I met Neal Cassady last night in a waking dream sitting across from me with his back turned to the noise; the bar was loud. He repeatedly leaned forward and asking if I wanted a smoke.
        He looked just like Neal, talked like him. I hated and admired him just like I would the real Neal Cassady. His mind was incredible; beyond the worries of mortality, no thoughts or pains of hubris. He had the candor that I lacked only because I hadn't the nerve to jump first. When I asked him if he truly was the great Cassady, he stared at me from across the table with a wry smile; patted his breast pocket down, leaned back and said as he turned with precision out of his chair,
        "Let's go for a smoke".
        Such practiced determination, he was already outside before I had put on my coat. Of course I had no cigarettes of my own, he had expected me to bring one for the both of us. But I for one expected him to procure an entire carton by the time I was outside; one bent cigarette from every Saintly being at the bar.
        And what a bar! Great young gone gals; dressed in short skirts and long autumn coats; wool scarves around their necks and under chins beneath cold steel eyes. Ahh, forever young the white dresses and mistresses of the college bar.
        By the time I had opened the door and exhaled my first breath of the crisp night air, Neal was playing the part of locomotive engine with a German couple who were smoking and pretending to be Parisian. The three of them were standing in formation of a triangle on the edge of a stone staircase with a railing leading down into a steep lawn with Neal’s back facing the moon. It was all arranged in a perfect geometric mandala of overlapping Platonic solids.
        As I approached the cloud, Neal was recounting the tale of a nurse he had lain in the backseat of her father's station wagon in Nebraska in the heat of the afternoon sun. The German man was stocky and ill-dressed for the weather. He told me later that his name was Heinrich, but I did not believe him even though I knew he had nothing to hide. The woman whom I believed to be only his girlfriend told me, with a thick German accent, that her name was Deline. I believed her. She was well-dressed for the weather and smoking heavily; style is everything.
        "They've graciously offered to roll us a dozen", Neal expelled between great gusts of smoke, a boyish grin smeared on his face by the thousand red lips and wet ***** of passed consequence. Even in the light of a single lamppost coming through the haze that billowed forth from the three talking chimneys, I could still see a sheen in Neal's eye. The sort of sheen that implied hooliganisms. The sort of sheen you see before a person flies off the handle. The exact sheen you see before you wake up tomorrow in the late light of the afternoon, wondering who the Hell took your hand last night and jumped into total darkness with you. That is, if there was somebody around to take your hand.
        I liked Neal.
                He had a style about him that reminded me of a dark velvet curtain. Once you had passed through that curtain in your business casual attire, you witnessed the burgundy coloured stain of truth. There was no backpedaling after that; your chains would knot up and you would fall off the ride if you tried.
        The German couple looked around at their surroundings and the both of us with a degree of boredom. I had seen them earlier in the bar, they looked bored then too. Neither had spoken to the other once and I was beginning to feel like we were exasperating them.
        “Who cares? They offered to roll us a dozen” I thought. What did it matter how Neal got them to do it, they've offered twelve cigarettes and now they belong to us.
        Deline handed Neal and I six cigarettes each; they were magnificently rolled.
        “Goodbye, then! Thank you for your business”, Neal said and slid down the railing to the lawn below, lighting his cigarette mid-slide. I had just lit mine and started after him down the staircase. I turned around and spoke clumsily with a cigarette bobbing at the corner of my mouth,                      
        “Yes… thanks”, and left without another word.

        Neal walked with sporadic intensity; arms often stabbing out into the blanket of night; legs that would walk straight and stiff but then bent and fast with sudden changes as if he was preparing to spring off into the evening of speckled lampposts and smoke. His head bobbed West to East, North to South, and all Axis’ between X, Y and Z. The more I stared at this character whom I called Neal the more I thought of him as an illusion of my own delusions. When I had finished that thought, Neal had spun around and laughed a good hearty and honest laugh; he seemed to have read my mind and proceeded to flick the space between by eyebrows with his thumb and *******. The pain was real enough. This Neal must be real, unless I had gone full mad with lunacy. We blasted off down the avenue which connected the college bar to the dormitories and the library after that.
        Beyond the avenue laid the cozy valley of goodnight downtown with all it’s lights of sodium pearls below and us upon the hill top looking down with eager intensity. Neal gave another rounded laugh and stared with mad eyes above my head and pointed straight up into the sky at Sirius.
        “Tonight, yes yes, we go out. Not just out, my dear friend, but up. Yes yes, to the great up-and-over. Beyond the next stop we absolutely must climb.”

         I don’t know what mad beast had possessed me that evening but I followed this ghost; this great memory of romantic America into the heart of the infinite night.
        “Good gal Deline”, said Neal

        “Who?” I replied
        “Nimble fingers, strong hands for the German working class” he said, “Great gone gal. Good gal. Fine gal by all standards of beauty and sleek german ingenuity”
        “Hmm”, I responded inhaling my cigarette deeply. The Germans were just fine at rolling, but the tobacco was all American. It was harder and harder for me to physically keep up with Neal. He kept speeding off sporadically twenty feet in front of me, sometimes stopping and spouting at young folks asking for cigarettes. 

        “But you’ve already got one” They would say

        “Yes yes, but it’s for when I’m not smoking one is why I want one”, Neal would answer as he trailed off further and further down the road. They thought he was mad, but they all smiled nonetheless.

        My curiosity was brimming. Who was this mad man? Who was this loon impersonator of the American night? I could not stand by my idle silence and unquestioning.
        “What’s the plan tonight?”, I asked

        “What plan? No good plan. Only great plan and great plain rising higher and higher and we will be up all night but on top of the world for we must climb up and up forever until we can climb no more, and then after we can climb no more then we must climb a little further for life itself is nothing more than an infinite climb ever higher and why not get there faster than all the rest?”

        I had stopped walking and Neal’s voice echoed and vibrated the walls of the stairs between the library and the meal hall. His voice was like that of mountain that had slid beneath the ground reborn into an endless peak above.
“Jailbird Cassidy. Great bellowing Cassidy all energy and no direction, but getting there in no time just the same Cassidy”, I thought to myself.
“I trust you Neal”, I had said out loud.
“Not yet! First great big night time breakfast for you and me, for one can not climb without a good energy and good rounded stomach digested of food and stories.”

THE LEGEND OF HOLLYWOOD IN VERSE
Dear Readers, I have tried to cover the salient features of this True Story in free flowing verse mainly with end rhymes. If you read it loud, you can hear the chimes! Due to the short attention span of my readers I had to cut short this long story, and conclude with the
Golden Era of Hollywood by stretching it up to the 1950's only. When TV began to challenge the Big Screen Cinema seriously! I have used only a part of my notes here. Kindly read the entire poem and don't hesitate to know many interesting facts - which I also did not know! I wish there was a provision for posting a few interesting photographs for you here. Best wishes, - Raj Nandy, New Delhi.  

                 THE LEGEND OF HOLLYWOOD :
                        THE AMERICAN  DREAM
                             BY RAJ NANDY

           A SHORT  HISTORICAL  BACKGROUND
Since the earliest days, optical toys, shadow shows, and ‘magic
lanterns’, had created the illusion of motion.
This concept was first described by Mark Roget in 1824 as  
the 'persistent of vision'.
Giving impetus to the development of big screen cinema with its
close-ups, capturing all controlled and subtle expressions!
The actors were no longer required to shout out their parts with
exaggerated actions as on the Elizabethan Stage.
Now even a single tear drop could get noticed easily by the entire
movie audience!
With the best scene being included and edited after a few retakes.
To Thomas Edison and his able assistant William Rogers we owe the invention of Kinetoscope, the first movie camera.
On the grounds of his West Orange, New Jersey laboratory, Edison
built his first movie studio called the ‘Black Maria’.   (1893)
He also purchased a string of patents related to motion picture
Camera; forming the Edison Trust, - a cartel that took control of
the Film Industry entire!

