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"monolith" poems
I've always been in place, in situ Maybe (just maybe) ... I'm sui generis? When my lifeline intersected with spacetime on this continuum I found myself moving toward a collision course with duality and non-duality Moving towards a zero-point What are we talking about? Nothing (Rafelski & Muller, 1985) As a geographer, the mimetic expression was dualistic As one plane flowed through another; as fiat lux flowed through Medicine Rock I found wisdom I further explored the duality @ this place (also known as University of Lethbridge) The U of L is an interesting duck It walks like an Albertan university It talks like an Albertan university But one of these things is certainly not like the other The U of L got its chops as a house of learning for the Liberal Arts Follow those roots and you'll see conduits to another spacetime known as UCBerkley U of L memetics share material memories from the birth of the Free Speech Movement (1964) And as Arthur Erickson drafted up his plans for Canada's centennial gift to the Province of Alberta, I'm sure he would have been partaking in the pleasures of this particular spacetime I'm sure at the very least that he was listening to Hendrix wax on about Castles As Erickson designed this modernistic monolith called University Hall There were influences such as Arthur C. Clarke and his novel 2001: A Space Odyssey (1968) He was certainly knowledgeable of the Blackfoot stories of the Old Man And of course as an architect he would be versed in gravity and how built structures on a slope tend to creep toward base-level Strange but true, Erickson's first degree was in foreign languages So what I see is Canada's premier architect wrote a poem for us in 1968 In a foreign language And that poem would be expressed over the next forty to fifty years Some of those primary poetic elements were: Berkley, California Hippie Movement Creep (or gravity) Base level Blackfoot creation stories of the Old Man Jimi Hendrix poetry and his savage musical genius "and so castle's made of sand melt into the sea, eventually." So let's reinterpret that line to be more U of L centric (through my glossy apertures) "and so monolith's made by man melt back into god eventually." ........ ....... ...... ..... ..... .... ... .. . zero~point . .. ... .... ..... ...... ....... ........
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Oct 3, 2014
Oct 3, 2014 at 10:33 AM UTC
Towards an Indigenous Science
I've always been in place, in situ Maybe (just maybe) ... I'm sui generis? When my lifeline intersected with spacetime on this continuum I found myself moving toward a collision course with duality and non-duality Moving towards a zero-point What are we talking about? Nothing (Rafelski & Muller, 1985) As a geographer, the mimetic expression was dualistic As one plane flowed through another; as fiat lux flowed through Medicine Rock I found wisdom I further explored the duality @ this place (also known as University of Lethbridge) The U of L is an interesting duck It walks like an Albertan university It talks like an Albertan university But one of these things is certainly not like the other The U of L got its chops as a house of learning for the Liberal Arts Follow those roots and you'll see conduits to another spacetime known as UCBerkley U of L memetics share material memories from the birth of the Free Speech Movement (1964) And as Arthur Erickson drafted up his plans for Canada's centennial gift to the Province of Alberta, I'm sure he would have been partaking in the pleasures of this particular spacetime I'm sure at the very least that he was listening to Hendrix wax on about Castles As Erickson designed this modernistic monolith called University Hall There were influences such as Arthur C. Clarke and his novel 2001: A Space Odyssey (1968) He was certainly knowledgeable of the Blackfoot stories of the Old Man And of course as an architect he would be versed in gravity and how built structures on a slope tend to creep toward base-level Strange but true, Erickson's first degree was in foreign languages So what I see is Canada's premier architect wrote a poem for us in 1968 In a foreign language And that poem would be expressed over the next forty to fifty years Some of those primary poetic elements were: Berkley, California Hippie Movement Creep (or gravity) Base level Blackfoot creation stories of the Old Man Jimi Hendrix poetry and his savage musical genius "and so castle's made of sand melt into the sea, eventually." So let's reinterpret that line to be more U of L centric (through my glossy apertures) "and so monolith's made by man melt back into god eventually." ........ ....... ...... ..... ..... .... ... .. . zero~point . .. ... .... ..... ...... ....... ........
