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"nave" poems
Gaunt in gloom, The pale stars their torches, Enshrouded, wave. Ghostfires from heaven's far verges faint illume, Arches on soaring arches, Night's sindark nave. Seraphim, The lost hosts awaken To service till In moonless gloom each lapses muted, dim, Raised when she has and shaken Her thurible. And long and loud, To night's nave upsoaring, A starknell tolls As the bleak incense surges, cloud on cloud, Voidward from the adoring Waste of souls.
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7.2k
Nightpiece
Young Liam loved Orange and liked to wear ties. To his firehouse friends He was one of the guys. He had his own locker a slicker and hat. He also had cancer, and a bad one at that. From early on in his life he fought neuroblastoma ; An invasive tumor a metastatic carcinoma. His family who loved him labored to save their dear little child Prince Liam the Brave. He faced surgery bravely, engaged in his fight.. He endured radiation Chemo and knife. When many a New Yorker complains about stress, Prince Liam was stoic When put to the test. Then just before Christmas he suffered a relapse He became neutrapenic- His immune system collapsed. With blood in his ***** And a spot on his lung Liam grew weak. his defenses undone. An Amethyst stone he received from a friend was his talisman of hope that he held to the end. The worst part of the journey was when hope was gone. Then Liam lay, still and silent in his mother's arms. There are brave fire fighters Who’ll be fighting back tears Brave Prince Liam has died, He lived only six years There are many old people still avoiding the grave Who know less about love Than did Liam the brave We will gather together In St Francis’ nave To remember the life of Prince Liam the brave i
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Dec 29, 2011
Dec 29, 2011 at 8:18 AM UTC
Prince Liam, the Brave
Out on the marsh on a lonely night The wind soughs through his rags, The hat that’s pinned to his painted face, Flutters and soars, then sags, His eyes are wide and his mouth is grim As an owl is put to flight, And nothing but shadows will venture there For the Scarecrow rules the night. And back in the manse in a window seat The Parson’s daughter sits, She stares at the fluttering coat-tails, but In truth, is scared to bits, She watches the sails of the windmill turn And creak and groan in the gloom, As clouds come stuttering over the marsh In the rays of a Harvest Moon. The father is out in the donkey cart To tend to his aging flock, He’s left Elizabeth waiting there By the tick of the hallway clock, But out on the moors and beyond the marsh There rides one Highway Jack, A frock coat topped with a bunch of lace And a gold trimmed tricorne hat. He’s whipped the horse to a lather In a retreat from a new affray, For the magistrates have gathered Vowing to ride him down that day, The redcoats wait in the village Inn For the sound that they know too well, When the curate sees the approaching horse He’s to toll the old church bell. But the curate lies in a drunken fit On the floor of the old church nave, And soon, by matins his soul will flit From life to an early grave, Elizabeth sits in the window seat And thinks of the coin and plate, As the highwayman dismounts, and ties His horse to the manse’s gate. He beats on the door, ‘Please let me in, I’m weary and faint, that’s all. I wouldn’t abuse your person, but I fear my back’s to the wall.’ She leaves the seat and she slides the bar For bracing the oaken door, ‘I dare not, sir, I fear for my life, You’re safer out on the moor!’ Their voices echo across the marsh Like fear, distilled in the night, And something shudders out in the gloom And lurches to left and right, It seems forever, but now a sound Tolls out, like a final knell, For something, out in the church tonight, Is tolling the steeple bell. He barely makes it back to his horse When the redcoats stand in line, Their muskets fire a volley of shot And his coat turns red, like wine. They go to the church when the deed is done To say, ‘You have done well!’ But the curate lies on the cold stone floor, The Scarecrow tolled the bell! David Lewis Paget
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Jul 30, 2013
Jul 30, 2013 at 10:30 PM UTC
The Scarecrow
Out on the marsh on a lonely night The wind soughs through his rags, The hat that’s pinned to his painted face, Flutters and soars, then sags, His eyes are wide and his mouth is grim As an owl is put to flight, And nothing but shadows will venture there For the Scarecrow rules the night. And back in the manse in a window seat The Parson’s daughter sits, She stares at the fluttering coat-tails, but In truth, is scared to bits, She watches the sails of the windmill turn And creak and groan in the gloom, As clouds come stuttering over the marsh In the rays of a Harvest Moon. The father is out in the donkey cart To tend to his aging flock, He’s left Elizabeth waiting there By the tick of the hallway clock, But out on the moors and beyond the marsh There rides one Highway Jack, A frock coat topped with a bunch of lace And a gold trimmed tricorne hat. He’s whipped the horse to a lather In a retreat from a new affray, For the magistrates have gathered Vowing to ride him down that day, The redcoats wait in the village Inn For the sound that they know too well, When the curate sees the approaching horse He’s to toll the old church bell. But the curate lies in a drunken fit On the floor of the old church nave, And soon, by matins his soul will flit From life to an early grave, Elizabeth sits in the window seat And thinks of the coin and plate, As the highwayman dismounts, and ties His horse to the manse’s gate. He beats on the door, ‘Please let me in, I’m weary and faint, that’s all. I wouldn’t abuse your person, but I fear my back’s to the wall.’ She leaves the seat and she slides the bar For bracing the oaken door, ‘I dare not, sir, I fear for my life, You’re safer out on the moor!’ Their voices echo across the marsh Like fear, distilled in the night, And something shudders out in the gloom And lurches to left and right, It seems forever, but now a sound Tolls out, like a final knell, For something, out in the church tonight, Is tolling the steeple bell. He barely makes it back to his horse When the redcoats stand in line, Their muskets fire a volley of shot And his coat turns red, like wine. They go to the church when the deed is done To say, ‘You have done well!’ But the curate lies on the cold stone floor, The Scarecrow tolled the bell! David Lewis Paget
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65
for Ashley and Trent Joyous tears lie just ahead, for Trent and Ashley will seal their love today. Pipes, strings, brass and voices will soar beneath Saint Peters towering nave and we'll rise as one to affirm their pledge of love and faith. They met in band at Belleville East and always seemed to know that on some spring morn in June they would stand at the altar to vow their lives to constancy. We all knew it too and today we would be no other place for hope unbounded rules the day and echoes in our grateful hearts.