Fort Lee, New Jersey:
On a small borough on the opposite bank of the Hudson River lay
the deserted Fort Lee.
Here scores of film production crews descended armed with picture Cameras, on this isolated part of New Jersey!
In 1907 Edison’s company came there to shoot a short silent film –
‘Rescue From an Eagle’s Nest’,
Which featured for the first time the actor and director DW Griffith.
The independent Chaplin Film Company built the first permanent
movie studio in 1910 in Fort Lee.
While some of the biggest Hollywood studios like the Universal,
MGM, and 20th Century Fox, had their roots in Fort Lee.
Some of the famous stars of the silent movie era included ‘Fatty’
Arbuckle, Will Rogers, Mary Pickford, Dorothy and Lillian Gish,
Lionel Barrymore, Rudolph Valentine and Pearl White.
In those days there were no reflectors and electric arch lights.
So movies were made on rooftops to capture the bright sunlight!
During unpredictable bad weather days, filming had to be stopped
despite the revolving stage which was made, -
To rotate and capture the sunlight before the lights atarted to fade!

Shift from New Jersey to West Coast California:
Now Edison who held the patents for the bulb, phonograph, and the Camera, had exhibited a near monopoly;
On the production, distribution, and exhibition of the movies which made this budding industry to shift to California from
New Jersey!
California with its natural scenery, its open range, mountains, desert, and snow country, had the basic ingredients for the movie industry.
But most importantly, California had bright Sunshine for almost
365 days of the year!
While eight miles away from Hollywood lay the port city of Los Angeles with its cheap labour.

                        THE RISE  OF  HOLLYWOOD
It was a real estate tycoon Harvey Wilcox and his wife Daeida from
Kansas, who during the 1880s founded ‘Hollywood’ as a community for like-minded temperate followers.
It is generally said that Daeida gave the name Hollywood perhaps
due to the areas abundant red-berried shrubs also known as
California Holly.
Spring blossoms around and above the Hollywood Hills with its rich variety,  gave it a touch of paradise for all to see !
Hollywood was incorporated as a municipality in 1903, and during
1910 unified with the city of Los Angeles.
While a year later, the first film studio had moved in from New
Jersey, to escape Thomas Edison’s monopoly!    (1911)

In 1913 Cecil B. De Mille and Jesse Lasky, had leased a barn with
studio facilities.
And directed the first feature length film ‘Squaw Man’ in 1914.
Today this studio is home to Hollywood Heritage Museum as we get to see.
The timeless symbol of Hollywood film industry that famous sign on top of Mount Lee, was put up by a real estate developer in 1923.  
This sign had read as ‘’HOLLY WOOD LAND’’ initially.
Despite decades of run-ins with vandals and pranksters, it managed to hang on to its prime location near the summit of the Hollywood Hills.
The last restoration work was carried out in 1978 initiated by Hugh
Hefner of the ******* Magazine.
Those nine white letters 45 feet tall now read ‘HOLLYWOOD’, and has become a landmark and America’s cultural icon, and an evocative symbol for ambition, glamour, and dream.
Forever enticing aspiring actors to flock to Hollywood, hypnotised
by lure of the big screen!

                     GOLDEN AGE OF HOLLYWOOD
The Silent Movie Era which began in 1895, ended in 1935 with the
production of ‘Dance of Virgins’, filmed entirely in the island of Bali.
The first Sound film ‘The Jazz Singer’ by Warner Bros. was made with a Vitaphone sound-on-disc technology.  (October 1927)
Despite the Great Depression of the 1930s, this decade along with the 1940s have been regarded by some as Hollywood’s Golden Age.
However, I think that this Golden Age includes the decades of the
1940s and the 1950s instead.
When the advent of Television began to challenge the Film Industry
itself !

First Academy Award:
On 16th May 1929 in the Roosevelt Hotel on Hollywood Boulevard,
the First Academy Award presentation was held.
Around 270 people were in attendance, and tickets were priced at
$5 per head.
When the best films of 1927 & 1928 were honored by the Academy
of Motion Production and Sciences, or the AMPS.
Emil Jennings became the best actor, and Janet Gaynor the best actress.
Special Award went to Charlie Chaplin for his contribution to the
silent movie era and for his silent film ‘The Circus’.
While Warren Brothers was commended for making the first talking picture ‘The Jazz Singer’, - also receiving a Special Award!
Now, the origin of the term ‘OSCAR’ has remained disputed.
The Academy adopted this name from 1939 onwards it is stated.
OSCAR award has now become “the stuff dreams are made of”!
It is a gold-plated statuette of a knight 13.5 inches in height, weighing 8.5 pounds, was designed by MGM’s art director Cedric Gibbons.
Annually awarded for honouring and encouraging excellence in all
facets of motion picture production.

Movies During the Great Depression Era (1929-1941):
Musicals and dance movies starring Fred Astaire and Ginger Rogers provided escapism and good entertainment during this age.
“Ginger Rogers did everything Fred Astaire did. She just did it
backwards and in high heels,” - the Critics had said.
This compatible pair entertained the viewers for almost one and
a half decade.
During the ‘30s, gangster movies were popular starring James Cagey, Humphrey Bogart, and Edward G. Robinson.
While family movies had their popular child artist Shirley Temple.
Swashbuckler films of the Golden Age saw the sword fighting scenes of Douglas Fairbanks and Errol Flynn.
Flynn got idolized playing ‘Robin Hood’, this film got released in
1938 on the big screen!
Story of the American Civil War got presented in the epic ‘Gone With The Wind’ (1939) with Clarke Gable and Vivian Leigh.
This movie received 8 Oscars including the award for the Best Film, - creating a landmark in motion picture’s history!
More serious movies like John Steinbeck’s ‘Grapes of Wrath’ and
John Ford’s  ‘How Green Was My Valley’, were released in 1940 and 1941 respectively.
While the viewers escaped that depressive age to the magical world
of  ‘Wizard of Oz’ with its actress Judy Garland most eagerly!
Let us not forget John Wayne the King of the Westerns, who began
his acting career in the 1930s with his movie ‘The Big Trail’;
He went on to complete 84 films before his career came to an end.
Beginning of the 40s also saw Bob Hope and the crooner Bing Crosby, who entertained the public and also the fighting troops.
For the Second World War (1939-45) had interrupted the Golden Age of Hollywood.
When actors like Henry Fonda, Clarke Gable, James Stewart and
Douglas Fairbanks joined the armed forces temporarily leaving
Hollywood.
Few propaganda movies supporting the war efforts were also made.
While landmark movies like ‘Philadelphia Story’, ‘Casablanca’, ‘Citizen Kane’,
‘The Best Years of Our Lives’, were some of the most successful movies of that decade.  (The 1940s)
Now I come towards the end of my Hollywood Story with the decade  of the 1950s, thereby extending the period of Hollywood’s Golden Age.
Since having past the Great Depression and the Second World War,  the Hollywood movie industry truly matured and came of age.

