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judy smith Jun 2015
For financial advisors wanting to increase the assets they manage, a number of situations provide tremendous opportunities. These are situations where there is “money in motion,” investable assets now available to be managed.

These opportunities are all put in motion by a “trigger event.” One example is inheriting significant sums from an affluent parent. Another example is the monies provided to an ex-spouse as part of a divorce settlement.

For most financial advisors, the greatest opportunity to capture money in motion is when a successful business owner sells his or her company. Worldwide, the most significant creator of personal wealth is entrepreneurism. Moreover, most successful entrepreneurs are only rich on paper until they sell a portion or all of their companies.

When they monetize the value of their firms, they have investable assets that they often turn over to investment professionals to manage. This scenario is unquestionably one of the very best ways for financial advisors to bring in more assets to manage.

Most Entrepreneurs Want To Be Wealthier

In order to win the investment business of these entrepreneurs, it is useful for you to understand that becoming wealthy was (and is) a core motivation of their business building efforts. In a survey of 513 business owners, a little more than nine out of 10 of them want to become significantly wealthier than they are today (Exhibit 1). Moreover, all of them strongly recognize that their ability to become wealthier is a function of the success of their business.

There are often many reasons business owners want to be wealthier. Taking care of loved ones regularly tops the list (Exhibit 2). The success of the business and their ability to maximize personal wealth is usually instrumental in this regard.

At the same time, about seven out of 10 entrepreneurs said they are interested in doing more to support worthy charitable causes (Exhibit 3). Again, the success of their business and their ability to translate that success into personal wealth can be significant in enabling these business owners to be more philanthropic.

A core motivation for most entrepreneurs is personal wealth creation. This often carries over into how they want their monies invested once they sell all or part of their businesses. It is useful to note that the majority of business owners who monetize their companies are not walking away with hundreds of millions of dollars. Most businesses are small or midsize businesses, and there are often equity partners and possibly investors. This frequently means that the entrepreneurs are looking to have the monies that they entrust to investment professionals grow (Exhibit 4).

Skipping The ‘Fashion Show’

When entrepreneurs have considerable liquid assets after selling their companies, they regularly turn to financial advisors to manage all or a portion of these monies. This often results in a fashion show where a stream of investment professionals vies for the attention (and funds) of the former business owner.

About one in 10 considered a single investment professional. About three out of 10 deliberated between two financial advisors. More telling, about 60% looked at three or more investment professionals.

There are regularly a plethora of factors that go into winning a fashion show. Some of them are money-management-related, such as performance track record and investment philosophy. Sometimes, the deciding factor is chemistry or lack thereof between the financial advisors and the former entrepreneur. It is always preferable to be the singular financial advisor being considered to manage the money.

When only one financial advisor was considered, in every case there was a pre-existing relationship. This is the key to skipping having to compete once the entrepreneur has significant liquid assets to invest.

For financial advisors, the ability to avoid the fashion show as well as dramatically increase the probability of winning most, if not all, of the business owner’s asset management business is to be involved before the sale and endorsed by trusted professionals the entrepreneur is already working with.

It is important to recognize that nearly nine out of 10 successful business owners would like to, at some point in time, sell their companies (Exhibit 6). This provides professionals with meaningful opportunities to help them maximize their personal wealth from the sale. However, only about 15% of entrepreneurs are taking such action (Exhibit 7). This opens the door for many financial advisors to be involved with these successful business owners before the sale.

Getting directly involved can prove exceedingly beneficial for business owners. The most efficacious way to do this is by being recommended by their accountants. While successful business owners will usually rely on a variety of professionals, it is apparent that their accountants are regularly their primary “go to” resource. As so many critical business decisions are entwined with the financials of the company, these entrepreneurs depend on their accountants to help them navigate the possibilities and make wise choices.

Even where financial advisors are not involved before the sale, for most entrepreneurs the advice of the accountants proves to be a key determinant to whom to entrust new liquid assets. Still, the preferred approach is to—often through the entrepreneur’s accountant—have some effective interactions before the sale of the company.

Conclusions

Entrepreneurism is the greatest creator of private wealth. It also produces some of the most significant pools of investable assets. The ability to win investment management mandates from successful business owners who have sold all or part of their companies can dramatically increase a financial advisor’s practice.

Many times, there is a fashion show where investment professionals compete for the newly liquid assets of ex-entrepreneurs. A more effective approach is to build a relationship before the sale. What is often required is for the successful business owner’s accountant to be an advocate for the financial advisor.?Read more at:www.marieaustralia.com/long-formal-dresses | www.marieaustralia.com/formal-dresses
DJ Thomas May 2010
We each have a voice and life, it is how we use them not how we might!  

Stop glaciers melting
Huge population movements
Death of progeny


The small reductions in carbon emissions being targeted for 2020 or 2050 - are thought to little to late to slow global warming.  The melting polar ice and glaciers together with our changing weather patterns are now fact. The resulting loss of river systems and rising sea levels will mean the desertification or flooding of agricultural lands and famine, then the migration of populations - starting with the skilled and rich seeking safety, to escalate into the terror of armed bands
warring over water, food, women and land.

By 20 20
Lets hope for twenty twenty
A 20 20


There is now the thought that the huge physical change wrought by global warming can be charted by the escalation in earthquake and volcanic activity.  And that this may eventually trigger huge eruptions in the American and Asian continents,
destroying civilisations to create a planetary volcanic winter.

Again fire and cold
The cycle repeats itself
Destroying nature


Was there a civilisation in deep history before the flood, prior to and during the last ice-age?
This has been researched and written about in great detail during the last twenty years
and many now believe it already proven by scientific review of documents and
thousands of archaeological finds, also by scientists having used the exactness
in the astronomical alignments of ancient monuments
to recalculate there greater age.  

Dead sold souls herd us
Lost mindless finger puppets
Vapid witless words


Sadly, the majority put their reliance and faith in
the actions of lawyer-ed politicians, most of whom evidence
a fixation on their own welfare,  selfish self-glorification needs
and an unwillingness to rock-the-boat once in power*

Politicians thwart
Party politics deafen
Propaganda’s herd


Putting off all radical action required until after the next election.  
Many have gifted away the necessary legal control and power to take national radical action
to a political or trade grouping of nations - in effect retaining only national rights
to go to war, put up taxes, borrow and spend monies.

Please no rhetoric
Complete local transition
Forget politics


We each have a voice and life, it is how we use them not how we might!

Living we give voice
So one voice might yet be heard
All being, believe!


We are left holding our eco-inheritance and children’s future in the palm of our hand.
Please let our love and imagination drive us each forward to make change.


Biosphere a greenhouse 
Target the impossible
Please gift some life soon?


So, we each of us have hard personal choices to make, which will encompass both positive and negative
benefits in terms of our time, lifestyle, health and wealth.  I chose to base my choices solely on how it
might benefit the eco-system and the lives of our children.

My choices are grouped under five headings: transport, food, home, lifestyle and further action. They are:
-  

Transport: Rail; Bus; Coach; Bike;
(I pass woods in bud - a Red Kite hunting twisting, unhurried moments).  
To give up ownership of electric / motor vehicles
and to avoid air travel where possible.


Highly vaporous.
Emissions farting -
barrelling vipers
.

Food: To eat meat/fish only once a week at most;
(Slaughteramas greed - industrial carcase-ed meals. Sheep full of cancer)
To study fast methods of vegetarian cooking; buy local organic foodstuffs;
visit local farmers markets and farm shops; grow my own when possible
and help friends establish vegetable/herb gardens.
To not ever feed, cleave and eat!


Fat shopaholics,
a deadly consumerism.
Cancers meat to eat


Home:   A cottage sized for me, friends and neighbours,
overlooking a wooded valley and trout stream.
Like me a little untidy and basic
.

Crossing the shallows
trout fingerling feed at dawn
White dots steep hill path

Dusk - eight painted queue
river paired mare and foal
Foliage lined dark black


Well positioned to capture the morning sun, airy and light.  
Yet insulated to stay cool or warm. With easy access to mountain bike trails
and long distance bus routes, plus several end-of-line train stations
in energetic cycling distance over the mountains


A differing beat
Quickly fading doubled steps -
pulling separate


Life Style:* A thinking poet mountain biker, living organic
not part of the great noisious noxious ribbons of hurtling tired.

Pressured paced life -
impossible  commitments.
Organic living


Further Action: *I intend to give up meat not because of the terrible cruelty involved in ten billion or more animals
being slaughtered every year to feed the human race, but due to
: 1)  animal farming being a major factor in the burning of 50 million year old rainforests at a rate of one and half acres per second to generate huge volumes of greenhouse gases, destroying the richest habitats on Earth and a principal source of oxygen; and 2)  that these billions of farmed animals
are themselves a major source of greenhouse gases
.

Burning rainforests
Feeding to cleave open and eat
Subsistence farming


With ongoing intensive fishing, the world's fisheries already in crisis and climate change,
it could be that we will run out of wild-caught seafood much earlier than 2030!


Conserve energy -
and natural resources
Don’t waste foolishly


Each of us might have a different view of what globalisation is,
for some this word encapsulates the dangers of our global fast food culture, omnipresent brands,
popular culture, changing diets and the growing use of packaged processed foods
.

Freedom to act sought
Globalisation's curses
Octopus suckers!


For many it is the illegal international trade in endangered species of flora and fauna,  
second only in value to the $350 billion a year global drug trafficking trade that now services
perhaps more than 50 million regular users of ******, ******* and synthetic drugs
.

The label 'globalization' can cover the: spread and integration of different cultures;  
industry moving to low per capita income countries; sweatshops supplying this seasons branded goods
to retail outlets worldwide;  complex international interleaved financial trading instruments being developed
by banks and financial institutions to trade worldwide, create profits and pay huge bonuses, without risk to themselves
.

Globalisation -
orchestrated profiteers,
betting our losses


Many see globalisation as being the beneficial spread of free trade, liberty, democracy and capitalism,
involving the efficient allocation of resources and capital through the spread of technology.
Unelected international bodies and institutions such the World Bank actively promulgate globalisation,
a '‘world government’ promoting close economic ties between nations
.

Enculturation
Our sad indoctrination
Globalization
  

The anti-globalisation movements dislike the corporate and political nature of globalisation,
protesting the resultant harm done to the biosphere, a more rapid and extensive deterioration of the environment
and the unintended but very real consequences of globalisation: the erosion of traditional culture
resulting in social disintegration; a breakdown of democracy; the spread of new diseases;
changes in diet; increasing poverty.
.

I view globalisation and it's propagation as leading to the final destruction
of the world's cultures and civilisations by locked us into a
dogmatic world political doctrine secured through
trade and political alliances of states, institutions
and corporations that remain hell bent on
imposing this world governance. Such
that individual countries governments
cannot consider making substantive
radical change to avert the planet
being pushed into a natural cycle
that will end the human race
.

Caged in Fools World
The people hear heroic call  
Each one a hero
!

The peoples and cultures of the world need perhaps just one western country to
break the legal chains of globalisation and adopt a radical economic regeneration program
designed to make the total transition to a dynamic culture of localised
clean communities centred on the individual not competition*  

Only one tool
National taxation for -
economic change.


Here I begin discussing how global, regional and national economies might
be based on the growth of small organic local economies.
not the repeated foolishness involved in chasing lower cost base manufacture -
each time at great cost to the economy it has migrated from!
Then a further culture becoming totally reliant
on the transport of foodstuffs and goods -
I can here you saying
:

"Oh **** this guy is -
talking about change, changing -
the world we live in!"


Yes, I am and do we have a choice?  But such change will be organic and involve business
in the restructuring and regeneration of economies till we share green economies.  
In small part his is already happening slowly!


Unlock taxation,  
survivals powerful tool.  
Needed now for change!


This is why we need to consider doing something that many of today's
plutocrats, economists, bureaucrats and politicians, would dismiss out of hand or
discuss endlessly in terms of perfectly competitive markets, perverse economic incentives etc


Major solution
National taxation change
Human extinction



WORK in HAND

This haiku sequenced eco-haibun is an ongoing project being penned day-by-day by many that care and take action. Your reactions are all welcome, thank you


**Take back control now.  
Cease all squabbling, achieve act - decisively!

Globalisation's, global control cut away.
Diversity sought

Promote well being.  Act with imagination -
for ecology!

Creating employment -
with local utilities, local food and transport

Incentivise tax,  to create local benefits.
Gain prosperity

Income taxation -  value added tax, aged -
dangerous mistake

Local licensing.  Lead don't follow excuses.
Saviour taxation

Imaginative - energy, food and transport -
local licensing

An alternative - energetic strategy,
greening business

Organic foodstuffs - out compete processed food.
Life promoting health

Healthy government - a healthy population. 
Zero income tax!

