"moors" poems
You are going to ask: and where are the lilacs?
and the poppy-petalled metaphysics?
and the rain repeatedly spattering
its words and drilling them full
of apertures and birds?
I'll tell you all the news.
I lived in a suburb,
a suburb of Madrid, with bells,
and clocks, and trees.
From there you could look out
over Castille's dry face:
a leather ocean.
My house was called
the house of flowers, because in every cranny
geraniums burst: it was
a good-looking house
with its dogs and children.
Remember, Raul?
Eh, Rafel? Federico, do you remember
from under the ground
my balconies on which
the light of June drowned flowers in your mouth?
Brother, my brother!
Everything
loud with big voices, the salt of merchandises,
pile-ups of palpitating bread,
the stalls of my suburb of Arguelles with its statue
like a drained inkwell in a swirl of hake:
oil flowed into spoons,
a deep baying
of feet and hands swelled in the streets,
metres, litres, the sharp
measure of life,
stacked-up fish,
the texture of roofs with a cold sun in which
the weather vane falters,
the fine, frenzied ivory of potatoes,
wave on wave of tomatoes rolling down the sea.
And one morning all that was burning,
one morning the bonfires
leapt out of the earth
devouring human beings --
and from then on fire,
gunpowder from then on,
and from then on blood.
Bandits with planes and Moors,
bandits with finger-rings and duchesses,
bandits with black friars spattering blessings
came through the sky to **** children
and the blood of children ran through the streets
without fuss, like children's blood.
Jackals that the jackals would despise,
stones that the dry thistle would bite on and spit out,
vipers that the vipers would abominate!
Face to face with you I have seen the blood
of Spain tower like a tide
to drown you in one wave
of pride and knives!
Treacherous
generals:
see my dead house,
look at broken Spain :
from every house burning metal flows
instead of flowers,
from every socket of Spain
Spain emerges
and from every dead child a rifle with eyes,
and from every crime bullets are born
which will one day find
the bull's eye of your hearts.
And you'll ask: why doesn't his poetry
speak of dreams and leaves
and the great volcanoes of his native land?
Come and see the blood in the streets.
Come and see
The blood in the streets.
Come and see the blood
In the streets!
23.3k
White folks: pack your bags and go.
Our nut-brown world is quite offended.
Make your shame-faced exit NOW,
And leave your mansions unattended.
Wait—before you pass the doors,
It's time to settle ethnic scores.
No more ragtime Minstrel Show.
Our Moorish Science took it down.
Black lives matter. White, less so—
Now move your pale face out of town . . .
But first, shell out for racial shame
Caucasian losers of the game.
Cultural pride is ours alone:
Kings and Egyptian queens we were.
The glories of our race, well-known
Bedazzle in a darkened blur
(Clear to Africa's descendants—
Puzzling to you white dependents).
Blackness lent your world its light,
Taught the Dutch to tend those flowers.
Scandinavia grew bright
Under our beneficent powers.
Negroes gave your blondes their beauty;
Helped those Norsemen shake their *****
The Seven Wonders of the world:
We built them all. No vain conjecture
Dims our banner, black, unfurled,
Above eternal architecture.
Arts and knowledge gained from us
Are what we threaten to discuss.
We invented math and science
Which you robbed from Timbuktu.
Swarthy wisdom's brave defiance
Caused Old Europe to renew.
All our treasure that you plundered
Testifies: your days are numbered.
Classics of our Greeks you stole:
Philosophy was never yours.
Shame upon your racist soul;
For Bach and Mozart both were Moors.
Misappropriated treasures
call for ruthless hard-line measures.
Latino fate falls next—but, where ?
Jews, Turks, and Arabs: are you. . . white ?
Orientals everywhere:
Choose your side and join the fight.
Blackness rising! Late the hour;
Heed your call to fight the power.
Crackers need to check your race—
Stop rooting for that ****** clown.
Rednecks all up in our face;
Racist throwbacks got us down.
