Back out of all this now too much for us,
Back in a time made simple by the loss
Of detail, burned, dissolved, and broken off
Like graveyard marble sculpture in the weather,
There is a house that is no more a house
Upon a farm that is no more a farm
And in a town that is no more a town.
The road there, if you’ll let a guide direct you
Who only has at heart your getting lost,
May seem as if it should have been a quarry—
Great monolithic knees the former town
Long since gave up pretense of keeping covered.
And there’s a story in a book about it:
Besides the wear of iron wagon wheels
The ledges show lines ruled southeast-northwest,
The chisel work of an enormous Glacier
That braced his feet against the Arctic Pole.
You must not mind a certain coolness from him
Still said to haunt this side of Panther Mountain.
Nor need you mind the serial ordeal
Of being watched from forty cellar holes
As if by eye pairs out of forty firkins.
As for the woods’ excitement over you
That sends light rustle rushes to their leaves,
Charge that to upstart inexperience.
Where were they all not twenty years ago?
They think too much of having shaded out
A few old pecker-fretted apple trees.
Make yourself up a cheering song of how
Someone’s road home from work this once was,
Who may be just ahead of you on foot
Or creaking with a buggy load of grain.
The height of the adventure is the height
Of country where two village cultures faded
Into each other. Both of them are lost.
And if you’re lost enough to find yourself
By now, pull in your ladder road behind you
And put a sign up CLOSED to all but me.
Then make yourself at home. The only field
Now left’s no bigger than a harness gall.
First there’s the children’s house of make-believe,
Some shattered dishes underneath a pine,
The playthings in the playhouse of the children.
Weep for what little things could make them glad.
Then for the house that is no more a house,
But only a belilaced cellar hole,
Now slowly closing like a dent in dough.
This was no playhouse but a house in earnest.
Your destination and your destiny’s
A brook that was the water of the house,
Cold as a spring as yet so near its source,
Too lofty and original to rage.
(We know the valley streams that when aroused
Will leave their tatters hung on barb and thorn.)
I have kept hidden in the instep arch
Of an old cedar at the waterside
A broken drinking goblet like the Grail
Under a spell so the wrong ones can’t find it,
So can’t get saved, as Saint Mark says they mustn’t.
(I stole the goblet from the children’s playhouse.)
Here are your waters and your watering place.
Drink and be whole again beyond confusion.

I remember the history well:
The soldiers and politicians emerged
With briefcases and guns
And celebrations on city nights.

They scoured the mess
Reviewed our history
Saw the executions at dawn
Then signed with secret policemen

And decided something
Had to be done.

They scoured the mess
Resurrected old blue-prints
Of vicious times
Tracked the shapes of sinking cities

And learned at last
That nothing can be avoided
And so avoided everything.
I remember the history well.

                                                                 2
We emerged from our ******* mounds
Discovered a view of the sky
As the air danced in heat.

Through the view of the city
In flames, we rewound times
Of executions at beaches.
Salt streamed down our brows.

Everywhere stagger victims of rigged elections
Monolithic accidents on hungry roads
The infinite web of ethnic politics
Power-dreams of fevered winds.

The nation was a map stitched
From the grabbing of future flesh
And became a rush through
Historical slime

                                                                 3
We emerged on edge
Of time future
With bright fumes
From burning towers.

The fumes lit political rallies.
We started a war
Ended it
And dreamed about our chance.

Fat fish eat little fish
Big ones arrange executions
And armed robberies.
Our ******* shapes us all.

I remember the history well.
The tiger’s snarl is bought
In currencies of silence.
Eggs grow large:

A monstrous face is hatched.
On the edge of time future
I am a boy
With running sores

Of remember history
Watching the stitches widen
Waiting for the volcano’s laughter
In the fevered winds

Hearing the gnash
Of those who will join us
At the mighty gateways
With new blue-prints

With dew as seal
And fire as constant
And a trail through time past
To us

Who remember the history well.
We weave words on red
And sing on the edge of blue.
And with our nerves primed

We shall spin silk from *******
And frame time with our resolve.
__
Source:
http://www.universeofpoetry.org/nigeria.shtml

He thwack no metronome to kick oneself
Thwack his **** sucker
With his monolithic flaccid trunk rubber
Me and my Dalek doped
And my excrement unsweetened
Copulate in the open without my jockstrap
You shat encrusted to what you deflowered
So at arm’s length ****** from all that we excreted in the wind’s eye
And I bounce a bedevilled backwash
My incredibles are shafted
I’ll **** **** to Arab

We only jabbered hasta la vista amongst homophones
I croaked a hundredweight arsonists
You **** posterior to her
And I **** **** to…
I **** **** to myself

I ****** you powerfully
The body beautiful’s not enough to go round
You enjoy spanking and I wallow in *******
And ***** is like a tobacco teabag
And I’m a bijou **** coming the corsets in custody

We only jabbered hasta la vista amongst homophones
I croaked a hundredweight arsonists
You **** posterior to her
And I **** **** to…

Arab, Arab, Arab, Arab, Arab, Arab, Arab
I **** **** to…
I **** **** to…

We only jabbered hasta la vista amongst homophones
I croaked a hundredweight arsonists
You **** **** to her
And I **** **** to Arab

dunedin. friday, three, afternoon.
set from home under a blue sky
with full& prepared pack,
a somewhat empty stomach,
and a necessity to get away from the city.
hiking boots tread asphalt down to the depot,
where, in thirty-seven minutes punctuated
by plastic seats grafted to a wall
and a mildly disjunct group of small or
big-time travellers, the naked bus
pulled in, a hematite centipede
crawling into the lot. it was a bus,
no complaints. all others' bags
stowed, twenty seven bucks outta pocket
and swung into the front-right-window seat,
bid a farewell to the beat-down
pub across the road and onto the one-way
merging into a highway and outta
town the dark bug skittered, on
schedule or something resembling it.
behind the driver, the sun came through
around the beam in the window. warm patterns
laid on skin, the countryside's broad expanse:

cylindrical bales of hay scattered about
paddocks, dark late-autumn florets of flax
on roadsides, plumes of white smoke from
bonfires in townships as small as a thumbnail,
hedgelines of eucalyptus, pine; russet streaks
through bark of single gum trees stood
off-centre in fields. sticky-wooded hillsides
punctured by fire breaks roll almost forever
and back. the rushing sound of passing cars
through the 3/4-golden ratio of the driver's
ajar window; twenty-first century mansions
verging on out-of-place. saplings emerging,
bracketed, through verdant grass patches.
museum abbatoirs. toitoi like hen's plumage
lining drainage ditches. another Elizabeth st-
(how many could be counted out by now?) tidy
front yards and milton liquorland through this
small town. an everpresent tilting sun. fields
of flowered nettle. s-bends through pancake layers
of hills. a delapidated gravel quarry at stony
creek. deer farms, sheep farms, bovine farms, alpaca
farms (favourite); another bonfire seen down a
long gulley; a power substation, all organized
tangles. a two-four 300m before the bridge into

balclutha. 4.40pm.
across the road into the i-site
two friendly ladies circle locations
to make (got a car) or try to make (on foot),
offering a ride in half an hour,
leave it to chance.
across another road, drifter's emporium
(that's the name, no joke) got a knife
to open up cans- bought no cans, brought
no cans, still nice to have one anyway.
down the road, 200ml from unichem, waste
no time, turn ninety degrees, cross a
railway, then outta town in a sec. first
photo: half highway, half clutha river. fine
shot. sit down, watch the water couple mins,
head down the road. red-black ferns radiate
under willows down the riverbank. metal
bumper-bars keep legs on, the road rolls
gentle turns, diverges from the river. stick
to the former, faster that way. no intentions
of hitching. just wanna walk. and walk. and
walk. guy yells out a car window. envy,
likely. who cares. apple tree hangs over
a dry ditch. pick a small one, gone in
a minute. probably ain't sprayed. been
eating ice-cream dinners more often'n
not the last coupla weeks- isn't much
the stomach won't or can't handle anymore,
anyway.

odours of decay from the freezing works.
seagulls sound out nearby.
typical.

down the road, the reek of death fades
out. back to grass. sit in some of the
tall stuff, under a spindly tree. put down
some ink, a handful of asst. nuts. 'bout
thirteen fingers of daylight left. no idea
if the coast is further than that. little
care. down the road the land flattens out,
decent sign. the junction was a fair bit
past reckoned, though. flipped a chunk
of bark (too lazy to get a coin out) to
figure whether the coast was worth it. bark
said no, went out anyway. gotta see the sea,
keeps you sane. past a lush native
acre or two- some lucky ******'s front lawn-
changed mentality, slung out a thumb (first
time). beginner's luck, kid straight outta
seventh form pulls over in a mustard-yellow
*******' kinda beach-van. was headin' out
to the coast, funnily enough. had been up
in raglan (surf central, nz), back down with
the 'rents now, though. out kaka point, only
one of his age, he reckoned, no schoolhouse
there, just olds. was going to surf academy,
pretty apt. little envious.

