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"moors" poems
You are going to ask: and where are the lilacs? and the poppy-petalled metaphysics? and the rain repeatedly spattering its words and drilling them full of apertures and birds? I'll tell you all the news. I lived in a suburb, a suburb of Madrid, with bells, and clocks, and trees. From there you could look out over Castille's dry face: a leather ocean. My house was called the house of flowers, because in every cranny geraniums burst: it was a good-looking house with its dogs and children. Remember, Raul? Eh, Rafel? Federico, do you remember from under the ground my balconies on which the light of June drowned flowers in your mouth? Brother, my brother! Everything loud with big voices, the salt of merchandises, pile-ups of palpitating bread, the stalls of my suburb of Arguelles with its statue like a drained inkwell in a swirl of hake: oil flowed into spoons, a deep baying of feet and hands swelled in the streets, metres, litres, the sharp measure of life, stacked-up fish, the texture of roofs with a cold sun in which the weather vane falters, the fine, frenzied ivory of potatoes, wave on wave of tomatoes rolling down the sea. And one morning all that was burning, one morning the bonfires leapt out of the earth devouring human beings -- and from then on fire, gunpowder from then on, and from then on blood. Bandits with planes and Moors, bandits with finger-rings and duchesses, bandits with black friars spattering blessings came through the sky to **** children and the blood of children ran through the streets without fuss, like children's blood. Jackals that the jackals would despise, stones that the dry thistle would bite on and spit out, vipers that the vipers would abominate! Face to face with you I have seen the blood of Spain tower like a tide to drown you in one wave of pride and knives! Treacherous generals: see my dead house, look at broken Spain : from every house burning metal flows instead of flowers, from every socket of Spain Spain emerges and from every dead child a rifle with eyes, and from every crime bullets are born which will one day find the bull's eye of your hearts. And you'll ask: why doesn't his poetry speak of dreams and leaves and the great volcanoes of his native land? Come and see the blood in the streets. Come and see The blood in the streets. Come and see the blood In the streets!
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23.3k
I'm Explaining a Few Things
You are going to ask: and where are the lilacs? and the poppy-petalled metaphysics? and the rain repeatedly spattering its words and drilling them full of apertures and birds? I'll tell you all the news. I lived in a suburb, a suburb of Madrid, with bells, and clocks, and trees. From there you could look out over Castille's dry face: a leather ocean. My house was called the house of flowers, because in every cranny geraniums burst: it was a good-looking house with its dogs and children. Remember, Raul? Eh, Rafel? Federico, do you remember from under the ground my balconies on which the light of June drowned flowers in your mouth? Brother, my brother! Everything loud with big voices, the salt of merchandises, pile-ups of palpitating bread, the stalls of my suburb of Arguelles with its statue like a drained inkwell in a swirl of hake: oil flowed into spoons, a deep baying of feet and hands swelled in the streets, metres, litres, the sharp measure of life, stacked-up fish, the texture of roofs with a cold sun in which the weather vane falters, the fine, frenzied ivory of potatoes, wave on wave of tomatoes rolling down the sea. And one morning all that was burning, one morning the bonfires leapt out of the earth devouring human beings -- and from then on fire, gunpowder from then on, and from then on blood. Bandits with planes and Moors, bandits with finger-rings and duchesses, bandits with black friars spattering blessings came through the sky to **** children and the blood of children ran through the streets without fuss, like children's blood. Jackals that the jackals would despise, stones that the dry thistle would bite on and spit out, vipers that the vipers would abominate! Face to face with you I have seen the blood of Spain tower like a tide to drown you in one wave of pride and knives! Treacherous generals: see my dead house, look at broken Spain : from every house burning metal flows instead of flowers, from every socket of Spain Spain emerges and from every dead child a rifle with eyes, and from every crime bullets are born which will one day find the bull's eye of your hearts. And you'll ask: why doesn't his poetry speak of dreams and leaves and the great volcanoes of his native land? Come and see the blood in the streets. Come and see The blood in the streets. Come and see the blood In the streets!
