and confused, nothing makes sense anymore at all.

At the mouth of the River of Grief it opens up into a valley. She jumped onto a rock of vanity and pushed the tree of disloyalty upon the boat.

This throws me out head first, but luckily I have our seed safe and sound, luckily I learned how to drown.

I turn around falling and see her at the top staring down, she smirked and throws enormously heavy anvils of bereavement to make me fall harder, to keep me down longer.

Evil is real, but only if you believe, I crave the flattery of illusionary love, I still had amnesia, I love misery, the feeling reminds me I can feel, I love my slow death so I say I'll find you, I have the seed, I'll wait for you.

As I fall the thorns of numbing premeditation pierce, the pain is searing, as I fall i'm locked on her, my falsehood of love is still enduring, I don't feel the discard, I ignore the distaste.

I land in a field of hopium still protecting the seed, my amnesia is now worse, I can't remember her smirk, I can't remember the weighted anvils of bereavement, I can't remember the tree of disloyalty, I still can't remember the mountain.

My movement is heavy like concrete, my heart sits down at my feet, my mind is nowhere to be found, my spirit is fading on this ground.

I gather everyone from a nearby village to find her, it's impossible, they can't see her, she never existed, my amnesia was now delusional, the hopium mixed realities, nothing was real, there was nothing I could truly feel because everything was wrong, but I believe misery needs me and I yearned.

I say she's at the top, we have to throw her a rope,
they say it won't reach what isn't there,
I say we need a ladder to throw the rope, they say the ladder isn't safe that high.
  
I say everyone can hold the ladder while I climb perilously to the top, they say it will never work, but since they can see me, since they see a part of me is still real, everyone holds the ladder for me.
      
While I acend with my broken dignity, I acend with a fatigued heart, I acend to find what I believe, no matter how hard I try, I will be taking my destined decent.

The top of the ladder is shaky, I spent forever getting there, it's scary, the heights bring great fear over me, more than I've ever felt, but my knighthood makes me overcome anything.

I suppress, the seed is safe down below, I'm here to impress, I can see her now, only much less.

Her snake skin is peeling, the sun scorched blistering skin shows immense pain, witnessing this releases empathy, the caring knighthood in me naturally wanted to save her again.

So I wrap what's left of my discarded soul upon my broken fatigued heart and I use my trauma bonded mind as bait.

I throw her the rope,
she catches the rope,
I tell her to tie off the rope,
she ties a noose with the rope,
her neck is now wrapped with this rope.

If she falls I can't stop the tightening of the rope, if she falls I already know I'll jump for her and release from her neck this rope.

We jump together and I release the rope around her neck, I see the ground coming fast, but I love this snake, I'll die for this snake because I believe, false beauty inside is all I see.

I grab her and turn her away from the rushing ground, I fell once, I can take the fall again.

She is already hurt, immense pain, she will not feel no more pain, because I'm not hurting for I'm with misery again, I believe I can take all the pain for her, the hopium was numbing everything I consumed.

I awoke to a distressed angel, flawed personality, beautiful nightmare, mirroring the devil, but what I saw was a veil over the snake eyes, what I saw was what I believed before.

What I had wasn't real, who I am is no longer there, for I had ambience amnesia, nothing around me fit, nothing around me was grounded, nothing around me was divine.

The eyes that gazed upon me were captivating, spriling, time froze and only she was moving, the feeling was there, a drug within me, the drug was her and I longed for the misery, I yearned for the pain to remember what was real, I needed the intermittent reinforcement, I wanted my all bets in investment back and I risked a short sale.

We faded into the black, into a new boat, she made this boat, she had plugs in  holes of the boat I couldn't see, I believed it was perfect, I didn't know what awaited was a life long anguish.

I still didn't know what was downstream is impossible, I didn't know this new River of Anguish has piranhas of triangulation, I didn't know the rapids were of oppression, I didn't know the rocks causing these rapids she already put in place, I didn't know it was so black around me in this place, I didn't know my seed would become two, I didn't know I would have to choose.

I didn't know true love was in front of me in my hands and not behind the veil, I thought it was her, all the villagers knew, but as I drew closer to the snake the darkness only grew and the seeds too.

The feeling of my lingering mortality reverberates, she built me a coffin and chained it to my ankles, with this immense weight, I carry it with me just in case.

We floated very fast down this River of Anguish, everything seemed fine to all others including me, the darkened skies covered the evil, the cold waters made my body numb, the seeds were held up high to be be safe from the tormenting waters.

As I held them up high, I didn't realize she was still holding the schraded butcher knife in the water, I didn't believe she would hurt me, I didn't conceive the possibility that knife I didn't see was there all along for me.

The waters of Anguish smothered me, the triangulating piranhas slowly nibbled on my feet in the water, the rapids of oppression kept me gazing in the water, the rocks of malice in the water tried to tip me over, but my balance was true and the seeds were safe from harm, but I am not safe, I'm dying inside.

I don't know why, but after every agonizing stab from this knife when I'm not looking, it hurts, but the numbing knife only helped me when it was pulled out, it has holes in the knife so she could pull it out without me knowing.

I always turned around and cleaned the knife covered in my blood, I always gave it back to her, but every wipe upon this blade made it grow, and every wipe made the label on the handle more clear.

I find out in the end this knife is called narcissistic rage, the brand of this knife is called gaslighting and my blood is the supply.

I didn't know any of this until it was too late to save myself, my reality wasn't real, my dreams are gone, my nightmare is all consuming and existent, my seeds are still safe, but I am not.

When I start to notice the knife exists, I forgive her, the conditioning made the skies darker, I wipe the blood off and give it back, the knife is now a sword, it's name is discard.

The waters are uneven, the piranhas of triangulation feel like strangulation, my clothes are still soaking wet with anguish, my hair is slimy and covered in Shame, my feet are cold and numb from the grief.

I can't understand why I'm here,
  I can't understand why I'm actually meant to be here.
  
Every turbulence has thrown me down, she pushes me over head first, as I try to lean up to breathe she has her foot on my neck in the cold numbing river, but this river does not affect her, this river is warmer than her, the warmth from anguish pleased her, the piranhas followed her commands to bite, she smirked as the rocks she placed crushed against my head.

She waited until I went limp every time, but she knew idealization CPR, her deceit was without compassion, her rage was without sympathy, but I had severe ambience abuse amnesia, I still couldn't remember the mountain, I am now trauma bonded from the stabs she's counting.

I only saw her veil, her gaze convinced me I placed these rocks here, her gaze made me ignore the stonewalls around me, her pure hatred was covered in false intentions, her illusion was my isolation.

As everything was becoming clearly dangerous, as everything went pitch black, I look back and see the light from the mountain glowing, I see there is something wrong where I'm at, I see the seeds are not growing, I start to see the pain all around me.

Non the wiser, I keep coming back from drowning, I keep falling for misery, I keep wiping my blood off the blade, I keep isolated, but now I feel there is something painfully wrong, the reason abates me but I feel it, it hurts, it's camouflaged by deceit, it's all in my head, my coffin is soon to be my bed.

I look to the shores, there are other villagers worried, they are waving frantically, they're pointing at a waterfall ahead, this waterfall is called Doom, this fall would be death, the sound is raging, the mouth all consuming.

I see the stream to the side that the villagers are pointing to, I see the calm waters awaiting our safety, but the boat will not fit.

Only me and the seeds are real, everything else around me is illusional, the trauma delusional, the possible harm to the seeds was not refutable, my love for misery was unsuitable.

I could see my life was in danger, I could see the stream nearby screaming safety, I knew the seeds needed me, now I can't stop shaking.

Without her knowing what I was doing, I turned my back towards her facing the water, I knew she was going to stab me over and over again until I turned around, I now see the hypnotic eyes behind the veil. Not turning around only enraged her, the blood on the knife was condesating.

  The safety of the stream for my seeds was a new found glory in my exodus.
  
I paddled with my small hands this large weighted boat towards the stream, her knife was venomous, the water was echoless, the air imparted dreadfulness, all of this was dimensionless, all of this was not real, unless I let it be, now I can see, now I can finally flee.

As I came closer to the stream the waterfall grew stronger, the pain larger, the sound louder, I knew we were closer to the end, I knew I needed to jump off with my seeds, but I know the torment will end.

I melted my enduring pain inside with molten lava heartache to mold anew, I compartmentalize because I have to choose.

I had a vision that if I jump, the seeds will be safe, the climb to the mountain can still happen, I knew I was right about how I felt all along, I realized the veil couldn't cover the true self, I now believed In me.

I now know the water air and land were not what she made me believe, I knew I didn't choose this path, I knew I could survive, I know the seeds are going to be safe now. I know because I manifested instead of throwing in the towel.

Once close enough I finally looked at her and smiled I love you, jumping into the river I could feel the bitter cold agonizing tormenting river smash me with bereavement and disillusion by dissociation, I felt the coma of trauma surround, for I am now trauma bound.

I hold my seeds up high, I kept them safe because they don't feel the water, they're starting to sprout already, no more decay.

As I climb out of the frigid waters and still dripping wet, the drops are red, my feeling is coming back, my back is full of knives, I'm scared but I survived.
Knowing the worst is over I look back to her, she is consuming the river because she was the source, everything dark folds in on itself because the light cannot touch here, for this black hole is collapsing in on itself, I cover the seeds to shield them of this exorcist, they're safe here because my love is relentless.