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44
I imagine you ever blooming ever radiant ne'er had you budded nor will you wilt poise pristine artful to the letter my memories of you shall ne'er idle in memoriam they are crisp and clear as daybreak the sight of you breaks me open not the raging flow of magma nor the rushing of a river neither the shooting of a star ne'er the passing of time itself what flows from me is pure as it must be to be worthy of your charm and wit and passion my veins pulse with imbibed inspiration I drink you in like forests drink the universe slow and gentle patient and careful deep thirsts masked by soft touch lust of your form masked by song for your beauty is lyric personified you are desire's orchestra a tempest of pleasure a monolith of midnight towering with grace casting shadows that embrace long, oh, long I wait in the dark of the folds of your flower caressed by your mercy your silken petals soothe me as I dream as I pine for a taste sure to be sweeter than the bitter chaste of loneliness...
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Oct 18, 2022
Oct 18, 2022 at 10:37 PM UTC
Folds Of Your Flower...
Heavy and laboured the air permeates within Coursing through the maze of tunnels. Undeterred of where stone ends and rock would begin Survival that drives to fill its channels. Slow rumble that ignites the need to beat Awaken functions both lacklustre and listless The engine behind these dread ridden feet Drag its load through mundane tasks emotionless. At the core there resides the truest of stones A jewel of sheer rarity that inspires wonder Breathes life selflessly into dead broken bones It throbs and ebbs with silent subtle power. Claimed it and perched it deep on a pedestal Protected it like it's the one and only source It's what that keeps us sane and tolerable It's what that pulls us through our course. Whenever I think of if this gem would last This monolith of a heart that I prop up ***** Stands steadfast hopeful of the light it'd cast We have learnt so much of it to know that it is perfect. You are perfect... .
0
Jul 22, 2014
Jul 22, 2014 at 9:54 PM UTC
Jewel
I was a no name worker bee Yet I had a million bees all working for me I was a caryatid, house wife, never had the life of a queen Stole my honey from the wasps with the wax in their wings I was a comatose burn victim I could hear the nurses whisper sanctum sanctorum! They fed me nutrients and cleaned my ****** They either didn’t care or they didn’t think I could hear them I was alive when the lightning struck But I was dead by second, to survive my luck I wasn’t anything special I was a mass produced individual They had no names worth knowing They had no future where they were going And I never thought twice about what I did The quiet megalomania of a caryatid And then my patience turned to rampage I took a page from Genghis Khan I wanted the roaches gone I hatched suburban escape plans Because my angst was delayed A generation late & afraid Now in the presence of the gods and goddesses And in the confidence of infinite this is Another power grab a singularity Another force to fight reverse polarity I’m all about the lust and not the wander I am the lingering presence of a long goner I’m here to clarify the **** of daughters The spider stink in the breath of fire If we could **** for utility instead of a performance to showcase our species’ ability Then we’d be hunted by viruses The gods and goddesses with the instinct to extinct humanity Chaos is healthy, its part of reality, essential to symmetry, like night is to day When life is weighed on a pendulum Like sanctum sanctorum The delicate faberge There isn’t anything to bother with on top of the monolith I’m shouting mantras from the mountain peak There isn’t any time to practice with a modern creation myth A lullaby in a language I don’t speak
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May 22, 2014
May 22, 2014 at 9:51 PM UTC
mantras from the mountain peak
I was a no name worker bee Yet I had a million bees all working for me I was a caryatid, house wife, never had the life of a queen Stole my honey from the wasps with the wax in their wings I was a comatose burn victim I could hear the nurses whisper sanctum sanctorum! They fed me nutrients and cleaned my ****** They either didn’t care or they didn’t think I could hear them I was alive when the lightning struck But I was dead by second, to survive my luck I wasn’t anything special I was a mass produced individual They had no names worth knowing They had no future where they were going And I never thought twice about what I did The quiet megalomania of a caryatid And then my patience turned to rampage I took a page from Genghis Khan I wanted the roaches gone I hatched suburban escape plans Because my angst was delayed A generation late & afraid Now in the presence