But as your statues bite the dust
Your light goes dark (you know it must).
So move on out, oppressor, thief.
Long have you held our nation back.
In some white galaxy seek relief—
But here the light itself is black.
Stars are racist. So is the sun.
Now let God's great black will be done.
Sep 23, 2017
Sep 23, 2017 at 12:03 PM UTC
Build me a slow boat to Timbuktu via China
Heave down a fleecy cloud and let me float to Nirvana
Hunt me a unicorn and let me ride to the Enchanted Forest
Find me a giant eagle and let it lift me to Outer Mongolia East
'please don't leave me here amongst demons with human faces'
Show me a Church and I'll show you a hall full of Sinners
Point out a wife and I'll reveal a liar and a fake and none dimer
Call a Doctor and its a Monster who betrayed the Hippocratics
That Government Boss is a cruel heinous snake without ethics
'please don't leave me here amongst demons with human faces'
See that Preacher and see a spineless hypocrite back-stabber
That lover was nothing but a sick deranged false **** twister
My dear acquaintance a heartless corrupted shyster unhinged
A Newsagent full of pitiless, gloomy, vile, psychotic joy-suckers
'please don't leave me here amongst demons with human faces'
That friend of years a bloodsucking Judas who betrayed and stole
Uncles who rained terror with sadistic pleasures in parts unwhole
Show me nieces and find two-faced ******* with poisons in veins
Neighborhoods full of silent killers and Rapists of truthful genes
'please don't me leave here amongst demons with human faces'
A vicars' daughter wielding angst axes better than a viking
The pathetic Moors zombies tearing flesh on masters beholding
The dead-eyed Arabs salivating madly or at daggers drawn
Contemptible Men-kids with pin ****** used as King's pawns
'please don't leave me here amongst demons with human faces'
Build me a cottage in rolling green fields with blue skies
Find me a fair maiden with a true heart and warming smiles
Show me a place that holds fairness and justice real and dear
A world with humanity we're all sisters and brothers for care
'please don't leave me here amongst demons with human faces'
[email protected] August2018
Aug 9, 2018
Aug 9, 2018 at 11:44 PM UTC
& now I know we share Oscar Peterson in common
I want to love you all the more,
till the world ends
Let our beloved rain fall
Let our days howl of our Ginsberg
Plath, Eliot & Dylan
& others, more obscure
Let us buy that Edward Hopper
we both love
& let us sleep in your car
out on the Yorkshire Moors
You're the milk in my coffee
Let me be the billboard
you advertize our love on
lets be breathless metaphors
of each other
the quotation marks
around each others words
high on the ******* of stars
& always read
each others poems
drag each other to open mics
& drink too much
let's make Cupid jealous
of the fiery arrows
we use to stab
one another
if it doesn't work out
& make the Angels
jealous of our heaven
if it does
lets be a restless breeze
that blows
through the world
& stirs each leaf
with our words
lets just be us
fellow hermit
fellow poet
Soulmate
that's
the word
Jul 6, 2015
Jul 6, 2015 at 8:31 PM UTC
Bright star, would I were steadfast as thou art—
Not in lone splendour hung aloft the night
And watching, with eternal lids apart,
Like nature's patient, sleepless Eremite,
The moving waters at their priestlike task
Of pure ablution round earth's human shores,
Or gazing on the new soft-fallen mask
Of snow upon the mountains and the moors—
No—yet still steadfast, still unchangeable,
Pillow'd upon my fair love's ripening breast,
To feel for ever its soft fall and swell,
Awake for ever in a sweet unrest,
Still, still to hear her tender-taken breath,
And so live ever—or else swoon to death.
