"necrophilia" poems
SCARED
SCARED of losing your place, SCARED of being pushed back.
SCARED of missing the bus, SCARED of getting the sack.
SCARED of your colleagues, SCARED of your boss.
SCARED of being late again, SCARED of losing your job.
SCARED of feeling the fool, SCARED of being a joke.
SCARED of being a loser, SCARED of what you just smoked.
SCARED of what was in it, SCARED of what you were given.
SCARED of what they gave you, SCARED of no longer living.
SCARED of not knowing;
SCARED of knowing too much.
SCARED of commitment;
SCARED of being able to trust.
SCARED of a horror movie, SCARED of spiders.
SCARED of not being beautiful, SCARED of what's inside us.
SCARED of being thought ugly, SCARED of being thought plain.
SCARED of being thought stupid, SCARED of trusting your brain.
SCARED of telling her, SCARED of her knowing.
SCARED of your feelings, SCARED of them showing.
SCARED of pain, SCARED of hurt.
SCARED of her, dishing the dirt.
SCARED of showing emotion, SCARED of crying.
SCARED of showing weakness, SCARED of dying.
SCARED of losing a pet, SCARED of losing a child.
SCARED of losing a loved one, SCARED of being too wild.
SCARED of the consequences, SCARED of what you might do.
SCARED of who you may harm, SCARED of them harming you.
SCARED of being a father, SCARED of being a mother.
SCARED of being cheated on, by your lover.
SCARED of being threatened, SCARED of being hit.
SCARED of pressing charges, SCARED no-one gives a ****
SCARED of their reaction, SCARED of what they may do.
SCARED of them? Or SCARED of you?
SCARED of forgetting, SCARED of a lie.
SCARED of the judge, not being on your side.
SCARED of accusations, SCARED of being called a liar.
SCARED of them not being punished;
SCARED of getting any higher.
SCARED of being too happy, SCARED of always being sad.
SCARED of being optimistic, SCARED of feeling so bad.
SCARED of depression, SCARED of sadness.
SCARED of joy, SCARED of happiness.
SCARED of being so happy, you feel you can fly.
SCARED of losing your wings, SCARED of falling from the sky.
SCARED of being another Icarus,
SCARED of being another Moses.
SCARED of lying in a coffin, covered with roses.
SCARED of lying in the ground, SCARED of being buried alive.
SCARED to be like the stories, too SCARED to try.
SCARED of not being strong, SCARED of not being right.
SCARED of being proven wrong, SCARED of losing the fight.
SCARED of getting it wrong, SCARED of failing the exam.
SCARED of not getting in the army, SCARED of failing uncle Sam.
SCARED of being stabbed, SCARED of being shot.
SCARED of them taking, all that you've got.
SCARED of being held prisoner, SCARED of torture.
SCARED of dying in a war, SCARED of losing your only daughter.
SCARED of losing a sibling, SCARED of losing a friend.
SCARED of your parents, SCARED of them meeting their end.
SCARED of living forever, SCARED to death.
SCARED of the end, SCARED of taking your last breath.
SCARED of being a memory, SCARED of being forgot.
SCARED of nobody caring, SCARED of losing all you've got.
SCARED of losing your memory, SCARED of getting old.
SCARED of alzheimer’s, SCARED of being put in a home.
SCARED of being buried, SCARED of no one knowing your name.
SCARED of your wife dying, SCARED you'll forget her name.
SCARED of nobody being there, when you finally die.
SCARED of being cremated, SCARED of being burnt alive.
SCARED of being dissected, SCARED of being cut up.
SCARED of necrophilia, SCARED of that wooden box.
SCARED of being a fable, SCARED of being a myth.
SCARED of just being a story, SCARED you didn't exist.
SCARED of being made up, SCARED of not really being here.
SCARED of what you've been told;
SCARED of what you didn't hear.
SCARED of facing God, SCARED of having no answers.
SCARED of going to Hell, SCARED of having no more chances.
(C)2005 Aa Harvey. All Rights Reserved.
Sep 20, 2018
Sep 20, 2018 at 9:52 AM UTC
the darkest of my fantasies whisper
Your body is a scuba suit
insist i breath with your ******* through your mouth
dive deep into claustrophobic waters, sink heavy to the rock bottom
where we petrify by gorgans gaze
i know we'll turn to stone because, of course, the gorgans can't resist gazing at You
nobody can resist gazing at You, land or sea.