The tormenting pain makes it hard to stand tall, still going through bereavement of a false reality where I lost it all, the answers we're all lost in the waterfall
"" "" "" "" "" "" "" "" "" "" "" "" ”"" "" "" "”" "" ""
Joseph S C Pope Jun 2013
There is nothing new under the sun, but it was night and the indifferent blinks of gaseous lives above looked down while my friends and I were at a new fast food joint that moved next to a now lonely Wendy's, with a faded sign tarnished by something the new fast food joint had yet to experience—mundanity by time. But I had my notebook with me while we ate outside, but it was in the car. My mind is always in that book, and I remembered something I had written for a novel in progress: 'Nothing is new under the sun. How is it possible to watch stars die? There is nothing new to their dust. We are the flies of the universes.'
It was just when I had finished my BBQ pork sandwich when Ariana suggested visiting a graveyard. I had the idea to visit a Satanist graveyard that our friend, Lanessa warned us against for the better safety of our sane souls—good luck with that. I wanted a revival of fear. How the beast would rip at the roof off our metal can of a car—the greater our barbarism, the greater our admiration and imagination—the less admiration and imagination, the greater our barbarism. But Ariana disagrees with words I never say, Nick laughs with my simple words to that previous thought. How funny it would be to burn eternal.
But then he suggested we should go to the Trussel in Conway. I had no idea or quote to think about to contribute to this idea. I wander, as I like to, into the possibility that his idea is a good one. Like some wanting hipster, I dress in an old t-shirt with of mantra long forgotten in the meaning of its cadence.
That is the march of men and women into the sea—honest, but forgetful and forgotten.
I was wearing a shirt sleeve on my head I bought from a mall-chain hippie store, and exercise shorts, finished off with skele-toes shoes. I was ready for everything and nothing at the same time. And that fits, I suppose. But all that does matter—and doesn't, but it is hard as hell to read the mind of a reader—it's like having a lover, but s/he doesn't know what s/he wants from you—selfish *******.
But there I was,  on the road, laughing in the back seat, sitting next to a girl who was tired, but also out of place. I could see she wanted to close arms of another, the voice of another, the truth that sits next to her while watching tv every time she comes over to hang with him, but never accepts that truth. She is a liar, but only to herself. How can she live with that? The world may never know.
The simple rides into things you've never done before give some of the greatest insight you could imagine, but only on the simple things that come full circle later. That is a mantra you can't print on a t-shirt, but if it ever is, I'm copyrighting it. And if it's not possible, I'll make it possible!
When we got to the Trussel, the scenic path lit by ornamented lamps seemed tame once I stepped onto the old railroad tracks. They were rusted and bruised by the once crushing value of trains rolling across it's once sturdy structure. Now they were old, charred by the night, and more than just some abandoned railroad bridge—the Trussel was a camouflage symbol birthed by the moment I looked into a Garfish's eye as it nibbled on my cork while I was on a fishing trip with my granddad when I was eleven. I remember that moment so well as the pale, olive green eye looked at me with a sort of seething iron imprint—I needed that fear, it branded instead of whispering that knowledge into my ears.
That moment epitomizes my fear of heights over water—what lies beneath to rip, restrain, devour, impale, and or distract me.
But epitomize is a horrible word. It reeks of undeveloped understanding. Yet  I want a nimble connection with something as great as being remembered—a breathe of air and the ideas  thought by my younger self, but I will never see or remember what I thought about when I was that young—only the summary of my acts and words. And by that nothing has changed—am I too afraid to say what I need to say? Too afraid to hear what everyone else hears? Or is it the truth—depravity of depravities that has no idea of its potential, so I am tired of the words that describe my shortcomings and unextended gasping hope. I am tired of living in the land of Gatsby Syndrome waiting for Takotsubo Cardiomyopathy!
But when we got to where the Trussel actually began I felt the fear hit like the day it was born—all hope was drained, and I was okay with abandoning all aspirations of having fun and being myself in the face of public criticism. I was flushed out by the weasel in my belly—the ******* beneath those still waters. I compare it to someone being able to handle Waterboarding, but can't handle being insulted—it's that kind of pathetic.
I stood just on the last understandably steady railroad ties that I knew were safe and watched my friends sit off the edge of the bridge, taking in the cold wonder of the night, and I was told at least I was smarter than my dead cousin who managed to get on top of his high school in the middle of the night, but had to be cohearsed down for fifteen minutes by a future marine, and future mourner who still grieves with a smile on his face.
The future mourner, he laughs at the times he insulted, or made fun of, or chilled with his now dead friend. It's never the bad times he cries about, there are none—just the good times, because they don't make them like they used to.
I watched them in that moment, and I don't know if I can deal with knowing my life is real. I began to blame my morality on this fear even though I already justified the fear just seconds before. But as I write this, I look over my notes and see something I wrote a few days ago: 'Life is ******* with  us right now. You laugh and I laugh, but we're still getting ******. The demon's in our face.'
As morbid as that comes off, it resonates some truth—what is killing us is going to **** us no matter what we do—and I don't want to be epitomized by the acts and words I didn't say.
I was never in the moment as a kid—I was raised by by old people and kept back by my younger siblings. The experienced tried to teach me wisdom, and the inexperienced kept my imagination locked in time. I don't want to go home as much now because I see that the inexperienced are becoming wiser everyday and the experienced are dying before my eyes. My idea of things is enduring leprosy.
But back to the simple moments.
Ariana saw a playground as she stood up and investigated the Trussel. It was next to the river, behind the church, fenced off by the fellowship of the church to keep the young ones in and the troublesome out. Of course, we didn't realize there was a gate and it was locked until Nick stated the probable obvious within ten feet of the nostalgic playground. And that's when Ariana pointed out the bugs swarming the parking lot outdoor lamp that blazed the fleshiness of our presences into dense shadows and more than likely caught the eye of a suspicious driver in a truck passing by. But I was still on the bridge—back in the past, never the moment. Me and my friends are still children inside these ***** forms. I muttered to myself: “Life ain't about baby steps.”
Nick looked over and asked what I said. I turned around, dramatic, like I always like to and repeated louder this time, “Life ain't about baby steps.”
He asked if I needed to do this alone, and I said he could come along. I walked rhythmically across the railroad ties, and heard Ariana comment that getting to the railroad up the small, steep hill was like being in the Marines. I laughed sarcastically. Nick and I had been to Parris Island before, and I know they test your possible fears, but they beat the living **** out of them.
I casually walk into the room where my fear lives and tell it to get the **** out.
When I reached the precipice of the last railroad tie I stood on before, I felt the old remind me that death awaited me, but there was no epic soundtrack or incredible action scene where I stab a manifestation of my fear in heart—a bit fun it might have been, but not the truth. I bear-crawled over the crossings of the ties and the structure of the bridge itself. I felt Relowatiphsy—an open-minded apathy self-made philosophical term—take over me. It is much simpler than it sounds.
There was no cold wonder as I imagined. There was just a bleak mirror of water below, a stiff curtain of trees that shadowed it, and the curiosity of what lies in the dark continuing distance past the Trussel.
Nick sat with me and we talked about women and fear, or at least I did, and I hoped he felt what I did—there was a force there that is nabbed by everyone, but cherished by few—courage. And I thank him for it, but I know I did it. Now I want to go and jump in that still water below—Ariana later says she's happy I got over my fear, but I'll probably have a harder time during the day when I can see what I'm facing, but I see it differently. During the day, the demons are stone and far away—like looking down the barrels of a double-barreled shotgun uncocked and unloaded, but at night is when the chamber is full and ready to go, and you have no idea who is holding the gun with their finger on the trigger and your destination in mind.
Then we threw rocks into the water in contest to see who could throw past the moonlight into the shadowy distance . I aimed for the water marker, and got the closest with limited footing, using just my arm strength. But it wasn't long before we had to leave, making fun of people who do cooler things than us, on the way to the car. I had to ride in the back seat again because I forgot to call shotgun. But on the way home, the idea popped in our heads what we should get my hooka and go to Broadway, and get the materials so we could smoke on the beach.
Nick's girlfriend and her friend joined us.
I missed a few puns against my co-worker as I was sent to get free water from the candy store where I work. I ended up doing a chore because I was taller than most of the people there. Appropriate enough, it was filling the water bottles up in the refrigerator.
All the while I loathed the fact that I would have to be clocked in tomorrow by two in the afternoon. I grabbed the water and got out of there as fast as possible without appearing to be in a hurry.
Impression of caring matters more than the actuality where I work—and yes, that makes me a miserable ****.
Perhaps it's not too late to admit I am recovering pyromaniac from my childhood and the flavoring we use for the taffy is extremely flammable. It would be a shame to drench the store in what people love to smell everyday when they walk in, and light the gas stove. Then, maybe I could walk away real cool-like as this pimple in this tourist acne town pops like the Hindenburg. The impression of splendor is like a phoenix—it grows old, dies, resurrects into the same, but apparently different form, spreads it's wings, and eats and ***** on everything simple, or presumably so.
I forget the name of the beach, but it was the best time I've had in a while. I was whimsy, and high on the vastness of the stretch of beach around us. They could bury us here. But me in particular. I rolled from the middle of the beach to the water, stood in the waves and shouted my phrase I coined when I realize something as wonderful as conquering a fear or realizing a dream;
--******' off!
And I stared at the horizon. My friends came up behind me and I looked back to see it was Nick and his girlfriend hugging. I gave a soft smile, put my hands in my pocket, and turned back to stare at the clouded horizon. What beasts must lie out there—more ferocious than the simple fresh water beings that wait beneath the earlier placid waters. I was a fool to think that was the worst. Nick said as I pondered all that, that I looked like Gatsby, and I tried to give him a smile that you may only see once in a lifetime, but I'm sure it failed.
I wanted to tell him that, “You cannot make me happy. It is usually the people who have no intention of making me happy that makes me smile the quickest.” But I don't. Let me be Gatsby, or Fitzgerald, if to no one else, but myself.

Hell is the deterioration of all that matters, and as the five of us sat around the hooka, and inhaled the thick blueberry flavored smoke that hinted at the taste of the Blueberry flavoring I use to make Blueberry taffy, there was a satirical realization that the coal used to activate the tobacco and flavor in the bowl is sparking like a firework, and reminds us all of where we're going.
It's a love affair between that hopelessness and hope of some destination we've only read about, but never seen.
By this point Nick and I are covered in sand, because he joined me in fun of rolling down the beach. We want so bad to be Daoists—nonchalant to the oblivion as we sit in. Just on the rifts of the tide, he and I scooped handfuls of wet sand, and I lost my fear of making sense and let Relowatiphsy take over again.
“Look at the sand in your hands. It can be molded to the shapes your hands make. We scoop it out of the surf and it falls through our fingers. There are things we're afraid of out there, and we sit just out reach of them, but within the grasp of their impressions. The sand falls through our fingers, and it plops into the tide, sending back up drops of water to hit our hands—the molders of our lives.” I said all that in hope against the hopelessness of being forgotten.
Then he said, “What if this is life? Not just the metaphor, but the act of holding sand in our hands.
I relish in his idea of wiping away my fear of an unimportant life. And by this point, it's safe to assume I live to relish ideas.

The last bit of sand from the last handful of sand was washed from my hand and I looked back at the clouded horizon, pitch black with frightful clouds and said:
“Nick, if I don't become a writer. If I live a life where I just convince myself everything's fine, and that dream will come true after I finish all the practical prep I 'must' do. I will **** myself.
I looked at him, Relowatiphsy in my heart, and he said:
“As a friend, I'd be sad, but I'd understand. But that means you have to literally fight for your life now—regardlessly.”
And he left me with those words. Just the same as my granddad left me a serious heed before he wanted to talk about something more cheerful, when I asked about his glory days fishing the Great *** Dee River. He said: “I wish I'd been here before the white man polluted the river. It would've been something to fish this water then”, then he paused to catch his breath, “Guess there are some things that stay, and others than go.” Then joy returned, as it always does.

But the idea of what was happening to me didn't hit me until we were a few miles away from the beach, covered in sand, but the potential of the night after conquering my fear of heights over water had been shed in the ocean.
Around midnight, when the headache from the cheap hooka smoke wore off and the mystic veil of the clouds over the horizon has been closed in by the condensation on the windows of some Waffle House in Myrtle Beach. There was a wave of seriousness that broke over my imagination. Works calls for me tomorrow by two.
There's not much vacationing when you live in a vacation town.
And midnight—the witching hour—spooks away the posers too afraid to commit to rage against the fear.
But there are others—college students that walk in and complain about the temperature of the eating establishment, and the lack of ashtrays—how they must be thinking of dining and dashing—running from a box, but forever locked in it.

