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"narrator" poems
voice over: narrator Pemberitahuan terakhir disuarakan, keberangkatan pesawat tujuan Frankfurt Airport akan lepas landas tak lama lagi lagi, orang-orang bersiap masuk kabin. Ada satu hal yang terlintas di pikiran Atlas; ia tahu Venus tidak akan datang. Tidak dalam hitungan waktu tiga puluh menit, sepuluh menit, apalagi lima menit. Percuma saja menunggu, Venus benar-benar tidak datang. Perpisahan mereka sudah berlangsung semalam, pertemuan terakhir yang berhasil membuat Atlas berkali-kali memutar ulang seluruh adegan, mendengar suara gelak tawa mantan pacarnya dalam benak khayal, membayangkan senyuman Venus yang ia lukiskan untuknya terakhir kali. Pertemuan terakhir mereka kemarin bahkan tidak terasa seperti perpisahan, namun tetap bagi Atlas terasa begitu janggal. Mungkin karena terlalu tiba-tiba dan cepat, pertemuan terakhir yang merupakan perpisahan, pertemuan terakhir paling bahagia dan paling sedih, yang juga menyudahi hubungan singkat mereka. Sejenak Atlas merasa sendu. Dalam lubuk hatinya masih sesekali berharap Venus meneleponnya, mengatakan bahwa ia akan datang mengucapkan selamat tinggal. Namun, nyatanya ucapan selamat tinggal Venus hanya berupa memori-memori tentangnya; seratus hal yang tertanam sejati di dalam hati Atlas mengenai segala hal tentang kejanggalan perempuan itu, gelak tawanya, senyumanya, aroma tubuhnya, kerlingan matanya, rambut hitam tebalnya, wajah pemikirnya, serta sosoknya yang seringkali membuat dirinya bertanya-tanya; kisah apa saja yang tidak diketahuinya, yang pernah terjadi dalam sejarah hidupnya sehingga membentuk pribadi sepertinya yang begitu terlihat bagai keajaiban seni paling nyata di mata Atlas? Baginya, Venus adalah sebuah takdir dan keajaiban menjadi satu. Dan, ia tidak akan pernah ada niat untuk melupakannya.
0
Jan 28, 2017
Jan 28, 2017 at 6:56 AM UTC
daydreaming part 2: tentang perpisahan
voice over: narrator Pemberitahuan terakhir disuarakan, keberangkatan pesawat tujuan Frankfurt Airport akan lepas landas tak lama lagi lagi, orang-orang bersiap masuk kabin. Ada satu hal yang terlintas di pikiran Atlas; ia tahu Venus tidak akan datang. Tidak dalam hitungan waktu tiga puluh menit, sepuluh menit, apalagi lima menit. Percuma saja menunggu, Venus benar-benar tidak datang. Perpisahan mereka sudah berlangsung semalam, pertemuan terakhir yang berhasil membuat Atlas berkali-kali memutar ulang seluruh adegan, mendengar suara gelak tawa mantan pacarnya dalam benak khayal, membayangkan senyuman Venus yang ia lukiskan untuknya terakhir kali. Pertemuan terakhir mereka kemarin bahkan tidak terasa seperti perpisahan, namun tetap bagi Atlas terasa begitu janggal. Mungkin karena terlalu tiba-tiba dan cepat, pertemuan terakhir yang merupakan perpisahan, pertemuan terakhir paling bahagia dan paling sedih, yang juga menyudahi hubungan singkat mereka. Sejenak Atlas merasa sendu. Dalam lubuk hatinya masih sesekali berharap Venus meneleponnya, mengatakan bahwa ia akan datang mengucapkan selamat tinggal. Namun, nyatanya ucapan selamat tinggal Venus hanya berupa memori-memori tentangnya; seratus hal yang tertanam sejati di dalam hati Atlas mengenai segala hal tentang kejanggalan perempuan itu, gelak tawanya, senyumanya, aroma tubuhnya, kerlingan matanya, rambut hitam tebalnya, wajah pemikirnya, serta sosoknya yang seringkali membuat dirinya bertanya-tanya; kisah apa saja yang tidak diketahuinya, yang pernah terjadi dalam sejarah hidupnya sehingga membentuk pribadi sepertinya yang begitu terlihat bagai keajaiban seni paling nyata di mata Atlas? Baginya, Venus adalah sebuah takdir dan keajaiban menjadi satu. Dan, ia tidak akan pernah ada niat untuk melupakannya.
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4
Before walking through the doorway Made of trash bags A woman checked our ID’s We passed the booth with the feathers and the ball-gags Passed the woman selling *** toys Just a white awning with plastic chairs We sat and watched a man dressed in leather He was the kind of expert who understood his passion But for him there was no teaching it Beer saturated my white shirt As I sweated it out I could feel the alcohol in my lungs I breathed slower as if it would hide the sensation He explained to us puppy play The dynamics He had his own puppy with him A man so good at making wet eyes So good at seeming lost He barked and wagged an invisible tail Chewed on rope Probably he thought about burying his bone What his wife might be making for dinner Wondered if I had recognized him as a regular At my work While taking questions the leather man said It takes time to discover the puppy inside It makes me think of how In order to view ourselves as anything We need a filter I want you to **** me With a ****** full of yes I told them If I were a puppy I would be very stupid But great to cuddle We can admit these things about ourselves While in character If I tell you I am pretending to be anything I can still find ways to pretend to be me It is like an electric chair Disguised as a lazy boy It will not hold you for long Your skin does not fit proper It makes me think of my father The Clown Who bent me into shape With his balloon animal breath Only he had asthma The empty static My inner puppy Is a half deflated balloon poodle Ends pulled tight like amputee sausage link limbs Looking lost and lonely isn’t hard What’s hard about it is Looking like that was your intention In character Some invisible narrator I can admit anything
0
Jul 28, 2012
Jul 28, 2012 at 4:28 PM UTC
Puppy Play
Before walking through the doorway Made of trash bags A woman checked our ID’s We passed the booth with the feathers and the ball-gags Passed the woman selling *** toys Just a white awning with plastic chairs We sat and watched a man dressed in leather He was the kind of expert who understood his passion But for him there was no teaching it Beer saturated my white shirt As I sweated it out I could feel the alcohol in my lungs I breathed slower as if it would hide the sensation He explained to us puppy play The dynamics He had his own puppy with him A man so good at making wet eyes So good at seeming lost He barked and wagged an invisible tail Chewed on rope Probably he thought about burying his bone What his wife might be making for dinner Wondered if I had recognized him as a regular At my work While taking questions the leather man said It takes time to discover the puppy inside It makes me think of how In order to view ourselves as anything We need a filter I want you to **** me With a ****** full of yes I told them If I were a puppy I would be very stupid But great to cuddle We can admit these things about ourselves While in character If I tell you I am pretending to be anything I can still find ways to pretend to be me It is like an electric chair Disguised as a lazy boy It will not hold you for long Your skin does not fit proper It makes me think of my father The Clown Who bent me into shape With his balloon animal breath Only he had asthma The empty static My inner puppy Is a half deflated balloon poodle Ends pulled tight like amputee sausage link limbs Looking lost and lonely isn’t hard What’s hard about it is Looking like that was your intention In character Some invisible narrator I can admit anything
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59
Sometimes I feel fleetingly like I am not here. I feel like a narrator like a character in an unfinished novel, like like like an unending street. Like this town, like this place- a collection of lives, beginnings and ends, tangled strings and cracked windows. Wandering through the small maze of downtown, I know the answer. I need to get out of here.