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78
White folks: pack your bags and go. Our nut-brown world is quite offended. Make your shame-faced exit NOW, And leave your mansions unattended. Wait—before you pass the doors, It's time to settle ethnic scores. No more ragtime Minstrel Show. Our Moorish Science took it down. Black lives matter. White, less so— Now move your pale face out of town . . . But first, shell out for racial shame Caucasian losers of the game. Cultural pride is ours alone: Kings and Egyptian queens we were. The glories of our race, well-known Bedazzle in a darkened blur (Clear to Africa's descendants— Puzzling to you white dependents). Blackness lent your world its light, Taught the Dutch to tend those flowers. Scandinavia grew bright Under our beneficent powers. Negroes gave your blondes their beauty; Helped those Norsemen shake their ***** The Seven Wonders of the world: We built them all. No vain conjecture Dims our banner, black, unfurled, Above eternal architecture. Arts and knowledge gained from us Are what we threaten to discuss. We invented math and science Which you robbed from Timbuktu. Swarthy wisdom's brave defiance Caused Old Europe to renew. All our treasure that you plundered Testifies: your days are numbered. Classics of our Greeks you stole: Philosophy was never yours. Shame upon your racist soul; For Bach and Mozart both were Moors. Misappropriated treasures call for ruthless hard-line measures. Latino fate falls next—but, where ? Jews, Turks, and Arabs: are you. . . white ? Orientals everywhere: Choose your side and join the fight. Blackness rising! Late the hour; Heed your call to fight the power. Crackers need to check your race— Stop rooting for that ****** clown. Rednecks all up in our face; Racist throwbacks got us down. But as your statues bite the dust Your light goes dark (you know it must). So move on out, oppressor, thief. Long have you held our nation back. In some white galaxy seek relief— But here the light itself is black. Stars are racist. So is the sun. Now let God's great black will be done.
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Sep 23, 2017
Sep 23, 2017 at 12:03 PM UTC
Betting on the Races
White folks: pack your bags and go. Our nut-brown world is quite offended. Make your shame-faced exit NOW, And leave your mansions unattended. Wait—before you pass the doors, It's time to settle ethnic scores. No more ragtime Minstrel Show. Our Moorish Science took it down. Black lives matter. White, less so— Now move your pale face out of town . . . But first, shell out for racial shame Caucasian losers of the game. Cultural pride is ours alone: Kings and Egyptian queens we were. The glories of our race, well-known Bedazzle in a darkened blur (Clear to Africa's descendants— Puzzling to you white dependents). Blackness lent your world its light, Taught the Dutch to tend those flowers. Scandinavia grew bright Under our beneficent powers. Negroes gave your blondes their beauty; Helped those Norsemen shake their ***** The Seven Wonders of the world: We built them all. No vain conjecture Dims our banner, black, unfurled, Above eternal architecture. Arts and knowledge gained from us Are what we threaten to discuss. We invented math and science Which you robbed from Timbuktu. Swarthy wisdom's brave defiance Caused Old Europe to renew. All our treasure that you plundered Testifies: your days are numbered. Classics of our Greeks you stole: Philosophy was never yours. Shame upon your racist soul; For Bach and Mozart both were Moors. Misappropriated treasures call for ruthless hard-line measures. Latino fate falls next—but, where ? Jews, Turks, and Arabs: are you. . . white ? Orientals everywhere: Choose your side and join the fight. Blackness rising! Late the hour; Heed your call to fight the power. Crackers need to check your race— Stop rooting for that ****** clown. Rednecks all up in our face; Racist throwbacks got us down. But as your statues bite the dust Your light goes dark (you know it must). So move on out, oppressor, thief. Long have you held our nation back. In some white galaxy seek relief— But here the light itself is black. Stars are racist. So is the sun. Now let God's great black will be done.
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60
Build me a slow boat to Timbuktu via China Heave down a fleecy cloud and let me float to Nirvana Hunt me a unicorn and let me ride to the Enchanted Forest Find me a giant eagle and let it lift me to Outer Mongolia East 'please don't leave me here amongst demons with human faces' Show me a Church and I'll show you a hall full of Sinners Point out a wife and I'll reveal a liar and a fake and none dimer Call a Doctor and its a Monster who betrayed the Hippocratics That Government Boss is a cruel heinous snake without ethics 'please don't leave me here amongst demons with human faces' See that Preacher and see a spineless hypocrite back-stabber That lover was nothing but a sick deranged false **** twister My dear acquaintance a heartless corrupted shyster unhinged A Newsagent full of pitiless, gloomy, vile, psychotic joy-suckers 'please don't leave me here amongst demons with human faces' That friend of years a bloodsucking Judas who betrayed and stole Uncles who rained terror with sadistic pleasures in parts unwhole Show me nieces and find two-faced ******* with poisons in veins Neighborhoods full of silent killers and Rapists of truthful genes 'please don't me leave here amongst demons with human faces' A vicars' daughter wielding angst axes better than a viking The pathetic Moors zombies tearing flesh on masters beholding The dead-eyed Arabs salivating madly or at daggers drawn Contemptible Men-kids with pin ****** used as King's pawns 'please don't leave me here amongst demons with human faces' Build me a cottage in rolling green fields with blue skies Find me a fair maiden with a true heart and warming smiles Show me a place that holds fairness and justice real and dear A world with humanity we're all sisters and brothers for care 'please don't leave me here amongst demons with human faces' [email protected] August2018
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Aug 9, 2018
Aug 9, 2018 at 11:44 PM UTC
Please Don't Leave Me Here.........
