BOOK I

S.  Patrick. You who are bent, and bald, and blind,
With a heavy heart and a wandering mind,
Have known three centuries, poets sing,
Of dalliance with a demon thing.

Oisin. Sad to remember, sick with years,
The swift innumerable spears,
The horsemen with their floating hair,
And bowls of barley, honey, and wine,
Those merry couples dancing in tune,
And the white body that lay by mine;
But the tale, though words be lighter than air.
Must live to be old like the wandering moon.

Caoilte, and Conan, and Finn were there,
When we followed a deer with our baying hounds.
With Bran, Sceolan, and Lomair,
And passing the Firbolgs' burial-motmds,
Came to the cairn-heaped grassy hill
Where passionate Maeve is stony-still;
And found On the dove-grey edge of the sea
A pearl-pale, high-born lady, who rode
On a horse with bridle of findrinny;
And like a sunset were her lips,
A stormy sunset on doomed ships;
A citron colour gloomed in her hair,

But down to her feet white vesture flowed,
And with the glimmering crimson glowed
Of many a figured embroidery;
And it was bound with a pearl-pale shell
That wavered like the summer streams,
As her soft ***** rose and fell.

S.  Patrick. You are still wrecked among heathen dreams.

Oisin. "Why do you wind no horn?' she said
"And every hero droop his head?
The hornless deer is not more sad
That many a peaceful moment had,
More sleek than any granary mouse,
In his own leafy forest house
Among the waving fields of fern:
The hunting of heroes should be glad.'

'O pleasant woman,' answered Finn,
"We think on Oscar's pencilled urn,
And on the heroes lying slain
On Gabhra's raven-covered plain;
But where are your noble kith and kin,
And from what country do you ride?'

"My father and my mother are
Aengus and Edain, my own name
Niamh, and my country far
Beyond the tumbling of this tide.'

"What dream came with you that you came
Through bitter tide on foam-wet feet?
Did your companion wander away
From where the birds of Aengus wing?'
Thereon did she look haughty and sweet:
"I have not yet, war-weary king,
Been spoken of with any man;
Yet now I choose, for these four feet
Ran through the foam and ran to this
That I might have your son to kiss.'

"Were there no better than my son
That you through all that foam should run?'

"I loved no man, though kings besought,
Until the Danaan poets brought
Rhyme that rhymed upon Oisin's name,
And now I am dizzy with the thought
Of all that wisdom and the fame
Of battles broken by his hands,
Of stories builded by his words
That are like coloured Asian birds
At evening in their rainless lands.'

O Patrick, by your brazen bell,
There was no limb of mine but fell
Into a desperate gulph of love!
'You only will I wed,' I cried,
"And I will make a thousand songs,
And set your name all names above,
And captives bound with leathern thongs
Shall kneel and praise you, one by one,
At evening in my western dun.'

"O Oisin, mount by me and ride
To shores by the wash of the tremulous tide,
Where men have heaped no burial-mounds,
And the days pass by like a wayward tune,
Where broken faith has never been known
And the blushes of first love never have flown;
And there I will give you a hundred hounds;
No mightier creatures bay at the moon;
And a hundred robes of murmuring silk,
And a hundred calves and a hundred sheep
Whose long wool whiter than sea-froth flows,
And a hundred spears and a hundred bows,
And oil and wine and honey and milk,
And always never-anxious sleep;
While a hundred youths, mighty of limb,
But knowing nor tumult nor hate nor strife,
And a hundred ladies, merry as birds,
Who when they dance to a fitful measure
Have a speed like the speed of the salmon herds,
Shall follow your horn and obey your whim,
And you shall know the Danaan leisure;
And Niamh be with you for a wife.'
Then she sighed gently, "It grows late.
Music and love and sleep await,
Where I would be when the white moon climbs,
The red sun falls and the world grows dim.'

And then I mounted and she bound me
With her triumphing arms around me,
And whispering to herself enwound me;
He shook himself and neighed three times:
Caoilte, Conan, and Finn came near,
And wept, and raised their lamenting hands,
And bid me stay, with many a tear;
But we rode out from the human lands.
In what far kingdom do you go'
Ah Fenians, with the shield and bow?
Or are you phantoms white as snow,
Whose lips had life's most prosperous glow?
O you, with whom in sloping vallcys,
Or down the dewy forest alleys,
I chased at morn the flying deer,
With whom I hurled the hurrying spear,
And heard the foemen's bucklers rattle,
And broke the heaving ranks of battle!
And Bran, Sceolan, and Lomair,
Where are you with your long rough hair?
You go not where the red deer feeds,
Nor tear the foemen from their steeds.

S.  Patrick. Boast not, nor mourn with drooping head
Companions long accurst and dead,
And hounds for centuries dust and air.

Oisin. We galloped over the glossy sea:
I know not if days passed or hours,
And Niamh sang continually
Danaan songs, and their dewy showers
Of pensive laughter, unhuman sound,
Lulled weariness, and softly round
My human sorrow her white arms wound.
We galloped; now a hornless deer
Passed by us, chased by a phantom hound
All pearly white, save one red ear;
And now a lady rode like the wind
With an apple of gold in her tossing hand;
And a beautiful young man followed behind
With quenchless gaze and fluttering hair.
"Were these two born in the Danaan land,
Or have they breathed the mortal air?'

"Vex them no longer,' Niamh said,
And sighing bowed her gentle head,
And sighing laid the pearly tip
Of one long finger on my lip.

But now the moon like a white rose shone
In the pale west, and the sun'S rim sank,
And clouds atrayed their rank on rank
About his fading crimson ball:
The floor of Almhuin's hosting hall
Was not more level than the sea,
As, full of loving fantasy,
And with low murmurs, we rode on,
Where many a trumpet-twisted shell
That in immortal silence sleeps
Dreaming of her own melting hues,
Her golds, her ambers, and her blues,
Pierced with soft light the shallowing deeps.
But now a wandering land breeze came
And a far sound of feathery quires;
It seemed to blow from the dying flame,
They seemed to sing in the smouldering fires.
The horse towards the music raced,
Neighing along the lifeless waste;
Like sooty fingers, many a tree
Rose ever out of the warm sea;
And they were trembling ceaselessly,
As though they all were beating time,
Upon the centre of the sun,
To that low laughing woodland rhyme.
And, now our wandering hours were done,
We cantered to the shore, and knew
The reason of the trembling trees:
Round every branch the song-birds flew,
Or clung thereon like swarming bees;
While round the shore a million stood
Like drops of frozen rainbow light,
And pondered in a soft vain mood
Upon their shadows in the tide,
And told the purple deeps their pride,
And murmured snatches of delight;
And on the shores were many boats
With bending sterns and bending bows,
And carven figures on their prows
Of bitterns, and fish-eating stoats,
And swans with their exultant throats:
And where the wood and waters meet
We tied the horse in a leafy clump,
And Niamh blew three merry notes
Out of a little silver trump;
And then an answering whispering flew
Over the bare and woody land,
A whisper of impetuous feet,
And ever nearer, nearer grew;
And from the woods rushed out a band
Of men and ladies, hand in hand,
And singing, singing all together;
Their brows were white as fragrant milk,
Their cloaks made out of yellow silk,
And trimmed with many a crimson feather;
And when they saw the cloak I wore
Was dim with mire of a mortal shore,
They fingered it and gazed on me
And laughed like murmurs of the sea;
But Niamh with a swift distress
Bid them away and hold their peace;
And when they heard her voice they ran
And knelt there, every girl and man,
And kissed, as they would never cease,
Her pearl-pale hand and the hem of her dress.
She bade them bring us to the hall
Where Aengus dreams, from sun to sun,
A Druid dream of the end of days
When the stars are to wane and the world be done.

They led us by long and shadowy ways
Where drops of dew in myriads fall,
And tangled creepers every hour
Blossom in some new crimson flower,
And once a sudden laughter sprang
From all their lips, and once they sang
Together, while the dark woods rang,
And made in all their distant parts,
With boom of bees in honey-marts,
A rumour of delighted hearts.
And once a lady by my side
Gave me a harp, and bid me sing,
And touch the laughing silver string;
But when I sang of human joy
A sorrow wrapped each merry face,
And, patrick! by your beard, they wept,
Until one came, a tearful boy;
"A sadder creature never stept
Than this strange human bard,' he cried;
And caught the silver harp away,
And, weeping over the white strings, hurled
It down in a leaf-hid, hollow place
That kept dim waters from the sky;
And each one said, with a long, long sigh,
"O saddest harp in all the world,
Sleep there till the moon and the stars die!'

And now, still sad, we came to where
A beautiful young man dreamed within
A house of wattles, clay, and skin;
One hand upheld his beardless chin,
And one a sceptre flashing out
Wild flames of red and gold and blue,
Like to a merry wandering rout
Of dancers leaping in the air;
And men and ladies knelt them there
And showed their eyes with teardrops dim,
And with low murmurs prayed to him,
And kissed the sceptre with red lips,
And touched it with their finger-tips.
He held that flashing sceptre up.
"Joy drowns the twilight in the dew,
And fills with stars night's purple cup,
And wakes the sluggard seeds of corn,
And stirs the young kid's budding horn,
And makes the infant ferns unwrap,
And for the peewit paints his cap,
And rolls along the unwieldy sun,
And makes the little planets run:
And if joy were not on the earth,
There were an end of change and birth,
And Earth and Heaven and Hell would die,
And in some gloomy barrow lie
Folded like a frozen fly;
Then mock at Death and Time with glances
And wavering arms and wandering dances.

"Men's hearts of old were drops of flame
That from the saffron morning came,
Or drops of silver joy that fell
Out of the moon's pale twisted shell;
But now hearts cry that hearts are slaves,
And toss and turn in narrow caves;
But here there is nor law nor rule,
Nor have hands held a weary tool;
And here there is nor Change nor Death,
But only kind and merry breath,
For joy is God and God is joy.'
With one long glance for girl and boy
And the pale blossom of the moon,
He fell into a Druid swoon.

And in a wild and sudden dance
We mocked at Time and Fate and Chance
And swept out of the wattled hall
And came to where the dewdrops fall
Among the foamdrops of the sea,
And there we hushed the revelry;
And, gathering on our brows a frown,
Bent all our swaying bodies down,
And to the waves that glimmer by
That sloping green De Danaan sod
Sang, "God is joy and joy is God,
And things that have grown sad are wicked,
And things that fear the dawn of the morrow
Or the grey wandering osprey Sorrow.'

We danced to where in the winding thicket
The damask roses, bloom on bloom,
Like crimson meteors hang in the gloom.
And bending over them softly said,
Bending over them in the dance,
With a swift and friendly glance
From dewy eyes:  "Upon the dead
Fall the leaves of other roses,
On the dead dim earth encloses:
But never, never on our graves,
Heaped beside the glimmering waves,
Shall fall the leaves of damask roses.
For neither Death nor Change comes near us,
And all listless hours fear us,
And we fear no dawning morrow,
Nor the grey wandering osprey Sorrow.'

The dance wound through the windless woods;
The ever-summered solitudes;
Until the tossing arms grew still
Upon the woody central hill;
And, gathered in a panting band,
We flung on high each waving hand,
And sang unto the starry broods.
In our raised eyes there flashed a glow
Of milky brightness to and fro
As thus our song arose:  "You stars,
Across your wandering ruby cars
Shake the loose reins:  you slaves of God.
He rules you with an iron rod,
He holds you with an iron bond,
Each one woven to the other,
Each one woven to his brother
Like bubbles in a frozen pond;
But we in a lonely land abide
Unchainable as the dim tide,
With hearts that know nor law nor rule,
And hands that hold no wearisome tool,
Folded in love that fears no morrow,
Nor the grey wandering osprey Sorrow.'

O Patrick! for a hundred years
I chased upon that woody shore
The deer, the badger, and the boar.
O patrick! for a hundred years
At evening on the glimmering sands,
Beside the piled-up hunting spears,
These now outworn and withered hands
Wrestled among the island bands.
O patrick! for a hundred years
We went a-fishing in long boats
With bending sterns and bending bows,
And carven figures on their prows
Of bitterns and fish-eating stoats.
O patrick! for a hundred years
The gentle Niamh was my wife;
But now two things devour my life;
The things that most of all I hate:
Fasting and prayers.

S.  Patrick. Tell On.

Oisin. Yes, yes,
For these were ancient Oisin's fate
Loosed long ago from Heaven's gate,
For his last days to lie in wait.
When one day by the tide I stood,
I found in that forgetfulness
Of dreamy foam a staff of wood
From some dead warrior's broken lance:
I tutned it in my hands; the stains
Of war were on it, and I wept,
Remembering how the Fenians stept
Along the blood-bedabbled plains,
Equal to good or grievous chance:
Thereon young Niamh softly came
And caught my hands, but spake no word
Save only many times my name,
In murmurs, like a frighted bird.
We passed by woods, and lawns of clover,
And found the horse and bridled him,
For we knew well the old was over.
I heard one say, "His eyes grow dim
With all the ancient sorrow of men';
And wrapped in dreams rode out again
With hoofs of the pale findrinny
Over the glimmering purple sea.
Under the golden evening light,
The Immortals moved among thc fountains
By rivers and the woods' old night;
Some danced like shadows on the mountains
Some wandered ever hand in hand;
Or sat in dreams on the pale strand,
Each forehead like an obscure star
Bent down above each hooked knee,
And sang, and with a dreamy gaze
Watched where the sun in a saffron blaze
Was slumbering half in the sea-ways;
And, as they sang, the painted birds



























































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Kept time with their bright wings and feet;
Like drops of honey came their words,
But fainter than a young lamb's bleat.

"An old man stirs the fire to a blaze,
In the house of a child, of a friend, of a brother.
He has over-lingered his welcome; the days,
Grown desolate, whisper and sigh to each other;
He hears the storm in the chimney above,
And bends to the fire and shakes with the cold,
While his heart still dreams of battle and love,
And the cry of the hounds on the hills of old.