Our permanent legacy, lost under layers of life
barnacles clinging, moss burying Our chimera god/snake skin
i am without Your oxygen
when breathing would terrorize the wind
where words belong
still, my forked tongue writes
i'm a theif to say i only want You to be happy
when i had You, it was still selfish
the revolving doors of pain and perseverance
more time invested in us
then money invested in the Pills that kept me from killing You
out of habit
You begged me to beat You
it's been seven hands dealt
rubbing my 5 o'clock sandpaper chin
on the tarot card of death
my tolerance for vacancy
a brownish red stain
i've only the thin line of medication between necrophilia and sociopathy
i want to lay with You at the bottom of the sea
**the Pills... where are...
please no, God.
The Voice, run!
get out!**
*I would gladly go to prison
to **** your lifeless body.
I would gladly **** Myself in the afterglow
of your affection.
there is only one true Sin, Objectification.
I indulge relapse
in every memory, find
your shed snake skin
pull it on, like your *******
how disturbed I've become
with you gone*
how selfish of you
of course "I" blames You
when the Pills dull
i indulge by studying Your location
i know where You escape too
i want to go there
does that scare You?
i want to bump into You
apoligise for what i want
"want" as a word
is like plexi-glass, or kevlar
standing between Us
keeping the bullet safe.
i want a hard impact
in a school hallway
where we drop all our
Books and look up and You
see my ghost, that would be enough for Me
i want the impact to hurt.
i want the tumbling of all our Book's
i want the messy hair and ripped knees,
then Our
eyes to meet
and linger
I want to watch the fear fill you.
i want to sit there,
watching.
petrify from parcel tongues
as i gaze at Your gorgon body
shedding skin
if i shed my snakeskin,
maybe i'll see You
i can't leave this Poem
i can't leave this Poem yet
i won't leave this Poem
please kick me out
Poem
Poem
end Me
..
end
.
I
..
Jul 17, 2018
Jul 17, 2018 at 8:17 AM UTC
my turtle doves are pondering the broth of my head space.
tingling.
they gibberish the nest and lay eggs of dragons that still believe in dragons.
they wish for thick lightning in the lustrous void. they beak the shell of no made thing.
the Eternal Hum.
the one Always that had Never Begun.
Only Ever, Ever Been.
and That's It's
Name.
my turtle doves are robbing the bog of it's undead wyrms. they swoop in the morning.
down down down
to the gamma ray golf course lawns
of our suburban necrophilia. the one with the empty dreams in their peanut butter stars.
the one
with the eggshell Camary Toyotas and the delinquent epiphanies.
n' more ice cream than Ben n' Gerry's Wet Dream of Selling
More ******* ice cream
than You
can Imagine.
Plus One.
my turtle doves are holding me hostage. in the dizzy breach. of god's contract.
a damp shade of misspent youth. the Old Way.
seasoned by the Eons
and the swollen Love of the First Love.
engorged in the Kingdom of Desire
like a fat mosquito. Sated on Cyclopian forearms.
and the shoulders of Giants
on a small blue world
in your mouth.
just sayin'.
May 14, 2013
May 14, 2013 at 11:16 PM UTC
for logic to work, certain coordination words must be excluded from ever attain a thesaurus privilege, certain words must attain the same consistency as numbers already present, for worded logic to work, certain words cannot entertain synonyms or antonyms, and must be freed from the shackles of sophistry.
can one animate object truly objectify another
animate object?
i ask, because this supposed feminist
narrative of man objectifying a woman
seems rather bogus -
as i have to reiterate -
can an animate object truly objectify
another animate object?
i "think" (i.e. "i" deny) this to be
highly unlikely, near impossible...
i am innately inclined to the puritanical
observation,
that i can only objectify an inanimate object,
point being: a man can no more
objectify a woman than an animate
object can make an animate an inanimate
object without having to subject himself
to hammering a nail into a plank of wood:
using a hammer.
how can an animate object (a man)
objectify another animate object (a woman) -
without, first of all objectifying a part of him
as quasi-inanimate, namely his phallus?
women do not seem to be complaining
about objectification of a woman,
rather, a man objectifying his member -
and isn't that the point, to posses an object
that you're not subject to obeying?