Build me a slow boat to Timbuktu via China Heave down a fleecy cloud and let me float to Nirvana Hunt me a unicorn and let me ride to the Enchanted Forest Find me a giant eagle and let it lift me to Outer Mongolia East 'please don't leave me here amongst demons with human faces' Show me a Church and I'll show you a hall full of Sinners Point out a wife and I'll reveal a liar and a fake and none dimer Call a Doctor and its a Monster who betrayed the Hippocratics That Government Boss is a cruel heinous snake without ethics 'please don't leave me here amongst demons with human faces' See that Preacher and see a spineless hypocrite back-stabber That lover was nothing but a sick deranged false **** twister My dear acquaintance a heartless corrupted shyster unhinged A Newsagent full of pitiless, gloomy, vile, psychotic joy-suckers 'please don't leave me here amongst demons with human faces' That friend of years a bloodsucking Judas who betrayed and stole Uncles who rained terror with sadistic pleasures in parts unwhole Show me nieces and find two-faced ******* with poisons in veins Neighborhoods full of silent killers and Rapists of truthful genes 'please don't me leave here amongst demons with human faces' A vicars' daughter wielding angst axes better than a viking The pathetic Moors zombies tearing flesh on masters beholding The dead-eyed Arabs salivating madly or at daggers drawn Contemptible Men-kids with pin ****** used as King's pawns 'please don't leave me here amongst demons with human faces' Build me a cottage in rolling green fields with blue skies Find me a fair maiden with a true heart and warming smiles Show me a place that holds fairness and justice real and dear A world with humanity we're all sisters and brothers for care 'please don't leave me here amongst demons with human faces' [email protected] August2018
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31
& now I know we share Oscar Peterson in common I want to love you all the more, till the world ends Let our beloved rain fall Let our days howl of our Ginsberg Plath, Eliot & Dylan & others, more obscure Let us buy that Edward Hopper we both love & let us sleep in your car out on the Yorkshire Moors You're the milk in my coffee Let me be the billboard you advertize our love on lets be breathless metaphors of each other the quotation marks around each others words high on the ******* of stars & always read each others poems drag each other to open mics & drink too much let's make Cupid jealous of the fiery arrows we use to stab one another if it doesn't work out & make the Angels jealous of our heaven if it does lets be a restless breeze that blows through the world & stirs each leaf with our words lets just be us fellow hermit fellow poet Soulmate that's the word
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Jul 6, 2015
Jul 6, 2015 at 8:31 PM UTC
Soulmate
Bright star, would I were steadfast as thou art— Not in lone splendour hung aloft the night And watching, with eternal lids apart, Like nature's patient, sleepless Eremite, The moving waters at their priestlike task Of pure ablution round earth's human shores, Or gazing on the new soft-fallen mask Of snow upon the mountains and the moors— No—yet still steadfast, still unchangeable, Pillow'd upon my fair love's ripening breast, To feel for ever its soft fall and swell, Awake for ever in a sweet unrest, Still, still to hear her tender-taken breath, And so live ever—or else swoon to death.
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8.4k
Bright Star, Would I Were Steadfast As Thou Art
Your colors are so heavy, how dare I, I cannot sleep. Years inundated under, through skin coils, marigold fields. Yellow crocuses, orange California poppies. Moors of cattle ranchers, yokes of oxen. Plasticine uber-confidence, silky white-skinned testubular thrice people harmonies. Blisses of contagion, contagious bliss. Wrists and incisors, tying down in a bedroom, waking up to live harps and choruses. You dance like you're so alive, but I'm so alive I can't dance. Or breathe. Or knead my fists of earthen wears, or sell my soul completely. I drove off a cliff last night, but the four foot fall ended neatly. The plateau authors my chance to sew my bright, beyond- my fortunes. But the hour before I fall asleep, seems to be the greatest torture.
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Apr 26, 2014
Apr 26, 2014 at 4:54 AM UTC
good night moon
Alone the third thing can't be known. Alone, I am a cold, dark stone In a universe yawning lusterless, Spinning void of aim. Then light shines In eyes and skies Of gray and blue And I am a new daymoon. Night leads the day As day ushers night; Light follows darkness As darkness the light. I follow, you pull; Take my arm, check my stride. You and I mark time and tide. We meet. We pass. We kiss. Eclipse. Heart quivers and the heavens shift. "Let us go then, you and I," Wend our way across the sky. The unknown beckons To me and you Where green meets hues Of gray and blue. Infinite line: horizons new. Misty islands ships drift past, Clouds cut by spires of stone, steel and glass, Cities bright in alley pools, Magic light on windswept moors. Prairie hills in gentle rain, Northwood pines sun washed again, Spring moss upon the forest floor, A different green on the unopened door. "Let us go then, you and I," Together take the road untried; Wend our way across the sky: A little sphere of green and blue 'Round which we dance, Me and you.