8.4k
Your colors are so heavy, how dare I, I cannot sleep. Years inundated under, through skin coils, marigold fields. Yellow crocuses, orange California poppies. Moors of cattle ranchers, yokes of oxen. Plasticine uber-confidence, silky white-skinned testubular thrice people harmonies. Blisses of contagion, contagious bliss. Wrists and incisors, tying down in a bedroom, waking up to live harps and choruses. You dance like you're so alive, but I'm so alive I can't dance. Or breathe. Or knead my fists of earthen wears, or sell my soul completely. I drove off a cliff last night, but the four foot fall ended neatly. The plateau authors my chance to sew my bright, beyond- my fortunes. But the hour before I fall asleep, seems to be the greatest torture.
Apr 26, 2014
Apr 26, 2014 at 4:54 AM UTC
Alone the third thing can't be known.
Alone, I am a cold, dark stone
In a universe yawning lusterless,
Spinning void of aim.
Then light shines
In eyes and skies
Of gray and blue
And I am a new daymoon.
Night leads the day
As day ushers night;
Light follows darkness
As darkness the light.
I follow, you pull;
Take my arm, check my stride.
You and I mark time and tide.
We meet.
We pass.
We kiss.
Eclipse.
Heart quivers and the heavens shift.
"Let us go then, you and I,"
Wend our way across the sky.
The unknown beckons
To me and you
Where green meets hues
Of gray and blue.
Infinite line: horizons new.
Misty islands ships drift past,
Clouds cut by spires of stone, steel and glass,
Cities bright in alley pools,
Magic light on windswept moors.
Prairie hills in gentle rain,
Northwood pines sun washed again,
Spring moss upon the forest floor,
A different green on the unopened door.
"Let us go then, you and I,"
Together take the road untried;
Wend our way across the sky:
A little sphere of green and blue
'Round which we dance,
Me and you.
Feb 14, 2019
Feb 14, 2019 at 10:47 PM UTC
The morning finds the young lasses milking
And the young lads in the fields cutting
Rams, ewes, and lambs eat and grow fat.
The hens lay eggs while the roosters are strutting.
The sun rises up for his daily walk,
Drawing the day across the sky.
He takes his daylight with him to another place
Because the moon's time is nigh.
Evening falls across the heather
And the stars come out to dance.
The faerie folk come to life
And fill the night with their lyrical chants.
The mists on the moors swirl and caper about,
Taking rock and tree to embrace.
The faerie folk make merry and dance about
'Neath the silver of the moon's face.
They dance to music as old as time,
Melodies and rhythms from long ago.
Verses sung in ages long past,
Songs only faerie folk know.
They sing and dance under the moon and stars,
As long as the night covers them about.
But the moon and the faerie folk must go their ways
For 'tis time for the sun to come out.
Jul 17, 2011
Jul 17, 2011 at 3:48 PM UTC
Bright star, would I were steadfast as thou art! -
Not in lone splendour hung aloft the night,
And watching, with eternal lids apart,
Like Nature's patient sleepless Eremite,
The moving waters at their priestlike task
Of pure ablution round earth's human shores,
Or gazing on the new soft fallen mask
Of snow upon the mountains and the moors -
No -yet still steadfast, still unchangeable,
Pillowed upon my fair love's ripening breast,
To feel for ever its soft fall and swell,
Awake for ever in a sweet unrest,
Still, still to hear her tender-taken breath,
And so live ever -or else swoon to death.
4.3k
The moors are cold and dark this morning.
Rain Drips like diamonds onto the grass.
My thoughts long to be captured by the cold winds,
And taken far far away.
But,
They fester inside my head.
Like a disease with no cure.
The cold wet darkness that surrounds me,
Is my only comfort now.
Maybe I could lie here and
fade fade
Away
Oct 25, 2015
Oct 25, 2015 at 8:21 AM UTC
In the glimpse of the hovering nightfall
When thee haste, being terrified
The manwolf craves to see the moonlight
from the crevices of the skies
In the glimpse of the incoming blizzard
Thee run across the moors
Only to find yourself
trapped within the mighty doors
In the glimpse of the shattering light
That shines across the Alps; so bright
Thee love to gaze through thy panes
as it briefly begins to drizzle, to rain
So terrified, mortified and nullified it seems
Shivering through the ghastly dream
Felt within to be untrue once
But alas! Woke up to find myself in the midst of one,
holding my darling’s hand, step on step; we dance.
