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"moma" poems
~ *Holding court at the Zanzibar, they looked on good nights like Egyptian Queens, like Ancient Babylonians. On not so good nights, they resembled Brassaï's Moma Bijou - "fugitives from Baudelaire's bad dreams", and even then they looked magnificent. Identity wasn't something you nailed yourself into in late adolescence. It was a trick of the light, and if you were to avoid burning yourself out, then you simply let the flames lick over you and turned the ashes into kohl.* ~
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Dec 30, 2021
Dec 30, 2021 at 11:47 AM UTC
The New Romantics
it was the Cubist who created the space and color that everywhere today assails our eyes in    uniform architecture and monotonous design; the various branches of modern art through tedious & exhaustive experiment      & research creating a massive cultural sinkhole whose banal discoveries unveil for all the sameness of form, line and color; Quote from Gorky's 'Camouflage', 1942: I like the heat; the tenderness; the edible; the lusciousness; the song of a single person in a bathtub full of water.                            I like Ucello, Grunewald, Ingres, the drawings and sketches for paintings    of Seurat and that man Pablo Picasso;                I measure all things by weight.                In text for MoMA, describing the 'Garden in Sochi' - series,                26 June 1942 I love Mougouch, Gorky's wife.                What about papa Cézanne; I like the wheat fields, the plow, the apricots, those flirts of the sun.    And bread above all. My lever is the purple; About 194 feet away from our house in Armenia on the road to the spring my father had a little garden with a few apple trees which had retired                              from giving fruit; this garden was identified as the _'Garden of Wish Fulfillment'_ often I had seen my mother and the other village women exposing their naked bosoms, taking the soft, dependable ******* in their hands & rubbing them on the rocks; above all this standing an enormous tree all bleached under the sun, rain & cold,  deprived of leaves. This was the Holy Tree [quoted in 1942] In text for MoMA, describing the 'Garden in Sochi' - series, 26 June 1942 I don't like that word 'finished'.     When something is finished, that means it's dead, doesn't it? I believe in everlastingness; I never finish a painting –   I just stop working on it for a while. I like painting because it's something I can never come to the end of; sometimes I paint a picture, then I paint it all out.    Sometimes I'm working on fifteen or twenty pictures at the same time; I do that       b/c I want to – b/c I change my    mind so often; The thing to do is      always to keep starting to paint;      never finishing the painting [quoted in 1948]
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Aug 20, 2018
Aug 20, 2018 at 4:39 PM UTC
Արշիլ Գորկին, տանիքի այծերը
it was the Cubist who created the space and color that everywhere today assails our eyes in    uniform architecture and monotonous design; the various branches of modern art through tedious & exhaustive experiment      & research creating a massive cultural sinkhole whose banal discoveries unveil for all the sameness of form, line and color; Quote from Gorky's 'Camouflage', 1942: I like the heat; the tenderness; the edible; the lusciousness; the song of a single person in a bathtub full of water.                            I like Ucello, Grunewald, Ingres, the drawings and sketches for paintings    of Seurat and that man Pablo Picasso;                I measure all things by weight.                In text for MoMA, describing the 'Garden in Sochi' - series,                26 June 1942 I love Mougouch, Gorky's wife.                What about papa Cézanne; I like the wheat fields, the plow, the apricots, those flirts of the sun.    And bread above all. My lever is the purple; About 194 feet away from our house in Armenia on the road to the spring my father had a little garden with a few apple trees which had retired                              from giving fruit; this garden was identified as the _'Garden of Wish Fulfillment'_ often I had seen my mother and the other village women exposing their naked bosoms, taking the soft, dependable ******* in their hands & rubbing them on the rocks; above all this standing an enormous tree all bleached under the sun, rain & cold,  deprived of leaves. This was the Holy Tree [quoted in 1942] In text for MoMA, describing the 'Garden in Sochi' - series, 26 June 1942 I don't like that word 'finished'.     When something is finished, that means it's dead, doesn't it? I believe in everlastingness; I never finish a painting –   I just stop working on it for a while. I like painting because it's something I can never come to the end of; sometimes I paint a picture, then I paint it all out.    Sometimes I'm working on fifteen or twenty pictures at the same time; I do that       b/c I want to – b/c I change my    mind so often; The thing to do is      always to keep starting to paint;      never finishing the painting [quoted in 1948]
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52
Why I’m not “All About that Bass” So I’m in my car cruising down i-49 When I hear a song with a kickin-baseline *I'm all about that bass,bout that bass no treble, i'm all about that bass I'm bringing ***** back go ahead and tell them* STOP Excuse me? When did ***** leave? How did ***** get there? Was ***** on vacation? Where they at tho? Yeah my moma she told me don’t worry about your size* But not because in a patriarchal society I am valued for my ratio Of hips to thighs as handle bars for my man to “keep me grounded” But because I was beautiful anyway I am not the number sewn into society like the waistband of my jeans I am the number of times I look into the mirror and say “hey **** And if society is too lazy to know that beneath these eyes but above these hips And behind this full chest theres a heart Lets be real Were not going to blame Meagan trainer She probably didn’t even write this song but why are we idolizing these who only look to sexulize the femaile body instead of holding us to a higher standard and just think you are perfect, thank you pink we can be stronger, thank you Kelly And no matter what we are beautiful, thank you christina Why aren't these the women we are idolizing? Because according to hot 107.9 its all about the ***** I am not something you can put into a box something you can stereotype Just because i have big thighs and a ***** to match doesn't mean i want it to be pointed out or catcalled every chance there is. my body your body everyones body is their own and deserves to be treated like its own perfect stronger more beautiful self. i am strong i am perfect i am beautiful my hips don't belong to you my ***** does not belong to you i do not belong to you And thats why im not all about that bass