of the gods and goddesses And in the confidence of infinite this is Another power grab a singularity Another force to fight reverse polarity I’m all about the lust and not the wander I am the lingering presence of a long goner I’m here to clarify the **** of daughters The spider stink in the breath of fire If we could **** for utility instead of a performance to showcase our species’ ability Then we’d be hunted by viruses The gods and goddesses with the instinct to extinct humanity Chaos is healthy, its part of reality, essential to symmetry, like night is to day When life is weighed on a pendulum Like sanctum sanctorum The delicate faberge There isn’t anything to bother with on top of the monolith I’m shouting mantras from the mountain peak There isn’t any time to practice with a modern creation myth A lullaby in a language I don’t speak
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41
They carved a monument out of stone Made it stand so proud, Down by the coast, Fishermen drowned. They erected a monolith, In the heart of town. For local fallen lads, In bitter conflicts. They laid a stone flat, At pit entrance where, Miners had gone one morn. Never to return. A brother worked that boat. An uncle fell in that war. A father left down the pit. A family’s history drawn By sorrow and tragedy. © Nick Strong 2014
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Apr 16, 2014
Apr 16, 2014 at 2:30 PM UTC
They Carved a Monument
People wish to be settled. Only as long as they are unsettled is there any hope for them. -- Thoreau My life has been the instrument for a mouth I have never seen, breathing wind which comes from I know not where, arranging and changing my moods, so as to make an opening for his voice. Or hers. Muse, White Goddess mother with invisible milk, androgynous god in whose grip I struggle, turning this way and that, believing that I chart my life, my loves, when in fact it is she, he, who charts them-- all for the sake of some as yet unwritten poem. Twisting in the wind, twisting like a pirate dangling in a cage from a high seawall, the wind whips through my bones making an instrument, my back a xylophone, my *** a triangle chiming, my lips stretched tight as drumskins, I no longer care who is playing me, but fear makes the hairs stand up on the backs of my hands when I think that she may stop. And yet I long for peace as fervently as you do-- the sweet connubial bliss that admits no turbulence, the settled life that defeats poetry, the hearth before which children play-- not poets' children, ragtag, neurotic, demon-ridden, but the apple-cheeked children of the bourgeoisie. My daughter dreams of peace as I do: marriage, proper house, proper husband, nourishing dreamless *** love like a hot toddy, or an apple pie. But the muse has other plans for me and you. Puppet mistress, dangling us on this dark proscenium, pulling our strings, blowing us toward Cornwall, toward Venice, toward Delphi, toward some lurching counterpane, a tent upheld by one throbbing blood-drenched pole-- her pen, her pencil, the monolith we worship, underneath the gleaming moon.
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2.3k
To My Brother Poet, Seeking Peace
People wish to be settled. Only as long as they are unsettled is there any hope for them. -- Thoreau My life has been the instrument for a mouth I have never seen, breathing wind which comes from I know not where, arranging and changing my moods, so as to make an opening for his voice. Or hers. Muse, White Goddess mother with invisible milk, androgynous god in whose grip I struggle, turning this way and that, believing that I chart my life, my loves, when in fact it is she, he, who charts them-- all for the sake of some as yet unwritten poem. Twisting in the wind, twisting like a pirate dangling in a cage from a high seawall, the wind whips through my bones making an instrument, my back a xylophone, my *** a triangle chiming, my lips stretched tight as drumskins, I no longer care who is playing me, but fear makes the hairs stand up on the backs of my hands when I think that she may stop. And yet I long for peace as fervently as you do-- the sweet connubial bliss that admits no turbulence, the settled life that defeats poetry, the hearth before which children play-- not poets' children, ragtag, neurotic, demon-ridden, but the apple-cheeked children of the bourgeoisie. My daughter dreams of peace as I do: marriage, proper house, proper husband, nourishing dreamless *** love like a hot toddy, or an apple pie. But the muse has other plans for me and you. Puppet mistress, dangling us on this dark proscenium, pulling our strings, blowing us toward Cornwall, toward Venice, toward Delphi, toward some lurching counterpane, a tent upheld by one throbbing blood-drenched pole-- her pen, her pencil, the monolith we worship, underneath the gleaming moon.