0
Apr 13, 2014
Apr 13, 2014 at 3:56 PM UTC
Escape
My creativity has created this creation. The outcome of my creation reflects only to the Creator. The inner Narrator narrates a repetitive monologue. Believe me, I've seen the films, and I've read that ******* blog. Long logging of nights. Internal. External. Fights. Anger lasts. I employed that past to take power away from fear. Aware now of being here. Consciousness. Humbleness. This doesn't come from admission. Remission of a previous mission. My dispositions constriction from speaking up. **** that. That cup. That rig. Spoon. *** Drug. Love is what I need. Love is what I give. Creating only a creation to love to live.
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Apr 28, 2015
Apr 28, 2015 at 10:44 AM UTC
Creating.
Today, I saw a person in front of me, their eyes on something else and I took a moment to inspect them, and then I realised it was myself. There they were, wearing the clothes I had put on in the morning, wearing the face I recognise in pictures and standing exactly where I was standing. But, they were not me – in that moment, they were not. How could I be that girl, that women standing there in that shop? The body inside is not that one I saw in the mirror, the one who was looking a different way. Inside, I’m more, I’m smaller, I’m darker, I’m paler and I dress for them each morning, choosing from the clothes not bought for them exactly, but forced to match them, to meet halfway. I knew it then, with a glance at the mirror person, nothing pretty would be bought today. And it wasn’t. Some days, it’s dungarees. Other days, it’s dresses. Some days, it’s shorts and leggings. It all depends on who I’m playing as and I’m sure that’s all okay, but then they say describe yourself in three words. How can I describe myself, this person  I do not know? So I go for the easy option and choose them from a list: Quiet Creative Studious And I suppose, that’s one way of putting myself into three words; one way of putting myself into an easy to understand formula. But it doesn’t cover it. Three words don’t cover it. Because really, I think I’m just an observer inside my own imagination, an observer inside my own life and all these other lives inside my head. I’m just the implied narrator of this person in the mirror and all these others, who come and go in different places. But then the girl in the mirror reminds me that tomorrow is my birthday, a day to celebrate the fact I exist outside of my head and then she touches a shirt, made of itchy fabric and there’s life outside the overwhelming inside, a life where I need to describe myself in three words and fit into those three words and into that one person, looking at something else, not in the mirror.
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Jul 8, 2016
Jul 8, 2016 at 6:21 PM UTC
Describe yourself in three words
Today, I saw a person in front of me, their eyes on something else and I took a moment to inspect them, and then I realised it was myself. There they were, wearing the clothes I had put on in the morning, wearing the face I recognise in pictures and standing exactly where I was standing. But, they were not me – in that moment, they were not. How could I be that girl, that women standing there in that shop? The body inside is not that one I saw in the mirror, the one who was looking a different way. Inside, I’m more, I’m smaller, I’m darker, I’m paler and I dress for them each morning, choosing from the clothes not bought for them exactly, but forced to match them, to meet halfway. I knew it then, with a glance at the mirror person, nothing pretty would be bought today. And it wasn’t. Some days, it’s dungarees. Other days, it’s dresses. Some days, it’s shorts and leggings. It all depends on who I’m playing as and I’m sure that’s all okay, but then they say describe yourself in three words. How can I describe myself, this person  I do not know? So I go for the easy option and choose them from a list: Quiet Creative Studious And I suppose, that’s one way of putting myself into three words; one way of putting myself into an easy to understand formula. But it doesn’t cover it. Three words don’t cover it. Because really, I think I’m just an observer inside my own imagination, an observer inside my own life and all these other lives inside my head. I’m just the implied narrator of this person in the mirror and all these others, who come and go in different places. But then the girl in the mirror reminds me that tomorrow is my birthday, a day to celebrate the fact I exist outside of my head and then she touches a shirt, made of itchy fabric and there’s life outside the overwhelming inside, a life where I need to describe myself in three words and fit into those three words and into that one person, looking at something else, not in the mirror.
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41
with you... the bumblebee would lose its objectivity of re-, and like every bumblebee in man’s list of talk there would only be enough pollen to yawn about and leave the rest politicised.
0
Sep 29, 2015
Sep 29, 2015 at 1:04 PM UTC
poetry's pronoun usage to excuse narrator
It's funny how people say for others "Don't judge a book by its cover". Honey, I've read the whole series - I still want my refund, Believe me, that story never got interesting nor pretty. It was comfort when you're feeling down, It was home when no one else was around, It was fun, when you needed a good time to laugh. Why I want a refund you'd ask? The magic forest isn't just pretty fairies and unicorns, right? So was this book. Cover ain't pretty, but we don't judge it - we give it a try. Yet, under all the magic, there's something scary, that could make you lose your pride. Ugly witches, goblins, trolls, but isn't the forest also their home? Story can't always be bright, But when the dark consumes all the light, the book is no longer your anchor. The pages contain ungly spells that make you feel like you're reading something else. One of the trolls probably tried to trick me - he succeeded. Can't believe once I've said this book was everything I needed. Could be the troll, could be the narrator, could be just me, but the comforting fairy tale, is no longer what it used to be. And I believe you feel the same way as me, as this was our first and last journey, cause the story got way too ugly so we both decided that it's just not worth it. So, you see, I didn't judge it before, nor will I do it now. Yet, I'd like to bring it all back, wishing I've never read that series nor reach its finale.