Aug 4, 2012
Aug 4, 2012 at 12:09 AM UTC
Saffron, delights, rubies and gold
Crushed silvers from the shores
Cornish tin, copper green as mould
Heathers from the mauve moors.
Buttercups and daisies in an English lawn
Red and white spotted fungi in the wood
Hedges laden with gems stripped and torn
Smashed diamonds embedded in the mud.
Little gems sparkle like prisms on the twig
Fat with juice, brimming with good
Good enough to eat, best to swig.
Aug 25, 2014
Aug 25, 2014 at 4:16 AM UTC
Spring is the season of new beginnings.
Surrounded with beauty that energizes you.
Green meadows , cool breeze , the purple moors,
Lush blooms that take away the winter glooms.
Enticing you in an array of colours,
Narcissus ,Hyacinths ,lilacs, Irises and Freesia ,
present a string of floral amnesia.
Like a pollywog when you are scampering through,
Oh ! dear spring you are a welcome view.
Wear your gadoshes ,
head to where the valleys and the skies meet,
robin's and swallow's tweet,
The bright rays of the sun spread the warmth and rainbows present a colourful greet.
Bid goodbye's to winter blue's ,
Welcome the "VERNAL EQUINOX" hues.
©Mrunalini.D.Nimbalkar
Feb 20, 2019
Feb 20, 2019 at 7:52 AM UTC
There is not much more than lunch of your poor soul's gut. That which has hidden your chase,
Be it the same flurry you face, or the chaste, widowed band of loons
Supplicate snail-movements, while wading through the stiff lagoon.
Everything must, while the fissures grow grumpy.
While the dust settles inwards and the cracks fill with stuffing.
The particle stands stiff, while each nursery cries.
A pitter-patter of rain drops lurch the birds forwards towards flight.
Say the gumption to roost was the dork lit and idling,
Each abortion towards space, kept the rocket from flying,
Like the cannonball sneering, or the whistle of men
The trial and tribulations of the miserly pens.
If be swore the moors, concrete beds shuffle the snores.
Unlike any trumpet of nose notes or horns.
How each curious grumbler failed the ewe of his flock.
Lil' crock lodgers counting sleep of each lot.
Who can practice commands, width that makes up a strake
In the morning the weir-men quaff each tea of their tastes.
Then comes to the rind, the hands each guided by eyes.
Stumps the bard of his nightshade in imported glass vials.
Show whomever the pleasure, the happy hell once began
Because under each gambit is the king of a lamb.
Apr 26, 2014
Apr 26, 2014 at 5:10 AM UTC
'Tis not with gilded sabres
That gleam in baldricks blue,
Nor nodding plumes in caps of Fez,
Of gay and gaudy hue--
But, habited in mourning weeds,
Come marching from afar,
By four and four, the valiant men
Who fought with Aliatar.
All mournfully and slowly
The afflicted warriors come,
To the deep wail of the trumpet,
And beat of muffled drum.
The banner of the Phenix,
The flag that loved the sky,
That scarce the wind dared wanton with,
It flew so proud and high--
Now leaves its place in battle-field,
And sweeps the ground in grief,
The bearer drags its glorious folds
Behind the fallen chief,
As mournfully and slowly
The afflicted warriors come,
To the deep wail of the trumpet,
And beat of muffled drum.
Brave Aliatar led forward
A hundred Moors to go
To where his brother held Motril
Against the leaguering foe.
On horseback went the gallant Moor,
That gallant band to lead;
And now his bier is at the gate,
From whence he pricked his steed.
While mournfully and slowly
The afflicted warriors come,
To the deep wail of the trumpet,
And beat of muffled drum.