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97
billboard's calligraph -- past the haze of Manila infested by car sprawls and belching machines. magnanimous treatise of tarpaulins, people chin-up asking God with askance something like this "o god make this bearable like a mound of fresh fruits from ****** labour." maniacal sensurround: earth-shattering frequency of footsteps trampling the mouth of monolith shadows - the peak of this quake is our complete silence. rain's catharsis in effect sousing us in the blood of unreal light. this diastolic shrinkage jamming the beat of constricting vessels. the adrenaline surges within the dermis of this pretension. a collective of tired beings heeding the recherché of voice metamorphosing into form, a dagger-butterfly paring us skin to bone, cranial to visceral, soul to nothing - catapult of a trajectory spit plummeting in eased-up pace from Taft Avenue flyover to a subjugated wagon of scraps and empty wine bottles. today's paper reads: "Palace hits hiring of **** dancers" fancying to fall right in the spanked curved of this insatiate melodrama - something prayer could not save from this land's mutinous ignominy. we resume to fulfill our madness, hundreds of tack-headed people rolling down the streets of Makati, drenched with rain's trilling aftermath. squinting to look at no sun, only the grieving of skyscrape, thumbing down unidentified objects in the depth of loose pockets, desperate for home.
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Oct 2, 2015
Oct 2, 2015 at 12:39 AM UTC
Hazy Manila Headline
Why are you acting as rabbit when you could howl like a wolf? You’re always hiding. Always regressing. Never really going anywhere. You channel these thoughts, yes. You manifest them. On a page. On a stage. Like a smiling circus clown, like a trapeze artist, flying, stumbling through the realm of obscurity. A forgotten juggle. A lost tape. It does not matter. Why? Why do you do these things? Why are you so scared? They are not grand thoughts. They are not ideas meant to change. They are private insights. Jittery. A look into the eyes of some scared soul. Your poems are minutiae, insignificant details. They are the trembling lip. They are the shaking hand. The confused daze. They do not know who they are, but they know that they are small. You want to be a monolith, but you refuse to build, you refuse to haul the black stones. You do not have the power. You are a caricature. You are as scared as Paris, as two-faced as Iscariot- you could kiss with passion. You could rule with love. But you bow out. You take responsibilities with you, and slink into the dirt you arose from. You are clay. You are dust. 
 Why are you dust? You don’t have to be. Why aren’t you angry- you should be roaring! Why are you quiet- you should be singing, singing with the cicadas- chirping with the birds, howling with the wolves; you should join the tumult, the uproar; but you sit. You play with your toys like a petulant child and scream when they break. That’s the only noise you ever make. You could be a wolf. You don’t have to be the prey.
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Mar 25, 2013
Mar 25, 2013 at 11:11 AM UTC
rabbit soul scared
Why are you acting as rabbit when you could howl like a wolf? You’re always hiding. Always regressing. Never really going anywhere. You channel these thoughts, yes. You manifest them. On a page. On a stage. Like a smiling circus clown, like a trapeze artist, flying, stumbling through the realm of obscurity. A forgotten juggle. A lost tape. It does not matter. Why? Why do you do these things? Why are you so scared? They are not grand thoughts. They are not ideas meant to change. They are private insights. Jittery. A look into the eyes of some scared soul. Your poems are minutiae, insignificant details. They are the trembling lip. They are the shaking hand. The confused daze. They do not know who they are, but they know that they are small. You want to be a monolith, but you refuse to build, you refuse to haul the black stones. You do not have the power. You are a caricature. You are as scared as Paris, as two-faced as Iscariot- you could kiss with passion. You could rule with love. But you bow out. You take responsibilities with you, and slink into the dirt you arose from. You are clay. You are dust. 
 Why are you dust? You don’t have to be. Why aren’t you angry- you should be roaring! Why are you quiet- you should be singing, singing with the cicadas- chirping with the birds, howling with the wolves; you should join the tumult, the uproar; but you sit. You play with your toys like a petulant child and scream when they break. That’s the only noise you ever make. You could be a wolf. You don’t have to be the prey.