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May 21, 2016
May 21, 2016 at 11:30 PM UTC
Each Be Other's Comfort Kind
I went to Winchester again, It's been forty years since then, When we were awed in the nave, Stood over Jane Austin's grave, And loved the irony of golden St. Joan. The chest coffins hold bleached bones, The stained glass mosaic filters the sun, And everything appears the same. I had perfect recall, I remembered it all, Before returning my self-guided tour. I lowered my head Through the Refugee door; To return no more. Your memorial has faded; My memories got jaded.
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Nov 4, 2018
Nov 4, 2018 at 8:43 PM UTC
You're Bringing Me Down
My home sits atop a lonely wave Basking in the sun My home of flora and sturdy nave Of which I am a nun Lilies grow in white quartets Jasmine from every crevice Spiders sew their thoughtful nets Dust on every surface Here my pilgrimage ends At the waistline of the coast The lemons that became my friends Will now observe my ghost
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Sep 5, 2023
Sep 5, 2023 at 5:14 AM UTC
My home in the waves
Carrickfergus (1937) - poem by Louis Macneice. I was born in Belfast between the mountain and the gantries To the hooting of lost sirens and the clang of trams; Thence to Smoky Carrick in County Antrim Where the bottle-neck harbour collects the mud which jams The little boats beneath the Norman castle, The pier shining with lumps of crystal salt; The Scotch quarter was a line of residential houses But the Irish quarter was a slum for the blind and halt. The brook ran yellow from the factory stinking of chlorine, The yarn mill called it's funeral cry at noon; Our lights looked over the lough to the lights of Bangor Under the peacock aura of a drowning moon. The Norman walled this town against the country To stop his ears to the yelping of his slave And built a church in the form of a cross but denoting The list of Christ on the cross in the angle of the nave. I was the rectors son, born to the Anglican order, Banned for ever from the candles of the Irish poor; The Chichesters knelt in marble at the end of a transept With ruffs about their necks, their portion sure. The war came and a huge camp of soldiers Grew from the ground in sight of our house with long Dummies hanging from gibbets for bayonet practice And the sentry's challenge echoing all day long; A Yorkshire terrier ran in and out by the gate-lodge Barred to civilians, yapping as if taking affront; Marching at ease and singing 'Who Killed **** Robin?' The troops went out by the lodge and off to the Front. The steamer was camouflaged that took me to England- Sweat and khaki in the Carlisle train; I thought that the war would last for ever and sugar be always rationed and that never again Would the weekly papers not have photos of sandbags And my governess not make bandages from moss And people not have maps above the fireplace With flags on pins moving across and across- Across the hawthorn hedge the noise of bugles, Flares across the night, Somewhere on the lough was a prison ship for Germans, A cage across their sight. I went to school in Dorset, the world of parents Contracted into a puppet world of sons Far from the mill girls, the smell of porter, the salt-mines And the soldiers with their guns. Louis Macneice
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Jun 17, 2016
Jun 17, 2016 at 8:54 AM UTC
Louis MacNeice (1907-1963)
Carrickfergus (1937) - poem by Louis Macneice. I was born in Belfast between the mountain and the gantries To the hooting of lost sirens and the clang of trams; Thence to Smoky Carrick in County Antrim Where the bottle-neck harbour collects the mud which jams The little boats beneath the Norman castle, The pier shining with lumps of crystal salt; The Scotch quarter was a line of residential houses But the Irish quarter was a slum for the blind and halt. The brook ran yellow from the factory stinking of chlorine, The yarn mill called it's funeral cry at noon; Our lights looked over the lough to the lights of Bangor Under the peacock aura of a drowning moon. The Norman walled this town against the country To stop his ears to the yelping of his slave And built a church in the form of a cross but denoting The list of Christ on the cross in the angle of the nave. I was the rectors son, born to the Anglican order, Banned for ever from the candles of the Irish poor; The Chichesters knelt in marble at the end of a transept With ruffs about their necks, their portion sure. The war came and a huge camp of soldiers Grew from the ground in sight of our house with long Dummies hanging from gibbets for bayonet practice And the sentry's challenge echoing all day long; A Yorkshire terrier ran in and out by the gate-lodge Barred to civilians, yapping as if taking affront; Marching at ease and singing 'Who Killed **** Robin?' The troops went out by the lodge and off to the Front. The steamer was camouflaged that took me to England- Sweat and khaki in the Carlisle train; I thought that the war would last for ever and sugar be always rationed and that never again Would the weekly papers not have photos of sandbags And my governess not make bandages from moss And people not have maps above the fireplace With flags on pins moving across and across- Across the hawthorn hedge the noise of bugles, Flares across the night, Somewhere on the lough was a prison ship for Germans, A cage across their sight. I went to school in Dorset, the world of parents Contracted into a puppet world of sons Far from the mill girls, the smell of porter, the salt-mines And the soldiers with their guns. Louis Macneice
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¿Quieres que hablemos?... Está bien... empieza: Habla a mi corazón como otros días... ¡Pero no!... ¿qué dirías? ¿Qué podrías decir a mi tristeza? No intentes disculparte... ¡todo es vano! Ya murieron las rosas en el huerto; el campo verde lo secó el verano, y mi fe en ti, como mi amor, ha muerto.Amor arrepentido, ave que quieres regresar al nido al través de la escarcha y las neblinas; amor que vienes aterido y yerto, ¡donde fuiste feliz... ya todo ha muerto! ¡No vuelvas... Todo lo hallarás en ruinas!¿A qué has venido? ¿Para qué volviste? ¿Qué buscas?... &iexclNadie; habrá de responderte! Está sola mi alma, y estoy triste, inmensamente triste hasta la muerte. Todas las ilusiones que te amaron, las que quisieron compartir tu suerte, mucho tiempo en la sombra te esperaron, y se fueron... ¡cansadas de no verte!Cuando por vez primera en mi camino te encontré, reía en los campos la alegre primavera... toda esa luz, aromas y armonía.Hoy... &iexcltodo; cuán distinto! Paso a paso y solo voy por la desierta vía. -Nave sin rumbo entre revueltas olas- pensando en las tristezas del ocaso, y en las tristezas de las almas solas.En torno la mirada no columbra sino aspereza y páramos sombríos; los nidos en la nieve están vacíos, y la estrella que amamos ya no alumbra el azul de tus sueños y los míos.Partiste para ignota lontananza cuando empezaba a descender la sombra. ...¿Recuerdas? Te imploraba mi esperanza, ¡pero ya mi esperanza no te nombra!¡No ha de nombrarte!...¿para qué?... Vacía está el ara, y la historia yace trunca. ¡Ya para que esperar que irradie el día! ¡Ya para que decirnos: Todavía! Si una voz grita en nuestras almas: ¡Nunca!Dices que eres la misma; que en tu pecho la dulce llama de otros tiempos arde; que el nido del amor no esta desecho, que para amarnos otra vez, no es tarde.¡Te engañas!... ¡No lo creas!... Ya la duda echó en mi corazón fuertes raíces. Ya la fe de otros años no me escuda... Quedó de sueños mi ilusión desnuda, ¡y no puedo creer lo que me dices!¡No lo puedo creer!... Mi fe burlada, mi fe en tu amor perdida, es ansia de una nave destrozada, ¡ancla en el fondo de la mar caída!Anhelos de un amor, castos risueños, ya nunca volveréis... Se van... ¡Se esconden! ¿Los llamas?... ¡Es inútil!... No responden... ¡Ya los cubre el sudario de mis sueños!Hace tiempo se fue la primavera... ¡Llegó el invierno, fúnebre y sombrío! Ave fue nuestro amor, ave viajera, ¡y las aves se van cuando hace frío!