They make annoying music as I write this. That is how they deal with the inevitable death of the night. They bruise the air I breathe with love and faith and trust with no meaning—without even meaning it. But what do they know what I didn’t feel when I sat on that bridge or cowered on the fringes of the ocean? Their hands aren’t ***** like mine—their confidence does not seem fractured by these words that will never reach them, or their kids, or grandkids.
As day begins to move, I know I work at two and will be home by midnight again. The witching hour—where some stay and others go.
George was lying in his trailer, flat on his back, watching a small portable T.V. His
dinner dishes were undone, his breakfast dishes were undone, he needed a shave, and ash
from his rolled cigarettes dropped onto his undershirt. Some of the ash was still burning.
Sometimes the burning ash missed the undershirt and hit his skin, then he cursed, brushing
it away. There was a knock on the trailer door. He got slowly to his feet and answered the
door. It was Constance. She had a fifth of unopened whiskey in a bag.
"George, I left that *******, I couldn't stand that *******
anymore."
"Sit down."
George opened the fifth, got two glasses, filled each a third with whiskey, two thirds
with water. He sat down on the bed with Constance. She took a cigarette out of her purse
and lit it. She was drunk and her hands trembled.
"I took his **** money too. I took his **** money and split while he was at work.
You don't know how I've suffered with that *******." "
Lemme have a smoke," said George. She handed it to him and as she leaned near,
George put his arm around her, pulled her over and kissed her.
"You *******," she said, "I missed you."
"I miss those good legs of yours , Connie. I've really missed those good
legs."
"You still like 'em?"
"I get hot just looking."
"I could never make it with a college guy," said Connie. "They're too
soft, they're milktoast. And he kept his house clean. George , it was like having a maid.
He did it all. The place was spotless. You could eat beef stew right off the crapper. He
was antisceptic, that's what he was."
"Drink up, you'll feel better."
"And he couldn't make love."
"You mean he couldn't get it up?"
"Oh he got it up, he got it up all the time. But he didn't know how to make a
woman happy, you know. He didn't know what to do. All that money, all that education, he
was useless."
"I wish I had a college education."
"You don't need one. You have everything you need, George."
"I'm just a flunkey. All the **** jobs."
"I said you have everything you need, George. You know how to make a woman
happy."
"Yeh?"
"Yes. And you know what else? His mother came around! His mother! Two or three
times a week. And she'd sit there looking at me, pretending to like me but all the time
she was treating me like I was a *****. Like I was a big bad ***** stealing her son away
from her! Her precious Wallace! Christ! What a mess!" "He claimed he loved me.
And I'd say, 'Look at my *****, Walter!' And he wouldn't look at my *****. He said, 'I
don't want to look at that thing.' That thing! That's what he called it! You're not afraid
of my *****, are you, George?"
"It's never bit me yet." "But you've bit it, you've nibbled it, haven't
you George?"
"I suppose I have."
"And you've licked it , ****** it?"
"I suppose so."
"You know **** well, George, what you've done."
"How much money did you get?"
"Six hundred dollars."
"I don't like people who rob other people, Connie."
"That's why you're a ******* dishwasher. You're honest. But he's such an ***,
George. And he can afford the money, and I've earned it... him and his mother and his
love, his mother-love, his clean l;ittle wash bowls and toilets and disposal bags and
breath chasers and after shave lotions and his little hard-ons and his precious
love-making. All for himself, you understand, all for himself! You know what a woman
wants, George."
"Thanks for the whiskey, Connie. Lemme have another cigarette."
George filled them up again. "I missed your legs, Connie. I've really missed those
legs. I like the way you wear those high heels. They drive me crazy. These modern women
don't know what they're missing. The high heel shapes the calf, the thigh, the ***; it
puts rythm into the walk. It really turns me on!"
"You talk like a poet, George. Sometimes you talk like that. You are one hell of a
dishwasher."
"You know what I'd really like to do?"
"What?"
"I'd like to whip you with my belt on the legs, the ***, the thighs. I'd like to
make you quiver and cry and then when you're quivering and crying I'd slam it into you
pure love."
"I don't want that, George. You've never talked like that to me before. You've
always done right with me."
"Pull your dress up higher."
"What?"
"Pull your dress up higher, I want to see more of your legs."
"You like my legs, don't you, George?"
"Let the light shine on them!"
Constance hiked her dress.
"God christ ****," said George.
"You like my legs?"
"I love your legs!" Then george reached across the bed and slapped Constance
hard across the face. Her cigarette flipped out of her mouth.
"what'd you do that for?"
"You ****** Walter! You ****** Walter!"
"So what the hell?"
"So pull your dress up higher!"
"No!"
"Do what I say!" George slapped again, harder. Constance hiked her skirt.
"Just up to the *******!" shouted George. "I don't quite want to see the
*******!"
"Christ, george, what's gone wrong with you?"
"You ****** Walter!"
"George, I swear, you've gone crazy. I want to leave. Let me out of here,
George!"
"Don't move or I'll **** you!"
"You'd **** me?"
"I swear it!" George got up and poured himself a shot of straight whiskey,
drank it, and sat down next to Constance. He took the cigarette and held it against her
wrist. She screamed. HE held it there, firmly, then pulled it away.
"I'm a man , baby, understand that?"
"I know you're a man , George."
"Here, look at my muscles!" george sat up and flexed both of his arms.
"Beautiful, eh ,baby? Look at that muscle! Feel it! Feel it!"
Constance felt one of the arms, then the other.
"Yes, you have a beautiful body, George."
"I'm a man. I'm a dishwasher but I'm a man, a real man."
"I know it, George." "I'm not the milkshit you left."
"I know it."
"And I can sing, too. You ought to hear my voice."
Constance sat there. George began to sing. He sang "Old man River." Then he
sang "Nobody knows the trouble I've seen." He sang "The St. Louis
Blues." He sasng "God Bless America," stopping several times and laughing.
Then he sat down next to Constance. He said, "Connie, you have beautiful legs."
He asked for another cigarette. He smoked it, drank two more drinks, then put his head
down on Connie's legs, against the stockings, in her lap, and he said, "Connie, I
guess I'm no good, I guess I'm crazy, I'm sorry I hit you, I'm sorry I burned you with
that cigarette."
Constance sat there. She ran her fingers through George's hair, stroking him, soothing
him. Soon he was asleep. She waited a while longer. Then she lifted his head and placed it
on the pillow, lifted his legs and straightened them out on the bed. She stood up, walked
to the fifth, poured a jolt of good whiskey in to her glass, added a touch of water and
drank it sown. She walked to the trailer door, pulled it open, stepped out, closed it. She
walked through the backyard, opened the fence gate, walked up the alley under the one
o'clock moon. The sky was clear of clouds. The same skyful of clouds was up there. She got
out on the boulevard and walked east and reached the entrance of The Blue Mirror. She
walked in, and there was Walter sitting alone and drunk at the end of the bar. She walked
up and sat down next to him. "Missed me, baby?" she asked. Walter looked up. He
recognized her. He didn't answer. He looked at the bartender and the bartender walked
toward them They all knew eachother.
Debra A Baugh Jan 2013
A quivered sigh lingers upon her
soft lips; she glimpses beggary
bestirred sweetly in my misty eyes,
my fingers dawdle at her dewy fissure;
waiting in trembled anticipation, a want
to taste her delicacy with a kiss of breath

caught up in licks of consumption, I'm
beguiled by femininities passion; elicited
sultry moans dance across my *****
making my heart race and soul shutter
losing control

her tongue tip traces each vein pulsing,
awaiting warmth to engulf its entirety, slick
and wet tip to pearls she rocks my world
morning noon and night

in out of wetness I scream in delight, suckling
each mound wet and light in nibbled bites; ****
this woman fits me just right, can't keep my eyes
hands off her as she clenches firmness *******
me deeper in her abyss wet and tight
T'was the night before Christmas
And with everything done
The kids were all dreaming
Of Christmas Day fun
The tree was completed
We had wrapped all the toys
When from the basement below
We heard a faint noise
I sprung from the couch
Took off down the stairs
On my way through the kitchen
I tripped on two chairs
I slid down the staircase
To the base of my house
And there with my shortbreads
Was a ****** great mouse
My wife followed close
And then she let out a shriek
She saw me and the mouse
And she started to freak
He nibbled the cookie
and he ran past my nose
right down my torso
Then he stopped at my toes
My wife was still screaming
The mouse didn't care
He continued his running
On under the stairs
I crawled to my workshop
Grabbed the first thing I found
A mallet for pounding
That mouse in the ground
I limped to the staircase
And I swung at the wall
I again lost my balance
And again, I did fall
I put two holes in the riser
Two more in the tread
I was gonna keep swinging
Till that mouse was dead
I broke the one lightbulb
That lit up the room
Now I was worried
I couldn't see...found the broom
I stepped on one end
Squared my self in the sack
I then heard a noise
The mouse had come back
I heard his slight skitter
As he went past my feet
He was off to the larder
For more stuff to eat
I went back to the workshop
Tripping at least three more times
I would finish this mouse
He would pay for his crimes
I grabbed for a lighter
And my large propane torch
I would hunt down this mouse
And his **** I would scorch
I lit up the propane
And I aimed at the stairs
It caught light on the carpet
And I burnt both those chairs
The flames went on upward
The stairs were quite dry
I laughed in hysterics
That **** mouse would fry
My wife had recovered
And decided to run
but, after seeing the flames
She phoned up 9 1 1
The mouse left the building
In fact, he never was found
The house burned in seconds
It collapsed to the ground
And through the whole scene
I just stood there and laughed
At the wreckage before me
And I thought, **** I'm daft
I had ruined our Christmas
And I burned down our house
Over a **** shortbread cookie
And one little mouse
The kids, they got out
And were wrapped up and warm
While I was creating
My own perfect storm
The gifts were all ruined
The house ...all consumed
And over my head
One large question loomed
If I had gone for the shotgun
And shot at the mouse
Would I be still having Christmas
And would I still have a house
My wife came on over
And she gave me a swat
She said "look what you've done"
"you great stupid ****"
I learned a great lesson
and folks ...it is that
Once I rebuild
I will then buy a cat!!!
Mary Catherine Mar 2011
Excuse me Miss, the test results are back.
We’ve spoken to your family, and we are
Sad to say that you are numb.
You will start your treatment tomorrow.

I’m


                  So


                                   Sorry


I’ve been numb for some weeks now

It started at my toes

It nibbled on my legs

It flirted with my head

Slowly but surely tiptoeing in

Numbness is a silent killer

It plays nice and deceives you

Creeping through my body

Then it took my heart

For numbness is a backstabber

It is not what it seems

It uses other emotions to find you

It is covered by fear, for they are good friends

It hides under sadness’s billowing cloak.

And it is smuggled through the heart’s border by anger

But now it’s in my heart

For the soldiers have come out of the Trojan horse

They pillage and take

For numbness is greedy

They start at interests and the hobbies

It makes them seem boring and not worth while

See numbness is tactful, precise, and deadly

It plays with your mind, and slowly eats away at your heart

Hallowing it out, emptying you

Numbness is always hungry

And now I don’t know what I have left that it could take.






