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"museums" poems
It terrifies me that we only get a limited amount of time with people. And that some people get more time than others who should have. I’m forever envious of those who’ve gotten more time with you than I have. That I may never get to be with you as long as they have. That our time is running out. And I miss you already. And I never want to say goodbye. At first it was slow, late nights in your car and afternoons in my bedroom. But now it feels like it’s happening all at once, like you’re doing a snow angel on my heart and it keeps getting bigger and bigger. Kissing on the sidewalk, holding hands in your coat pocket because I forgot to bring gloves. Wandering around museums and having hard conversations on your couch that make me love you even more; even when the air becomes glass, I can’t stop thinking about how lucky I feel to know you. That there’s no one else like you. My heart aches in your arms and aches when we’re apart. And I just want to be as close to you as possible, for as long as possible, because you are the most beautiful person I’ve ever met, and I love who I am when I’m with you.
0
Feb 20, 2015
Feb 20, 2015 at 1:55 PM UTC
midnight journal
I could’ve woken you up in the morning and could’ve been the sun that rises even when we both live in a place where it never does. I could’ve taken you to museums, at least 2 of where I’ve been to. The first one, we’ll have to take the bus because I’d tell you that I’m too lazy to drive but for the second one, I will tell you that I’ll drive you there. My car would look at me as though it knows that there is another soul seating in the passenger seat – it was no longer some books, a box of pizza, or my dog. I could’ve taken photos of you in that place, post them everywhere but subtly so that they can see that there are at least 2 forms of art in that photo — the one you’re looking at and the one I’m looking at. I could’ve talked to you at night under the stars, in the same rooftop where I told you that I liked the cathartic experience of doing just what we could’ve done; the same rooftop where you talked about your life, at least some pieces of it. I could’ve brought you to where I used to study. We could’ve walked the halls that stared at me for being too alone and too lonely only so I could tell them, “Hey, here he is, finally.” and they could’ve smiled at me because they know how long the longing lasted. We could’ve taken a stroll in the shade of the trees or could’ve had a picnic there while watching the joggers and the sunset. I could’ve introduced you to my friends – they’ve been meaning to meet you. They too know how long I’ve been stuck on an island by myself. They know who I was when I was eleven and when I was sixteen and I bet, if you gave them a chance, you could’ve heard the crazy things we did. And maybe they could’ve liked you. They could’ve told me how lucky I was and probably would’ve warned me that if I hurt you, they’d stick with you instead of me. I could’ve introduced you to my family — my mom liked you even then. I could’ve introduced you to my little brother who I would consider as the biggest and most important judge of character because I believe that children can sense goodness in people and he could’ve seen that in you. I could’ve written you letters, could’ve left random little tokens I would've used for all the words I cannot muster to say. I could’ve played the piano for you even if I just know, at most, 3 songs; even though I don’t really know how to read notes at all. I could’ve introduced you to the artists I like and I could’ve known more of yours. I could’ve listened to them and I would have had to remember you every time. I could’ve held your hand, could’ve eaten brunch with you, could’ve read you a poem. I could’ve loved you — could have – if I was the given the chance. But, I was and I could’ve used it but I didn’t.
0
Aug 7, 2018
Aug 7, 2018 at 11:01 PM UTC
Because Today is the Last Day
I could’ve woken you up in the morning and could’ve been the sun that rises even when we both live in a place where it never does. I could’ve taken you to museums, at least 2 of where I’ve been to. The first one, we’ll have to take the bus because I’d tell you that I’m too lazy to drive but for the second one, I will tell you that I’ll drive you there. My car would look at me as though it knows that there is another soul seating in the passenger seat – it was no longer some books, a box of pizza, or my dog. I could’ve taken photos of you in that place, post them everywhere but subtly so that they can see that there are at least 2 forms of art in that photo — the one you’re looking at and the one I’m looking at. I could’ve talked to you at night under the stars, in the same rooftop where I told you that I liked the cathartic experience of doing just what we could’ve done; the same rooftop where you talked about your life, at least some pieces of it. I could’ve brought you to where I used to study. We could’ve walked the halls that stared at me for being too alone and too lonely only so I could tell them, “Hey, here he is, finally.” and they could’ve smiled at me because they know how long the longing lasted. We could’ve taken a stroll in the shade of the trees or could’ve had a picnic there while watching the joggers and the sunset. I could’ve introduced you to my friends – they’ve been meaning to meet you. They too know how long I’ve been stuck on an island by myself. They know who I was when I was eleven and when I was sixteen and I bet, if you gave them a chance, you could’ve heard the crazy things we did. And maybe they could’ve liked you. They could’ve told me how lucky I was and probably would’ve warned me that if I hurt you, they’d stick with you instead of me. I could’ve introduced you to my family — my mom liked you even then. I could’ve introduced you to my little brother who I would consider as the biggest and most important judge of character because I believe that children can sense goodness in people and he could’ve seen that in you. I could’ve written you letters, could’ve left random little tokens I would've used for all the words I cannot muster to say. I could’ve played the piano for you even if I just know, at most, 3 songs; even though I don’t really know how to read notes at all. I could’ve introduced you to the artists I like and I could’ve known more of yours. I could’ve listened to them and I would have had to remember you every time. I could’ve held your hand, could’ve eaten brunch with you, could’ve read you a poem. I could’ve loved you — could have – if I was the given the chance. But, I was and I could’ve used it but I didn’t.