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Jun 20, 2022
Jun 20, 2022 at 8:19 AM UTC
"Don't judge a book by its cover"
Lady adjacent waiter, ruler of the medulla, give me a certain angle that'll make her want to maneuver, make her want to consider in the absence of his figure, that maybe not the whole gender is full of secret agendas, with her left over right leg, glass in her right hand, a tribute to her innocence ever since she walked in, assembled it's, white wine Krispy Kreme eyes, glazed look, lips glossed like her oil thighs, it's finally off time her sorority cross line, it's happy hour, she wasn't, his whole crime has been a cover up since she wants him, this whole scene has been taped off by her girlfriends, it's often I see it, alcoholic rehab, a culprit — a demon making contracts with my open tab, broken bad in the bathroom, clad woman, For all the attention such good first impressions, but not you, I feel a different aura, I feel I'll get exposed so I call a different offense, Semper Fi within my eyes this energy — I quiet the restaurant, Can you hear me? Proceed to throwing signals Tom Brady couldn't throw, the ball's in my court so I'm finally on the move, crushing on you while the sky undresses, you catch a glimpse as the clouds bare witness, Excuse me Miss Unfortunate, I know I'm at a disadvantage but I had to call it head or tails I'm still offering, a chance to be your man? No a chance to be your author? a chance to be your narrator now or later call me, a chance to say “there she is” her piercing eyes, fixes her finger on my lips be quiet, “I saw this in a movie once” she told me as I spy and I grab onto her truths, excuse me thats selfish, pardon me apart of me just wants to see that movie, a father daughter dance, a chance to be your groupie, a chance to see that smile that you flashed like a lunar star, meteor crash and its back to reality, eye connection broken and it’s back to the irony, a word barely spoken and I’m back to asking: Check Please.
0
Sep 6, 2023
Sep 6, 2023 at 3:12 PM UTC
Tragedy: Happy Hour on the Nile (Grand niece of Egyptian Goddess Isis)
Lady adjacent waiter, ruler of the medulla, give me a certain angle that'll make her want to maneuver, make her want to consider in the absence of his figure, that maybe not the whole gender is full of secret agendas, with her left over right leg, glass in her right hand, a tribute to her innocence ever since she walked in, assembled it's, white wine Krispy Kreme eyes, glazed look, lips glossed like her oil thighs, it's finally off time her sorority cross line, it's happy hour, she wasn't, his whole crime has been a cover up since she wants him, this whole scene has been taped off by her girlfriends, it's often I see it, alcoholic rehab, a culprit — a demon making contracts with my open tab, broken bad in the bathroom, clad woman, For all the attention such good first impressions, but not you, I feel a different aura, I feel I'll get exposed so I call a different offense, Semper Fi within my eyes this energy — I quiet the restaurant, Can you hear me? Proceed to throwing signals Tom Brady couldn't throw, the ball's in my court so I'm finally on the move, crushing on you while the sky undresses, you catch a glimpse as the clouds bare witness, Excuse me Miss Unfortunate, I know I'm at a disadvantage but I had to call it head or tails I'm still offering, a chance to be your man? No a chance to be your author? a chance to be your narrator now or later call me, a chance to say “there she is” her piercing eyes, fixes her finger on my lips be quiet, “I saw this in a movie once” she told me as I spy and I grab onto her truths, excuse me thats selfish, pardon me apart of me just wants to see that movie, a father daughter dance, a chance to be your groupie, a chance to see that smile that you flashed like a lunar star, meteor crash and its back to reality, eye connection broken and it’s back to the irony, a word barely spoken and I’m back to asking: Check Please.
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74
Stored up enough, but the energy now takes on its own purpose. If only I could draw; I'd create picture books on exactly what the ending looks like. Rough sketches left collecting for many months, before I ever once thought of putting color to them. The why, would be as mind trancing as tracing catch phrases into the many levels of dust accumulated. I'd write something so cliché, like, "With this oily finger I remove the collection of time." or, "With this flesh ensconced utensil, I cut through time." I'll think myself so clever, that I'd forget where I left off, and distract myself again with writing. A small recluse emotion of mine objects viciously, but my attention to every words incentive laced meaning would leave the visual to again rest unchanged, not colored. So's the plight of one who likes to think himself an artist. There's that scandalous narcissist again just waiting to ****** you up, reminding you just how beautiful your words are, and how small in intellect those who don't get it are. Upon that shelf your pictures sit. I can only write as a narrator, because our "philosopher," "philanthropist of word volley, our genius of word play," is once again too caught up in the descriptors to finish the real picture. Not that this idea will stand the test of time, but I do believe more writers will commit suicide, selfishly of course. Oh, the tragedy, the malady of writing so enigmatically that no one gets your "deep soul." While upon that shelf, within a fiber of your overrun writer's ego, there's a drawing begging to be finished, colored, maybe even shared. But just where does it reside? Did the alternate you place it in plain sight, simply so it wouldn't be found? If it's too early it just can't be worth it, can it? He'll have to learn to put down the pen, rid himself of the whiteout, the erasers, set up an easel, squeeze out some paint, and realize there are other mediums where there aren't mistakes, misinterpretations. Only perfect imagery through wispy wrist, sweeping arm, no words, images are now your letter blocks to construct with. Brushes, and all manners of paint your pen. Stop being so foolish "Writer man," if your ego clings too sharply to words, simply remind it, "This could be another pen name." "...I love that idea, what would it be?" "Narcissist Ugly." "So caught up, I forget I'm tethered to nothing, but doubt."
0
Oct 1, 2018
Oct 1, 2018 at 1:38 PM UTC
"A Recluse Part of All of Us"
Stored up enough, but the energy now takes on its own purpose. If only I could draw; I'd create picture books on exactly what the ending looks like. Rough sketches left collecting for many months, before I ever once thought of putting color to them. The why, would be as mind trancing as tracing catch phrases into the many levels of dust accumulated. I'd write something so cliché, like, "With this oily finger I remove the collection of time." or, "With this flesh ensconced utensil, I cut through time." I'll think myself so clever, that I'd forget where I left off, and distract myself again with writing. A small recluse emotion of mine objects viciously, but my attention to every words incentive laced meaning would leave the visual to again rest unchanged, not colored. So's the plight of one who likes to think himself an artist. There's that scandalous narcissist again just waiting to ****** you up, reminding you just how beautiful your words are, and how small in intellect those who don't get it are. Upon that shelf your pictures sit. I can only write as a narrator, because our "philosopher," "philanthropist of word volley, our genius of word play," is once again too caught up in the descriptors to finish the real picture. Not that this idea will stand the test of time, but I do believe more writers will commit suicide, selfishly of course. Oh, the tragedy, the malady of writing so enigmatically that no one gets your "deep soul." While upon that shelf, within a fiber of your overrun writer's ego, there's a drawing begging to be finished, colored, maybe even shared. But just where does it reside? Did the alternate you place it in plain sight, simply so it wouldn't be found? If it's too early it just can't be worth it, can it? He'll have to learn to put down the pen, rid himself of the whiteout, the erasers, set up an easel, squeeze out some paint, and realize there are other mediums where there aren't mistakes, misinterpretations. Only perfect imagery through wispy wrist, sweeping arm, no words, images are now your letter blocks to construct with. Brushes, and all manners of paint your pen. Stop being so foolish "Writer man," if your ego clings too sharply to words, simply remind it, "This could be another pen name." "...I love that idea, what would it be?" "Narcissist Ugly." "So caught up, I forget I'm tethered to nothing, but doubt."