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35
There's Midnight Ravens along the telephone wire. Big black suckers with deep dark eyes that see death before it comes. These hosts of the end pay me no mind as I pass beneath their roost. They rudely go about their Raven buisness, yelling and ******** their way into the morning. An unrelenting bark drums on from behind a white painted fence. An insane sound like an alarm that no one will turn off. I step over a small cities worth of ants who are scrambling around a crack in the sidewalk clogged with more frantic ants. The great flood has arrived in the form of a timed sprinkler. And all of the soldiers have abandoned the Queen. It's early morning The air has yet to be choked out by the diesel fuel and needless emissions that will soon began to smother the city . The faint smell of fresh fish makes its way up the city blocks from the waterfront below. Old Italian and Slavic women stand outside in their long day time night gowns smoking cigarettes while watering the concrete. I enter the alley way , the smell of ***** diapers, cheap laundry detergent and too many children surround an apartment complex. As I passed I came upon the Black Princess of these streets. The wisest and surest of them all crosses my path. Her tail held high and strong, striding care free, she looks at me with her emerald eyes and yawns. She stops near a row of trashcans that are lined up looking like a modern day monolith. She laps at her paw with slow, long, lazy licks as I pass. She again fixes me with those marble green eyes and lets me know without saying a word. That the alley cat kills for fun. Ignores all Gods by choice and laughs at our attempts to tame it.
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Jan 13, 2014
Jan 13, 2014 at 11:39 AM UTC
Black Cat's Kingdom
There's Midnight Ravens along the telephone wire. Big black suckers with deep dark eyes that see death before it comes. These hosts of the end pay me no mind as I pass beneath their roost. They rudely go about their Raven buisness, yelling and ******** their way into the morning. An unrelenting bark drums on from behind a white painted fence. An insane sound like an alarm that no one will turn off. I step over a small cities worth of ants who are scrambling around a crack in the sidewalk clogged with more frantic ants. The great flood has arrived in the form of a timed sprinkler. And all of the soldiers have abandoned the Queen. It's early morning The air has yet to be choked out by the diesel fuel and needless emissions that will soon began to smother the city . The faint smell of fresh fish makes its way up the city blocks from the waterfront below. Old Italian and Slavic women stand outside in their long day time night gowns smoking cigarettes while watering the concrete. I enter the alley way , the smell of ***** diapers, cheap laundry detergent and too many children surround an apartment complex. As I passed I came upon the Black Princess of these streets. The wisest and surest of them all crosses my path. Her tail held high and strong, striding care free, she looks at me with her emerald eyes and yawns. She stops near a row of trashcans that are lined up looking like a modern day monolith. She laps at her paw with slow, long, lazy licks as I pass. She again fixes me with those marble green eyes and lets me know without saying a word. That the alley cat kills for fun. Ignores all Gods by choice and laughs at our attempts to tame it.
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121
Even this latter lingering emotionality will vanish somehow, masked behind an affable reflection, but already collapsed into a black hole. 
Bigger and bigger. 
Mastery of nothingness in satisfying myself as mute, stripped leaves observing their art of turning into glow of warmth. 
Autumn’s heredity. 
Fierce hyperbole is Melancholy, remote and severe sixth sense, obsidian monolith in this too mild dimension. 
Melodrama of light is the vacuum of such empirism saturated ad nauseum by the ceaseless delay of the most natural and contemptuous ease.
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Apr 19, 2016
Apr 19, 2016 at 3:30 PM UTC
Autumn's heredity
What your eyes see are things that your mind cannot comprehend Beware the blasted wastes beneath the light of the frozen moon Fields of flame full of pasts and futures of endless unborn dead You gaze upon an expanse that tears at your soul This is the place where all things come to their end it seems Hope not to find shade under The True Liar’s Monolith--ruins will remain of you too Oh the hubris of man who tries to map the whimsy of the gods Dancing landmarks On the page Never coming To rest twice in the same place At the center of the maze sits the changer of ways created and sustained by desire The Architect of Fate “I could let you wander for eternity with your shattered mind, but that’s not my plan for you.” “You are a drop in a sea of thought, locked in mortality, but as long as humanity has hope I will be here.” “Go now, and make waves; I will be watching.” Cast from the hidden library of chattering pages and numberless faces, he leaves the great plotter’s realm of chaos With a mind still whole--new knowledge and memories buried deep
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Dec 14, 2016
Dec 14, 2016 at 12:23 AM UTC
Crystal Castles
I kept a screen Before my mind, To re-run clips Of your fine lines. Glad for new-age technology, The IMAX use of 3D; I'll use the big screen monolith To screen the edit Of your breadth and width.