But We are apart in the grassy places,
Where care cannot trouble the least of our days,
Or the softness of youth be gone from our faces,
Or love's first tenderness die in our gaze.
The hare grows old as she plays in the sun
And gazes around her with eyes of brightness;
Before the swift things that she dreamed of were done
She limps along in an aged whiteness;
A storm of birds in the Asian trees
Like tulips in the air a-winging,
And the gentle waves of the summer seas,
That raise their heads and wander singing,
Must murmur at last, ""Unjust, unjust';
And ""My speed is a weariness,' falters the mouse,
And the kingfisher turns to a ball of dust,
And the roof falls in of his tunnelled house.
But the love-dew dims our eyes till the day
When God shall come from the Sea with a sigh
And bid the stars drop down from the sky,
And the moon like a pale rose wither away.'

#######
BOOK II
#######

NOW, man of croziers, shadows called our names
And then away, away, like whirling flames;
And now fled by, mist-covered, without sound,
The youth and lady and the deer and hound;
"Gaze no more on the phantoms,' Niamh said,
And kissed my eyes, and, swaying her bright head
And her bright body, sang of faery and man
Before God was or my old line began;
Wars shadowy, vast, exultant; faeries of old
Who wedded men with rings of Druid gold;
And how those lovers

S.  Patrick. You who are bent, and bald, and blind,
With a heavy heart and a wandering mind,
Have known three centuries, poets sing,
Of dalliance with a demon thing.

Oisin. Sad to remember, sick with years,
The swift innumerable spears,
The horsemen with their floating hair,
And bowls of barley, honey, and wine,
Those merry couples dancing in tune,
And the white body that lay by mine;
But the tale, though words be lighter than air.
Must live to be old like the wandering moon.

Caoilte, and Conan, and Finn were there,
When we followed a deer with our baying hounds.
With Bran, Sceolan, and Lomair,
And passing the Firbolgs' burial-motmds,
Came to the cairn-heaped grassy hill
Where passionate Maeve is stony-still;
And found On the dove-grey edge of the sea
A pearl-pale, high-born lady, who rode
On a horse with bridle of findrinny;
And like a sunset were her lips,
A stormy sunset on doomed ships;
A citron colour gloomed in her hair,

But down to her feet white vesture flowed,
And with the glimmering crimson glowed
Of many a figured embroidery;
And it was bound with a pearl-pale shell
That wavered like the summer streams,
As her soft ***** rose and fell.

S.  Patrick. You are still wrecked among heathen dreams.

Oisin. 'Why do you wind no horn?' she said
'And every hero droop his head?
The hornless deer is not more sad
That many a peaceful moment had,
More sleek than any granary mouse,
In his own leafy forest house
Among the waving fields of fern:
The hunting of heroes should be glad.'

'O pleasant woman,' answered Finn,
'We think on Oscar's pencilled urn,
And on the heroes lying slain
On Gabhra's raven-covered plain;
But where are your noble kith and kin,
And from what country do you ride?'

'My father and my mother are
Aengus and Edain, my own name
Niamh, and my country far
Beyond the tumbling of this tide.'

'What dream came with you that you came
Through bitter tide on foam-wet feet?
Did your companion wander away
From where the birds of Aengus wing?'
Thereon did she look haughty and sweet:
'I have not yet, war-weary king,
Been spoken of with any man;
Yet now I choose, for these four feet
Ran through the foam and ran to this
That I might have your son to kiss.'

'Were there no better than my son
That you through all that foam should run?'

'I loved no man, though kings besought,
Until the Danaan poets brought
Rhyme that rhymed upon Oisin's name,
And now I am dizzy with the thought
Of all that wisdom and the fame
Of battles broken by his hands,
Of stories builded by his words
That are like coloured Asian birds
At evening in their rainless lands.'

O Patrick, by your brazen bell,
There was no limb of mine but fell
Into a desperate gulph of love!
'You only will I wed,' I cried,
'And I will make a thousand songs,
And set your name all names above,
And captives bound with leathern thongs
Shall kneel and praise you, one by one,
At evening in my western dun.'

'O Oisin, mount by me and ride
To shores by the wash of the tremulous tide,
Where men have heaped no burial-mounds,
And the days pass by like a wayward tune,
Where broken faith has never been known
And the blushes of first love never have flown;
And there I will give you a hundred hounds;
No mightier creatures bay at the moon;
And a hundred robes of murmuring silk,
And a hundred calves and a hundred sheep
Whose long wool whiter than sea-froth flows,
And a hundred spears and a hundred bows,
And oil and wine and honey and milk,
And always never-anxious sleep;
While a hundred youths, mighty of limb,
But knowing nor tumult nor hate nor strife,
And a hundred ladies, merry as birds,
Who when they dance to a fitful measure
Have a speed like the speed of the salmon herds,
Shall follow your horn and obey your whim,
And you shall know the Danaan leisure;
And Niamh be with you for a wife.'
Then she sighed gently, 'It grows late.
Music and love and sleep await,
Where I would be when the white moon climbs,
The red sun falls and the world grows dim.'

And then I mounted and she bound me
With her triumphing arms around me,
And whispering to herself enwound me;
He shook himself and neighed three times:
Caoilte, Conan, and Finn came near,
And wept, and raised their lamenting hands,
And bid me stay, with many a tear;
But we rode out from the human lands.
In what far kingdom do you go'
Ah Fenians, with the shield and bow?
Or are you phantoms white as snow,
Whose lips had life's most prosperous glow?
O you, with whom in sloping vallcys,
Or down the dewy forest alleys,
I chased at morn the flying deer,
With whom I hurled the hurrying spear,
And heard the foemen's bucklers rattle,
And broke the heaving ranks of battle!
And Bran, Sceolan, and Lomair,
Where are you with your long rough hair?
You go not where the red deer feeds,
Nor tear the foemen from their steeds.

S.  Patrick. Boast not, nor mourn with drooping head
Companions long accurst and dead,
And hounds for centuries dust and air.

Oisin. We galloped over the glossy sea:
I know not if days passed or hours,
And Niamh sang continually
Danaan songs, and their dewy showers
Of pensive laughter, unhuman sound,
Lulled weariness, and softly round
My human sorrow her white arms wound.
We galloped; now a hornless deer
Passed by us, chased by a phantom hound
All pearly white, save one red ear;
And now a lady rode like the wind
With an apple of gold in her tossing hand;
And a beautiful young man followed behind
With quenchless gaze and fluttering hair.
'Were these two born in the Danaan land,
Or have they breathed the mortal air?'

'Vex them no longer,' Niamh said,
And sighing bowed her gentle head,
And sighing laid the pearly tip
Of one long finger on my lip.

But now the moon like a white rose shone
In the pale west, and the sun'S rim sank,
And clouds atrayed their rank on rank
About his fading crimson ball:
The floor of Almhuin's hosting hall
Was not more level than the sea,
As, full of loving fantasy,
And with low murmurs, we rode on,
Where many a trumpet-twisted shell
That in immortal silence sleeps
Dreaming of her own melting hues,
Her golds, her ambers, and her blues,
Pierced with soft light the shallowing deeps.
But now a wandering land breeze came
And a far sound of feathery quires;
It seemed to blow from the dying flame,
They seemed to sing in the smouldering fires.
The horse towards the music raced,
Neighing along the lifeless waste;
Like sooty fingers, many a tree
Rose ever out of the warm sea;
And they were trembling ceaselessly,
As though they all were beating time,
Upon the centre of the sun,
To that low laughing woodland rhyme.
And, now our wandering hours were done,
We cantered to the shore, and knew
The reason of the trembling trees:
Round every branch the song-birds flew,
Or clung thereon like swarming bees;
While round the shore a million stood
Like drops of frozen rainbow light,
And pondered in a soft vain mood
Upon their shadows in the tide,
And told the purple deeps their pride,
And murmured snatches of delight;
And on the shores were many boats
With bending sterns and bending bows,
And carven figures on their prows
Of bitterns, and fish-eating stoats,
And swans with their exultant throats:
And where the wood and waters meet
We tied the horse in a leafy clump,
And Niamh blew three merry notes
Out of a little silver trump;
And then an answering whispering flew
Over the bare and woody land,
A whisper of impetuous feet,
And ever nearer, nearer grew;
And from the woods rushed out a band
Of men and ladies, hand in hand,
And singing, singing all together;
Their brows were white as fragrant milk,
Their cloaks made out of yellow silk,
And trimmed with many a crimson feather;
And when they saw the cloak I wore
Was dim with mire of a mortal shore,
They fingered it and gazed on me
And laughed like murmurs of the sea;
But Niamh with a swift distress
Bid them away and hold their peace;
And when they heard her voice they ran
And knelt there, every girl and man,
And kissed, as they would never cease,
Her pearl-pale hand and the hem of her dress.
She bade them bring us to the hall
Where Aengus dreams, from sun to sun,
A Druid dream of the end of days
When the stars are to wane and the world be done.

They led us by long and shadowy ways
Where drops of dew in myriads fall,
And tangled creepers every hour
Blossom in some new crimson flower,
And once a sudden laughter sprang
From all their lips, and once they sang
Together, while the dark woods rang,
And made in all their distant parts,
With boom of bees in honey-marts,
A rumour of delighted hearts.
And once a lady by my side
Gave me a harp, and bid me sing,
And touch the laughing silver string;
But when I sang of human joy
A sorrow wrapped each merry face,
And, patrick! by your beard, they wept,
Until one came, a tearful boy;
'A sadder creature never stept
Than this strange human bard,' he cried;
And caught the silver harp away,
And, weeping over the white strings, hurled
It down in a leaf-hid, hollow place
That kept dim waters from the sky;
And each one said, with a long, long sigh,
'O saddest harp in all the world,
Sleep there till the moon and the stars die!'

And now, still sad, we came to where
A beautiful young man dreamed within
A house of wattles, clay, and skin;
One hand upheld his beardless chin,
And one a sceptre flashing out
Wild flames of red and gold and blue,
Like to a merry wandering rout
Of dancers leaping in the air;
And men and ladies knelt them there
And showed their eyes with teardrops dim,
And with low murmurs prayed to him,
And kissed the sceptre with red lips,
And touched it with their finger-tips.
He held that flashing sceptre up.
'Joy drowns the twilight in the dew,
And fills with stars night's purple cup,
And wakes the sluggard seeds of corn,
And stirs the young kid's budding horn,
And makes the infant ferns unwrap,
And for the peewit paints his cap,
And rolls along the unwieldy sun,
And makes the little planets run:
And if joy were not on the earth,
There were an end of change and birth,
And Earth and Heaven and Hell would die,
And in some gloomy barrow lie
Folded like a frozen fly;
Then mock at Death and Time with glances
And wavering arms and wandering dances.

'Men's hearts of old were drops of flame
That from the saffron morning came,
Or drops of silver joy that fell
Out of the moon's pale twisted shell;
But now hearts cry that hearts are slaves,
And toss and turn in narrow caves;
But here there is nor law nor rule,
Nor have hands held a weary tool;
And here there is nor Change nor Death,
But only kind and merry breath,
For joy is God and God is joy.'
With one long glance for girl and boy
And the pale blossom of the moon,
He fell into a Druid swoon.

And in a wild and sudden dance
We mocked at Time and Fate and Chance
And swept out of the wattled hall
And came to where the dewdrops fall
Among the foamdrops of the sea,
And there we hushed the revelry;
And, gathering on our brows a frown,
Bent all our swaying bodies down,
And to the waves that glimmer by
That sloping green De Danaan sod
Sang, 'God is joy and joy is God,
And things that have grown sad are wicked,
And things that fear the dawn of the morrow
Or the grey wandering osprey Sorrow.'

We danced to where in the winding thicket
The damask roses, bloom on bloom,
Like crimson meteors hang in the gloom.
And bending over them softly said,
Bending over them in the dance,
With a swift and friendly glance
From dewy eyes:  'Upon the dead
Fall the leaves of other roses,
On the dead dim earth encloses:
But never, never on our graves,
Heaped beside the glimmering waves,
Shall fall the leaves of damask roses.
For neither Death nor Change comes near us,
And all listless hours fear us,
And we fear no dawning morrow,
Nor the grey wandering osprey Sorrow.'

The dance wound through the windless woods;
The ever-summered solitudes;
Until the tossing arms grew still
Upon the woody central hill;
And, gathered in a panting band,
We flung on high each waving hand,
And sang unto the starry broods.
In our raised eyes there flashed a glow
Of milky brightness to and fro
As thus our song arose:  'You stars,
Across your wandering ruby cars
Shake the loose reins:  you slaves of God.
He rules you with an iron rod,
He holds you with an iron bond,
Each one woven to the other,
Each one woven to his brother
Like bubbles in a frozen pond;
But we in a lonely land abide
Unchainable as the dim tide,
With hearts that know nor law nor rule,
And hands that hold no wearisome tool,
Folded in love that fears no morrow,
Nor the grey wandering osprey Sorrow.'

O Patrick! for a hundred years
I chased upon that woody shore
The deer, the badger, and the boar.
O patrick! for a hundred years
At evening on the glimmering sands,
Beside the piled-up hunting spears,
These now outworn and withered hands
Wrestled among the island bands.
O patrick! for a hundred years
We went a-fishing in long boats
With bending sterns and bending bows,
And carven figures on their prows
Of bitterns and fish-eating stoats.
O patrick! for a hundred years
The gentle Niamh was my wife;
But now two things devour my life;
The things that most of all I hate:
Fasting and prayers.