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Feb 14, 2019
Feb 14, 2019 at 10:47 PM UTC
Our Third Thing
The morning finds the young lasses milking And the young lads in the fields cutting Rams, ewes, and lambs eat and grow fat. The hens lay eggs while the roosters are strutting. The sun rises up for his daily walk, Drawing the day across the sky. He takes his daylight with him to another place Because the moon's time is nigh. Evening falls across the heather And the stars come out to dance. The faerie folk come to life And fill the night with their lyrical chants. The mists on the moors swirl and caper about, Taking rock and tree to embrace. The faerie folk make merry and dance about 'Neath the silver of the moon's face. They dance to music as old as time, Melodies and rhythms from long ago. Verses sung in ages long past, Songs only faerie folk know. They sing and dance under the moon and stars, As long as the night covers them about. But the moon and the faerie folk must go their ways For 'tis time for the sun to come out.
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Jul 17, 2011
Jul 17, 2011 at 3:48 PM UTC
Night of Faeries
Bright star, would I were steadfast as thou art! - Not in lone splendour hung aloft the night, And watching, with eternal lids apart, Like Nature's patient sleepless Eremite, The moving waters at their priestlike task Of pure ablution round earth's human shores, Or gazing on the new soft fallen mask Of snow upon the mountains and the moors - No -yet still steadfast, still unchangeable, Pillowed upon my fair love's ripening breast, To feel for ever its soft fall and swell, Awake for ever in a sweet unrest, Still, still to hear her tender-taken breath, And so live ever -or else swoon to death.
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4.3k
His Last Sonnet
The moors are cold and dark this morning. Rain Drips like diamonds onto the grass. My thoughts long to be captured by the cold winds, And taken far far away. But, They fester inside my head. Like a disease with no cure. The cold wet darkness that surrounds me, Is my only comfort now. Maybe I could lie here and fade fade Away
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Oct 25, 2015
Oct 25, 2015 at 8:21 AM UTC
Untitled
In the glimpse of the hovering nightfall When thee haste, being terrified The manwolf craves to see the moonlight from the crevices of the skies In the glimpse of the incoming blizzard Thee run across the moors Only to find yourself trapped within the mighty doors In the glimpse of the shattering light That shines across the Alps; so bright Thee love to gaze through thy panes as it briefly begins to drizzle, to rain So terrified, mortified and nullified it seems Shivering through the ghastly dream Felt within to be untrue once But alas! Woke up to find myself in the midst of one, holding my darling’s hand, step on step; we dance.
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Aug 4, 2012
Aug 4, 2012 at 12:09 AM UTC
Nightfall
Saffron, delights, rubies and gold Crushed silvers from the shores Cornish tin, copper green as mould Heathers from the mauve moors. Buttercups and daisies in an English lawn Red and white spotted fungi in the wood Hedges laden with gems stripped and torn Smashed diamonds embedded in the mud. Little gems sparkle like prisms on the twig Fat with juice, brimming with good Good enough to eat, best to swig.
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Aug 25, 2014
Aug 25, 2014 at 4:16 AM UTC
Gems
Spring is the season of new beginnings. Surrounded with beauty that energizes you. Green meadows , cool breeze , the purple moors, Lush blooms that take away the winter glooms. Enticing you in an array of colours, Narcissus ,Hyacinths ,lilacs, Irises and Freesia , present a string of floral amnesia. Like a pollywog when you are scampering through, Oh ! dear spring you are a welcome view. Wear your gadoshes , head to where the valleys and the skies meet, robin's and swallow's tweet, The bright rays of the sun spread the warmth and rainbows present a colourful greet. Bid goodbye's to winter blue's , Welcome the "VERNAL EQUINOX" hues. ©Mrunalini.D.Nimbalkar
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Feb 20, 2019
Feb 20, 2019 at 7:52 AM UTC
VERNAL EQUINOX
There is not much more than lunch of your poor soul's gut. That which has hidden your chase, Be it the same flurry you face, or the chaste, widowed band of loons Supplicate snail-movements, while wading through the stiff lagoon. Everything must, while the fissures grow grumpy. While the dust settles inwards and the cracks fill with stuffing. The particle stands stiff, while each nursery cries. A pitter-patter of rain drops lurch the birds forwards towards flight. Say the gumption to roost was the dork lit and idling, Each abortion towards space, kept the rocket from flying, Like the cannonball sneering, or the whistle of men The trial and tribulations of the miserly pens. If be swore the moors, concrete beds shuffle the snores. Unlike any trumpet of nose notes or horns. How each curious grumbler failed the ewe of his flock. Lil' crock lodgers counting sleep of each lot. Who can practice commands, width that makes up a strake In the morning the weir-men quaff each tea of their tastes. Then comes to the rind, the hands each guided by eyes. Stumps the bard of his nightshade in imported glass vials. Show whomever the pleasure, the happy hell once began Because under each gambit is the king of a lamb.