Locally taxed - by distance it travelled -
and category

Products bar coded.  Point of agreed production -
and category

Local added tax, by distance it travelled -
and category

Local energy, initiatives supplant.  
Replacing at risk

User energy, capture and storage.  
Eco-dwelling plan

Local water works,  supplanting initiative.
Replace the at risk

User water need.  Capturing and storing half.
Securing supply

Communications, local initiatives.
Protecting our needs

Local healthy food, life saving initiative.
Planting guaranteed

Sort unemployment, local work available.
Agriculture base

Radical transport - initiatives needed.
Change made possible

Season’s colours blur - in ageing contemplation
chilling warm breezes

Ganges dried mud - dust
Armed hungry thirsty tide
Generations despair,  lost

Our politicians -
squabble condemn progeny.
Flee panic and die

HAIKU SEQUENCE FINISHED

HAIBUN PROSE BEING ADDED
Day by Day
This haiku sequenced eco-haibun needs prose and additional haiku added day by day.  Contributing comment and reactions considered for inclusion...

copyright©DJThomas@inbox.com 2010
A PLAY


BY



ALEXANDER   K   OPICHO









THE CASTE
1. Chenje – Old man, father of Namugugu
2. Namugugu – Son of Chenje
3. Nanyuli – daughter of Lusaaka
4. Lusaaka – Old man, father of Nanyuli
5. Kulecho – wife of Lusaaka
6. Kuloba – wife of Chenje
7. Paulina – Old woman, neighbour to Chenje.
8. Child I, II and III – Nanyuli’s children
9. Policeman I, II and III
10. Mourners
11. Wangwe – a widowed village pastor

















ACTING HISTORY
This play was acted two times, on 25th and 26th December 2004 at Bokoli Roman Catholic Church, in Bokoli sub- location of Bungoma County in the western province of Kenya. The persons who acted and their respective roles are as below;

Wenani Kilong –stage director
Alexander k Opicho – Namugugu
Judith Sipapali Mutivoko- Nanyuli
Saul Sampaza Mazika Khayongo- Wangwe
Paul Lenin Maondo- Lusaaka
Peter Wajilontelela-  Chenje
Agnes Injila -  Kulecho
Beverline Kilobi- Paulina
Milka Molola Kitayi- Kuloba
Then mourners, children and police men changed roles often. This play was successfully stage performed and stunned the community audience to the helm.













PLOT
Language use in this play is not based on Standard English grammar, but is flexed to mirror social behaviour and actual life as well as assumptions of the people of Bokoli village in Bungoma district now Bungoma County in Western province of Kenya.

























ACT ONE
Scene One

This scene is set in Bokoli village of Western Kenya. In Chenje’s peasant hut, the mood is sombre. Chenje is busy thrashing lice from his old long trouser Kuloba, sitting on a short stool looking on.

Chenje: (thrashing a louse) these things are stubborn! The lice. You **** all of them today, and then tomorrow they are all-over. I hate them.
Kuloba: (sending out a cloud of smoke through her tobacco laden pipe). Nowadays I am tired. I have left them to do to me whatever they want (coughs) I killed them they were all over in my skirt.
Chenje: (looking straight at Kuloba) Do you know that they are significant?
Kuloba: What do they signify?
Chenje: Death
Kuloba: Now, who will die in this home? I have only one son. Let them stop their menace.
Chenje: I remember in 1968, two months that preceded my father’s death, they were all over. The lice were in every of my piece of clothes. Even the hat, handkerchief. I tell you what not!
Kuloba: (nodding), Yaa! I remember it very well my mzee, I had been married for about two years by then.
Chenje: Was it two years?
Kuloba: (assuringly) yes, (spots a cockroach on the floor goes at it and crushes it with her finger, then coughs with heavy sound) we had stayed together in a marriage for two years. That was when people had began back-biting me that I was barren. We did not have a child. We even also had the jiggers. I can still remember.
Chenje: Exactly (crashes a louse with his finger) we also had jiggers on our feet.
Kuloba: The jiggers are very troublesome. Even more than the lice and weevils.  
Chenje: But, the lice and jiggers, whenever they infest one’s home, they usually signify impending death of a family member.
Kuloba: Let them fail in Christ’s name. Because no one is ripe for death in this home. I have lost my five children. I only have one child. My son Namugugu – death let it fail. My son has to grow and have a family also like children of other people in this village. Let whoever that is practicing evil machinations against my family, my only child fail.
Chenje: (putting on the long-trouser from which he had been crushing lice) let others remain; I will **** them another time.
Kuloba: You will never finish them (giggles)
Chenje: You have reminded me, where is Namugugu today? I have not seen him.
Kuloba: He was here some while ago.
Chenje: (spitting out through an open window) He has become of an age. He is supposed to get married so that he can bear grand children for me. Had I the grand children they could even assist me to **** lice from my clothes. (Enters Namugugu) Come in boy, I want to talk to you.
Kuloba: (jokingly) you better give someone food, or anything to fill the stomach before you engages him in a talk.
Namugugu: (looks, at both Chenje and Kuloba, searchingly then goes for a chair next to him)
Mama! I am very hungry if you talk of feeding me, I really get thrilled (sits at a fold-chair, it breaks sending him down in a sprawl).
Kuloba: (exclaims) wooo! Sorry my son. This chair wants to **** (helps him up)
Namugugu: (waving his bleeding hand as he gets up) it has injured my hand. Too bad!
Chenje: (looking on) Sorry! Dress your finger with a piece of old clothes, to stop that blood oozing out.
Namugugu: (writhing in pain) No it was not a deep cut. It will soon stop bleeding even without a piece of rag.
Kuloba: (to Namugugu) let it be so. (Stands) let me go to my sweet potato field. There are some vivies, I have not harvested, I can get there some roots for our lunch (exits)
Chenje: (to Namugugu) my son even if you have injured your finger, but that will not prevent me from telling you what I am supposed to.
Namugugu: (with attention) yes.
Chenje: (pointing) sit to this other chair, it is safer than that one of yours.
Namugugu: (changing the chair) Thank you.
Chenje: You are now a big person. You are no longer an infant. I want you to come up with your own home. Look for a girl to marry. Don’t wait to grow more than here. The two years you have been in Nairobi, were really wasted. You could have been married, may you would now be having my two grand sons as per today.
Namugugu: Father I don’t refuse. But how can I marry and start up a family in a situation of extreme poverty? Do you want me to start a family with even nothing to eat?
Chenje: My son, you will be safer when you are a married beggar than a wife- less rich-man. No one is more exposed as a man without a wife.
Namugugu: (looking down) father it is true but not realistic.
Chenje: How?
Namugugu: All women tend to flock after a rich man.
Chenje: (laughs) my son, may be you don’t know. Let me tell you. One time you will remember, maybe I will be already dead by then. Look here, all riches flock after married men, all powers of darkness flock after married men and even all poverty flock after married. So, it is just a matter of living your life.
(Curtains)
SCENE TWO

Around Chenje’s hut, Kuloba and Namugugu are inside the hut; Chenje is out under the eaves. He is dropping at them.
Namugugu: Mama! Papa wants to drive wind of sadness permanently into my sail of life. He is always pressurizing me to get married at such a time when I totally have nothing. No food, no house no everything. Mama let me actually ask you; is it possible to get married in such a situation?
Kuloba: (Looking out if there is any one, but did not spot the eaves-dropping Chenje).
Forget. Marriage is not a Whiff of aroma. My son, try marriage in poverty and you will see.
Namugugu: (Emotionally) Now, if Papa knows that I will not have a happy married life, in such a situation, where I don’t have anything to support myself; then why is he singing for my marriage?
Kuloba: (gesticulating) He wants to mess you up the way he messed me up. He married me into his poverty. I have wasted away a whole of my life in his poverty. I regret. You! (Pointing) my son, never make a mistake of neither repeating nor replicating poverty of this home into your future through blind marriage.
Namugugu: (Approvingly) yes Mama, I get you.

Kuloba: (Assertively) moreover, you are the only offspring of my womb             (touching her stomach) I have never eaten anything from you. You have never bought me anything even a headscarf alone. Now, if you start with a wife will I ever benefit anything from you?
Namugugu: (looking agog) indeed Mama.
Kuloba: (commandingly) don’t marry! Women are very many. You can marry at any age, any time or even any place. But it is very good to remember child-price paid by your mother in bringing you up. As a man my son, you have to put it before all other things in your life.
Namugugu: (in an affirmative feat) yes Mama.
Kuloba: It is not easy to bring up a child up to an age when in poverty. As a mother you really suffer. I’ve suffered indeed to bring you up. Your father has never been able to put food on the table. It has been my burden through out. So my son, pleased before you go for women remember that!
Namugugu: Yes Mama, I will.
(Enters Chenje)
Chenje: (to Kuloba) you old wizard headed woman! Why do you want to put    my home to a full stop?
Kuloba: (shy) why? You mean you were not away? (Goes out behaving shyly)

Chenje: (in anger to Namugugu) you must become a man! Why do you give your ears to such toxic conversations? Your mother is wrong. Whatever she has told you today is pure lies. It is her laziness that made her poor. She is very wrong to festoon me in any blame…. I want you to think excellently as a man now. Avoid her tricky influence and get married. I have told you finally and I will never repeat telling you again.

Namugugu: (in a feat of shyness) But Papa, you are just exploding for no good reason, Mama has told me nothing bad……………………
Chenje: (Awfully) shut up! You old ox. Remove your ears from poisonous mouths of old women!
(Enters Nanyuli with an old green paper bag in her hand. Its contents were bulging).
Nanyuli: (knocking) Hodii! Hodii!
Chenje: (calmly) come in my daughter! Come in.
Nanyuli: (entering) thank you.
Chenje: (to Namugugu) give the chair to our visitor.
Namugugu: (shyly, paving Nanyuli to sit) Karibu, have a sit please.
Nanyuli: (swinging girlishly) I will not sit me I am in a hurry.
Chenje: (to Nanyuli) just sit for a little moment my daughter. Kindly sit.
Nanyuli: (sitting, putting a paper-bag on her laps) where is the grandmother who is usually in this house?
Chenje: Who?
Nanyuli: Kuloba, the old grandmother.
Namugugu: She has just briefly gone out.
Chenje: (to Nanyuli) she has gone to the potato field and Cassava field to look for some roots for our lunch.
Nanyuli: Hmm. She will get.
Chenje: Yes, it is also our prayer. Because we’re very hungry.
Nanyuli: I am sure she will get.
Chenje: (to Nanyuli) excuse me my daughter; tell me who your father is?
Nanyuli: (shyly) you mean you don’t know me? And me I know you.
Chenje: Yes I don’t know you. Also my eyes have grown old, unless you remind
me, I may not easily know you.
Nanyuli: I am Lusaaka’s daughter
Chenje: Eh! Which Lusaka? The one with a brown wife? I don’t know… her name is Kulecho?
Nanyuli: Yes
Chenje: That brown old-mother is your mother?
Nanyuli: Yes, she is my mother. I am her first – born.
Chenje: Ooh! This is good (goes forward to greet her) shake my fore-limb my
daughter.

Nanyuli: (shaking Chenje’s hand) Thank you.
Chenje: I don’t know if your father has ever told you. I was circumcised the same year with your grand-gather. In fact we were cut by the same knife. I mean we shared the same circumciser.
Nanyuli: No, he has not yet. You know he is always at school. He never stays at home.
Chenje: That is true. I know him, he teaches at our mission primary school at Bokoli market.
Nanyuli: Yes.
Chenje: What is your name my daughter?
Nanyuli: My name is Loisy Nanyuli Lusaaka.
Chenje: Very good. They are pretty names. Loisy is a Catholic baptismal name, Nanyuli is our Bukusu tribal name meaning wife of an iron-smith and Lusaaka is your father’s name.
Nanyuli: (laughs) But I am not a Catholic. We used to go to Catholic Church upto last year December. But we are now born again, saved children of God. Fellowshipping with the Church of Holy Mountain of Jesus christ. It is at Bokoli market.
Chenje: Good, my daughter, in fact when I will happen to meet with your father, or even your mother the brown lady, I will comment them for having brought you up under the arm of God.
Nanyuli: Thank you; or even you can as well come to our home one day.
Chenje: (laughs) actually, I will come.
Nanyuli: Now, I want to go
Chenje: But you have not stayed for long. Let us talk a little more my daughter.
Nanyuli: No, I will not. I had just brought some tea leaves for Kuloba the old grandmother.
Chenje: Ooh! Who gave you the tea leaves?
Nanyuli: I do hawk tea leaves door to door. I met her last time and she requested me to bring her some. So I want to give them to you (pointing at Namugugu) so that you can give them to her when she comes.
Namugugu: No problem. I will.
Nanyuli: (takes out a tumbler from the paper bag, fills the tumbler twice, pours the tea leaves  into an old piece of  newspaper, folds and gives  it to Namugugu) you will give them to grandmother, Kuloba.
Namugugu: (taking) thank you.
Chenje: My daughter, how much is a tumbler full of tea leaves, I mean when it is full?
Nanyuli: Ten shillings of Kenya
Chenje: My daughter, your price is good. Not like others.
Nanyuli: Thank you.
Namugugu: (To Nanyuli) What about money, she gave you already?
Nanyuli: No, but tell her that any day I may come for it.
Namugugu: Ok, I will not forget to tell her
Nanyuli: I am thankful. Let me go, we shall meet another day.
Chenje: Yes my daughter, pass my regards to your father.
Nanyuli: Yes I will (goes out)
Chenje: (Biting his finger) I wish I was a boy. Such a good woman would never slip through my fingers.
Chenje: But father she is already a tea leaves vendor!
(CURTAINS)


SCENE THREE
Nanyuli and Kulecho in a common room Nanyuli and Kulecho are standing at the table, Nanyuli is often suspecting a blow from Kulecho, counting coins from sale of tea leaves; Lusaaka is sited at couch taking a coffee from a ceramic red kettle.


