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"neilson" poems
The Miss, Misters and Mrs., And the St. Joseph's Sisters, Made me a Bluejay, Jay- jaying and soaring Over Wrens and Robins Below in five rows. Teeth marks on Ticondarogas, Initialed pink rubbers, Toothpicks and fingers Solved all those problems. Sister Lucille showed me Sarnia On the Neilson Wall Map, With the Malted Milk, Crispy Crunch bars staring back. They looked too delicious, Her reprimand was contritious, I'm doing time during recess, Ninety minutes til lunch. We stood in a crooked line, Like a snake, to get marked, With her drawer a crack open We'd get a peek at her strap. Black or red, correctively cold; Sister Roseangela, we'd heard, Cried, Quid Pro Quo. We had football baseball, And hockey dreams, Volleyball, basketball, And funeral teams; Field Days, Holy Days, Days needed at home; Teachers were coaches, With little time to complain; But the kids back then Just weren't the same. There were skirmishes, fouls, Strike outs and time outs; We were sliced white bread, No rye or whole grain. We'd march double file Once a week to the Church, To genuflect and reflect At the Stations and Cross. To confess, get redress, Display penitent remorse, Though keeping a secret From the Confessional box, A comfort and curse. Their objective succeeded, The lessons went deep; Using the three Rs, The ABCs, 1, 2, 3s, To impart and ingraine How to carry one's cross. I remember by name The Miss,  Misters and Mrs. And St. Joseph's Sisters Who gave their all, Each day, and always. They've gone or retired, But recalled in tranquility For the life-lessons I admire.
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Apr 29, 2017
Apr 29, 2017 at 12:06 PM UTC
The Miss, Misters and Mrs.
The Miss, Misters and Mrs., And the St. Joseph's Sisters, Made me a Bluejay, Jay- jaying and soaring Over Wrens and Robins Below in five rows. Teeth marks on Ticondarogas, Initialed pink rubbers, Toothpicks and fingers Solved all those problems. Sister Lucille showed me Sarnia On the Neilson Wall Map, With the Malted Milk, Crispy Crunch bars staring back. They looked too delicious, Her reprimand was contritious, I'm doing time during recess, Ninety minutes til lunch. We stood in a crooked line, Like a snake, to get marked, With her drawer a crack open We'd get a peek at her strap. Black or red, correctively cold; Sister Roseangela, we'd heard, Cried, Quid Pro Quo. We had football baseball, And hockey dreams, Volleyball, basketball, And funeral teams; Field Days, Holy Days, Days needed at home; Teachers were coaches, With little time to complain; But the kids back then Just weren't the same. There were skirmishes, fouls, Strike outs and time outs; We were sliced white bread, No rye or whole grain. We'd march double file Once a week to the Church, To genuflect and reflect At the Stations and Cross. To confess, get redress, Display penitent remorse, Though keeping a secret From the Confessional box, A comfort and curse. Their objective succeeded, The lessons went deep; Using the three Rs, The ABCs, 1, 2, 3s, To impart and ingraine How to carry one's cross. I remember by name The Miss,  Misters and Mrs. And St. Joseph's Sisters Who gave their all, Each day, and always. They've gone or retired, But recalled in tranquility For the life-lessons I admire.