S.  Patrick.      Tell on.

Oisin.                 Yes, yes,
For these were ancient Oisin's fate
Loosed long ago from Heaven's gate,
For his last days to lie in wait.
When one day by the tide I stood,
I found in that forgetfulness
Of dreamy foam a staff of wood
From some dead warrior's broken lance:
I tutned it in my hands; the stains
Of war were on it, and I wept,
Remembering how the Fenians stept
Along the blood-bedabbled plains,
Equal to good or grievous chance:
Thereon young Niamh softly came
And caught my hands, but spake no word
Save only many times my name,
In murmurs, like a frighted bird.
We passed by woods, and lawns of clover,
And found the horse and bridled him,
For we knew well the old was over.
I heard one say, 'His eyes grow dim
With all the ancient sorrow of men';
And wrapped in dreams rode out again
With hoofs of the pale findrinny
Over the glimmering purple sea.
Under the golden evening light,
The Immortals moved among thc fountains
By rivers and the woods' old night;
Some danced like shadows on the mountains
Some wandered ever hand in hand;
Or sat in dreams on the pale strand,
Each forehead like an obscure star
Bent down above each hooked knee,
And sang, and with a dreamy gaze
Watched where the sun in a saffron blaze
Was slumbering half in the sea-ways;
And, as they sang, the painted birds
Kept time with their bright wings and feet;
Like drops of honey came their words,
But fainter than a young lamb's bleat.

'An old man stirs the fire to a blaze,
In the house of a child, of a friend, of a brother.
He has over-lingered his welcome; the days,
Grown desolate, whisper and sigh to each other;
He hears the storm in the chimney above,
And bends to the fire and shakes with the cold,
While his heart still dreams of battle and love,
And the cry of the hounds on the hills of old.

But We are apart in the grassy places,
Where care cannot trouble the least of our days,
Or the softness of youth be gone from our faces,
Or love's first tenderness die in our gaze.
The hare grows old as she plays in the sun
And gazes around her with eyes of brightness;
Before the swift things that she dreamed of were done
She limps along in an aged whiteness;
A storm of birds in the Asian trees
Like tulips in the air a-winging,
And the gentle waves of the summer seas,
That raise their heads and wander singing,
Must murmur at last, "Unjust, unjust";
And "My speed is a weariness," falters the mouse,
And the kingfisher turns to a ball of dust,
And the roof falls in of his tunnelled house.
But the love-dew dims our eyes till the day
When God shall come from the Sea with a sigh
And bid the stars drop down from the sky,
And the moon like a pale rose wither away.'

Fled foam underneath us, and round us, a wandering and milky smoke,
High as the Saddle-girth, covering away from our glances the tide;
And those that fled, and that followed, from the foam-pale distance broke;
The immortal desire of Immortals we saw in their faces, and sighed.

I mused on the chase with the Fenians, and Bran, Sceolan, Lomair,
And never a song sang Niamh, and over my finger-tips
Came now the sliding of tears and sweeping of mist-cold hair,
And now the warmth of sighs, and after the quiver of lips.

Were we days long or hours long in riding, when, rolled in a grisly peace,
An isle lay level before us, with dripping hazel and oak?
And we stood on a sea's edge we saw not; for whiter than new-washed fleece
Fled foam underneath us, and round us, a wandering and milky smoke.

And we rode on the plains of the sea's edge; the sea's edge barren and grey,
Grey sand on the green of the grasses and over the dripping trees,
Dripping and doubling landward, as though they would hasten away,
Like an army of old men longing for rest from the moan of the seas.

But the trees grew taller and closer, immense in their wrinkling bark;
Dropping; a murmurous dropping; old silence and that one sound;
For no live creatures lived there, no weasels moved in the dark:
Long sighs arose in our spirits, beneath us bubbled the ground.

And the ears of the horse went sinking away in the hollow night,
For, as drift from a sailor slow drowning the gleams of the world and the sun,
Ceased on our hands and our faces, on hazel and oak leaf, the light,
And the stars were blotted above us, and the whole of the world was one.

Till the horse gave a whinny; for, cumbrous with stems of the hazel and oak,
A valley flowed down from his hoofs, and there in the long grass lay,
Under the starlight and shadow, a monstrous slumbering folk,
Their naked and gleaming bodies poured out and heaped in the way.

And by them were arrow and war-axe, arrow and shield and blade;
And dew-blanched horns, in whose hollow a child of three years old
Could sleep on a couch of rushes, and all inwrought and inlaid,
And more comely than man can make them with bronze and silver and gold.

And each of the huge white creatures was huger than fourscore men;
The tops of their ears were feathered, their hands were the claws of birds,
And, shaking the plumes of the grasses and the leaves of the mural glen,
The breathing came from those bodies, long warless, grown whiter than curds.

The wood was so Spacious above them, that He who has stars for His flocks
Could ****** the leaves with His fingers, nor go from His dew-cumbered skies;
So long were they sleeping, the owls had builded their nests in their locks,
Filling the fibrous dimness with long generations of eyes.

And over the limbs and the valley the slow owls wandered and came,
Now in a place of star-fire, and now in a shadow-place wide;
And the chief of the huge white creatures, his knees in the soft star-flame,
Lay loose in a place of shadow:  we drew the reins by his side.

Golden the nails of his bird-clawS, flung loosely along the dim ground;
In one was a branch soft-shining with bells more many than sighs
In midst of an old man's *****; owls ruffling and pacing around
Sidled their bodies against him, filling the shade with their eyes.

And my gaze was thronged with the sleepers; no, not since the world began,
In realms where the handsome were many, nor in glamours by demons flung,
Have faces alive with such beauty been known to the salt eye of man,
Yet weary with passions that faded when the sevenfold seas were young.

And I gazed on the bell-branch, sleep's forebear, far sung by the Sennachies.
I saw how those slumbererS, grown weary, there camping in grasses deep,
Of wars with the wide world and pacing the shores of the wandering seas,
Laid hands on the bell-branch and swayed it, and fed of unhuman sleep.

Snatching the horn of Niamh, I blew a long lingering note.
Came sound from those monstrous sleepers, a sound like the stirring of flies.
He, shaking the fold of his lips, and heaving the pillar of his throat,
Watched me with mournful wonder out of the wells of his eyes.

I cried, 'Come out of the shadow, king of the nails of gold!
And tell of your goodly household and the goodly works of your hands,
That we may muse in the starlight and talk of the battles of old;
Your questioner, Oisin, is worthy, he comes from the ****** lands.'

Half open his eyes were, and held me, dull with the smoke of their dreams;
His lips moved slowly in answer, no answer out of them came;
Then he swayed in his fingers the bell-branch, slow dropping a sound in faint streams
Softer than snow-flakes in April and piercing the marrow like flame.

Wrapt in the wave of that music, with weariness more than of earth,
The moil of my centuries filled me; and gone like a sea-covered stone
Were the memories of the whole of my sorrow and the memories of the whole of my mirth,
And a softness came from the starlight and filled me full to the bone.

In the roots of the grasses, the sorrels, I laid my body as low;
And the pearl-pale Niamh lay by me, her brow on the midst of my breast;
And the horse was gone in the distance, and years after years 'gan flow;
Square leaves of the ivy moved over us, binding us down to our rest.

And, man of the many white croziers, a century there I forgot
How the fetlocks drip blocd in the battle, when the fallen on fallen lie rolled;
How the falconer follows the falcon in the weeds of the heron's plot,
And the name of the demon whose hammer made Conchubar's sword-blade of old.

And, man of the many white croziers, a century there I forgot
That the spear-shaft is made out of ashwood, the shield out of osier and hide;
How the hammers spring on the anvil, on the spearhead's burning spot;
How the slow, blue-eyed oxen of Finn low sadly at evening tide.

But in dreams, mild man of the croziers, driving the dust with their throngs,
Moved round me, of ****** or landsmen, all who are winter tales;
Came by me the kings of the Red Branch, with roaring of laughter and songs,
Or moved as they moved once, love-making or piercing the tempest with sails.

Came Blanid, Mac Nessa, tall Fergus who feastward of old time slunk,
Cook Barach, the traitor; and warward, the spittle on his beard never dry,
Dark Balor, as old as a forest, car-borne, his mighty head sunk
Helpless, men lifting the lids of his weary and death making eye.

And by me, in soft red raiment, the Fenians moved in loud streams,
And Grania, walking and smiling, sewed with her needle of bone.
So lived I and lived not, so wrought I and wrought not, with creatures of dreams,
In a long iron sleep, as a fish in the water goes dumb as a stone.

At times our slumber was lightened.  When the sun was on silver or gold;
When brushed with the wings of the owls, in the dimness they love going by;
When a glow-worm was green on a grass-leaf, lured from his lair in the mould;
Half wakening, we lifted our eyelids, and gazed on the grass with a sigh.

So watched I when, man of the croziers, at the heel of a century fell,
Weak, in the midst of the meadow, from his miles in the midst of the air,
A starling like them that forgathered 'neath a moon waking white as a shell
When the Fenians made foray at morning with Bran, Sceolan, Lomair.

I awoke:  the strange horse without summons out of the distance ran,
Thrusting his nose to my shoulder; he knew in his ***** deep
That once more moved in my ***** the ancient sadness of man,
And that I would leave the Immortals, their dimness, their dews dropping sleep.

O, had you seen beautiful Niamh grow white as the waters are white,
Lord of the croziers, you even had lifted your hands and wept:
But, the bird in my fingers, I mounted, remembering alone that delight
Of twilight and slumber were gone, and that hoofs impatiently stept.

I died, 'O Niamh! O white one! if only a twelve-houred day,
I must gaze on the beard of Finn, and move where the old men and young
In the Fenians' dwellings of wattle lean on the chessboards and play,
Ah, sweet to me now were even bald Conan's slanderous tongue!

'Like me were some galley forsaken far off in Meridian isle,
Remembering its long-oared companions, sails turning to threadbare rags;
No more to crawl on the seas with long oars mile after mile,
But to be amid shooting of flies and flowering of rushes and flags.'

Their motionless eyeballs of spirits grown mild with mysterious thought,
Watched her those seamless faces from the valley's glimmering girth;
As she murmured, 'O wandering Oisin, the strength of the bell-branch is naught,
For there moves alive in your fingers the fluttering sadness of earth.

'Then go through the lands in the saddle and see what the mortals do,
And softly come to your Niamh over the tops of the tide;
But weep for your Niamh, O Oisin, weep; for if only your shoe
Brush lightly as haymouse earth's pebbles, you will come no more to my side.

'O flaming lion of the world, O when will you turn to your rest?'
I saw from a distant saddle; from the earth she made her moan:
'I would die like a small withered leaf in the autumn, for breast unto breast
We shall mingle no more, nor our gazes empty their sweetness lone

'In the isles of the farthest seas where only the spirits come.
Were the winds less soft than the breath of a pigeon who sleeps on her nest,
Nor lost in the star-fires and odours the sound of the sea's vague drum?
O flaming lion of the world, O when will you turn to your rest?'

The wailing grew distant; I rode by the woods of the wrinkling bark,
Where ever is murmurous dropping, old silence and that one sound;
For no live creatures live there, no weasels move in the dark:
In a reverie forgetful of all things, over the bubbling' ground.

And I rode by the plains of the sea's edge, where all is barren and grey,
Grey sand on the green of the grasses and over the dripping trees,
Dripping and doubling landward, as though they would hasten away',
Like an army of old men longing for rest from the moan of the seas.

And the winds made the sands on the sea's edge turning and turning go,
As my mind made the names of the Fenians.  Far from the hazel and oak,
I rode away on the surges, where, high aS the saddle-bow,
Fled foam underneath me, and round me, a wandering and milky smoke.

Long fled the foam-flakes around me, the winds fled out of the vast,
Snatching the bird in secret; nor knew I, embosomed apart,
When they froze the cloth on my body like armour riveted fast,
For Remembrance, lifting her leanness, keened in the gates of my heart.

Till, fattening the winds of the morning, an odour of new-mown hay
Came, and my forehead fell low, and my tears like berries fell down;
Later a sound came, half lost in the sound of a shore far away,
From the great grass-barnacle calling, and later the shore-weeds brown.

If I were as I once was, the strong hoofs crushing the sand and the shells,
Coming out of the sea as the dawn comes, a chaunt of love on my lips,
Not coughing, my head on my knees, and praying, and wroth with the bells,
I would leave no saint's head on his body from Rachlin to Bera of ships.

Making way from the kindling surges, I rode on a bridle-path
Much wondering to see upon all hands, of wattles and woodwork made,
Your bell-mounted churches, and guardless the sacred cairn and the mth,
And a small and a feeble populace stooping with mattock and *****,

Or weeding or ploughing with faces a-shining with much-toil wet;
While in this place and that place, with bodies unglorious, their chieftains stood,
Awaiting in patience the straw-death, croziered one, caught in your net:
Went the laughter of scorn from my mouth like the roaring of wind in a wood.

And before I went by them so huge and so speedy with eyes so bright,
Came after the hard gaze of youth, or an old man lifted his head:
And I rode and I rode, and I cried out, 'The Fenians hunt wolves in the night,
So sleep thee by daytime.' A voice cried, 'The Fenians a long time are dead.'

A whitebeard stood hushed on the pathway, the flesh of his face as dried grass,
And in folds round his eyes and his mouth, he sad as a child without milk-
And the dreams of the islands were gone, and I knew how men sorrow and pass,
And their hound, and their horse, and their love, and their eyes that glimmer like silk.

And wrapping my face in my hair, I murmured, 'In old age they ceased';
And my tears were larger than berries, and I murmured, 'Where white clouds lie spread
On Crevroe or broad Knockfefin, with many of old they feast
On the floors of the gods.' He cried, 'No, the gods a long time are dead.'

And lonely and longing for Niamh, I shivered and turned me about,
The heart in me longing to leap like a grasshopper into her heart;
I turned and rode to the westward, and followed the sea's old shout
Till I saw where Maeve lies sleeping till starlight and midnight part.