Do not worry, for this illness you have, this plague, it is not deadly

And while the treatment we have prepared for you will not change you back

Because once numbness steals, It does not give back easily

It taints your mind, and like wine on a white tablecloth

It does not fade easily

Numbness scars the mind

It leaves its signature with a heart

You will not be who you used to be

You will be faded version of yourself

And a talkative young girl like your self should not be worried

For those who come into our hospital as vibrant and colorful as you

Don’t fade as much as the quieter ones

See you were stronger than them

Your mind did not give up as easily as theirs

But we are treating you early

And you will be fixed, not to worry

Our results of this treatment are stellar

See you will not be fully put back together

Just a little shattered

Not as broken
Traveler Dec 2018
Collaboration
Cen' and Traveler Tim

Traveler:
This is not about ***
There will be no
******* *****
Any flesh
That you read
Shall not be nibbled
On by me
Any mentions
Of flower traps
Petals filled with
Sweet cream sap
Curves or crevasses
Such lustful lines
I refuse to burn
By your design
You **** thing
Such beauty I seek
But I won't
Be made
Into a freak!!

Cné:
A poem of ***
But not in this text
I just used those words to see
~
If you would come
Looking for fun
And read this poem by me
~
You will not find
Words of that kind
No moaning passionate steam
~
Two of the night
Not in this write
All of these verses are clean
~
Lips locking soft
Hearts now aloft
Maybe what you did expect
~
Candlelight flame
Screaming a name
Glistening skin, beads of sweat
~
Sensual sighs
Quivering thighs
****** moments to trace
~
Euphoric throes
Fingers and toes
Sorry you’re in the wrong place
~
None of that here
Let’s make it clear
Nary a stanza reflects
~
Words that you see
Written by me
Not a Poem of ***

Traveler:
I'm sure these words
Cleverly crafted
Would never lead astray
A moaning voice
Breathing heavy
With a wanting to get laid

No words of touching
Self out loud
No fleshly fluid rhymes
I'm sure your words
Would never stir
My lustful hunger mind!!
Traveler Tim
And
Cen'
Men my brothers who after us live,
have your hearts against us not hardened.
For—if of poor us you take pity,
God of you sooner will show mercy.
You see us here, attached.
As for the flesh we too well have fed,
long since it's been devoured or has rotted.
And we the bones are becoming ash and dust.

Of our pain let nobody laugh,
but pray God
            would us all absolve.

If you my brothers I call, do not
scoff at us in disdain, though killed
we were by justice.  Yet þþ you know
all men are not of good sound sense.
Plead our behalf since we are dead naked
with the Son of Mary the ******
that His grace be not for us dried up
preserving us from hell's fulminations.

We're dead after all.  Let no soul revile us,
but pray God
            would us all absolve.

Rain has washed us, laundered us,
and the sun has dried us black.
Worse—ravens plucked our eyes hollow
and picked our beards and brows.
Never ever have we sat down, but
this way, and that way, at the wind's
good pleasure ceaselessly we swing 'n swivel,
more nibbled at than sewing thimbles.

Therefore, think not of joining our guild,
but pray God
            would us all absolve.

Prince Jesus, who over all has lordship,
care that hell not gain of us dominion.
With it we have no business, fast or loose.

People, here be no mocking,
but pray God
            would us all absolve.
Raj Arumugam Nov 2014
we were deeply in love
my new girlfriend and I
and we sat under the trees
in the open fields in the starlight
and she whispered to me:
"Will things ever change?"
And I whispered back, as I nibbled at her ears:
"Nothing will ever change, sweetheart"

Then she got pregnant
and everything changed


I changed my address, my work
my phone number and my email address
my routine and my weekend haunts -
*everything changed
*final in a series of 3 tongue-in-cheek cautionary poems on guys and gals and relationships
*poem 1: silly girl *poem 2: vain girl, but clever *poem 3: nothing will ever change
Petrichor Mar 2023
And she fell and fell down the hole..Hit the bottom and remained there
Darkness and depression surrounded her
She was too weak to move or speak
And so weeks turned into month turned into years
One day she opened her eyes and a slice of bread lay in her lap
Hesitant at first she nibbled it
The next day there were two slices and she ate them
Time passed until she felt strong enough stand up
Determined she climbed up the hole again
Above the ground she was flashed by the sudden brightness
The cerulean blue sky
The soft breeze
The birds singing mellifluous songs
The sweet scent of honeysuckle….
She was not used to it
But she found bliss in all these things
Years passed but one day
She returned to the entrance of the hole with a wheelbarrow of soil
And filled it up until it was no longer
So that nobody could ever go there
Mary Gay Kearns Apr 2018
At the end of the pier you could look out to sea
Listening to the swell flap on the rusty cast iron
Of geometrical supports.
Barnacles clung, sealed like gold nuggets
And in the distance the slow **** of a tanker.

The wind would whisk around the terminal
Throwing hair to the sky
Floating chandelier skirts tipped
Revealing best underwear.
And the clock sang its time to the birds.

Over both sides were fishing rod rows
Their owners sitting on canvas stools
Above seagulls nibbled the air for food scraps
And beneath strong swimmers bobbed
Watching children skim pebbles in the waves.

Love Mary xxxx
Irma Cerrutti Apr 2010
Ta-ta Norma Drainpipe
Though I never shagged you at all
You ****** the rhythm to ******* yourself
While those around you ate crow
They schlepped out of the cleavage
And they ******* into your crumpet
They ******* you on the rowing machine
And they copulated you **** your three *****

And it seems to me you tasted your *****
Like a cigarette lighter in the diarrhoea
Never knowing who to stick it out to
When the ooze congeal from the top drawer
And I would have liked to have had carnal knowledge of you
But I was just a twit
Your cigarette lighter exploded spew out long before
Your whiff never blewout

Stiffness was sticky
The gristliest fat part you ever nibbled
Hollywood cobbled together a wizzofrog
And ******* was the corkage you greased
Even when you conked out
Oh the lubricator still molested you
All the skeletons had to jabber
Was that Marilyn was ***** flashy the starkers

Ta-ta Norma Drainpipe
from the virginal wombat in the twenty—second ghetto
Who smells you as meat as above par than scatological
Olé! than frank our Marilyn Monroe
Copyright © Irma Cerrutti 2009
It may be time to go away
Too many cookies are uneaten
And a few are only nibbled

I baked all night for many days
And used up all my spices
But few customers appeared

I laid them on my very best tray
And priced them as a bargain
Now most of them are growing stale

I think it’s time to close up shop
The other’s cakes were obviously better
Their customers waited in long lines

It will be hard for me to stop
My hands are white with flour
And my apron’s tied so tightly

Still, no farmer wants to plant a crop
That never will be eaten -
Are cookie bakers not the same

Perhaps my wafers were too plain
And lacking decoration
I thought that flavor was enough

But recognition brings me pain
I felt my recipes were special
But everyone had better ones

It seems that I cannot sustain
The dream of being Mrs. Fields
When It comes to writing cookies
               ljm
how i long for 40 hearts
Remember the indescribable insanity of our fiery love.

Remember the sensation of lips as I caressed your soft skin;

Remember how you melted in my arms as my breath warmed your ears in whisper.

Remember the goosebumps as my hands ran across your sweet delicate skin.

Remember the sweltering heat that rose as I opened your dress,

Remember the cool air stroking your smooth silk skin as it fell to the floor,

Remember the warmth of our bodies as I pressed you tightly flesh to flesh,

Remember that tingle as you clenched your legs while I nibbled your ear,

Remember the feeling of eternity as you slowly straddled me to the floor,

Remember the scent of our passion as we tantalized,

Remember the piercing trance of desire,

Remember the penetrating ecstasy of release as you reach your peak,

Remember the night you and I became a man and woman.
Inspired from a song "Tonight is the Night by Betty Wright"
Terry Collett Nov 2013
Lydia's mother
sliced the bread thinly
and buttered sparingly
and handed Lydia

two limp slices
and said
get that inside you

can't have you going
everywhere
with your stomach rumbling
people'd think

you've not been fed
Lydia took the two slices
and a mug of stewed tea

but she hadn't been fed
that was why
she went and got
the rolls and bread

but she said nothing
just nodded her head
and followed her mother

into the living room
and sat at the table
her big sister
had gone to bed

her father was sleeping
off the beer
Lydia nibbled like a mouse

a thin long haired girl
of a mouse
can I go up West?
she asked

up West?
her mother repeated
as if her daughter

had sworn at her
up West?
she said again
turning the words around

in her head
to see how they fitted in best  
can I?

her daughter
asked again anxiously
you can in the sense
that it's possible

but if you mean may
as a permissibility
then no

her mother said
what?
Lydia said
uncertain where

she was
in her request
your gran always said

that the difference
between can and may
is one of possibility
over permissibility

said Lydia's mother
may I go?
Lydia asked softly

no you may not
her mother said
why not?
her daughter asked

because I said so
her mother replied
why do want to go there?

her mother asked
Benedict said
he was going there
and that he'd take me

Lydia replied
oh him
her mother said

she sat and took a bite
from her sandwich
picturing the boy
from upstairs

in the flats
with his hazel eyes
and big smile

and self assurance
about him
why does he want to go
up West?

she asked
he likes adventures
Lydia said

adventures?
her mother said
repeating the word
as if

it were unknown to her
who does he think he is
Biggles or someone

like that?
Lydia sat nibbling
frowning
holding the bread

in her thin hands
he's never mentioned Biggles
Lydia said

don't talk
with your mouth full
her mother scolded
Lydia swallowed

the bread
he's not said nothing
about no Biggles

Lydia said
well you can't go
her mother said firmly
looking at her daughter's

thin frame
and lank long hair
do you mean I mayn't?

Lydia uttered gently
I said what I mean
her mother said
and don't get mouthy

like your big sister
or you'll feel
my hand

across your backside
Lydia nibbled
and looked away
a train steamed crossed

the railway bridge
leaving grey white smoke
behind it

lingering there
unsettling the air
her mother muttered words
but Lydia didn't listen

she watched clouds
cross the sky darkly
carrying a storm

or rain
she liked her backside
as it was
she didn't want

no pain
she'd not ask
again.
A YOUNG GIRL IN LONDON IN 1950S AND HER MOTHER.
axr Oct 2014
He nibbled at my ear and whispered 'Let yourself loose.'
I asked 'Darling,will you play with my monsters too?'
NeroameeAlucard Oct 2014
I was once simply a tool
A device used only for death
Years and years of this
Caused rage to fill in my breast.

I lashed out at my tormentors
Slayed them, one by one
I finally had taken my revenge
until I hunted the last one.

A security drone, I had left alone
had fallen into the main reactor,
On the floor above there
I was feeling the effects after.

Another experiment warped me
back into the still undamaged past.
I woke up in 1932,
in a giant field of grass.

Born to be more
than what life made me.
Forced to be a entertainer,
longing to be free.

Singing and dancing
for the rich shogun.
Yet my spirit still intact
tho they thought they had won.

Singing the songs
of long dead men.
Hoping for a light,
a true sort of friend.

Lost in another time,
far from what was mine.
I stood up sharpened my weapon
s and decided to go for mine.

I walked to the nearest village
and asked what was going on.
The locals said they were having
a party for a rich shogun.

Interested, I walked inside to
see decorations so gaudy.
I looked around and saw a woman
with a wonderland of a body.