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72
My absence was a mortifying misfortune, The ponies drew their swords at the amity, The sunset hung close to my crackling toes. And the rings of ardor were a constant reminder of the fall. We know we rise again in the sunrise but the plastic hair gave fraud to wishes we made days before. The soldiers clamped their wings tight The circle had not comprehended the fight we fought for. The context of these misused actions could be used to modify. “Please come again” The narrator spoke. We rode the carousel again.
0
Nov 14, 2011
Nov 14, 2011 at 1:33 PM UTC
Carousel
I was asked to explain what I mean by "Dead Inside" Typically I pawn off a joking motion waving my marionette arms to hide the rabbit in the hat I adequately nick-named misery because it keeps me company. But if you sawed me in half I'm quite certain all you will find inside is a silhouette of man dancing around in a light box doing the same fruitless jig over and over. A couple of loose strands and a few holes in the images but the end is the beginning and I am putting on a show for you all now. The curtain is my mouth strung so tight you'd think it was a smile And the words I say spin round and round not a genuine frown in sight. The light may be on inside but the picture never seems to change day after day, collect the pieces off the floor get up, fall in love, trip over the same type of girl have my heart shatter into pieces fall back down on the side of the road remember how uselessly alone I am; rinse and repeat. This is paper thin love and see through expectations that will not fail. And it doesn't matter which way you spin it. Its A tragically bad silent comedy that doesn't need a narrator to explain Just how miserable the person inside really is. My heart is just a silhouette of a man and if you think you can put some tangibility behind it and not have it shatter into 1000 pieces. Congrats you too have joined the circus. and spin round and round in my light box.
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Oct 31, 2023
Oct 31, 2023 at 11:56 AM UTC
Lighted Carousel
I’m indebted to the Oxford Dictionary of Quotations, 4th Edition 1996 **Ab Imo Pectore A**b imo pectore, Blandae mendacia linguae, Cadit quaestio, Desunt cetera. E*st modus in rebus. Faber est quisque fortunae suae, Gigni de nihilo nihilum, in nihilum nil posse reverti. Hic finis fandi, Interdum stultus bene loquitur? Jacta interdum est alea, Labuntur et imputantur. Magni nominis umbra, Nec scire fas est omnia, Omne crede diem tibi diluxisse supremun, Pallida mors aequo pulsat pauperum tabernas regumque turres; Quid rides, mutato nominee de te fibula narrator, Res ipsa loquitur. Solvitur ambulando… Tempora mutantur, nos et matamur in illis. Urbi et orbi, Vestigia nulla retrorsum.* From The Bottom Of The Heart From the bottom of the heart,  the falsehoods of a smooth tongue, The question drops, the rest is wanting. There is a balance in all things, every man is the creator of his own fate. From nothing, nothing can come, into nothing, nothing can return. Let there be an end to talking, for who can tell when a fool speaks the truth? The die is sometimes already cast, A moment comes and goes, and is laid to our account. From the smallest shadow to the mightiest name, No one can claim to know all things, I believe that every day that dawns may be my last, Pale death knocks impartially at both poor and rich men’s houses; Don’t laugh, change the name and the story is yours, It’s so obvious, it speaks for itself. As the concept of motion is proven by walking… So in time all things change, as we must, in time, all change. And to all the world, There’s no turning back. Ab Imo Pectore / From The Bottom Of The Heart Ab imo pectore, From the bottom of the heart, Blandae mendacia linguae,   The falsehoods of a smooth tongue, Cadit quaestio, The question drops, Desunt cetera. The rest is found wanting. Est modus in rebus, There is a balance in all things, Faber est quisque fortunae suae. Every man is the creator of his own fate. Gigni de nihilo nihilum, in nihilum nil posse reverti. From nothing, nothing can come, into nothing, nothing can return.   Hic finis fandi, Let there be an end to talking, Interdum stultus bene loquitur? For who can tell when a fool speaks the truth? Jacta interdum est alea. The die is sometimes already cast, Labuntur et imputantur. A moment comes and goes, and is laid to our account. Magni nominis umbra, From the smallest shadow to the mightiest name, Nec scire fas est omnia, No one can claim to know all things, Omne crede diem tibi diluxisse supremun, I believe that every day that dawns may be my last, Pallida  mors aequo pulsat pauperum tabernas regumque turres; Pale death knocks impartially at both poor man and rich men’s houses; Quid rides, mutato nominee de te fibula narrator, Don’t laugh, change the name and the story is yours, Res ipsa loquitur. It’s so obvious, that it speaks for itself. Solvitur ambulando… As the concept of motion is proven by walking… Tempora mutantur, nos et matamur in illis. So in time all things change, as we must, in time, all change. Urbi et orbi, And to all the world, Vestigia nulla retrorsum. There’s no turning back. r10.1
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Nov 27, 2013
Nov 27, 2013 at 6:41 PM UTC
Ab Imo Pectore / From The Bottom Of The Heart
I’m indebted to the Oxford Dictionary of Quotations, 4th Edition 1996 **Ab Imo Pectore A**b imo pectore, Blandae mendacia linguae, Cadit quaestio, Desunt cetera. E*st modus in rebus. Faber est quisque fortunae suae, Gigni de nihilo nihilum, in nihilum nil posse reverti. Hic finis fandi, Interdum stultus bene loquitur? Jacta interdum est alea, Labuntur et imputantur. Magni nominis umbra, Nec scire fas est omnia, Omne crede diem tibi diluxisse supremun, Pallida mors aequo pulsat pauperum tabernas regumque turres; Quid rides, mutato nominee de te fibula narrator, Res ipsa loquitur. Solvitur ambulando… Tempora mutantur, nos et matamur in illis. Urbi et orbi, Vestigia nulla retrorsum.* From The Bottom Of The Heart From the bottom of the heart,  the falsehoods of a smooth tongue, The question drops, the rest is wanting. There is a balance in all things, every man is the creator of his own fate. From nothing, nothing can come, into nothing, nothing can return. Let there be an end to talking, for who can tell when a fool speaks the truth? The die is sometimes already cast, A moment comes and goes, and is laid to our account. From the smallest shadow to the mightiest name, No one can claim to know all things, I believe that every day that dawns may be my last, Pale death knocks impartially at both poor and rich men’s houses; Don’t laugh, change the name and the story is yours, It’s so obvious, it speaks for itself. As the concept of motion is proven by walking… So in time all things change, as we must, in time, all change. And to all the world, There’s no turning back. Ab Imo Pectore / From The Bottom Of The Heart Ab imo pectore, From the bottom of the heart, Blandae mendacia linguae,   The falsehoods of a smooth tongue, Cadit quaestio, The question drops, Desunt cetera. The rest is found wanting. Est modus in rebus, There is a balance in all things, Faber est quisque fortunae suae. Every man is the creator of his own fate. Gigni de nihilo nihilum, in nihilum nil posse reverti. From nothing, nothing can come, into nothing, nothing can return.   Hic finis fandi, Let there be an end to talking, Interdum stultus bene loquitur? For who can tell when a fool speaks the truth? Jacta interdum est alea. The die is sometimes already cast, Labuntur et imputantur. A moment comes and goes, and is laid to our account. Magni nominis umbra, From the smallest shadow to the mightiest name, Nec scire fas est omnia, No one can claim to know all things, Omne crede diem tibi diluxisse supremun, I believe that every day that dawns may be my last, Pallida  mors aequo pulsat pauperum tabernas regumque turres; Pale death knocks impartially at both poor man and rich men’s houses; Quid rides, mutato nominee de te fibula narrator, Don’t laugh, change the name and the story is yours, Res ipsa loquitur. It’s so obvious, that it speaks for itself. Solvitur ambulando… As the concept of motion is proven by walking… Tempora mutantur, nos et matamur in illis. So in time all things change, as we must, in time, all change. Urbi et orbi, And to all the world, Vestigia nulla retrorsum. There’s no turning back. r10.1
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85
She kept up with her housekeeping. Typically. Very Neat. Shelves everywhere. Today, the melon baller was out of place and she was busy batting flies. Actually, there was only one fly. Senses deceived. The humming was too loud to go undisturbed. Attention becomes focused digitally on enhanced minute wrecks. Hours spent trying to get the flies. Illusion. One fly. She didn't know. Suspected worst. Kept at it. The sexless man walked in with a tophat. Brimmed. Asks why the dishes weren't done. Too Busy. Why the floor not swept. Too Busy. Vacuum. There's flies to get. I'm busy. The house is a mess. The house is a wreck.