0
Jan 30, 2016
Jan 30, 2016 at 2:15 PM UTC
...and the Oscar goes to...
A stone monolith sits in the middle of a frozen field. It has seen many a eon, many civilizations fall and rise, many many years in it's cold position. Its face once that of a mighty god or a worshiped king, is all that remains. It's chiseled grimace forever juxtaposed on its stony countenance. Throughout its still existence, this grimace never disappears. All times will this grimace will endure. The snow falls down over its impenetrable skull. It bears no notice, only surreal patience, as it slowly awaits oblivion. Oblivion! All its thoughtless mind are set on it, forever counting the days it does not know with numbers it does not know. There is no comfort here. All is frozen, all is cold. It had never chosen to lay here, yet lay here it must. Eternally till it is dust, it is counting with numbers it does not know the days it does not know. It reminiscences on past events it witnessed, but does not recall. The wars, the disasters and the plagues.... It has bared through all with the same grimace as the creatures subjected to the horrors kneeled before it in reverence, offering it sacrifices and soul. It towered above these pitiful creatures, it watched with eyes that do not see as they trembled in its wake, following orders it did not speak. Ignoring prayers it did not hear. So obediently did these creatures obey what it did not say! Dutifully did they destroy their own and all around them. Faithfully did they create this ****** field of barren nothingness, thee circumspect watchers of the monolith's will. An empty scourge to what once was. Beautiful landscapes of yesteryear now turned from sprawling green to turn into frozen ash, forever recounting the final moments of misery on this lifeless realm, a misery that surrounded the monolith in its final days. Consistently reflecting off of its stone grimace before it all faded away with the last life. As the eternal years past and the amaranthine smog lies overhead, the monolith sits in the middle of a frozen field. There is no comfort here. The snow has turned to thermonuclear ash years ago. All is frozen, all is cold. It had never chosen to lay here, yet lay here it must. Quietly it does. Frozen in place, in a frozen field where nothing grows. The strong face of monolith is all that remains. The face surveys the empty landscape before it forevermore.
0
Jan 22, 2012
Jan 22, 2012 at 1:20 AM UTC
Laments of a Stone Monolith
A stone monolith sits in the middle of a frozen field. It has seen many a eon, many civilizations fall and rise, many many years in it's cold position. Its face once that of a mighty god or a worshiped king, is all that remains. It's chiseled grimace forever juxtaposed on its stony countenance. Throughout its still existence, this grimace never disappears. All times will this grimace will endure. The snow falls down over its impenetrable skull. It bears no notice, only surreal patience, as it slowly awaits oblivion. Oblivion! All its thoughtless mind are set on it, forever counting the days it does not know with numbers it does not know. There is no comfort here. All is frozen, all is cold. It had never chosen to lay here, yet lay here it must. Eternally till it is dust, it is counting with numbers it does not know the days it does not know. It reminiscences on past events it witnessed, but does not recall. The wars, the disasters and the plagues.... It has bared through all with the same grimace as the creatures subjected to the horrors kneeled before it in reverence, offering it sacrifices and soul. It towered above these pitiful creatures, it watched with eyes that do not see as they trembled in its wake, following orders it did not speak. Ignoring prayers it did not hear. So obediently did these creatures obey what it did not say! Dutifully did they destroy their own and all around them. Faithfully did they create this ****** field of barren nothingness, thee circumspect watchers of the monolith's will. An empty scourge to what once was. Beautiful landscapes of yesteryear now turned from sprawling green to turn into frozen ash, forever recounting the final moments of misery on this lifeless realm, a misery that surrounded the monolith in its final days. Consistently reflecting off of its stone grimace before it all faded away with the last life. As the eternal years past and the amaranthine smog lies overhead, the monolith sits in the middle of a frozen field. There is no comfort here. The snow has turned to thermonuclear ash years ago. All is frozen, all is cold. It had never chosen to lay here, yet lay here it must. Quietly it does. Frozen in place, in a frozen field where nothing grows. The strong face of monolith is all that remains. The face surveys the empty landscape before it forevermore.