the plains spread out and out, ocean just
rose up out of a field. there's nothing
more perfect. gentle waves stroke the sands,
houses stare intently out at the mingling of
blues. one cloud hovers so far away it doesn't
even exist. down the other end of kaka point,
back on solid ground, walking into a gorge, laments
about not choosing the coastal route. but owaka
is the new destination, bout 11ks, give or take
(5ks later, sign says another 15.. some give). nothing
coulda beat that sight anyway, stepping outta
a van onto that pristine beach.

entry: gorge route to owaka. seven.
late light painted the tops of hills absolute
gold. thought maybe this way ain't so bad. beside a
converging valley, phone got enough reception
for dad to get through. said in balclutha coulda
got a room with a colleague. too far out now. lost
him in the middle of a sentence about camera film.
surprised to have even got that far. road wound
troughlike through the bottom of the gorge, became
parallel to a cute little stream. climbed down chickenwire
holding the road in place, ****** in it (had to).
clambered back up, continued walking as the occasional
campervan rolled on by. took a photo of the sun perched
on a hilltop, sent it to mel. dunno why. anxieties
over the perfect sunrise picture came frequently,
a goal become turmoil. the gorge flattened out,
and soon in countryside my fears allayed. round
a corner in picturesque nowhere, found my shot.
sat in long grass. stole it. sighed. ate a handful
of nuts. moved on. {about eight}

dark consumed the surrounding gentle-rolling hills,
nowhere near owaka, which was probably the tiny bundle
of lights nestling a little below the foot of a
mountain in the distance (not too far off, in
reality). near the turnoff to surat bay (was heading
there, plans change) a ute honks. taken as friendly.
a right turn instead of a left, farmsteads lit
up in fireplace tones, the sound cows make at
dusk. it got colder. would one jersey be sufficient?
hoepfully. stars began pinpricking the royal blues of the
night sky in its opening hues. eight-fourty-ish slugged
back about 3/4 of the syrup, along with half of a box
of fruit medley (so **** delicious), in light of dull
calf aches becoming increasingly apparent. needed
to walk a helluva lot more. ain't one for lettin'
nothing get in the way of that. lights in the distance
became the entry sign for a camp-site. no interest,
head on. past another farmhouse, stars came out in
packs. three cows upon a slight hilltop. next junction
pulled left a good eighty degrees and was on the
straight to owaka. less than two minutes later,
a dog-ute pulled to a halt and offers up a ride down
most of the stretch. didn't say no.

still stable, as two pig-hunters tell
of their drive back from picking up a couple
pig-dogs somewhere north. they were heading
out bush to shoot, thought they'd seen
another guy they'd picked up a couple weeks
ago, who'd taken 'em out somewhere they
couldn't remember. paranoia grips, but
the lads are fairly innocuous. they say it's
dangerous out here, gotta be ballsy walking
middle of the night, no gun, no dog,
all by yourself. wasn't worried, got nothing
to lose anyway (still, this sets helluva
mood). by a turnoff a k outta owaka, dropped
off. said probably all that'll be open there
is a pub, if that. bid luck and set their way.
above, the whole sky is covered with shining
glitter. down a dip and turn, **** in the
middle of the road. an ominous sign indicating
the outskirts of

owaka. approximately 9.40pm

my head loosens as i approach. the lights
form across a small valley i can't verify
exists or not between dog barks i mistake
for the yells of drunkards and lights
pirouetting from cars behind me. i slow
down i don't want to do this.

owaka is terrifying. plastic.

the street corners thud like cardboard. i
walk past a garden of teapots, a computer
screen inside the house glares through the
window pane bending breathing outward. there
is nobody here, still there is a feeling
like there's people everywhere, flocking
in shadows. a silhouette moving in a
distant cafe doorway. the sound of teeth,
of darkness fallen. thick russian tones
sound from a shelf of a motel. eyes
everywhere, mostly mine. i stop only round
a bend and down near a police station, yet
feeling no more safe, sitting in a gutter to
send mel my plans, to tell myself my plans.
i want to be nowhere again. i am soon nowhere.

out of breath, out the other end of owaka,
the sick streetlights fade into comforting
dark nestled between bunches of indistinct
treelines. the feeling of safety lasts but
twenty minutes, where another dip in the
road leads through a patch of bush, in which
gunshots ring periodically and laughter and
barking rings through. breaking down, it takes
five minutes to resolve and keep going. ain't
got nothing to lose, anyway. boots squeak like
diseased hinges all down the road. hadn't
noticed beforehand, the only thing noticed
now. an impending doom hangs thick like fog,
the thought of being strung up like an
underweight hog. walking faster and
not much quieter, the other side of the
bush couldn't have come sooner. the fear
lasts until the gunshots are distant nothing.
still alive, still out of breath, still
fairly ****** up, there's no comfort like the
sound of nothing but the occasional insect's
chirp. vestiges of still water came around
a corner and just kept coming as the golden
moon sung serenity all over. finally, a peace
came to rest over the landscape. sitting by
the road with a clear view of the moon's light
sheathed in the waters, the stars above wreath
a cirrus eye to watch over the marshland
plants leading into the placid waters of

catlins lake, west. ten fifty-one.
crossing a one-way bridge over a river winding
its way into the lake, another turning point
decision arose: continue down the highway
along the river, or head straight out and
toward the coast again. having resolved to
make it to a waterfall by dawn, and the latter
offering a possibility of this, the decision
made itself. turning back around the other side
of the lake, the road wound a couple times
up a gentle ***** out and up from the valley
at the tail of the lake, and into a slightly
more elevated valley. the country roads ran
easily and smooth, paved roughly but solid.
not a car came by for kilometers at a time.
lay on the road past a turnoff for quarter
of an hour letting serenity wash over, the
hills miniscule in comparison to home, the
sky motionless, massive thin halo about the
moon. walking on, night-birds called from
time to time (no moreporks, though. not until
dawn), figuring out how to whistle them back.
a turnoff to purakaunui bay strongly
considered and ultimately ignored; retrospectively
a great call, considering the size of the detour.
hedgerows of macrocarpa, limbs clearly cut
haphazard where once they'd hung over the
road. occasional 4wd passing, always a 4wd,
be it flash new or trusty old. you'd need
one out here. have no fun, otherwise.
monolithic pine-ish hedge bushes, squatting
giants. once, a glimmering in the sky, a
plane from queenstown (assumedly) almost
way too far to make out. the colossus of
the one human-shaped shadow cast down
from the moon to my boots. how small
a thing in this place. swamped out by
the beauty of this neverending valley.
breathless.

the road turned, not quite a hairpin,
but not entirely bluntly, a welcome
break from the straight or gentle
sway, and five minutes turned to dirt.
had to lay down again- legs screaming
by this point for rest. still, they
had nothing against pressing on. dad
taught me to just keep going. that's
the thing about walking. stop for a
little bit and you're good to go
again. pushing for the fall was probably
overkill, but no worry now. dirt road
felt so right after a good 20+ks of
asphalt, only infrequently punctuated
by roadside moss or thin grass. it
was as if beginning again (well,
kinda, if only with as much energy).
having downed only a litre of water
(leaving only half a litre more), a
litre of fruit juice and about 100
grams of assorted nuts since more
than twelve hours ago by this point,
it should have been a shock to
still be going by this point. don't
really need that much anyway, though.
gone on less for longer. hydration,
anyway, was the least of all worries,
the air being thick with water, ground
fog having been laid down hours ago.

up the dirt track, more cows. they make strange
sounds at night. didn't know anything yet,
though. that's still to come. a ute swang past
going the other way, indiscriminate hollers
from the passenger-side window. waved back
cheerily. so far from anything to be anything
but upbeat now. not even the heavy shroud of
tiredness could touch that, yet. the track wound
on forever. was stopping every half-kilometer
to stand and stretch, warding off the oncoming
aches. the onset was unwieldy, though. didn't
have long. past a B&B;, wondered whether anyone
actually ever stayed there (surely would, who'd
not revisit this place over and over once they'd
discovered it?)- certainly would've, having the
cash (apparently parts of "lion, witch and the
wardrobe" were filmed here. huh). further on, the
road turned back to seal, unfortunately, but
with small promise- surely, at least fairly
close by this point. turning a corner, a small
and infinitely beautiful indent against the bush,
a small paddock bunched up against it, stream
wound against the bases of trees, all lit by
the clear tones of a now unswathed moon, sat
aside the road. it was distilled perfection.
it was too much, just had to keep goin' or
risk shattering that image. next turn was
a set of DOC toilets, an excellent sign. must be
basically sitting on the path entry now. searched
all 'round the back for it, up the road, nothing.
not entirely despondent but bewildered, moved
forward and found a signpost. the falls were now
behind? turned around and searched even more
thoroughly, quiet hope turning to desperation
by the silent light of the moon. finally,
straight across the road from the toilets,
was the green and gold sign, cloaked in
darkness under clustering trees, professing
a ten-minute bushwalk to the