once more how can a woman
be objectified, when in fact man is
attempting to de-subjective himself from
his genitalia?
an animate object can't
objectify an animate object -
since the contradiction is:
both are in animation...
the only time objectification
happens is when an animate object
subject an inanimate object into a purpose...
a hammer is hardly a woman,
while is hammer one-dimensional,
a woman is either mother, sister, vice,
a one night stand, a girlfriend, or a wife...
women are never objectified -
they are subject to the self-objectifiction
of man, by man alone...
and if you think that's post-modernist jargon,
let me spell it out for you:
T, O, G, E, T, A, H, A, R, D, O, N.
objectification happens when an animate
object subjects / encompasses an inanimate
object into a subject of the animate object's
intent...
unless of course you care to disclose
a fetish for necrophilia...
since only in necrophilia are women actually
objectified.
Nov 3, 2017
Nov 3, 2017 at 8:34 PM UTC
the world soul
an insane asylum
sediment the guts can't hold
makes me wretch
as the years bend this ridge poll
to the breaking point
a tuba plays booming
it is raven girl and singing skulls
swaying hips
all breath and heat
attended by carnivory
little Fuzzy Mijmark
necrophilia's friend
while men love sheep and bone
in shady coves
and droves of groves
hungry spiders' patient for obese flies
wait in shrouded silk
for the healing power of death
and their soul's new sunrise
in golden mourning's paradise
loving those they eat
marrow deep
Nov 4, 2018
Nov 4, 2018 at 11:21 AM UTC
objectification is very much a cul de sac,
it's a one way street...
to objectify is to
allow an animate object a
confirmation of an all-pervasive control...
objectification =
the inability of an object to become
a self-serving subject -
no hammer ever managed
to self-serve itself into a role of a screwdriver...
to be objectified is to have no
self-serving subject, i.e. a self;
how can a woman ever be "objectified"
when she subjects herself to both
the object (that's her body) and
the subject (that's her mind) -
or, objects to the object stated -
whereby by "objectification" there's
a reinforcement of being subject to the object...
her body, which reinforces her
subjectivity -
when man is prone to objectification,
as pronouncing his extended members,
a woman is prone to subjection -
irony on the ob- prefix,
wasn't it ever reverse infatuation?
sure, not all the subplots appear
in being "objectified" -
but at least being "objectified"
does not equate to being subject to a man's
will...
if you can't deal with
the "extremes": is being "objectified" as bad
as being subject to a niqab?!
besides the point,
i can't believe that one animate thing can
make another animate thing objectified -
in the purest sense of:
deeming an animate thing
inanimate to be: a thing observed
without a self-serving self-aware ******
Nov 3, 2017
Nov 3, 2017 at 8:59 PM UTC
*********** is what I live for, necrophilia is what I die for.
Mar 12, 2016
Mar 12, 2016 at 2:17 AM UTC
Sorry it ended up like this.
Me out here, still wrapped up warm in my vestigial garment of flesh.
You in there, naked amongst your primitive ancestors like the youngest adult at a wedding, mingling awkwardly, embarrassed.
I wonder how you died. Your ribs look like they have been fixed back together after some kind of trauma.
A car crash maybe?
Maybe you struggled with long term illness, rotting before you ripened like a sickly bud in a wet spring.
However it happened your bronze plaque states it was untimely and therefore probably tragic. '(A young woman)' I read, not so much discovering but confirming what I already knew to be true when I first laid eyes first met yours across the crowded room.
You stand about as tall as me, your shining off white cheeks delicate as fine china. Staring out of you glass cabinet, you seem to beg not to be judged alongside your distant relatives, your slumping neighbors.
Fragile and sweet, you radiate a quiet dignity. It isn't hard to imagine the thin layer of blood, skin and fibrous tissue that it would take to make you beautiful again.
I plunge my hand through that glass portal, soft folds of meat transposed to brittle bone and back again, unifying you world with the mortal
It was obvious that you were beautiful, and involuntarily I envy the one who held you and kissed you last.
I wonder if anyone ever wrote a poem for you when you were alive.
Oct 9, 2014
Oct 9, 2014 at 5:08 AM UTC
Along a narrow, vacant street at 2 a.m.