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A solas
¿Quieres que hablemos?... Está bien... empieza: Habla a mi corazón como otros días... ¡Pero no!... ¿qué dirías? ¿Qué podrías decir a mi tristeza? No intentes disculparte... ¡todo es vano! Ya murieron las rosas en el huerto; el campo verde lo secó el verano, y mi fe en ti, como mi amor, ha muerto.Amor arrepentido, ave que quieres regresar al nido al través de la escarcha y las neblinas; amor que vienes aterido y yerto, ¡donde fuiste feliz... ya todo ha muerto! ¡No vuelvas... Todo lo hallarás en ruinas!¿A qué has venido? ¿Para qué volviste? ¿Qué buscas?... &iexclNadie; habrá de responderte! Está sola mi alma, y estoy triste, inmensamente triste hasta la muerte. Todas las ilusiones que te amaron, las que quisieron compartir tu suerte, mucho tiempo en la sombra te esperaron, y se fueron... ¡cansadas de no verte!Cuando por vez primera en mi camino te encontré, reía en los campos la alegre primavera... toda esa luz, aromas y armonía.Hoy... &iexcltodo; cuán distinto! Paso a paso y solo voy por la desierta vía. -Nave sin rumbo entre revueltas olas- pensando en las tristezas del ocaso, y en las tristezas de las almas solas.En torno la mirada no columbra sino aspereza y páramos sombríos; los nidos en la nieve están vacíos, y la estrella que amamos ya no alumbra el azul de tus sueños y los míos.Partiste para ignota lontananza cuando empezaba a descender la sombra. ...¿Recuerdas? Te imploraba mi esperanza, ¡pero ya mi esperanza no te nombra!¡No ha de nombrarte!...¿para qué?... Vacía está el ara, y la historia yace trunca. ¡Ya para que esperar que irradie el día! ¡Ya para que decirnos: Todavía! Si una voz grita en nuestras almas: ¡Nunca!Dices que eres la misma; que en tu pecho la dulce llama de otros tiempos arde; que el nido del amor no esta desecho, que para amarnos otra vez, no es tarde.¡Te engañas!... ¡No lo creas!... Ya la duda echó en mi corazón fuertes raíces. Ya la fe de otros años no me escuda... Quedó de sueños mi ilusión desnuda, ¡y no puedo creer lo que me dices!¡No lo puedo creer!... Mi fe burlada, mi fe en tu amor perdida, es ansia de una nave destrozada, ¡ancla en el fondo de la mar caída!Anhelos de un amor, castos risueños, ya nunca volveréis... Se van... ¡Se esconden! ¿Los llamas?... ¡Es inútil!... No responden... ¡Ya los cubre el sudario de mis sueños!Hace tiempo se fue la primavera... ¡Llegó el invierno, fúnebre y sombrío! Ave fue nuestro amor, ave viajera, ¡y las aves se van cuando hace frío!
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54
A pregnant lass with eyes of glass has never learned to cope. Once set adrift her fall was swift, she slid a slipp’ry slope - She casts the Curse, the Holy Verse, and shoots a shot of dope, And stalks discreet Asylum Street her daily horoscope - The stray was struck by random truck which was her only hope. Well, Banjo Boy, with little joy, he strums her life entire: “The wayward waif was never safe; her stars were dark and dire. Born midst the rues and avenues where lack and want aspire Where no one heeds the childish needs that little ones require; Where faith survives in tempest lives, a swirl within the briar, Infinity grinds as time unwinds, until the winds expire. Her last caprice? The final peace that no one could deny her - Whipped by the flood, stray beads of blood are spattered on the spire; Though beads of sweat are cool and wet, cold clotted blood is dryer.” Though broken there, she’s fled the snare with dying thoughts serene. And now she’s dead, the rumours spread:  “her age? a sweet 16, With child, ***** her soul dyed red, her body so unclean.” A place is sought where she can rot, avoiding churchyard scenes, In limey pits, as well befits, behind forbidding screens; And all the while a dirge is styled on tattered tambourines Which echo through the human zoo in valleys of the Queens. Without rejoice, in hissing voice, near soil that’s seldom trod “In pious role, God bless my soul”, was mouthed with mitred nod, Neath scarlet trim with black, and grim, behind a robed facade - “She’ll burn in hell and sulphur smell”, spat Priest and man of god. Well, angels sweet with cloven feet, they sing in girl’s attire, But Banjo Boy, he’s playing coy while chanting in the choir: “The clueless search within the church to find what they desire - Beyond the nave, a gravelled grave, the final Rectifier” And when he’s through, without ado, he stacks some stones nearby her.