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16
She was an art, but she wasn't the type you'd find in museums or the type that would make you feel profound things in your chest. She was an art tucked in hidden pockets of a faded yellow dress. She was an art, slowly sketching herself out of existence.
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Aug 8, 2019
Aug 8, 2019 at 10:07 AM UTC
eleanor
Shadow man, an unusual human being without a name. You called me one night out of the blue and asked me to run away with you. I was baffled, but as night turned into day we both jumped in your boat and sailed away. You told me about the lonesome life you live and how you've sailed these seas for many years and was in search of a hand to hold. You told me that I was the most beautiful flower there was. Your world was without a sky and you told me I am the calm of the storm, and that I should stick around for awhile. You showed me all the constellations and all at once I was lost in space. I closed my eyes and smelled the sea salt and felt the ship shake smoothly over these waves. I laid here with you. We landed on many civilized city's ports and explored for more. We'd have lunch in the woods, see movies, and explore the inside of museums. Breathe it in because there will come an end. You told me I wasn't the first you ran away with. There have been others but in the end they always broke your heart. You cried to me on the nights memories found their way back into your mind and knew that one day I'll be the one causing tears when my time ends. If I leave don't worry, don't weep dry your eyes so you can see light and notice that I'll be in the stars. I'll be trapped in time. Just sail on and find the edge of the ocean and become friends with the moon, and stars above, before the curtain falls.
0
Nov 28, 2013
Nov 28, 2013 at 9:05 PM UTC
Shadow Man
I want to go on a roadtrip. Away from things that's familiar and safe. I want to get away and break free. Maybe with someone special or maybe all on my own. I want to raid the oldest libraries and read all the books I can to my heart's content. I want to visit museums and coffee shops and ice cream parlors and try everything they have. I want to take a walk to the oldest streets, alone or holding someone's hand, while eating ice cream. I want to explore places. I want to sleep in a tent. I want to sleep under the stars. I want to drive a motorbike. Stop a lot just to appreciate the view, take it all in the beauty before my eyes, breathe fresh air. I want to have polaroid camera and capture everything in the moment. Capture the sunrise and sunset. Capture a boy's wide smile or the old lady's toothless grin or the two lovers' embrace. I want to take pictures of myself smiling from ear to ear. I want to chase the moon and the fog. Spend hours picking strawberries, smelling flowers. I want to throw my hands in the air and dance and feel the wind in my hair. I want to buy souvenirs from each place I go as if the pictures I take are not enough, I want something that will last. I want to meet new people and make new friends. I want to make memories that will forever stay with me.
0
Apr 29, 2015
Apr 29, 2015 at 6:18 AM UTC
The Perfect Roadtrip
Finding a lover is effortless for some people. They only want a few things: Someone attractive, kind, funny or rich. But I desire something so much deeper. I want an intelligent mind that wakes up thoughts in me I didn't realize were hibernating. I want to converse, analyze and debate without being conscious of the sun rising and falling between our words. I want to make a witty remark at a coffee shop so he can reply sarcastically just for me to jab back immediately and for him to comeback back playfully until we're both laughing stomachs shaking spit flying the whole store staring and we leave without coffee I want our hands to stitch together perfectly like two lost puzzle pieces; one found under a couch cushion one found inside a junk drawer. The rest of the puzzle has already been thrown away but these two pieces remain and they fit. I want to fall in love together then together fall in love with art, museums, songs, poems T.V shows, radio jingles, greek food, backroads, our mutual hatred for pop culture, doing the dishes (as long as he washes and I dry) wrong turns, piled up laundry, life. Just fall in love with life. I want to hurt with him I want to save the world with him I want to meet, see, understand and experience all that is foreign with him. I think it will only take us meeting and it'll only be history and happiness from then on. It's just a matter of if a love like that could ever be and if a love like that could ever be for me.
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Oct 3, 2017
Oct 3, 2017 at 11:35 PM UTC
Why I'm Single
Just a quiet woman polished bright by nerves, I once felt wild for dipping my hair in purple. Noticing, my hairdresser asked if I had anyone special. I dated a man with a good job who liked museums. We saw a drunk girl in a leather skirt- heels hobbling down cobblestone, her bird-arm linked through a friend’s. He rolled his eyes:   _would you go out wearing skirts like that?_ On the dating app I’d written: loves dogs, drinks champagne from paper cups. It wasn’t a lie, but I am such a liar. I told him yes, because I needed his reaction, his self-corrected mind, though I’ve never worn one. I say I’m fine with whatever, or this is stupid, but truthfully I’m afraid I’m only a very nice lady, soft in the hands of whoever will take me. I carry anger like a weak religion- a god I light candles for twice a year, more symbol than practice. I’ve heard of burying St. Joseph upside down to sell a house. But there’s no charm, no saint, for loosening the knots I keep tied. I want to keep the bright mess of my dog heart, mud-spattered, mulch-snuffling, faithful to its own scent, while crows, squirrels, and the occasional fox paw through the dirt for what they almost forgot.