Underneath the threatening lights of peril
An act of ******** was taking place between
A beautiful cigarette and the orifice of my lips
Halloween had not yet dawned upon us
Yet as I walk Jack-O-Lanterns smile at me
Displaying minor quakes of bloodthirsty evil
While a serum of scorn soaks my tongue
With a heartless trick of ice, cold malice
Summoning the entire town to its kneecaps
Devils regurgitate lullabies resembling the sound
Of nails ****** a chalkboard sparing no mercy
Arousing the hopeless romantics
To awaken a graveyard
And **** the corpses until they're
Resurrected from their comas
As the nymphomaniacs ice
Their frozen flesh with *****
Painting an ocean of abstract thoughts
Across the edges of their frames of mind
Do morticians make up the majority
Of necrophilia related crimes?
Maybe so but, I bet they had never felt
A ****** so dry and so cold
Yet still the thrill of chills tickle these criminal's spines
While they measure their screams careful not to awaken
The beautifully disgusting corpses that lie before them
They turn their heads only to find a pair of scarlet eyes
Gawking at them from within a cowardly shield of fear
Darkness was it's home, Mother to all its desires
In my opinion it was just a phase; A massacre encaged
Aug 25, 2011
Aug 25, 2011 at 4:12 AM UTC
I am one of three –
Shadow, skin, and light.
A triplet split from the same egg and *****
**
Make it 3 and you’ll have me
Explicit.
It’s so ****
Being cleaved into thirds.
A ********* with myself –
The shadow is morose.
A needy, demanding *****
Begging to be cut up.
I want to,
So I can see the blood wring around my –
Her
Wrists like shackles pinning her
To my bed.
I know it’ll shut her up
But I can’t bring myself to do it.
I’m not that *****
The skin is boring.
A virginal flower
Dreaming of understanding.
She’s too wholesome,
Always waiting for the right
Version of herself to come along.
Saving myself –
Herself
For the right time.
My tastes aren’t quite so
Vanilla.
The light is adventurous.
A psychotic, brilliant ****
******* herself into the ground.
Necrophilia just got a whole lot hotter,
Bodies piling up thanks to her STDs –
Stupid, thoughtless decisions.
Protection? Ha!
That’s for normal people.
There’s no need for me –
Her
To slow down;
We like it fast.
The skin doesn’t participate.
The ***** virtuous ******
Fidgets as the others 69 –
A disgusting yin yang
Of low and high.
The shadow drinking downers
Until she can’t remember
All the bruises covering her heart,
Too distracted by the bile
Smeared across her lips.
The light popping enough uppers
To strip herself of her
Consciousness,
Naked and raw
She often wakes bitter
Of her restored senses.
This ********* takes place
In a womb,
An amniotic ocean
Swaying toward the shores
Of existence.
Two will drown –
Vanishing triplet syndrome.
Only one may be pulled from
Mental waters and placed on the sands of reality.
The labor takes 33 hours -
Finally I emerge.
Who survived?
There is no way to tell.
Jun 26, 2014
Jun 26, 2014 at 1:09 AM UTC
five years
of slight tears
& subtle sadness
but i guess that's what happens when
you think our love's an accident.
i cant convince you that it's true
ill always feel the same
whether you do or not
but please
just let a dead corpse rot.
Feb 7, 2010
Feb 7, 2010 at 6:06 PM UTC
You've always seen right through me...
It's like
I'm looking into your eyes
and I see forbidden fruit...
a forbidden love
It's like
I'm staring into a mirror
trying so hard
to look for myself
but all I see is black.
Like a corpse---
It's like
I give all I have
In love with you
---Ectoplasm---
I give all I am
To be with you
To let you feel
Who I am...
----I am a poltergeist----
It's like
I'm reaching out
My hands open wide
Extended towards you
and when
you look
it's like
you don't even see me----
We hug
and it's as if
you could
almost just
pass right through me----
It's like
We love each other...
But it feels like
Necrophilia.
It's like I'm gone...
even if you're looking
straight into my smile
my smile I force myself
for you to see
it's like you're still looking---
you can't see me can you?
forcing a smile
on my face
day
by
day
do you even know
that I just smile for you
because
I'm tired of you
always crying for him
night
by
night
But you can't even
See the smile don't you?
----It's like I'm his ghost----
It's like
I'm a nightmare
and I'm haunting you
except I'm right here
always right in front of you.
------always waiting to be noticed.
always.