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Apr 26, 2014
Apr 26, 2014 at 5:10 AM UTC
Notes on a Lamb
'Tis not with gilded sabres That gleam in baldricks blue, Nor nodding plumes in caps of Fez, Of gay and gaudy hue-- But, habited in mourning weeds, Come marching from afar, By four and four, the valiant men Who fought with Aliatar. All mournfully and slowly The afflicted warriors come, To the deep wail of the trumpet, And beat of muffled drum. The banner of the Phenix, The flag that loved the sky, That scarce the wind dared wanton with, It flew so proud and high-- Now leaves its place in battle-field, And sweeps the ground in grief, The bearer drags its glorious folds Behind the fallen chief, As mournfully and slowly The afflicted warriors come, To the deep wail of the trumpet, And beat of muffled drum. Brave Aliatar led forward A hundred Moors to go To where his brother held Motril Against the leaguering foe. On horseback went the gallant Moor, That gallant band to lead; And now his bier is at the gate, From whence he pricked his steed. While mournfully and slowly The afflicted warriors come, To the deep wail of the trumpet, And beat of muffled drum. The knights of the Grand Master In crowded ambush lay; They rushed upon him where the reeds Were thick beside the way; They smote the valiant Aliatar, They smote the warrior dead, And broken, but not beaten, were The gallant ranks he led. Now mournfully and slowly The afflicted warriors come, To the deep wail of the trumpet, And beat of muffled drum. Oh! what was Zayda's sorrow, How passionate her cries! Her lover's wounds streamed not more free Than that poor maiden's eyes. Say, Love--for didst thou see her tears: Oh, no! he drew more tight The blinding fillet o'er his lids To spare his eyes the sight. While mournfully and slowly The afflicted warriors come, To the deep wail of the trumpet, And beat of muffled drum. Nor Zayda weeps him only, But all that dwell between The great Alhambra's palace walls And springs of Albaicin. The ladies weep the flower of knights, The brave the bravest here; The people weep a champion, The Alcaydes a noble peer. While mournfully and slowly The afflicted warriors come, To the deep wail of the trumpet, And beat of muffled drum.
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2.9k
The Death Of Aliatar (From The Spanish)
'Tis not with gilded sabres That gleam in baldricks blue, Nor nodding plumes in caps of Fez, Of gay and gaudy hue-- But, habited in mourning weeds, Come marching from afar, By four and four, the valiant men Who fought with Aliatar. All mournfully and slowly The afflicted warriors come, To the deep wail of the trumpet, And beat of muffled drum. The banner of the Phenix, The flag that loved the sky, That scarce the wind dared wanton with, It flew so proud and high-- Now leaves its place in battle-field, And sweeps the ground in grief, The bearer drags its glorious folds Behind the fallen chief, As mournfully and slowly The afflicted warriors come, To the deep wail of the trumpet, And beat of muffled drum. Brave Aliatar led forward A hundred Moors to go To where his brother held Motril Against the leaguering foe. On horseback went the gallant Moor, That gallant band to lead; And now his bier is at the gate, From whence he pricked his steed. While mournfully and slowly The afflicted warriors come, To the deep wail of the trumpet, And beat of muffled drum. The knights of the Grand Master In crowded ambush lay; They rushed upon him where the reeds Were thick beside the way; They smote the valiant Aliatar, They smote the warrior dead, And broken, but not beaten, were The gallant ranks he led. Now mournfully and slowly The afflicted warriors come, To the deep wail of the trumpet, And beat of muffled drum. Oh! what was Zayda's sorrow, How passionate her cries! Her lover's wounds streamed not more free Than that poor maiden's eyes. Say, Love--for didst thou see her tears: Oh, no! he drew more tight The blinding fillet o'er his lids To spare his eyes the sight. While mournfully and slowly The afflicted warriors come, To the deep wail of the trumpet, And beat of muffled drum. Nor Zayda weeps him only, But all that dwell between The great Alhambra's palace walls And springs of Albaicin. The ladies weep the flower of knights, The brave the bravest here; The people weep a champion, The Alcaydes a noble peer. While mournfully and slowly The afflicted warriors come, To the deep wail of the trumpet, And beat of muffled drum.
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72
The snowflake is castellated cold, Of chill crenellations and turnings narrow. Court of pie-powders and gray-skied brazier smoke, Of inner mazework dimmed to ****** holes, Or the hooded machicolations from tower spire Of oily darkness and arrowslits of Greek fire. — The snowflake is Medieval reliquary, The frozen skull of rain and blood clear of sin, Wind-captive with its prayer of quiet On quietest lips, close to wine and sacrament. Or the chapel and its waxen paramours Of incorrupt body and candlelight upon the moors. — The snowflake is the mighty frozen spark, Fire-forged and ironwrought, Under the eye of Hephaestus, Blacksmith of sorrow’s wind.