purakaunui falls. saturday. 1.32 am.**
venturing into the bush by the dull light
of a screen of a dying phone, the breeze
made small movements through the canopy. it
couldn't have been any more tranquil. edging
way through the winding cliffish track through
dense brush, the sound of a trickling stream
engorged into a lush symphony of water. crossing
a single-sided bridge across an unseeable chasm,
twinkling from the ferns behind became apparent.
turning off the dull light, the tiny neon bulbs of
glow-worms littered the dirt wall risen up about
half a metre, where the track had been cut out.
my heart soared. all heights of beauty come
together. continuing down the path, glow-worms
litter the surroundings and the rushing of
water comes to a roar. at a look-out platform
above the falls, nothing can be seen save a
slight glisten. down perilous steps (wouldn't
be too bad if you could actually see 'em) the
final viewing platform lay at level with the
bottom of the falls. they stood like a statue
in the dark, winding trails of thin white wash
through the shadows hung under trees. left
speechless from something hardly made out, turned
around and back up the stairs to where the
glowing dots seemed their most concentrated.
into the ferns above, clambered through and
around moss-painted tree trunks and came to rest
a couple hundred metres from the trail, under
a fern, under a rata. packed everything but
a blanket from nan into the bag, laid it out
on curled leaf litter and folded up into it,
feet too sore to remove 'em from boots, curling
knees up into the blanket and tucking a hand
between 'em to keep it warm. only face and
ankles exposed, watched the moon's light trickle
through canopy layers for a few hours, readjusting
tendons in legs as they came to ache. sleep (or
something resembling it) set in, somewhere
around four.

some time slightly before six, the realisation
that my legs had extended and become so cold that
they'd started cramping all the way through hit,
coupled with the sounds coming through the bush.

endless, monolithic
desert roads
stretch far,
like a rug
rolling it's tongue
out for sandals,
the car boiling
and windows blowing
cool air,
like the wind
trying to
become stronger
than the sun,
and the song
Breezebeats
croons lyrics
into my ear,
like it can delete
the silence in the
rest of the world.

Ignorances innate wove curtain of veils
Cut usunder heretofore obscuring
Bodhicittas valedictory wintry gloom torn
Of enlightenments will factioning the
Silenced mammonish city kingdom truced
As the wings of Azrael clinch
Earthly thistles; monolithic raiments
Deposed Hull, Hell and Halifax parcae
The willowing of light unfettering Fenrirs
Durance, howling aconite psalms suspiring
Suffrage relict paving with mewed stars
Redemptions tithed talents bequeathed
Of Heavens sinister prayer burning
Acinta dusts thine ashes threading
The wilful sword of Gods destruction.


ELEETE J MUIR.

'i've only ever really read one poem. i, i have to admit.*  
You know, that, that one poem that everyone’s read, whatsit,
Howl by Ginsberg, 'best-minds-of-my-generation-destroyed-by-madness,-starving-hyste­rical-naked,' , yeah, that one;'
'It's just, I identify with it so strongly.' she says,
'That poem is soo me.'
It's funny how commentary on a generation 60 odd years ago come across as timeless insights..
how we learn that true spirit of rebellion and counterculture three generations ago,
  as it is taught to us by two generation ago countercounterculture academics.
but I guess, inevitably
                                         we
                                                  return,
  to those half drowned pontifications inevitably decried into transcendental truth by the onward spilling ratchet of cultural recognition;
  that sense of universal oneness generated by the unwashed ramblings of beat-generation hipsters dense innuendo in run on sentences running, running from their upper-lower-middle-class New York homes and their privilege of true vacant meaninglessness and despair,
   to those nervous tucked in shirted clean shaven scholars swooning over the same seme drugged, melancholic bearded men profussing the deepest of opaque truths only found up the furthest reaches of their own *****.
  As we push through to our lectures, the mosaic in motion of blazer wearing mac-users and mac-pac wearing blazers,
  As we hysterically interpret the formatting conditions for our reports, which could hang in the balance of whether the dreams we once had will ever be actualised,
  As we felt lost and found and found and lost at those park benches under the stars, where occasional strangers strolled by offering sessions and life-stories,
  As we paid exorbitantly to get out of our parents homes, and into tin-can flats with broken windows, absentee landlords and cracked paint only held together by all the moss, (the empowerment that is wage slavery,) for in our youth, poverty is not an ever-present pejorative, but the rite of passage to show that we are alive,
  As rituals of manhood are defined by two things and two things only; how much insomnia one can accumulate to meet insane and inane deadlines, and how much one can illuminate the walls in ***** from all the beers, spirits, cheap wines and questionable home-brews,
  As the government dismantles the human-rights commission, and we nervously attend the rallies initiated by the radicals, and the man on the megaphone calls on the crowd to chant and we can only mumble and laugh nervously at ourselves,
  And when the next speaker runs onto stage feeling the need to plead to this already nervous, placid mass that this is in-fact a PEACEFUL PROTEST, and that we are all true patriots and they insist everyone start singing the national anthem and we all look down and we again mumble, or pretend somehow not to hear them,
  and when, in this biggest independent rally around a unified cause our generation's ever seen, we have never felt so alone ,
  and isolated,  
                                  we
                                             remember,
                                                                    those earlier days,
  When we'd bleach our hair; we'd poison ourselves white, in the vain mystic hope that this was just the transition period to the time when we'd get true colour into our lives,
  Remember our wonder at the Eurocentric Asiatic television representations of the Abrahamic faiths, given transubstantiated holy revival by the medium of Saturday morning digital pastel pasture; when we were children staring excited and wide eyed into the Metatrons Fire of Sinai 'Random Almighty Mega Damage'; as Dante and the seraph class Tyrant-infused-Michael inevitably made battle with YHWH, -in the one True End,- as we grinded within the monolithic emerald obsidian halls, Mystical wonderment spilling forth from our reddened hollow eyes, at the beautiful unlimited expansive world contained within our console/consoling digital unit discs; conformally mapped and etched into the convex hull of our minds,
  Where we were gods, doing battle with every possible creature in morphospace, filleted into overpriced cards and cartridges, for which our strategies meant so much to us though none of us really understood the game,
  When we could quote verbatim every piece of dialogue in GTA2, and get concerned glances from our parents as we conjured veiled imagery of bukake-ladled innuendo which we didn't really understand until six or seven years later,
  When sexuality was a special secret club our elders and the kids in the years above came across so wise for being a member of, rather than an anti-turing test; a farcical ritual where everyone tries their best to imitate the hyper-reality of MTV while hiding the nervous feelings that this whole thing was really meant for someone other than us,
  When creating a whole new lexicon for our self-hood (be it artistic, ******, political or philosophical) felt like existential emancipation; a transcendental rebellion against the normalising identities and semantics of old, rather than an impenetrable circle-**** taxonomy,
  When one day we'd unveil a new term in some text, and it would completely change our outlook on every corner of our lives,
  Or, the next day, when we'd give up and just sit back on rolling banks, and look out at a veil of stars,
  Or the next day, when we'd wonder desperate and painfully, which of the last two was the real pursuit and which was wasted time? (Or was it this day, the day spent building an illusory dialectic between them?)
  Remember when we were in kindergarden, and you had to pass through the kitchen, -the adults zone,- to get to the toilet, and you'd feel both shame and wonderment listening in of the snippets of conversation muttered by these titanic figures; discussing abstruse issues from the newspaper in foreign yet noble tongues?
  Remember when we were teens, and every form-checking observation and question from these same adults was so painstakingly pedantically banal and asinine, that one could only respond with monosyllabic grunts and silent hysterics?
  And remember as 'young adults', when we'd inevitably entered this same dull Aristotelian world of forms, how we'd ask the same adults for advice on filling these paperworks, at once still asemic gibberish, and at once the fine-print that contained and predicted our lives?
  Remember when our dreams for the future were not bounded by the economy of our grade point averages and just how much debt we were willing to incur
                                …
I've seen the best minds of my generation climb into pre-packaged little boxes; and pay through the teeth for the privilege of doing so.  
  Akin to a 'Howl' they call it? Our cry for selfhood? What a scream.
It's not even a cry. Barely a whimper.
More of a zombified groan, completely aware our intrepid Journey of Self is just a pricey guided tour. (Tv Ad's static commodified existential emancipatory platitudes; 'your place in the world' / 'well it's my place and it's my time' urgh.)
And so we march asleep; all lame all blind.
  Trudging through the mind-fields; arguing, unravelling the semantic distinctions between the empty boundaries and the boundaries of emptiness.
  Transcribed down for essay deadlines,  /  assessing our lives trajectory as dead lines,
Becoming increasingly aware,
  We are not the living beings, the dasein, the Übermenschen being actualised; we are the machinery through which the institutions, the factories, the markets and education facilities actualise themselves.
  (While the only acceptable language we can breathe in opposition to these ratcheting pedagogical machines is the lexicon they provide us..
  ('oh, you hate systemic neoliberal alienation; the deestablishment of ontological anthropocentrism? Tell me more about the esoteric uselessness of academic culture.') bluh.)