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May 31, 2013
May 31, 2013 at 8:07 AM UTC
A Pregnant Lass
A pregnant lass with eyes of glass has never learned to cope. Once set adrift her fall was swift, she slid a slipp’ry slope - She casts the Curse, the Holy Verse, and shoots a shot of dope, And stalks discreet Asylum Street her daily horoscope - The stray was struck by random truck which was her only hope. Well, Banjo Boy, with little joy, he strums her life entire: “The wayward waif was never safe; her stars were dark and dire. Born midst the rues and avenues where lack and want aspire Where no one heeds the childish needs that little ones require; Where faith survives in tempest lives, a swirl within the briar, Infinity grinds as time unwinds, until the winds expire. Her last caprice? The final peace that no one could deny her - Whipped by the flood, stray beads of blood are spattered on the spire; Though beads of sweat are cool and wet, cold clotted blood is dryer.” Though broken there, she’s fled the snare with dying thoughts serene. And now she’s dead, the rumours spread:  “her age? a sweet 16, With child, ***** her soul dyed red, her body so unclean.” A place is sought where she can rot, avoiding churchyard scenes, In limey pits, as well befits, behind forbidding screens; And all the while a dirge is styled on tattered tambourines Which echo through the human zoo in valleys of the Queens. Without rejoice, in hissing voice, near soil that’s seldom trod “In pious role, God bless my soul”, was mouthed with mitred nod, Neath scarlet trim with black, and grim, behind a robed facade - “She’ll burn in hell and sulphur smell”, spat Priest and man of god. Well, angels sweet with cloven feet, they sing in girl’s attire, But Banjo Boy, he’s playing coy while chanting in the choir: “The clueless search within the church to find what they desire - Beyond the nave, a gravelled grave, the final Rectifier” And when he’s through, without ado, he stacks some stones nearby her.
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Los animales fueron imperfectos, largos de cola, tristes de cabeza. Poco a poco se fueron componiendo, haciéndose paisaje, adquiriendo lunares, gracia, vuelo. El gato, sólo el gato apareció completo y orgulloso: nació completamente terminado, camina solo y sabe lo que quiere. El hombre quiere ser pescado y pájaro, la serpiente quisiera tener alas, el perro es un *** desorientado, el ingeniero quiere ser poeta, la mosca estudia para golondrina, el poeta trata de imitar la mosca, pero el gato quiere ser sólo gato y todo gato es gato desde bigote a cola, desde presentimiento a rata viva, desde la noche hasta sus ojos de oro. No hay unidad como él, no tienen la luna ni la flor tal contextura: es una sola cosa como el sol o el topacio, y la elástica línea en su contorno firme y sutil es como la línea de la proa de una nave. Sus ojos amarillos dejaron una sola ranura para echar las monedas de la noche. Oh pequeño emperador sin orbe, conquistador sin patria, mínimo tigre de salón, nupcial sultán del cielo de las tejas eróticas, el viento del amor en la intemperie reclamas cuando pasas y posas cuatro pies delicados en el suelo, oliendo, desconfiando de todo lo terrestre, porque todo es inmundo para el inmaculado pie del gato. Oh fiera independiente de la casa, arrogante vestigio de la noche, perezoso, gimnástico y ajeno, profundísimo gato, policía secreta de las habitaciones, insignia de un desaparecido terciopelo, seguramente no hay enigma en tu manera, tal vez no eres misterio, todo el mundo te sabe y perteneces al habitante menos misterioso, tal vez todos lo creen, todos se creen dueños, propietarios, tíos de gatos, compañeros, colegas, discípulos o amigos de su gato. Yo no. Yo no suscribo. Yo no conozco al gato. Todo lo sé, la vida y su archipiélago el mar y la ciudad incalculable, la botánica, el gineceo con sus extravíos, el por y el menos de la matemática, los embudos volcánicos del mundo, la cáscara irreal del cocodrilo, la bondad ignorada del bombero, el atavismo azul del sacerdote, pero no puedo descifrar un gato. Mi razón resbaló en su indiferencia, sus ojos tienen números de oro.
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2.5k
Oda al gato
Los animales fueron imperfectos, largos de cola, tristes de cabeza. Poco a poco se fueron componiendo, haciéndose paisaje, adquiriendo lunares, gracia, vuelo. El gato, sólo el gato apareció completo y orgulloso: nació completamente terminado, camina solo y sabe lo que quiere. El hombre quiere ser pescado y pájaro, la serpiente quisiera tener alas, el perro es un *** desorientado, el ingeniero quiere ser poeta, la mosca estudia para golondrina, el poeta trata de imitar la mosca, pero el gato quiere ser sólo gato y todo gato es gato desde bigote a cola, desde presentimiento a rata viva, desde la noche hasta sus ojos de oro. No hay unidad como él, no tienen la luna ni la flor tal contextura: es una sola cosa como el sol o el topacio, y la elástica línea en su contorno firme y sutil es como la línea de la proa de una nave. Sus ojos amarillos dejaron una sola ranura para echar las monedas de la noche. Oh pequeño emperador sin orbe, conquistador sin patria, mínimo tigre de salón, nupcial sultán del cielo de las tejas eróticas, el viento del amor en la intemperie reclamas cuando pasas y posas cuatro pies delicados en el suelo, oliendo, desconfiando de todo lo terrestre, porque todo es inmundo para el inmaculado pie del gato. Oh fiera independiente de la casa, arrogante vestigio de la noche, perezoso, gimnástico y ajeno, profundísimo gato, policía secreta de las habitaciones, insignia de un desaparecido terciopelo, seguramente no hay enigma en tu manera, tal vez no eres misterio, todo el mundo te sabe y perteneces al habitante menos misterioso, tal vez todos lo creen, todos se creen dueños, propietarios, tíos de gatos, compañeros, colegas, discípulos o amigos de su gato. Yo no. Yo no suscribo. Yo no conozco al gato. Todo lo sé, la vida y su archipiélago el mar y la ciudad incalculable, la botánica, el gineceo con sus extravíos, el por y el menos de la matemática, los embudos volcánicos del mundo, la cáscara irreal del cocodrilo, la bondad ignorada del bombero, el atavismo azul del sacerdote, pero no puedo descifrar un gato. Mi razón resbaló en su indiferencia, sus ojos tienen números de oro.
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98
When Dagobert adorned Franco caves, Clovis iniquity built a realm portentous? Ate fruit from olden, -licentious ways… Portentous realm thus be-stow-ed, No king in truth but a nave? Nave only to a Catholic po-et. Hearken crier old kingdom days, Oh Franco brave! Oh Franco brave! Oh Franco brave! Oh Franco brave! In regret of Dagobert's disturb-ed grave.