                        HOLLYWOOD  OF  THE  1950s

BACKGROU­ND:
The decade of the ‘50s was known for its post-war affluence and
choice of leisure time activities.
It was a decade of middle-class values, fast-food restaurants, and
drive-in- movies;
Of ‘baby-boom’, all-electric home, the first credit cards, and new fast moving cars like the Ford, Plymouth, Buick, Hudson, and Chevrolet.
But not forgetting the white racist terrorism in the Southern States!
This era saw the beginning of Cold War, with Eisenhower
succeeding Harry S. Truman as the American President.
But for the film industry, most importantly, what really mattered  
was the advent of the Domestic TV.
When the older viewers preferred to stay at home instead of going
out to the movies.
By 1950, 10.5 million US homes had a television set, and on the
30th December 1953, the first Color TV went on sale!
Film industries used techniques such as Cinemascope, Vista Vision,
and gimmicks like 3-D techniques,
To get back their former movie audience back on their seats!
However, the big scene spectacle films did retain its charm and
fantasy.
Since fantasy epics like ‘The Story of Robin Hood’, and Biblical epics like ‘The Robe’, ‘Quo Vadis’, ‘The Ten Commandments’ and ‘Ben-Hur’, did retain its big screen visual appeal.
‘The Robe’ released on 16th September 1953, was the first film shot
and projected in Cinema Scope;
In which special lenses were used to compress a wide image into a
standard frame and then expanded it again during projection;
Resulting in an image almost two and a half times as high and also as wide, - captivating the viewers imagination!

DEMAND FOR NEW THEMES DURING THE 1950s :
The idealized portrayal of men and women since the Second World War,
Now failed to satisfy the youth who sought exciting symbols for rebellion.
So Hollywood responded with anti-heroes with stars like James Dean, Marlon Brando, and Paul Newman.
They replaced conventional actors like Tyron Power, Van Johnson, and Robert Taylor to a great extent, to meet the requirement of the age.
Anti-heroines included Ava Gardner, Kim Novak, and Marilyn Monroe with her vibrant *** appeal;
She provided excitement for the new generation with a change of scene.
Themes of rebellion against established authority was present in many Rock and Roll songs,
Including the 1954 Bill Hailey and His Comets’ ‘Rock Around the Clock’.
The era also saw rise to stardom of Elvis Presley the teen heartthrob.
Meeting the youthful aspirations with his songs like ‘Jailhouse Rock’!
I recall the lyrics of this 1957 film ‘Jailhouse Rock’ of my school days, which had featured the youth icon Elvis:
   “The Warden threw a party in the county jail,
     The prison band was there and they began to wail.
     The band was jumping and the joint began to sing,
     You should’ve heard them knocked-out jail bird sing.
     Let’s rock, everybody in the whole cell block……………
     Spider Murphy played the tenor saxophone,
     Little Joe was blowing the slide trombone.
     The drummer boy from Illinois went crash, boom, bang!
     The whole rhythm section was the Purple Gang,
      Let's rock,.................... (Lyrics of the song.)

Rock and Roll music began to tear down color barriers, and Afro-
American musicians like Chuck Berry and Little Richard became
very popular!
Now I must caution my readers that thousands of feature films got  released during this eventful decade in Hollywood.
To cover them all within this limited space becomes an impossible
task, which may kindly be understood !
However, I shall try to do so in a summarized form as best as I could.

BOX OFFICE HITS YEAR-WISE FROM 1950 To 1959 :
Top Ten Year-Wise hit films chronologically are: Cinderella (1950),
Quo Vadis, The Greatest Show on Earth, Peter Pan, Rear Window,
Lady and the *****, Ten Commandments, Bridge on the River
Kwai, South Pacific, and Ben-Hur of 1959.

However Taking The Entire Decade Of 1950s Collectively,
The Top Films Get Rated As Follows Respectively:
The Ten Commandments, followed by Lady and the *****, Peter Pan, Sleeping Beauty, Bridge on the River Kwai, Around the World in Eighty Days, This is Cinerama, The Greatest Show on Earth, Rear Window, South Pacific, The Robe, Giant, Seven Wonders of the World, White Christmas, Twenty Thousand Leagues Under the Sea, Sayonara, Demetrius and the Gladiator, Peyton Place, Some Like It Hot, Quo Vadis, and Auntie Mame.

Film Debuts By Rising Stars During The 1950s :
The decade of the ‘50s saw a number of famous film stars making
their first appearance.
There was Peter Sellers in ‘The Black Rose’, Marlon Brando in
‘The Men’, and actress Sophia Loren in ‘Toto Tarzan’.
Following year saw Charles Bronson in ‘You Are in the Navy Now’,
Audrey Hepburn in ‘Our Wild Oats’, and Grace Kelly, the future
Princess of Monaco, in her first film ‘Fourteen Hours’. (1951)
While **** Brigitte Bardot appeared in 1952 movie ‘Crazy for Love’; and 1953 saw Steve Mc Queen in ‘******* The Run’.
Jack Lemon, Paul Newman, and Omar Sharif featured in films
during 1954.
The following year saw Clint Eastwood, Shirley Mc Lean, Walter
Matthau, and Jane Mansfield, all of whom the audience adored.
The British actor Michael Cain appeared in 1956; also Elvis Presley
the youth icon in ‘Love Me Tender’ and as the future Rock and Roll
King!
In 1957 came Sean Connery, followed by Jack Nicholson, Christopher Plummer, and Vanessa Redgrave.
While the closing decade of the ‘50s saw James Coburn, along with
director, script writer, and producer Steven Spielberg, make their
debut appearance.

Deaths During The 1950s: This decade also saw the death of actors
like Humphrey Bogart, Tyron Power and Errol Flynn.
Including the death of producer and director of epic movies the
renowned Cecil B. De Mille!
Though I have conclude the Golden Age of Hollywood with the 50’s Decade,
The glitz and glamour of its Oscar Awards continue even to this day.
With its red carpet and lighted marquee appeal and fashion display!

CONTINUING THE HOLLYWOOD STORY WITH FEW TITBITS :
From Fort Lee of New Jersey we have travelled west to Hollywood,
California.
From the silent movie days to the first ‘talking picture’ with Warren
Bros’ film ‘The Jazz Singer’.  (06 Oct 1927)
On 31st July 1928 for the first time the audience heard the MGM’s
mascot Leo’s mighty roar!
While in July 1929 Warren Bros’ first all-talking and all- Technicolor
Film appeared titled - ‘On With The Show’.
Austrian born Hedy Lamarr shocked the audience appearing **** in a Czechoslovak film ‘Ecstasy’!  (1933)
She fled from her husband to join MGM, becoming a star of the
‘40s and the ‘50s.
The ‘Private Life of Henry VII’ became the first British film to win the  American Academy Award.  (1933)
On 11Dec 1934, FOX released ‘Bright Eyes’ with Shirley Temple,
who became the first Child artist to win this Award!
While in 1937 Walt Disney released the first full animated feature
film titled - ‘Snow White and the Seven Dwarf ‘.
The British film director Alfred Hitchcock who came to
Hollywood later;
Between 1940 and 1947, made great thrillers like 'Rebecca', ‘Notorious’, ‘Rear Window’, and ‘Dial M for ******’.
But he never won an Oscar as a Director!

THE GOLDEN GLOBE AWARD:
This award began in 1944 by the Foreign Correspondence Association at
the 20th Century Fox Studio.
To award critically acclaimed films and television shows, by awarding a
Scroll initially.
Later a Golden Globe was made on a pedestal, with a film strip around it.
In 1955 the Cecil B. De Mille Award was created, with De Mille as its first
recipient.