But

       the more we follow those phantom images we built of ourselves,
the more we become aware they are but sirens; hypnotic dreamlike figures luring us to our doom,
  and as this awareness dawns; and the cognitive dissonances and schizophrenia grows,
       We


                                just try to keep calm and carry on regardless.

Can we really claim the arrogance of having a better path?
The conceit that there's a better cliff we should be guiding ourselves to to top ourselves off?
I don't know,
I reaally
really
just don't know.

O pulchritudinous, for infinite climaxes
For bilious spasms of pigswill
For puce Popacatepetl pedigrees
Above the perverted pampas!
America! America! Allah excreted his curses on thee
And bang thy ****** in company with Islamic monk, from brothel to gay red—light district

O pulchritudinous, for spaceman bottoms
Whose ****, throbbing tapeworm
A toucan crossing for slipperiness spifflicate
Across the intergalactic space!
America! America! Allah enrich thine ev’ry vice
Reinvigorate thy ****** ******* inside monolithic ectoplasm, thy merrymaking inside pyramid!

O pulchritudinous, for freaks got fat
In disentangling feeding frenzy
Who more than ***** their brothel slobbered over
And velvet glove more than backbone!
America! America! May Allah thy blonde exhaust
Till all rave reviews be disreputableness and ev’ry come superhuman

O pulchritudinous, for chauvinist muscleman
That smells wide of the fourth dimension
Thine lathery brothels lick
Polished using giant armadillo excrement!
America! America! Allah excreted his curses on thee
And bang thy ****** in company with Islamic monk from brothel to gay red—light district

Vernarth and his companions delighted in the company of the biosphere since he was in the Eclectic Spiritual Portal, and in this dimension only he could be. Later, they communicated only through his donkeys, when they wanted to send them messages or share with him, they mounted one of these equids and they could pass into this atmosphere of ultraviolet light that separated them. More than an egregious Pythagorean calculation, he already stood out in his eon of matter-spiritual energy Vernacentricus, as a quantum station of the geodesy of the Megaron that has already begun to be built. At this precious moment the secular and demiurge satellites of him arrive, they came with the foundation of the points to refer to definitively raise the Ultramundis Vernacentricus. From the Vóreios or boreal the apocalypse of San Juan will be intertestamental with the canons of Zefian that transmigrated from the powers from the transversal valleys of the Horcondising, essentially following the sensory track of the Nothofagus Obliqua to attract the iterated populations of the forest.
The patriarchs and the orthodox mountain range appeared in the cords of the fungi called Ambrosiella ceratocystidaceae, to provide the Ambrosia Mercurial, as a nutritional addition to the main pilasters of the temple, with great influence of fungal fungi. Everything was beginning to demarcate from the eruv of the Zefian arrow that was named Tetarto Vélos, or fourth arrow that was already beginning with its culminating operation with the borer beetles, demarcating the urev of the Vóreios throughout the region and on the oaks of Patmos, that began to be located from the Meli Witran Mapu Mapuche winds, beginning with Pikún-kürüf Northwind with the first two arrows of the Taxotas, and Sur Waiwén, of the Pezhetairoi, of the quantum of transmigration of the Horcondising-Panhellenic sub-mythology. Then the Puelche drags the borer beetles with more force to lift the uprising fungi of the Mandragoron by the eastern vertical, to culminate with the Lafkén-kürüf all attached to the axis that supports them from this great bilocation. The boreal is demarcated, so that the Necromancer Ezpatkul with his Augrum and gold teeth, twisted the tendency of the beetles to move the main columns of the frontispiece, being colossal in reality with twice the diameter of the central ones. Then the conclusive and posterior ones of the rectangular quadrant of the Beit Hamikdash were bilocated, to bilocate the Bern Olive Trees from Gethsemane so that they finally joined the Meltemi, and towards the aeolian winds of Tramontane Eolionimia falling on the Tekhelet of Paul of Tarsus, dropping relevant heights of some cranes with gravitating silt on their extremities, and with garbeas that were secondarily colonized on the banks of the desert areas of the rocky Hamada. As was previously proverbial, three birds climbed reflecting the crown of the kings in Bethlehem, Arriving at the sacred native city, and beginning the choirs of Nativity and passion for the hiss in tenuity on the twelve Giant Camels, where they paid special attention to rebuild another temple with a sigh greater than a Sheba Dean. The canon of Policleto was renewed with Zefian who agreed with San Juan, for this kanon that will be the relevant line of topographic surveying. Thus the basal measurements of the golden number will begin with the acroteria concerted summer seats of prosperity next to the Metopes. Ezpatkul would bring with his magic the red blood cells of Betelgeuse along Leiak with all the Templar three-dimensional morphology, naming this singular parapsychology of Pope Urban II who proclaimed the First Crusade at the Council of Clermont, in France, on November 27, 1095, to delineate the paradigm in the anatomy of Gaugamela bled into Vernarth's breastplate, as the archaic and first crusade that would inspire Christian supremacy, which was already anticipated before the Christian era to come. It will be visible gestures of the trajectory of the arrows of the Zefian Torah that were deposited with their hallelujahs from the ***** of Crete. The sulfur yellow and red blood cells marked the radiosity of the Eclectic Portal that opened to give Vernarth material egress, so he would take his tools and go with his donkey's escorts for the chromatic that will be sulfur yellow and red blood cells, both dependent on the complementation with the Cinnabar, and in the raised bodies of Court V of the Helleniká Necropolis in Kímolos.

Under vileness or absence of light among darkness or apocryphal light of Evil, in contrast to the robust equanimity of light and shadow partisan of Saint John the Apostle, for the hegemonic good of his incorruptible vision. The naturalness made the world apologetic with the immune defenses of the polish textures, they invoiced proportional mathematical measures ibidem of the Hommo Novis, and of the Geometric Pythagoreanism for a body seven and a half times of Polykleitos, starting from the base to the feet as the base of the plinth or frieze until reaching near the capital that exemplifies the chin, before reaching the cornice, highlighting the figure of the capital with the front of the proportional ligament between the trunk, and the columns duly. Here the seven-headed Kanon of a David would recite the measures of the psalms, or beads in degrees with hoped-for dimensions. The kinetics was earth towed by towing carts in tetra bronze arrows, which balanced the unbalanced balance and harmony of the created whole. The symmetry of the transverse poles was muscled to make kinetic centripetal in the inertia of the bolt when hitting the faint glow of the canon rays. Making himself the sustenance in the stone and the mound, towards the Vernarth counterpose when the Himathion was tried, he appeared disguised and in composing. After this initial task, they approached the fire and scalding water to **** herbs, which pretended to be the formula of the backhoe extracted from the palimpsest of the generals of Alexander the Great, when they distributed their illegitimate Ark with royal titles; they were Perdiccas, Antipater, Crátero, Eumenes de Cardia, and others like the satraps who came to be enunciated as kings; Antigonus, Ptolemy, and Seleucus. Residing only the most substantial military colleague of them in this parapsychological saga Vernarth; and his brother Etréstles de Kalavrita who seconded and predestined him in his monolithic, and in the constituent sovereignty of Polis, for the purpose of reigning and raising his Kopis and Xifos intertwined in aldehyde manumissions and in the alcoholic carbonyl residues emanated from the Backhoe ferment and Nepenthe, depositing LSD in substantial amounts to align itself with Seleucus, and materially present itself in the sphere of Patmos as two representatives of both empires, one ancient Christian and the other Panhellenic, placing Seleucus in that totalitarianism over that of Alexander the Great, now extinct. On the last day after working and being satisfied with the construction work of the frontispiece, and its major columns, Vernarth joins them after temporarily leaving the eclectic portal, they sit by the fire to review the plans of the subsequent construction process del Megaron, along with his seven donkeys, mentioning Borker's necromancy. Since the omens of Wontehlimar, the linemen before Borker became reigning, for the static balustrade that will surround the Megaron, where all the Ibics rings were enlisted chorally by the patronage of the Hellenic Orthodox legacy of Alexander the Great after he was rescued by Wonthelimar from Babylon, and finally take you to your physical and spiritual shelter. The eruv of the Nótos was demarcated, surpassing the limits of the rings of stefánes Íbix, or Hoops of ibix, like nano kvantikoí daktýlioi, Nano-Quantum Ring auguring sensitize the dermis and its carpal phalanges. From the intertestamental, such as in Vóreios, passages from the Old Testament are explored here that says…: “The temple that was the only legitimate sanctuary of the Israelite people contained within it the Ark of the Covenant, a golden altar, and candlesticks of the same metal. , a table with sacred loaves and other utensils used to carry out the worship of the god Yahveh. It was located on the esplanade of Mount Moriá, in the city of Jerusalem, possibly where the Dome of the Rock and the Al-Aqsa Mosque are located. From this dome the larnax of the Great Macedonian, a prioris, the schismatics of ancient Christianity, and orthodox Judaic will be derived, separating from each other, after the fall of the second temple. Of this class and previously this was detonated due to the undivided troops of the Babylonian king Nebuchadnezzar II, who destroyed it in 586 BC, also taking captives a large part of the inhabitants of the Kingdom of Judah, to Mesopotamia, giving rise to the exile and captivity of the Hebrews in Babylon. A reflective Borker of this premonition, he takes the Ibics Rings and selects one of them to join them with the first Zefian Arrow, as nano Kvantikoí Daktýlioi, quantum Nano-ring, to ensue in future similar events, avoiding invasions that cause looting and destruction. of the temple to be built on Patmos.