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Dec 24, 2016
Dec 24, 2016 at 3:17 PM UTC
Mero
Who's that leopard in ecstasy (and Ampersand Cornelius Gray) who learned to trot briskly under lamp poles and rescue a ***** worn mug from the clay                       that which bore them. She signaled with a passing glance that the entrenchment should pass, giggling eyes that sparkled from pearls and concrete teeth. I pivoted on the unmoving coordinates, the universe revolved. From within her a spirit rose up and clasped my face in its hands, and I, red with terror, dove head first towards the sands. He howls out, burdened. He is unaware of my condition, beneath the waters; here I lie in wait, too, in weight. Here I lie beneath the crushing force of the universe. On the bottom of the sea, the top of the Earth, a smokestack, of golden flames, fills my heart, rumbling, confident and unafraid. The Leopard sits, its paws splayed out on a bed of ferns. Upon its raised position, it lies, basked in ethereal warm light. The fierce awe of strength and knives of metal, racing above ground on knees of silent, yellowed corduroy. Who waits with the Leopard, alone and cold? Who knows the beast the captures my wonder? Here I lie, in servitude, enslaved in my claw cave. My paws are pale, in this oddly worn nave.
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Apr 29, 2013
Apr 29, 2013 at 4:17 PM UTC
The Leopard
Take the moral law and make a nave of it And from the nave build haunted heaven. Thus, The conscience is converted into palms, Like windy citherns hankering for hymns. We agree in principle. That's clear. But take The opposing law and make a peristyle, And from the peristyle project a masque Beyond the planets. Thus, our bawdiness, Unpurged by epitaph, indulged at last, Is equally converted into palms, Squiggling like saxophones. And palm for palm, Madame, we are where we began. Allow, Therefore, that in the planetary scene Your disaffected flagellants, well-stuffed, Smacking their muzzy bellies in parade, Proud of such novelties of the sublime, Such tink and tank and tunk-a-tunk-tunk, May, merely may, madame, whip from themselves A jovial hullabaloo among the spheres. This will make widows wince. But fictive things Wink as they will. Wink most when widows wince.
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2.1k
A High-Toned Old Christian Woman
for Nave Busyness makes one idiotic and forgetful. And we nearly sunk the night didn’t we darling, leaning on the wrong swing. (It is always the peach tree.) Katrina doing her Harpy on Fullblast thing with such deftness and professionalism she leaves us no room to respond to legs and offers of spread cheese. And poets cave in like lonely black holes if they cannot response as fully as they have peaches in their coffers to do so, or at least they think so and so do we so I escaped to shower, and tried to make the water hot enough to round me straight again, but my skin still gets in the way. I wanted to peel off everything and douse my soul straight in the hot and the lavender, questing for a readiness beyond the pale, some state rare, and infinitely usuable. It was only when, and this is true, when I decided to make a list of why I love you that the water went in and the lavender grew instantly between my toes. And Rosemarey Clooney danced you in to me and you were a happy Papa at last, and we knew enough. And there was finally room enough to mambo home.
0
Jan 14, 2012
Jan 14, 2012 at 7:07 AM UTC
Last Ditch Mambo
I fellowed sleep who kissed me in the brain, Let fall the tear of time; the sleeper's eye, Shifting to light, turned on me like a moon. So, planning-heeled, I flew along my man And dropped on dreaming and the upward sky. I fled the earth and, naked, climbed the weather, Reaching a second ground far from the stars; And there we wept I and a ghostly other, My mothers-eyed, upon the tops of trees; I fled that ground as lightly as a feather. 'My fathers' globe knocks on its nave and sings.' 'This that we tread was, too, your father's land.' 'But this we tread bears the angelic gangs Sweet are their fathered faces in their wings.' 'These are but dreaming men. Breathe, and they fade.' Faded my elbow ghost, the mothers-eyed, As, blowing on the angels, I was lost On that cloud coast to each grave-grabbing shade; I blew the dreaming fellows to their bed Where still they sleep unknowing of their ghost. Then all the matter of the living air Raised up a voice, and, climbing on the words, I spelt my vision with a hand and hair, How light the sleeping on this soily star, How deep the waking in the worlded clouds. There grows the hours' ladder to the sun, Each rung a love or losing to the last, The inches monkeyed by the blood of man. And old, mad man still climbing in his ghost, My fathers' ghost is climbing in the rain.
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1.9k
I Fellowed Sleep
Passa la nave mia colma d'oblio per aspro mare, a mezza notte, il verno, enfra Scilla e Cariddi; ed al governo siede'l signore, anzi'l nimico mio; a ciascun remo un penser pronto e rio che la tempesta e'l fin par ch'abbi a scherno; la vela rompe un vento umido, eterno di sospir', di speranze e di desio; pioggia di lagrimar, nebbia di sdegni bagna e rallenta le già stanche sarte, che son d'error con ignoranza attorto. Celansi i duo mei dolci usati segni; morta fra l'onde è la ragion e l'arte: tal ch'incomincio a desperar del porto.