Waiting for you to realize
That love is not a ghost.
Love is not a graveyard.
Love is not somewhere lost.
Love is not sealed up in heaven.
Nor is it burning in the void of hell.
Love is here
Love is waiting in front of you
always----
even as you were crying for him
even as you were lying for him
even as you were fighting for him
even as you were falling for him
even as you were breaking over him
even as you were blinded by him
even as you were losing him
even as you were mourning for him...
always----
Even if I'm
the only love
you're allowed
to love,
you've never
allowed yourself
to love me...
You've always seen right through me...
Apr 29, 2018
Apr 29, 2018 at 4:42 PM UTC
*I am but borrowed passions,
Everything a gesture
To impress unrequited lovers,
My lips touched by corpses;
Caressed by the dead
As an object of ***
Each kiss poisons--
Hollows this person,
Until she is naught but body--
Skin, ******* and withered bones--
Lying in a coffin, legs exposed;
She'd call it necrophilia
But life had left, long, long ago.*
Jan 19, 2014
Jan 19, 2014 at 12:30 PM UTC
I once got a job writing gay ****
but the editor said I was too *****
somehow I thought ultraviolent
gay necrophilia would make it in
the mainstream & be the next big
thing; AIDS infected zombies
sodomizing unsuspecting bikers,
cops & sailors w/ the occasional
cowboy; I should have made the
cowboy a two-gun zombie-fighter;
I just thought of that; I wonder if
HONCHO is still around...
Aug 10, 2018
Aug 10, 2018 at 12:31 AM UTC
*i was eating a pepperoni pizza today,
and took a salty tongue into the night,
£270 on my bank account - great stuff -
took five quid out, felt like buying four
oranjeboom reds at 8.5% each,
instead bought two, and
perrier carbonated glass-bottled water...
god the thirst in this cement sahara...*
the best transition accompanying drinking
and listening to music comes
from the heights of reggae to creedence clearwater
revival... no, not the eagle, not Leonard the skin-head
with an 'ard on... creedence... lebowski who
was bukowski's posthumous alter-ego...
so i did a galileo while drinking,
the light on my side-table by the bed light
glowed, put my sunglasses on...
the stars disappeared and the planets appeared...
oddly enough, as is usual the case of
counter-intuitive matters when looking
at astronomical geographies...
mars far left... venus in the middle,
and jupiter the biggest and therefore the brightest
far right...
i worked it out against linear tactics...
the distance of the earth from venus doesn't
make a difference with the distance from mars,
but the distance of mars from jupiter is greater,
see you in 100 years to prove the point
and whether it matches up to HARD, NECESSARY,
PROOFS... LIKE MAINTENANCE ***
******* a girl with a really really exaggerated
libido, having to wear a ****** while she was
on her period, in the toilet and she bewildered
saying: 'most guys don't dig the female bits...'
hell... i'd do necrophilia...
shame the relationship turned to a sour toast with her,
shame, really... really really.
oh yeah, after smashing that £600 martin & co.
guitar to celebrate valentines day
(chłopiec z gitarą był by dla mnie parą
my grandmother used to sing...
well... sorry to disappoint,
i had her rastafarian shoelaces for
a pin-up belt to walk and play, or simply
stand still and note string twangs...
była giiitara... ni ma giiitary...)
and bought myself a drum-kit:
well... just my finger-drumming antics
on my legs;
or as a wise man said: **** her, leave the rest
for a backward trek into life
without maps but only premonitions.
Feb 14, 2016
Feb 14, 2016 at 8:27 PM UTC
it's hot in a restaurant with the strangers you've since been stranded with
(look! You Finally Did It!)
and everybody knows your name but the symbolism of individualized letters with glottal stops and teeth-sucking pauses and dyslexic lingering lisps is lost on them, they have their own letters to think about, don't you know?
(hundreds of pillows fly out my ears in increasing sizes, so i must be dreaming - Right?)
Yahtzee! Soccer! Give it the old college try!
(abstract oils crash and burn in a watchtower atop of your New Life)
It's Something to do with your Mouth, It's Something to do with your Hands, but we couldn't tell you why $2.50 wasted matters more than four months and the casual flinging of my (god forbid)
i n n o c e n c e
(you're happy and i'm unconscious, so in theory we're on the same wavelength - Right?)
can you assure me that everyone has two decades of nauseating mediocrity
or no - is it just me?
we Need coffee! we Need love! dread has to be evenly distributed - don't leave your years of it at my door!