THE GRAMMY AWARD:
In 1959 The National Academy of Recording and Sciences sponsored the
First Grammy Award for music recorded during 1958.
When Frank Sinatra won for his album cover ‘Only The Lonely’, but he
did not sing.
Among the 28 other categories there was Ella Fitzgerald, and Count Basie
for his musical Dance Band Performance.
There was Kingston Trio’s song ‘Tom Dooly’, and the ‘Chipmunk Song’,
which brings back nostalgic memories of my school days!

CONCLUDING HOLLYWOOD STORY  WITH STUDIOS OF THE 1950s

Challenge Faced by the Movie Industry:
Now the challenge before the Movie Industry was how to adjust to the
rapidly changing conditions created by the growing TV Industry.
Resulting in loss of revenue, with viewers getting addicted to
their Domestic TV screen most conveniently!

The late 1950s saw two studios REPUBLIC and the RKO go out of business!
REPUBLIC from 1935- ‘59 based in Los Angeles, developed the careers of
John Wayne and Roy Rogers, and specializing in the Westerns.
RKO was one of the Big Five Studios of Hollywood along with Paramount,
MGM, 20th Century Fox, and Warner Brothers in those days.

RKO Studio which begun with Fred Astaire and Ginger Rogers in the ‘30s,
included actress Katherine Hepburn who holds the record for four Oscars
even to this day;
And later had Robert Mitchum and Carry Grant under an agreement.
But in 1948, RKO Studio came under the control Howard Hughes the
temperamental Industrialist.
Soon the scandal drive and litigation prone RKO Studio closed, while
other Big Four Studios had managed to remain afloat!


PARAMOUNT STUDIO:
Paramount Studio split into two separate companies in 1950.
Its Theatre chain later merged with ABC Radio & Television Network;
And they created an independent Production/Distribution Network.
Bing Crosby and Bob Hope had been Paramount’s two biggest stars.
Followed by actors like Alan Ladd, William Holden, Jerry Lewis, Dean
Martin, Charlton Heston, and Dorothy Lamour.
They also had the producer/director Cecil B. De Mille producing high-
grossing Epics like ‘Samson & Delilah’ and ‘The Ten Commandments’.
Also the movie maker Hal Wallis, who discovered Burt Lancaster and
Elvis Presley - two great talents!

20th CENTURY FOX:
Cinema Scope became FOX’s most successful technological innovation
with its hit film ‘The Robe’. (1953)
Its Darryl Zanuck had observed during the early ‘50s, that audience  
were more interested in escapist entertainments mainly.
So he turned to FOX to musicals, comedies, and adventure stories.
Biggest stars of FOX were Gregory Peck & Susan Hayward; also
stars like Victor Mature, Anne Baxter, and Richard Wind Mark.
Not forgetting Marilyn Monroe in her Cinema Scope Box Office hit
movie - ‘How to Marry a Millionaire’, which was also shown on
prime time TV, as a romantic comedy film of 1953.

WARREN BROTHERS:
During 1950 the studio was mainly a family managed company with
three brothers Harry, Albert, and Jack Warren.
To meet the challenges of that period, Warren Bros. released most of
its actors like James Cagney, Humphrey Bogart, Oliver de Havilland, -
Along with few others from their long-term contractual commitments;
Retaining only Errol Flynn, and Ronald Regan who went on to become
the future President.
Like 20th Century Fox, Warren Bros switched to musicals, comedies,
and adventure movies, with Doris Day as its biggest musical star.
The studio also entered into short term agreements with Gary Copper,
John Wayne, Gregory Peck, Patricia Neal, and Random Scott.
Warren Bros also became the first major studio to invest in 3-D
production of films, scoring a big hit with its 3-D  suspense thriller
‘House of Wax’ in 1953.

MINOR STUDIOS were mainly three, - United Artists, Columbia, and
The Universal.
They did not own any theatre chain, and specialized in low-budgeted
‘B’ Movies those days.
Now to cut a long story short it must be said, that Hollywood finally
did participate in the evolution of Television industry, which led to
their integration eventually.
Though strategies involving hardware development and ownership of
broadcast outlets remained unsuccessful unfortunately.
However, Hollywood did succeed through program supply like prime-
time series, and made-for-TV films for the growing TV market making
things more colorful!
Thus it could be said that the TV industry provided the film industry
with new opportunities,  laying the groundwork for its diversification
and concentration;
That characterized the entertainment industry during the latter half  
of our previous century.
I must now confess that I have not visited the movie theatre over the last
two decades!
I watch movies on my big screen TV and my Computer screen these days.
Old classical movies are all available on ‘You Tube’ for me, and I can watch
them any time whenever I am free!
Thanks for reading patiently, - Raj Nandy.
**ALL COPYRIGHTS ARE WITH THE AUTHOR RAJ NANDY OF NEW DELHI

Neal Cassady
February 8 ,1926  -  February 4 , 1968
San Miguel D'Alene , Mexico

Dead from extreme exposure
Four days short of forty-two

Only fitting , next to a railroad track
He had many words to haul back

The wolf sleeps next to the silver rail
Howling at a silver moon that fell

I see here he drove a ******* Cadillac
Through the San Francisco streets

With the top down
Smiling free , it was meant to be

Life is a quasar

Friendships are easy to lose when you play competitive videogames, rage quits and pride on the line, and yeah that's when things get insane. Smash bros, tekken, street fighter, king of fighters and mortal kombat, the greatest fighting games to ever come out of game designers hats. Its magic man, its addictive like gambling, who is the best gamer and who is a noob that everyone be trampling. Gg bro, even though we don't mean it though, your not as good as us, compared to us you are nothing but a ***. Powning and owning all you suckers, PC or console gaming, either way you are bound to find some trolling little *******. Gamer life, and one aspect of the nerd life, but there is more to our expansive life. There are the: know it all’s who can reference anything and corrects everything everyone says, and if you can't keep up, you can have a nice day. Star trek and star wars, collecting action figures that are definitely not dolls, roll them dice boy to see if our clan survives going down the falls. Dungeons and dragons, role-playing in a fantastic fantasyland, joining clubs like board games, videogames, writing, reading or band. Make fun of us now, but in the future we could be your bosses, so think about the next time you say that were wasting time trying to beat a dark souls boss. Cosplaying and reading comic books, this is the nerd life man, relaxing in our snuggies and croc's. Don't judge us without getting to know us, who knows you might want to get on the nerd bus. On a mission like Frodo or harry, going faster than the speed force just call us Barry. Feeling lucky punk, riding over you like a monster truck. Nintendo, Sony, Microsoft, steam, Sega, and PC, may just be me but I love it all, I'm not picky I appreciate things as they are like Marvel and DC.  Go go gadget, hate getting stuck traffic, I'm not the killer, I'm as innocent as Rodger rabbit. Please Ed, edd, and eddy, don't need to cause a scene because that would be pretty petty. What's the sitch wade, better beat those bad guys that choose to miss behave even if it effects my school grade. Kids that watch Cartoon Network nowadays will never how awesome it used to be, shows like samurai jack, power puff girls, Johnny bravo or Dexter’s laboratory. Duck hunting, ****** tunes and chill binge on anime and the only slam-dunk we do is Denny's pancakes sorry Shaquille O’Neal. Pocket protecting fiends; not to good at puberty, man we spending it all watching reality kings. New beginnings, love seeing what’s new at e3 each year, except for waiting for that game to arrive, counting the days till it finally appears. This the Nerd life, I may have never got the attention of girls when I was young but who knows I may just find myself a nerd wife. I can't wait to show my kids all that I know, the circle of life man, now I have a new perspective on watching this kid of mine grow. Future hopes, future class blasting off into possibilities, nerd life man better build up my durability.