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Dec 1, 2013
Dec 1, 2013 at 8:20 AM UTC
Narrator of the Pressed State.
basic arithmetic in terms of punctuation, otherwise? simply the arithmetic of punctuation: what does (,) equal? what does (.) equal? what does (:) equal? what does (-) equal? what does (;) equal? come on, quick! quick! give me a number! to think, is to not narrate,                                much of what is regarded as    "thinking", simply becomes as art of narration        that is sofa-bound, i.e. so comfortable that it feels it has no inclination toward the use of hands as ever being idle, it simply replaces   hands with a tongue...                     hence: idle speech,                 hence political speech; so if the "devil" has work for idle hands, then "god" has work for the idle zunge                                        (tongue)... but most people don't think,    because their thinkling is solely about narrating,                   their day-to-day...                and i appreciate this custom, in the cognitive realm...          i really do...               how many jokes ushered into the void of one's silence, neither whisphers, nor hummings, nor whistling...         wiser still, essentially unchanged... but heidegger's aphorism no. 285    really bothers me...             the reader looking into the narrator given the existentialist inverted commas    (iberian inverted questioning    ¿   ?          that's the first step toward    an iberian existentialism)                         said the third person,     with third party sources, the middle man, the second person, and then the reader   of the writer's original testimony?    if northern existentialism (french / german...   the english were too reactionary, and too easily bored by the continental drift)        encompasses the tool that's "      "    then the iberian tool has to be the inverted question mark, i.e.       ¿   ?, sitting comfortably? no? how about a wheelchair... let me just break your legs and your spine.        but aphorism 285: "worldview",      "grounding", "configuring"...        i don't understand this allocation of ambiguity, and an italic stress on da-sein / da-sein...    aren't all the three descriptive elements /    adjectives the purposive sentiments for                    originating the concept of dasein? i had to counter with an iberian existential tool...    after all i said, 'he said', "we said"...                                   it's a third party medium of supposed ambiguity...          if there's a santa claus (satan's clause), then there's pontius pilate's clause,   found in the existential tool of     double-ditto "     "   or as the english like to say: inverted commas;    or the ritual: of washing your hands clean    from passing the judgement...    they're citation marks to be honest, come on, let's be pompous, they donned 19th top-hats      at ascot's horse races! who's fooling who?
0
Jun 26, 2017
Jun 26, 2017 at 7:25 AM UTC
iberian existentialism contra northern existentialism (¿qua? vs. "qua")
basic arithmetic in terms of punctuation, otherwise? simply the arithmetic of punctuation: what does (,) equal? what does (.) equal? what does (:) equal? what does (-) equal? what does (;) equal? come on, quick! quick! give me a number! to think, is to not narrate,                                much of what is regarded as    "thinking", simply becomes as art of narration        that is sofa-bound, i.e. so comfortable that it feels it has no inclination toward the use of hands as ever being idle, it simply replaces   hands with a tongue...                     hence: idle speech,                 hence political speech; so if the "devil" has work for idle hands, then "god" has work for the idle zunge                                        (tongue)... but most people don't think,    because their thinkling is solely about narrating,                   their day-to-day...                and i appreciate this custom, in the cognitive realm...          i really do...               how many jokes ushered into the void of one's silence, neither whisphers, nor hummings, nor whistling...         wiser still, essentially unchanged... but heidegger's aphorism no. 285    really bothers me...             the reader looking into the narrator given the existentialist inverted commas    (iberian inverted questioning    ¿   ?          that's the first step toward    an iberian existentialism)                         said the third person,     with third party sources, the middle man, the second person, and then the reader   of the writer's original testimony?    if northern existentialism (french / german...   the english were too reactionary, and too easily bored by the continental drift)        encompasses the tool that's "      "    then the iberian tool has to be the inverted question mark, i.e.       ¿   ?, sitting comfortably? no? how about a wheelchair... let me just break your legs and your spine.        but aphorism 285: "worldview",      "grounding", "configuring"...        i don't understand this allocation of ambiguity, and an italic stress on da-sein / da-sein...    aren't all the three descriptive elements /    adjectives the purposive sentiments for                    originating the concept of dasein? i had to counter with an iberian existential tool...    after all i said, 'he said', "we said"...                                   it's a third party medium of supposed ambiguity...          if there's a santa claus (satan's clause), then there's pontius pilate's clause,   found in the existential tool of     double-ditto "     "   or as the english like to say: inverted commas;    or the ritual: of washing your hands clean    from passing the judgement...    they're citation marks to be honest, come on, let's be pompous, they donned 19th top-hats      at ascot's horse races! who's fooling who?
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65
Clings of metal, pots and kettles. Trumpets of laughter, drumming of tables, planting of cables. Sounds of games, clashing of swords, narrator's voice saying "game on!" Quiet dim lights. Sounds in sound played in rooms, as people bring dishes out at noon. Walls of cold separated speakers, waves of warmth shook the walls. Crying in Midnight's, cats at 3, pens clicking at half past two. Computers locked open. Music of this neighborhood rang in my ears, as I stand by the door, paper wrapped in hand. Looking to the lights of another home...