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6
dude they have this giant blue monolith in their bathroom no i wasn't high, maybe sugar high becca's oma kept offering me cookies like i was a monster that needed sating eventually i was screaming at her: no, oma, i don't want any more **** cookies not the point, dude, the monolith, you shoulda seen this thing i wanted to worship it that's how awesome it was becca said it was modern art or some **** maybe its their god but then why would they put it in their bathroom? i guess if you really love somebody you will let them see you *** smell your **** thats true love man becca come into the bathroom with me becca baby we're going to church
0
Nov 26, 2011
Nov 26, 2011 at 4:04 PM UTC
monolith
If rumors were to be believed, five seconds of gaze into her deep brown eyes could ensnare the wisest of all souls. Could turn them into a monolith of indiscretion; with only remnant of an evidence left behind in the slithering echo of a misdemeanor. As legends go, the mutinous tresses of her hair, with each twist of chestnut curls, inspire the stirring nethers of a churning cerulean sea. On face of what lies as the joy of a crescent enveloped by locks of cloud, her smile could set a storm across the eye of mind. And fill the flickering moment of acquaintance with eternal nostalgia ; the helplessness of an infinitely profound longing with an addicting desire to offend the very fabric of life itself. If rumors were to be believed, the sky crashed its soul into the foxy eyes of an enchantress; and although she was no Medusa, it still turned to stone.
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Mar 31, 2014
Mar 31, 2014 at 3:39 PM UTC
rumors
Wander from Argyle Street towards the pyramid shaped monolith past the oddly named Benny Hamish - Sicilian Couture Tailors - through the automatic glass doors of persuasion up the revolving stairs of many stairs sail by the portly security guard (who looks like he'd be out of breath after a 10 yard dash) along the imitation marble airstrip passed neon facades and signs for proactive self indulgence toward the carousel of smoked-mirror lifts that take the well heeled to their desired destinations without having to worry about their Chanel leather clutch bag and newly purchased Christian Louboutin shoes and I sit people watching, writing this poem on a borrowed napkin with a discarded betting shop pen amid a horde of timid stomachs and twitching wallets faced with a thousand fast food offerings and gaudy coloured tables and chairs littered in the remnants of repugnant non-ecological eateries and Styrofoam cups and re-composite cutlery under Noah's grotesquely beautiful steel ark lined in industrial tubing and chrysalis shaped netting and giant Art Deco toothbrushes and 30 foot wiggly mirrors and stretched rhombus sails acting as a blanket barrier to the blue skies and arched sun of the outside world somewhere between KFC and Burger King.
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Apr 19, 2016
Apr 19, 2016 at 7:25 AM UTC
St. Enoch
From the days I've always held your hands To every drop from the sorrowful waterfall From beautiful paleness to crimson illness Night to day Sunlight ray Love like rich soil Hollowness finally at bay Beautiful like a porcelain doll Like a sunset from a mountain fall Memories of a blissful past Emotions sustained like an icefall At long last My truly dearest... From the summer breeze To the autumn fall The winter night An endless darkness I wish to see the light Pain from a raven's claw forceful despair As if it was divine law Distastefulness From a tainted pear It's too much to bare... As the last leaf falls from the oak tree Only a skeletal structure remains From its former beauty A monolith of youthful & elderly Like funeral roses Dying in many poses Red scarlet child As the last petal falls One last breath At long last death Mourning rainfall Soft spoken lullabies from the wind Lamenting days that ceases to exist anymore... Upon the ocean shore Whispers of the waking dead Midnight blue moonlight Symphonies from the ocean floor Alone at last With my truly dearest Ruby diamond eyes No more frightened cries Promise me you'll never leave again Promise me you'll always stay forever...