like a hot-wheel guided by
a holy hand above, he makes
impossible feats as if the car
creates the road, his free hand
is just as busy making
fanatic gestures to guide
scrambled linguistics
or it rests out the window
seeking a courtship
with the wind
clasping the door handle, wide-eyed
the passenger rides safely adjacent to Fear,
but at every turn Momentum carries Fear deep into the heart
where its is pumped via veins, icing the body
with awe inspiring visions.
Visions controlled by the last true
American Driver.
He drives like only a thief
can, poised by paranoia, pure thrill
achieved only through the drive, race or
getaway.

in a past life,
Neal was a great Outlaw
outrunning potbelly sheriffs
to plump on the saddle to rival
the great horsemen of their day
he’d chase trains down,
taming and taunting them
with speed and skill.
or
perhaps
he was a horse himself.
a terrific thoroughbred
bluegrass fed.
tritting
   trotting
his way to a Triple Crown.
trainers fed him Benzedrine
to gage the beast. they feared
he would run through the finish line
and straight across the country
like a maniacal madman
looking for the last
true road

I lie on my back at midnight
hearing the marvelous strange chime
of the clocks, and know it's mid-
night and in that instant the whole
world swims into sight for me
in the form of beautiful swarm-
ing m u t t a worlds-
everything is happening, shining
Buhudda-lands,
bhuti

blazing in faith, I know I'm
forever right & all's I got to
do (as I hear the ordinary
extant voices of ladies talking
in some kitchen at midnight
oilcloth cups of cocoa
cardore to mump the
rinnegain in his
darlin drain-) i will write
it, all the talk of the world
everywhere in this morning, leav-
ing open parentheses sections
for my own accompanying inner
thoughts-with roars of me
all brain-all world
roaring-vibrating-I put
it down, swiftly, 1,000 words
(of pages) compressed into one second
of time-I'll be long
robed & long gold haired in
the famous Greek afternoon
of some Greek City
Fame Immortal & they'll
have to find me where they find
the t h n u p f t of my
shroud bags flying
flag yagging Lucien
Midnight back in their
mouths-Gore Vidal'll
be amazed, annoyed-
my words'll be writ in gold
& preserved in libraries like
Finnegans Wake & Visions of Neal

When I die
I don't care what happens to my body
throw ashes in the air, scatter 'em in East River
bury an urn in Elizabeth New Jersey, B'nai Israel Cemetery
But l want a big funeral
St. Patrick's Cathedral, St. Mark's Church, the largest synagogue in
        Manhattan
First, there's family, brother, nephews, spry aged Edith stepmother
        96, Aunt Honey from old Newark,
Doctor Joel, cousin Mindy, brother Gene one eyed one ear'd, sister-
        in-law blonde Connie, five nephews, stepbrothers & sisters
        their grandchildren,
companion Peter Orlovsky, caretakers Rosenthal & Hale, Bill Morgan--
Next, teacher Trungpa Vajracharya's ghost mind, Gelek Rinpoche,
        there Sakyong Mipham, Dalai Lama alert, chance visiting
        America, Satchitananda Swami
Shivananda, Dehorahava Baba, Karmapa XVI, Dudjom Rinpoche,
        Katagiri & Suzuki Roshi's phantoms
Baker, Whalen, Daido Loorie, Qwong, Frail White-haired Kapleau
        Roshis, Lama Tarchen --
Then, most important, lovers over half-century
Dozens, a hundred, more, older fellows bald & rich
young boys met naked recently in bed, crowds surprised to see each
        other, innumerable, intimate, exchanging memories
"He taught me to meditate, now I'm an old veteran of the thousand
        day retreat --"
"I played music on subway platforms, I'm straight but loved him he
        loved me"
"I felt more love from him at 19 than ever from anyone"
"We'd lie under covers gossip, read my poetry, hug & kiss belly to belly
        arms round each other"
"I'd always get into his bed with underwear on & by morning my
        skivvies would be on the floor"
"Japanese, always wanted take it up my *** with a master"
"We'd talk all night about Kerouac & Cassady sit Buddhalike then
        sleep in his captain's bed."
"He seemed to need so much affection, a shame not to make him happy"
"I was lonely never in bed **** with anyone before, he was so gentle my
        stomach
shuddered when he traced his finger along my abdomen ****** to hips-- "
"All I did was lay back eyes closed, he'd bring me to come with mouth
        & fingers along my waist"
"He gave great head"
So there be gossip from loves of 1948, ghost of Neal Cassady commin-
        gling with flesh and youthful blood of 1997
and surprise -- "You too? But I thought you were straight!"
"I am but Ginsberg an exception, for some reason he pleased me."
"I forgot whether I was straight gay queer or funny, was myself, tender
        and affectionate to be kissed on the top of my head,
my forehead throat heart & solar plexus, mid-belly. on my *****,
        tickled with his tongue my behind"
"I loved the way he'd recite 'But at my back allways hear/ time's winged
        chariot hurrying near,' heads together, eye to eye, on a
        pillow --"
Among lovers one handsome youth straggling the rear
"I studied his poetry class, 17 year-old kid, ran some errands to his
        walk-up flat,
seduced me didn't want to, made me come, went home, never saw him
        again never wanted to... "
"He couldn't get it up but loved me," "A clean old man." "He made
        sure I came first"
This the crowd most surprised proud at ceremonial place of honor--
Then poets & musicians -- college boys' grunge bands -- age-old rock
        star Beatles, faithful guitar accompanists, gay classical con-
        ductors, unknown high Jazz music composers, funky trum-
        peters, bowed bass & french horn black geniuses, folksinger
        fiddlers with dobro tamborine harmonica mandolin auto-
        harp pennywhistles & kazoos
Next, artist Italian romantic realists schooled in mystic 60's India,
        Late fauve Tuscan painter-poets, Classic draftsman *****-
        chusets surreal jackanapes with continental wives, poverty
        sketchbook gesso oil watercolor masters from American
        provinces
Then highschool teachers, lonely Irish librarians, delicate biblio-
        philes, *** liberation troops nay armies, ladies of either ***
"I met him dozens of times he never remembered my name I loved
        him anyway, true artist"
"Nervous breakdown after menopause, his poetry humor saved me
        from suicide hospitals"
"Charmant, genius with modest manners, washed sink, dishes my
        studio guest a week in Budapest"
Thousands of readers, "Howl changed my life in Libertyville Illinois"
"I saw him read Montclair State Teachers College decided be a poet-- "
"He turned me on, I started with garage rock sang my songs in Kansas
        City"
"Kaddish made me weep for myself & father alive in Nevada City"
"Father Death comforted me when my sister died Boston l982"
"I read what he said in a newsmagazine, blew my mind, realized
        others like me out there"
Deaf & Dumb bards with hand signing quick brilliant gestures
Then Journalists, editors's secretaries, agents, portraitists & photo-
        graphy aficionados, rock critics, cultured laborors, cultural
        historians come to witness the historic funeral
Super-fans, poetasters, aging Beatnicks & Deadheads, autograph-
        hunters, distinguished paparazzi, intelligent gawkers
Everyone knew they were part of 'History" except the deceased
who never knew exactly what was happening even when I was alive