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Jul 27, 2018
Jul 27, 2018 at 7:25 AM UTC
Soundbox
I was standing by the window On one cold and cloudy day When I saw the hearse come rolling For to carry my mother away Will the circle be unbroken Bye and bye Lord, bye and bye There's a better home awaiting In the sky Lord, in the sky I said to the undertaker Undertaker please drive slow For this lady you are carrying Lord I hate to see her go Will the circle be unbroken Bye and bye Lord, bye and bye There's a better home awaiting In the sky Lord, in the sky Oh, I followed close behind her Tried to hold up and be brave But I could not hide my sorrow When they laid her in the grave Will the circle be unbroken Bye and bye Lord, bye and bye There's a better home awaiting In the sky Lord, in the sky I went back home, the home was lonesome Since my mother, she was gone All my brothers and sisters crying What a home so sad and alone Will the circle be unbroken Bye and bye Lord, bye and bye There's a better home awaiting In the sky Lord, in the sky We sang songs of childhood Hymns of faith that made us strong Ones that mother maybelle taught us Hear the angels sing along Will the circle be unbroken Bye and bye Lord, bye and bye There's a better home awaiting In the sky Lord, in the sky ________________ "Can the Circle Be Unbroken (By and By)" is the title of a country/folk song reworked by A. P. Carter from the hymn "Will the Circle Be Unbroken?" by Ada R. Habershon and Charles H. Gabriel.[1][2] The song's lyrics concern the death, funeral, and mourning of the narrator's mother.
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May 16, 2014
May 16, 2014 at 9:50 PM UTC
"Will The Circle Be Unbroken"
I was standing by the window On one cold and cloudy day When I saw the hearse come rolling For to carry my mother away Will the circle be unbroken Bye and bye Lord, bye and bye There's a better home awaiting In the sky Lord, in the sky I said to the undertaker Undertaker please drive slow For this lady you are carrying Lord I hate to see her go Will the circle be unbroken Bye and bye Lord, bye and bye There's a better home awaiting In the sky Lord, in the sky Oh, I followed close behind her Tried to hold up and be brave But I could not hide my sorrow When they laid her in the grave Will the circle be unbroken Bye and bye Lord, bye and bye There's a better home awaiting In the sky Lord, in the sky I went back home, the home was lonesome Since my mother, she was gone All my brothers and sisters crying What a home so sad and alone Will the circle be unbroken Bye and bye Lord, bye and bye There's a better home awaiting In the sky Lord, in the sky We sang songs of childhood Hymns of faith that made us strong Ones that mother maybelle taught us Hear the angels sing along Will the circle be unbroken Bye and bye Lord, bye and bye There's a better home awaiting In the sky Lord, in the sky ________________ "Can the Circle Be Unbroken (By and By)" is the title of a country/folk song reworked by A. P. Carter from the hymn "Will the Circle Be Unbroken?" by Ada R. Habershon and Charles H. Gabriel.[1][2] The song's lyrics concern the death, funeral, and mourning of the narrator's mother.
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42
I love art It expresses a world beyond this one Art can show me a life A possibility A desire Anything I can feel I can hurt I can express My pencil dances on the page A magic flowing from my pencil to the page Finally free People can finally understand They can finally see From my eyes                                      _Art_ I watch them captured by their bodies the narrator A beautiful story is now being told A love so deep but so painful a silent scream                                    _Art_ That instrument Speaks This may have been Beethovens But not anymore This Is now theirs This is beyond words                                   _Art_ Theres always more behind the words Stories Secrets Wishes Confessions Everything A poem can tell the world what cant be said                                   __Art__
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Dec 6, 2019
Dec 6, 2019 at 9:31 PM UTC
The World of Art
Your smile creeps off you know, With no control, Like you aren't wanting to go, But there's something unknown, And with alot of pull, The voice dismayed with things that haven't happened, And probably won't, The slight underwhelming moan, In a sea of sighs, You can't try to control, The glass is normally half full, But like villains, only known to the narrator, Stalks in linens, And they deploy the daggers, That don't make any sense, So you build the fence, And hope to sleep, Because when you're up again, You'll smile at the pen, know it doesn't make sense, And that it will happen more, Just do you're process and apologize, Saying that there is no control But realize, It doesn't matter if it's normal, It means it will change.
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Sep 30, 2015
Sep 30, 2015 at 1:00 AM UTC
the universe is terrified..but it accepts it has blackholes
methinks thou confuseth thy heart's impatient beating with the tremulous and sonorous summation of the immeasurable wail of clocks ticking, begging, listen! these wondrous matches glorious arranged in heaven, where weighty watches and yellowed human calendars long ago dismissed, irrelevant, discarded. marked full well, they did upon thy heart, when as babe you drew first breath. when thou will receive love's bounty, nothing more and nothing less. heavenly their watchfulness eternal, impatience does not grant favour to love long lasting, ever true, even if struck anew with first impatient glance, for much thought and endeavor, masterfully planned, thy turn scheduled, recorded, awaiting only for inevitable discovery. for though the streams of spring rush full fleshed, swollen forward, thy truest love is best read in the gentle constance of a gentle lake's modest waves lapping, like a beloved's best ring finger stroking thy cheek in one continuous caressing. need not thou lament, nor groan with impatient travail, fare thee well, for the sails, the course inexorable, the destination prescribed, foretold and heralded upon the flags of thy eyes, the banner of thy words, that rest prepared upon thy fullest and hungry lips. chance is but a secondary miscreant, whose role is but as narrator. let's him speak infrequent, but when comes his time to conduct his sale, well behooves you to listen to that littlest of voices you so oft disregard, victim of your willful fears! the time, the play, the locale all matched and set, now we await only your demonstration and forbearance to honest augur the greatest courage to speak the hardest phrase e're spoke: I love thee more than myself. for whence can only be, when thou breakbeat the chains accursedly nominated as Me First. shout the key out loud In the hour, nay, the instance, thy first believe, then long life and long love can then and only then commence.