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62
I love Neilson he is my heart. Without him we would be apart. Even though he's moving to Aussie, I will still call him my best buddy. Deenah and Ana are my bestest sisters that i never had.Even Charvorne my bestest FRAAND.I could never let them go, even if i died they will still be in mind. All my kisses and hugs to my bestest sisters. xoxoxox mwaah
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Dec 5, 2012
Dec 5, 2012 at 4:52 PM UTC
Neils & my sisters
I love Neilson from the very day i met him. He is awesome he's the one who keeps me on my feet. If i had lost him my heart will be at beat. From the day we met i was falling for him. I asked him out he said yes and my heart pound. Without him i would'nt be alive. Now that we are together forever i will survive. xoxo ILY :3
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Dec 5, 2012
Dec 5, 2012 at 4:45 PM UTC
I love Neilson
February 28th, 1968 marked the date Boyce Brandon Harris (my octogenarian widower father) purchased a small tract of land constituting shadowed sliver once hailing, hallmarking, harkening, glorious vast "Glen Elm" estate, which circa 1910 encompassed a hundred plus acres of woodland Pooh would Winnie (including a pond frequented by migrating Canadian Geese) eventually zoned for commercial, industrial, and residential development (all in the name of productive land use) particularly put into motion courtesy Donald J. Neilson, who transformed expansive woodland rivaling shutterfly sprouting like mushrooms towed stools booming explosively after ample precipitation little houses on the hillside little houses made of ticky tacky... popped up overnight transforming landscape displacing flora and fauna with vinyl city (minus spit of property papa bought) manicured bumped uglies with wild wisp reduced pristine niche leftover jot haven squawking disoriented geese instincts thwarted, where drained wetlands a Arcadian past suburbanization overlaying (palimpsest like) rural setting trademark bucolic print Currier And Ives stock in trade signature prints landscape sparse human population country aire sprinkled with family farms fresh dairy, produce, vegetables butchered animals free ranging without synthetic injections nostalgia faintly recreated here Highland Manor Apartments Schwenksville, Pennsylvania a slip of country revered against a Paul Ling urbanization nothing appears familiar retracing roadways now major highways frequent moments breeds alienation familiar ground confusing, frightening, and perplexing.
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May 17, 2018
May 17, 2018 at 8:57 PM UTC
Eutrophication Of Golden Pond
February 28th, 1968 marked the date Boyce Brandon Harris (my octogenarian widower father) purchased a small tract of land constituting shadowed sliver once hailing, hallmarking, harkening, glorious vast "Glen Elm" estate, which circa 1910 encompassed a hundred plus acres of woodland Pooh would Winnie (including a pond frequented by migrating Canadian Geese) eventually zoned for commercial, industrial, and residential development (all in the name of productive land use) particularly put into motion courtesy Donald J. Neilson, who transformed expansive woodland rivaling shutterfly sprouting like mushrooms towed stools booming explosively after ample precipitation little houses on the hillside little houses made of ticky tacky... popped up overnight transforming landscape displacing flora and fauna with vinyl city (minus spit of property papa bought) manicured bumped uglies with wild wisp reduced pristine niche leftover jot haven squawking disoriented geese instincts thwarted, where drained wetlands a Arcadian past suburbanization overlaying (palimpsest like) rural setting trademark bucolic print Currier And Ives stock in trade signature prints landscape sparse human population country aire sprinkled with family farms fresh dairy, produce, vegetables butchered animals free ranging without synthetic injections nostalgia faintly recreated here Highland Manor Apartments Schwenksville, Pennsylvania a slip of country revered against a Paul Ling urbanization nothing appears familiar retracing roadways now major highways frequent moments breeds alienation familiar ground confusing, frightening, and perplexing.
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53
nothing drags a frame of reference out of bed like a fresh start on a pike. you strap your business-end to a playful lark and stave off the broken moons as you Tetris the Possible like an unknown god. I hoist my genre by rote; my tropes charmed and dangerous… for the pen is mightier than the fjord of our most opulent shadows. My Etch-a-Sketch memories diverge like Christmas geese flocking to a pagan potluck as cellular as a private moment with a Neilson rating of zero. I tune in when a gadfly lands on the nose of a spite, and make a poet’s face. I sleep like a baby on the Titanic- but my average epiphany bobs for apples in a bucket of Northern Stars too keen on wisdom for a dullard’s petard. at first glance, every blank stare like a horde of eyes with pitchforks and torch songs made of why?
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Jan 24, 2021
Jan 24, 2021 at 8:07 AM UTC
The Schematics of A First Impression
To write is to feel the world in its essence every fibre of meaning extracted to dance across the page, enveloping the reader in a languid embrace. To write is to find oneself at the core of each word jostled in turn by swathes of meaning, tumbling thought-streams, sweet rhetoric of wonder. To write is to walk naked in the imagination while closeted unseen, revealing all for those who perceive in lines of poetry sprouting seedlings of wisdom disgorged to take flight.
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May 24, 2019
May 24, 2019 at 10:50 AM UTC
The Poet by Anita Neilson