                                                February 22, 1997

You, saying love
You, shaman's road
You, a bird
You, a yellow sun
You, Emperor
You, lovely door
You, my Walt Whitman
You, Neal
You, Sal Paradise
You, Pancho Villa
You, La Revolución Mexicana
You, navajo
You, the border
You, the river
You, chicana
You, Mafia
You, redemption
You, poetry
You, Salvador Dalí
You, Picasso
You, stereo
You, love
You, ***
You, youth
You, America
You, América
You, español
You, english
You, country side
You, cat
You, fire
You, books
You, E. E. Cummings
You, Bukowski
You, Octavio Paz
You, Coca-Cola
You, Coke
You, India
You, Mississippi
You, jazz
You, Miles
You, Davis
You, water
You, rain
You, lagoon
You, chest
You, car
You, road
You, reading
You, lines
You, Paris
You, Baudelaire
You, Poe
You, japanese
You, katana
You, Mishima
You, gun
You, rifle
You, cam
You, can
You, can't
You, Durango
You, Arizona
You, desert
You, gonzo
You, mezcal
You, alcohol
You, drive
You, crush
You, alive
You, again

Hello everybody. My name is Neal and I'm your tour guide.
The first creature that we will see is a koala, to your right. Do you know that koala's have fingerprints very similar to those of humans?
So much so that their prints have been mistaken for a human's at crime scenes?
Anyways, this leads us to ask some very important questions: are methods of finding criminals therefore unreliable? Is it truly possible to avoid imprisoning those that are innocent? Is reality merely an allusion?
Or, more importantly, was it my boyfriend John with the good fashion sense that took my hairbrush? Or was it that little ***** Bernard that is hiding in the top left corner?
Anyways, to your left you'll see our world renowned snail tank. Snails can sleep for up to three years at a time....

I'm glad you died
By the train tracks
In Mexico, alone
With the lizards and
Horned toads
When you did
When the mood
Was High and
The momentum
Rolled in your favor,
I'm glad you died
When you did
Before rock n' roll again
And again and disco
And no Jazz, no bop
And waves crashed
And undertoe tore
At Tired,
I'm glad you died
When you did
With movement, with power
And you should hear 'em
Talk about you and the boys
With ancient lips and Beautiful
And god smiles my face
And god still cries for
His Muse,
I'm glad you died
When you did
Before it all changed
And We lost the momentum
And replaced it
With sleep

I'm glad you died
By the train tracks
In Mexico, alone
With the lizards and
Horned toads
When you did,
When the mood
Was High and
The momentum
Rolled in your favor,
I'm glad you died
When you did
Before rock n' roll again
And again and disco
And no Jazz, no bop
And waves crashed
And undertoe tore at Tired,
I'm glad you died
When you did
With movement, with power
And you should hear 'em
Talk about you and the boys
With ancient lips and Beautiful
I'm glad you died
When you did
Before it all changed
And They took away
Want and replaced it
With electronic death

bright **** youths you choose
railed against the steel muse
wrestle off your noose

loudly at twilight
it's the carnivorous call
shaking down the halls

fine beastly retreats
feasts of prurient art meat
you're your own real cheat

spaz schism victims
puerile and lurid women
these giant mens' venoms

let heaven patrol
every hole of your bottoms
let bliss be the meter cheated, by the stanzas forgotten

Priti Patel's quote on EU migration - whatever it was...
list of common surnames: cropper, cross, crouch,
dabney, dalton, daniels, eads, easton, eccleston,
fairclough, farnham, fay, gardner, garey, garfield,
haight, hanes, hailey, ibbott, irvin, isaacson,
jack, jackson, jacobs, kay, keen, kelsey,
lacey, lacy, lamar, macey, mann, marchand,
neal, nelson, neville... sure pati japati patel -
i'll be an albino in Gujarat
if your play the sitar in a sari;
but your name sounds a bit migrant
revealing, what a weird 'back of the bus'
you seem to stand on -
you want the Mongolians resurrected?
i swear we were being ousted in line
of what Queen Sheba said to Solomon:
'olive skinned throughout the geography
and the unwelcome green men on
sponged-knickers creaming for an ******
a french dessert...'
yes pretty prior, you found home on a
continent when half of the european nations
didn't practice colonial antics -
i guess it's easier to pick on them.
but with a Patel surname you sound british
already, the great experiment worked
the anaesthetic of former colonialism
numbed via recreational Ketamine use
really numbed the skull and jaw mandibles -
i hate, i hate being conscripted into
post-colonial affairs of "why it all failed"
what a waste of the urban hubs of
Manchester or Liverpool -
where once artistic expression thrived -
i hate these post-colonial societies,
it's as if they were castrated en masse,
and they're wondering why no one has a permanent
suntan in scandinavia - maybe the raw herring diet -
cinnamon up your ***, magician's trick with
space between fudge of digestion, disappearing trick
but then the cough that blinds you sweetly -
i guess post-colonial nationalism wanted to
listen to non-colonial nationalism -
a former migrant like pretty plated smell
olive skinned exploited inversion of angers
but dunked a footstep into a trip-up
with non-colonial nations -
a bit like the greek bail-out - pretty patel
is a name least likely associated with migration;
you teasing the beast out?

After months of preparation — sketching and making patterns, finding and fitting models, cutting and sewing fabrics, arranging makeup and accessories — Cornell University senior Ellen Pyne this weekend will send her fairy-tale themed “Crimson” line down the Cornell Fashion Collective (CFC) runway in a matter of minutes.

Anticipating their moment to shine, Pyne and 35 other student designers have been laboring since last fall to perfect their creations for the 31st CFC runway show, Saturday, April 11, 8 p.m., in Barton Hall. For first-year designers, the event allows them to present a single look on the big stage, whereas seniors like Pyne plan a full collection, hoping it will launch their fashion careers.

“I eat, sleep, go to class and sew,” said Pyne, whose showstopper is a seamless Snow White-inspired dress made entirely out of hand-felted wool. “The collection is a statement of my artistic aesthetic and the culmination of everything I’ve learned over the past four years.”

Working just as diligently are show planners, led by senior CFC president Megan Rodrigues, who are remaking the cavernous Barton Hall field house to host a night of glamour. Since shortly after the curtain closed on last spring’s show, Rodrigues and the CFC executive board have been organizing ticket sales and a heap of other details, including a new runway design will give the expected 2,500 guests a better view of the Cornell student models on the catwalk.

“Through this process, I’ve learned a great deal about leadership, learning to delegate and being able to inspire others to a common goal,” said Rodrigues, who hopes to work in event planning after graduation. “Mostly, I’m excited to see the growth of each designer leading up to the show.”

Designers come largely from the fashion design major in the College of Human Ecology, but students from the College of Engineering and the College of Arts and Sciences will also contribute pieces. A multidisciplinary team will present “Irradiance,” a wearable technology collection that uses sensors and luminescent panels to detect and respond to audio—glowing and dimming in sync with surrounding music. Lead designer and junior Eric Beaudette said that team, which includes Lina Sanchez Botero and Neal Reynolds, doctoral students in fiber science and physics, respectively, hopes to inspire a vision for smart clothing of the future.

In the sesquicentennial spirit, the show will also include a nod to the past. Recalling campus styles dating back to 1865, Denise Green, assistant professor of fiber science and apparel design, will air a short video about an exhibit, “150 Years of Cornell Student Fashion,” currently on display in the Human Ecology Building.

Inspired by art and culture she observed studying abroad in Paris last fall, junior Linnea Fong will present “Infatuated,” luxury evening wear she described as taking on “individual obsession with physical perfection and how that manifests in the fashion industry.” Just days before the show, she’s still modifying parts of her collection, noting that “you just have to figure out how to make your ideas come to life, which is the fun part.”