And there at the foot of the mountain, two carried a sack full of sand,
They bore it with staggering and sweating, but fell with their burden at length.
Leaning down from the gem-studded saddle, I flung it five yards with my hand,
With a sob for men waxing so weakly, a sob for the Fenians' old strength.

The rest you have heard of, O croziered man; how, when divided the girth,
I fell on the path, and the horse went away like a summer fly;
And my years three hundred fell on me, and I rose, and walked on the earth,
A creeping old man, full of sleep, with the spittle on his beard never dry'.

How the men of the sand-sack showed me a church with its belfry in air;
Sorry place, where for swing of the war-axe in my dim eyes the crozier gleams;
What place have Caoilte and Conan, and Bran, Sceolan, Lomair?
Speak, you too are old with your memories, an old man surrounded with dreams.

S.  Patrick. Where the flesh of the footsole clingeth on the burning stones is their place;
Where the demons whip them with wires on the burning stones of wide Hell,
Watching the blessed ones move far off, and the smile on God's face,
Between them a gateway of brass, and the howl of the angels who fell.

Oisin. Put the staff in my hands; for I go to the Fenians, O cleric, to chaunt
The war-songs that roused them of old; they will rise, making clouds with their Breath,
Innumerable, singing, exultant; the clay underneath them shall pant,
And demons be broken in pieces, and trampled beneath them in death.

And demons afraid in their darkness; deep horror of eyes and of wings,
Afraid, their ears on the earth laid, shall listen and rise up and weep;
Hearing the shaking of shields and the quiver of stretched bowstrings,
Hearing Hell loud with a murmur, as shouting and mocking we sweep.

We will tear out the flaming stones, and batter the gateway of brass
And enter, and none sayeth 'No' when there enters the strongly armed guest;
Make clean as a broom cleans, and march on as oxen move over young grass;
Then feast, making converse of wars, and of old wounds, and turn to our rest.

S.  Patrick. On the flaming stones, without refuge, the limbs of the Fenians are tost;
None war on the masters of Hell, who could break up the world in their rage;
But kneel and wear out the flags and pray for your soul that is lost
Through the demon love of its youth and its godless and passionate age.

Oisin. Ah me! to be Shaken with coughing and broken with old age and pain,
Without laughter, a show unto children, alone with remembrance and fear;
All emptied of purple hours as a beggar's cloak in the rain,
As a hay-**** out on the flood, or a wolf ****** under a weir.

It were sad to gaze on the blessed and no man I loved of old there;
I throw down the chain of small stones! when life in my body has ceased,
I will go to Caoilte, and Conan, and Bran, Sceolan, Lomair,
And dwell in the house of the Fenians, be they in flames or at feast.

Now, man of croziers, shadows called our names
And then away, away, like whirling flames;
And now fled by, mist-covered, without sound,
The youth and lady and the deer and hound;
'Gaze no more on the phantoms,' Niamh said,
And kissed my eyes, and, swaying her bright head
And her bright body, sang of faery and man
Before God was or my old line began;
Wars shadowy, vast, exultant; faeries of old
Who wedded men with rings of Druid gold;
And how those lovers never turn their eyes
Upon the life that fades and flickers and dies,
Yet love and kiss on dim shores far away
Rolled round with music of the sighing spray:
Yet sang no more as when, like a brown bee
That has drunk full, she crossed the misty sea
With me in her white arms a hundred years
Before this day; for now the fall of tears
Troubled her song.

                   I do not know if days
Or hours passed by, yet hold the morning rays
Shone many times among the glimmering flowers
Woven into her hair, before dark towers
Rose in the darkness, and the white surf gleamed
About them; and the horse of Faery screamed
And shivered, knowing the Isle of Many Fears,
Nor ceased until white Niamh stroked his ears
And named him by sweet names.

                              A foaming tide
Whitened afar with surge, fan-formed and wide,
Burst from a great door matred by many a blow
From mace and sword and pole-axe, long ago
When gods and giants warred.  We rode between
The seaweed-covered pillars; and the green
And surging phosphorus alone gave light
On our dark pathway, till a countless flight
Of moonlit steps glimmered; and left and right
Dark statues glimmered over the pale tide
Upon dark thrones.  Between the lids of one
The imaged meteors had flashed and run
And had disported in the stilly jet,
And the fixed stars had dawned and shone and set,
Since God made Time and Death and Sleep:  the other
Stretched his long arm to where, a misty smother,
The stream churned, churned, and churned - his lips apart,
As though he told his never-slumbering heart
Of every foamdrop on its misty way.
Tying the horse to his vast foot that lay
Half in the unvesselled sea, we climbed the stair
And climbed so long, I thought the last steps were
Hung from the morning star; when these mild words
Fanned the delighted air like wings of birds:
'My brothers spring out of their beds at morn,
A-murmur like young partridge:  with loud horn
They chase the noontide deer;
And when the dew-drowned stars hang in the air
Look to long fishing-lines, or point and pare
An ashen hunting spear.
O sigh, O fluttering sigh, be kind to me;
Flutter along the froth lips of the sea,
And shores the froth lips wet:
And stay a little while, and bid them weep:
Ah, touch their blue-veined eyelids if they sleep,
And shake their coverlet.
When you have told how I weep endlessly,
Flutter along the froth lips of the sea
And home to me again,
And in the shadow of my hair lie hid,
And tell me that you found a man unbid,
The saddest of all men.'

A lady with soft eyes like funeral tapers,
And face that seemed wrought out of moonlit vapours,
And a sad mouth, that fear made tremulous
As any ruddy moth, looked down on us;
And she with a wave-rusted chain was tied
To two old eagles, full of ancient pride,
That with dim eyeballs stood on either side.
Few feathers were on their dishevelled wings,
For their dim minds were with the ancient things.

'I bring deliverance,' pearl-pale Niamh said.

'Neither the living, nor the unlabouring dead,
Nor the high gods who never lived, may fight
My enemy and hope; demons for fright
Jabber and scream about him in the night;
For he is strong and crafty as the seas
That sprang under the Seven Hazel Trees,
And I must needs endure and hate and weep,
Until the gods and demons drop asleep,
Hearing Acdh touch thc mournful strings of gold.'

'Is he so dreadful?'
                     'Be not over-bold,
But fly while still you may.'
                              And thereon I:
'This demon shall be battered till he die,
And his loose bulk be thrown in the loud tide.'
'Flee from him,' pearl-pale Niamh weeping cried,
'For all men flee the demons'; but moved not
My angry king-remembering soul one jot.
There was no mightier soul of Heber's line;
Now it is old and mouse-like.  For a sign
I burst the chain:  still earless, neNeless, blind,
Wrapped in the things of the unhuman mind,
In some dim memory or ancient mood,
Still earless, netveless, blind, the eagles stood.

And then we climbed the stair to a high door;
A hundred horsemen on the basalt floor
Beneath had paced content:  we held our way
And stood within:  clothed in a misty ray
I saw a foam-white seagull drift and float
Under the roof, and with a straining throat
Shouted, and hailed him:  he hung there a star,
For no man's cry shall ever mount so far;
Not even your God could have thrown down that hall;
Stabling His unloosed lightnings in their stall,
He had sat down and sighed with cumbered heart,
As though His hour were come.

                              We sought the part
That was most distant from the door; green slime
Made the way slippery, and time on time
Showed prints of sea-born scales, while down through it
The captive's journeys to and fro were writ
Like a small river, and where feet touched came
A momentary gleam of phosphorus flame.
Under the deepest shadows of the hall
That woman found a ring hung on the wall,
And in the ring a torch, and with its flare
Making a world about her in the air,
Passed under the dim doorway, out of sight,
And came again, holding a second light
Burning between her fingers, and in mine
Laid it and sighed:  I held a sword whose shine
No centuries could dim, and a word ran
Thereon in Ogham letters, 'Manannan';
That sea-god's name, who in a deep content
Sprang dripping, and, with captive demons sent
Out of the sevenfold seas, built the dark hall
Rooted in foam and clouds, and cried to all
The mightier masters of a mightier race;
And at his cry there came no milk-pale face
Under a crown of thorns and dark with blood,
But only exultant faces.

                         Niamh stood
With bowed head, trembling when the white blade shone,
But she whose hours of tenderness were gone
Had neither hope nor fear.  I bade them hide
Under the shadowS till the tumults died
Of the loud-crashing and earth-shaking fight,
Lest they should look upon some dreadful sight;
And ****** the torch between the slimy flags.
A dome made out of endless carven jags,
Where shadowy face flowed into shadowy face,
Looked down on me; and in the self-same place
I waited hour by hour, and the high dome,
Windowless, pillarless, multitudinous home
Of faces, waited; and the leisured gaze
Was loaded with the memory of days
Buried and mighty.  When through the great door
The dawn came in, and glimmered on the floor
With a pale light, I journeyed round the hall
And found a door deep sunken in the wall,
The least of doors; beyond on a dim plain
A little mnnel made a bubbling strain,
And on the runnel's stony and bare edge
A dusky demon dry as a withered sedge
Swayed, crooning to himself an unknown tongue:
In a sad revelry he sang and swung
Bacchant and mournful, passing to and fro
His hand along the runnel's side, as though
The flowers still grew there:  far on the sea's waste
Shaking and waving, vapour vapour chased,
While high frail cloudlets, fed with a green light,
Like drifts of leaves, immovable and bright,
Hung in the passionate dawn.  He slowly turned:
A demon's leisure:  eyes, first white, now burned
Like wings of kingfishers; and he arose
Barking.  We trampled up and down with blows
Of sword and brazen battle-axe, while day
Gave to high noon and noon to night gave way;
And when he knew the sword of Manannan
Amid the shades of night, he changed and ran
Through many shapes; I lunged at the smooth throat
Of a great eel; it changed, and I but smote
A fir-tree roaring in its leafless top;
And thereupon I drew the livid chop
Of a drowned dripping body to my breast;
Horror from horror grew; but when the west
Had surged up in a plumy fire, I drave
Through heart and spine; and cast him in the wave
Lest Niamh shudder.

                    Full of hope and dread
Those two came carrying wine and meat and bread,
And healed my wounds with unguents out of flowers
That feed white moths by some De Danaan shrine;
Then in that hall, lit by the dim sea-shine,
We lay on skins of otters, and drank wine,
Brewed by the sea-gods, from huge cups that lay
Upon the lips of sea-gods in their day;
And then on heaped-up skins of otters slept.
And when the sun once more in saffron stept,
Rolling his flagrant wheel out of the deep,
We sang the loves and angers without sleep,
And all the exultant labours of the strong.
But now the lying clerics ****** song
With barren words and flatteries of the weak.
In what land do the powerless turn the beak
Of ravening Sorrow, or the hand of Wrath?
For all your croziers, they have left the path
And wander in the storms and clinging snows,
Hopeless for ever:  ancient Oisin knows,
For he is weak and poor and blind, and lies
On the anvil of the world.

S.  Patrick.        Be still:  the skies
Are choked with thunder, lightning, and fierce wind,
For God has heard, and speaks His angry mind;
Go cast your body on the stones and pray,
For He has wrought midnight and dawn and day.

Oisin. Saint, do you weep? I hear amid the thunder
The ****** horses; atmour torn asunder;
Laughter and cries.  The armies clash and shock,
And now the daylight-darkening ravens flock.
Cease, cease, O mournful, laughing ****** horn!

We feasted for three days.  On the fourth morn
I found, dropping sea-foam on the wide stair,
And hung with slime, and whispering in his hair,
That demon dull and unsubduable;
And once more to a day-long battle fell,
And at the sundown threw him in the surge,
To lie until the fourth morn saw emerge
His new-healed shape; and for a hundred years
So watred, so feasted, with nor dreams nor fears,
Nor languor nor fatigue:  an endless feast,
An endless war.

                The hundred years had ceased;
I stood upon the stair:  the surges bore
A beech-bough to me, and my heart grew sore,
Remembering how I had stood by white-haired Finn
Under a beech at Almhuin and heard the thin
Outcry of bats.

                And then young Niamh came
Holding that horse, and sadly called my name;
I mounted, and we passed over the lone
And drifting greyness, while this monotone,
Surly and distant, mixed inseparably
Into the clangour of the wind and sea.

'I hear my soul drop down into decay,
And Mananna's dark tower, stone after stone.
Gather sea-slime and fall the seaward way,
And the moon goad the waters night and day,
That all be overthrown.

'But till the moon has taken all, I wage
War on the mightiest men under the skies,
And they have fallen or fled, age after age.
Light is man's love, and lighter is man's rage;
His purpose drifts and dies.'

And then lost Niamh murmured, 'Love, we go
To the Island of Forgetfulness, for lo!
The Islands of Dancing and of Victories
Are empty of all power.'

                         'And which of these
Is the Island of Content?'

                           'None know,' she said;
And on my ***** laid her weeping head.

(Niamh Price), this is thy own dedication, thy shortened sentences art lovely, they showeth me mine homeland of Ireland, wherein the druids didst roam, wherein tales went back far and old, as niamh thy soul I feeleth its pain, yet soo amazing thou art friend.

(Gary L), this one is thine own writing, sir, thy friendship is inviting, thy lyrical sense is enticing, as thou doth speak truth when thou seeith it, never quit! On thy works and on thineself, thou art who thou art, a beautiful man, with timeless knowledge.

(SPT), this poem is for thou as a treat, I feeleth thine anguish mix in with thy compassion, thou art a hopeful mansion, filled with words of someone who hath lived age's, thy pages art touching, and I thank thee for thy support and guiding me through h.p.

(Ignatius Hosiana), brother thou art a hopeless romantic like me, hoping for his queen, seeing her only in thine dream's, yet as we scream, as brother's we doth unite! In color of skin's, black and white we overcometh the ideology of hatred, loving the hater.

(Dedpoet), mine Mexican friend, how canst I not loveth thee, thy word's dark, ghetto, and deep, as I've been around hood part's to knoweth enough, the most beauty LIES awake in the hood, the places the rich men overlook, is wherein the eyes of God art .