Kulecho: (to Nanyuli) these monies are not balancing with your stock. It is like you have sold more tea leaves but you have less money. This is only seventy five shillings. When it is supposed to be one hundred and fifty. Because you sold fifteen tumblers you are only left with five tumblers.
Nanyuli: (Fidgeting) this is the whole money I have, everything I collected from sales is here.
Kulecho: (heatedly) be serious, you stupid woman! How can you sell everything and am not seeing any money?
Nanyuli: Mama, this is the whole money I have, I have not taken your money anywhere.
Kulecho: You have not taken the money anywhere! Then where is it? Do you know that I am going to slap you!
Nanyuli: (shaking) forgive me Mama
Kulecho: Then speak the truth before you are forgiven. Where is the money you collected from tea leaves sales?
Nanyuli: (in a feat of shyness) some I bought a short trouser for my child.
Kulecho: (very violent) after whose permission? You old cow, after whose permission (slaps Nanyuli with her whole mighty) Talk out!
Nanyuli: (Sobbingly) forgive me mother, I thought you would understand. That is why I bought a trouser for my son with your money!
Lusaaka: (shouting a cup of coffee in his hand, standing charged) teach her a lesson, slap her again!
Kulecho (slaps, Nanyuli continuously, some times ******* her cheeks, as Nanyuli wails) Give me my money! Give me my money! Give me my money! Give me my money! You lousy, irresponsible Con-woman (clicks)
Lusaaka: Are you tired, kick the *** out of that woman (inveighs a slap towards Nanyuli) I can slap you!
Nanyuli: (kneeling, bowedly, carrying up her hands) forgive me father, I will never repeat that mistake again (sobs)
Lusaaka: An in-corrigible, ****!
Kulecho: (to Nanyuli) You! Useless heap of human flesh. I very much regret to have sired a sell-out of your type. It is very painful for you to be a first offspring of my womb.
I curse my womb because of you. You have ever betrayed me. I took you to school you were never thankful, instead you became pregnant. You were fertilized in the bush by peasant boys.
You have given birth to three childlings, from three different fathers! You do it in my home. What a shame! Your father is a teacher, how have you made him a laughing stock among his colleagues, teachers? I have become sympathetic to you by putting you into business. I have given you tea leaves to sell. A very noble occupation for a wretch like you. You only go out sell tea leaves and put the money in your wolfish stomach. Nanyuli! Why do you always act like this?
Nanyuli: (sobbing) Forgive me mother. Some tea leaves I sold on credit. I will come with the money today?
Kulecho: You sold on credit?
Nanyuli: Yes
Kul
this is a manuscript of a play, please guys help me get any publisher who can do publishing of this play
i  will appreciate. thanks
DJ Thomas Dec 2010

Bride of the desert
the indomitable town
Solomon’s Kingdom

            
Lost in history, I wander through a city that was fortified by King Solomon, raided by Mark Antony and ruled by Queen Zenobia who made it the capital of an empire, only to be captured herself and paraded through Rome in gold chains.

Civilisation upon civilisation are entombed within Tadmur; in a huge plain of carved stone blocks, massive columns arched in rows or standing alone, a Romanesque theatre, senate and baths, dominated by a great temple whose origin dates back four thousand years.

Due to a clever mistranslation from Arabic by the euro-centric traveller who ‘discovered’ Palmyra, the city also has a modern name.

Here for millennia, a tribe of Bedu have camped within the folds of these desert steppes and blackened Tadmur’s ruins with their camp fires, to trade camels or herd goats and sheep. Walking the divide between city, desert and the more fertile steppes, I search for their surviving descendants and find a black woven goat’s hair tent with its edges raised to capture a cooling breeze.

Hamed and his sons, huge and wary of foreigners, welcome me to sit within on  carpets and then graciously serve dates with innumerable small glasses of tea. I indicate ‘enough’ in the traditional manner by rolling my right hand and the empty glass. Hamed continues to voice his concerns about the lack of feed for their sheep and the prices achieved at market. I readily succumb to several small cups of greenish Arabic coffee, before being allowed to take my leave.

For millennia the wealth of this city was based on tariffs levied on goods flowing out of the desert aboard swaying camel caravans. Today, these once proudly fierce tribal Bedu no longer breed, train or ride camels.

The Bedu greatly prize their reputation and the respect of their peers. Their traditions are the foundation of these small tribal communities and may predate Islam;  a life now undermined by borders, nationalism, government settlement plans, conscription, war, television and tourism.
                                         *+     +     +      +      +

Black torn empty shells
swept by Mount Lebanon’s shade
Cannabis Valley

As I recall a haiku of ‘images’ of  my very first journey to Damascus, from war-torn Beirut through the lushness of the Bekaa;

in the here and now
a dark suit and Mercedes
cross the Euphrates

Defence Minister, Rifaat al-Assad is in town with his fifty thousand strong Defence Companies, complete with tanks, planes and helicopters.  A coup d’état is in progress to assure Rifaat’s succession to the Presidency of his older brother Hafiz al-Assad, now recovering from a heart attack.

Last year, Rifaat massacred some forty thousand Syrian citizens when he ordered the shelling of the city of Hama. Nobody in Damascus will be underestimating him.

All political and military power is in the hands of the al-Assads and key generals, who command the military and police. The majority of whom are of the Alawite minority Muslim faith from the rural districts near Latakia in the North. Before their revolution, governments came and went in weeks.

My friend Elias is allied to Rifaat’s cause, by simply doing business with the son. Now he and his family share the risks and dangers of this coup failing and stand to lose a fortune. Monies paid locally in Syrian pounds for goods delivered to government agencies.

Elias’s connection with Rifaat and Latakia, as well as his confident presence, humour and love of life, still allows us easy access to the Generals’ Club. Sadly, there is to be no table and floorshow, but a closed meeting with two senior Generals, where we learn that Hafiz has recovered enough to take charge and is now locked in discussions with his younger brother.

The decision is therefore made for us. We say our goodbyes and drive to Latakia.

On Sunday Elias meets his brothers, then with his family, we visit his parents small holding and enjoy a meal together. A wonderful fresh mezza that includes my favourite, courgettes stuffed with ground lamb and rice, in a yogurt sauce. Syrian food is amazingly healthy and my cuisine of choice.

It is a cloudless Monday morning, as I, Elias, his wife and children drive into the docks to board an old 46 foot motor cruiser. Huge cases are stowed as I make my inspection, then start the twin diesels and switch on the over-the-horizon radar. Our early departure is critical. We cast off and the Mate steers for the harbour entrance below the cliffs that guard it. As the Mediterranean lifts our bow in greeting, the disembodied voice of the Harbour Master tells us to return as we do not have permission to sail.

Ignoring the order, I increase our speed through the short choppy surf. We are sailing under the Greek Cypriot flag and in an hour I hope to be out of territorial waters.  At 14 knots we are a slow target.

Fifteen nautical miles from the coast of Syria, I leave the mate to follow a bearing for Larnaca. Elias has opened a bottle of Black Label. I quaff a glassful.

Later noticing a noisy vibration and diagnosing a bent prop shaft, I shut down the starboard engine. Our speed is now a steady 8 knots, so I decide on a new heading to discern more quickly the shadow of the Cypriot coastline on the radar screen.

Midway, the mate and Elias begin babbling about a small vessel ahead and four separate armoured boxes encircling it. Ugly Israeli high speed gun boats or worse, Lebanese pirates. Should they board us and find stowed riches, we will be killed.

Leaving the Mate to maintain our course, I go on deck to play the ‘European Owner’.  The vessel they have trapped is long and lean with three tall outboard motors but no crew are in sight.  Leaving them astern, our choice of vessel now fully exonerated, I and Elias throw another whisky ‘down the hatch’.

With us holding the correct bearing, I ask Elias to wake me as soon as we near Cyprus. Feeling utterly exhausted I collapse into a bunk.  

I wake unbidden, to find the Mate steering for the harbour entrance. Shouldering him aside, I spin the wheel to bring the vessel about. Shaking, I ask them why there are minarets on the ‘church’ and did they not notice our being observed from the top of the harbour's hillock, below which a fast patrol boat is anchored?  The Mate sprints to the Greek Cypriot flag and is hugging it to his chest; Elias wisely prays.

I command the wheel as we motor directly away from the port of Famagusta and Turkish held Northern Cyprus. We later change bearing and pass tourist beaches, it is night fall before we moor-up in Larnaca.
                                         +     +     +      +      +


Later that same year I am called to a last urgent meeting in Cyprus with Elias. He calmly tells me that he will be arrested when he rejoins his family, who have returned to Syria. Elias asks me to take full control of his Cypriot Businesses, then returns home and ‘disappears’ with his brothers.
                                         +     +     +      +      +


Since sacking the two Arab General Managers when they tried to get control of the bank accounts, it has taken more than six months to locate the prison holding all the brothers. We obtain the release of all except Elias, who has been tortured.  We then ‘purchase’ him the exclusive use of the Prison Governor's quarters and twenty four hour access for Elias’s family, nurses and doctors.
                                         +     +     +      +      +


Over the last two years, I have honoured my promises and expanded trade as far as Pakistan. Elias is still imprisoned.
                                         *
+     +     +      +      +
haibun of a late twentieth century travelogue
copyright©DJThomas@inbox.com 2010
If from the public way you turn your steps
Up the tumultuous brook of Green-head Ghyll,
You will suppose that with an upright path
Your feet must struggle; in such bold ascent
The pastoral mountains front you, face to face.
But, courage! for around that boisterous brook
The mountains have all opened out themselves,
And made a hidden valley of their own.
No habitation can be seen; but they
Who journey thither find themselves alone
With a few sheep, with rocks and stones, and kites
That overhead are sailing in the sky.
It is in truth an utter solitude;
Nor should I have made mention of this Dell
But for one object which you might pass by,
Might see and notice not. Beside the brook
Appears a straggling heap of unhewn stones!
And to that simple object appertains
A story—unenriched with strange events,
Yet not unfit, I deem, for the fireside,
Or for the summer shade. It was the first
Of those domestic tales that spake to me
Of Shepherds, dwellers in the valleys, men
Whom I already loved;—not verily
For their own sakes, but for the fields and hills
Where was their occupation and abode.
And hence this Tale, while I was yet a Boy
Careless of books, yet having felt the power
Of Nature, by the gentle agency
Of natural objects, led me on to feel
For passions that were not my own, and think
(At random and imperfectly indeed)
On man, the heart of man, and human life.
Therefore, although it be a history
Homely and rude, I will relate the same
For the delight of a few natural hearts;
And, with yet fonder feeling, for the sake
Of youthful Poets, who among these hills
Will be my second self when I am gone.

     Upon the forest-side in Grasmere Vale
There dwelt a Shepherd, Michael was his name;
An old man, stout of heart, and strong of limb.
His ****** frame had been from youth to age
Of an unusual strength: his mind was keen,
Intense, and frugal, apt for all affairs,
And in his shepherd’s calling he was prompt
And watchful more than ordinary men.
Hence had he learned the meaning of all winds,
Of blasts of every tone; and oftentimes,
When others heeded not, he heard the South
Make subterraneous music, like the noise
Of bagpipers on distant Highland hills.
The Shepherd, at such warning, of his flock
Bethought him, and he to himself would say,
“The winds are now devising work for me!”
And, truly, at all times, the storm, that drives
The traveller to a shelter, summoned him
Up to the mountains: he had been alone
Amid the heart of many thousand mists,
That came to him, and left him, on the heights.
So lived he till his eightieth year was past.
And grossly that man errs, who should suppose
That the green valleys, and the streams and rocks,
Were things indifferent to the Shepherd’s thoughts.
Fields, where with cheerful spirits he had breathed
The common air; hills, which with vigorous step
He had so often climbed; which had impressed
So many incidents upon his mind
Of hardship, skill or courage, joy or fear;
Which, like a book, preserved the memory
Of the dumb animals, whom he had saved,
Had fed or sheltered, linking to such acts
The certainty of honourable gain;
Those fields, those hills—what could they less? had laid
Strong hold on his affections, were to him
A pleasurable feeling of blind love,
The pleasure which there is in life itself .

     His days had not been passed in singleness.
His Helpmate was a comely matron, old—
Though younger than himself full twenty years.
She was a woman of a stirring life,
Whose heart was in her house: two wheels she had
Of antique form; this large, for spinning wool;
That small, for flax; and, if one wheel had rest,
It was because the other was at work.
The Pair had but one inmate in their house,
An only Child, who had been born to them
When Michael, telling o’er his years, began
To deem that he was old,—in shepherd’s phrase,
With one foot in the grave. This only Son,
With two brave sheep-dogs tried in many a storm,
The one of an inestimable worth,
Made all their household. I may truly say,
That they were as a proverb in the vale
For endless industry. When day was gone,
And from their occupations out of doors
The Son and Father were come home, even then,
Their labour did not cease; unless when all
Turned to the cleanly supper-board, and there,
Each with a mess of pottage and skimmed milk,
Sat round the basket piled with oaten cakes,
And their plain home-made cheese. Yet when the meal
Was ended, Luke (for so the Son was named)
And his old Father both betook themselves
To such convenient work as might employ
Their hands by the fireside; perhaps to card
Wool for the Housewife’s spindle, or repair
Some injury done to sickle, flail, or scythe,
Or other implement of house or field.