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Feb 3, 2015
Feb 3, 2015 at 9:26 AM UTC
Why I'm Not All About That Bass
Why I’m not “All About that Bass” So I’m in my car cruising down i-49 When I hear a song with a kickin-baseline *I'm all about that bass,bout that bass no treble, i'm all about that bass I'm bringing ***** back go ahead and tell them* STOP Excuse me? When did ***** leave? How did ***** get there? Was ***** on vacation? Where they at tho? Yeah my moma she told me don’t worry about your size* But not because in a patriarchal society I am valued for my ratio Of hips to thighs as handle bars for my man to “keep me grounded” But because I was beautiful anyway I am not the number sewn into society like the waistband of my jeans I am the number of times I look into the mirror and say “hey **** And if society is too lazy to know that beneath these eyes but above these hips And behind this full chest theres a heart Lets be real Were not going to blame Meagan trainer She probably didn’t even write this song but why are we idolizing these who only look to sexulize the femaile body instead of holding us to a higher standard and just think you are perfect, thank you pink we can be stronger, thank you Kelly And no matter what we are beautiful, thank you christina Why aren't these the women we are idolizing? Because according to hot 107.9 its all about the ***** I am not something you can put into a box something you can stereotype Just because i have big thighs and a ***** to match doesn't mean i want it to be pointed out or catcalled every chance there is. my body your body everyones body is their own and deserves to be treated like its own perfect stronger more beautiful self. i am strong i am perfect i am beautiful my hips don't belong to you my ***** does not belong to you i do not belong to you And thats why im not all about that bass
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_New York                                after a trip to Mexico, & not finally explored_.    In 1991, shortly before he died,                                   Motherwell   remembered a "conspiracy of silence"                        regarding Paalen´s innovative role in the genesis of Abstract Expressionism. Upon return from Mexico,                       Motherwell               spent time developing his creative principle               based on automatism:    "what I realized was that Americans      potentially could paint like angels,              but that there      was no effective                        creative principle around,                      so that everybody      who liked modern art        was copying it;                            Gorky was copying Picasso;                          ******* was copying Picasso;                   De Kooni                                   ng was copying Picasso;               I mean,          I say this unqualifiedly,                   I was painting French intimate pictures or whatever:             All we needed was a creative principle,             I mean something that would mobilize this capacity to paint in a creative way,                   & that's what Europe                         had that we                         hadn't had;                                                 we had always followed in their wake                         &       I thought of all the possibilities             |               [                    ], [                 ]    of free association—because I also had    a psychoanalytic background & I understood the implications of—let's just say it might be the best chance                           to really make something entirely new which everybody agreed was the thing to do;" Thus, in the early 1940s,          Robert Motherwell played a significant role in laying the foundations for the new movement of Abstract Expressionism (or the New York School):                  "Matta wanted to start a revolution,  m [a movement w/in                    Surrealism].                   He asked me to find some other                   American artists that would help start   a new movement;                   it was then that Baziotes                                            & I went to see ******* & de Kooning       & Hofmann & Kamrowski &     Busa & several other people;      &                                           if we could come with something;      Peggy Guggenheim, who liked us said that she      would put on a show of this new business;      ... so I went around explaining         _the theory of automatism_      to everybody because _the only way_      that you could have a _move - - - ment_      was that it had some _common_                                                        _principle_. It sort of all began that way." In 1942 Motherwell began to exhibit        his work in New York and in 1944        he had his first one-man show at        Peggy Guggenheim’s _“Art of This Century”_ gallery;                   that same year,                   the MoMA                   was the first museum                   purchase one of his works;   From the mid-1940s,                   Motherwell [                   ], [                 ]. (            )                   became the leading spokesman                   for _avant-garde art in America_;                   his circle coming to include                                           William Baziotes,                   David Hare, Barnett Newman,                         & Mark Rothko, with whom he eventually             started the Subjects of the Artist School (1948–49). In 1949 Motherwell divorced             Maria Emilia Ferreira y Moyeros    and in 1950 he married Bettie                                                                   Little,                                                                   with whom he had two daughters