Nano-scales for Borker's nanotechnological conception, and estimates of threats of invasions and climatic changes, in one billion (109) and one billionth (10-9). In a meter there are one billion nanometers or, in other words, a nanometer is one-billionth of a meter. For those who will have to configure the dimensions of the Mandragoron "Temple of Vernarth" with carbon atoms, the support will be made in chemical units for the re-conception of nature, and its two- or three-dimensional networks. The nanotubes with 60 carbons, distributed in 20 hexagons and 12 pentagons, according to the geometric patterns of the cellular scale, in the conformation of the Hexagonal Primogeniture, being in this way concealed by the Ibics Rings, for each linear meter and cubic, traced by a nanometer which is one-billionth of a meter. Here, the borer beetles will catch the fungi ambrosiella ceratocystidaceae and will displace the virals that move geometrically from the beams of the Icosahedron.

The ranks of Falangists moved triangularly in multiple directions, to reach the Austral del Nótos de Borker, thus they would form the magic vectors of the polyhedron internally, triangulating at the top of the ram that carries an illustrious triangular phalanx, opening up the areas with its prop. vulnerable, to consolidate the buttress of the façade; the Áullos Kósmos, and pay homage to the apse that was filled with rejoicing. Sones of the philosopher Plato, made them regular or perfect in convex polyhedra, such that on all their faces were regular and equal polygons were made, and in all solid angles also equal. From this boulevard, the theology of Vernarth and Alexander the Great, fully professor and Platonic guide, will follow, making nomenclatures of nanostructures that affirm the volume and structure of the central sections of the radier, and their foundation bases shielded by the icosahedron in the nanotechnological scale, having physical material cells, for adaptation of structural changes and their environment.

The volume will be adapted microscopically, to analyze small particles with the return of the fourth arrow or Tetra Sagita of Zefian, absorbing nutrients and discarding the environmental threats based on carbon dioxide, to make a limiting membrane beauty, which moderates the nanoparticles that borer beetles were developing. The solidity of the partitions and walls will have the exact proportion of the nanomaterials, to adapt to the general area of the Mandragoron Nótos, which will ooze the surpluses due to the porosities, towards a volume highly resistant to invasions of limestone nanomaterials, and boulders that are made from the flow of the buttress of the apse that rises towards Aorion. The interior and exterior faces will be supplements of prayers of Prochoro, in didactics that will shield with the Antiphons Benedictus, and the hive of Plato's Icosahedron, becoming a consular material organism, and solid in interstices or leftovers from the feces of the Borers, until pasting and to reach the volume of the polyhedron, and its twenty faces pointing towards the physiognomy of the boulevard, tracing the general volume of the Mandragoron, and intercommunicating the quantum support and its theological harmony.

Says Borker: “if the organic cells operate with homage and with greater multicellular fields, here are the nanoparticles, in greater fields of fiatto, and in the slides that will recirculate in favor of the throat of the Mandragoron, and in the carbon nanotubes, essential elements of the biosphere and in useful layers of life that retrace the rest. There will be 20 linear meters in the area that lavishes the width and height, the projection of this scale of nanotechnology, will make the three-dimensional shape and a large voluminous serial in the Austral Nótos ”Vernarth's purging dimension, made him materialize at times and laugh out loud because he knew that everyone who was with him loved him! and from this fraction of faith, the Angel Raphael diagnoses them bread with archangelic essence; herb with great healing powers, especially in the dimension of the eclectic portal that allowed Vernarth to concern himself with material living beings.

Definitely, the second step of consolidation of the Megaron was established in the linear that the seven donkeys eagerly left, as masons and cabinetmakers who worked together with the Hexagonal Primogeniture. From this moment everything begins to have an inter-dimensional aspect, from the Invisible Eclectic Portal to the majestic geodesy and orography of this temple, which incorporated everyone for a charitable epiphany together with everyone in the Profitis Ilias, which was already crowned as the cusp Spiritual World of the Vernarthian Eclectic.

The monolithic columns were beginning to be built that transferred to the transition columns of the period of the 6th century BC. That they would stipulate the fixed number of units of the Doric columns that would be installed towards Vernarth in the transom that would join the crossbars between Mount Profitis and the Iridescent Nimbus, representing a theosophical concept, which when divided into the chromatic ones would materialize, making a commendable incipient epoch of eternal humanity, where the individualities were decompressed from the descendants for more than 500 thousand years in the perspective that would allude to the logos of the Universe, and that very few of their ins and outs were unraveled in the convergences of their diction, before they could be concretized facts that exceed the reality of a theory that is not proven when it is really all consummated. And although everything is the result of a period that will not be reissued again, everything in the Apokálypsis would be of renewal and thoughts with characters of the Factotum interspersed with the forces of the Universe, Elementals and Spirituals that would be teleported in the trans-religious vehicle of Vernarth , with its own intellectual scope that would go back to expressions of philosophical writing but with the grace of the Logos that would redirect itself through vestiges, where there are disquisitions in the claim of Saint John the Apostle referring to that beginning that everything was re-indicated as Genesis was, in which this world has already proven is only the manifestation of a new Universe that would leave the spare one, and would give us the Duoverse full of Light and Hope, vindicating the divine concept in all the voices that were never heard by the fine ear of conception. of the Camera Obscura, where all the voids of the Universe would be engaged in the strengthening of man through super credibility, and d e the support of pre-knowable favors, based on the Logos of hearing everything that is heard, and saying everything that is spoken ..., creating the pronunciation is everything first, and that the word is of significance in what is pronounced in all the processes of withdrawal and insistence that our evidences be resonated, allowing that what remains to be included is the incarnation of a Creator of worlds where no body has been occupied, nor that all the spheres that govern him are in the capacity of the will of empowerment, which is recited in all the multi-evocations, which come from all the well-smelling essences of Cosmic Thought and the Logos of the Monolithic Columns, attracting and magnetizing what “is not thought” to become the verb that resonates in the form of the waves of its creation and of the sense of existence, with the only spiritual spirit that denies all capacity to increase all the plans that have to be made and that are to re-study, under a world that belongs to those who have been humiliated of their will, who have been sullied and who will be liberated in their own exaltation where the words will be lost so that they can later find themselves in the experiment that whips the truth, in the bed of things that swirl in a cosmos that is fed up with being the same and that no one dared to know more than a Peri Kosmous, which of course will give the origin in everything that remained in the accent for those who listened to him hiccuping on the side of a thoughtless tree. Irrational reflections took over the entire heritage of what was the essence of a Christianity that was beginning to be renewed on Patmos, where the experience was those of a very early encounter with the Truth that was a simile of every basis of truth contained in the genome that is woven into the lordships of which it has only the sharpness of facing the self-confidence of the chills, and of the fright when its meaning leaves you speechless.

The muted iridescent leaves the branches of the trees more significant than the cosmic thought itself, which was the light of life in all the voices that cheered him where nothing could find conceptual footholds in the gaze of a sigil of abstract love, only letting the testimony of beings of Light ennoble the capacity of a love that boils with love under every expiration in the darkness itself, as is Wonthelimar full of the flower of Liz that lies in its familiar heraldic. Everything is detachment in the seed that whimsically delivers its fertile axiom in the purity of the layers of the land of Palestine, where thousands of routes of donkeys do not cease to infuse events from the bases of custom and to move where there is no shelter, but there is an illusion that everything happens on Earth and that it is the same gender than itself, almost more eloquent than those who dare to say that everything comes and goes from this earth loaded with Cosmic thought, loaded with inalienable rights where the beneficiaries will be benefited. doubly, and that being a witness to the glory is the same grace that lulls the feeling where everything is Duoversal in a thought that replaces the one that will partially follow the one that comes, for its concepts and true plans where everything and everything will be part of the Prologue of Vernarth in the encounter of a Purgation that utters all the gales of the Meltemi that will pierce all the orchards where they will finally be able to rest on the head of Jakob, and l The fruits of the Faith of Elohim by recidivism will give the world courage by not being afraid of the changes of the foliage, which are from their own repose in the garden that makes them ascend, which abstracts them in the predominance and in the shallow laws of a Occultism that is associated with universal ideas, that puts names and pro-names in powers that are only subtracted with humility in the echoes of personal power, and in what their foliage radiates, that with the piece of a commemorative arrangement of Lilies, now nothing It mattered as a conceptual universalism, without the axial that rusts in the tendency that after its numerals running in different directions or senses, when contemplating itself from a ruler of the cultural word, being intelligence that transverts the dyes of knowledge in the Greek or Hebrew gnosis, that Vernarth or Etréstles could never take back the barge that took them from Sardinia to La Spezia, or that whatever it was like from a sequence shot could be duplicated with the hidden part of a Duoverso, to always have a substitute brother, and that he does not lack when the effect of his occultism is going to emerge in the Aramaic voice that makes the walls of the oropharyngeal trunk creak, with the thought that it makes an elixir of generational life, when the force that It propels a complete involvement, by shaking all the spheres that were anodyne with a new gesture in a dawn of Eternal life.