(i don't want anybody's advice unless it's on how to fashion a fully-functioning noose)
tiny lips and long socks - i can't stop being in love with the whole two-eye/two-ear/nose/mouth ordeal but i'm utterly left-handed in my lust and i swear to god both hands are empty - but that's something else entirely
(back to where we started from, in bleeding headlights swimming on deserted streets)
'just wanted to throw an XO your way' say the eyes of every crossword connection i bend over backwards to trying to cater it to my thoughts of you
(For Sale: a storage unit of journals filled with sketches of you - it's pink and mushy and curled inside my head, if you're into that)
and it's only when we're in a bed together at 3:26 AM that belongs to neither you or me that i can consciously eliminate emptied emotions and neatly file them onto typeface notes hidden in bouquets decorating the dismal-ities of my freshly-planted tombstone
(fuse our bodies together and let's make this sarcophagus a necrophilia-polis)
Oct 12, 2013
Oct 12, 2013 at 2:24 AM UTC
That sparkle,
that immeasurably forgiving joy and affection is gone,
but the sound of your voice is just familiar enough to make me remember it.
What we're doing here is necrophilia.
It's gross, but we're ******* something that's dead and we both know it.
I think we thought we could bring it back to life with our selfish demands,
but this coffin isn't as comforting as we'd hoped it would be.
We've never talked about the time between,
that period of time when we never talked.
We should have talked.
Without words, you had nowhere to be angry so you swallowed your truths and they turned into blame.
I can feel it when you look at me,
I don't sparkle anymore.
Well, neither do you.
When we talk we say the least, yet every word has a barb.
Too jaded for affection we bob and weave through a minefield of unacknowledged truths.
Our words rot in our bellies while we sew each others mouths shut.
We never wanted this sort of intimacy.
We let the poison out with play, the kind that's done with knives.
So here we are, playing with knives in a minefield,
the only sound is our own hollow laughter.
Behind every "never mind" and "just kidding",
behind the scoreboard of our interactions and every slap of my *** are two shadows;
one covered in armor from breast to backbone,
and one purging a river of poison.
We're chasing a past we know we can't have back,
and the echoes of our old feelings make the silence so much louder than it was
when we didn't talk.
We were beautiful this summer, helplessly alive.
We had such good intentions but the silence and the miles and the fear have made this thing pale,
dead looking.
We try hard to be sorry.
Every kindness hurts because it tastes like the past,
so now instead we barter in bed.
Turns out *** without affection falls under Services Rendered,
but the shape of you so near to me makes me miss you more than I can bare and if you call me tonight, I'll probably answer.
I guess sometimes the only way to make sure something's not still alive is to poke it with a stick a few times.
Jan 21, 2013
Jan 21, 2013 at 1:01 AM UTC
while the lovers
BOO HOO
(in synchopated style!)
while they cry
they and their lover
are being murdered
but
"its alright
and it would be alright
if only you were here"
--
YOUR LOVER IS ALREADY A CORPSE!
--
your love
is
NECROPHILIA!
--
what da hell
is wrong with everybody?
Nov 13, 2010
Nov 13, 2010 at 11:00 AM UTC
Sy vra: "Hoekom is jy nou so n non"?
Ek sê: **** is mos eintlik net vir die lewendes".
Ek is my eie memento mori.
Jy is die oorsaak van dood.
Laat dit so op my graf geskrywe staan:
-Hier lê die skerwe van iets amper heel-
,want nou sit ek weer aan jou tafel
en my laaste maaltyd is n herkouing
van spoegsels vergete tye saam met jou
En ek kou en ek kou en ek onthou:
*** warm jou hande was teenoor jou hartskou
, *** gretig jy was om my vas te hou
en na die tyd toe te snou.
"Ek sit nou waar jy gesit het"
, grinnik jou wellus oor die porselein rand
en ek wil vir jou sê staan op en gee vet
want almal wat daardie stoel beset
wals met die noodlot en wink vir seer.
"Kom ons probeer , nog n keer"
Sê jou hand langs jou ritsluiter
, maar ek voel n veer
, want kadawers ken nie lustigheid nie
en ek is oorgebalsem met n gelofte.