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Aug 15, 2025
Aug 15, 2025 at 8:33 PM UTC
Dog Heart
I want to write you a trilogy on the stages in which our relationship formed. The first book would be solely based on the day that I stopped treating your text messages like active landmines. Stopped tiptoeing. No longer being afraid of what your affection would do to me once I submit to it. It would be based on the first step I took to stop being so **** afraid. From that very day you've helped me in ways I'll never be able to fully explain. Helped me let go of fear and trepidation, and open my heart to the greatest thing in the world; your love. The second would revolve around the first time you kissed me. I don't know if you noticed, but my knees buckled like seatbelts and I shook like glass window panes in torrential rain. That day you awoke something inside me that I didn't know existed but I'm so glad you found it. Like a stray kitten I was lost and you brought me back home without questioning where I'd been, and I'll never fully understand why, but I guess it doesn't matter. You've taught me not to overthink things, to just revel in the moment. The third would be set in here and now. Every forehead kiss and stolen glance sums up to another page, every loving gesture is another chapter. We are creating something people wish they could create for themselves. A love that belongs in museums to teach the world what it really means to give yourself to someone, with no fear, and not a single ounce of regret.  To say that you changed my life is an understatement. You altered my way of thinking. Took a broken thing and made it new again. Made me, new again. And with every word that slips from your lips I am reborn.
0
Apr 3, 2016
Apr 3, 2016 at 11:25 PM UTC
To Say I Love You is An Understatement
I want to write you a trilogy on the stages in which our relationship formed. The first book would be solely based on the day that I stopped treating your text messages like active landmines. Stopped tiptoeing. No longer being afraid of what your affection would do to me once I submit to it. It would be based on the first step I took to stop being so **** afraid. From that very day you've helped me in ways I'll never be able to fully explain. Helped me let go of fear and trepidation, and open my heart to the greatest thing in the world; your love. The second would revolve around the first time you kissed me. I don't know if you noticed, but my knees buckled like seatbelts and I shook like glass window panes in torrential rain. That day you awoke something inside me that I didn't know existed but I'm so glad you found it. Like a stray kitten I was lost and you brought me back home without questioning where I'd been, and I'll never fully understand why, but I guess it doesn't matter. You've taught me not to overthink things, to just revel in the moment. The third would be set in here and now. Every forehead kiss and stolen glance sums up to another page, every loving gesture is another chapter. We are creating something people wish they could create for themselves. A love that belongs in museums to teach the world what it really means to give yourself to someone, with no fear, and not a single ounce of regret.  To say that you changed my life is an understatement. You altered my way of thinking. Took a broken thing and made it new again. Made me, new again. And with every word that slips from your lips I am reborn.
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29
Liverpool on the Irish sea Tuebrook, Toxteth and Wavertree Home of the beatles and full Mersey beats and yummy scouse is no mean feats Baby beetroot served on top and when it rains its no mean flop you can visit museums or travel abroad from railway or airport to the norwegian fjord City of culture for two thousand and eight why not have the day here or more with your mate book on national express or take a fast train and sing sounds of liverpool with a merry refrain it's the home of 3 graces who welcome you home and all will be proved with google chrome
0
Nov 21, 2014
Nov 21, 2014 at 7:42 PM UTC
The Mersey City
Rodin: My love, I am on my knees facing your beautiful body. My mouth is drinking your fire. I ***** us in stone. We are indissoluble. Camille: I am heaven and hell. I am goddess and fire. You are my chauvinistic art-boy concubine. Rodin: My dear Camille, can you not see my love for you is rooted in passion not stone or clay or bronze? Can you not feel my tongue lapping at your feet? Camille: Foolish man. My feet are broken. I walk over you on stumps. Camille leaves for England. Rodin follows. Camille: You are boring. Rodin: My love, can you not see that I am in a depressed mood. Can you not see that your capriciousness plagues me? Camille: I love another. Rodin: How can you say these things to me? I give you my heart. I give you my soul. I give you my artistic genius! Camille: You’re right. You are a genius. Rodin: Shall I write us up a contract? Camille: As long as you don’t touch me. Camille and Rodin return to Paris separately. Rodin: It has been written. I will mentor you, write you in newspapers, place you in museums, and find you buyers. Camille: You will not love another? You will spurn all but my art? Rodin: I will. And you will marry me in return. Camille: … Rodin: Is there something wrong, my love? Camille: Can you not see I am being facetious? Rodin: My dear, you are my flora and gaiety. You are my chisel and stone. You are my breath and lungs. Camille: Learn how to breathe without me. Camille exits. Rodin crumples at the feet of Eternelle Idole. Rodin: What have I done wrong? Camille re-enters, her hands caked in clay. Camille: A bird in the hand is worth two in the bush. Rodin: Shall I get the handcuffs? Camille: No. The lion’s cage. Strong tides and wet fuchsias. Camille enters the cage forever.