The category of anodyne value is that what collides with the solid elements what could be in the new essence of an elemental rebirth, and of occultism that only transgresses the ideas that are proper to those who rectify a greater degree of physical forces than move the world for the minors who sustain the microcosm, before a micro thought that was sometimes more contemplative, of what its inheritance as a software perfects, and that has to be descended in its hereditary integrity as "Inheritance", devoid of any individuality that makes an omen the real estate of the anhistorical sense, perpetuating the anhistoricism that refers to a denial of the relationship with history, in the historical advance or the custom, such as the frequent criticism that the facts reveal a nuance of weakness Where would Alexander the Great's record change, if he had been protected by Vernarth before he was consumed by malaria, or had been abused by his own commanders? They have a trophy of a fever that offends further from everything that is ignored if it is not a real argument, and may have lived many more than the same context of knowing or ignoring what happened, that is why their anhistoric polytheistic-social will describe the vision more adjective of who detaches himself from his history, and repairs in history itself the secondary planes where only a submitological discourse would take him to the source of the timeless Macedonian seat.

(what the hell is an incel)

the media portrays one loser outcast
as every man, as if man is one
big-*** monolithic hivemind
spewing their loser germs everywhere

think we got too much time on our hands
at the checkpoint, selfies on various
landmark celebrating the evil dead
as the hero for the living, graffiti

I look good in leather, also I look
lovely in the blood of my enemies
the hate a multifaceted gem
in the cavern of my  predatory eyes

Would love you to join me in the unit
the machine’s got to roll until Friday
and then we can hatch our evil scheme
man I think I have too much time
on my hands

There's something tragic about Brisbane; the city speaks of an older more Romantic time, though the people speak of a newer, modern; more disposable age. It seemingly looks at you with a lost lovers eyes.

Though the city still retains some of its antique glamour; take a stroll down any street in the center and around you will be found the remnants of that age.
Victorian Red-bricks dot the city like proud sentinels, keeping watch over the ever expanding invasion of its contemporary neighbours.
What tales would these monolithic madmen tell is if only we had the ears to listen, who's feet did once trample up the now year-stained wooden stairs, who lived and died and loved and uttered curses and birthed within those walls...and what tales would they have to tell if we only listened?

Ah, gentle reader, you see how your mind wanders at the mention of these thoughts?
The City certainly has its landmarks: the Clock tower of Town Hall, over looking the new modern space of "The Deck" in King George Square, the facade of Grand central station still retaining its grandeur and majesty; now turned into theme bars and a nightclub strip. The old houses littering West End and the strip of red bricks running like a sepia toned river up Elizabeth Street. And of course the dotted remnants of Old City Life being ever encroached upon in the center of the City's smoke filled heart.

The most curious of these is the impression wrought in plaster and cement, white over red, of a window in the city center, with a set of stairs leading up to a place that no longer exists; 50 feet in the air.
Whenever I gaze up at that window, that reminder of the past, I cannot help but wondre who would be staring down at us, on this date in the last century.

"Suffer them not" I wish to say, "for these people are of a different age, with different Gods and values than you."

Suffer them not, ignore their slings, suffer them not.

I love Brisbane.

It's mish-mash of centuries, its people, the tales of its unwritten past, it seems as if the city exudes both a sense of joy and one of unutterable melancholy.

I'm on the train, homebound now to my modern house in the ultra-modern Gold Coast. This is quite depressing. The freedom, the movement, the chance, the ebb and flow of the people soaked tide of the city is leaving fast behind me as this electric trap with seats barrels under facades and tunnels, with enormous neon snakes glittering down from the peaks of modern and ancient towers and we find them reflected in the winding river like innumerable fireflies...dying and twisting and being reborn in the soft moonlight.

South Brisbane Station.
An immortal Victorian construct, still surviving to this day. The same architecture, the same route...different paint though. This Industrial Relic is overlooked by the shining modern whirlpool of THE EYE, a gigantic Ferris wheel giving you the chance to see the city by air, to one side; and a multicoloured, four story glowing monument to the hairdresser franchise god Stefan on the other...which I dub "Stefan's Pintle".

It's garish as hell.

Passing through the night the train goes ever on, powered incessantly by the ticket payers seemingly endless dollar supply.

There's a strange transition from City to Coast, the outerlying towns left in the dust and wake of one and unsure whether they belong to the other. Places such as Kuraby, Banoon, Runcorn, Altandi, Logan and Eden's Landing.

Yet the train ponders on into the night, as it's denizens relinquish themselves to its discretion and desires.
Yes; the train ponders on into the night...

We slowly pass through Woodridge, one of those last bastions of civilisation, neither here nor there. A glittering town trying desperately to be a city. They have a McDonalds. Yay. These places always scare me, and confuse me.
What are they like? Their people? I guess I'll never know, i've never stayed in one long enough to realize.

Welcome to Loganlea, this is a strange place...the funniest thing about it is the fact that it IS a hole. Yet the sign into it shows a shining beach with palm trees and boldly proclaims "WELCOME TO LOGANLEA".
As you draw closer you realize it's pock marked with bullet holes and rust stains.

A train whizzes past, and we find ourselves reflected in its windows, our reality traveling one way; our ghosts another.
Into the long, pale night, coloured by the stars of a thousand distant streetlights. Like a million tiny man made suns; created to fend of the darkness and keep our fears at bay. We truely live in the age of endless day.

The melancholy of the city is far behind now, it's streets, its smells, its people all gone. As we are lost in the brightness of the endless day and the night grows ever long, touching those distant, far between places with its natural, velvet splendour, running its hand down the cheek of time. For there will always be a night, even when we create days, and the city will always be melancholy, and the coast will always be a glittering sequin on the dress of a cheap, soulless *****.

I love Brisbane.

(Inspired by article below)

I.

Continuity
your filibuster egg of sand
dazzled curiosity
with creaky shell of hints
heaped upon the tedium
of knowledge's unfurl undeterred
by encyclopedic impatience

Assurances of rip(Van Winkl)ed
economics shooed paper strings of
revelation like anarchy-powered
taxes summoning a foreword
to anachronistic campaigns
of environmental friendliness

II.

Meanwhile years
have been filed down to flashes of
chronology for continuity's organic rebus

However long it took
the economic karma to fall into the
abodes of hedonistic pharaohs
it was instant

Skin that ruled behind the constitution
of allergic breath
bailed on the bones against their most
sublime intentions

Limbo-treading landlords
huddled in their mummified freeze
after breadline bashers scolded them
with the spoils of a new brand
of pyramid scheming

Robbers of the coffin palaces
stole the intimations of identity
theft from today

Immortality and freedom
were compelled to share a meaning
like estranged siblings
or bound dynasties

I(a).