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May 11, 2019
May 11, 2019 at 7:47 PM UTC
Two Truths of the Snowflake... and a Lie
There is no moon tonight just the cold stars in the unfeeling sky yet I cling on to dreams the gypsy caravan I stood & gazed at as a child in the City museum is still there painted, gilded calling for the carefree road & in my heart long before I met you lived my fascination for your mysterious people enchanters,  fortune-tellers, some say, child & horse thieves portrayed thus in my Mother's Russia - the wild people of the endless road the people & whose fiery songs I wanted to follow- & now, in a far off world, bewitched by you, I find out that your dark eyes are that of a gypsy - Romany & it's like fate like D. H Lawrence ' The ****** & the Gypsy' so why, Northener, do you not love me like your people, I am also a wanderer a creature of the road a castaway with no home than the one my heart happened to find if you or fate somehow cast this love spell upon me if this was meant to be, you should love me, Gypsy only that would make sense take me away let us go a-wandering across the land, moors & hills beautiful boy, sweet poet do you know I once tread the winter's frost all the night's way to town for you, hoping to seal my love's fate the dark sky above me doesn't know how to lament lost love the summer of it's heart has passed, drunk long away in quiet pubs there is only this poem poorly written - my heart bleeding on my sleeve
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Oct 12, 2015
Oct 12, 2015 at 9:44 PM UTC
Gypsy
At the heights of a Surrey valley is where I stand alone. The clouds roll in with attempted suppression, wuthering, as one may say. Yet they succeed and I do not. All this vacantness on the moors, in turn: suffocation. All this gale of violence and madness, not a single shiver, but a private, intense burning sensation. Would it set fire to the moors, the libraries, and the red curtain theatre? Or would it melt the defendant themselves? I wish for the former, yet I am already melting. I put my hand on the gnomon-less sundial, and still I stand alone drunk on the all-consuming emotions inflicted by these brick walls or rather the crowds of unpredictability within them.
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Apr 20, 2022
Apr 20, 2022 at 7:42 PM UTC
Drunk on a school night
Forgotten are our pleas to temper the dawn So that even as the night lays silent there are echoes, a rhythmic thrum of time Carried forth are the quiet souls of man from the ebbing shores born of passing moments toward the twilight of the flickering flame. And land ye yet to those moors of shadow, that evanescence of the living breath, take heart! For on its banks grow the roots of the Bodhi whose branches bore the seeds for the Garden, and its leaves are as shelter for the Spark. Thus we bear the gaze of the boatman, the cloak'd Moirai who guides the clocks, as it is best to take the lilting petals upon the tongue and savor.
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Dec 25, 2012
Dec 25, 2012 at 2:34 AM UTC
Mono No Aware
Out on the marsh on a lonely night The wind soughs through his rags, The hat that’s pinned to his painted face, Flutters and soars, then sags, His eyes are wide and his mouth is grim As an owl is put to flight, And nothing but shadows will venture there For the Scarecrow rules the night. And back in the manse in a window seat The Parson’s daughter sits, She stares at the fluttering coat-tails, but In truth, is scared to bits, She watches the sails of the windmill turn And creak and groan in the gloom, As clouds come stuttering over the marsh In the rays of a Harvest Moon. The father is out in the donkey cart To tend to his aging flock, He’s left Elizabeth waiting there By the tick of the hallway clock, But out on the moors and beyond the marsh There rides one Highway Jack, A frock coat topped with a bunch of lace And a gold trimmed tricorne hat. He’s whipped the horse to a lather In a retreat from a new affray, For the magistrates have gathered Vowing to ride him down that day, The redcoats wait in the village Inn For the sound that they know too well, When the curate sees the approaching horse He’s to toll the old church bell. But the curate lies in a drunken fit On the floor of the old church nave, And soon, by matins his soul will flit From life to an early grave, Elizabeth sits in the window seat And thinks of the coin and plate, As the highwayman dismounts, and ties His horse to the manse’s gate. He beats on the door, ‘Please let me in, I’m weary and faint, that’s all. I wouldn’t abuse your person, but I fear my back’s to the wall.’ She leaves the seat and she slides the bar For bracing the oaken door, ‘I dare not, sir, I fear for my life, You’re safer out on the moor!’ Their voices echo across the marsh Like fear, distilled in the night, And something shudders out in the gloom And lurches to left and right, It seems forever, but now a sound Tolls out, like a final knell, For something, out in the church tonight, Is tolling the steeple bell. He barely makes it back to his horse When the redcoats stand in line, Their muskets fire a volley of shot And his coat turns red, like wine. They go to the church when the deed is done To say, ‘You have done well!’ But the curate lies on the cold stone floor, The Scarecrow tolled the bell! David Lewis Paget
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Jul 30, 2013
Jul 30, 2013 at 10:30 PM UTC
The Scarecrow