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2k
Passa la nave mia colma d'oblio
I was wrong about the rain Robins are calling for it Fragrance of honeysuckle and pine have joined the ozone-- Priest in swirling raiments dangling sensor on a chain waving it in air before the altar clink   clink   clink Releasing smoke that bends the mind before the monstrance of the sun with storm surrounding Clouds sift through the rays and rain Bowing thrice-- clink   clink   clink He waves it in the air before the altar releasing smoke into the high and holy Inchoate murmurs follow incense hands down into the nave
0
Jun 22, 2017
Jun 22, 2017 at 8:41 PM UTC
High Mass
Alta sobre la tierra te pusieron, dura, hermosa araucaria de los australes montes, torre de Chile, ***** del territorio verde, pabellón del invierno, nave de la fragancia. Ahora, sin embargo, no por bella te canto, sino por el racimo de tu especie, por tu fruta cerrada, por tu piñón abierto. Antaño, antaño fue cuando sobre los indios se abrió como una rosa de madera el colosal puñado de tu puño, y dejó sobre la mojada tierra los piñones: harina, pan silvestre del indomable Arauco. Ved la guerra: armados los guerreros de Castilla y sus caballos de galvánicas crines y frente a ellos el grito de los desnudos héroes, voz del fuego, cuchillo de dura piedra parda, lanzas enloquecidas en el bosque, tambor, tambor sagrado, y adentro de la selva el silencio, la muerte replegándose, la guerra. Entonces, en el último bastión verde, dispersas por la fuga, las lanzas de la selva se reunieron bajo las araucarias espinosas. La cruz, la espada, el hambre iban diezmando la familia salvaje. Terror, terror de un golpe de herraduras, latido de una hoja, viento, dolor y lluvia. De pronto se estremeció allá arriba la araucaria araucana, sus ilustres raíces, las espinas hirsutas del poderoso pabellón tuvieron un movimiento ***** de batalla: rugió como una ola de leones todo el follaje de la selva dura y entonces cayó una marejada de piñones: los anchos estuches se rompieron contra la tierra, contra la piedra defendida y desgranaron su fruta, el pan postrero de la patria. Así la Araucanía recompuso sus lanzas de agua y oro, zozobraron los bosques bajo el silbido del valor resurrecto y avanzaron las cinturas violentas como rachas, las plumas incendiarias del Cacique: piedra quemada y flecha voladora atajaron al invasor de hierro en el camino. Araucaria, follaje de bronce con espinas, gracias te dio la ensangrentada estirpe, gracias te dio la tierra defendida, gracias, pan de valientes, alimento escondido en la mojada aurora de la patria: corona verde, pura madre de los espacios, lámpara del frío territorio, hoy dame tu luz sombría, la imponente seguridad enarbolada sobre tus raíces y abandona en mi canto la herencia y el silbido del viento que te toca, del antiguo y huracanado viento de mi patria. Deja caer en mi alma tus granadas para que las legiones se alimenten de tu especie en mi canto. Árbol nutricio, entrégame la terrenal argolla que te amarra a la entraña lluviosa de la tierra, entrégame tu resistencia, el rostro y las raíces firmes contra la envidia, la invasión, la codicia, el desacato. Tus armas deja y vela sobre mi corazón, sobre los míos, sobre los hombros de los valerosos, porque a la misma luz de hojas y aurora, arenas y follajes, yo voy con las banderas al llamado profundo de mi pueblo! Araucaria araucana, aquí me tienes!
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1.8k
Oda a la araucaria araucana
Alta sobre la tierra te pusieron, dura, hermosa araucaria de los australes montes, torre de Chile, ***** del territorio verde, pabellón del invierno, nave de la fragancia. Ahora, sin embargo, no por bella te canto, sino por el racimo de tu especie, por tu fruta cerrada, por tu piñón abierto. Antaño, antaño fue cuando sobre los indios se abrió como una rosa de madera el colosal puñado de tu puño, y dejó sobre la mojada tierra los piñones: harina, pan silvestre del indomable Arauco. Ved la guerra: armados los guerreros de Castilla y sus caballos de galvánicas crines y frente a ellos el grito de los desnudos héroes, voz del fuego, cuchillo de dura piedra parda, lanzas enloquecidas en el bosque, tambor, tambor sagrado, y adentro de la selva el silencio, la muerte replegándose, la guerra. Entonces, en el último bastión verde, dispersas por la fuga, las lanzas de la selva se reunieron bajo las araucarias espinosas. La cruz, la espada, el hambre iban diezmando la familia salvaje. Terror, terror de un golpe de herraduras, latido de una hoja, viento, dolor y lluvia. De pronto se estremeció allá arriba la araucaria araucana, sus ilustres raíces, las espinas hirsutas del poderoso pabellón tuvieron un movimiento ***** de batalla: rugió como una ola de leones todo el follaje de la selva dura y entonces cayó una marejada de piñones: los anchos estuches se rompieron contra la tierra, contra la piedra defendida y desgranaron su fruta, el pan postrero de la patria. Así la Araucanía recompuso sus lanzas de agua y oro, zozobraron los bosques bajo el silbido del valor resurrecto y avanzaron las cinturas violentas como rachas, las plumas incendiarias del Cacique: piedra quemada y flecha voladora atajaron al invasor de hierro en el camino. Araucaria, follaje de bronce con espinas, gracias te dio la ensangrentada estirpe, gracias te dio la tierra defendida, gracias, pan de valientes, alimento escondido en la mojada aurora de la patria: corona verde, pura madre de los espacios, lámpara del frío territorio, hoy dame tu luz sombría, la imponente seguridad enarbolada sobre tus raíces y abandona en mi canto la herencia y el silbido del viento que te toca, del antiguo y huracanado viento de mi patria. Deja caer en mi alma tus granadas para que las legiones se alimenten de tu especie en mi canto. Árbol nutricio, entrégame la terrenal argolla que te amarra a la entraña lluviosa de la tierra, entrégame tu resistencia, el rostro y las raíces firmes contra la envidia, la invasión, la codicia, el desacato. Tus armas deja y vela sobre mi corazón, sobre los míos, sobre los hombros de los valerosos, porque a la misma luz de hojas y aurora, arenas y follajes, yo voy con las banderas al llamado profundo de mi pueblo! Araucaria araucana, aquí me tienes!
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192
‘The time has come,’ he heard them say Outside his tiny cell, ‘Go in and get the beast to pray To save his soul from Hell.’ The Priest then walked up to the bars And stated his intent, ‘Will you confess at last, my son? Will you, at last, repent?’ ‘The only thing that I repent,’ The prisoner said at last, While staring at the Priestly face At length, through double glass, ‘Is how your justice operates, Your Judge sits on his bench, Determines guilt before the trial And brooks no argument.’ ‘You have been tried by twelve and true Your jurors had their say, Condemned you as a murderer Before they walked away.’ ‘They would have found me innocent Had he not been precise, And sent them back to change their view, Not only once, but twice.’ ‘The law’s the law,’ the Priest replied, ‘The verdict said it’s you, You had your day in court, and now You’ll have to pay your due.’ ‘I’m innocent,’ the prisoner said, ‘I swear it before God!’ ‘Take not his name in vain, my son, It’s time to reck his rod.’ ‘Your God is just an ornament To keep us fools in check, If he were real, he’d swoop on down And break the Judge’s neck. The only God is in my heart And he knows everything, He welcomes us, the innocent, Hypocrisy is sin.’ ‘You risk your soul,’ the priest replied, ‘So hold your tongue in check, For soon it will be silenced as The rope, it breaks your neck.’ ‘How many Nuns have you despoiled, How many children died, How many now lie buried, spread Across the countryside?’ ‘You hide behind your surplice, and Your cassock and your gown, You say you represent him, but In fact, you put him down. You tie us up with ritual And steal our Peter’s Pence, Then hide your sins by making all The laity repent.’ ‘I’ve had enough,’ the Priest replied, Then turned and stepped aside, The gaolers tied his hands and feet And shuffled him outside, They dragged him to the gallows and Put on the dreaded hood, But still he called, ‘Repent yourself, Oh Priest! You know you should!’ It barely took a minute for The rope and then the drop, And then just twenty seconds for His beating heart to stop, The Priest’s thin hands had trembled As he walked out in the cold, And prayed, not for the prisoner, But for his own poor soul. His sins lay heavy on him as He walked up to the nave, Then knelt before the altar asking God, his soul to save, But God was strangely silent And the Priest had felt like dross, The morning saw him hanging From the altar’s Holy Cross. David Lewis Paget
0
Oct 8, 2013
Oct 8, 2013 at 12:36 PM UTC
The Priest that said Repent!