The knights of the Grand Master
In crowded ambush lay;
They rushed upon him where the reeds
Were thick beside the way;
They smote the valiant Aliatar,
They smote the warrior dead,
And broken, but not beaten, were
The gallant ranks he led.
Now mournfully and slowly
The afflicted warriors come,
To the deep wail of the trumpet,
And beat of muffled drum.
Oh! what was Zayda's sorrow,
How passionate her cries!
Her lover's wounds streamed not more free
Than that poor maiden's eyes.
Say, Love--for didst thou see her tears:
Oh, no! he drew more tight
The blinding fillet o'er his lids
To spare his eyes the sight.
While mournfully and slowly
The afflicted warriors come,
To the deep wail of the trumpet,
And beat of muffled drum.
Nor Zayda weeps him only,
But all that dwell between
The great Alhambra's palace walls
And springs of Albaicin.
The ladies weep the flower of knights,
The brave the bravest here;
The people weep a champion,
The Alcaydes a noble peer.
While mournfully and slowly
The afflicted warriors come,
To the deep wail of the trumpet,
And beat of muffled drum.
2.9k
The snowflake is castellated cold,
Of chill crenellations and turnings narrow.
Court of pie-powders and gray-skied brazier smoke,
Of inner mazework dimmed to ****** holes,
Or the hooded machicolations from tower spire
Of oily darkness and arrowslits of Greek fire.
—
The snowflake is Medieval reliquary,
The frozen skull of rain and blood clear of sin,
Wind-captive with its prayer of quiet
On quietest lips, close to wine and sacrament.
Or the chapel and its waxen paramours
Of incorrupt body and candlelight upon the moors.
—
The snowflake is the mighty frozen spark,
Fire-forged and ironwrought,
Under the eye of Hephaestus,
Blacksmith of sorrow’s wind.
May 11, 2019
May 11, 2019 at 7:47 PM UTC
There is no moon tonight
just the cold stars
in the unfeeling sky
yet I cling on to dreams
the gypsy caravan
I stood & gazed at
as a child
in the City museum
is still there
painted, gilded
calling for the carefree road
& in my heart
long before I met you
lived my fascination for your mysterious people
enchanters, fortune-tellers,
some say, child & horse thieves
portrayed thus
in my Mother's Russia
- the wild people of the endless road
the people & whose fiery songs I wanted to follow-
& now, in a far off world, bewitched
by you,
I find out that your dark eyes
are that of a gypsy - Romany
& it's like fate
like D. H Lawrence
' The ****** & the Gypsy'
so why, Northener, do you not love me
like your people, I am also a wanderer
a creature of the road
a castaway with no home
than the one my heart happened to find
if you or fate somehow cast this love spell
upon me
if this was meant to be, you should love me, Gypsy
only that would make sense
take me away
let us go a-wandering
across the land, moors & hills
beautiful boy, sweet poet
do you know I once tread the winter's
frost all the night's way to town
for you, hoping to seal
my love's fate
the dark sky
above me
doesn't know how to lament
lost love
the summer of it's heart
has passed,
drunk long away
in quiet pubs
there is only this poem
poorly written -
my heart bleeding
on my sleeve
Oct 12, 2015
Oct 12, 2015 at 9:44 PM UTC
At the heights of a Surrey valley
is where I stand alone.
The clouds roll in with attempted suppression,
wuthering, as one may say.
Yet they succeed and I do not.
All this vacantness on the moors,
in turn: suffocation.
All this gale of violence and madness,
not a single shiver,
but a private, intense burning sensation.
Would it set fire to the moors, the libraries,
and the red curtain theatre?
Or would it melt the defendant themselves?
I wish for the former,
yet I am already melting.
I put my hand on the gnomon-less sundial,
and still I stand alone
drunk on the all-consuming emotions
inflicted by these brick walls
or rather the crowds of unpredictability within them.