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Jan 2, 2017
Jan 2, 2017 at 8:16 AM UTC
The way you made me feel
Seagulls hit the horizon's backboard off the sands of Pacific Beach. In my lungs breakers burn out some forty feet from shore. They will return. This jetty'd be a monolith if this ocean were a sky. Silt on this deserted coast scene is encumbered by bits of driftwood and sun-bleached glass. The living in this town are accustomed to the weight. And tidepools are their hearts: shallow, mossy, little things fending for breathe. This jetty'd be a monolith if this ocean were a sky.
0
Aug 27, 2012
Aug 27, 2012 at 3:03 PM UTC
Belmont
No monophonic masterpiece Sung on a monorail In monotone with MSG That's monosodium glutamate I say that monotonously A monoplane monopoly A monomaniac with monomania A monocle for monoculars A monograph of monogamy Monocetyledons- plants with single seeds A monolith that's monogramed and monochromatic You know the monosyllable of monotheism as fact There is no monomial for mononucleosis Are eggs mononuclear? Monoxide just sounds dangerous I have a monolingual term for mono It's bad so please don't catch it
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Dec 7, 2015
Dec 7, 2015 at 11:17 AM UTC
Mono-Y-Mono
she takes a pull of her Parliament, face painted in in fleeting ochre; an ancient star dying far from me. "*i was alive once and i swore i glimpsed the storm in the laughter*" we write each other's names on our palms and lovingly watch the ink fade as we drink from them. that was the plan. plans end the same as the rest of it; vestigial and resentful in their silence. you said your grin was that of a misfit. i said your grin lent dimensions the intent to rip open. i meant it, but i said it just to see it. "...reasons. things can have many..." stealing smoke from a Parliament, that old foolish ochre skirmishes with night, i remember that i'll remember the hospice stint intimacy fondly when i splinter infinitely through dimensional rifts in that moment you howled at the moon with the earth dangling from your neck. "*the wild hunt was a horrible film, but it was our horrible film*" you didn't even notice me dissolving into the monolith and i admire the honesty of that. we can speculate about what the next life's masks conceal when we get there.
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Dec 8, 2018
Dec 8, 2018 at 2:01 AM UTC
Promises, Promises, Promises(hipster cigarette plug)
Rocks know a lot more about time than clocks Drive to the top of a mountain Cinnamon gum Noseblood And rocks a lot older than clocks Tell the older us we say hello I am stuck between red rocks and a very hard place Rockclimbing to rockbottom I am a time hunter, rock hunter, pigeon hunter (Let me tell you something about pigeon hunting: Shooting clay pigeons isn’t as much fun when the pigeons aren’t clay and their bodies shatter in midair like pomegranates in September with red jewels sprinkling the sandstones the sedimentary clouds and the fastfood signs) Remember that time I tattooed the sky? I wrote “time is a l.e.d. light” in a sacred heart between the stars and the freckles and the ladybugs none of their mothers were thrilled Now I know time is a rock, a very heavy rock A rock is a star, a star is a rock And me? I am a rockstar But I have all timers. Alzheimer's? No. ALL TIMERS and a monolith growing on my sternum Firecrackers. That’s what I wanted to talk about. And when I say firecracker I mean fireworks the way fire works his way between me, time and a rock What is it with rocks? Rock and roll Rocked by doubt and rolled by time Rock my world, please
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Mar 23, 2016
Mar 23, 2016 at 11:45 AM UTC
Rock Out
Tango like there is ****** no gravity, Fading up into the winds of levity. Felt the world's stories on my shoulders, 'Tween Heaven and Hell, an epic I tell. Smitten, in a flash, she deftly kissed me, A smooch of death, the fragrance of tea. Spying the end is to be in heavy debt, To the unseen origin, now of inspect. Vexed for larcenous dogs stole my nova, Patience of the Everest; pressured lava, Toward the high noon sun, soaring too fast, Warming our visage, winds behind a full mast. Colorful beams from heights of the precipice, The monolith painting chromatic auspices, Yet the churning oceans voice their unrest, Against shields of Earth, the Hydra will test. I can hear the green, caressed by a breeze, Through the wet looking glass, I was seized. A brazen gasp of life lifts the starry shroud, Swim through the maze of a microcosmic cloud.
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Oct 19, 2010
Oct 19, 2010 at 3:15 PM UTC
Lecherous Blades of Grass