     Down from the ceiling, by the chimney’s edge,
That in our ancient uncouth country style
With huge and black projection overbrowed
Large space beneath, as duly as the light
Of day grew dim the Housewife hung a lamp,
An aged utensil, which had performed
Service beyond all others of its kind.
Early at evening did it burn—and late,
Surviving comrade of uncounted hours,
Which, going by from year to year, had found,
And left the couple neither gay perhaps
Nor cheerful, yet with objects and with hopes,
Living a life of eager industry.
And now, when Luke had reached his eighteenth year,
There by the light of this old lamp they sate,
Father and Son, while far into the night
The Housewife plied her own peculiar work,
Making the cottage through the silent hours
Murmur as with the sound of summer flies.
This light was famous in its neighbourhood,
And was a public symbol of the life
That thrifty Pair had lived. For, as it chanced,
Their cottage on a plot of rising ground
Stood single, with large prospect, north and south,
High into Easedale, up to Dunmail-Raise,
And westward to the village near the lake;
And from this constant light, so regular
And so far seen, the House itself, by all
Who dwelt within the limits of the vale,
Both old and young, was named The Evening Star.

     Thus living on through such a length of years,
The Shepherd, if he loved himself, must needs
Have loved his Helpmate; but to Michael’s heart
This son of his old age was yet more dear—
Less from instinctive tenderness, the same
Fond spirit that blindly works in the blood of all—
Than that a child, more than all other gifts
That earth can offer to declining man,
Brings hope with it, and forward-looking thoughts,
And stirrings of inquietude, when they
By tendency of nature needs must fail.
Exceeding was the love he bare to him,
His heart and his heart’s joy! For oftentimes
Old Michael, while he was a babe in arms,
Had done him female service, not alone
For pastime and delight, as is the use
Of fathers, but with patient mind enforced
To acts of tenderness; and he had rocked
His cradle, as with a woman’s gentle hand.

     And, in a later time, ere yet the Boy
Had put on boy’s attire, did Michael love,
Albeit of a stern unbending mind,
To have the Young-one in his sight, when he
Wrought in the field, or on his shepherd’s stool
Sate with a fettered sheep before him stretched
Under the large old oak, that near his door
Stood single, and, from matchless depth of shade,
Chosen for the Shearer’s covert from the sun,
Thence in our rustic dialect was called
The Clipping Tree, a name which yet it bears.
There, while they two were sitting in the shade,
With others round them, earnest all and blithe,
Would Michael exercise his heart with looks
Of fond correction and reproof bestowed
Upon the Child, if he disturbed the sheep
By catching at their legs, or with his shouts
Scared them, while they lay still beneath the shears.

     And when by Heaven’s good grace the boy grew up
A healthy Lad, and carried in his cheek
Two steady roses that were five years old;
Then Michael from a winter coppice cut
With his own hand a sapling, which he hooped
With iron, making it throughout in all
Due requisites a perfect shepherd’s staff,
And gave it to the Boy; wherewith equipt
He as a watchman oftentimes was placed
At gate or gap, to stem or turn the flock;
And, to his office prematurely called,
There stood the urchin, as you will divine,
Something between a hindrance and a help,
And for this cause not always, I believe,
Receiving from his Father hire of praise;
Though nought was left undone which staff, or voice,
Or looks, or threatening gestures, could perform.

     But soon as Luke, full ten years old, could stand
Against the mountain blasts; and to the heights,
Not fearing toil, nor length of weary ways,
He with his Father daily went, and they
Were as companions, why should I relate
That objects which the Shepherd loved before
Were dearer now? that from the Boy there came
Feelings and emanations—things which were
Light to the sun and music to the wind;
And that the old Man’s heart seemed born again?

     Thus in his Father’s sight the Boy grew up:
And now, when he had reached his eighteenth year,
He was his comfort and his daily hope.

     While in this sort the simple household lived
From day to day, to Michael’s ear there came
Distressful tidings. Long before the time
Of which I speak, the Shepherd had been bound
In surety for his brother’s son, a man
Of an industrious life, and ample means;
But unforeseen misfortunes suddenly
Had prest upon him; and old Michael now
Was summoned to discharge the forfeiture,
A grievous penalty, but little less
Than half his substance. This unlooked-for claim
At the first hearing, for a moment took
More hope out of his life than he supposed
That any old man ever could have lost.
As soon as he had armed himself with strength
To look his trouble in the face, it seemed
The Shepherd’s sole resource to sell at once
A portion of his patrimonial fields.
Such was his first resolve; he thought again,
And his heart failed him. “Isabel,” said he,
Two evenings after he had heard the news,
“I have been toiling more than seventy years,
And in the open sunshine of God’s love
Have we all lived; yet, if these fields of ours
Should pass into a stranger’s hand, I think
That I could not lie quiet in my grave.
Our lot is a hard lot; the sun himself
Has scarcely been more diligent than I;
And I have lived to be a fool at last
To my own family. An evil man
That was, and made an evil choice, if he
Were false to us; and, if he were not false,
There are ten thousand to whom loss like this
Had been no sorrow. I forgive him;—but
’Twere better to be dumb than to talk thus.

     “When I began, my purpose was to speak
Of remedies and of a cheerful hope.
Our Luke shall leave us, Isabel; the land
Shall not go from us, and it shall be free;
He shall possess it, free as is the wind
That passes over it. We have, thou know’st,
Another kinsman—he will be our friend
In this distress. He is a prosperous man,
Thriving in trade and Luke to him shall go,
And with his kinsman’s help and his own thrift
He quickly will repair this loss, and then
He may return to us. If here he stay,
What can be done? Where every one is poor,
What can be gained?”

                                          At this the old Man paused,
And Isabel sat silent, for her mind
Was busy, looking back into past times.
There’s Richard Bateman, thought she to herself,
He was a parish-boy—at the church-door
They made a gathering for him, shillings, pence,
And halfpennies, wherewith the neighbours bought
A basket, which they filled with pedlar’s wares;
And, with this basket on his arm, the lad
Went up to London, found a master there,
Who, out of many, chose the trusty boy
To go and overlook his merchandise
Beyond the seas; where he grew wondrous rich,
And left estates and monies to the poor,
And, at his birth-place, built a chapel floored
With marble, which he sent from foreign lands.
These thoughts, and many others of like sort,
Passed quickly through the mind of Isabel,
And her face brightened. The old Man was glad,
And thus resumed:—”Well, Isabel! this scheme
These two days has been meat and drink to me.
Far more than we have lost is left us yet.
—We have enough—I wish indeed that I
Were younger;—but this hope is a good hope.
Make ready Luke’s best garments, of the best
Buy for him more, and let us send him forth
To-morrow, or the next day, or to-night:
—If he could go, the boy should go to-night.”

     Here Michael ceased, and to the fields went forth
With a light heart. The Housewife for five days
Was restless morn and night, and all day long
Wrought on with her best fingers to prepare.
Things needful for the journey of her Son.
But Isabel was glad when Sunday came
To stop her in her work: for, when she lay
By Michael’s side, she through the last two nights
Heard him, how he was troubled in his sleep:
And when they rose at morning she could see
That all his hopes were gone. That day at noon
She said to Luke, while they two by themselves
Were sitting at the door, “Thou must not go:
We have no other Child but thee to lose,
None to remember—do not go away,
For if thou leave thy Father he will die.”
The Youth made answer with a jocund voice;
And Isabel, when she had told her fears,
Recovered heart. That evening her best fare
Did she bring forth, and all together sat
Like happy people round a Christmas fire.

     With daylight Isabel resumed her work;
And all the ensuing week the house appeared
As cheerful as a grove in Spring: at length
The expected letter from their kinsman came,
With kind assurances that he would do
His utmost for the welfare of the Boy;
To which requests were added, that forthwith
He might be sent to him. Ten times or more
The letter was read over, Isabel
Went forth to show it to the neighbours round;
Nor was there at that time on English land
A prouder heart than Luke’s. When Isabel
Had to her house returned, the old man said,
“He shall depart to-morrow.” To this word
The Housewife answered, talking much of things
Which, if at such short notice he should go,
Would surely be forgotten. But at length
She gave consent, and Michael was at ease.

     Near the tumultuous brook of Green-head Ghyll,
In that deep valley, Michael had designed
To build a Sheep-fold; and, before he heard
The tidings of his melancholy loss,
For this same purpose he had gathered up
A heap of stones, which by the streamlet’s edge
Lay thrown together, ready for the work.
With Luke that evening thitherward he walked:
And soon as they had reached the place he stopped,
And thus the old Man spake to him:—”My Son,
To-morrow thou wilt leave me: with full heart
I look upon thee, for thou art the same
That wert a promise to me ere thy birth,
And all thy life hast been my daily joy.
I will relate to thee some little part
Of our two histories; ’twill do thee good
When thou art from me, even if I should touch
On things thou canst not know of.—After thou
First cam’st into the world—as oft befalls
To new-born infants—thou didst sleep away
Two days, and blessings from thy Father’s tongue
Then fell upon thee. Day by day passed on,
And still I loved thee with increasing love.
Never to living ear came sweeter sounds
Than when I heard thee by our own fireside
First uttering, without words, a natural tune;
While thou, a feeding babe, didst in thy joy
Sing at thy Mother’s breast. Month followed month,
And in the open fields my life was passed,
And on the mountains; else I think that thou
Hadst been brought up upon thy Father’s knees.
But we were playmates, Luke: among these hills,
As well thou knowest, in us the old and young
Have played together, nor with me didst thou
Lack any pleasure which a boy can know.”
Luke had a manly heart; but at these words
He sobbed aloud. The old Man grasped his hand,
And said, “Nay, do not take it so—I see
That these are things of which I need not speak.
—Even to the utmost I have been to thee
A kind and a good Father: and herein
I but repay a gift which I myself
Received at others’ hands; for, though now old
Beyond the common life of man, I still
Remember them who loved me in my youth.
Both of them sleep together: h
Sanja Trifunovic Jan 2010
If from the public way you turn your steps
Up the tumultuous brook of Green-head Gill,
You will suppose that with an upright path
Your feet must struggle; in such bold ascent
The pastoral Mountains front you, face to face.
But, courage! for beside that boisterous Brook
The mountains have all open'd out themselves,
And made a hidden valley of their own.

No habitation there is seen; but such
As journey thither find themselves alone
With a few sheep, with rocks and stones, and kites
That overhead are sailing in the sky.
It is in truth an utter solitude,
Nor should I have made mention of this Dell
But for one object which you might pass by,
Might see and notice not. Beside the brook
There is a straggling heap of unhewn stones!
And to that place a story appertains,
Which, though it be ungarnish'd with events,
Is not unfit, I deem, for the fire-side,
Or for the summer shade. It was the first,
The earliest of those tales that spake to me
Of Shepherds, dwellers in the vallies, men
Whom I already lov'd, not verily
For their own sakes, but for the fields and hills
Where was their occupation and abode.

And hence this Tale, while I was yet a boy
Careless of books, yet having felt the power
Of Nature, by the gentle agency
Of natural objects led me on to feel
For passions that were not my own, and think
At random and imperfectly indeed
On man; the heart of man and human life.
Therefore, although it be a history
Homely and rude, I will relate the same
For the delight of a few natural hearts,
And with yet fonder feeling, for the sake
Of youthful Poets, who among these Hills
Will be my second self when I am gone.


Upon the Forest-side in Grasmere Vale
There dwelt a Shepherd, Michael was his name.
An old man, stout of heart, and strong of limb.
His ****** frame had been from youth to age
Of an unusual strength: his mind was keen
Intense and frugal, apt for all affairs,
And in his Shepherd's calling he was prompt
And watchful more than ordinary men.

Hence he had learn'd the meaning of all winds,
Of blasts of every tone, and often-times
When others heeded not, He heard the South
Make subterraneous music, like the noise
Of Bagpipers on distant Highland hills;
The Shepherd, at such warning, of his flock
Bethought him, and he to himself would say
The winds are now devising work for me!

And truly at all times the storm, that drives
The Traveller to a shelter, summon'd him
Up to the mountains: he had been alone
Amid the heart of many thousand mists
That came to him and left him on the heights.
So liv'd he till his eightieth year was pass'd.

And grossly that man errs, who should suppose
That the green Valleys, and the Streams and Rocks
Were things indifferent to the Shepherd's thoughts.
Fields, where with chearful spirits he had breath'd
The common air; the hills, which he so oft
Had climb'd with vigorous steps; which had impress'd
So many incidents upon his mind
Of hardship, skill or courage, joy or fear;
Which like a book preserv'd the memory
Of the dumb animals, whom he had sav'd,
Had fed or shelter'd, linking to such acts,
So grateful in themselves, the certainty
Of honorable gains; these fields, these hills
Which were his living Being, even more
Than his own Blood--what could they less? had laid
Strong hold on his affections, were to him
A pleasurable feeling of blind love,
The pleasure which there is in life itself.