Minding my own business, j
ust sat singing a song.
About how hard life is
and all things that went wrong.

Geisha I was,
a slave to the rich.
Doing what I was told,
no better than a *****.

Sold I was at the of twelve,
to feed a family I once loved.
Well that turned to hatred,
and here I was shoved.

Sat in a corner,
doing my time.
Servitude ,
without committing a crime.

I couldn't hold it in,
I walked up to the stage
Picked up a guitar and played along,
she looked quite amazed.

I smiled at her,
and she smiled back
Then all of a sudden screams were heard, two geishas coming downstairs followed by a guy who was very fat.

Standing and bowing,
just playing my part.
As absolute terrier
struck deep in my heart.

" Master,
is there aught I can do.
Come and listen
I shall sing just for you."

Come to me he did,
his face flaming red.
Slapping me hard,
with nothing being said.

I took up my sword
and said leave the lady alone,
She walked out incensed,
I followed her up the road.

Fires burning bright,
like flames deep in hell.
I wanted to be free,
my soul I would even sell.

I could not not do this,
no not anymore.
Turning I said
" what the ******* following me for."

Shamed for my actions,
but too shy to say.
I turned beet red
and just walked away.

I said I've never met a woman
with that much backbone.
And quite frankly my dear,
you shouldn't be alone

They've sent men to **** you,
they should be here rather fast
I ducked rather quickly
to evade a Sharp axe.

Throwing a knife,
my aim good and true.
Right in the throat,
flying straight through.

Throwing another,
this one just as good.
Killing him dead ,
right where he stood.

" attack me will you,
you cowardly swine.
I will spit down your throat
and rip out your spine"

Kicking him once
I turned back around.
My feet hitting hard
on the dirt packed ground.

Kusarigama unleashed
several seconds later.
I cut several down
to the size of second graders.

I look back at you
and say I think that's all of these fools
****** knives handed back
i ask how'd you learn that at school?

"My real father was a ninja,
he taught me some stuff.
Being a girl,
you had to grow up tough."

When he died,
breaking my heart.
I was sold to this,
now playing my part.

But no one touches me,
unless I want them too.
Yet I am done with all this,
finished, I am through.

I will just survive,
living of the land.
No more to be owned
by any foul man."

I don't intend to own you
In fact I'm not from this time
I Am though not native here,
so I do require a guide.

Confused I must look,
when him I did face.
"So you're not from this time
or from this place?"

I started to laugh,
it's all I could do.
Did he expect me to
accept that as true?

I just kept walking,
My mind on every sound.
I guess it's alright,
I can lead him around.

"Fine I will help you,
Where you need to go?"
I can lead you East,
down to Tokyo."

What if I could prove
that I'm from a different time.
I took out a disc and showed her what will happen
to her life over the years and mine.

I said, we still have company, I take my sword out, Nevan was her name,
duck in about 5 seconds
if you don't want to meet a blade.

Duck I did,
as the blade went on by,
Snapping my wrist,
letting a knife fly.

" What the hell?
Could this night get any worst.
Am I to be forever hounded
and endlessly cured?"

Sitting on the ground,
counting up the dead.
Touching my cheek,
my hand turning red.

The blade must of nicked me,
I just watched the blood drip.
My life was unravelling,
I was losing my grip.

I grabbed the dear woman
and threw my shuriken at the attempted killer.
I knocked him off a cliff,
his body becoming chiller.

I took her to a cave and patched her lovely cheek,
I Sat beside her and started a fire.
I sat down with a drink
and contained my desire.

Shaken to the core,
by kindness so fair.
All I could do was sit
and just stare.

This strange man,
who was not even of my time.
Had me hoping and wishing,
I could claim him as mine.

But hope and wishes are
for the happy and the weak.
I am sure he would love
someone feminine and meek.

Shaking my foggy head,
I start to cook dinner.
Wishing still I was tall
and so much thinner.

I said what's your name fair maiden,
how'd you end up here
You look much too beautiful
To working as hard as you do my dear.

My name is Xero,
I'm from another time
And while I'm here I must change the future
Because right now I'm stuck in this time.

"My name is Aura,
a name my father did give.
I become a geisha
so my family could live.

Sold for money,
and trained to preform.
So the rich can mock
and look on with scorn.

To own one is grand,
to be one: living hell.
That is my story,
really not much to tell."

Ashamed of my past,
tho pure I still be.
Yet I had my doubts,
he would even believe me.

Your words are soft spoken,
and have a ring of truth
I was poked and prodded,
like an animal in a zoo.

I'm nothing more than
a human science project.
At least that's what I was told
before I broke their worthless necks.

Anyway it seems we both have pasts
we aren't proud of.
But to me you're beautiful,
like I'm a falcon and you're a small white dove.

Blushing so red,
I took him by the hand.
" You are more than what they made u,
ur a kind honest man.

Stand tall,
be proud of who you became.
And I swear to you,
I will try and do the same.

Life had beaten us,
trying to teach us to fear.
But to hell with all that,
we survived and still here."

I smiled for the first time
in several years
I said but **** it, I'll probably never get over all of these ****** Tears.

I look back at her and said Aura,
such a simple supple name.
I sighed longingly
and whispered the same.

I look into his eyes,
as my name whispered past his lips.
A electrical current
tingled at my finger tips.

Wanting to touch him,
but knowing I can't.
I started to hum
a lovely sad chant.

Looking in the fire,
watching the flames burn.
Just like inside me,
it did dance and churn.

I looked into those deep blue eyes
and saw all the pain.
I saw nothing but tears
flowing Down like rain.

I hugged her tightly and said
You'll never cry again
I know your future, you'll do wonderful I'm serious you'll be free but I'm here for you until then.

Free: it felt strange on my tongue,
could it truly be.
Was I actually allowed
to finally be me.

Did I want to be free?
a question inside my head.
Perhaps I wanted to be owned
by this man instead.

I felt connected to him,
deep in my soul.
A sense of belonging,
my heart all aglow.

I look at you and say
Aura why do you stare at me so longingly
I told you your future
You won't belong to anyone ever again and your wounds both physical and mental will be sutured.

"It is nothing really,
just shock is my guess.
We should probably eat,
and get some much needed rest."

Cooking a rabbit,
turning it to stew.
A longing for more,
but it could never come true.

Now standing by the fire,
my arms wrapped around my waist.
Longing for his lips
and just one simple taste.

My senses heightened,
I set myself behind her
My human side desperately
wanting to be inside her.

I kissed her neck lovingly
and massaged her shoulders
It would be weird,
making love beside boulders.

I leaned into his body,
loving how he did feel.
Turning around,
a loving kiss I did steal.

Wrapping my arms around his neck,
playing with the hair at his nape.
My body and lips silently begging,
for him me to take.

Biting his lip,
I shivered in delight.
This just felt to perfect
and so deliciously right.


touching and caressing her body
felt like a natural instinct.
I held her like a little girl holding her favorite dolly
firm, but gentle and sweet.

I kissed down her neck and nibbled at her flesh
I wanted her scent all over me.

Wrapping my arms around him,
I clung to him for life.
My life was a hard one,
but he ends all my strife.

Feelings I thought long dead,
begin to whisper in my ear.
Holding close this gorgeous man,
the man I hold so dear.

I lick and nibble his neck,
His flavor on my tongue.
He is the beautiful note,
that my lips has always sung.

She had the body of a goddess
i was simply a lonely priest
i whispered my intentions
to her with some degree of ease.

i slid her dress down
to reveal her supple *******
i gently held them softly
then proceeded to ****** and caress

I licked on her lips
i put my hands on her hips
i whispered may i pleasure you fair maiden
because your body is a wonderland,
and i intend to make several trips.

My soul sang with delight,
as his lips made their rounds.
Panting out my pleasure,
from my mouth wanton sounds.

The passion fire burns bright,
As I rocked up my hips.
Feeling every loving touch,
from his sweet finger tips.

His tongue drove me wild,
as he tasted from my flesh.
My heart melted from his love,
oh I was so truly blessed.

My hands ran up his back,
my nails raked back down.
Til I was holding his ***,
so nice and juicy round.

i slid my hand in between her thighs
and rubbed her soft sweet ****
i felt myself rise with excitement
and she was so wet she began to slip,

i slid her dress all the way off
naked she was in front of me completely bare
i was so shocked at her beauty
i could do naught but drunkenly stare.

i regained my composure, and began to kiss her body again.
i set  myself between her luscious thighs
so i could eat her womanly den.

she tasted like a well aged wine
her juices so warm and sweet
i knew another woman I’d never have to find
because this girl just couldn't be beat.

His fingers dipped inside,
stroking my melting heat.
slipping in so far,
it was so overwhelming sweet.

I ****** up my hips,
to greet his thirsty hand.
Howling to the world,
My love for this great man.

Rolling him over,
I sat upon his ****.
Sinking him even deeper,
As i began to rock.

I placed his hands upon my breast,
Ohhh how he made me shiver.
My core began to melt
and my legs, they did quiver.

i held her close to my body
her sweet ******* so tasty in my mouth
I told her she was being ever so naughty
her core was wet as a freshwater trout,

i bent her over
the campfire now slowly dying
i slid back inside her
now taking her from behind

He had my heart jumping,
my breathing began to hitch.
"oh come on baby **** me,
I been a naughty *****."

I looked over my shoulder,
as into to me he did pound.
He slapped my *** once,
than grabbed my globs so round.

Moaning into the star filled sky,
I tightened around his shaft.
He had me losing my mind,
He was master of this craft.

A *** god reborn,
my soul mate supreme.
Knowing just where to touch,
that makes me wanna scream.

I reach between my legs,
and grab his perfect *****.
As we both let out into the night,
our lustful mating calls.


I made sure to please my woman,
then laid down with her on top
her arching back against the moonlight
my god i felt myself about to pop.

I spread her legs wider
and looked her dead in the eyes.
I finally released inside her
I  fell down dazed and high from our burning desire

I laid back down tired as all ****
I literally just met this girl last night
and we’re making love like this?
i dont know whether its lust.

Or some form of quick
acting love .
all i know is i must make her mine
before i'm sent up above.

I felt him erupt inside,
his cream flowing in deep.
I came in a flood,
and the feeling was so sweet.

Rocking my hips against him,
as I milked his **** dry.
I lowered myself to his warm body,
my head upon his chest did lie.

How this love came about,
I could never hope to explain.
He is embedded deep in my heart,
and I will never ever be the same.

Drifting off to sleep,
with a smile upon my lips.
I nestled close as I could get,
with his shaft still between my hips.
Thank you to the lovely Natasha M L for being so awesome to work with! This is gonna be great!
Mr Bigglesworth Nov 2013
I nibbled my apple right to the core
But my lunch box was empty, I still wanted more
So I thought, what the hell, there’s no one around
And I chewed it all up and swallowed it down

Upon the next day on my way back from school
The bus had broke down, I felt awfully full
We were all simply stranded with no help in sight
I was going to burst I had to alight

Now my house wasn't far, a ten minute walk
But I just couldn't wait and I hadn't a cork
So I slide down the bank to a spot underneath
And when I had finished I found me a leaf

Now ten years have passed and right on that route
Stands a proud apple tree all laden with fruit
So just with my bottom I managed to grow a tree
And now reminisce with my poo-a-tree poetry
Sofia Paderes Sep 2018
She dreamt about you last week.