Out on the marsh on a lonely night The wind soughs through his rags, The hat that’s pinned to his painted face, Flutters and soars, then sags, His eyes are wide and his mouth is grim As an owl is put to flight, And nothing but shadows will venture there For the Scarecrow rules the night. And back in the manse in a window seat The Parson’s daughter sits, She stares at the fluttering coat-tails, but In truth, is scared to bits, She watches the sails of the windmill turn And creak and groan in the gloom, As clouds come stuttering over the marsh In the rays of a Harvest Moon. The father is out in the donkey cart To tend to his aging flock, He’s left Elizabeth waiting there By the tick of the hallway clock, But out on the moors and beyond the marsh There rides one Highway Jack, A frock coat topped with a bunch of lace And a gold trimmed tricorne hat. He’s whipped the horse to a lather In a retreat from a new affray, For the magistrates have gathered Vowing to ride him down that day, The redcoats wait in the village Inn For the sound that they know too well, When the curate sees the approaching horse He’s to toll the old church bell. But the curate lies in a drunken fit On the floor of the old church nave, And soon, by matins his soul will flit From life to an early grave, Elizabeth sits in the window seat And thinks of the coin and plate, As the highwayman dismounts, and ties His horse to the manse’s gate. He beats on the door, ‘Please let me in, I’m weary and faint, that’s all. I wouldn’t abuse your person, but I fear my back’s to the wall.’ She leaves the seat and she slides the bar For bracing the oaken door, ‘I dare not, sir, I fear for my life, You’re safer out on the moor!’ Their voices echo across the marsh Like fear, distilled in the night, And something shudders out in the gloom And lurches to left and right, It seems forever, but now a sound Tolls out, like a final knell, For something, out in the church tonight, Is tolling the steeple bell. He barely makes it back to his horse When the redcoats stand in line, Their muskets fire a volley of shot And his coat turns red, like wine. They go to the church when the deed is done To say, ‘You have done well!’ But the curate lies on the cold stone floor, The Scarecrow tolled the bell! David Lewis Paget
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65
In the midst of old ravines and paintings, a succulent soldier dreams. As dawn starts to paint, as the secondhand piano plays, his azure iris will gaze to the sun- the faraway maiden. In hope that one day, he'd sunbathe and chase dreams with spring nymphs in holy fields of bonnets and poppies. Into the poetic imaginations he submerged, eating dainty buns,saccharine berries and milk by a spiral pond; and pirouette like butterflies on feathery grass with florets and mist. Far across the sullen lakes, He'd run with the spring squirrels and foxes; through the honeyed prairie, the crooned secrets echo faintly like a damsel's song. In between His spellbinding tales, plants they giggle in harmonious blithe— that even the gale who gush by in haste, would stop and peer with serene awe. Abundance of miraculous faith He ignited to his vein, for the black dots of his crest and spine to someday evanesce. And in ease, realms of woodlands and lone moors abound upon his eyelids, that mother nature awaits him. tick tock, two steps away from the holy born of Christ, He died of collapsed dream, like muddy landslide of wet monsoon. His soul— a soul of a fey,beatific and mesmeric dreamer, perish away in stardust. a shriveled lilac body, graven into a treasure box, a seraphic smile carved. With waterfalls and chrysanthemums, moonbeam and fog, an elegy, and a handful of brimmed ash—the box sealed like a secret letter. that dusted night ashes charily scattered to the wide empyrean along with a brush of vain agony. Rest in peace, Floyd the cactus.
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Dec 25, 2013
Dec 25, 2013 at 7:43 AM UTC
Spirit Soldier
In the midst of old ravines and paintings, a succulent soldier dreams. As dawn starts to paint, as the secondhand piano plays, his azure iris will gaze to the sun- the faraway maiden. In hope that one day, he'd sunbathe and chase dreams with spring nymphs in holy fields of bonnets and poppies. Into the poetic imaginations he submerged, eating dainty buns,saccharine berries and milk by a spiral pond; and pirouette like butterflies on feathery grass with florets and mist. Far across the sullen lakes, He'd run with the spring squirrels and foxes; through the honeyed prairie, the crooned secrets echo faintly like a damsel's song. In between His spellbinding tales, plants they giggle in harmonious blithe— that even the gale who gush by in haste, would stop and peer with serene awe. Abundance of miraculous faith He ignited to his vein, for the black dots of his crest and spine to someday evanesce. And in ease, realms of woodlands and lone moors abound upon his eyelids, that mother nature awaits him. tick tock, two steps away from the holy born of Christ, He died of collapsed dream, like muddy landslide of wet monsoon. His soul— a soul of a fey,beatific and mesmeric dreamer, perish away in stardust. a shriveled lilac body, graven into a treasure box, a seraphic smile carved. With waterfalls and chrysanthemums, moonbeam and fog, an elegy, and a handful of brimmed ash—the box sealed like a secret letter. that dusted night ashes charily scattered to the wide empyrean along with a brush of vain agony. Rest in peace, Floyd the cactus.