He had not passed his days in singleness.
He had a Wife, a comely Matron, old
Though younger than himself full twenty years.
She was a woman of a stirring life
Whose heart was in her house: two wheels she had
Of antique form, this large for spinning wool,
That small for flax, and if one wheel had rest,
It was because the other was at work.
The Pair had but one Inmate in their house,
An only Child, who had been born to them
When Michael telling o'er his years began
To deem that he was old, in Shepherd's phrase,
With one foot in the grave. This only son,
With two brave sheep dogs tried in many a storm.

The one of an inestimable worth,
Made all their Household. I may truly say,
That they were as a proverb in the vale
For endless industry. When day was gone,
And from their occupations out of doors
The Son and Father were come home, even then,
Their labour did not cease, unless when all
Turn'd to their cleanly supper-board, and there
Each with a mess of pottage and skimm'd milk,
Sate round their basket pil'd with oaten cakes,
And their plain home-made cheese. Yet when their meal
Was ended, LUKE (for so the Son was nam'd)
And his old Father, both betook themselves
To such convenient work, as might employ
Their hands by the fire-side; perhaps to card
Wool for the House-wife's spindle, or repair
Some injury done to sickle, flail, or scythe,
Or other implement of house or field.

Down from the cicling by the chimney's edge,
Which in our ancient uncouth country style
Did with a huge projection overbrow
Large space beneath, as duly as the light
Of day grew dim, the House-wife hung a lamp;
An aged utensil, which had perform'd
Service beyond all others of its kind.

Early at evening did it burn and late,
Surviving Comrade of uncounted Hours
Which going by from year to year had found
And left the Couple neither gay perhaps
Nor chearful, yet with objects and with hopes
Living a life of eager industry.

And now, when LUKE was in his eighteenth year,
There by the light of this old lamp they sate,
Father and Son, while late into the night
The House-wife plied her own peculiar work,
Making the cottage thro' the silent hours
Murmur as with the sound of summer flies.

Not with a waste of words, but for the sake
Of pleasure, which I know that I shall give
To many living now, I of this Lamp
Speak thus minutely: for there are no few
Whose memories will bear witness to my tale,
The Light was famous in its neighbourhood,
And was a public Symbol of the life,
The thrifty Pair had liv'd. For, as it chanc'd,
Their Cottage on a plot of rising ground
Stood single, with large prospect North and South,
High into Easedale, up to Dunmal-Raise,
And Westward to the village near the Lake.
And from this constant light so regular
And so far seen, the House itself by all
Who dwelt within the limits of the vale,
Both old and young, was nam'd The Evening Star.

Thus living on through such a length of years,
The Shepherd, if he lov'd himself, must needs
Have lov'd his Help-mate; but to Michael's heart
This Son of his old age was yet more dear--
Effect which might perhaps have been produc'd
By that instinctive tenderness, the same
Blind Spirit, which is in the blood of all,
Or that a child, more than all other gifts,
Brings hope with it, and forward-looking thoughts,
And stirrings of inquietude, when they
By tendency of nature needs must fail.

From such, and other causes, to the thoughts
Of the old Man his only Son was now
The dearest object that he knew on earth.
Exceeding was the love he bare to him,
His Heart and his Heart's joy! For oftentimes
Old Michael, while he was a babe in arms,
Had done him female service, not alone
For dalliance and delight, as is the use
Of Fathers, but with patient mind enforc'd
To acts of tenderness; and he had rock'd
His cradle with a woman's gentle hand.

And in a later time, ere yet the Boy
Had put on Boy's attire, did Michael love,
Albeit of a stern unbending mind,
To have the young one in his sight, when he
Had work by his own door, or when he sate
With sheep before him on his Shepherd's stool,
Beneath that large old Oak, which near their door
Stood, and from it's enormous breadth of shade
Chosen for the Shearer's covert from the sun,
Thence in our rustic dialect was call'd
The CLIPPING TREE, *[1] a name which yet it bears.

There, while they two were sitting in the shade,
With others round them, earnest all and blithe,
Would Michael exercise his heart with looks
Of fond correction and reproof bestow'd
Upon the child, if he dislurb'd the sheep
By catching at their legs, or with his shouts
Scar'd them, while they lay still beneath the shears.

And when by Heaven's good grace the Boy grew up
A healthy Lad, and carried in his cheek
Two steady roses that were five years old,
Then Michael from a winter coppice cut
With his own hand a sapling, which he hoop'd
With iron, making it throughout in all
Due requisites a perfect Shepherd's Staff,
And gave it to the Boy; wherewith equipp'd
He as a Watchman oftentimes was plac'd
At gate or gap, to stem or turn the flock,
And to his office prematurely call'd
There stood the urchin, as you will divine,
Something between a hindrance and a help,
And for this cause not always, I believe,
Receiving from his Father hire of praise.

While this good household thus were living on
From day to day, to Michael's ear there came
Distressful tidings. Long before, the time
Of which I speak, the Shepherd had been bound
In surety for his Brother's Son, a man
Of an industrious life, and ample means,
But unforeseen misfortunes suddenly
Had press'd upon him, and old Michael now
Was summon'd to discharge the forfeiture,
A grievous penalty, but little less
Than half his substance. This un-look'd-for claim
At the first hearing, for a moment took
More hope out of his life than he supposed
That any old man ever could have lost.

As soon as he had gather'd so much strength
That he could look his trouble in the face,
It seem'd that his sole refuge was to sell
A portion of his patrimonial fields.
Such was his first resolve; he thought again,
And his heart fail'd him. "Isabel," said he,
Two evenings after he had heard the news,
"I have been toiling more than seventy years,
And in the open sun-shine of God's love
Have we all liv'd, yet if these fields of ours
Should pass into a Stranger's hand, I think
That I could not lie quiet in my grave."

"Our lot is a hard lot; the Sun itself
Has scarcely been more diligent than I,
And I have liv'd to be a fool at last
To my own family. An evil Man
That was, and made an evil choice, if he
Were false to us; and if he were not false,
There are ten thousand to whom loss like this
Had been no sorrow. I forgive him--but
'Twere better to be dumb than to talk thus.
When I began, my purpose was to speak
Of remedies and of a chearful hope."

"Our Luke shall leave us, Isabel; the land
Shall not go from us, and it shall be free,
He shall possess it, free as is the wind
That passes over it. We have, thou knowest,
Another Kinsman, he will be our friend
In this distress. He is a prosperous man,
Thriving in trade, and Luke to him shall go,
And with his Kinsman's help and his own thrift,
He quickly will repair this loss, and then
May come again to us. If here he stay,
What can be done? Where every one is poor
What can be gain'd?" At this, the old man paus'd,
And Isabel sate silent, for her mind
Was busy, looking back into past times.

There's Richard Bateman, thought she to herself,
He was a parish-boy--at the church-door
They made a gathering for him, shillings, pence,
And halfpennies, wherewith the Neighbours bought
A Basket, which they fill'd with Pedlar's wares,
And with this Basket on his arm, the Lad
Went up to London, found a Master there,
Who out of many chose the trusty Boy
To go and overlook his merchandise
Beyond the seas, where he grew wond'rous rich,
And left estates and monies to the poor,
And at his birth-place built a Chapel, floor'd
With Marble, which he sent from foreign lands.
These thoughts, and many others of like sort,
Pass'd quickly thro' the mind of Isabel,
And her face brighten'd. The Old Man was glad.

And thus resum'd. "Well I Isabel, this scheme
These two days has been meat and drink to me.
Far more than we have lost is left us yet.
--We have enough--I wish indeed that I
Were younger, but this hope is a good hope.
--Make ready Luke's best garments, of the best
Buy for him more, and let us send him forth
To-morrow, or the next day, or to-night:
--If he could go, the Boy should go to-night."
Here Michael ceas'd, and to the fields went forth
With a light heart. The House-wife for five days
Was restless morn and night, and all day long
Wrought on with her best fingers to prepare
Things needful for the journey of her Son.

But Isabel was glad when Sunday came
To stop her in her work; for, when she lay
By Michael's side, she for the two last nights
Heard him, how he was troubled in his sleep:
And when they rose at morning she could see
That all his hopes were gone. That day at noon
She said to Luke, while they two by themselves
Were sitting at the door, "Thou must not go,
We have no other Child but thee to lose,
None to remember--do not go away,
For if thou leave thy Father he will die."
The Lad made answer with a jocund voice,
And Isabel, when she had told her fears,
Recover'd heart. That evening her best fare
Did she bring forth, and all together sate
Like happy people round a Christmas fire.

Next morning Isabel resum'd her work,
And all the ensuing week the house appear'd
As cheerful as a grove in Spring: at length
The expected letter from their Kinsman came,
With kind assurances that he would do
His utmost for the welfare of the Boy,
To which requests were added that forthwith
He might be sent to him. Ten times or more
The letter was read over; Isabel
Went forth to shew it to the neighbours round:
Nor was there at that time on English Land
A prouder heart than Luke's. When Isabel
Had to her house return'd, the Old Man said,
"He shall depart to-morrow." To this word
The House--wife answered, talking much of things
Which, if at such, short notice he should go,
Would surely be forgotten. But at length
She gave consent, and Michael was at ease.

Near the tumultuous brook of Green-head Gill,
In that deep Valley, Michael had design'd
To build a Sheep-fold, and, before he heard
The tidings of his melancholy loss,
For this same purpose he had gathered up
A heap of stones, which close to the brook side
Lay thrown together, ready for the work.
With Luke that evening thitherward he walk'd;
And soon as they had reach'd the place he stopp'd,
And thus the Old Man spake to him. "My Son,
To-morrow thou wilt leave me; with full heart
I look upon thee, for thou art the same
That wert a promise to me ere thy birth,
And all thy life hast been my daily joy.
I will relate to thee some little part
Of our two histories; 'twill do thee good
When thou art from me, even if I should speak
Of things thou caust not know of.--After thou
First cam'st into the world, as it befalls
To new-born infants, thou didst sleep away
Two days, and blessings from thy Father's tongue
Then fell upon thee. Day by day pass'd on,
And still I lov'd thee with encreasing love."

Never to living ear came sweeter sounds
Than when I heard thee by our own fire-side
First uttering without words a natural tune,
When thou, a feeding babe, didst in thy joy
Sing at thy Mother's breast. Month follow'd month,
And in the open fields my life was pass'd
And in the mountains, else I think that thou
Hadst been brought up upon thy father's knees.
--But we were playmates, Luke; among these hills,
As well thou know'st, in us the old and young
Have play'd together, nor with me didst thou
Lack any pleasure which a boy can know.

Luke had a manly heart; but at these words
He sobb'd aloud; the Old Man grasp'd his hand,
And said, "Nay do not take it so--I see
That these are things of which I need not speak.
--Even to the utmost I have been to thee
A kind and a good Father: and herein
I but repay a gift which I myself
Receiv'd at others' hands, for, though now old
Beyond the common life of man, I still
Remember them who lov'd me in my youth."

Both of them sleep together: here they liv'd
As all their Forefathers had done, and when
At length their time was come, they were not loth
To give their bodies to the family mold.
I wish'd that thou should'st live the life they liv'd.
But 'tis a long time to look back, my Son,
And see so little gain from sixty years.
These fields were burthen'd when they came to me;
'Till I was forty years of age, not more
Than half of my inheritance was mine.

"I toil'd and toil'd; God bless'd me in my work,
And 'till these three weeks past the land was free.
--It looks as if it never could endure
Another Master. Heaven forgive me, Luke,
If I judge ill for thee, but it seems good
That thou should'st go." At this the Old Man paus'd,
Then, pointing to the Stones near which they stood,
Thus, after a short silence, he resum'd:
"This was a work for us, and now, my Son,
It is a wo
David Ehrgott Nov 2014
A kid wakes up; tuns on the news
Sees the Texas police killing children again
What can I tell you?  You the few
Does anybody listen here, my friend

So this kid he gets a brainstorm
Let's keep killing more and more
I know I can be just like them
I'll go to school; **** all my friends
And it's
Monkey See, Monkey Do
Inspiration is so cool
Monkey See, Monkey Do
I'm a killer, how 'bout you

Where are all the fearless leaders?
Ain't there anybody left?
No, not that kid from jersey
Mobsters really aren't best

All politicians are are sinkholes
Usurping monies for their parties
It makes this country one big stink-hole
You know behind their backs they're farting

They passed the rest of all the guns out
More More More is all they shout-shout
This is great for all the children
Who sit scared ****-less at every grade school
but it's
Monkey see, Monkey do
One good leader showed us to
Monkey see, Monkey do
I'm a killer, how 'bout you?
neth jones Apr 2019
There's fierce work
Amoungst the Butchers
Tooling upon a diseased cattle cull
A mutter of meats
and turned pieces
To be discussed
by the Monies in charge
stained
wet and heated
Thick knit
Behind clothed doors.
Listen my dear daughter, to my first song of caution
Earmarked for you my wonderful sire, come and listen,
That tall old man with white hair all over his head
Standing over there is not good; he is gnomish in the mind
Be careful with him, he is not human in the heart
But a mermaid of Yoruba poetry, just like Thespis of Greece
Even the pecuniary psychopomp of Sweden gave him an accolade
His heart is selfishly full of avarice; he wants everything for himself,
Don’t recite him any of your poetry, lest he spells an abyss
Against your juvenile poetic talent, he will fool you with a gift;
A white sheep or a scarlet goat for your birth day anniversary
Please don’t take it or anything else from him, as nothing from him is genuine
But only machinations of evil spell aimed at mahyeming your talent
Finally to decimate your girlhood and life, this is my caution
For you dear little African girl.