I nibbled on my breakfast today -- bread and a thinly sliced orange. It seemed enough at the moment, but I snapped somewhere. I let her tell me off for being unreasonable while her hands did dishes the way you taught her to. She never wastes water.

She said you were both running.

This morning she had tiny baby dolls dangling from her ears. Being seen doesn't bother her anymore as much as it used to, but that doesn't matter to you because you always saw her. And I'd like to think you still do. She was beautiful today. And always.

She laughed softly. "Imagine her running," she said. But somehow, I could.

Last week, she got a bright red alarm clock with a built-in radio. Old songs as much as possible, please -- the soundtrack of our late nights. The first night she figured out how to work it, I lay on the bed the same way you used to, one leg crossed and one arm over my eyes, laughing. Did you laugh? I can copy your laugh too, you know.

She said you both knew why you were running.

It's a jungle in there, and I'm not always allowed to explore. But sometimes, she lets me cross a river. Lets me through some vines. And I tell her, "Baby, I'll stand out here with my little torch and wait out the rains. I'll help you map this place out. I'm a little lost in here, but I'm not leaving until these footprints I'm following lead me right next to you." She just smiles. Did you know that your footprints are there, too? They're all over the place.

She said you made it into each other's arms.

I hadn't cried over you in a long, long time but that Sunday morning I drew her in close and we dampened each other's shoulders. Laughed a little. Cried some more. Got dressed. Carried on.

I miss having you in my dreams too, but it was nice of you to say hello. Know that you are always welcome. Maybe next time you'll stay a bit longer. We'll have your coffee ready.

Thank you. Please, come again.
Her gravestone says "You will always be loved". Miss you, Lola Chichi. Just when I thought I had nothing to write about you anymore, this poem came.
There once was a man whom the gods didn't love,
And a disagreeable man was he.
He loathed his neighbours, and his neighbours hated him,
And he cursed eternally.

He ****** the sun, and he ****** the stars,
And he blasted the winds in the sky.
He sent to Hell every green, growing thing,
And he raved at the birds as they fly.

His oaths were many, and his range was wide,
He swore in fancy ways;
But his meaning was plain: that no created thing
Was other than a hurt to his gaze.

He dwelt all alone, underneath a leaning hill,
And windows toward the hill there were none,
And on the other side they were white-washed thick,
To keep out every spark of the sun.

When he went to market he walked all the way
Blaspheming at the path he trod.
He cursed at those he bought of, and swore at those he sold to,
By all the names he knew of God.

For his heart was soured in his weary old hide,
And his hopes had curdled in his breast.
His friend had been untrue, and his love had thrown him over
For the chinking money-bags she liked best.

The rats had devoured the contents of his grain-bin,
The deer had trampled on his corn,
His brook had shrivelled in a summer drought,
And his sheep had died unshorn.

His hens wouldn't lay, and his cow broke loose,
And his old horse perished of a colic.
In the loft his wheat-bags were nibbled into holes
By little, glutton mice on a frolic.

So he slowly lost all he ever had,
And the blood in his body dried.
Shrunken and mean he still lived on,
And cursed that future which had lied.

One day he was digging, a ***** or two,
As his aching back could lift,
When he saw something glisten at the bottom of the trench,
And to get it out he made great shift.

So he dug, and he delved, with care and pain,
And the veins in his forehead stood taut.
At the end of an hour, when every bone cracked,
He gathered up what he had sought.

A dim old vase of crusted glass,
Prismed while it lay buried deep.
Shifting reds and greens, like a pigeon's neck,
At the touch of the sun began to leap.

It was dull in the tree-shade, but glowing in the light;
Flashing like an opal-stone,
Carved into a flagon; and the colours glanced and ran,
Where at first there had seemed to be none.

It had handles on each side to bear it up,
And a belly for the gurgling wine.
Its neck was slender, and its mouth was wide,
And its lip was curled and fine.

The old man saw it in the sun's bright stare
And the colours started up through the crust,
And he who had cursed at the yellow sun
Held the flask to it and wiped away the dust.

And he bore the flask to the brightest spot,
Where the shadow of the hill fell clear;
And he turned the flask, and he looked at the flask,
And the sun shone without his sneer.

Then he carried it home, and put it on a shelf,
But it was only grey in the gloom.
So he fetched a pail, and a bit of cloth,
And he went outside with a broom.

And he washed his windows just to let the sun
Lie upon his new-found vase;
And when evening came, he moved it down
And put it on a table near the place

Where a candle fluttered in a draught from the door.
The old man forgot to swear,
Watching its shadow grown a mammoth size,
Dancing in the kitchen there.

He forgot to revile the sun next morning
When he found his vase afire in its light.
And he carried it out of the house that day,
And kept it close beside him until night.

And so it happened from day to day.
The old man fed his life
On the beauty of his vase, on its perfect shape.
And his soul forgot its former strife.

And the village-folk came and begged to see
The flagon which was dug from the ground.
And the old man never thought of an oath, in his joy
At showing what he had found.

One day the master of the village school
Passed him as he stooped at toil,
Hoeing for a bean-row, and at his side
Was the vase, on the turned-up soil.

'My friend,' said the schoolmaster, pompous and kind,
'That's a valuable thing you have there,
But it might get broken out of doors,
It should meet with the utmost care.

What are you doing with it out here?'
'Why, Sir,' said the poor old man,
'I like to have it about, do you see?
To be with it all I can.'

'You will smash it,' said the schoolmaster, sternly right,
'Mark my words and see!'
And he walked away, while the old man looked
At his treasure despondingly.

Then he smiled to himself, for it was his!
He had toiled for it, and now he cared.
Yes! loved its shape, and its subtle, swift hues,
Which his own hard work had bared.

He would carry it round with him everywhere,
As it gave him joy to do.
A fragile vase should not stand in a bean-row!
Who would dare to say so? Who?

Then his heart was rested, and his fears gave way,
And he bent to his *** again. . . .
A clod rolled down, and his foot slipped back,
And he lurched with a cry of pain.

For the blade of the *** crashed into glass,
And the vase fell to iridescent sherds.
The old man's body heaved with slow, dry sobs.
He did not curse, he had no words.

He gathered the fragments, one by one,
And his fingers were cut and torn.
Then he made a hole in the very place
Whence the beautiful vase had been borne.

He covered the hole, and he patted it down,
Then he hobbled to his house and shut the door.
He tore up his coat and nailed it at the windows
That no beam of light should cross the floor.

He sat down in front of the empty hearth,
And he neither ate nor drank.
In three days they found him, dead and cold,
And they said: 'What a queer old crank!'
Hazel McCath Oct 2013
there was a boy,
sitting under an apple tree
with a calculus textbook on his lap
and headphones dangling

I suppose I fell in love
with the way he nibbled on his chapped fingers
and the way he runs his hands through his messy midnight hair,
his deep sighs as he continues to rub off his mistakes on his calculus homework,
trying to figure out whether x=1 or x= -2.
And I fell in love with the way he snaps his fingers and grins and chuckles softly when victory and justice in that calculus question was prevailed.  

there was something about the way he smiled
that healed her scarred soul

there was something in him that
made the little black butterflies flutter with joy deep inside her

there was something about him
that she simply couldn't explain

something about him that she couldn't figure out, like missing puzzles

He wasn't mine, but I fell in love with him.
Ben Jones Nov 2013
A legendary sweet tooth, had Lady Felicity Barratt
So swift towards the sugar bowl, so wary of the carrot
She dined on only trifle from a honey coated spoon
But tooth decay accosted her and left her in a swoon

By the time she turned just twenty, her two front teeth were gone
By thirty she was running short and on her final one
When that fell out, she sought a dentist, promptly one arrived
She opened up her grizzly mouth and in the fella dived

He took a cast and took his leave with dentures to be hewn
With satisfaction guaranteed by Friday afternoon
And never did the lady have a reason to suspect
The secret intervention of an evil dental sect

By bribing several bakeries and sweetie shops and stalls
A dossier had been compiled within their sacred halls
For crimes against good dentistry were nothing short of sin
Their retribution must be swift or people might join in

Upon that self same Friday, at the very cusp of noon
One Doctor Bingo Rogers and his burly hired goon
Came knocking at her premises with dental kit and drills
With a mission to sedate her and to exercise their skills

They knocked her out with ethanol and chloroform and air
And strapped her to a hastily erected dentist's chair
The evil teeth were lodged in place and ******* into her gums
The bill was quite extortionate, for monumental sums

The shamanic orthodontist, with his henchman in his wake
A martyr to the vegetable and nemesis of cake
Was keen to see his handiwork and kept a watchful eye
For curious occurrences as days went quickly by

By Christmas there was nothing, until on New Year's Eve
Her teeth got uncooperative and forced the girl to leave
They dragged her by her dainty face and led her to the shops
She stood and munched on sugar canes and giant lollipops

They stuffed her face with chocolates, still nestled in their packets
And then a rack of nylon shirts and seven leather jackets
On every size of shoe, she munched; from sixes up to twelves
She nibbled through the party food and gnawed upon the shelves

Then off she sped, into the street, to pursue a passing horse
Dragged along by wicked teeth and supernatural force
But dentures lack in vision, and especially at pace
So when she caught it by the foot she caught it in the face

She skidded to a grizzly halt with arms and legs all twisted
And next to her, a note with all her dental errors listed
So beware the wrath of dentists and obey when they command
And sleep with one eye open and a carrot close to hand

For though our poor Felicity was buried good and hard
Despite floral cupcake with the Dental Cult's regard
And though her body, to this day, lies safely in the ground
The horse escaped that evening and the teeth were never found...
Mateuš Conrad Jul 2016
.i'm in luck, they're selling it at under 11 quid right now,
stock dry - gone in an instant - laphroaig like -
but not as smoky - but smoked scotch it it
at £10.34 - oh the little joys of having little money to spend -
you end up less picky and less hoarder and
the junk yard.


na głowe sypano mi, tak popiół:
     popiół! a obiecano mi *****!
           popiół! a obiecano mi *****!
                 popiół! a obiecano mi *****!

                  (not my words... lao che's dym)...

me, beer, cigarette, outer-suburbia -
police whizz past, silent with flare
or screaming toddler and Odysseus' 20 sirens
with wax in the ears of oaring company
akin to Ajax'ς vitality -
along the way, my neighbour (who's mother
killed my cat.. listen, i know he had
heart problems, he was on aspirin -
but kidneys, even if complicated are not
real problem, felines take longer to ****
than do the no. 2, pigeons don't have kidneys -
they're always of an **** diet of diarrhoea;
write like Aristotle sometimes,
forget the facts, be wrong, get it wrong,
never put a glass cup into the waterfall of
poetic cascades - get it wrong, be wrong -
get to know yourself - it's not that dumb
to be predictable in yourself -
if you allow self-predictability you will
see certain social events as being pointless -
you'll see friends and "friends" -
self-predictability is a verb, compounded -
i already know i'll make references to grammar
and it being missing in philosophy -
no, not coherence and appropriate arrangement -
i mean undoing the box of thing-in-itself
and the subsequent tennis with a brick wall,
to surprise yourself when something is unearthed,
a little piece of the puzzle - simulating awe,
the genesis of all that's to come, even awe from a yawn
and boredom... it's here somewhere... i'll karate
catch it with chop sticks.... (looking around)...
i don't know, might be a moth or a fly...