Apr 20, 2022
Apr 20, 2022 at 7:42 PM UTC
Forgotten are our pleas
to temper the dawn
So that even as the night lays silent
there are echoes,
a rhythmic thrum of time
Carried forth are the quiet souls of man
from the ebbing shores born of passing moments
toward the twilight of the flickering flame.
And land ye yet to those moors of shadow,
that evanescence of the living breath,
take heart!
For on its banks grow the roots of the Bodhi
whose branches bore the seeds for the Garden,
and its leaves are as shelter for the Spark.
Thus we bear the gaze of the boatman,
the cloak'd Moirai who guides the clocks,
as it is best to take the lilting petals
upon the tongue
and savor.
Dec 25, 2012
Dec 25, 2012 at 2:34 AM UTC
Out on the marsh on a lonely night
The wind soughs through his rags,
The hat that’s pinned to his painted face,
Flutters and soars, then sags,
His eyes are wide and his mouth is grim
As an owl is put to flight,
And nothing but shadows will venture there
For the Scarecrow rules the night.
And back in the manse in a window seat
The Parson’s daughter sits,
She stares at the fluttering coat-tails, but
In truth, is scared to bits,
She watches the sails of the windmill turn
And creak and groan in the gloom,
As clouds come stuttering over the marsh
In the rays of a Harvest Moon.
The father is out in the donkey cart
To tend to his aging flock,
He’s left Elizabeth waiting there
By the tick of the hallway clock,
But out on the moors and beyond the marsh
There rides one Highway Jack,
A frock coat topped with a bunch of lace
And a gold trimmed tricorne hat.
He’s whipped the horse to a lather
In a retreat from a new affray,
For the magistrates have gathered
Vowing to ride him down that day,
The redcoats wait in the village Inn
For the sound that they know too well,
When the curate sees the approaching horse
He’s to toll the old church bell.
But the curate lies in a drunken fit
On the floor of the old church nave,
And soon, by matins his soul will flit
From life to an early grave,
Elizabeth sits in the window seat
And thinks of the coin and plate,
As the highwayman dismounts, and ties
His horse to the manse’s gate.
He beats on the door, ‘Please let me in,
I’m weary and faint, that’s all.
I wouldn’t abuse your person, but
I fear my back’s to the wall.’
She leaves the seat and she slides the bar
For bracing the oaken door,
‘I dare not, sir, I fear for my life,
You’re safer out on the moor!’
Their voices echo across the marsh
Like fear, distilled in the night,
And something shudders out in the gloom
And lurches to left and right,
It seems forever, but now a sound
Tolls out, like a final knell,
For something, out in the church tonight,
Is tolling the steeple bell.
He barely makes it back to his horse
When the redcoats stand in line,
Their muskets fire a volley of shot
And his coat turns red, like wine.
They go to the church when the deed is done
To say, ‘You have done well!’
But the curate lies on the cold stone floor,
The Scarecrow tolled the bell!
David Lewis Paget
Jul 30, 2013
Jul 30, 2013 at 10:30 PM UTC
In the midst of old ravines and paintings, a succulent soldier dreams.
As dawn starts to paint, as the secondhand piano plays,
his azure iris will gaze
to the sun- the faraway maiden.
In hope that one day, he'd sunbathe and chase dreams
with spring nymphs in holy fields of bonnets and poppies.
Into the poetic imaginations he submerged,
eating dainty buns,saccharine berries and milk by a spiral pond;
and pirouette like butterflies on feathery grass with florets and mist.
Far across the sullen lakes, He'd run with the spring squirrels and foxes;
through the honeyed prairie, the crooned secrets echo faintly like a damsel's song.
In between His spellbinding tales, plants they giggle in harmonious blithe—
that even the gale who gush by in haste, would stop and peer with serene awe.
Abundance of miraculous faith He ignited to his vein,
for the black dots of his crest and spine to someday evanesce.
And in ease, realms of woodlands and lone moors abound upon his eyelids,
that mother nature awaits him.
tick tock, two steps away from the holy born of Christ,
He died of collapsed dream, like muddy landslide of wet monsoon.