Listen my dear little daughter, to my second song of caution
That short man in a Muslim gear loafing yonder, is suspect
The Muslim beret on his head is merely a smokescreen to aghastly behaviour
He is in no way an avatar of god of love and humane piety
He is a terrorist working with Boko Haram and Algaeda
He is an Alshabab that is bombing young girls in Mombasa and Nairobi
All over Kenya he has killed the young people; his long egret-white sari is not for holiness,
It is merely a nefarious sanctum of grenades, other tools of work in terrorism trade
His loudly prayers, body movements and pocket bursting monies are only a stunt
To have you kidnapped into death conduit, once you goof to join his courts,
His sanctimony is a total picaresque film, (s)heroes of terror the centerpiece
And thus, this is my caution for you dear little African girl.

Listen my dear daughter, to my third song of caution
Those tourists thronging our streets are deadly *** pets, they also skulk ****
Their handsome outlook is not a stamp to any good conscientiousness
They derive pleasure from poverty and *** tourism; they yearn to see a girl in poverty,
Often rarely will they help an African girl, out of milieu of beggarly squalorism,
Instead they go straight for the purse between your thighs,  
Regardless of the legacy they leave out of this lewdness, they are showy,
They regret not in their Byronic broadcast of *** and fatherless urchins in the poor streets
Foundation for their further poverty tourism, this is my caution for you dear little African girl.
Paul Roberts Apr 2012
Yes Spring has come to the land,
Mother Nature has shed her coat,
time to get off the couch and do what matters most. Live and have fun!
So I am out catching up on the chores and second duty, granddaughter watch,
prune here, rake there, now where has that little tike gone?
Perhapes if I give these little hands something to occupy,
why the best thing is a little water, yes that will bring a smile.
So here is the battle ground as  the scene unfolds.
She has a little pail, I have the garden hose.
Her duty, quite simple,place some water on the plants,
end result however, water on PawPaw's pants!
So only to even the score, mind you no harm intended,
was to give the little tike a squirt and the battle would have ended.
Oh no, not today! This little tink has got some guts!
Why with every squirt I give that girl, I get a pail of slosh!
So of course, being the elder here and quite mature I say,
I give that girl her monies worth and let out a real good spray!
Soon the chores are all forgotten and the plants need water no more,
end of the day I can say she may have even tied the score!
Wow how much water do these pampers hold?!
(Holding fire and water together)

I don't know why the rain keeps writing the
name of Nigeria on the ground in every corner.
I don't know why we are this broken and
tortured like the fragments of the dust.
I don't know why the Dapchi girls returned yesterday while their chikbok friends are
still in captive.
I don't know why every street in Nigeria is
known with an imprint of good leaders.
I don't know why we cry yet point accusation. fingers back to ourselves, who is fooling who?
I don't know why the sun cry here with a
closed lips.
I don't know why we keep writing love stories
while our brothers and sisters perish in shame!
I don't just know why but I think you should know.
Are you not the one that collected a cup of rice, clean notes and Abrahamic lie from them?
I won't speak ill of this land again,  I won't!
I won't judge any one, no, I won't for  the
sake of my unborn children.
No, I won't for the sake of what happened to Dele Giwa and Saro Wiwa.
We poets are abnormal psychologically.
We paints abstraction from the abstracts creating fears that might hurt those true patriots.
My muse fell out from me yesterday night,
When my television opened to a scene of genocide.
Men on pants, women on trousers painting out the tears made for people inhabiting hell.
Their laughters and smiles were printed to be archived among themselves.
I won't speak ill  of this country, no, I won't!
Because of my unborn children,
I won't!
But I will tell just one tale for them to remember
Of how monkeys carted away with our monies!
Of how Snake swallowed our currency!
Of how good our leaders are, I think you know!
I have been holding these demons in me until last night they came out horribly in fierce protest to revisit this land again.
To tell of those girls ***** under the bridge,
To ask why boys like me are named after me,
To speak against shadows of death lurking here and there.
Nigeria is grey and black, red and violent,
Retrieving this oceans of mysteries from the hidden abyss of grave corruption is the passport tabled on the pyramid top to recreate a versatile muses of a lyrics calling for a right to write our rights.
Take a walk to memory lane pass your shadow,  that of your father,  mother & grandmas
You will see a Nigeria in another angle trying to free herself from the grip of corruption, then, revisit her tears and struggles you will know we are the cause of our own misfortunes.!

©John Chizoba Vincent
FromAPenRefusingFrustrations
Organization and structure,
the balance of chaos and fear,
The confident sight full of luster,
The glow in the skies and the seas of the year.

waves and valleys combine their forces,
paint the world with shocks and tremors,
Clouds absorb the moving torches,
Lights and sounds that I remember.

The world I knew was once a kingdom,
riches treasures and monies abound,
Now the forces dissipate.... and I am all that I have found,

Lost Atlantis perfect love,
Feelings, colors, lights above...
Darkness covers all I know,
And I am only lonely...

Huh.
limerick or something similar. not perfect though.
Confessions of a Blessed Hedonist.( tri word line)  
  -1-                                                    ­                -3-
Lived this long,                                                 what makes change?
Time just flew,                                                   a metamorphosis divine?
Mind playing games                                        worms to butterflies,
Heart desiring ever.                                           saviors, angels, messiahs?
extreme cravings doused.                                 what makes humane,
opiates in zillions,                                               friends, lovers, brothers?
Cocktails, a million.                                           Destinies unknown working,
Endless revelries futile,                                       in times unconscious,
Loves instant, genuine.                                       drunken slumbers dead,
Clean beds crumpled,                                         uncaring deeds cruel,
Checkouts late rewarded.                                   Unmanly acts shameful.
-2-                                                    ­                       -4-
Friends dear betrayed,                                         maybe one dream,
Away bartered loves.                                           among nightmares plenty,
Much monies made,                                            that one love-germ,
Abandoned ethics many.                                    under in-differences heaped,
Gods all rejected,                                                  faint glimmering self,
Except the Hedonistic!                                         beneath mountainous egos,
World enjoyed fully,                                             a sparkling life-sign,
Life wasted lovely.                                                 in cemeteries silent.
Morphing every second,                                       causes matter not,      
Into grandiose nothing,                                         by destiny’s graces,
Skeleton cynical final.                                           gratefully unscathed still.
René Mutumé Jun 2013
We lay down together.  

Unable to move.  

Our smell the same.  

Skin stretched out.  

Holding each other’s hand.

The days and weeks we hadn’t been eating properly didn’t show on her figure as it did mine.  She still looked full.  

Muscles and waist growing tighter, thinner.  But hers,
Hers

Her face, *******, lips, hadn’t changed.

An animal in love with beauty.  Old beauty, future beauty.

Bulgaria, Estonia, Latvia.  We had been travelling Europe for some time.  That’s where we were.  One of those places.  All of them.

And the heat kept beating, making me sweat.  
It made her sweat too.  
But we always had enough energy to be together.  

                  As our bodies become hungrier, our need for each others skin increased.  
                  Her sighs and moans and thighs becoming louder.  Penetrating darkness.  
                  The cicadas.  Black trees.  Collapsing.  Grinding.  Feeding.

Our love, returning to dusk my dear...  

Giving life back to the morning.  Killing each other.
Controlling hell.

A stretch of green.  Hard hills.  
Sand inside our **** and hair;
The ground, and her perfect smell.

We stand-up, and continue to walk through the breeze towards the train station.
I pray the monies been wired.  We stop.  I pull her into myself.  
Tell her all these things.  

She smiles  
our bodies join  
and hills the size of Gods

                                                           ­      Became nothing again.

                                                         ­                          :::
            

‘We will be fine.’

She said gracefully.

                                                    ­                               :::

            

There was nothing at the station hardly  
but a shop was open in the blazing afternoon
the unknown shop-keeper didn’t smile
but sold us enough with what we had to get us drunk;

There were no people or trains/we had five hours to burn until the next one came
the day stretched out and up into the evening as we laughed and screamed like two boiling oysters drunk in a kitchen time passed into and through the hours we wound around each other like two fighting seas her thighs tensing with absolute strength on my lap moaning from her stomach and into the sky

as I did
we kissed again, slowly and absolute - celebrating release
making the day travel into night

my back lay against the cold wood of the station seat
we began to wind down.
and the need for hope faded as we both began to sleep

I said one last thing to her to make her laugh a little, before we rested in wait for the last train.

She began to curl into rest, her hair across my lap, but I notice that she sees one more thing before her eyes shut.  She was looking down to the end of the station where the entrance was.  Her eyes burst.  Her laughter stopped like a match being put out.  
Her nails dig into my leg.

I smile down telling her she can’t fool me with the same old tricks; then I look too.

He was coming.

He moved like slow clay.

‘No.’

‘There’s just one of him... I can take him.'

We have to get this train...’  I think.

His lips lay still like two grey worms on top of each other.  Emotion.
Less.  Moving towards us.

And there was no-where else for us to go.  No more running.  
And I wouldn’t have run even if I could.

And this is what I thought seconds before he was near us.





11.46 pm.
the train nears
the night mixing with the hopeless age of the station
gently moving her body to one side I began to run at the man walking towards us
i call every mutilated thought I can from my mind and air
silence them
and pour them only into my movemnet

He was Russian like her.  Old school Russian.  No sympathy for an English ******* wanna be saviour like me.

No sympathy.
I jumped into the air - I could see he hadn’t expected that  
the time I hung there expanded for miles dying slower than normal
i have time to see his cold receding head,
the lines across his wide brow/the shoulders of a man half-bull
eyes etched into wood
he looks up as I connect

I land an elbow directly to his face before I land fully catching him with my momentum
all of my weight landing on his nose and mouth
‘let this slow him down’  I ask fate
the adrenalin jack-knifing through my body like a restless rush of pure red almost bringing it to a halt
tt rocks him, a little...
next: left
left
straight right
the biggest one i've  
Blood.

His head hung slightly low in sudden contemplation and pain
he still has a lot left.  I think

A gorilla dancing with a fly.

i follow up with more punches
his hand shoots for my throat faster than I can react

I can punch.  But he’s taken many a man like me.  
I think




No air.




I hear Russian
And parts of the station again.
I hear her voice
Straight in its pitch and unchanging melody
But-without-the-laughter.  
I can tell she’s scared from the way she puts too many words in her sentences, too fast.  
I see his grey outline pushing a much smaller one against the wall.
I think about Natashka back inside one of those rooms.

I think about her sorrow and strong will.  
Defiant, but captive.  

I was certain at every turn that she was misleading me.  
(She was)
She had bent my logic so far back it stayed there and made sense again
like a wild contortionist miming a perfect song

I had travelled miles to find her
after three months of dream I finally did.

“ah Jerome”.  
She Said.

We drank and made love for hours.  
reality adjusted to us
not the other way around

dark forms behind the curtains of an apartment
a bed of velvet sweat
wrapped around you, inside you.  

*****.  No air.  New life.
  
“Jerome”  She said after three days.
“You-must-go.  I have lied.  They come here when I call them.  They make you give money...”
“I know hon.”  I said.

“Lets go.”

We made final, violent, love.  
And then left.
I will now owe ‘at least 25,000 Euro’s’ she tells me

I figure it’s all worth-it
“That’s alright”  I reply
and light up as we leave the building





My rib-cage roars into the ground with disgust and rage.  
My remaining spirit pours into my hands and knees as I rise.
A dead sprinter.
A dead man
still rising;
A spitting snarl.  A scream.
The rats are woken.  
Old angels are woken.  
And I ask all the beer drunk spirits that are close to help me.

I tackle him hard into the wall, we crash into Natashka
but she moves just in time, even his legs are heavy, they slow my rage,
i only manage to get one, its under my right arm, held with both hands, my left leg steps inside his remaining right, behind it, I pull, the trip works,
he falls.  

I hear the train.  I follow me in
again
all I have in the world is surprise
and his squat body is the strength of three of mine
emptied into one.

And at the maddest of times it’s the strangest of things you remember:  
i see the lights of the train flashing across her whole body
and for a moment she transforms
and is complete light...

I’ve climbing on top of him
i strike down with the madness of ten days drunk on whiskey.  
aortas ventricle pulse

His powerful fingers grasping at my limbs trying to stop me, but it’s no use.
spears made of bone ****** down into his face
and the old angels watch, as I connect, drooling and enjoying the show, happy to throw me a few chips

His arms begin to flop down like tired wild animals returning to sleep
and perhaps my fury and revulsion can break even him
my hands on her body;
i force her on the train with the last of our money
the conductors can only see two drunks fighting beside a beautiful bystander.
I force her on.

“Jerome.”  She says screaming.

A clay hand takes my breath again as it locks around my mouth from behind me.  
I manage to hold the door shut long enough while being suffocated so that the train is moving with her inside
and when the train is leaving, I finally feel joy.

“Jerome.”  She says still.

And  finally I hear not.  

Not the man choking me or the time of day.  
In the seconds that my lungs drown, I feel only the bliss of having known you, a last toast before I rest within the driving sea, salt-water changing my lungs
but I know my last action was with all my soul, my mind, my body.