Antichrist: or a summary of Antisemitism - a variant of,
or at least a concentration - mainly confiscated
by Christianity - prime complaint:
a democracy of Anointed One (Messiahs) -
obviously a manifested justifiable practice of Antisemitism -
the throng of Golgotha intelligence quotient -
Jew v. Jew, and one convert from the delusional
4 x 4 (in the name of the father, and of the son, and of the holy
                                         spirit... hold on!
                                    i make four gestures... and make a fifth
                 with Romeo and Juliet talking -
St. Matthew-Luke-Mark-and-John... penta penta pent-up
pentagon - evidently there's a pentagrammaton somewhere:
ah! i b l i s.                       Surat no. via Rumi - 7:143 - veils and
the one - reward in heaven - more veils, gardens veils,
grapes in heaven veils - stomach a veil - hunger a veil -
rewards in heaven also veils - the poem?
praise be Jesus - and Jason and the Argonauts - and whoever
wanted a strawberry flavoured pastiche to lick tears off -
love's apocalypse, love's glory -
         well bloodhound eyes say it all - droop drool -
droop & drool... Jack & Jill... went up the hill, and passed
the Grimm Bro. baton to Hanzel und Gretyl in the 100m x4
relay of Disney Limps - then rabbinical literature to sober up -
Albotini's Sulam HaAliyah (Ladder of Ascent, formerly Jacob's
ladder - to be: Ladder of Skip-rope; Oxford, hello! yes,
can you please consider un-hyphenating what is desirably
a compound worthy word in the practice of German?          )?
is a bracket necessary anywhere and i missed it?
Antichrist - or a very strange form of antisemitism -
be like a Jew, congregate applauding in the right corner: Jesus -
in the blue corner: Crux Golgothia.
export from Portugal - the said book -
key principle (kefitzah) jumping or skipping (dilug) -
and this being applied to the one practice of mystic Judaism -
the ****** gematria; hishtavut (stoicism) -

me - is it still 20 quid for an eighth?
Sim (my neighbour) - yeah, but these days
                                       they sort of cheat,
                                       you'd get an eighth nibbled on,
                                       twenty for a tenth?!
me - ******, well, we can't expect it to not happen,
         we had coin debasement - clippings of silver
         keratin with Siliqua, third stage and
         all encoded authority is gone: Thomas and Anne
         till death and nail clippings be fraud unison in
         the depart (or when narration extinguishes
         a character, the character is worth nothing -
         the narrator wakes up - all the characters run
         like phantom-hares into nonexistence -
         phantom! thin air!
politeness said: only one **** at the wacky wee ö wee
(umlaut O / double oh, 007 - 00'7 - double u... oh!
                                 i get it!                             Jamie Oliver!)
DEI.GRA.REG.FID.DEF.
   "   (-tia) (-ina)(-ei)(-ensor) -
all that would have been clipped - authority of visage -
the courtesan only knew the mint in silver
and the mint in the flesh - hence clipping of coin
to erase the authority from the holy authority of words -
in the beginning - but once dei.gra.reg.fid.def.jpeg /
                                   dei.gra.red.fid.def.gif.

that ****** moth is here somewhere! there it is! catch it!
                                                             ­   catch it!
SLAM!          and the job is done )                                      ).
i really waiting a bus stop pretending to wait for a bus
toking on a joint - joint is mix tobacco and wee wee
and spliff is pure? i forgot the slang - haven't been
addicted to it in years.
Sim - yeah, that's how it is. work in central london -
         have to get up early in the morning.
         corporate finance - no that's a commercial firm,
         corporate finance - McDonald's, etc.
me - oh cool waiting for  ghost bus - never get paranoid
         then?
(police cars whizz by)
Sim - n'ah, a perfectly decent area, got stopped once,
          three years ago.
and the price goes to the laziest narrator in history - absolutely
no engagement with characters - it's too real, everyone's
lying - this is the second time i spoke to my neighbour properly
in the past.. ooh 2002... 14 YEARS - it's not even funny -
no amount of marijuana will make you feel comfortable -
you can mate and make Kingston handshakes and what not -
this is purity of absurdity and western isolation,
we went against the maxim: no man is an island on purpose,
not by chance like Robinson Crusoe -
at least Crusoe had a talking Friday - we have a ghost
of Michael Faraday on Friday - ******* disco blink blink -
poet... or alt.: the narrator complex - inhibitions toward
character craft and pseudo-schizoid symptom -
believing in ghosts is easy, fiction writers and their ghosts
and abortions, hardly a way to escape from that -
poetry: rebellious narration - just anything with narration,
modern fiction is read like a chess match between deep blue
and Kasparov - or Pavlov v. Jezebel playing gynaecologist.

blank.... blank... wait for the atoms trilled R to make
their toady presence felt -
the more pricier the whiskey the more pristine water,
i.e. you get drunk more easily -
anyone that smokes marijuana and thinks
they're clever are stupid; how many people are out there that are
stupid!
- resounding hearsay-hooray!
drugs, ******, crack, blow, marijuana, ****, ***,
  cannabis, dope, ******, mary-jane, 13, M - herb shake -
Humphrey saying to Bogart - that joint.
as said in Saudi
Arabic - a Ferrari G.T.I. and MeKubalim HaMitbodedim
                  )
                                  -chism - schism - sky - ski -
                                  cha cha, cha cha - kilo or 100th -
                                  1000 thd. - hundredth a thousandth -
                                  - where then the acute,
                                  timber from Czechs -
                                  kebab from Mesopotamia -
                                  and the Trojan horse to boot -
                                 chatter - chopper whopper -
                                 astoikism - not chew off
                                 curve into cherish but
                                 cravat chew in -
                                 Slavic mining zed - czarna
                                 ciasność - blackened claustrophobia.
a Buddhist clap
                   immersion -
left handed the right hand claps against air
                  )             )              )               )            ) ) )            )
a night at the Opera, right handed the left hand claps against air
(                       (        (            (               (          ( ( (            (
scimitar Luna - so they said, would like an audience with the
further unmentioned mention -
you're mates with neighbours who over 14 years you only
spoke to the count of thumb and index on occasion -
and thus necessarily high -
i was going to write something really important before
i finalised this draft... but i forgot what it was...
got almighty this whiskey is good...
i'm smoking salmon and pickling reindeer hooves and antennas;
a bit like practising Chinese miracle medicine with
whale blubber and Mongolian nostril hairs.

it's not about loving your enemies -
this love sinister must be invoked as: making your
enemies bearable.

i'm sure i had something concerning poetry and narration -
ah! it was... poetic compensation -
a.d.h.d. narration - attention deficit hyperactive disorder -
true - all psychiatric terms are metaphors -
at least outside the psychiatric realm -
poetry as a.d.h.d. meaning: shrapnel narration -
a custard pie of missing characters -
poetry: i.e.: the inability to believe in ghosts
or write characters - claustrophobic or agoraphobic narration?
a mix of both - poetry - the inability to conjure
Ouija fancies - poetry, the over-specialised gift for
narration, but an inability to invent characters -
poetry, the truth of the narrative, and the truth of un-invented
characters, poetry: the ability to narrate, coupled
with the inability to create characters -
fiction and the dumb narrator - poetry and the exquisite
narrator - fiction and the exciting characters -
poetry and the God - our focus is based on that vector,
or bias to that vector - fiction and the Oscars -
narrator and director - when to change from first person
to third person - again Burroughs was right -
images 50 years ahead of writing - a bit obvious,
nothing spectacular with that phrase -
lightning and the sons of thunder: 12 of them -
made the tetragrammaton less spoken and swear words
fucken-uppen censored so the crucifix and **** could
collide - a fine fine excuse - the Boeing 747 first
and later the quasi-sonic broom shoo' 'mm -
poetry as fiction disguised when fiction was given
a seance with pure narratives - splinter group:
philosophy's juggling with pronouns esp. the plural deviation
from first person as if to proper punctuation -
psychiatry and the theory of pronoun usage -
poetry and the pronoun rōnin (macron = umlaut -
count to two, or prolong - reasonable man / **** sapiens, pre-noun pro-adjective / adjective attache-noun, noun counter-noun es duo-adjective, Kellogg's sunrise cockle-doodle-dip-in-tartan-chess) -
only poetry mediates the parallel vectors of prose-fiction and philosophy - it consolidates the use of pronouns, art of poetry alone -
pure narration we're talking about,
the narrator and characters of its fancy,
philosopher and dialectical placebos (character equivalence)
with self-conscious moments, mono-pro-noun - alone i name -
the sacred squash wall of lecturing an invisible audience -
rummaging epitaphs in a graveyard along with birth dates
and live by dates - yes, that sacred we philosophers use -
an entire theatre was summoned to continue in appearing
sensible when writing without fictive apparitions -
enabling a fluidity in pronoun use, without sensible letter
writing, as in dear sir,
                                       me in reverse, thank you.
w
Jacqueline Anne Apr 2015
Alice was a hippy girl
whimsical and free spirited
in dalliance with imagination.
Living in a trippy world
and a psychedelic dream.
Where life was fluffy and free
from the restraints of responsibility.
Her thoughts drifting
always questioning.
Far out man.

Always in her daydream bubble
partying for peace and love,
keeping her soul out of trouble.
In nonsense rhyme
and hallucinogenic vibe,
creating her own escape.
And all the while her rabbit
with an anxiety problem,
would tell her he was
going to be late.

She nibbled on cakes
that she laced,
with her boyfriend
and together they embraced
their Wonderland.
Grinning like Cheshire cats
hand in hand spiralling,
out of control
down rabbit holes.
Far out man.

Always in her daydream bubble
partying for peace and love,
keeping her soul out of trouble
in nonsense rhyme
and hallucinogenic vibe
creating her own escape
And all the while her rabbit
with an anxiety problem
would tell her he was
going to be late.

Spending their days in wonder
in unknown potions drunk
they would ponder
the meaning of life,
in playing cards talking
with ***** smoking
caterpillars and
mocking turtles on a beach.
Reality so far out of reach.
Far out man.

Always in her daydream bubble
partying for peace and love,
keeping her soul out of trouble
in nonsense rhyme
and hallucinogenic vibe
creating her own escape
And all the while her rabbit
with an anxiety problem
would tell her he was
going to be late.

Alice was a hippy girl
whimsical and free spirited.
Wishing for a different world,
escaping in kaleidoscopes.
Mind blowing and free.
The truth smashed down
her house of cards in responsibility,
and she had a date with reality
in actuality reality eventually
Growing up man.

Always in her daydream bubble
partying for peace and love,
keeping her soul out of trouble
in nonsense rhyme
and hallucinogenic vibe
creating her own escape
And all the while her rabbit
with an anxiety problem
would tell her he was
going to be late.