(Wonderman poetry), brother thy words of Christ uplift me, not a perfect being mineself, thyself showeth me the light in the darkness and thus when I'm down, thine godly loving giveth me help, as thou knoweth brother, love and forgives as Christ taught!

(poetessa diabolica), word's that thou uses art so complex, for thee so I respect, for all thy love thou hath given me, the hope that thou planted me, to showeth me, God still lingers in man's soul's, despite the devil trying to rear around, I thankest thou poetess...

(Donna,) thine little haiku's art a piece of the celestial, thy pieces extraterrestrial, and high up the Angels weep to thy words. Like cures and herbs they giveth me a better day to look to, as like glass, beautiful the words thou uses floweth to heavens moon!

(Rosalind Heather Alexander), speechless I am to thy grace, a Scottish lass as me part Scottish blob and mass, lol, just saying , two bloods of the same kind, now thou art writing thy soul out, keepeth it divine, thy soul canst not go rewind, so love on ahead.

(Soul-survivor), old friend, as we both preach the same predictions shalt we worry of ourn end? No, we shalt continue to showeth love, and giveth others hope, than when we die the Graves not it, but that God's love over-rose, so shalt we, auntie as I calleth thee.

(Icysky), young one please do not cry, the boy's canst seeith the fine stitching God made thee as, thou hath a vessel of rubies, and thou art like a wonderful movie, fast tracked to the best part, icy, let noone breaketh thine heart, and let thy lord guideth thee .

(Joe Malgeri), a freak hippy like me, playing music to the sun, giving lectures highly and fun, thou wilt find a queen like me one day, continue to haveth class, play tunes by night, showeth thy genuine ways. As thou doth, wonderful supporter, HP gypsie!!!

(Anthony Mooney,) an Irish hopeless romantic like me, thy soul hath beauty friend, let not hate overtake, bypass the anger and the heartbreak. Let thy pen jot down thy beauty, making the earth quake, unlike others dear mate, thou hath high class.

(Wolf spirit) ( aka quin,)though we don't talk, I loveth thee mine friend, though even thou doth not like me, thou art one of mine biggest inspiration's, thou art a true passionate, amongst the tribal nations, as I am Cherokee part mineself, thou inspireth me.

(Chris green, )affectionate of the the earth, thy woman Is lucky to haveth a poet by birth, for thy words drip like honey on a summer night, Chris friend, wonderful delight, I thank thee for kindness, for thy hope in refinement, and thou art a king of love.

(Pradip Chattopadhyay,) a man who canst writeth in all perspective, thy profile picture maketh me giggle everytime I seeith it, ( in a good way friend) I loveth thy style, and sense of humor, how thou writeth, and doesn't listen to rumors, a poet!!!

(Dark icE,) I just met thee, but thy sensuality is so delighting and like a dream, thy words sucketh me in as I canst ever get out, thy amour in poem's is a cloud, on which I linger for more of its nectar wet taste, immense in this place, unlike the human race.

(Beth StClair), mine best friend if back in the sixties, we wouldst hath layed flower's around ourn necks and head's, we wouldst hath sang the tunes of the Beatles and the dead, as I wouldst hath sung with Lennon, and zeppelin and thou wouldst hath watched.

(Vicki,) I've already wrote for thou and beth, but thou two art the best, Vicki in the crumby state of Ohio like me(lol) though me and thou aren't from here (were Angels of earth's dream's) thou art a poetic of kings and queens, thou art kind, sweet, and a a peace.

(Impeccable Space Poetess,) thy writing is like thunder. Maketh me laugh cry and rolleth over, I read again, like a books beautiful cover, thou art a friend, a poetry lover. Thou hath intelligence of God and heaven, never let man break thee or hurt thee.poetic!!!

(POETIC T,) a spirit light as a feather, free not a slave, not of this world, a man not a boy, thou hath been through strife and abuse, thy hands art not bound, thou hath cut the noose, please don't leaveth us, we all careth for thee. Friend of mine. And HP.

A TRIBUTE TO HELLO POETRY

This will be a long write.
There are so many I wish
to honor and thank.

Please, if you can, pull up
Bruce Cockburn's song
Maybe the Poet on YouTube.
Listen to the words as you read this.
It will greatly add to your enjoyment.

I play no favorites...
you ALL are class acts!

Here's a tribute. Yep. It's long!
But listen to Bruce Cockburn's song.
I want to emulate what's sung
Yes, not miss a poet, one!

ryn has got a range of art
Ded Poet's got a poet's heart
elsa angelica's soul resounds
Bhumika's a dove
with a golden crown!

Wolfspirit's pen can spill his love
Wonderman's ink from up above
sjr...1000 words so wise
Scarlet Pimpernel's talent's
not disguised!

Joe Malgeri's a spiritual gent
Paige Pots' work is heaven sent
Tivonna has love for natural things
Helena's work has roots and wings!

Pradip, in my eyes number one
as is Thomas A Robinson
jeffrey robin's style is loose and bold
Rupal has a heart of gold!

John Stevens has an earthy wit
Pax means peace, his candle's lit
Tryst's ballads are a perfect fit
and I love Lidi Minuet!

donna's sweet as honeydew
Jason Cole fits like a shoe
Prttybrd sings songs with style
Day Wing flies! He has a smile!

Deborah's walking on her beach
her talent has a range and reach
Rapunzel let's her hair way down
Weeping Willow
has a pleasant sound!

Joe Cole loves all fantasy
SSilkenTounge has a mind that's free
Solaces is a very old friend
I hope to see Botan again!

Urmilla writes beyond her years
Chalsey Wilder writes bring tears
Tonya Maria and I share pain
Wise is K Balachandran!

CA Guifoyle lives in my town
Adam Childs' the best around
SE Reimer can put us in the mood
Musfiq us Shaleheen
Is so VERY good!

Richard Riddle honors with poetry
Love my collab, Arcassin B!
Sally A Bayan's good and kind
Hayden Swan's a real find!

Love comments from Joe Adomavicia
zik, I'm always glad to see ya!
TGWLY has a heart that hurts
Erenn Y does heartfelt works...

Elizabeth Squires has classic writes
Frank Ruland's fights
for what is right
And if a scare you want to see
just look up POETIC T!

Oh! There are SO many more!
There are poets by the score!
I don't want to be a bore
But read them ALL! You will be
FLOORED !!!

MORE POETS!!!

Lori Jones McCaffery
Kalypso
Niamh Price
Mya Angel
Mike Hauser
Vicki
Ignatius Hosiana
Frankie J
Chris Green
mark cleavenger
brandon nagley
Winn
Puds (Pete)
Deborah Brooks Langford
Timothy
Marian
Hilda
Harriet Tecumsah Watt
it's gonna make sense
mybarefootdrive
Dark n Beautiful
WL Winter
Margaux
Pamela Rae
Venusoul7
Eddie Starr
Olivia Kent
Brenden Thomas
Zoe
Raj Arumugam
Elijah
Sukeerti
Manny
M.A.N
Jonny Angel
Dylan Mitchell
James M Vines
bulletcookie
i am miss brightside
Chris Fracc
Cat
Ocean Blue
Phil Lindsay
Mike Hauser
PearlSy
Christi Michaels Moon Flower
Raj Nandy
SPT
PoETEPETE Now RePETE After PETE
Makayla Kelly
Paul Gafney
Nan Trapp Messer
Chloe
Steven Langhorst
Daniel Palmer
Chris Smith Dark Poet Soul
C A Guilfoyle
TRAVELLER
Soul
GitacharYa VedaLa
Rosalind heather Alexander
S R Matts
Paul Gattney
Danny Mak
patty m
liv frances
Gary L
Ngamau Boniface
IOWA
Earl Jane
ber
Justin G
James
ste'phanie noir
born
Aztec Warrior


Last but not least... olestoryteller
and Francie Lynch! Ketoma Rose!

THE host is riding from Knocknarea
And over the grave of Clooth-na-Bare;
Caoilte tossing his burning hair,
And Niamh calling Away, come away:
Empty your heart of its mortal dream.
The winds awaken, the leaves whirl round,
Our cheeks are pale, our hair is unbound,
Our ******* are heaving, our eyes are agleam,
Our arms are waving, our lips are apart;
And if any gaze on our rushing band,
We come between him and the deed of his hand,
We come between him and the hope of his heart.
The host is rushing 'twixt night and day,
Caoilte tossing his burning hair,
And Niamh calling i{Away, come away.

THERE all the golden codgers lay,
There the silver dew,
And the great water sighed for love,
And the wind sighed too.
Man-picker Niamh leant and sighed
By Oisin on the grass;
There sighed amid his choir of love
Tall pythagoras.
plotinus came and looked about,
The salt-flakes on his breast,
And having stretched and yawned awhile
Lay sighing like the rest.
Straddling each a dolphin's back
And steadied by a fin,
Those Innocents re-live their death,
Their wounds open again.
The ecstatic waters laugh because
Their cries are sweet and strange,
Through their ancestral patterns dance,
And the brute dolphins plunge
Until, in some cliff-sheltered bay
Where wades the choir of love
Proffering its sacred laurel crowns,
They pitch their burdens off.

She rides the chanting waves
At the seas horizon,
In fires of star sheen and moon shine,
Sweet Niamh of the golden hair, and aqua eyes,

Princess of the green sea turtles,
Of the coral sea grottos,
Anemone naves and kelpie skins,
Trailing the rainbow schools of the whirling fin,

The whole twining ocean globe of blue is swooning
Under the milky waving skies and unfathoming deeps,
Her laughter lighting the unremembered bottom of the seas.

THE BEAUTIFUL FACE
MATLOOB BOKHARI
I saw a moving full moon over the sea
Then I saw the face of a maiden
I stopped and said, “Moon is fair
But the sweet magic of her face is
  Fairer far, which attracted my eyes
Captured my heart and won my soul.
Moon tries to imitate hr face and
Rose tries to copy her lips in vain!
She is beautiful,she is most beautiful!"
Niamh Dada Land Lovely friend. Many Blessings
Michele Vizzotti-White I totally like the first one, it was vivid and I saw how the rose must have felt, they r both awesome and fanciful, a maiden more fair than the moon wow that is a powerful statement, the 1st one reminds me of a painting the second one a song of love, both lovely though
Demelia Denton Lovely written words Matloob Bokhari

Barbara Shoetaker And is this fair woman still the one who stole you heart?

Semeniuk Carole you know how much I love your poetry . your stories .. the way in which only you can tell it ~~ thank you my long time friend, Matloob Bokhari .. wishing you well .. alwayS !

ina Farnworth What a beautiful verse Matloob, thank you so much for
Connie Hofacker Hemmerich Senter Thank you, for sharing this lovely poem, Matloob.

I am alone with you.
A fire burns in the distance
It lights our faces
As before in the empty cinema,
Where we arrived, at some beginning
To watch a foreign film. Our eyes,
In new utterance, murmuring subtitles,  
What words could never speak
The tips of seats, rows of air
And the moony screen,
A tableau of feathers and cloud
Two of us, alone, as one
Rapt in the spread of wings.

Later, alone we dine in the Café  
Campagne. Our conversation  
Deafens a burgeoning crowd
Coffee was nectar, our words  
Were whispering petals.
Dearest Blodeuwedd, I saw the sweetest  
Sorrow on your face, the green ocean
In your eyes, I was cleansed  
By your tears.  I have always
Known you.

Across the border on the far island,
You stepped into the waters with me
And when you disrobed you lit the stars
And the stars and my eyes kissed your skin
Your slender legs, columns that taught  
The Greeks in Helens age, touched the water  
And the sky. I saw the milky way that night.

Síneánn, I am your Pablo
We are two white birds sailing
Over the foam of the sea.
Solvent to my stone you are the hinge  
To my casement world.  Rain petal
Voice, lithe, alabaster woman,
I am lost in your Sargasso eyes  
I hold your skin, my Selkie
Sweet Niamh, I have lived  
One hundred years this week.

It is warm in the distance
In the country of the sun
We end at the house in Umbria
In the autumn, there is no word
Siberia, my light Rosaleen.
Now is harvest time.  
At the great table we feast  
With family and friends  
And I am not alone with you.

She rides the chanting waves
At the seas horizon,
In fires of star sheen and moon shine,
Sweet Niamh of the golden hair, and aqua eyes,

Princess of the green sea turtles,
Of the coral sea grottos,
Anemone naves and kelpie skins,
Trailing the rainbow schools of the whirling fin,

The whole twining ocean globe of blue is swooning
Under the milky waving skies and unfathoming deeps,
Her laughter lighting the unremembered bottom of the seas.

She rides the chanting waves
At the seas horizon,
In fires of star sheen and moon shine,
Sweet Niamh of the golden hair, and aqua eyes,

Princess of the green sea turtles,
Of the coral sea grottos,
Anemone naves and kelpie skins,
Trailing the rainbow schools of the whirling fin,

The whole twining ocean globe of blue is swooning
Under the milky waving skies and unfathoming deeps,
Her laughter lighting the unremembered bottom of the seas.

I HAVE no happiness in dreaming of Brycelinde,
Nor Avalon the grass-green hollow, nor Joyous Isle,
Where one found Lancelot crazed and hid him for a while;
Nor Uladh, when Naoise had thrown a sail upon the wind;
Nor lands that seem too dim to be burdens on the heart:
Land-under-Wave, where out of the moon's light and the sun's
Seven old sisters wind the threads of the long-lived ones,
Land-of-the-Tower, where Aengus has thrown the gates apart,
And Wood-of-Wonders, where one kills an ox at dawn,
To find it when night falls laid on a golden bier.
Therein are many queens like Branwen and Guinevere;
And Niamh and Laban and Fand, who could change to an otter or fawn,
And the wood-woman, whose lover was changed to a blue-eyed hawk;
And whether I go in my dreams by woodland, or dun, or shore,
Or on the unpeopled waves with kings to pull at the oar,
I hear the harp-string praise them, or hear their mournful talk.
Because of something told under the famished horn
Of the hunter's moon, that hung between the night and the day,
To dream of women whose beauty was folded in dis may,
Even in an old story, is a burden not to be borne.