His soul— a soul of a fey,beatific and mesmeric dreamer, perish away in stardust.
a shriveled lilac body, graven into a treasure box, a seraphic smile carved.
With waterfalls and chrysanthemums,
moonbeam and fog, an elegy,
and a handful of brimmed ash—the box sealed like a secret letter.
that dusted night
ashes charily scattered to the wide empyrean
along with a brush of vain agony.
Rest in peace, Floyd the cactus.
Dec 25, 2013
Dec 25, 2013 at 7:43 AM UTC
You were the greatest neuronal reorganization to ever happen,
of course I don't know who I am anymore.
What was plastic seems changed to stone in a gargoyle brain and beneath a microscope the shimmering glia spell out your name over and over in little green lights, fossilizing the neurons that say:
Him.
The earth has an edge. Nobody wants to fall off.
So call me Homer, because the gods themselves could not convince me my situation's a sphere there's far too much fear in this flattened plane that understands only primitive desires and just wants you near.
Everyone knows the romanced brain could be mistaken for a ******* addict's.
But perhaps if you look more closely into my eyes you will see my irises have turned stormy, that cyclones of energy are becoming patterns that scribble and scribble arcane suggestions for a new cartography. A new story. A new being.
Supplies needed:
One strong pencil.
Enough oxytocin to unlearn an addiction.
Enough optimism to overcome an affliction, my diction is code for the way you kissed me and it underlines every sentence like the way a voice rises when asking a question.
I have so many questions.
And even though the notion of who I will be when I am not you terrifies me, like Cathy and Heathcliff I will not be doomed to roam the moors, already I know there's endlessly more, and with or without you the best is yet to come. Just as they say. No, I don't know what's in store. But I think that's okay.
Turn golden, Grey Matter, light up 'til you burn.
Reboot.
Restart.
Rewire.
Relearn.
Oct 12, 2013
Oct 12, 2013 at 1:06 PM UTC
All are not taken; there are left behind
Living Belovèds, tender looks to bring
And make the daylight still a happy thing,
And tender voices, to make soft the wind:
But if it were not so—if I could find
No love in all this world for comforting,
Nor any path but hollowly did ring
Where ‘dust to dust’ the love from life disjoin’d;
And if, before those sepulchres unmoving
I stood alone (as some forsaken lamb
Goes bleating up the moors in weary dearth)
Crying ‘Where are ye, O my loved and loving?’—
I know a voice would sound, ‘Daughter, I AM.
Can I suffice for Heaven and not for earth?’
2.3k
Those feet that once stood tall and proud
Under dark obsidian clouds,
Travel now once more upon
The hallowed grounds of Albion.
Through shrines and shires the Iceni ride
To the seat of ancient power,
Cross moors and mountains
Past marble fountains
To the steps of a Roman tower.
How they shall cower!
As Boudicca comes spear in hand.
They'll soon retreat,
Give up and leave
Back to their promised land.
Mar 21, 2012
Mar 21, 2012 at 8:55 AM UTC
Old Meg she was a Gipsy,
And liv'd upon the Moors:
Her bed it was the brown heath turf,
And her house was out of doors.
Her apples were swart blackberries,
Her currants pods o' broom;
Her wine was dew of the wild white rose,
Her book a churchyard tomb.
Her Brothers were the craggy hills,
Her Sisters larchen trees--
Alone with her great family
She liv'd as she did please.
No breakfast had she many a morn,
No dinner many a noon,
And 'stead of supper she would stare
Full hard against the Moon.
But every morn of woodbine fresh
She made her garlanding,
And every night the dark glen Yew
She wove, and she would sing.
And with her fingers old and brown
She plaited Mats o' Rushes,
And gave them to the Cottagers
She met among the Bushes.
Old Meg was brave as Margaret Queen
And tall as Amazon:
An old red blanket cloak she wore;
A chip hat had she on.
God rest her aged bones somewhere--
She died full long agone!
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