‘The time has come,’ he heard them say Outside his tiny cell, ‘Go in and get the beast to pray To save his soul from Hell.’ The Priest then walked up to the bars And stated his intent, ‘Will you confess at last, my son? Will you, at last, repent?’ ‘The only thing that I repent,’ The prisoner said at last, While staring at the Priestly face At length, through double glass, ‘Is how your justice operates, Your Judge sits on his bench, Determines guilt before the trial And brooks no argument.’ ‘You have been tried by twelve and true Your jurors had their say, Condemned you as a murderer Before they walked away.’ ‘They would have found me innocent Had he not been precise, And sent them back to change their view, Not only once, but twice.’ ‘The law’s the law,’ the Priest replied, ‘The verdict said it’s you, You had your day in court, and now You’ll have to pay your due.’ ‘I’m innocent,’ the prisoner said, ‘I swear it before God!’ ‘Take not his name in vain, my son, It’s time to reck his rod.’ ‘Your God is just an ornament To keep us fools in check, If he were real, he’d swoop on down And break the Judge’s neck. The only God is in my heart And he knows everything, He welcomes us, the innocent, Hypocrisy is sin.’ ‘You risk your soul,’ the priest replied, ‘So hold your tongue in check, For soon it will be silenced as The rope, it breaks your neck.’ ‘How many Nuns have you despoiled, How many children died, How many now lie buried, spread Across the countryside?’ ‘You hide behind your surplice, and Your cassock and your gown, You say you represent him, but In fact, you put him down. You tie us up with ritual And steal our Peter’s Pence, Then hide your sins by making all The laity repent.’ ‘I’ve had enough,’ the Priest replied, Then turned and stepped aside, The gaolers tied his hands and feet And shuffled him outside, They dragged him to the gallows and Put on the dreaded hood, But still he called, ‘Repent yourself, Oh Priest! You know you should!’ It barely took a minute for The rope and then the drop, And then just twenty seconds for His beating heart to stop, The Priest’s thin hands had trembled As he walked out in the cold, And prayed, not for the prisoner, But for his own poor soul. His sins lay heavy on him as He walked up to the nave, Then knelt before the altar asking God, his soul to save, But God was strangely silent And the Priest had felt like dross, The morning saw him hanging From the altar’s Holy Cross. David Lewis Paget
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81
1. There once was a couple of cats Who engaged in continuous spats.           The result was a tie           When each scratched out an eye – An old-Biblical *** for a tat! The cats awoke bleeding and weak And half-seeing the havoc they'd wreaked           They discarded their clothes,           Their backsides to expose – A new-Biblical turning of cheek! 2. There once was a man, oh so brave, Who would sleep in a hole, called a grave ...           Well, he being the host           To so many a ghost, He arranged a big bash, called a rave 3. In days of Neanderthal knaves When the men ruled like kings in their caves           And not being too keen           About keeping them clean ... Often took on some wives, called them slaves 4. There once was a man with a stave Overseeing a holy enclave ...           Well, maintaining a grin           While absolving the sin, He assessed wicked tales and forgave 5. There once was a monk with a wave Who desired a head with a shave ...           Well, the barber was such           That she cut back too much Thereby leaving his globus concave 6. There once was a man in the nave, Although pious he could not behave ...           But they paid him no mind,           ’Cause his name was maligned, Being simply a sinner to save 7. There once was a man quite depraved A voluptuous life was thus craved ...           Well, continuous sin           Ended doing him in – On his tombstone they carved ‘Misbehaved’ 8. Antoine is a Vampire Ghoul, Quite barbaric, bloodthirsty and cruel,           With a fang in your throat           He’ll **** slowly and gloat With a smile as you whimper and mewl. 9. There once was a raven haired Shrink Who had orange Juice Tequilas to drink.           Well her scarlet souled Beau           ****** her tinted red Toe And she paled when he tickled her Pink. 10. There once was a travelling sage Who yet lived to a very old age.           Well, becoming quite senile,           With problems (yes, ****** He packed his wee trunk in a rage. 11. There once was a Nun and a Druid Exchanging some ****** fluid,           When along strode the Father           Who heard all the bother, Lost stickum while coming  unglu..ed.
0
Mar 25, 2013
Mar 25, 2013 at 1:08 PM UTC
Lotsa Limericks... From Bad to Verse
1. There once was a couple of cats Who engaged in continuous spats.           The result was a tie           When each scratched out an eye – An old-Biblical *** for a tat! The cats awoke bleeding and weak And half-seeing the havoc they'd wreaked           They discarded their clothes,           Their backsides to expose – A new-Biblical turning of cheek! 2. There once was a man, oh so brave, Who would sleep in a hole, called a grave ...           Well, he being the host           To so many a ghost, He arranged a big bash, called a rave 3. In days of Neanderthal knaves When the men ruled like kings in their caves           And not being too keen           About keeping them clean ... Often took on some wives, called them slaves 4. There once was a man with a stave Overseeing a holy enclave ...           Well, maintaining a grin           While absolving the sin, He assessed wicked tales and forgave 5. There once was a monk with a wave Who desired a head with a shave ...           Well, the barber was such           That she cut back too much Thereby leaving his globus concave 6. There once was a man in the nave, Although pious he could not behave ...           But they paid him no mind,           ’Cause his name was maligned, Being simply a sinner to save 7. There once was a man quite depraved A voluptuous life was thus craved ...           Well, continuous sin           Ended doing him in – On his tombstone they carved ‘Misbehaved’ 8. Antoine is a Vampire Ghoul, Quite barbaric, bloodthirsty and cruel,           With a fang in your throat           He’ll **** slowly and gloat With a smile as you whimper and mewl. 9. There once was a raven haired Shrink Who had orange Juice Tequilas to drink.           Well her scarlet souled Beau           ****** her tinted red Toe And she paled when he tickled her Pink. 10. There once was a travelling sage Who yet lived to a very old age.           Well, becoming quite senile,           With problems (yes, ****** He packed his wee trunk in a rage. 11. There once was a Nun and a Druid Exchanging some ****** fluid,           When along strode the Father           Who heard all the bother, Lost stickum while coming  unglu..ed.