0
Mar 20, 2016
Mar 20, 2016 at 12:40 PM UTC
Camille and Rodin play la passion
Rodin: My love, I am on my knees facing your beautiful body. My mouth is drinking your fire. I ***** us in stone. We are indissoluble. Camille: I am heaven and hell. I am goddess and fire. You are my chauvinistic art-boy concubine. Rodin: My dear Camille, can you not see my love for you is rooted in passion not stone or clay or bronze? Can you not feel my tongue lapping at your feet? Camille: Foolish man. My feet are broken. I walk over you on stumps. Camille leaves for England. Rodin follows. Camille: You are boring. Rodin: My love, can you not see that I am in a depressed mood. Can you not see that your capriciousness plagues me? Camille: I love another. Rodin: How can you say these things to me? I give you my heart. I give you my soul. I give you my artistic genius! Camille: You’re right. You are a genius. Rodin: Shall I write us up a contract? Camille: As long as you don’t touch me. Camille and Rodin return to Paris separately. Rodin: It has been written. I will mentor you, write you in newspapers, place you in museums, and find you buyers. Camille: You will not love another? You will spurn all but my art? Rodin: I will. And you will marry me in return. Camille: … Rodin: Is there something wrong, my love? Camille: Can you not see I am being facetious? Rodin: My dear, you are my flora and gaiety. You are my chisel and stone. You are my breath and lungs. Camille: Learn how to breathe without me. Camille exits. Rodin crumples at the feet of Eternelle Idole. Rodin: What have I done wrong? Camille re-enters, her hands caked in clay. Camille: A bird in the hand is worth two in the bush. Rodin: Shall I get the handcuffs? Camille: No. The lion’s cage. Strong tides and wet fuchsias. Camille enters the cage forever.
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28
you are *breathtaking paintings displayed in museums, therapeutic songs played with earphones on, eloquent poems meant to make people feel.* you are everything i love to admire and everything i cannot call mine.
0
Jun 29, 2017
Jun 29, 2017 at 12:27 PM UTC
off limits
"Poet Boy" I met this kid... that kept his writings hid. Since a small boy, he kept his artwork hid. No one ever knew all the writings he did. That night we met, That night I'll never forget. I was under the moonlight feeling sad... He must of sensed that I was feeling insanely mad. Him a kid; me an adult, Before I could question as to why a boy his age was out that late, without a word he raised his shirt revealing the artwork he always kept hid, His blue eyes matched mine tear after tear, He must of knew the secret I did bear, So without hesitation, I raised my sleeve's to reveal my scarred skin of poetry. I know this may sound strange but that night both of our live's suddenly began to change, We haven't crossed paths since, But we share something of a 6th sense, He's happy now and shares his artwork in museums of famous names, As for me, I'm old at the age of ninety-three and my poetry resides in books of famous names.   #PoetBoywrittenbyme@VenjencieArnoldon04_04_2018. # https://www.yourquote.in/jenciearnold
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Apr 5, 2018
Apr 5, 2018 at 5:38 AM UTC
"Poet Boy"
I peruse exhibits through the modern art museum Nails hammered into wood And trash strewn on the floor I couldn't help thinking What the **** is this **** These can't be the champions of modern art Moonlight and Arrival morphed my empathy and perspective The theater is fine Music is there for those inclined to discover it So what about visual art? I know a few things for certain Nails hammered into wood never changed my perspective Nor does seeing a garbage can in a museum affect my empathy Trash is not art Trash is trash Waste meant to be thrown in the proper receptacles So as not to obstruct our view of true beauty I will concede that Beauty can be found in everything Depending on analyzation variation But those that live an examined life Constantly see silver linings and sour grapes Experiencing comfort in tundras to the point of banality Those visions are much more interesting in their organic state anyway As opposed to an interpersonal expression of the seemingly obvious So what to hang in an art gallery? I have my own opinions At this point in time No visuals elicit more emotions Than dank memes When I'm consuming art Questions are innate in my consumption Is this a vessel for empathy? Is this examining the human condition? Dank memes meet those criteria Satirizing the powerful Highlighting emotions and virtues in ourselves That we're either proud or ashamed of Memes share a common thread with poetry In the sense that everybody can create memes Or be a poet I get the impression that Universality of art diminishes it's importance In the minds of patrons There's an element of truth to that But what makes art special is quality And what makes art truly special is high quality And that's what belongs in museums
0
Jun 14, 2017
Jun 14, 2017 at 11:23 PM UTC
Modern Art
I peruse exhibits through the modern art museum Nails hammered into wood And trash strewn on the floor I couldn't help thinking What the **** is this **** These can't be the champions of modern art Moonlight and Arrival morphed my empathy and perspective The theater is fine Music is there for those inclined to discover it So what about visual art? I know a few things for certain Nails hammered into wood never changed my perspective Nor does seeing a garbage can in a museum affect my empathy Trash is not art Trash is trash Waste meant to be thrown in the proper receptacles So as not to obstruct our view of true beauty I will concede that Beauty can be found in everything Depending on analyzation variation But those that live an examined life Constantly see silver linings and sour grapes Experiencing comfort in tundras to the point of banality Those visions are much more interesting in their organic state anyway As opposed to an interpersonal expression of the seemingly obvious So what to hang in an art gallery? I have my own opinions At this point in time No visuals elicit more emotions Than dank memes When I'm consuming art Questions are innate in my consumption Is this a vessel for empathy? Is this examining the human condition? Dank memes meet those criteria Satirizing the powerful Highlighting emotions and virtues in ourselves That we're either proud or ashamed of Memes share a common thread with poetry In the sense that everybody can create memes Or be a poet I get the impression that Universality of art diminishes it's importance In the minds of patrons There's an element of truth to that But what makes art special is quality And what makes art truly special is high quality And that's what belongs in museums