Los die dooies dat ons rus,
Los daardie "ons" begrawe in die kis.
Feb 18, 2017
Feb 18, 2017 at 12:51 PM UTC
*i vent, i'm sure you heard of the invention known as the ventilator... it's like a lung-clone-subservient of a "nanny quality" of automating the words: breathe in... breathe out... breathe in... it precursors the in and outsources the *out, there's a cult-like-scheme involving the use of... the stated tools... worthy of a suggestion that epitomises August as the month of harvest - i.e. the sun finally sets to auburn crops and **** me, isn't the bread rightly puffy?! toad-squidgy aye aye? go on, give us a burping caricature of a squeeze!*
imagine uttering the words:
i hope your mother lies
eternally run-sacked with hopes
of former ****** glory,
***** bleeding,
as if a Mongolian horde just passed
her with a glorious encore of
clapping to match...
because that's what i assert
as been done to my mother,
you don't even understand the verb
or adjective or conjunction behind
the noun.... after all, you're an African
Muslim and a pyramid builder,
a *******
jaded jock-strap and gag's
worth of you the Ben & Jerry...
praise the Koran
but don't understand that behind
each noun there's a collective grammatical
structure, **** you English political correctness,
**** you! **** YOU! have your Reagent's Street
and Oxford Street, have 'em!
behind the noun all grammatical categories
follow suite... universal noun, what category
for the particular? ape transforms into apish,
or Quasimodo or ~ape, nouns are units,
like centimetres, forget the other things, unless you:
let the shoppers drop dead like flies!
but imagine saying the words:
i hope your mother gets gang-raped by
an equivalent of a Mongolian horde;
yep, Mongolian necrophilia.
you said it to my mother, and i'm mourning,
alive, and counting.... once more... so **** you*!
Jun 15, 2016
Jun 15, 2016 at 2:02 PM UTC
it's necrophilia
but come on, professor! you
know that stuff is hot.
Aug 29, 2014
Aug 29, 2014 at 2:48 PM UTC
I think the clock is off now
Conversations getting soft now
Thank you for talking to me
Why did you I don’t know
I got nowhere to be
Got nowhere to go
I could sit all day
At this table
All alone
Looking at you
Ill leaving in awhile baby
Nothing else matters but right now
Your words of hysteria
Verbal cafeteria
Speak of necrophilia
Learning new things
Making my head spin
I could sit all day
At this table
All alone
Looking at you
Ill leaving in awhile baby
Nothing else matters but right now
Your eyes engage me
Your opinions enrage me
Your insults don’t phase me
Let’s just share a laugh
Make these moments last
I could sit all day
At this table
All alone
Looking at you
Ill leaving in awhile baby
Nothing else matters but right now
Dec 3, 2013
Dec 3, 2013 at 5:54 PM UTC
this one is of a lesser activity, it doesn't
really involve the nine jokes of egypt
and the final "plague" / ultimate condemnation
of what ideal was reigning egypt at the time:
architectural necrophilia - the pyramids
are just that, not the modern sense of
the word, the old sense of it, in terms of architecture;
but unlike the pillar of fire ahead,
and the pillar of smoke that attracts
atheists... this aversion to the fire is also
a grecian sentiment to the near simplicity
of the hebrews when pre-socratics arose,
followed by the students of socrates and
archimedes - it's very much a testimony of zeus
and hades - lightning ahead, and thunder
behind... indeed if hades is not a person
but a realm (typical human fear exampled)
hades bellows, howls and snarls like a hungry wolf:
the lightning is representative of the sharpness
of cognition - the origin of science and
the laconic darwinism of aristotle - hidden for
so long and almost entirely discarded because
it was more interesting for man to represent man:
in all affairs orientating man to man,
rather than man to conservation projects -
not why the rhino evolved to have a horn,
but why would man evolve to cut it off...
given man sharpened flint and put it on
the end of a spear and made ivory not a weapon
the rhino deems fit... but an ornament of
a tea table leg in beijing;
the thunder? we all know who coined the
endowment if one follows him - st. peter,
paul, matthew john etc. were known as sons
of thunder... strange that they were not
known as sons of lightning... i guess dim witted
is adequate enough to provide comparison -
shouting maniacs who didn't really bother to think.
Dec 16, 2015
Dec 16, 2015 at 6:26 AM UTC