0
Nov 10, 2013
Nov 10, 2013 at 11:41 AM UTC
whence will my soulmate find me?
methinks thou confuseth thy heart's impatient beating with the tremulous and sonorous summation of the immeasurable wail of clocks ticking, begging, listen! these wondrous matches glorious arranged in heaven, where weighty watches and yellowed human calendars long ago dismissed, irrelevant, discarded. marked full well, they did upon thy heart, when as babe you drew first breath. when thou will receive love's bounty, nothing more and nothing less. heavenly their watchfulness eternal, impatience does not grant favour to love long lasting, ever true, even if struck anew with first impatient glance, for much thought and endeavor, masterfully planned, thy turn scheduled, recorded, awaiting only for inevitable discovery. for though the streams of spring rush full fleshed, swollen forward, thy truest love is best read in the gentle constance of a gentle lake's modest waves lapping, like a beloved's best ring finger stroking thy cheek in one continuous caressing. need not thou lament, nor groan with impatient travail, fare thee well, for the sails, the course inexorable, the destination prescribed, foretold and heralded upon the flags of thy eyes, the banner of thy words, that rest prepared upon thy fullest and hungry lips. chance is but a secondary miscreant, whose role is but as narrator. let's him speak infrequent, but when comes his time to conduct his sale, well behooves you to listen to that littlest of voices you so oft disregard, victim of your willful fears! the time, the play, the locale all matched and set, now we await only your demonstration and forbearance to honest augur the greatest courage to speak the hardest phrase e're spoke: I love thee more than myself. for whence can only be, when thou breakbeat the chains accursedly nominated as Me First. shout the key out loud In the hour, nay, the instance, thy first believe, then long life and long love can then and only then commence.
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92
| Cubism brought the omniscient narrator into the visual arts & | traveling far enough from the center of the universe makes the universe seem actually     tiny & finally, imperceptible, all that is time-travel, god & ordinary life: is relativity, the math of the diameter; quantum mechanics, that of the circumference | the Russian avant-garde of the 'teens & 20's applied these principles to typography to serve the supposedly omniscient Soviet State; | an early cold war project of the NSA was to fund the arts as propaganda | 1950's & early 60's America saw unbridled expressions of mass, individual, artistic & intellectual creativity: facilitated in large part by the invention of LSD by the CIA | so far the greatest mind of recent times has been essentially a disembodied brain; RIP Stephen Hawking | the future points to our brain being salvageable from the polluted mess of the body; | Under Gretchen Carlson Miss America is to be judged on brains alone | _That's Avante-Garde, *****
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Aug 9, 2018
Aug 9, 2018 at 8:45 PM UTC
golden mean vs. scales
The third power of the Sphinx is Courage. "Herein lies the great mystery of the empty throne." ∆ Giddy in the throes of realization,         the Arbiter, imbued with needful action,         takes a great, daring leap across the chasm                 into the implications of knowledge:                 This is It - the Puzzle that Fascinates Itself.                  "You awoke in the Kingdom with eyes closed. In the beginning was the Trapezoid called Control." ∆ Borne by an umbilical Breath to a lens too small to see Itself, Buoyed by the lapping waves, Reason wrought a waking sleep of hallucinations, a sea of dreams and possibilities to become;         Memories too large         to conceive by aught         but the perennial story         that swallows the narrator:                 *"I see their entire lives in an instant,                 being devoured and loving and living                 in a world that does not realize                 it is already over."* ‡ Courage is the Bearer of Truth. Headlong into the open maw heaves the gleeful Fool and his glad Word.         *"The excess of Meaning must be wrought on the Page,         on worlds of our own imagining." ∞* To Dare is to risk: consequence the reward fraught with baited hooks to tether the Arbiter to Time. The web of attachment sprawls, an expansive net.                 *"The web is infinite -                 those caught in it are beyond Number."* †                         Yet the spider is never                         ensnared by its Art:                         a master of the net,                         a climber of the Tree.                 At the summit of its dizzying heights,                 the depth of the Fall overwhelms.                         Responsibility follows.                 "Thou art That which resolves the frustum." ∆ Escaper of the Labyrinth, Master of the Maze, no longer merely Thou: Dilation devours the Iris.         *"What speaks through You has Ordained it         from the Beginning of Time,         and only in harnessing it         will you learn to devour your self         totally."* †         *"Then will you know me         as the eye that never shuts,         the eye that blinds."* Ω The way (out) is through.
0
Jan 22, 2015
Jan 22, 2015 at 7:02 PM UTC
Praxeology
The third power of the Sphinx is Courage. "Herein lies the great mystery of the empty throne." ∆ Giddy in the throes of realization,         the Arbiter, imbued with needful action,         takes a great, daring leap across the chasm                 into the implications of knowledge:                 This is It - the Puzzle that Fascinates Itself.                  "You awoke in the Kingdom with eyes closed. In the beginning was the Trapezoid called Control." ∆ Borne by an umbilical Breath to a lens too small to see Itself, Buoyed by the lapping waves, Reason wrought a waking sleep of hallucinations, a sea of dreams and possibilities to become;         Memories too large         to conceive by aught         but the perennial story         that swallows the narrator:                 *"I see their entire lives in an instant,                 being devoured and loving and living                 in a world that does not realize                 it is already over."* ‡ Courage is the Bearer of Truth. Headlong into the open maw heaves the gleeful Fool and his glad Word.         *"The excess of Meaning must be wrought on the Page,         on worlds of our own imagining." ∞* To Dare is to risk: consequence the reward fraught with baited hooks to tether the Arbiter to Time. The web of attachment sprawls, an expansive net.                 *"The web is infinite -                 those caught in it are beyond Number."* †                         Yet the spider is never                         ensnared by its Art:                         a master of the net,                         a climber of the Tree.                 At the summit of its dizzying heights,                 the depth of the Fall overwhelms.                         Responsibility follows.                 "Thou art That which resolves the frustum." ∆ Escaper of the Labyrinth, Master of the Maze, no longer merely Thou: Dilation devours the Iris.         *"What speaks through You has Ordained it         from the Beginning of Time,         and only in harnessing it         will you learn to devour your self         totally."* †         *"Then will you know me         as the eye that never shuts,         the eye that blinds."* Ω The way (out) is through.
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60
Lonesome crusader and ancient gladiator, He is taking love from the hater while being loyal to his traitor. Constantly his own narrator, singing those old songs, on his path, as he walks along, Looking for some forgotten town, with no one around who would try to bring him down. Were he could not be found Find his peace in the sounds, as his flesh fades back to dust back beneath the ground.
0
Jun 12, 2011
Jun 12, 2011 at 10:28 PM UTC
Bard
since i turned into a nocturnal creature i’ve changed a bit, i started the theological arithmetic: (right hand) thumb, index, middle finger(s) - january february march, ring, pinky & pinky (left hand) - april may june, ring middle index (left hand) july august september - thumb (left hand) thumb and index (right hand)... of yes, intelligent design... now make a hole using your thumb & index finger, then ensure your thumb goes in & out from that whole... like god, say: oh **** i forgot the piston! guess what’s the slang term for a russian in polish? kacap. guess what’s the slang term for a german in polish? szwab (shvab) / i know, i too wish it was sax...aphone. guess what’s the slang term for a dwarf in polish? karakan. but i said, there are really two branches from the 20th century growing into the 21st century, there’s the proustian branch that’s a cul de sac... and there’s the joycean branch, that leads to ezra pound et al., finnegans wake (which i have read) i can a 50p with an invention of a terminology: uncoded phoneticism, i.e. alpha bravo charlie delta echo, only because: prirates’ aye, eye and lie and high sounded pretty much the same even though they were spelled differently. uncoded phoneticism means you use a coding of language from thought / silence in a way that elevates it from the standard usage, from novelty interests of a righteous narrator crafting new characters... of course your writing will appear chaotic... but in reality it will not be... trust me... i simulated paranoid schizophrenia for seven years... fooled three psychiatrists and regained a chance to provoke. nicholas ii is smiling at me from a banknote i own, and i have a kopek’s worth of currency from dostoyevsky’s times.