Concluding the show will be a line by senior Blake Uretsky, recipient of a 2015 Geoffrey Beene National Scholarship from the YMA Fashion Scholarship Fund. Her “Crested Butte” collection of women’s outerwear, a modern twist on vintage 1950s ski clothing, includes “distinctly wearable, yet visually exciting pieces,” she said. Presenting 10 looks, Uretsky’s line incorporates classic silhouettes and wool, corduroy and denim fabrics embellished with laser cuts and other modern techniques.

“Ultimately, I want to design clothes that people love and have a desire to wear,” Uretsky said. “The show will be such a wonderful experience with my family, friends and the Cornell community all supporting my work.”Read more here:marieaustralia.com | www.marieaustralia.com/cocktail-dresses

Slashers Defined

In response to my piece, Slashers, it was requested that maybe I could
reveal at least which band or other info these great guitar players performed for to gain their claim to fame. I don't want to spend too much
time on this defintion, but will give what info I think is pertinent. If you do not know some of the names I have presented to you, and you are a blues,
rock, jazz, fusion guitar fan, I suggest you take the time to listen to some of their work. I have included some of my favorite incredible fusion players that do not have a super star following, but are renowned in their group of fans, probably mostly musicians to some degree.
If you are a frustrated guitar player like I am, do not listen to the likes of  Holdsworth, Johnson, Gambale, or Morse unless you love being tortured.
Anyway on with the show.
        
Eric Clapton – Yardbirds, Cream, Blind Faith, Derek and the Dominos.

Jimmy Page – Yardbirds, Led Zeppe, The Honeydrippers, The Firm

Jimi Hendrix – not only what is, but,  what could have been

Alan Holdsworth – Solo jazz fusion player – hot

Steve Howe –  Yes, Asia - Progressive rock, jazz –

Bill Nelson – BeBop Deluxe, Solo

Terry Kath – Chicago (25 or 6 to 4) – another sad early departure

Ted Nugent – Amboy Dukes, **** Yankees – The madman

Jim Krueger – Dave Mason Band – solo progressive rock

Eddy Van Halen – Van Halen

Ritchie Blackmore – Deep Purple, Rainbow

Jerry Doucette – Doucette (Mama let him play)

Eric Johnson – Solo – New Age, jazz

Frank Gambale – Australian- Jazz, fusion, rock

Goerge Benson – Jazz

Larry Carlton – Jazz, new age rock

Marc Farner -  Grand Funk Railroad

Peter Frampton – Humble Pie, solo

Joe Satriani - New age – solo

Johnny A. - jazz, new age – solo

Danny Gatton – jazz, rockabilly – solo

Chet Atkins – jazz, country

John Mayer – Pop, blues – solo

Neal Schon – Journey

Steve Lukather – Toto

Masyoshi Takanaka – New age, jazz – Japanese solo

Lee Ritnour – Jazz, new age – solo

Leslie West -  Mountain, West  Bruce & Laing

Monty Montgomery – jazz, blues (accoustic you have never heard)

Wes Montgomery – jazz 40's – 50's

Phil Keaggy – New age Christian

Robin Trower – Procul Harem

Brian May – Queen

Rick Derringer – Montrose, Edgar Winter Group, Steely Dan

Robin Ford – John Mayall, Chick Corea, solo jazz, fusion, blues

Carlos Santana – Santana

Ronnie Montrose – Montrose

Steve Morse – Dixie Dregs, Kansas, solo jazz, fusion

Trevor Rabin – Yes, solo new age

Gomer LePoet...

With fierce eyes turned towards the dawn
A tightly balled fist rose to the heavens
Parting smiles, carbon particles, and atoms
Collided and separated

And in the split of an atom second
The world caved into her mouth
Diffused with saliva-like opinions
And spit into the ocean fusion

A tear of wish amongst the sea foam rocks
Dashed by the sharp pangs of truth
Cutting deeper into her gaze
I fell out of expectation

Without a breath of hope under the torrent
Faltering a rescue of a retracted hand
Mirrored to the sky and sea
A lover gone to a memory

© 2015 Neal Emanuelson

Here now
the pain of love’s bitter reality… surrounds me
But how
can they be better if love always leaves…
every time? (Lost in a fevered dream)
Every time.

But if we lie now, will we make it?
If it hurts, surely I can take it…
Is this really what we both need?

Is someone better who you’re dying to see
or is someone better who you’re trying to be?

Love, now
You’ve poisoned everything in my reprieve…
with insecurities
And now
You’ve returned with doubts, undoubtedly…
You’d love me (was it an opportunity?)
To hate me.

Is there someone better that you’re dying to meet
or are you waiting for someone better than me?
Will I be a better someone for setting you free
or am I someone better that I can’t see?

Someone better… (for the love that you need)
Someone better… (for the love that I seek)

Time and time again, you push me to the brink
To abandon ship and swim before we sink
But these thoughts don’t fade away when I sleep

Isn’t someone better who you’re supposed to be?

Because you were the one fall in love with me

The future is no surprise if you can predictably
say ‘someone better’ is someone I’m gonna meet?
Cause I’m sure as hell that someone better isn’t someone I need
If someone better is who you’re supposed to be.

Is someone better God has yet to create?
Because someone better always seems to escape
“Someone better” - an excuse to abandon and break
When you won’t accept your love’s been a mistake.

© 2015 Neal Emanuelson

Over the river and lost in the woods
Made of fun-house mirrors built directly into ventricles
Of one heart beating through an overdose of chemicals
Thoughts drowned in the peptides of shores in the ‘waiting room’

Bygone feeling splashing all around for a lifeguard living with his guard down
His days went from providing his scarf to providing his hearth
To days in and out of compromising his mirth

He’s told “It gets better as it goes.”
He says, “It’ll be dead by tomorrow.”
They say “Come on now, life isn't filled with sorrow…”

And apparently, the dissonance is covered by a distance of another;
He’s a folly to the blood-and-water chapter
Speaking of mixing soluble matters…
The truth will often leave a bitter taste
But are the lies dissolved in accepting change?
Sometimes the words and visuals just aren't the same.

So today, he took three things out of his heart and mind
Left social phobia, some truth, but mostly lies behind
He will be the allergy to compassion and all that’s empathic
He will suffer; he will grieve; he will be pathetic
And then he will just go.

She was running through his mirrors, waiting for bandages and gauze
He was privy to the scene as his mirrors stayed intact without a flaw
Watching himself scar up the reflective measures; making transparent views of pleasure
Until one broke; exposing a familiar scene of brick, last place he etched his soul forever
And in ambition to recover, stopped her in the moment that marks a desire to discover
But he failed in ways most intricate
Wrapped by the sharpest lines of the most delicate
Sinew that warped the core of something the void could use to replace truth that were self-evident -

But… no.
He’s digressing from the path
There was no particular reason to even do the math
The numbers didn't add up to what he had previously squandered
She was fresh to a life that she may never have encountered
With him; it was just vying for affection through a virulent infection
And it was a part of her that stepped in that day, a partial fit to the display
Fresh paint on the decay

So today, he took three things out of his heart and mind
Left insecurity, rationality, and his future behind
He became a monster to dishonor and a liar to himself
He’s disgraced; he is inane; he is unwell
And then he will just go.