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71
Poet to my eyes, you are the sight of whitecaps On the sea water, or the sudden turn of a bird In flight and as the wave I roll and break, With drowning wings that lift toward you, my sky. Mistress to my soul, I am the nave of your holy Cathedral.  My head is but an occluded riff, De-noting songs you make in aisling airs of light Polyphony, my star over-sings the windy globe, She swallows heaven, like swallows blacken the dusk. Shearwater bird, strip my surface with your cutting Wings.  My waves peak to reach you starling girl. The sloughing chill of winter dies quick in sighs Waft asunder my little Indian summer, wake me From sleep and I shall dream but once for your kiss.
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Jul 9, 2012
Jul 9, 2012 at 9:53 PM UTC
Poet To My Eyes
Old men in dresses wave hands across baskets casting magic spells on sausage and oranges then hocus pocus over horseradish root as thick as a forearm, potato-peeled later we'll garnish meats with mystical power. They expect us to kiss the ****** feet of a God immortalized in plaster while granite saints stand watching a procession of misty-eyed martyrs shuffling down the aisle like sheep, and all the while the bells are ringing. Always the ringing of bells. Bells rung by boys standing still ring like angels. The old men hold crackers up to the light, then more bells and drinking of blood and finally its done. They waddle down the nave casting incense in a metronome spray. The boys follow behind the hypnotic smoke, their bells have been put away, pall bearers of the crucified Christ they lead us not into temptation, rather deliver us out the doors and into the street, redeemed and safe behind the hedge of numbing ritual.
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Oct 31, 2010
Oct 31, 2010 at 6:42 PM UTC
Always the Bells
There was always an odour of sin around The nave of that ancient church, I knew of it as a choirboy, I didn’t have far to search, The smell welled up in the vestry, A sulphur and brimstone tang, It leached on into our cassocks When the bell for the matins rang. The priest, he was old and doddering And didn’t look ripe for sin, Old Father Coates may have sowed his oats With nobody looking in, But sin was there for a century, It wasn’t of recent time, The stories told of a Father Golde I heard from a friend of mine. Back in the days when the church was strong And it ruled the lives of all, A Father Golde was the priest of old And preached of the devil’s fall, When women came to confess their sins And spoke of their evil deeds, The priest took them at the altar there In sin, and down on their knees. The Nuns attached to the convent were Obedient to his whim, And many a cold and frosty night He would call a sister in, Her place, he said, was to warm his bed To deter his chills, and ague, And many a child was born in dread To the parish, since the plague. But one day after confessional He had ***** a Colonel’s wife, Who came to him with her petty sin And described what it was like, The priest, inflamed by her words and deeds Had her pressed by the vestry door, And who could know what she had to show But the flagstones on the floor. A troop of soldiers had marched on in To assuage the Colonel’s rage, The moment the wife had gone back home And told of the priest’s outrage, They seized the priest and they ran him through With a sword right to the hilt, Then tied him onto the cross outside Where a sign outlined his guilt. And every year on the first of June You can hear the feet outside, Marching up to the old church door, The day that the father died. A sense of sin that is coming in As the church doors swing apart, And blood appears on the altar in The shape of an evil heart. David Lewis Paget
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Jun 9, 2015
Jun 9, 2015 at 5:28 PM UTC
Tale of an Ancient Sin
There was always an odour of sin around The nave of that ancient church, I knew of it as a choirboy, I didn’t have far to search, The smell welled up in the vestry, A sulphur and brimstone tang, It leached on into our cassocks When the bell for the matins rang. The priest, he was old and doddering And didn’t look ripe for sin, Old Father Coates may have sowed his oats With nobody looking in, But sin was there for a century, It wasn’t of recent time, The stories told of a Father Golde I heard from a friend of mine. Back in the days when the church was strong And it ruled the lives of all, A Father Golde was the priest of old And preached of the devil’s fall, When women came to confess their sins And spoke of their evil deeds, The priest took them at the altar there In sin, and down on their knees. The Nuns attached to the convent were Obedient to his whim, And many a cold and frosty night He would call a sister in, Her place, he said, was to warm his bed To deter his chills, and ague, And many a child was born in dread To the parish, since the plague. But one day after confessional He had ***** a Colonel’s wife, Who came to him with her petty sin And described what it was like, The priest, inflamed by her words and deeds Had her pressed by the vestry door, And who could know what she had to show But the flagstones on the floor. A troop of soldiers had marched on in To assuage the Colonel’s rage, The moment the wife had gone back home And told of the priest’s outrage, They seized the priest and they ran him through With a sword right to the hilt, Then tied him onto the cross outside Where a sign outlined his guilt. And every year on the first of June You can hear the feet outside, Marching up to the old church door, The day that the father died. A sense of sin that is coming in As the church doors swing apart, And blood appears on the altar in The shape of an evil heart. David Lewis Paget
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57
For the big occasion She's lost a pound or two Last minute jitters playing out Something borrowed, something blue Posies for the bridesmaids Flower in her hair The thought of all those people Gets her feeling scared Roller waiting, protocol demands Be ten minutes late Line up for some memories By the old lych gate Holding back tears of joy She glides the aisle in a daze Nervous smiles exchanged As the ***** plays A moment's pause, new shoe shuffle Children struggle to behave Baby words da da da Echo down the nave No impediments are known As far as we can see No one shouts out from behind Yeah, it should have been me! In the nearby meadow The big marquee awaits Congregation filters back Through the old lych gate The groom pays sincerest thanks To everyone he should The best man airs embarrassments As we knew he would The band strikes up, as they dance The car is 'modified' Lipstick on the window Cans and balloons are tied It's not a worn out cliche As the night winds down they realise They really have just lived through The best day of their lives
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Aug 3, 2013
Aug 3, 2013 at 4:40 AM UTC
Wedding season