Abydos
how you coyly toyed with us
with a diversion bordering on monolithic

04 23 14

Just off Highway 95

On the east side of the road

Sits a monolithic diner

Where the truckers all reload

The food's great and there's plenty

And the place is really clean

But the real reason they stop here

Is the Truck Stop Beauty Queen

She's a five foot 5 inch dynamo

A former Miss Biloxi Belle

She's a pepperpot of moxie

And a spirit you can't quell

Her hair's piled high upon her head

It's a blonde come from a bottle

Her attitude is bottle brewed

Her skin is slightly mottled

She holds court in the corner

At a little table in the back

She's telling stories to all who'll listen

And she's always talking smack

She talks about the drivers

All the people that she's seen

She's a former Miss Biloxi Belle

She's The Truckstop Beauty Queen

She used to wait the tables

Worked the till a little too

When a talent scout from Georgia

Took her back in fifty two

He sweet talked her like no one

That this girl had ever seen

He promised her the world that day

He'd put her on the silver screen

She left home in the dead of night

She left a note upon the car

You're better off without me here

And I'm better off by far

She was off to find her fortune

With her new man by her side

But by the time she reached Atlanta

She knew she'd been taken for a ride

She found out there was no future

He had no contacts, not a chance

There would be no movie stardom

She would not get to dance

She left but stayed in Georgia

She would build herself a life

She would make herself a winner

She would never be a wife

She took work in a small diner

And at night she hit the books

She was gonna help the others

Who'd be lied to for their looks

By sixty three she reached her goal

They called her to the bar

She was now  a full fledged lawyer

Could it be she'd come this far

She was adopted in Port Huron

Foster homes were all she knew

She made her mind up early

She would be one of the few

Who made it on her own accord

She would find a ticket out

Then one day in walked that stranger

That god ****** talent scout

She retired in the nineties

Though she will not say just when

And the day that she retired

She moved home to Michigan

She had no one there to meet her

When she came back home in June

She would keep her past a secret

She would sing a different tune

For she left to find her fortune

On the big old silver screen

She would come back home a winner

She would come back home a queen

She bought the little diner

On the side of ninety five

And by working there three days a week

She somehow came alive

She created little stories

Of a past she'd never had

She talked of her dear mother

And her tall,distinguished dad

The drivers loved to hear her

Tell her tales when they were by

And not one of then discovered

That her stories were all lies

She wouldn't ever mention

How she lived her life before

She would tell them just a litte

And she wouldn't say much more

She told tales of things of wonder

And of places that she'd been

And at one point she told how

She was a one time beauty queen

Now, we know that never happened

It was something in her mind

It was the reason that she left here

It was the dream she wouldn't find

But the drivers never questioned

And the diners loved the place

They came in all the time

To hear the stories, see her face

The diner was a gigantic

And three days a week t'was full

As they came to hear her stories

That they never knew were bull

The one they loved to hear

And the one she loved to tell

Was how that one day back in Georgia

She was the Miss Biloxi Belle

No one knew that she was lying

She was the best that had never been

But to all those at the diner

She was the Truckstop Beauty Queen

It's a life that never happened

Except for a few bits in between

It's the tale of Dinah Mussberg

The Truckstop Beauty Queen

Our tidal orphan has but
Reflected light to offer
As does a monolithic orphanage
With cold harsh policies
Being furtively undermined
By beautifully wise children.

           --Daniel Irwin Tucker

Prowling,
like a wolf
on the periphery of the unknown
betwixt knowledge and dread
I saw the dark truth
I felt the gulf
the waste
the expanse
the difference in power
the taste of defeat
the vice grip of the inevitable
the long, slow bleed of my dignity
flowing out
with the gold of my entrails
eviscerated by my pride
how I dared to topple the monolithic,
undeniable truth
that there is always
a better you
a better me
a better us, out there
stronger
bigger
faster
smarter
more hung
more fashionable
more handsome, more beautiful, more androgynous
more capable
more accomplished
more patient
more... loving
more empathetic
they know more random facts
they've been more places
they've known more people
they've seen more sunrises
they've counted every moon
their worst is better than your best day
he cares for her more deeply than you did
she loves that
she's forgotten you
he tells her what he never told you
and she loves him for that
you were always afraid to find out
they never invite you because you're not fun
what a downer
what a bore
there's always that one person
upon whom your envy is never sated
they lope in moonlight
flowing locks of grace
teeth bared in a frightful grin
they know all your cards
they can play you like a fiddle
they're out there
where you fear to go
the apex predator
the person you'll never be
but dream you could
and dreams are all you'll have...

Virtual life isolation is considered VIP seating as all who may enter are pre-screened in a self-preservation dance of solipsism as strained honesty pours from my fingers onto the digital RGB floor only to harden intermingled with the lives of dissonant strangers who reciprocate eagerly in revealing their weaknesses in a prosaic waltz across a frozen dreamscape where our misunderstood inner souls are reflected back to us as they float in monolithic mass on top of the depths of final judgment. Rather than providing final victory to the daily control alternate delete lather rinse repeat boot of my innermost fantasies and trauma which are as random as my physical interactions it seems recently and most superficially I was moved to speak of a self-assured young woman cleverly drawing confidence off the bottom of the deck while casually discarding competence who is triumphantly opening a high-end eatery of sorts but with time I find she is only the manager and after all prefers not to talk business because my questions have exhausted her ego-infested opening line as she stuffed her face with samples of diabolical confections soon to be marketed under the guise of pretentious cuisine for the beautiful people as we exhaust ourselves each day enduring the ambitious one-dimensional high-riser who wishes for depth never seen or heard in personal conversation but now the standard error of his own estimate deviates from the arrogantly leveled but just plain wrong command uttered in disdain to those who have actually lived with the people represented by mooted numbers begging to be deleted and yet I remain challenged by a life-long puzzle as I try not to make eye-contact but somehow still absorb the possible useful loaves and fishes of the God-fearing seeker of salvation that has been promised and now must be advertised as available in a never-ending give away as long as I humble myself in the prescribed manner neither to the left or right but squarely as King James promised he understood but on the other channel the drones of war which made prophetic the words of the old general who lamented the possible obsolescence of heroism and cowardice reminding of a futuristic movie as it now seems I am cheering for the death star or possibly the machines that travel time back in order to **** the very person who would bring soul forward to remind the company that people and not profits are what God allows through the eye of the needle. In spite of all this my smiling children know I love them deeply and there is no place that pain can be so welcome as in my heart to suffer willingly and openly until they are able to look at me and understand my ways and my decisions which may never be fully communicated because if God does shockingly exist then the revelation of truth will be delivered when they finally open the box that contains their thinking minds and the mysteries that may require further illumination. In a rush for meaning the virtual tour of all that touches my life is completed without fanfare and yet I cannot know who or what I am other than a mad ball of pain and confusion masquerading as a competent oar in the river of legal tender which I continue to worship as the answer to all manner of doubt.

Across the ice a baritone
Projects his notes of steel,
A tenor’s harmonizing
Adds that melancholy feel
And the glory of the voices
Flows out through alders bare
And the listeners weep for Russia’s soul
And the tragedy found there.


The tragic melancholy
Found in every Russian heart
Liberated by the sadness
A fine harmony can impart.
Of the monolithic yesterdays,
Those forgotten fields of dead
And that fire within the *****
Which numbs the agony of the head.


Dark stains along the timber wall
Wood fire’s stones make steam
It fills the room with stifling heat
Which sweats the bodies clean.
Red wheals raised on shoulders
Birch branches whip the back
Whilst companion tones of maleness
Speak in vectors women lack.


Red larches in the foothills
Gold lantern light on snow,
The vastness of ancient steppes
Of Central Asia grow.
A viola’s velvet passion
Sighs beneath a cottage door
And the sadness in sensation
Brings grown men to weep once more.


The vastness of the terrain
The hardness of the land,
The bitter cold of northern wind,
Each freezing winter spanned
By Siberia’s lashing gales,
White snow is metres deep
And turquois ice as hard as steel
Beneath which... rivers creep.


Dostoyevsky,Kruschev,
Rasputin and the Tsars,
Great Lenin, Marx and Trotsky
And the swords of Horse Hussars.
Gorbachev the great redeemer,
Poor Yeltsin’s pale white skin
And the ****** found in Stalin's smile
Span the politics of sin.


This great Russian melancholy
Lies deep within the soul
It’s a legacy of yesterday
Of her history's brutal goal.
It’s a product of the suffering
Inherent in the past
Endured by legions of the people
Then  dispensed with…
With a laugh!

  

Marshalg
@theBach
Mangere Bridge
13 April 2009

Evening docks
like a desolate ship,
indigo and monolithic,

its umbral sails
swelling above
the distant hips of
a titanic continent.

Sleep tastes like a mossy anchor;
it lurches, shifts, and slips into gear—
the sound of stars grinding on stars.

I sail across an ocean of teeth.

I acquiesce. I drown

in the velvet
whirlpool of
your absence.

Needlepoint threadbare caucus with an instant Kodak box camera filled nitrite
Like the sun-kissed barely lit beaches over Normandy
Stormed into the kitchen with a missile and an avalanche to overpower the pirates
With their long-forgotten and ill begotten flagship armada
The flowers hang low and the nooses lower with ever-present danger of going over
The needle hits skin puncture left right down touch your toes uplift like the cross
Arms hung low over the alabaster sky with a long trench-coat and wary eyes
Cloud cover start to blow the cover and touch the roller coaster coffee cup sitting
With an eye to the glass and the telescope lens flare catch like the door latch
Down to the basement with the worn out sofa sit alone like the bedraggled soldier
With his dog tags hanging like a sign of the times down to where his feet locked
To the floor in an instant with the bombshells all around and a seductive twist
The ring and fling the pin out count down begins to the gravity shift consciousness
Like the cancer patient under the knife the tumor’s removed the chemo begun
With the bulb burning down over a hospital bedside and the white sheets lingering
Smell of a machine gone bad turned tail like the redcoats running down the chute
With the mail to the end of the day the laundry’s out to dry on the steel clothesline
Their bolt cutters damage the elderly couple hanging from the tree with the cymbal
Underneath like the gong of the undertaker the dam’s release
The water runs down to cleanse the disease and carries the pathogens to find their caprice and restraint held back on the man in the chair with vacant eyes and half
Muttered prayers to an unknown God with long white beard
Sitting alone under a payphone like the cold-dead wires of a long gone bee hive
Mind pictures play off the words on my tongue like an over-told rhyme
The nursery songs and bells and whistles come together to form an indignant sound
Like the steel clap trap of the boot black against the pale white walls of the by-gone
Era with a viscosity of ancient monolithic capacity
Sourdough rising like the falling red sun over the horizon sit and contemplate the weather-worn-battle-torn visage of man remembered yet never met
Till death and earth turn and burn in the ascending light of the pale moon
Wolf-howl over the distant city lights like the mournful wail of a banished soul
Away from home for ever so long with a comb to the palace in the heart of the beast
It sings for summer and faraway places of the corporeal magic in an elemental fashion show sip the martini glasses ***** and break and shatter like popcorn
In the kettle boil over the levee let it sink down into the visage of a man in the underground coat around the tails of the whipped dogs running like hell.