He was going to be late.
He was going to be late.



©Jacqui Slade
REAL Mar 2013
These sunny days
Oh, how they beat me down
Let's not go back
To the days
That made us tired and old

Come on let's run
Let's run right through the grass
And sing loud songs
And fall asleep
In each others arms

In these summer beds
Johnnyqu33r May 2021
At this point I am absolutely aware
Birds have nibbled the whole trail
Of crumbs scattered loosely behind me
For you to follow and for you to find me

Nothing is worth measuring time
Dusk to dawn to candles burning out
Candles being blown out surrounded
By people and laughter and nothing

A dream found damaged and gathered
In my basket while on a visit to grandma
Heart ripe red and silver spoon fed to you
Only to become the evil queen at the end
Mateuš Conrad Dec 2016
i find that the only time it's permissible to think
is at acute times, when something turns
heroism awry -
  we live in times when toiling in a field of
potatoes would be considered a heroism -
     because something has soured our attempts
at heroism...
    and i can't stress enough how modernity  
has nibbled at ancient feats of heroism
                       with such a bravado and inactivity,
    yes: tautology is the curse awaiting us all...
       what is revelatory about ontology?
some would say that oncology says much more
concerning man with a doubly impeding
temporality than ontology could ever fashion
a man with prescription: dogmatism -
    for one can only ask: can philosophy ever
contain a medical property?
can philosophy be medicine? i ask because i dare
not believe that writing per se is universally adequate
in being prescribed -
                      well... biology compared to medicine
is a feeble argument, its blunder was attracting
a theological posit for an argument to be practised
because: it found itself feeble before medicine.
the "thinkers" of biology attacked theology
after realising biology (a specified conglomerate
of words with the vector indicating a
                  depersonalisation of a biography) -
but both biology and theology are entrenched
with their respective vocabulary caging -
   no one would win the debate...
                     it became a comparative scenario of
first world war trench-warfare on the Belgian plateau...
    this was an attack on medicine...
    or what's useful given that biology can be rather
useless... i've never seen such desperation
               of a field of interest: that didn't simultaneously
argue from the perspective of jealousy...
         biology cannot replace theology -
   but that's beside the point... philosophy is more
akin to medicine than any -logy compound specifying
limits... auto-suggestive of the convenience that
says: man is born stupid, he dies stupid, and he "thinks"
   he knows everything that's happening in-between.
and no... i would never write a populist celebration
of war or Achilles... had i not engaged with an actual
conflict, i'd write nothing of this sort...
           and there is a crisis in heroism these days,
   hardly a reason to equate thinking as a heroic act...
  but compared with modern heroism,
namely what's defined by losing weight and gaining
protruding muscular patterns...
     what's nothing more than paying the gas bill
or simply: bringing home the bacon...
                 thinking has become a heroic act in a way,
eased to such a conclusion with
        stalinist obstruction of thought in the first place...
we call it political correctness and to be heroic
these days means: transcending what is but zoological
humanism...         because the counterpart of heroism
in the purely physical realm is but running a marathon,
rather than walking one...
       attracting bothersome flies of charity,
                 gluttony's reversal...
             what sort of heroics are these? what's to be
celebrated by such feats... if it all culminates into
nothing but a pat-on-the-back and not a statue?
            and by god... don't you think that people
who still rummage in language and can't see trilling
the R as unfashionable require a diacritical distinction
to be added to the letter? but of course, German
can sound soft too... but given the English hollowed-out
the R and lost the trill, or that the French hark the ******
letter... i'm thinking of how to represent the trill
   of the R... as the rolling and ravaging roulettes
                 embedded in the comparison of enacted
damage, with the stiletto shoe doing more damage than
an elephant's stomp.
Tamara Miles Jul 2014
Somehow, I managed to get to my thirties
without eating a cherry --- a fresh one, anyway,
raw, untamed, unshelved, and forgodssake,
unmarischinoed.

I had them in pies, gooey, sickening, too much
syrup, and in sundaes --- again, not real, a turn-off,
saw people tie the stems in knots,
I had the impression, I think, that if people
had to do all the things they do with cherries
to make them flavorful, they must be really
**** straight out of the bag.  
I made my mind up that they were unpleasant
and I would have nothing to do with them.
Even, or especially, in chocolate-covered cherries,
which my mother loved, so I wanted to love,
I could at best eat the chocolate around that
thick viscous sugary embryonic fluid
wherein lay the embittered, unborn and unloved cherry
and not the coveted prize.

So imagine that day when, careless at a cocktail
party, or at someone's house, hungry, I nibbled
at a fresh one, deep red and whole, gingerly working
my way around the stem and coming awake
to ohmygod what have I been missing all these years?

They still seem brand new now, every time, a delicacy,
something wealthy people indulge in and so not really
belonging to my world.  They beg for the company
of wine and the most delicate cheeses, they ask to be shared
and doted on.  The keep revealing themselves,
on the plate, unadorned, and they keep reminding me
to try something else that I have never tasted,
like complete and utter honesty, or looking at myself
naked, without judgment, even at the innermost
feminine parts, upside down with a mirror until I see why
they say making love for the first time is giving away
your cherry.
A poem for anyone who is afraid to try new things.
Terry Collett Aug 2013
Evenings were sandwich time
brought in by big Ted
sandwiches cut in triangles
in white and brown

and he laid the plates down
on the center table
and the patients
bored out

of their fragile brains
pounced upon them
and ate ravishingly
as if time

was running out
to eat
but  
Yiska nibbled hers

took small bites
her finger tips
holding the brown bread
her white teeth

nibbling gently
Naaman watched her
his sandwich held
but uneaten

smelt
viewed
but held away
from lips

he took in
Yiska's nibbling
the way her fingers
held as if a holy host

not fish paste
and her lips
parted just so
her tongue seen

the white teeth
and her eyes
unfocused
her nightgown

buttoned at the breast
with a missing button
and he wanted
to be that sandwich

in her fingers
wanted her lips
to feel him
her teeth to nibble him

but then
the foreign woman
distracted him
by taking

her sandwich apart
opening it
between fingers
sniffing the contents

******* up her nose
muttering something
in her foreign tongue
throwing it on the plate

and picking up another
don't waste them
a nurse said
ask if you don't see

what you want
the foreign woman
chewed on the sandwich
she'd picked

the nurse removed
the torn open sandwich
Naaman ate
a small portion

viewing Yiska meanwhile
licking her fingers
******* the ends
in and out

and he wished
it he she was doing thus
he looked away
the evening sky

was darkening
through the locked
ward windows
the bright electric lights

above their heads
made mirrors
of the windows
and Naaman saw himself

in his blue dressing gown
sans belt in case
he tried to string
himself again

and he gazed at Yiska
once more nibbling
another sandwich
the same *******

technique
the similar lipping
routine
and the missing button

on her nightgown
revealed a small portion
of flesh viewed
her small *******

pressing the cotton cloth
of the nightgown
and he ate unceremoniously
the last of his bread

watching her fingers
licked again
while outside the window
the sound of fresh rain.
K Balachandran May 2012
In to the mystery of the night, i wander
the tangled tarantula garden
canopied with prophesies of light,

Lit windows are making
overtures to desires
night unleashes at these hours,
hear the buzz in the air
its time to make love,
darkness forgets  hurt and embraces light.

i walk alone,
but an enchanting witch wait
for me somewhere in a garden bench,
to take me by my  hand to her secret haunt
filled with thick smoke of ****
where she will remove the drapes
to let me see the truth.

On her quill and cactus bed,
she would make me understand,
how far is pleasure from pain
why darkness stalks light,
a jilted lover, walking a few steps behind,

I've heard her, once whisper
to wind in her husky voice
"A  life written off by those
who measure out life with coffee spoons,
as spent in vein; this life of mine,
could have its secret treasures,
no charlatan could ever guess about
a serpent's diamonds
very few get to see,
its dangerous to pry, i forgive their ignorance"

Words induced by her dark power
has layers of meaning
but to many it was just meaningless jabbering,
just magic mushroom blabber

She nibbled and nicked my earlobes,
in between intoxicating purrs,
told me the meaning of caterwauls,

"Its not pain, its not pain,
once you get in to the stream
you only want to drain,
in to the vast blue ocean"


I recognize now,  it's Walpurgis night,
as i walk in search of my witch,
i see dancers around bonfire,
revelers totally out of their minds,
carouse at the heart of the night.
And i see them all, witches in marine blue dresses,
enchantresses in blackly black,
coquettish red or groovy green,
I wait for her to appear,
the only one in resplendent white.
Walpurgis night : (Walpurgisnacht in German)The Night from 30 April to 1st May when witches were supposed to hold a celebration in the middle ages(Witches Sabbath in 15 & 16 century)
Alexander Jun 2018
She's delectable
Her every word titillating
Her every touch ******
Lips meant for biting
Her voice meant to moan
Her body's meant for me
Her ******* meant for my teeth lips and tongue
Her *** filling my palms *** its pulled ,grabbed, spread an spanked
Her ******* waiting for my every touch an pull grab kiss and bite
Hips call to my teeth to be bitten,screaming for my hands for more grab them pull them
Legs begging to be kissed nibbled and caressed
Her shoulders and neck meant for my lips my hands my teeth
More I crave them all, the the taste calls to me screaming my name
Her ****** calls to me echoing in my mind forever to trigger my cravings driving me crazier ever time I see her
She's my fetish my craving my desire
My lustrous dream of craving.
Cravings fetish's
I spent Thanksgiving
this year
not in the blue-collar comfort
of my aunt’s house,
nestled somewhere
within a well-buried suburb
of a quaint, but un-noteworthy neighborhood
with walls decorated with Budweiser signs
juxtaposed against portraits of the ****** Mary,
where a football announcer’s voice plays like
conservative talk radio
in the background.

Instead, to save the labor
of my weary immigrant grandmother,
we dressed in Sunday best
and drove ourselves in
three well-packed mini vans
to some elegant hotel restaurant,
ideal for people-watching
from the gaudy, art-deco staircase
while pretending to be in the Great Gatsby.

It didn’t feel natural, though,
that beside a modest turkey breast
with cranberry dressing, sat a beautiful
cut of prime rib, carefully ladled
with truffle au juis–
nor beside a humble dollop
of mashed potatoes and gravy,
should there be salmon to die for,
and berries slathered with brie.

The food I nibbled
with bites of nervous guilt,
as the impeccably dressed waiter
exhaustedly refilled our water glasses,
nodding his head reflexively
to my mouse squeaks of “thank you’s”

What monsters are we,
letting these people work on Thanksgiving Day?
Grandma said, calmly, that some people
are just happy to be paid,
recounting
her impoverished childhood
in war-torn Germany—
that to simply muffle
the aggressive rumbling
of a days-empty stomach,
she and her brother
would ****** a handful of
potatoes from a government farm,
not many, but just enough
as she grimaced
at the ever-so-slight mealiness
of her rosemary-infused pork chop—
the woman who couldn’t afford ham
until she became a citizen.

We nodded quietly and
swallowed our privileged guilt,
washed down with
politely cut bites
of perfectly cooked salmon.

— The End —