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49
I’m not a picture of perfection, But I am the Mona Lisa of imperfection, This distorted picture which you view, This picture which you judge, Which you question, Is my only reality, A picture hanging in a museum wall, Being watched, examined, analysed, criticized, I am that picture, The one you so often seldom walk pass, The one which may catch your eye, The picture that when you stop to stare at, Haunts you, The glazed complexion over the eyes, The somewhat distant smile, And the disheavled hair, It’s not a picture of perfection, But it’s the Mona Lisa of imperfection, It’s a representation of all those beings walking this earth trying to hide their flaws, They are not Mona Lisa’s, They hang on the wall of museums, Pretending that no one sees through them, Little do they know, they are barely paintings but pieces of glass, So transparent and fragile, That any moment now, when that passing strange stops, Stares, And opens there mouth, That glass, will shatter into tiny little brush strokes, They will float away into the air, Leaving nothing but a distorted image of perfection, Whilst I’ll hang in my glory of imperfection
0
May 7, 2010
May 7, 2010 at 4:23 PM UTC
Imperfection Vs Perfection
A city to be proud of are nick name is Scousers Do you remember The Beatles in flared trousers The Soccer and songs of “You Never Walk Alone” So many songs include “In My Liverpool home” Two great Cathedrals that light up in the night And John Lennon airport where you catch a flight With two big soccer clubs there is intense rivalry But when it’s all over there is plenty of camaraderie It’s a city of culture with museums and History It’s my Liverpool home, where i'm proud to be   David Swinden © 6/1/2017
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Jan 6, 2017
Jan 6, 2017 at 1:42 PM UTC
Liverpool
The story teller writes For a naked character On a bare stage. The one character, One line play. Profound, all encompassing; A brief run, But a blockbuster With opening nights In all the capital cities. The visualist Could use one brush stroke, One lump of unmolded clay, An unchiseled stone, Weathered driftwood Or a piece of glass To display in the great museums For our interpretation Of the exposed truth. One note could orchestrate On string, wind or skin, And the composition would be complete. The maestro could bow and walk; No encore could repeat. I want one line of verse To embelish my yearnings; To explain the cosmos, The meaning and crux Of this place, Including us.
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Mar 29, 2016
Mar 29, 2016 at 11:50 AM UTC
Minimalism
So beautiful lay you all In your tiny beds Cuddled up with Panda,  Firstlove, Tiny tears and Noel. Little fingers curled tight Knees rolled up I leaned over you all and kissed What was my great delight. We went about together Down the roads and parks Caught a train to London The museums and the art. You grew up, gently, slowly In each other’s arms We made Chocolate Easter Bunnies and Christmas shower. We touched the lights together Sang each other’s songs Four wonderful children Never got it wrong. Love Mummy xxxxx
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Aug 22, 2018
Aug 22, 2018 at 4:45 PM UTC
My Beauties
Museums as art Art as museums Sail the trail to my mausoleum Psychopaths and physicists Psychiatrists and philosophers Philanthropists and pilots and painters
 Declare now, that these are our days – Our hours, and our days These are our city, our hours Our time, our days. 
This is our world – At 14:92 I landed here and claimed it And searched it and found it wanting Of civilization that I could so easily supply By means of wounds and iron And brawn and truth (and just a tiny touch of influenza darling) By means of our Lord, Who grants us all that we desire If only we **** enough of those he did not choose. This is our world – And we shall make it what we will Make it in our own image Teach it that innocence is not knowing the difference between right and wrong Raise it to hate no one But to love itself so deeply That all other love seems hateful in comparison. This is our child, love Yours and mine.
 Here the first shall be last And the last shall be first But once the first are last they shall be Last Last       Last And once the last are first They shall make it so they can never be last again This is our primitive accumulation Of necessary materialism Let’s cultivate matter To make objects that we can place on shelves And in cases – These are our cases And we love them as we love ourselves
 Museums as mass graves Mass graves as museums Kiss me in my mausoleum Priests and prisoners Prostitutes and prophets Pioneers and pilgrims and pagans
 This is our time – And we are dispensing it in spendthrift increments Buying threadbare bandages for our cavernous canyons Buying ample earplugs To seal in the silence So we can somewhat say “look there is peace – Look we have done it In our time it is accomplished” – 
 This is our peace – And we know it by the signs The lions and lambs lay quietly together In our brass-barred zoos For as long as shelves and cases Are intact and the first are first And the last are last And the civilized are organized and holy There is peace – Oh, look We made peace! And as for Solomon and Socrates – We take their words to weave through our new wisdom And when we re-chart the constellations We shall give them each a star And salute them once a year When they come around the universe Oh, look How wise we are! Mass graves as art Art as mass graves There have been no better days There has been no greater time Politicians and pornographers Professors and pirates Psychologists and pastors and pianists
 This is our time – And we are doing with it the very best we know how The last are toiling and trying And the first are trying to think to try – But there is a shortness in our hours And a violence in our peace There is inherent foolishness in our wisdom And disease in our cities And there is death upon our shelves and in our cases. This is our world – We crafted it and declared our truth to be true We sculpted this, our colosseum Please inscribe my mausoleum With “we know not what we do”
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May 31, 2015
May 31, 2015 at 5:43 PM UTC
of dissolution and mausoleum blueprints
Museums as art Art as museums Sail the trail to my mausoleum Psychopaths and physicists Psychiatrists and philosophers Philanthropists and pilots and painters
 Declare now, that these are our days – Our hours, and our days These are our city, our hours Our time, our days. 