Saddle and ride, I heard a man say,
Out of Ben Bulben and Knocknarea,
What says the Clock in the Great Clock Tower?
All those tragic characters ride
But turn from Rosses' crawling tide,
The meet's upon the mountain-side.
A slow low note and an iron bell.

What brought them there so far from their home.
Cuchulain that fought night long with the foam,
What says the Clock in the Great Clock Tower?
Niamh that rode on it; lad and lass
That sat so still and played at the chess?
What but heroic wantonness?
A slow low note and an iron bell.

Aleel, his Countess; Hanrahan
That seemed but a wild wenching man;
What says the Clock in the Great Clock Tower?
And all alone comes riding there
The King that could make his people stare,
Because he had feathers instead of hair.
A slow low note and an iron bell.

Saddle and ride, I heard a man say,
Out of Ben Bulben and Knocknarea,
What says the Clock in the Great Clock Tower?
All those tragic characters ride
But turn from Rosses' crawling tide,
The meet's upon the mountain-side.
A slow low note and an iron bell.

What brought them there so far from their home.
Cuchulain that fought night long with the foam,
What says the Clock in the Great Clock Tower?
Niamh that rode on it; lad and lass
That sat so still and played at the chess?
What but heroic wantonness?
A slow low note and an iron bell.

Aleel, his Countess; Hanrahan
That seemed but a wild wenching man;
What says the Clock in the Great Clock Tower?
And all alone comes riding there
The King that could make his people stare,
Because he had feathers instead of hair.
A slow low note and an iron bell.

                      Tune by Arthur Duff

I am alone with you. 
A fire burns in the distance,
It lights our faces 
As before in the empty cinema, 
Where we arrived, at some beginning, 
To watch a foreign film. Our eyes, 
In new utterance, murmuring subtitles,  
What words could never speak,
The tips of seats, rows of air 
And the moony screen, 
A tableau of feathers and cloud,
Two of us, alone, as one,
Rapt in the spread of wings. 

Later, alone we dine in the Café  
Campagne. Our conversation  
Deafens a burgeoning crowd, 
Coffee was nectar, our words  
Were whispering petals. 
Dearest Blodeuwedd, I saw the sweetest  
Sorrow on your face, the green ocean 
In your eyes, I was cleansed  
By your tears.  I have always 
Known you. 

Across the border on the far island, 
You stepped into the waters with me 
And when you disrobed you lit the stars 
And the stars and my eyes kissed your skin, 
Your slender legs, columns, tilting
Toward heaven, in the age of Helen,
Touched the water and the sky,
I saw the milky way that night. 

Síneánn, I am your Pablo, 
We are two white birds sailing 
Over the foam of the sea. 
Solvent to my stone, you are the hinge
To my casement world.  Rain petal 
Voice, lithe, alabaster woman, 
I am lost in your Sargasso eyes,
I hold your skin, my Selkie,
Sweet Niamh, I have lived  
One hundred years this week. 

It is warm in the distance,
In the country of the sun,
We end at the house in Umbria,
In the autumn, there is no word 
Siberia, my light Rosaleen. 
Now is harvest time.  
At the great table we feast  
With family and friends  
And I am not alone with you.

I am alone with you.
A fire burns in the distance,
It lights our faces
As before in the empty cinema,
Where we arrived, at some beginning,
To watch a foreign film. Our eyes,
In new utterance, murmuring subtitles,  
What words could never speak,
The tips of seats, rows of air
And the moony screen,
A tableau of feathers and cloud,
Two of us, alone, as one,
Rapt in the spread of wings.

Later, alone we dine in the Café  
Campagne. Our conversation  
Deafens a burgeoning crowd,
Coffee was nectar, our words  
Were whispering petals.
Dearest Blodeuwedd, I saw the sweetest  
Sorrow on your face, the green ocean
In your eyes, I was cleansed  
By your tears.  I have always
Known you.

Across the border on the far island,
You stepped into the waters with me
And when you disrobed you lit the stars
And the stars and my eyes kissed your skin,
Your slender legs, columns, tilting
Toward heaven, in the age of Helen,
Touched the water and the sky,
I saw the milky way that night.

Síneánn, I am your Pablo,
We are two white birds sailing
Over the foam of the sea.
Solvent to my stone, you are the hinge
To my casement world.  Rain petal
Voice, lithe, alabaster woman,
I am lost in your Sargasso eyes,
I hold your skin, my Selkie,
Sweet Niamh, I have lived  
One hundred years this week.

It is warm in the distance,
In the country of the sun,
We end at the house in Umbria,
In the autumn, there is no word
Siberia, my light Rosaleen.
Now is harvest time.  
At the great table we feast  
With family and friends  
And I am not alone with you.

She rides the chanting waves
At the seas horizon,
In fires of star sheen and moon shine,
Sweet Niamh of the golden hair, and aqua eyes,

Princess of the green sea turtles,
Of the coral sea grottos,
Anemone naves and kelpie skins,
Trailing the rainbow schools of the whirling fin,

The whole twining ocean globe of blue is swooning
Under the milky waving skies and unfathoming deeps,
Her laughter lighting the unremembered bottom of the seas.

I am alone with you.
A fire burns in the distance,
It lights our faces
As before in the empty cinema,
Where we arrived, at some beginning,
To watch a foreign film. Our eyes,
In new utterance, murmuring subtitles,  
What words could never speak,
The tips of seats, rows of air
And the moony screen,
A tableau of feathers and cloud,
Two of us, alone, as one,
Rapt in the spread of wings.

Later, alone we dine in the Café  
Campagne. Our conversation  
Deafens a burgeoning crowd,
Coffee was nectar, our words  
Were whispering petals.
Dearest Blodeuwedd, I saw the sweetest  
Sorrow on your face, the green ocean
In your eyes, I was cleansed  
By your tears.  I have always
Known you.

Across the border on the far island,
You stepped into the waters with me
And when you disrobed you lit the stars
And the stars and my eyes kissed your skin,
Your slender legs, columns, tilting
Toward heaven, in the age of Helen,
Touched the water and the sky,
I saw the milky way that night.

Síneánn, I am your Pablo,
We are two white birds sailing
Over the foam of the sea.
Solvent to my stone, you are the hinge
To my casement world.  Rain petal
Voice, lithe, alabaster woman,
I am lost in your Sargasso eyes,
I hold your skin, my Selkie,
Sweet Niamh, I have lived  
One hundred years this week.

It is warm in the distance,
In the country of the sun,
We end at the house in Umbria,
In the autumn, there is no word
Siberia, my light Rosaleen.
Now is harvest time.  
At the great table we feast  
With family and friends  
And I am not alone with you.

this was today:

a splendid breakfast, ****** black intestines...
whatever the hell they put in those...
pig brain cartilage, blood, liver... barley...
fried with some onions, eaten with a decently toasted bread...
then... figuring out what to do with the ****-show
in the garden, three trips to the recycling centre
with rotten timber, and, some spare parts...

conversations with father...
football, the Grand National... i hate myself for this...
i'm not a gambling man...
but each year like clocks go back come the winter
months and like clocks go forward come the summer
months... i place a bet on the Grand National...
a bit like Harold Norse might have claimed
at not being a man... i'm not a man...
i don't gamble... i hate gambling...
today proved my point...
   yet again...
         i don't know how Bukowski or Dostoyevsky
managed a habit... i'd much rather work some
menial work and... then... yeah "gamble" with
a *******... gambling for me is more the thrill
of the unexpected than: expecting to fall-flat on my face...
having unprotected ***... but... just checking:
she might inform me... a ****** doesn't make
a lot of difference... if... you're not smarting-up
with your hygiene... so i get the exclusive no ******
******* into her... that's gambling...
a different sort of gambling...
  i'm the horse and the jockey...
the bet? oh... that's somewhere in the back of my mind
when i pay for an hour...
whatever... i'm a man and i'm not a man
in how the normal man would rather place a bet
on a horse than... have unprotected *** with a *******...
all... or nothing... that's me...
because i'm so ******* with myself...
i only bet a £1 on this one horse... each way...
so even if he came in 5th... i'd get a return...
so each way implies: a £1 bet you cough up £2...
for security... and he was running so splendidly for
about 28 fences... at times first... at times third...
****** gave up... after the last fence...
came in 6th...

     but what's frustrating about betting on horses...
or football teams...
like with this girl Jeminah... single mum...
bankrupt / a bad credit score...
i get these wrong sort of butterflies in my stomach...
when i start courting her...
drop round... one time... twice...
i promise her a bottle of homemade wine...
well... first "date" we just talk... job issues...
i already know she's bullshitting about me behind
my back... i keep a watch... second date
i bring the wine and some banana loaf that i too
have made... i'm getting these stomach crunches:
this is such a good idea! my ego-phallus is demanding...
but... my digestive system is rebelling against me:
check again...
   i had this ****** on a line and sinker!
if only i had the sort of intestines that might warn me...
about what could be or couldn't be
a good bet... i had him in my sight!
the Grand National Winner!
   i had him... there's no logic to gambling...
but this time around there sort of was...
   if i could only have the gut feelings in-tune with a
winner... like i might... with a female: loser-project...
*******, cycling drunk to her house...
leaving flowers in the middle of the night...
hot-head me... well... yeah...
you go to prostitutes from time to time...
you're going to get a hot-head...
               ******* ginger lasses...
                       but if i can get these right sort
of sensations concerning women...
who the hell cares if i don't get the same sensations
when it comes to horses, running for a gamble?
long-term projects... i like those...
i'd much prefer earning an honest wage
than winning some spare cash on the sly...
i hate gambling...
   but i ******* had him!
             i was looking through the list...
   Longhouse Poet: 14 - 1... poet... poet...
                  poets... Irish poets... W. B. Yeats...
why didn't my gut find my brains? i asked my father
on one of our trips to the recycling centre...
chances of a 7 year old winning it?
i heard... not since 1940?
  no... no chance, he replied... what about the 13 year old?
Blaklion - last time a 13 year old won
the Grand National was back in 1923...
but i had this Noble Yeats... **** me... 50 - 1 on my mind...
i was thinking... Longhouse Poet... Poet...
Yeats! come on!
  see... this is why i hate gambling...
i get the proper gut feelings when it comes to women...
no... she's no good... three ******* days of
constant stomach crunching without doing
any crunches... constipation... ooh... i'd love to simply
**** her: but... she's of that sort of age
where... a casual fling isn't simply going to cut it...
can't i just replace these gut-wrenches when
it comes to betting on the right horse...
just once a year... i had the ******... in my grasp!
there was also this horse: Freewheelin Dylan...
but... Bob Dylan is a lyricist...
   he's not the Dylan Thomas... so... three poet horses...
i just sort of ******* knew...
but... money muddles judgement...
unless... it concerns prostitutes...
    because that's what gambling has replaced:
the old religious superstitions...
talk of demons is equivalent to the talk of luck...
to hell with it...
              the same old religious superstitions have
been usurped by secular gambling habits!
so... why do i get these gut feelings of repulsion
i first think of as infatuation: rightly so...
oh... she was a cougar i'd love to pass...
why can't i focus that sort of gut sensations
when it comes to betting on the winning horse?
easy money...inherit a mountain:
without how many pebbles it takes to give
a mountain its form...
     maybe i'm lucky... in that respect...
     maybe life has allowed me to... hmm... see:
the bigger picture...
    if i can cough up for one hour living dangerously
with a *******... and... this sort of woman...
is not shoving me her offspring down
my throat... while's she's looking for
beta-bucks deluxe... i think that's better than
betting on a winning horse...
  give me the menial task... forget it...
earning money: freely... easily...
         but... i'd love that Spiderman sort
of sensation on a good bet...
mind you: i had a good-sensation... a premonition...
i just listened to bad advice...
with women? i don't listen to any advice...
i just... cruise... automatically solo...
     but thank god i only gamble with a quid's worth
once a year... i had W. B. Yeats in my mind...
ugh! it's so frustrating!
   like with the women in my life...
the mares keep nodding: upon approach at the first
hurdle... last hurdle... the image of:
pretending to sniff my eyelashes...
          the horse is looking for: side-lining it to:
side-lining "blinkers"... no good...
this... custard... is fresh?!
              stay up to 1am... wake up 20 minutes prior
to 8am... have a croissant and coffee at Putney Bridge...
before the lazy-assed Somalis: depending...
decide to... feel important...
which is never... fair enough...
Thames goes down to glue...
          i hate gambling...
                i never gamble...
this is what it might possibly feel like not having written
Crime & Punishment...
which, given the current year?
feels... pretty ******* good! oh, no...
no high-brow type of motivation to keep
the European literary up-keep of "culture"...
that load of *******... is long gone...
enter African: grime... enter... horse-****-imitation-sludge.