0
Dec 4, 2015
Dec 4, 2015 at 7:52 PM UTC
a russian in polish slang? kacap
since i turned into a nocturnal creature i’ve changed a bit, i started the theological arithmetic: (right hand) thumb, index, middle finger(s) - january february march, ring, pinky & pinky (left hand) - april may june, ring middle index (left hand) july august september - thumb (left hand) thumb and index (right hand)... of yes, intelligent design... now make a hole using your thumb & index finger, then ensure your thumb goes in & out from that whole... like god, say: oh **** i forgot the piston! guess what’s the slang term for a russian in polish? kacap. guess what’s the slang term for a german in polish? szwab (shvab) / i know, i too wish it was sax...aphone. guess what’s the slang term for a dwarf in polish? karakan. but i said, there are really two branches from the 20th century growing into the 21st century, there’s the proustian branch that’s a cul de sac... and there’s the joycean branch, that leads to ezra pound et al., finnegans wake (which i have read) i can a 50p with an invention of a terminology: uncoded phoneticism, i.e. alpha bravo charlie delta echo, only because: prirates’ aye, eye and lie and high sounded pretty much the same even though they were spelled differently. uncoded phoneticism means you use a coding of language from thought / silence in a way that elevates it from the standard usage, from novelty interests of a righteous narrator crafting new characters... of course your writing will appear chaotic... but in reality it will not be... trust me... i simulated paranoid schizophrenia for seven years... fooled three psychiatrists and regained a chance to provoke. nicholas ii is smiling at me from a banknote i own, and i have a kopek’s worth of currency from dostoyevsky’s times.
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39
םתוח השׂטן‎ and i thought that ancient egyptian was retarted... looks like there's a contender! hebrew! this language doens't know left from right, or up from down... hebrew is, by html encoding... a dodo project! it's retarted! hebrew can't survive in the html age... it's retarudus proximus! oh, you think arabic is any better? don't think semites should be laughing at this point... trying to write hebrew script is like juggling pineapples... what does it say? the seal of satan... satan? well that implies guardian of the tetragrammaton... i still agree hebrew evolved from ancient egyptian script... but hebrew wasn't used in writing html or any other computing script... that's why it's so retarted when trying to write it in html mode... nope, can't convince me... you can't really write hebrew in html mode... i call this the extinction precipice... if this ****** is going to keep up its copernican acid tripping not knowing left from right... might as well leave it at the roman long-handshake... where hands don't actually touch, but hands touch nearing the elbow... namely forearm-grip. as the original stated: the smaller the audience: the greater span of historical worth, and desire to upkeep: that pangloss citation from voltaire's candide: better us tending to our own conerns, that bother ourselves with the concerns of others. oh, i know what a small audience implies... didn't christ have only the 12, didn't pythagoras only have the approx. 30? there's something quite telling about a small audience...          not exactly cultish...                   but something beyond the realm of influencing people within a single lifetime...                    take en sabah nur and his 4: oh come on... rewrite tolstoy's war & peace in a comic form:   just to ease the gates for poets, and leave barren, the boring narrator... let's keep it at just that: there's something telling about a small audience...           look at the 1 and the 12, and now look at the billionth marker -   funny, isn't it?                 what am i claiming though? ah, that's simple, that's a revival of "judaism" - i say "judaism" because i am the one ordained with neither prophecy or anything worth mastering:   i am the guardian of the tetragrammaton... and sure, the god within the confines of philosophy has to necessarily not exist... but?        well... you can't really evaporate the tetragrammaton out of existence!              whenever the right time comes, i loose the title: chief prosecutor, and become chief defendant.
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Jul 25, 2017
Jul 25, 2017 at 8:53 PM UTC
ו
םתוח השׂטן‎ and i thought that ancient egyptian was retarted... looks like there's a contender! hebrew! this language doens't know left from right, or up from down... hebrew is, by html encoding... a dodo project! it's retarted! hebrew can't survive in the html age... it's retarudus proximus! oh, you think arabic is any better? don't think semites should be laughing at this point... trying to write hebrew script is like juggling pineapples... what does it say? the seal of satan... satan? well that implies guardian of the tetragrammaton... i still agree hebrew evolved from ancient egyptian script... but hebrew wasn't used in writing html or any other computing script... that's why it's so retarted when trying to write it in html mode... nope, can't convince me... you can't really write hebrew in html mode... i call this the extinction precipice... if this ****** is going to keep up its copernican acid tripping not knowing left from right... might as well leave it at the roman long-handshake... where hands don't actually touch, but hands touch nearing the elbow... namely forearm-grip. as the original stated: the smaller the audience: the greater span of historical worth, and desire to upkeep: that pangloss citation from voltaire's candide: better us tending to our own conerns, that bother ourselves with the concerns of others. oh, i know what a small audience implies... didn't christ have only the 12, didn't pythagoras only have the approx. 30? there's something quite telling about a small audience...          not exactly cultish...                   but something beyond the realm of influencing people within a single lifetime...                    take en sabah nur and his 4: oh come on... rewrite tolstoy's war & peace in a comic form:   just to ease the gates for poets, and leave barren, the boring narrator... let's keep it at just that: there's something telling about a small audience...           look at the 1 and the 12, and now look at the billionth marker -   funny, isn't it?                 what am i claiming though? ah, that's simple, that's a revival of "judaism" - i say "judaism" because i am the one ordained with neither prophecy or anything worth mastering:   i am the guardian of the tetragrammaton... and sure, the god within the confines of philosophy has to necessarily not exist... but?        well... you can't really evaporate the tetragrammaton out of existence!              whenever the right time comes, i loose the title: chief prosecutor, and become chief defendant.
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did you take your medicine this morning? we noticed you haven't come out of your room all day. yes, the appointment is the 29th. you didn't write down the homework. what homework? you can't turn it in now. if i help myself, i might lose you you're a talented writer, i saw that from early on but as a reader, it's impossible to like the narrator he's sort of an immature **** ...yes? the sound of an entry plug fills your senses lcl the primordial ooze hair should be floating but nothing changes nothing at all did they really think this through? dissociating is an interesting thing do you realize that these lines dont make sense
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Sep 17, 2015
Sep 17, 2015 at 9:33 PM UTC
is your keyboard okay?