This is our world – At 14:92 I landed here and claimed it And searched it and found it wanting Of civilization that I could so easily supply By means of wounds and iron And brawn and truth (and just a tiny touch of influenza darling) By means of our Lord, Who grants us all that we desire If only we **** enough of those he did not choose. This is our world – And we shall make it what we will Make it in our own image Teach it that innocence is not knowing the difference between right and wrong Raise it to hate no one But to love itself so deeply That all other love seems hateful in comparison. This is our child, love Yours and mine.
 Here the first shall be last And the last shall be first But once the first are last they shall be Last Last       Last And once the last are first They shall make it so they can never be last again This is our primitive accumulation Of necessary materialism Let’s cultivate matter To make objects that we can place on shelves And in cases – These are our cases And we love them as we love ourselves
 Museums as mass graves Mass graves as museums Kiss me in my mausoleum Priests and prisoners Prostitutes and prophets Pioneers and pilgrims and pagans
 This is our time – And we are dispensing it in spendthrift increments Buying threadbare bandages for our cavernous canyons Buying ample earplugs To seal in the silence So we can somewhat say “look there is peace – Look we have done it In our time it is accomplished” – 
 This is our peace – And we know it by the signs The lions and lambs lay quietly together In our brass-barred zoos For as long as shelves and cases Are intact and the first are first And the last are last And the civilized are organized and holy There is peace – Oh, look We made peace! And as for Solomon and Socrates – We take their words to weave through our new wisdom And when we re-chart the constellations We shall give them each a star And salute them once a year When they come around the universe Oh, look How wise we are! Mass graves as art Art as mass graves There have been no better days There has been no greater time Politicians and pornographers Professors and pirates Psychologists and pastors and pianists
 This is our time – And we are doing with it the very best we know how The last are toiling and trying And the first are trying to think to try – But there is a shortness in our hours And a violence in our peace There is inherent foolishness in our wisdom And disease in our cities And there is death upon our shelves and in our cases. This is our world – We crafted it and declared our truth to be true We sculpted this, our colosseum Please inscribe my mausoleum With “we know not what we do”
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i haven't come out yet and i don't know how else to say it especially to my mother, the nurse my father, the electrician my brother, the politician my sister, the wise *** i don't know how to say that i have an affection for words i have been hiding the paints under my bed and staring at the guitars from outside the window unable to resist how hard the urge is to touch i am a closeted artist yet to come out and admit that i've had an affair with a few museums and paint brushes that i have been memorizing poems from before i could read committing some verses to memory as my mother recited them to me softly before bed and as i stand here waiting in the closet im sketching a small butterfly on the wall next to my coat ill most likely wear to the off broadway show tonight.
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Apr 19, 2018
Apr 19, 2018 at 3:05 AM UTC
closeted artist
From Brooklyn, over the Brooklyn Bridge, on this fine morning, please come flying. In a cloud of fiery pale chemicals, please come flying, to the rapid rolling of thousands of small blue drums descending out of the mackerel sky over the glittering grandstand of harbor-water, please come flying. Whistles, pennants and smoke are blowing. The ships are signaling cordially with multitudes of flags rising and falling like birds all over the harbor. Enter: two rivers, gracefully bearing countless little pellucid jellies in cut-glass epergnes dragging with silver chains. The flight is safe; the weather is all arranged. The waves are running in verses this fine morning. Please come flying. Come with the pointed toe of each black shoe trailing a sapphire highlight, with a black capeful of butterfly wings and bon-mots, with heaven knows how many angels all riding on the broad black brim of your hat, please come flying. Bearing a musical inaudible abacus, a slight censorious frown, and blue ribbons, please come flying. Facts and skyscrapers glint in the tide; Manhattan is all awash with morals this fine morning, so please come flying. Mounting the sky with natural heroism, above the accidents, above the malignant movies, the taxicabs and injustices at large, while horns are resounding in your beautiful ears that simultaneously listen to a soft uninvented music, fit for the musk deer, please come flying. For whom the grim museums will behave like courteous male bower-birds, for whom the agreeable lions lie in wait on the steps of the Public Library, eager to rise and follow through the doors up into the reading rooms, please come flying. We can sit down and weep; we can go shopping, or play at a game of constantly being wrong with a priceless set of vocabularies, or we can bravely deplore, but please please come flying. With dynasties of negative constructions darkening and dying around you, with grammar that suddenly turns and shines like flocks of sandpipers flying, please come flying. Come like a light in the white mackerel sky, come like a daytime comet with a long unnebulous train of words, from Brooklyn, over the Brooklyn Bridge, on this fine morning, please come flying.