Natashka, I drink to you, fully.  Finally.
This thought fills my gut.
His hands across my mouth, my eyes begin to shut.
Her smell.  

That was the last thing I thought about.



                                                       ­                                ...




I’m looking down at my body, the Russian’s beside me breathing hard.
Tired.  Big.

And then to my shock I see Natashka again.  
Walking from the far end of the station back to the area where all the scrapping happened;
one of her knees bleeding and ripped, she limps, as if something is completely broken, her foot perhaps, out of time with the rest of her body.  

She drags her handicapped body all the way towards me and clay man standing beside me.
I can only watch.
When her tattered body gets close, I get to see all the cuts, one side of herself is badly damaged where she jumped from the train
and dislocated half the joints in her body

And when she is only a reach away from him.  She touches his chest.
Hands that can change anything.

And I look at them both.  
And death saves you from nothing at all.  
You just observe the same things, at a slower pace, from a different position;

you try to tell the suicides this, but; few want to listen...
there’s nothing wrong with oblivion, just remember that once you’re there, you still need something to do...

I break down.  Knees hitting the ground.
I see her body slide into him, closer, her hand disappears behind his back
like thin snake wondering around a rock
searching

Now

she stands pointing his own gun at him.  A shot goes into his head.  No hesitation.  Now she looks down at me, beside my choked corpse, a gun still in her hand. Weeping.

My hand wants to reach up to her.  
I can't.  

Another bullet fired
it discharges through her mouth, destroying her head.

Now she lays down beside me too
between me and russian hit man

The station endures our blood as we bleed out
forming one river that trickles down onto the tracks and gutter
you can’t tell whose blood is whose
or who is bleeding out the most

I look up at a light-bulb in the roof;
it tenses one more time, making the mosquitoes dance in quiet frenzy, before it lets out a final scream, cracking out of life.  Going-out-softly.

My head comes back down and I see another person standing only a few steps away from me.

With a turn of her head she suddenly flicks me a half-smile
the kind she knows I like
the kind that rips the spirit right out from your chest and makes it feel good.

Before we begin to walk away together something makes me turn
and we both look behind ourselves. The Russian looks down at his body too, the lines in his face are still, and yet we know how he feels.

He looks across at us as we walk away down the tracks
we can see only the deep set hoods of his brow, shadows for eyes;
he moves his feet slightly so he now faces us flat

he raises one of his palms
as the other searches for his cigarettes
in the first movement I have seen him make casually all-day

I hear him say the words:

“Do svidaniya. Moi druz'ya. Byt' khorosho"

And although his language isn’t mine, I know this means:

"Goodbye."

"My Friends."

"Be well."

                                                         ­                             ...
Paula Swanson Dec 2010
If, entrusted were I, with a magical purse,
one that held what was needed, but not monies curse.
One that neither bulged, nor would ever be empty,
so when I reached down within, there I'd find plenty.

A handful of tolerance, I would pull each day,
to pass out to those in need, I met along the way.
I would take a fist full of hope, to toss aloft.
Scatter it among the throng, letting it land soft.

I would enter into the turf of gangs and their wars.
Trading peace for their guns, so they would **** no more.
I would go to Washington, there I would invest,
two handfuls of honesty, perhaps ten, would be best.

Charity, I would share, with those who live large.
Help them to give some away, so no one need starve.
I could change so many things and alter many lives.
But, I could also do harm and make so many cry.

As it is so easy, to think one self's above,
to take control of lives, forgetting about love.
So for myself, I'd take a bit to keep myself humble.
So that I and my purse, never, ever stumble
He was engrossed in his performance
in the enthralled silence of the audience
catching the subtlest notes from the instrument
as his supple fingers played with the strings
erupting into the finest blend of ragas
freeing the souls of all the stress
converging his heart into his music
eyes closed as in a transcendental state.

But I could not concentrate.

The face behind the beard and the unkempt hair
was familiar.

From a long distant day
I remember those fingers performed in a different way.

The afternoon I came back from school
and mom told me her monies were missing
and he was the only visitor to her room
waiting in the pretext of meeting me
but after a while leaving hurriedly.

He confessed and the money was recovered
but never again the breached trust.

The audience rose in ovation fingers clapping
my own frigid in remembrance
of another performance.
Traveler Jul 2021
This is the most expensive poem I will ever write
It cost more than you know to burn this bright
I’ll be using abstract character and archetypes
Bits and pieces of brilliant bright lights
You’ll get your monies worth
Of rhymes and rhythms
You’ll tell your family and friends a new muse has risen
Treasures will fill the coffers of your spirit’s journey
A golden key twisting within your heart eternally turning!!!

Now that you’ve been paid….
Keep the change and have a beautiful day!
Traveler 🧳 Tim
Minuscule Ego Jan 2019
A price that’s in the men shoes
He’s unclaimed and well schooled
Act his rhymes n’ mimic his friend too
Make him understand our sweeter shoo
Blend to been online with his touchy tools
Then play him around n' bring him to us too
Wherein he'll crave more for our added duties
A pleasure to bend n' subdue his struggling pities
And so you try to get me for all the monies n' fame
Hoping that my heart do cringe to the gains and aims
For in most man’s heart lies some greed n' impurities
But that testimony was short-sighted n’ less accurate
Dunamis and poverty - a borrower, the lender's slave
An experience to fail my rapture; a shameful swing
Which my hands cannot say – an immoral beauty
Whom my lips can not welcome; the school
The teacher - the minister
A princess n’ a bling
A frog as a king
He’s handsome
By gender
She's beautiful
in slander
A prince
An offender
A princess
The slanderer
The princess and a king
A soldier n’ a fling - a queen who’s ashamed
The offer that topped the shelf of supreme

That's us, both upside down and unclaimed
A soldier n’ a queen - a coward, a shame
The prince and a fling
A miss
A glamor
A mister
An amour
Unashamed
With clamor
Unmoved
By hammers
A miss in a glamour
A mister in an amour
The minister and a king
The majestic of single shoes
Who's keen to sense a moral beauty
Who sees the world as an interesting chaff
Dominate n' commoners; a sense of duty that
All must claimed from their individual combat
For in most men heart, here lies love n’ cruelty
To flamed the hearts n’ dance to pains n’ strife
So I sought to seize the life of  love and Faith
To pursuit a walk of dreams n’ less blemish
Where little is important than odd duties
Like turn me around and teach me you
Teach me to see another man’s shoot
Make me enjoy that creepiness too
Shade my mind and my drink too
Cause I’m unclaimed n’ uncool
A vice that's in a male shoes
Stop using our women to lure us to you
Say No to Homosexuality in Liberia
mark john junor Dec 2013
synopsis of trajectory type tragedy
the day after the dreaded day
and the meals limp leftovers now
stuffed into the bulging fridge
our new neighbour taps at the door with a
synopsis of trajectory type tragedy
she spills her daily story with soft sounds
all over the living room glass table
and plays with its entrails
while trying with halfhearted desperation
to pry certain monies from certain people
without being too specific cause then that'd be rude or something
her projectile vocal charade slowly subsides
into a vapour trail of trying to get her get well
out of the spare change the sing flier has left behind on
the last beer run of the night next door
he is passed acknowledging himself
her feet ignite the carpet
when the bag achieved is glory in her ***** pocket
she cooks her dinner in a spoon
and the night is
spent chasing the fluff across the spaces in her mind
and deep in bathroom mirrors
fascinated by the focus
and delicate operations it takes to get
the place into what it shouldn't be
she falls asleep with her hand in some old mans pocket
as the sun creeps over the lost horizon
she admits in a whisper
that we have become the lost children
that we have become shadows of what we once thought so grand
filthy clothes replace
the latest threads from the fashion house
and the newest thoughts are fresh off the press too
the defend the empire of the needy
and require the few to to fend for the many
but the reality is
we live hand to mouth
day to day
desperation is measured in moments
that you cannot answer the tears in her eyes
she rattles around the kitchen
making me coffee
and two eggs over easy
but her own breakfast she cooks in a spoon
the projectile tragedy was the last
thing i wanted to relive
but here she is on my living room carpet
my ex chatting with my current
and im in the other room
holding
out hope that someday you will cease
this and come home to stay
the candlelight denied its own shadows
it moved with the wind but resisted change
it was a late fall evening
and the wind had grown cold
with winters first touches
and there in the only light
she showed me her face full of trackless tears
and the troubled things that lay within her mind
the choice of changing words
never spoken clear never spoken quick
but the story they gave me was
a dark tale flowing from her past
the places she had been in the years
and how she was
hoping to come home at last
not going to delete...dont believe in censorship
So many politicians here in
My well-beloved-and-endowed country
Ought about to be donning
A dunce's cap for their foolery.
That we are still as a well-blessed nation
And especially in this 21st century
Here--when many with determination
Have been leaping forward in prosperity
Of their country's soul, body and mind,
Advancing in different walks of life;
While we're yet groping, straining to find
Like a drunk the orifice of his wife--
Is shameful. Amenities are a far cry;
The well-being of the populace be yet
Poor; maternal mortality rate is high,
Besides other diseases that cause death.
Politicians vain many a title flattering
Love, as well as to be singing their praises
For doing and achieving less than nothing,
When plenty souls daily poverty dire face.
To other well-marshalled countries do travel
They and see how things there be better run.
I, like many, wherefore do often marvel,
Why they can't situation around goodly turn.
The monies in Nigeria that are  being looted
Be beyond sufficient to fix the decaying
And nonexistent infrastructures. Well rooted
Is corruption, the chief cause of our pains harrowing.
wanderer Dec 2014
winter lips
press into her memory
bones aching with the fever of remembrance
quiet words raise half lipped appeasement
mostly scarring scars scar her mind but occasionally words stir up like rosebuds of alphabet soup
spelling out novels of repeated notes
picture picture picture
click click click
half lipped winds
greased strands flap loose flap in the loose whipped winds
white comforter white blanket white snow white southern comfort white south
corporate and government city lights counting monies
greased oil slicked back hair scalps scalped dentists appropriating native american hunting tools
scalped girl appropriating brown skin
winter lips kiss kiss kiss
from root to tip toe down the hallway to scar thighs
thigh highs soft like southern comfort white south and the blood is red
but red blood cells are combatants of white blood cells like
winter lips are combatants of
her thoughts
2 minute piece created whilst i was eating today
Micheal Wolf Mar 2013
Enter thy monies
Oh needy one

The door opens
Light ON

The door closes
Just you
No other

No space
No comforts

You sit
Relief abounds

An epiphany
Cathartic

But No!
No paper!!

Now sullied
In panic

No joy
Unit empty

A scramble
Your bag

A frenzy
Emptied now

A tissue!
A smile

A knock
A foreigner

A flush
A wash

Door open
An exit

An entrance
A grin
The path winded through the jungle their tread was cautious slow
Walk they must still a long way till the sun goes down below
They carried with them precious merchandise monies earned from trade
What dangers lay on their way what would befall them they were afraid.

They walked ceaseless in worried face their words broke the silence
The shadows lengthened it bothered them still long was the distance
As luck would have it there came along a retinue of tradesmen
They too were heading the same way carrying with them trade's gain.

Thank god we have met you for we carry with us good treasure
The way is not safe we have heard dangers lurk in immense measure
We would be secure if we travelled together in large number's strength
For our wealth we must safe keep till we reach the journey's length.


As was proposed so was done they befriended and resumed their way
Warmly chatting sharing anecdotes not knowing when passed the day
When came evening they halted at a place set up camps there  for the night
Unburdened themselves for rest and gossip enveloped in glow of moonlight.

They discussed business profits bargains the many losses and gains in deals
Smoking hookahs chewing betel leaves passing time till served their meals
When dinner was over they sat together shrouded in smoke and night's song
Basking in friendship not once doubting tomorrow would never come along.

Behind each man sat another one a silent sign game was on play
Eyes roamed on eyes death in disguise waited to fall on its prey
Then came one call ominous and small a voice said let's take break
In one clean swift sweep fastened handkerchiefs strangled the unaware necks.


In less than a minute stopped each heartbeat with such precision was it made
Bodies lay still the hunters got their **** without much struggle and bloodshed.
They buried each corpse leaving no trace the two groups became one
In the name of Kali they had used the noose got the ***** for a job well done.
No organized cult of killers has ever murdered as many people as the Thuggee. In the 1830s this Indian secret society strangled upward of 30,000 native people and travelers as a sacrifice to their goddess Kali, the Hindu Triple Goddess of creation, preservation, and destruction. The name Thuggee comes from the Sanskrit" sthaga", deceiver. William Sleeman, an officer in the Bengal Army appointed by Governor General Lord Bentinck rid India of the society of stranglers who were not seen after the 1850s.
Arlene Corwin Nov 2016
The Day Trump Tr-i-ump-hed

Trumpeting, he ******* and triumphed…
Did he, has he?
Thumping his way forward,
Jumping through the hoops of word and phrase,
Razing those that blocked his ways,
He dazed the lot.
Crazed, ablaze – or not.  But hot,
He took a stand,
But didn’t seem to understand (and may not still)
That energy attracts a gangland:
Thinking not that crowds could form,
Become a throbbing, clobbering or bombing mob:
A swarming army.

Young we heard,
You can’t take back the caustic word
Once in the air it’s there!
So rather than lie down
Crowds gather,
Drawing to themselves an anger,
War uncivil,
Civil war
                  once more,
And monies that he’s vowed to earn
Will burn in costs for crowd control, police patrol.  