that way yesterday:

just at my annual check-up with the nurse...
the woman sat there, amazed...
although still worried about my high-blood pressure...
we agreed... no matter the diet:
i avoid fruit, i don't like too much sugar...
i prefer eating vegetables...
come to think of it... only yesterday i ate a...
medium-rare slice of beef with nothing
but salt, pepper... some toasted sourdough...
i was going to make myself a creamy mushroom
sauce with too much parsley...
but i was like: n'ah... not going to happen...
i'm a puritan when it comes to beef...
less is more...
i even told my mother: in it for the calories...
i don't care what it is...
like Socrates once said:
some people eat to live...
while others: live to eat... i'm of the former
persuasion... but don't get me wrong...
i like the chemistry experiments that go around
cooking up a decent curry...
work was fun, always is...
i'm always very, hardly: talkative...
unless i'm probed... tickled... in the right way...
after being rejected by Jeminah...
that auburn... conker... beau...
                       my god... after being rejected by her...
i've built up a fetish for gingers...
sure... the mythological blonde...
the Turkic raven hair black...
   but gingers... and Gaelic...
   i feel like an elder Saxon coming to these shores
when i see that pale skin, those freckles...
i see ginger i turn into a bull that charges
against: fuchsia... because bulls never charge
against prime colours...
like red... bull charge against a hue of something
between red and purple... almost UV...
fluorescent... fuchsia... is a hue: it's not a colour...
per se... since it mingle red with purple...
or... is it blue?
           i've learned that rejection by something
specific makes me more predatory if other similar
examples proper their heads up...
ginger girls... pale skin... freckles...
i'm ******* zoning in... cruising... circling...
but it's not my fault if women find me intimidating...
this one at work... oh my god...
if she was 20 years prior... from Dublin...
i already told her: i have a James Joyce hard-on...
what did we talk about? her working in a care-home
with dementia patients... Gaelic...
like i had this friend once... her name was:
spoken: N-E-E-V... kneeve in English...
that's already adding letters: not said... the surd K...
but... how was her name spelled?
******* Niamh... Niamh said is... *******
Neave?! she loved learning French, i hated it...
merde... again... what's that loose E doing in that word?
that's what i love about ****** spreschen...
distinct syllable, distinction between vowels and
consonants...
westerners tell us: too many consonants! too many!
the easterners might counter with:
TOO, MANY, *******, VOWELS!
i can't see what you're about to say if
you write one way, but speak another!
   but my nurse was very much shocked...
two years ago i weighed in at 117.9kg...
she weighed me today... 98,7kg...
        lean, slim, pretty *******: i dare say...
what did we talk about?
oh... that blood pressure "thing": it runs in the family...
144 / 96... the second measure is about...
circulation or something... the first can be high,
that's good... means you're pumping...
problem with her middle child...
   the elder son managed to buy a house...
the middle child is having issues... i choked about being
the only child... and... well... with me?
it would have to become borderline patricide...
i think she got the joke...
   the son gets along with his younger sister...
blah blah...
then... on a scale of 0 to 5...
depression and... anxiety...
the anxiety questions i put back to her:
do i look anxious?
   depression? can i use the term melancholy?
my grandfather died "recently":
i'm sort of churning out... being reflective concerning
mortality... how's that?
i cycle like a madman... well... that was lovely...
just watching her face... behind that 2021 *****...
how did i do it? walked at first... marathon lengths...
to St. Paul's and back...
  then i got on my bicycle...
but... you see... i had this friend... he was a big too...
but he avoided doing cardiovascular exercise...
hit the gym... later? problems with loose skin...
it takes time... cardiovascular exercises tones you:
since you're applying repeated strain...
you're not trying to bulge up...
you can't turn fat into protein mass...
you need to burn the fat off... then you can start
building up protein mass...
and... repeated strain... is more important than...
just pumping iron...

The poem formerly known as 'First taste of bitter' has been rewritten to reflect the lovely people who inhabit this etheral poetic wonderland that is home to many and a refuge to many - inspired by HP's own Elsa
- thank you Elsa  :))

My first taste of HP

I was welcomed right away
Day one I had three friends
Peter Hamilton, Cecil and Ana
Is where my HP journey began

From another site I'd arrived
Not seeking fortunes or fame
Just a place to share poems
With people who feel the same

I've always been so welcome here
~ always made to feel at home
Thats down to the friendly poets
Who you all are, you know.

So many, many friendly souls
My, how that list has grown
Thank you HP - I glad I came...
I no longer feel alone



Special thank also to - Poetessa Diabolica, Niamh, Coleen, Shanna, Wolf, Brandon, Evie, ridicule, Beryl Dov, Donna and Sleeping Bag. Much love to everyone who knows me. X

She rides the chanting waves
At the seas horizon,
In fires of star sheen and moon shine,
Sweet Niamh of the golden hair, and aqua eyes,

Princess of the green sea turtles,
Of the coral sea grottos,
Anemone naves and kelpie skins,
Trailing the rainbow schools of the whirling fin,

The whole twining ocean globe of blue is swooning
Under the milky waving skies and unfathoming deeps,
Her laughter lighting the unremembered bottom of the seas.

IF this importunate heart trouble your peace
With words lighter than air,
Or hopes that in mere hoping flicker and cease;
Crumple the rose in your hair;
And cover your lips with odorous twilight and say,
"O Hearts of wind-blown flame!
O Winds, older than changing of night and day,
That murmuring and longing came
From marble cities loud with tabors of old
In dove-grey faery lands;
From battle-banners, fold upon purple fold,
Queens wrought with glimmering hands;
That saw young Niamh hover with love-lorn face
Above the wandering tide;
And lingered in the hidden desolate place
Where the last Phoenix died,
And wrapped the flames above his holy head;
And still murmur and long:
O piteous Hearts, changing till change be dead
In a tumultuous song':
And cover the pale blossoms of your breast
With your dim heavy hair,
And trouble with a sigh for all things longing for rest
The odorous twilight there.

Niamh*
like Neeve*

(KNEE- V)

not neeme

I am alone with you.
A fire burns in the distance,
It lights our faces
As before in the empty cinema,
Where we arrived, at some beginning,
To watch a foreign film. Our eyes,
In new utterance, murmuring subtitles,  
What words could never speak,
The tips of seats, rows of air
And the moony screen,
A tableau of feathers and cloud,
Two of us, alone, as one,
Rapt in the spread of wings.

Later, alone we dine in the Café  
Campagne. Our conversation  
Deafens a burgeoning crowd,
Coffee was nectar, our words  
Were whispering petals.
Dearest Blodeuwedd, I saw the sweetest  
Sorrow on your face, the green ocean
In your eyes, I was cleansed  
By your tears.  I have always
Known you.

Across the border on the far island,
You stepped into the waters with me
And when you disrobed you lit the stars
And the stars and my eyes kissed your skin,
Your slender legs, columns, tilting
Toward heaven, in the age of Helen,
Touched the water and the sky,
I saw the milky way that night.

Síneánn, I am your Pablo,
We are two white birds sailing
Over the foam of the sea.
Solvent to my stone, you are the hinge
To my casement world.  Rain petal
Voice, lithe, alabaster woman,
I am lost in your Sargasso eyes,
I hold your skin, my Selkie,
Sweet Niamh, I have lived  
One hundred years this week.

It is warm in the distance,
In the country of the sun,
We end at the house in Umbria,
In the autumn, there is no word
Siberia, my light Rosaleen.
Now is harvest time.  
At the great table we feast  
With family and friends  
And I am not alone with you.

She rides the chanting waves
At the seas horizon,
In fires of star sheen and moon shine,
Sweet Niamh of the golden hair, and aqua eyes,

Princess of the green sea turtles,
Of the coral sea grottos,
Anemone naves and kelpie skins,
Trailing the rainbow schools of the whirling fin,

The whole twining ocean globe of blue is swooning
Under the milky waving skies and unfathoming deeps,
Her laughter lighting the unremembered bottom of the seas.

I am alone with you.
A fire burns in the distance
It lights our faces
As before in the empty cinema,
Where we arrived, at some beginning
To watch a foreign film. Our eyes,
In new utterance, murmuring subtitles,  
What words could never speak
The tips of seats, rows of air
And the moony screen,
A tableau of feathers and cloud
Two of us, alone, as one
Rapt in the spread of wings.

Later, alone we dine in the Café  
Campagne. Our conversation  
Deafens a burgeoning crowd
Coffee was nectar, our words  
Were whispering petals.
Dearest Blodeuwedd, I saw the sweetest  
Sorrow on your face, the green ocean
In your eyes, I was cleansed  
By your tears.  I have always
Known you.

Across the border on the far island,
You stepped into the waters with me
And when you disrobed you lit the stars
And the stars and my eyes kissed your skin
Your slender legs, columns that taught  
The Greeks in Helens age, touched the water  
And the sky. I saw the milky way that night.

Síneánn, I am your Pablo
We are two white birds sailing
Over the foam of the sea.
Solvent to my stone you are the hinge  
To my casement world.  Rain petal
Voice, lithe, alabaster woman,
I am lost in your Sargasso eyes  
I hold your skin, my Selkie
Sweet Niamh, I have lived  
One hundred years this week.

It is warm in the distance
In the country of the sun
We end at the house in Umbria
In the autumn, there is no word
Siberia, my light Rosaleen.
Now is harvest time.  
At the great table we feast  
With family and friends  
And I am not alone with you.

.
She rides the chanting waves
At the seas horizon,
In fires of star sheen and moon shine,
Sweet Niamh of the golden hair, and aqua eyes,

Princess of the green sea turtles,
Of the coral sea grottos,
Anemone naves and kelpie skins,
Trailing the rainbow schools of the whirling fin,

The whole twining ocean globe of blue is swooning
Under the milky waving skies and unfathoming deeps,
Her laughter lighting the unremembered bottom of the seas.

THE BEAUTIFUL FACE
MATLOOB BOKHARI
I saw a moving full moon over the sea
Then I saw the face of a maiden
I stopped and said, “Moon is fair
But the sweet magic of her face is
  Fairer far, which attracted my eyes
Captured my heart and won my soul.
Moon tries to imitate hr face and
Rose tries to copy her lips in vain!
She is beautiful,she is most beautiful!"
Niamh Dada Land Lovely friend. Many Blessings
Michele Vizzotti-White I totally like the first one, it was vivid and I saw how the rose must have felt, they r both awesome and fanciful, a maiden more fair than the moon wow that is a powerful statement, the 1st one reminds me of a painting the second one a song of love, both lovely though
Demelia Denton Lovely written words Matloob Bokhari

Barbara Shoetaker And is this fair woman still the one who stole you heart?

Semeniuk Carole you know how much I love your poetry . your stories .. the way in which only you can tell it ~~ thank you my long time friend, Matloob Bokhari .. wishing you well .. alwayS !

ina Farnworth What a beautiful verse Matloob, thank you so much for
Connie Hofacker Hemmerich Senter Thank you, for sharing this lovely poem, Matloob.

The cards, the choccies,
The breakfast in bed,
The dishing out aspirin,
To soothe my sore head,
The bath bombs, the nail files,
The glass of white wine,
The dusting and cleaning to make the bath shine,
No sulking, no fussing,
The giving of flowers,
The cleaning up after themselves after a shower??(definite one off),
These fine things and more are ours but once a year,
But that’s all it takes from the ones we hold dear......




I buried my mother on feb 28, my 3 beautiful girls made it extra special for me today, Mother’s Day 2018............. Thankyou Biddy, Niamh and Clodagh... I love you guys )o(

(Pronounced: sha-neen)

I am alone with you.
A fire burns in the distance,
It lights our faces
As before in the empty cinema,
Where we arrived, at some beginning,
To watch a foreign film. Our eyes,
In new utterance, murmuring subtitles,  
What words could never speak,
The tips of seats, rows of air
And the moony screen,
A tableau of feathers and cloud,
Two of us, alone, as one,
Rapt in the spread of wings.

Later, alone we dine in the Café  
Campagne. Our conversation  
Deafens a burgeoning crowd,
Coffee was nectar, our words  
Were whispering petals.
Dearest Blodeuwedd, I saw the sweetest  
Sorrow on your face, the green ocean
In your eyes, I was cleansed  
By your tears.  I have always
Known you.

Across the border on the far island,
You stepped into the waters with me
And when you disrobed you lit the stars
And the stars and my eyes kissed your skin,
Your slender legs, columns, tilting
Toward heaven, in the age of Helen,
Touched the water and the sky,
I saw the milky way that night.

Síneánn, I am your Pablo,
We are two white birds sailing
Over the foam of the sea.
Solvent to my stone, you are the hinge
To my casement world.  Rain petal
Voice, lithe, alabaster woman,
I am lost in your Sargasso eyes,
I hold your skin, my Selkie,
Sweet Niamh, I have lived  
One hundred years this week.