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2.9k
Invitation To Miss Marianne Moore
From Brooklyn, over the Brooklyn Bridge, on this fine morning, please come flying. In a cloud of fiery pale chemicals, please come flying, to the rapid rolling of thousands of small blue drums descending out of the mackerel sky over the glittering grandstand of harbor-water, please come flying. Whistles, pennants and smoke are blowing. The ships are signaling cordially with multitudes of flags rising and falling like birds all over the harbor. Enter: two rivers, gracefully bearing countless little pellucid jellies in cut-glass epergnes dragging with silver chains. The flight is safe; the weather is all arranged. The waves are running in verses this fine morning. Please come flying. Come with the pointed toe of each black shoe trailing a sapphire highlight, with a black capeful of butterfly wings and bon-mots, with heaven knows how many angels all riding on the broad black brim of your hat, please come flying. Bearing a musical inaudible abacus, a slight censorious frown, and blue ribbons, please come flying. Facts and skyscrapers glint in the tide; Manhattan is all awash with morals this fine morning, so please come flying. Mounting the sky with natural heroism, above the accidents, above the malignant movies, the taxicabs and injustices at large, while horns are resounding in your beautiful ears that simultaneously listen to a soft uninvented music, fit for the musk deer, please come flying. For whom the grim museums will behave like courteous male bower-birds, for whom the agreeable lions lie in wait on the steps of the Public Library, eager to rise and follow through the doors up into the reading rooms, please come flying. We can sit down and weep; we can go shopping, or play at a game of constantly being wrong with a priceless set of vocabularies, or we can bravely deplore, but please please come flying. With dynasties of negative constructions darkening and dying around you, with grammar that suddenly turns and shines like flocks of sandpipers flying, please come flying. Come like a light in the white mackerel sky, come like a daytime comet with a long unnebulous train of words, from Brooklyn, over the Brooklyn Bridge, on this fine morning, please come flying.
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Tedium brought them here. Bored with routine head-counts, museums and man-made landmarks. Impulse told them To flatten the silent fronds, Blindly tear down the hampering vines, Rattle the industrious cities beneath their feet. Curiosity led them To this patch of unkempt squitch, This sacred space littered with clean bones. No words came with them. Only Observation... ... a leaping fire tended by savages Polished teeth strung around their necks, The bark-ridged skin, The supernaturally piercing eyes, Their ashen members grazing the farinaceous earth. At the heart of this sacred place Littered with the clean bones, Condesention covered them with coats, Misinterpreted grins exposing evidential remains. Fear penetrated their too-white skins, Their souls through the sockets of their eyes, Their clattering teeth. All this is true : The scattered bones, The brass buttons blinking through starved ashes, The arrows in a glass case. copyright © Caroline Grace 2012
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Feb 23, 2012
Feb 23, 2012 at 10:27 AM UTC
Tribal Vibes.
it is done differently - more is not necessary - more of this - is too much; the kissing is an exploration - to a polar destination of virtual whiteness - to discover more than this.  the kissing is not an end in and of itself - but a fjord unexplored leading to what? yes there are many different kinds of kisses - adaptations to a changing terrain - but the face, the face, the face (not just the lips), the head entire - is the first battle in a world war where the opponents strengths and weakness are literally uncovered and shape the nature of the war of the worlds yet to come. more than kissing, it is a speech and an interrogation; an ********** revelation of fine lines and small scars, a writing of a history, a history that existed  unbeknownst to the explorer and thus interesting and dangerous - a history composed in a different time and place and almost in a vacuum - for kissing is impactful - outlines of footsteps on never before trodden lanes - but who prepared these paths in advance of my arrival, and was my arrival forecast or just imagined? first time kissing oft portrayed as excited glee - but this is a grievous error - a wild display of wasted resources - it is not to meant to be pesky single shots of damp I was here where next? it is a drawing, nay, a sculpting of map to be reproduced in limited quantity for only the map rooms of the greatest museums. each individual kiss is more than an act, but a marker connecting the previous to the future next - exactly a map drawn by an explorer - meant to be shared with others who love history, discovery and women creatures. be wary of unmarked crevasses and pools where no one has measured the depth - novice sailors without proper charts upon unfamiliar faces - too oft drown or are somehow sail as lost forever. but the notion of being the first, even if you are not the first, is so intoxicating for the brainstorming it provokes - the envisioning of more than kissing but of unlocking a new nature, creating a creation born in the intersection of two waters - where fresh waters joint the brine of the ocean - and there are untold different kinds of waters and no two terrains though similar - are ever exactly the same. here does my entry in my log - my journal - end - though the notation of than is comparative and therefore unending.
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Jun 22, 2019
Jun 22, 2019 at 9:46 AM UTC
when kissing a woman for the first time; than
it is done differently - more is not necessary - more of this - is too much; the kissing is an exploration - to a polar destination of virtual whiteness - to discover more than this.  the kissing is not an end in and of itself - but a fjord unexplored leading to what? yes there are many different kinds of kisses - adaptations to a changing terrain - but the face, the face, the face (not just the lips), the head entire - is the first battle in a world war where the opponents strengths and weakness are literally uncovered and shape the nature of the war of the worlds yet to come. more than kissing, it is a speech and an interrogation; an ********** revelation of fine lines and small scars, a writing of a history, a history that existed  unbeknownst to the explorer and thus interesting and dangerous - a history composed in a different time and place and almost in a vacuum - for kissing is impactful - outlines of footsteps on never before trodden lanes - but who prepared these paths in advance of my arrival, and was my arrival forecast or just imagined? first time kissing oft portrayed as excited glee - but this is a grievous error - a wild display of wasted resources - it is not to meant to be pesky single shots of damp I was here where next? it is a drawing, nay, a sculpting of map to be reproduced in limited quantity for only the map rooms of the greatest museums. each individual kiss is more than an act, but a marker connecting the previous to the future next - exactly a map drawn by an explorer - meant to be shared with others who love history, discovery and women creatures. be wary of unmarked crevasses and pools where no one has measured the depth - novice sailors without proper charts upon unfamiliar faces - too oft drown or are somehow sail as lost forever. but the notion of being the first, even if you are not the first, is so intoxicating for the brainstorming it provokes - the envisioning of more than kissing but of unlocking a new nature, creating a creation born in the intersection of two waters - where fresh waters joint the brine of the ocean - and there are untold different kinds of waters and no two terrains though similar - are ever exactly the same. here does my entry in my log - my journal - end - though the notation of than is comparative and therefore unending.