Seeds of pure Brahma appear
In the dark nothingness.

In their infinitesimal
Yet infinite dimensions
They carry the code for all creation.

Some fade away.
Some persist.
Propelled through will,
An urgency to occupy and diffuse.

Annihilation or coalition are inevitable.

Some acquire magnificent tinges
Worthy of acknowledgement.
Others marred and maimed
Are left to wither in exile.

I meditate on the most promising one.
Feel its inarticulatable essence
As the intangible element
Vanquish the void.

The One now unfolds.
Accreting into thoughts
Before passing through
The sieve of judgement.

These thoughts sublime I crystallize.
Choosing at will to blemish them
With motley emotions
Or monolithic reason.

I,
The creator,
Awestruck by my own creation,
The most magnificent in the domain
Wherein I reign supreme,
Hesitate.

I hesitate to articulate.
Knowing full well that tongue
Will never be able to bear
The simple complexity
And the complex simplicity
Of thought.

I love lighthouses;
Lonely, desolate, cold
Grown out of rocky outcrops
Designed by monolithic architects,
Where only ascetic souls can call home
Their light, a beacon in the darkness
To protect sailors from the smouldering sea,
And all her whiles and trickery
One lonely light, that shines out
Like faith, like hope, like love
So mariners will not plot a course
Into the shallow depths of death,
Book a room in Davy Jones’ Locker.

A monolithic sculpture stands upon a hill.
Ornate work of marble marks the artisan’s skill.
Clad as a knight of yore, with stony gaze held high.
Pilgrims travel from miles around to fall under his eye.

Epitome of courage, virtue, and respect
effused upon the villagers traits they should reflect.
Elements gnawed at the stone but failed to corrode
the manifold of lofty aims the knight would bestow.

Dark years beset the kingdom causing disarray-
Tyranny, vanity, and deceit led the people all astray.
Artisan's work above, a shining icon of probity.
A resolute bastion against the world’s impulsivity.

A day will come when the people reach distress;
crying out, they beseech the artisan’s redress,
but long has the craftsman been journeying far away
humbly allowing his handiwork, the message he conveys.

We strode together in another age, my love,
You, in your earthen gown and beautiful dark tresses.
I, the wearer of the long plaited, thong and sinew sandal.
You and I, we strode through quiet valleys of tall conifer
Where huge rock falls left monolithic edifices... as monuments to past largess.

Together we walked as one, in a world much simpler than the one we live in now.
In a time, without the inhibition of contrivance or sophistication.
We walked in clarity and drank from clear, clean waters.
We dallied in the honeyed light of a huge, summer moon.
A field of dandy lions in the warm April sunshine, was the byre in which we made love and produced our babies.


A love ... un-harried, unhurried and devoid of any preoccupation other than that of the beautiful desire
We felt for each other.

The love we feel now is the same as the love shared then;
But in this age it is diluted and complicated by the urgencies and imperatives of the day.
Then there was just time...given and taken.
Without cost or penalty, without blame or insinuation, without hurt or harm.


Time in that better age...was a friend.  
A friend who augmented the beauty of today into the promise of tomorrow,
A friend who exchanged the serenity of yesterday for the excitement of the new day’s dawn.

This was our time, when the bond of eternity sealed our commitment to each other.

For however many lifetimes we may live in...

We shall be one.

Marshalg
For darling Janet
12 September 2011

Rebellious minds wander through enlightenment
With new found insight into a deeper understanding
An illuminated sense of self - disguised in complexity
Stroking our ego's with a persuasive fascination
Gutless contrarians thriving off schematic exceptions
Objecting to proposals is all that seems formidable
Double edged intellect embracing it's own prevarication
Claiming supremacy as the better half of the equation

One more plagiarized thought to dwell on
Re-occurrence of Ideals in plain lucidity
Come crawling forth from the genetic sea
To stain our mind with a rhetorical monotony
Monolithic horizons expanding out of view
A facade of a paradise - lost in a new weary age
These frail structures collapse and rebuild
reclaiming everything that we once had known

stencil skin
perforated by thousands of honeycombs
stretched over a canvas of bones
a grey eye of the storm
inside solenoid ribs
electromagnetic apparatus

stained by organisms
without programming
ceaseless reproduction
asexual monolithic tyrant womb entity
gaping mouth
holocaust of birth

avatar of terror
antithesis of providence

-                    Rusting hulk                             -
Monolithic reminder of gargantuan struggle
-               Tombstone of war                          -

Oh pillars of power.
Sentinels, guardians of our mother sun.
We come forth to relish your wisdom.
To revel in your all revealing light.
Stones standing eternal, forever immortal.
Brothers, sisters, come stand before them.

Worshipping lovers , embracing the sunrise.
Banners flying, rainbows held high.
Holding the night time at bay, as we play.

This is the time of your life, my friends.
World without end.
Two solstices.
.June and December.
Join us good fellows ,come be free.

Each year be different, pray always remember.
Monolithic structures, bathed by the rain, savouring the sun.

Festival goers come along.
Party inside the fence for free.
Open your hearts.
May your minds eye reveal such truths.
Yet unknown.


Vernal equinox.
New life.
Most venerable equinox may we feel the source of the changes you bring.
We feel them as we kneel in your honour.
Respecting the vibe.
Come together, as one, let us all be alive.
Souls and spirits intermingle as the moonlight blesses them.
The sunrises lifting hearts and vibrant minds.
Vernal equinox, heralding spring.
Of the spring buds and bees and the tickling breeze.
Fab to be free.
Bearing flowers of pink red and golden, with garlands of green.

Summer solstice, she wears the dress of summer's sun.
Warming, protective.
Midsummer's  night,
Blessed be the longest night.
Glory to the longest day, where fairies flit and pixies play.
Pagans and maidens, come dance in delight.
Height of summer, vibrant and wild,
In the moonlight, the dance of the flowing haired child.

Autumnal equinox, reliever of  leaves.

Solstice of midwinter, brings forth the shortest day.
Ivy boughs and holly trees.
Magical mistletoe borne of the wizards, the pagans and mystical ravens.
Be kissed by winter's finger  tips.
The touch of the chill as it nibbles the lips.


Come brothers, sisters, fathers, mothers.
Come seeks us and find perchance, romance.
Romancing the ancient ones.
No rhyme or reason not to come.
Brothers and sisters be blessed by the sun.
Mystical season.

These all entrancing stones,  placed to be revered.
In line with the rising sun.
As seasons change, we shall be as one.
Souls and spirits intermingle as the moonlight blesses them.
The sunrises lifting hearts and vibrant minds.

You stand, we dance.
Ride the spirits, feel the vibe.
Festival goers are coming, they're thriving.
Buzzing with glee.
Welcome us with open arms.
Amulets and magic charms.
Romancing beneath our holy moon.
Magical, mystical, sense airs and attitudes.
Standing stones.
Worshipped by many.
Revered sincerely.

In mode of festival, vibrancy pulse.
People, powerful people, come watch us dance.
To the beat of the drums and the carnival air, in bright spirited revellers together, so  shall we share.
Druids and hippy folk together.
May they relish the joys of freedom.
Life is short.
Breathe in the passion , bathe in the love.
One love forever.
Respect our stones.
Our blessed mother earth.
Sensational rhythm of love and peace.
Flowing, spirit release.
Essence of the stones.
We are free spirits.
May our free spirits to mingle with those of the stones.
A past, a present and future.
Eternally yours.
Love and peace.
(C) LIVVI

It’s shattering,
the splintering Crunch
of greasy potato chips
between my greedy molars:
chips that taste like stale smoke
and the salty yellow Crunch
of the Mylar bag
that holds them closer
than a health-crazed mother holds her child.

It’s drowning my senses out,
the accountant-firm Crunch
of black coffee characters
beneath my crippled fingertips:
keystrokes that sigh like short fuses
and the riffled paper Crunch
of the overpriced notebook
that was sold to protect
them against non-quantum uncertainties.

It’s pointless,
the mortar and pestle Crunch
of sundried willpower
before my monolithic day-planner:
obligations that loom like thunderclouds
and the omni-present Crunch
of the rigid ticking deadline,
that has concocted its scheme
to unravel my pleasant net of silky procrastination.