It is warm in the distance,
In the country of the sun,
We end at the house in Umbria,
In the autumn, there is no word
Siberia, my light Rosaleen.
Now is harvest time.  
At the great table we feast  
With family and friends  
And I am not alone with you.
.

right... phew... not this time... i'm getting this off my chest... i have to... i couldn't possibly tell this to a friend, i'm not even good with stating this anonymously... but it would explain a lot of things... i actually see this in print, out of my own volition... it has to be done... i just remember that poem Philip Larkin...
                    they ******* up, your mum and dad.
                    they may not mean to, but they do.

i don't like science, or rather: i do like science per se,
****'s sake, i did chemistry to a university degree
level - first person in my family to even go to university,
had it not been the Blaire era in politics
with that tragic motto of: education, education, education
i would have gladly went to a trade school -
even though: i sort of did by working a summer job
as a roofer in the construction industry -
oh not tiles and roofs all slanting...
i'm talking industrial scale roofs sometimes the size
of half a football pitch... tar work, felt work, fleece,
insulation, gravel by the tonne-load...
  
                but i just don't like... scientific language...
the way people talk science -
this supposedly "higher" i dare even say "moral" superiority,
well... it is sort of moral to know something
is red: if it actually is red...
rather than saying it's blue... knowledge, i find,
can be constrained by a morality of: truth...
ah... philosophy on the other hand...
that's like when science ****** art...
   the freedoms within Ms. Sophia are seemingly limitless...

what am i getting at?
     i don't have *** that frequently... all the better...
or worse... because for the next two days...
when the night comes...
                 mind you... i'm asleep...
                         i get torn up by something that
hides in the night and beyond: in dreams
and the vast yawning vacuum of nothingness...

i can see it upon waking... walking into a dark room
where my mother and father are *******...
p.t.s.d.? we were on holiday
    they were young, i was young... only one room
available... one bed...
      i fell asleep, they went out...
i woke up to the noise of them *******...
   i was lying in the same bed mind you...
   and that i had the audacity to say something
to my mother as they finished and she cuddled me...

i'm not even going to go as far as calling it child
abuse... after all... i was a bit of a devil myself...
i started ******* when i was either 7 or 8 years
old, i do remember that...
we were playing hide and seek in a construction
site of a church and i stumbled across a pornographic
magazine...
    and...
              and... by about 9... or maybe 8...
so as a first generation immigrant...
   back in the day... a ****** lady married this
Jewish guy who had a massive house on Perth Road
Gants Hill...
    he had a market stall, selling cheap-***** t-shirts
which he used to travel to Manchester for...
he also owned a string of Rolls-Royces and he drove
them, rented them for weddings etc.,
   but... he also "rented" the entire house to immigrant
men... sometimes? 20 under one roof... sometimes maybe
more... and he lived in this house...
with these migrant men... with his two daughters
and his son... and his wife...
                       right... get the picture?
we used to live like that at the beginning...
    obviously there was also me and my parents...
crammed? eh... just a bit...
    was i abused? not that i can recall...
              well... one time me and this guy's son
were having a bath... together... yeah...
children... mother was standing in view of us
as she ironed some clothes...
    and? would you believe it?
                  i taught him how to *******...
i told him: there's this funny sensation once you've
done it enough times...

so i mean: if i was sexually abused as a child...
it was by either me or.... the myth of an incubus...
some magical ***** fairy godmother
that gave me a heads up... on what was to come...

sure... shell-shocked... after that incident of waking
in the same bed your mother and father are *******...
i had the opportunity to return the favour once...
some black woman picked me up in a pub
and since i had nothing better to do
  i thought: **** it... let's go...
trouble is... she took me back to the room she was
renting somewhere in Stratford...
i walk in... ****... a young girl and a boy sleeping
on the bed...
          what does she do? she literally drags them
off the bed onto the floor
     gets on the bed and... ha ha...
         she doesn't even allow me to penetrate her
******... she folds her legs so that it's an imitation
******... like... a bit like... what Buffalo Bill does
in the Silence of the Lambs when he hides his genitals...

she did that... i tried maybe one ******...
   and immediately the memory flooded in...
who's fault was it? who was more ***** that night
that they couldn't help themselves?
my father? or my mother?
              well then... i was standing before the truth...
or... about to do some pelvic push ins...
i stopped myself... i said: i can't do it with children
in the same room...
so we just lay there... fell asleep...
i woke up and this little bundle of sweet afro
was standing beside me... ******* on his smoczek
******-soother... or just soother...
so i picked him... obviously completely naked
and placed him on my torso...
and he... fell asleep... there...
                                            
maybe that's why i need the extremes of sexuality
by going to the brothel...
maybe i can only **** prostitutes...
i need to know: for certain... i don't want to **** on a whim...
i don't want some dating game...

perhaps this might be called an ode to Johnny Depp,
a sort of cherry on top...
i don't want to be hiding these details of my life
inside of me... i have enough cognitive labyrinth to
think through as it stands...
i like transparency, i'm a disciple of truth:
well... "disciple": an adherent of it...
   better me digging up old skeletons from my closet
than having someone else defame me or smear me,
straight from the horses mouth as they say:
or as i say: liars don't walk on stilts...
   lies have short legs...

why? it's about ******* time...
    it takes some courage to be honest... just enough...
but science can't explain the last two nights...
where i was apparently making strange noises
in my sleep... where i got out of bed
and toppled down a case of my c.d. collection...
i woke up and i was like:
   wait a minute... i remember playing back
that *****-flick from two days ago in my head:
meditating on everything...
   me, Khedira...the two mirrors...
   the *******, the brandy...
                the apparent non-existent ******...
weird things that go bump in the night...
   a horror-lust realm of entanglements and things
non-scientific...
       i had to explain to both of them:
i wasn't drunk... not really... i was high from the ***...

i don't understand how *** can become tedius
to some people... well... i can... they have it too often...
no wonder they have to find "other" avenues
to express themselves with latex and role-playing...
if you **** like a Teutonic monk...
you **** like a Teutonic monk...
           you transcend something that otherwise
bores people after having moved outside of
the saturation point...

two days ago i knew i had to make my move...
return the favour... she counted how many times
we were together... when i asked... this was our 4th
encounter... with this other *******
i was asked to pay an extra £20 to perform oral *** on her...
i knew it would be different with Khedira...
she was comfortable in the *******...
she didn't even have to **** me off prior
to *******... in between the change of rhythm
i dived in and slurped on a bucket load
of oysters...
    stuck me nose in it...
             carousel of tongues... seems i have more than
one...
   then back to *******...
then diving back down but this time ******* her...

it was coming... i knew that expression on a woman's
face... it happened to me before... with Ilona...
when i was 21... but then i couldn't believe it...
i thought she was faking it...
    it's not like an ****** in pornographic movies...
exaggerated almost extraterrestrial...
the spasms... the ******* spasms... recoils...
like i said previously:
   i'm of the school of act that says:
it's sometimes more pleasurable to give pleasure...
than to receive it...
evidently i love eating ****...
       probably more so than getting oral *** in return...
which would place me in the Gomorrah camp...
no... i'm not into whatever ***** was up to...

       to hell with it: we're over-sexed as it is...
we're living in a time of libido-insomnia...
                         fight fire with fire...
                                better still... bring some cooking oil
and a deodorant spray can...
                     i'm on the side of: counter to what's currently
the state of social-engineering...
no problem... i'll be your "****" your "pervert" your:
"stranger" your outlier...
if Walt Whitman could celebrate himself...
and be his unabashed gay-self...
   gay-pride? right... sure... no problem...
                    let's try this for starters...
   i'll parade my affection on paper...
             and since so few people read... i'll just slip past
the nets of censors...
   i'll dig a trench and employ covert methods
to get my stance to stand in full view: of those who are
willing to ingest it...

it wouldn't be the same if i had long her like i once
had... back then she could have the fantasy
of being eaten out by a woman... and a man...
morphing: androgynous circus...
but with short hair... ah... so much better...
the way a woman can sort of grip your short hair
and with such adamant want
try to invert the process of giving birth
by showing you into her... and since we're all
born like the fall of Lucifer: head first...
eh... merely sticking your "poker" in her while
retaining: keeping... eating her eyes with your eyes...

obviously i read the Kama Sutra...
slapping... pinching... biting...
       that's all part of the ritual...
                           it's nice to hear the following:
i love you...
   i don't think i can forget you...
              not after you bit my upper lip...
she was clearly insinuating that i perform oral ***
on her... all that tongue waggling...
feverish tongue of lust....
   an array of onomatopoeias...
                 the crows might have been croaking...
the woodland pigeons could be cooing...
ancient reptilian morphs...

    seriously... it's unlike any "conquest"...
the antithesis of Don Juan seducing a nun...
   because... what the hell made more special than
all the other men she slept with?
to be able to... what day is it today? Saturday...
long weekend... diamond jubilee and all...
   Sunday, tomorrow... she's going to text me tomorrow
and tell me when she wants to meet up...
yeah... i actually managed to convince a *******
to a date... i was looking up hotel rooms in Barking
only yesterday... that's roughly £70 for an entire
night...
           obviously i'll take her out for dinner...
buy a bottle of decent alcohol...
  strawberries... brandy or prosceco?
probably both...
                   lemons? maybe...

because i don't do it by the hour...
                 i'm like a diesel engine...
    i need that reminder of the 7 hours during the night
when she had about 4 *******:
my last night in St. Petersburg... ah: those white nights
of St. Petersburg...
how?! how did i manage to pull this stunt off?
i moved from paying her for ***
to paying for her to spend a night with me in a hotel
room... well... that was quick...
only after 4 encounters: i guess the oral *** i performed
on her was the deal-breaker for her...

it's also good to know that:
i'm the good sort of mad...
          yeah... we talked... i lay on the floor with my head
resting on a make-shift pillow of my shoes...
smoking a cigarette... laughing...
   then we washed each other in the bath...
            i was drunk on not being drunk...
***-starved and then: outlet... boom!
              everything starts making sense...
to hell with relationships... i wouldn't go as far
as to want to bore myself with
sharing a life together:
              well... maybe... but then the *** wouldn't
be ***...
   i wouldn't go as far as the Muslims in terms
of covering the women in sadistic attire...
****'s sake: at least they could make the niqab
out of white linen... or cream linen...
       but men and women shouldn't sleep in the same
bed... obviously **** in the same bed...
but sleep? i tried that once...
every single night... half of me was numb for having
fallen asleep hugging her...
  i need my own bed to sleep in...

hell... if society and culture is selling me the fantasy
of Pretty Woman... starring: you know who...
Richard Gere and Julian Roberts...
well... i'm not a business man, i'm not a lawyer...
i'm a humble "poet", i spew words...
i regurgitate them... i'm a "pooet"...
    why not ask society... so... this is good? yes?
then you hear dating horror stories...
and you're like: i'll be Pontius Pilate...
    i'll wash my hands clean off these affairs...

it's that simple... people want to play ball... sure...
i'll play ball... but this time round:
i'll be making the rules...
the last time i tried to tango with a girl
she was misplacing her feet...
   i kept on standing on them... mea culpa mea culpa
oh where is my mea culpa?!
enough... is... enough...
   reiteration: but it has to be a reiteration
in Deutsche: genug ist genug!

i've seen enough, i've smelled enough, i touched enough...
funny story...
me and this Irish lad were talking before my encounter
with Khedira... he had a balloon and a flask of
laughing gas on him...
we talked... he thought i was an undercover
journalist... Oxbridge educated...
i think i was laughing more than he was:
even though he was inhaling laughing gas...
he had this funny Celtic name...
almost feminine... a name a bit like: Nikita...
i told him... i knew this girl once...
she said she was: not naive... she was Kneev...
but her name was written as Niamh...
go figure... i told him: i'm not English...
i persuaded him: your people are inspired...
to preserve themselves... a bit like the Welsh...
who still retain their mother-tongue...

he was willing to share some of the laughing gas
but out of politeness he refused to share
the balloon with me... obviously i agreed with him...
he talked about a thumping sensation
to his head... like the brain was trying to
get out of the skeleton by routes outside
the realm of mummification...
     we talked about *******... i was like...
the first time i tried it was when i was 35...
reluctantly...
   because, like i told him: it really doesn't do anything
for me what too much coffee and nicotine
already does...

his friend came out after having ****** Khedira...
well... she's sure as **** not a ******...
lucky me... the "omega-male"...
i'm not here for conquests... i'm here for postcards...
wish you were: i too, wish this was Venice...
jealous? n'ah... let's play the game right...
i'm not here looking out for timid virgins
or for that matter mouthy under-aged girls...

i just hope that by writing this i can have the "audacity"
to have a calm night's sleep...
i seriously can't be sleep-walking
throwing down things, groaning, moaning
in my sleep...

        two days ought to be enough to let his lustful
demon incarnation wrestling with me, pass...
maybe if i ****** on a regular basis i wouldn't
be drinking as much...
   maybe i'm finally sobering up to the idea
of *******... maybe i've saturated what has
become very real for me...

i'm pretty sure that the Ukrainians were happy
when **** Germany invaded Poland...
well then... the Ukrainians are fighting Russians
as we speak... and i'm thinking about a second schism
in Islam... with a Turkish *******...
the best barbers in the world...
and, i suppose, the best prostitutes in the world...
the Russian girls are overshadowed...

ha ha... even she said that men are better cooks
than women...
she told me to slow down on the "invisible" macron
hovering above the A in laa'vash...
oh... it's this Turkish meal...
black peppercorns... sea salt... chillies...
rosemary... white wine vinegar...
i forget the rest... cheddar... actual lavash...
thinly sliced beef...

          that's always nice to find... a man... within a woman...
within a sentiment left by a woman:
men are better cooks than women
because women "think" they know how
to cook food... we agreed...
no... they don't... i told her about my worst
dinner... cooked by my grandmother...

i initiated ******* / chewing on a piece of chalk...
wrong temperature... doubly-butchered...
it's the sort of meat that makes your teeth
click... click... chewy ****...
chat chat... chuckle... meat that makes
your teeth stick together...
and i said to her: you can readily replace CHat...
with a SHeep of a slurp...
   juicy meat... juicy everything...
  meat like juice of a pomegranate...

by the end of the encounter...
i asked her: are you happy?
yes... she replied...
fair enough... so... now don't worry about me:
whether i ******* or not...
obviously i wasn't...
         i knew that i didn't know that i was
barking at the right tree... dragging a Trojan horse's
worth of a libido back into my bedroom...
i was about to erase about a 200 cohort of men
in her gallery of exposing her ****...
lucky me... night-terrors...

               science is: too... demystifying...
i don't like answers... philosophy doesn't like answers...
philosophy does the question-bits...
according to Heidegger something is either
question-worthy of worthless...
i'm in love with German-thinking...
        England has provided the economic side of "things"...
but in terms of "thinking"? let's just say
yes to English comedy... i will not digest Locke...
no ******' chance in hell!

funny that... mann von schreiben...
man of letters...
     English thinking is too pragmatic...
me? like a German...
how do i "solve" a "complication"?
i over-complicate the "complication"...

i have to pity the day...
i beg and i beg, and i beg
for the night to relieve me...
            i pray for the night to come...
i'm most aware of undetailed things
when i find myself surrounded by people that
are asleep...

the great Biblical deluge?
like the great Swedish deluge of the Polish-Lithuanian
Commonwealth?
wasn't there an ice age moment
when the ice melted?!
                 too much journalism... not enough
poetic imagination in the people...
      
i "think" i'm just about done... yes...
Matthew said to Conrad: i think you are.