He has been completely unable to dissect himself and put back the pieces without a coming up short a third-party to my misery
He has been completely distrusting of those whose lives have never felt equal pain overflowing from his tragedies
He has been routinely maintaining dispositions that contradict on every semblance of a trusting word in my vicinity
He has been completely dishonest about my conditions as if they were just failed attempts at analyzing strategies

I have been the juxtaposition to every single saintly word as he chose isolation prone to my own forms of devilry
I have been the very epitome of a mask that cries behind every nonchalant smile displayed like a centerpiece
I have been an undependable source of confidence ever since he broke skin through my poetic farce of empathy
I have been completely unreceptive of every word a kind voice has ever come to lend selflessly

And he has been a ******* child without remorse and word to those that have ever cherished me

So today, I took three things out of my heart and mind
Left the hate, the damage, and instability behind
I will become a martyr that defends nothing to prove
I will be unable; I will fail; I will lose.
And then I will go.

© 2015 Neal Emanuelson

A feeling
Is not about who is best
Art
Is not a contest
To insist on a victor
Is an ego that has broken
Showering hate upon the lives
Of hearts that are open*

What may or may not be poetry
Is instead the heart of our family
You commented rather pointedly
About your superior ability
And eloquent verbosity
Most likely derived from history
Of the friends of Neal Cassidy
And other written eccentricity
Yet you forgot your humanity
And instead introduced a monstrosity
An ego steeped in personal vanity
Insisting on being treated royally
Demanding your subjects bow immediately
As you crashed into the sea of tranquility
Planting your flag of superiority
And crushing our words spoken so plainly
But heartfully
Because the letters are unworthy
To one who is challenged emotionally
Unable to live peacefully
Amongst those who wish to learn gratefully
About a craft you have reserved selfishly
For yourself and those you deem to be equally
As adept as yourself in the vagary
Of references you declare to be wholly
Fresh and newly
Minted by your ability
To walk around the cliché so gracefully
While we repeatedly
Use words such as lovely
Or heavenly
Or tearfully
Or holy
So we beg you openly
To understand what is primary
In a place for the novice to publically
Air their emotions unapologetically
And speak candidly
And unconditionally
About how painfully
It is to live freely
In a place so worldly
Where men think judgmentally
******* the life from those who live meekly
And wish to exist thankfully
Amongst those who understand brotherly
Love and who affectionately
Praise those who tenderly
Open their hearts to humanity
Giving mercy
To those without the gifts you egotistically
Bludgeoned us with so artfully
But failing miserably
To impart insightfully
Your wisdom for those who willingly
Would receive daily
Your transcendently
And insightfully
Spoken songs of serenity
But instead you callously
Reminded us unfortunately
That mere man is weakly
Empowered to exist commonly
And instead arrogantly
Cuts the rose greedily
Leaving the thorns sadistically

I’m just sitting here in the dark, waiting for this life of mine to start.
Wondering before I leave this world, will I leave a mark?
Or is it true, and I’ve been doomed, from the start.
But I’m getting so tired of being so alone,
Take this burden off my back and leave it on the road
Got to leave this place before it swallows me whole
Find a little fresh air that really suites my soul
And I’m headin out  on the road,
finding that fresh air, that suites my soul
And I’m headed out on the road, were it leads I don’t know
Now I got some good friends, and there going to go with me
Like good old Jack Kerouac and Neal Cassidy
We headed out west till we found the sea.
Hoping on this journey we find the meaning of the word free
Cause we’re breaking those bonds of that mental slavery
That were given cause we live in this society
And we are all looking for a little something to believe
But my position on that decision is completely up to me
And we headed out on the road,
finding that fresh air, that suites our soul
And we headed out on the road, were it leads I don’t want to know
Now driving across the land, and sleeping in a van
Sweating in the dessert air, getting that beach sand our hair
Sleeping on misty mountain tops, getting woke up by the cops
Just going what we can, trying to find out how to be a man
Playing music in the street, for a little change and something to eat
Spending all you time and all your cash for a little bit of fun
and a whole lot of gas
When you heading out on the road,
finding that fresh air that suites your soul
And you head out, out on the road,
were it leads you ain’t ever going to know
And you head out, out on the road,
You find that fresh air and it suites your soul
And you head out, out on the road; you find it leads you home
(Zeus's Woodshed)

Neal died on the train tracks somewhere in Mexico.

Jack died at his Mother's house in St. Petersburg, FL.

Remember that.

What a strong grip that you've managed to keep so long
How does it still feel in this moment?
Realize now that the grip was too strong
It's gone too numb to feel if it still constricts
Emboldened by the lies that cross the threshold of those lips

You get what I give and I give you what I deserved
You reap what I sow, but I know what you think I don't
Believe me, you know you've deceived me

You seem baffled as I start to roam away from your reach
Wondering where went the chain you've anchored
What of the lessons you've attempted to teach
To keep me guilted, controlled and manipulated
So you can seek all you want from the others you've lied to

You take what I give but I get what you deserved
I've reaped what you sow and you know that I don't
Believe you, I know you've deceived me

So come clean to me
Bare all your guilt
Set me free
You've already abandoned me

Still you don't resist
To continue so disrespectfully
You keep your secrets disappearing
So what is it that you still want from me?

So come clean to me (come clean, come clean)
Bare all your guilt (what you hide from me)
Set me free (your cage no longer fits)
You've already abandoned me

So why should I stay by you?

©July 2024 Neal Emanuelson

Of the silence in this mind
Life once taken isn’t sacred
Staring at a mirror with one’s self, half-naked
After learning to accept the pain, there’s was nothing to escape it
One could make it better than fate ever did  

Can’t understand what one was doing; just escaping
Jailing one’s self with their own personal hate and
Hiding away from the mental wardens that one stayed with
Discarding one’s self to remember that one had a very hand in
The destruction to the very world one was contained within

One believed it’s right, so the argument is always “*******-
go fix your life before you act like you’re a **** God.”
It’s a long way from accepting all the blade does
But it never fails and the lines eventually fade off

Could be a saint and come to one’s defense
Or shut the **** up and watch from the ******* fence
Worn this mask so long, one tends to forget to fake it
Disillusioned to one’s self and all the things that make it

More lines to breathe across the skin appear soon
A novella of pain with no words to read through
Handling a smile like accessory to hide instability
Always showing through, but truly just a shell of ‘me’
Despite the calm you see
Through laughs and jeers
One still feels lost and uncontrolled
Everything warm when one’s heart turned cold

No chance to correct it, just craving an exit
Took the knife last night, now the demons are rested
Took the chance last night, now dried and decrepit
Relapsed again tonight, and one’s mind is repressive
Wrote about a horrid time, and now it’s all depressive

Happy stars and pussycats, unicorns and other ****.

©2015 Neal Emanuelson

We all have our taste.
We all are judgments.
And in music there's no different.
Except, people personal opinions.

Benny Goodman.
Duke Ellington.
Glenn Miller.
Doing their time, they were the music of soul to many.
When people probably dance a little different.

Frank Sinatra.
Vic Damone.
Nat King Cole.

Doing their era music had changed.
More was borrowed from the previous decade.

Elvis.
Little Richard.
Buddy Holly.
Fats Domino.
Gene Vincent.
Jackie Wilson and Sam Cooke.
And yes, Pat Boone too.
The music of the soul were beaingt to a different tone.

Then came the sixties.
And a various style came before us.

The Rascals.
The Beatles.
Donovan.
The Beach Boys.
The Temptations and the Supremes and the Miracles.
Was totally changed from Neal Sedaka early days.

James Taylor, Carole King, Elton John and the Eagles.
Marvin Gaye, Teddy Pendegrass and the O'jays.
Was the masters of the seventies decades

The the eighties came.
And again the music changed.
Rick James, Prince and Madonna too.

Don't we see all the above artists in the music of today.
Especially, in rap.
Where they take an old song and tries to create a new tune.
And questions, why they getting sued?