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*Fall In Love Or Fall In Lust. Make Plans, Or Make Cookies. There Is Living To Do Here. There Are Books To Read, And Movies To Watch. There Are Art Museums Meant To Wonder Through, And Ocean Waters To Taste. There Are Plays That Deserve Standing Ovations, And Musicals With Words That Need To Be Sung, There Are Girls That Need To Be Kissed, There Are Boys That Need To Know What It Feels Like To Have Their Hands Held. There Are Poems That Need To Be Screamed At The Tops Of Someone's Lungs. There Are History Books With Frayed Edges, And Broken Tea Pots That Died Before Their First Breath. There Are Heart Throbs Waiting To Make Teenage Girls Swoon. There Are Jeans, With Knees That Are Begging To Be Ripped Open. There Are Sunflowers That Have Never Been Told “You Are My Sunshine”. There Are Grandfathers With Empty Laps, And Mothers With Empty Wallets. There Are Law Students, With Hearts Ready For Humanity, There Are Babies With Broken Families. There Are Fortune Cookies With Untold Wisdom, And Grandmothers With The Best Rhubarb Crisp Recipe You Have Ever Tasted. There Are Undiscovered Passions, And Ancient Ruins. There Are Empty Canvases And Blank White Walls. There Are Silences, Recorded And Played Back For The Ears Of The Empty. There Are Places On This Earth Where The Sky Is The Color Of Bleeding Tissue Paper. There Are Places On This Earth, Where Dry Lightening Storms, Are As If God Himself Is Snapping Photos. There Are Lost Valentines, And Flickering Lampposts. There Are Forgotten Dates And Remember Birthdays. There Are Lost Puppies And One Man Bands. There Are Butterflies With Missing Wings, And Eagles That Mate For Life. There Are Places We Put Our Insane, And Others We Place Our Sick. We Have Tattooed Our Mistakes On Skin, And Branded Cattle To The Same Tune. There Are Times We Fall Together, And Others In Witch We Fall Apart. There Are Moments When We Gage Our Existence In The Breaths We Take, And Moments When We Gage It In The Moments That Take Our Breath Away. There Are Times We Take Chances And Times We Take Pills. There Are Moments When We Bruise Our Knees While Praying, And Others Where We Break Kneecaps For Dollar Bills. There Is Living To Be Done Here. There Are Words To Be Spoken, And Even More To Be Written.*
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Feb 27, 2012
Feb 27, 2012 at 8:26 PM UTC
Waldosia
*Fall In Love Or Fall In Lust. Make Plans, Or Make Cookies. There Is Living To Do Here. There Are Books To Read, And Movies To Watch. There Are Art Museums Meant To Wonder Through, And Ocean Waters To Taste. There Are Plays That Deserve Standing Ovations, And Musicals With Words That Need To Be Sung, There Are Girls That Need To Be Kissed, There Are Boys That Need To Know What It Feels Like To Have Their Hands Held. There Are Poems That Need To Be Screamed At The Tops Of Someone's Lungs. There Are History Books With Frayed Edges, And Broken Tea Pots That Died Before Their First Breath. There Are Heart Throbs Waiting To Make Teenage Girls Swoon. There Are Jeans, With Knees That Are Begging To Be Ripped Open. There Are Sunflowers That Have Never Been Told “You Are My Sunshine”. There Are Grandfathers With Empty Laps, And Mothers With Empty Wallets. There Are Law Students, With Hearts Ready For Humanity, There Are Babies With Broken Families. There Are Fortune Cookies With Untold Wisdom, And Grandmothers With The Best Rhubarb Crisp Recipe You Have Ever Tasted. There Are Undiscovered Passions, And Ancient Ruins. There Are Empty Canvases And Blank White Walls. There Are Silences, Recorded And Played Back For The Ears Of The Empty. There Are Places On This Earth Where The Sky Is The Color Of Bleeding Tissue Paper. There Are Places On This Earth, Where Dry Lightening Storms, Are As If God Himself Is Snapping Photos. There Are Lost Valentines, And Flickering Lampposts. There Are Forgotten Dates And Remember Birthdays. There Are Lost Puppies And One Man Bands. There Are Butterflies With Missing Wings, And Eagles That Mate For Life. There Are Places We Put Our Insane, And Others We Place Our Sick. We Have Tattooed Our Mistakes On Skin, And Branded Cattle To The Same Tune. There Are Times We Fall Together, And Others In Witch We Fall Apart. There Are Moments When We Gage Our Existence In The Breaths We Take, And Moments When We Gage It In The Moments That Take Our Breath Away. There Are Times We Take Chances And Times We Take Pills. There Are Moments When We Bruise Our Knees While Praying, And Others Where We Break Kneecaps For Dollar Bills. There Is Living To Be Done Here. There Are Words To Be Spoken, And Even More To Be Written.*
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