The day that Trump was voted in
May not, in fact become a win -
For reasons manifold and sundry.

The Day Trump Tr-i-ump-hed 11.11.2016
Our Times, Our Culture II: Special People, Special Occasions,
Arlene Corwin
Ceida Uilyc May 2019
Sitting around the patchy tree stumps at Sagar’s Cafeteria,
Campus was not solitaria*.
Listening to songs saved on our tiny phones, decade ago,
We devoured the sound of silence and the fields of athenrye
Together.

We lit mary jane and made merry singing along to ***** Gun
in broad daylight without the purview of uni cam puns.
Who cared if it was just a five-minute break from Hemangadutta
Or Sheeba’s hungry call for relief,
we made it seem wakeable in the dewy morns.

Sagar’s had the tastiest samosa, chicken puff
and Tiger biscuits so cheap we could fudge it in the lassi whuff.
Days and months went by hovering around Sagar than classes.
We never saved pennies, we spent bills on choora
from our pocket monies for bura.
EFLU= English and Foreign languages university; my campus.
A dash of nostalgia.
*Solitaria= solitary-area
Drew Dockerty Feb 2013
Wish we lived in a move world where nice guys win and bad guy lose.
To be praised and thanked for hard work done, not just discarded once the gov says we were done.
To sit on a beach and watch the world revolve would be a dream, shame to know we were work bound and soon to be buried in the ground.
No golden handshakes or long good byes. 12 year service and soon to be done, not even to retire as all the gov monies gone.
Andy N Nov 2014
Abandoned like an unloved pet
just outside the outskirts of Rio
underneath some of the white
washed slums
you told me to wait there
while you went for help,

But of course you never returned
discarding all responsibility
glistening in the moonlight
returning to your car
and driving off like a panic led sprinter
before I realised,

Flying through the night
across Copacabana beach
pressing your hands
on the wheels like Excalibur
rising from the ground
before freezing halfway,

Cut and pasting your fear
with each mile
unsure which way next
across the sea front
towards the edge of the
Sugarloaf Mountain,

Then hiding in the shadows
of the Art Museum
in Sao Paulo,
before then running  
to the booths of
the Se Church in Sao Luis,

Among the Market sellers of
the Porto Allegra Public Market
in Rio Grande do Sol
trading monies for
blankets and hats,
in a vein attempt to disguise yourself

To smaller, less known places
Like all the way down
To Boa Vista
Where your car finally died,
And the Wreck of the Santa Maria
Where you was tempted to hide in

Or hide in the now
dis-used lighthouse
on Morro *****,
and watch the sunrise go up and down
each morning
until you went stir crazy,

Full well knowing
I would caught up with you
sooner or later
no matter
which way you ran

Eventually.
(An Writing Exercise at my writing workshop 'Writers of the third kind' designed to play a famous literature character in a total different location)
louis rams Aug 2010
Living in the ghettos in the big city
Rats and roaches was his company
No one to turn to, nothing to see
Living in poverty and misery.

A wife and two teenage girls is what made his world.
When he had made his wedding vows
He did not expect a change from then to now.

People losing their jobs every day
Hours being cut, and drops in pay.
He thought he had the future in his hands
But with life it’s just a scam.

From the suburbs to the ghetto streets
But he landed on his feet.
He found out that anyone can get
To the low point in life.
Where it affects him, his children, his wife.

Everything had to be put in storage
And then finally sold.
His furniture , his personal possessions
And what ever gold.

Surrounded by so many people in the same boat
He had to find a way to stay afloat.
He found other people who felt the same as he
And was tired of living in this poverty.

They decided to pool their monies every week
A new way of living they would seek.
They decided that abandoned buildings
And homes was the way to go.
And recognition the banks would soon know.

Every house and building they redid
With pride and care, and with the community
Their work they’d share.
Soon the entire community started
To take pride, and real estate they
Started to buy.

Now this community is the best around
Better homes can not be found.
HOPE, LOVE, PRIDE, DETERMINATION
Made this fantastic creation.
If they can do it, so can you
You just have to follow through.

Not many people do get out.
But this is what HOPE,
and  DETERMINATION is all about.
- From stories of hope series (continuing series)
Emily B Jan 2017
this is not a poem

I have been absent

for days and weeks.

I have been cleaning
and sewing

and trying to quiet the anger
that I can't control
in light of this new America.

They say there will be a day
when federal monies
will be revoked from arts programs.

I suggest we start looking for ways
to protect the voices
the ones that are real and true
*and not alternative
Alyanne Cooper Jun 2014
I have a hole in my stomach
And you think it's because I worry
About money or material possessions.
You take pity on me
For my young age and inexperience
And naïveity and general paucity.
You think you're magnanimous,
Benevolent and chivalrous.
To stoop to where I stand
In the gutter, covered
With the sweat and tears
And shards of a broken heart
Left behind by life's disappointments,
Stand alone with no one
To pull me up when I get knocked down
By the chaos that swirls
In the muck by my feet,
Stand weary and weakened
In body and soul
At having to combat the demons
Your memories invoke,
Stand lowered in your opinion
Because of my pauper's condition--
To stoop--a great commendation to your name.
But I don't care about your money,
Your gifts or your charity.
I've never cared about what you can do for me.
All I want is for once in our lives,
Your hand would reach out empty
Of things, of gifts, of material monies,
But full of kindness and empathy.

It's not what you do,
But who you are.
(Now words written some months back more urgent then ever)!

Trumpet call to action,
sans barreling totalitarian
tilt per prez zee dent shill faction
already wrecking ball -
even without Miley Cyrus - got traction.

Das boot Trump out-
(oust him to) Mexico or Waterloo
lip smacking gangs eagerly await
bully in White House and true
as Reince prescience fore tells poe
whit yawl get lucky strike
if keep Taj Mahal shaped shoo
fur deux hundred daze
starring scary motley crue.

╰☆╮I'm royal heir to peace mongering hoarders,╰☆╮
which comb hen might handy when borders
hermetically sealed, per heil hit lore
caw zing a furor with his stark orders.

Gestapo Re Don Dint (doomsday)
I dont wanna don a quack dynasty outfit,
or that of wood chucker
but...holy *******
kudos to heckler, who deems
steam roller Trump as one mean trucker.

Thus - for umpteenth attempt to post
with noah intention
to induce rabid reaction to roast
my *** (albeit scrawny just to be cheeky),
I duck rye America will burn like toast

if.... mister money bags reaches
full term finish line of presidential electorate,
he doth stick out pudgy leatherneck
with reassurance,
sans hiz safely guarded golf coast.

My anti Donald trump screed
WE MUST DO MORE THAN YODEL LOUD: all agreed
out....out...get...lest cruel nightmare har reed
thru legislation - ding ****
the witch's dead donald drake...freed

bigotry, derogatory hate, hence
out...of...here...without...his...coat...indeed
of...armor, nor golden golfing irons greed
dilly bought with monies usurped
unpaid/underpaid migrants MUST NOT heed
no passivity, who rightfully
feel indignant and teed.

I dune hot condone political measures
paws sauté fracas mane lion kapo - louse
jabbering indiscretion via his blouse
zee and breezy haughty snub nosed
air audacity, haughty, and superiority
on par with Doctor Zeuse
herewith continues poem,

I dashed off ala hill a re: huff - to douse
Auld don self serving trumpeting and gel lee
joie de vivre dystopian *******
inducing nostalgia fin d siecle
Barack Obama utopia of yesterday
now 45th lacking prez cred,

he doth thrive to squeeze gnarly paws,
around world asper hobnobbing
with bigwigs snatching grab-bag to carouse
invariably sparking angry birds viz
puffin that retweet his sewerage bilge -

strike horror tummy senses -
for antithetical opinions heed espouse
based on scary political fracas
and ominous nightmare whar mo' will grouse
to obstruct Trump accessing black keys to arouse

looming presidential nightmare
became real - gruff louse
he crushes sacred freedoms,
whence civilization goes off bluff
analogous to a rabid Tom cat
terminating the life of poor ole Mickey Mouse.

DUCK AFTER DUMP PING THE DON
air ring ma thoughts - no matter aye ham
juiced one twenty first century mwm ape
serves as genuine s cape
to fly (during pitch

black hours of night) and escape
burning effigies, where his jumbo jet,
a sonic boom stick bewitching like Snape
temporarily tough feign ruffled feathers sans ****
pay shuss selfish lust, when world
slides down behavioral sink into Old Rotten Gotham,
where he twill jape
at distant outlier from madding crowd a gape.

At sheer inanity trumpeting strumpets donning innate
prejudice and senselessness purr
blind faith toward self avowed demigod --
seize ***** viz Cesar

his hair coiffed and puffed like it whir
wind blown kickstart ting mobs to stir
paying bodyguards
to evict ruckus-causing murmur
oh...how the masses will let this country.

Go to hell in hand basket
and rack up stratospheric global debt
cause zing this one measly mortal male to fret
that totalitarian rule will force every man,
woman and child to march....het

two...three...four, while the billionaire
turns a third blind eye speeds away
in his foo fighter jet
argh...heavens to Betsy DeVos,
how did fickle finger of fate let

this pompous ***
vacuum majority votes across world wide net
to finagle vox populi,
and groom hooligan nasty ruffian thugs
with smashed face doughy as smart putty pet

bump ping uglies henchmen bedlam set
to create their own version of the tet
offensive, despite croup
bawling ashen faced deportees,

whose tears sentence innocent to po' ver tee
branding indiscriminately vet
so culled unwanted ill eagle "aliens"
labored with nose to grindstone

fingers to the bone vainly,
their American dream parched whence whet
long story short - pondering
rental circumstance will equal net

zero importance, and will be upended if this ret
chad, ewol, googly-eyed, gastronomic,
narcissistic bullish don will set
the spark for world war three -

via gone ah re: ha...ha...ha...to all vet
tureens within American crucible melting *** -
with backs whet
unless....Katrina and the Waves,
superman or Sabrina can oust him yet.
Aa Harvey Oct 2018
Assassin


A hooded figure watches over the sleeping.
Peacefully, suddenly colder, soon to be weeping;
A body of a thousand slumbers.
Tonight will be its final number,
For without sound or any sign of remorse,
Death has come, and in due course,
The time will come when the sleeper breathes no more.
The clock has not yet struck midnight.
Witches are waking their feral beasts and al-
So, their frogs are leaping,
And all the while he lays there sleeping.


His silk pajamas and knitted blankets.
The bottle he was given, he slowly drank it,
And now through snores, he hears no more,
The open door downstairs where footsteps call.
If only he could hear them passing,
Maybe he could somehow foresee the morning happenings,
But this is not a happy ending tale.
This is a time for woe; a rose upon a grail.
A dearly departed letter of discontent.
A scarlet rose has been placed upon his deathbed.


As the clock strikes, a metaphorical piercing knife.
The depths to which some men will delve,
And all in aid of a silent war.
A change in fortune for another who did not fall.
For this assassin was bought and he sold,
His service to another victim old.
For as he stood above his prey,
A bag of monies did come his way,
And with no word, a swift hand grabbed,
The jewels inside the felt covered bag.
All that needed to be said:
“It is not yet my time; send your services back instead.”


Now riches bulged from spoils of war.
The hooded figure waited until he could wait no more,
And on the chime of the seventh call,
The end appeared, a discovery made, the snorer was no more.
Only silence, through such violence.
The hooded figure was never seen again,
But the world had swiftly and suddenly changed.
His services would surely once again be called upon,
Lest his deeds become ineffectual and his tale too soon forgotten.


(C)2018 Aa Harvey. All Rights Reserved.
I'm falling in love with something hazy
the vagueness just seems to invite me
a magnet energized by closed eyes
that static that charges between balloons and hair
her screaming scarred my ear drums

Alive is an everywhere
just hate to be reminded of the tricks planted in language
to fill in the missing gap
In short, double recreate reality
what is the past but a fiction
it is a sly thing
to try and love

Seeing the line of the dead makes me sad
dreary are the things they prized
like televisions
and monies
there is a circle that repeats,yet
there is always an exit

space starts emitting radiation ballads
fought and tortured on the other side of the conscious mind
seeing realization is noticing the opposites
are both equal and fragile
the line between laughing and crying
is the width of a hair and a change of mind

I haven't been thinking or living.
Living unconsciously is dangerous
relies too much on luck and money.

The world I live in is less determined
that a form.
I am the idea.
Ominous Cloud.
David Ehrgott Nov 2014
Let's not try to save nirvana
It would't make sense to us son
Why would we try to stop the killing
When it's so much ******* fun

And who can blame any one child
Who witnessed twins-a-falling done
Then saw the world's second greatest leader
Shoot his good friend with a gun

Hey that's a human that's not mutton
You call that getting th-things done
Yes the news is also watched by children
That you have only taught a ton

Get that gun off of me now
And stop teaching kids insanity
Have not you learned by now
They only do what they see on T.V.

And look at t.v. greed taking monies
Destroying higher-er learning
Showing games that support violence
**** and anarchy

but us
We can't try to save nirvana
It wouldn't make sense to us son
Why would one try to stop the killing
When it's so much ******* fun
When it's so much ******* fun

— The End —