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28
You were the greatest neuronal reorganization to ever happen, of course I don't know who I am anymore. What was plastic seems changed to stone in a gargoyle brain and beneath a microscope the shimmering glia spell out your name over and over in little green lights, fossilizing the neurons that say: Him. The earth has an edge. Nobody wants to fall off. So call me Homer, because the gods themselves could not convince me my situation's a sphere there's far too much fear in this flattened plane that understands only primitive desires and just wants you near. Everyone knows the romanced brain could be mistaken for a ******* addict's. But perhaps if you look more closely into my eyes you will see my irises have turned stormy, that cyclones of energy are becoming patterns that scribble and scribble arcane suggestions for a new cartography. A new story. A new being. Supplies needed: One strong pencil. Enough oxytocin to unlearn an addiction. Enough optimism to overcome an affliction, my diction is code for the way you kissed me and it underlines every sentence like the way a voice rises when asking a question. I have so many questions. And even though the notion of who I will be when I am not you terrifies me, like Cathy and Heathcliff I will not be doomed to roam the moors, already I know there's endlessly more, and with or without you the best is yet to come. Just as they say. No, I don't know what's in store. But I think that's okay. Turn golden, Grey Matter, light up 'til you burn. Reboot. Restart. Rewire. Relearn.
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Oct 12, 2013
Oct 12, 2013 at 1:06 PM UTC
The Break, Part VII: Relearn.
You were the greatest neuronal reorganization to ever happen, of course I don't know who I am anymore. What was plastic seems changed to stone in a gargoyle brain and beneath a microscope the shimmering glia spell out your name over and over in little green lights, fossilizing the neurons that say: Him. The earth has an edge. Nobody wants to fall off. So call me Homer, because the gods themselves could not convince me my situation's a sphere there's far too much fear in this flattened plane that understands only primitive desires and just wants you near. Everyone knows the romanced brain could be mistaken for a ******* addict's. But perhaps if you look more closely into my eyes you will see my irises have turned stormy, that cyclones of energy are becoming patterns that scribble and scribble arcane suggestions for a new cartography. A new story. A new being. Supplies needed: One strong pencil. Enough oxytocin to unlearn an addiction. Enough optimism to overcome an affliction, my diction is code for the way you kissed me and it underlines every sentence like the way a voice rises when asking a question. I have so many questions. And even though the notion of who I will be when I am not you terrifies me, like Cathy and Heathcliff I will not be doomed to roam the moors, already I know there's endlessly more, and with or without you the best is yet to come. Just as they say. No, I don't know what's in store. But I think that's okay. Turn golden, Grey Matter, light up 'til you burn. Reboot. Restart. Rewire. Relearn.
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19
All are not taken; there are left behind Living Belovèds, tender looks to bring And make the daylight still a happy thing, And tender voices, to make soft the wind: But if it were not so—if I could find No love in all this world for comforting, Nor any path but hollowly did ring Where ‘dust to dust’ the love from life disjoin’d; And if, before those sepulchres unmoving I stood alone (as some forsaken lamb Goes bleating up the moors in weary dearth) Crying ‘Where are ye, O my loved and loving?’— I know a voice would sound, ‘Daughter, I AM. Can I suffice for Heaven and not for earth?’
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2.3k
Consolation
Those feet that once stood tall and proud Under dark obsidian clouds, Travel now once more upon The hallowed grounds of Albion. Through shrines and shires the Iceni ride To the seat of ancient power, Cross moors and mountains Past marble fountains To the steps of a Roman tower. How they shall cower! As Boudicca comes spear in hand. They'll soon retreat, Give up and leave Back to their promised land.
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Mar 21, 2012
Mar 21, 2012 at 8:55 AM UTC
Iceni
Old Meg she was a Gipsy, And liv'd upon the Moors: Her bed it was the brown heath turf, And her house was out of doors. Her apples were swart blackberries, Her currants pods o' broom; Her wine was dew of the wild white rose, Her book a churchyard tomb. Her Brothers were the craggy hills, Her Sisters larchen trees-- Alone with her great family She liv'd as she did please. No breakfast had she many a morn, No dinner many a noon, And 'stead of supper she would stare Full hard against the Moon. But every morn of woodbine fresh She made her garlanding, And every night the dark glen Yew She wove, and she would sing. And with her fingers old and brown She plaited Mats o' Rushes, And gave them to the Cottagers She met among the Bushes. Old Meg was brave as Margaret Queen And tall as Amazon: An old red blanket cloak she wore; A chip hat had she on. God rest her aged bones somewhere-- She died full long agone!
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2.3k
Meg Merrilies