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Jul 28, 2018
Jul 28, 2018 at 11:18 PM UTC
Eli Simple as MOTHERWELL in "Automatic" [w/ Milky Toes as Peggy Guggenheim]:::NOW:::PLAYING:::w/ IT
_New York                                after a trip to Mexico, & not finally explored_.    In 1991, shortly before he died,                                   Motherwell   remembered a "conspiracy of silence"                        regarding Paalen´s innovative role in the genesis of Abstract Expressionism. Upon return from Mexico,                       Motherwell               spent time developing his creative principle               based on automatism:    "what I realized was that Americans      potentially could paint like angels,              but that there      was no effective                        creative principle around,                      so that everybody      who liked modern art        was copying it;                            Gorky was copying Picasso;                          ******* was copying Picasso;                   De Kooni                                   ng was copying Picasso;               I mean,          I say this unqualifiedly,                   I was painting French intimate pictures or whatever:             All we needed was a creative principle,             I mean something that would mobilize this capacity to paint in a creative way,                   & that's what Europe                         had that we                         hadn't had;                                                 we had always followed in their wake                         &       I thought of all the possibilities             |               [                    ], [                 ]    of free association—because I also had    a psychoanalytic background & I understood the implications of—let's just say it might be the best chance                           to really make something entirely new which everybody agreed was the thing to do;" Thus, in the early 1940s,          Robert Motherwell played a significant role in laying the foundations for the new movement of Abstract Expressionism (or the New York School):                  "Matta wanted to start a revolution,  m [a movement w/in                    Surrealism].                   He asked me to find some other                   American artists that would help start   a new movement;                   it was then that Baziotes                                            & I went to see ******* & de Kooning       & Hofmann & Kamrowski &     Busa & several other people;      &                                           if we could come with something;      Peggy Guggenheim, who liked us said that she      would put on a show of this new business;      ... so I went around explaining         _the theory of automatism_      to everybody because _the only way_      that you could have a _move - - - ment_      was that it had some _common_                                                        _principle_. It sort of all began that way." In 1942 Motherwell began to exhibit        his work in New York and in 1944        he had his first one-man show at        Peggy Guggenheim’s _“Art of This Century”_ gallery;                   that same year,                   the MoMA                   was the first museum                   purchase one of his works;   From the mid-1940s,                   Motherwell [                   ], [                 ]. (            )                   became the leading spokesman                   for _avant-garde art in America_;                   his circle coming to include                                           William Baziotes,                   David Hare, Barnett Newman,                         & Mark Rothko, with whom he eventually             started the Subjects of the Artist School (1948–49). In 1949 Motherwell divorced             Maria Emilia Ferreira y Moyeros    and in 1950 he married Bettie                                                                   Little,                                                                   with whom he had two daughters
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70
Revival of a revolutionary spirit What I represent? Dem single mother ******* children Uneducated, unmotivated, and poverty stricken Moma pay da rent, da car note, den broke, da game sumtm' slick So I'm young BLACK and angry, real thug-life ***** Infested communities of drugs and guns thats brought in by the government So before I move a pack o pull a trigga just tryna win I'm already guilty, 'until proven innocent' Ain't dat a ***** The days as slaves and Jim Crow's segregated ways have passed, Dey sayin' But I only see it disguised now as a 'color blind' racial caste system Crooked politicians and sellouts oppressing dey own kin In the 'pursuit of happiness' They're privatising prisons for capital Mass incarceration How could another life be property? With a loss of civil rights, even after release Take it ha you wona I'm anti-colonialism Everywhere the 'Albino' go he **** the land and oppress the people
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Oct 1, 2020
Oct 1, 2020 at 4:58 PM UTC
REBEL TALK PT.1
from "out the herd" a spare youth seeks the wild in you -------- "out there" most people are in poverty seeing DEATH constantly eye-to-eye --------- the "fodder" is good in this part of town, pardner! listen to MAMA GRIZZLY! ---------- we work so hard pretendin we arnt dyin all the time ------------- the HERD is dissolving! we are in the SLAUGHTER-HOUSE! its time to escape! --------- MOMA GRIZZLY is a brothel madam and you her *** slave ---------- we have no leaders just cow punchers driven us home to death ------------ come from the herd be wild be free ---- you and death and me
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Jan 15, 2011
Jan 15, 2011 at 11:03 AM UTC
on the horns
Unsticking our young dimpled thighs from the leather seats We swirl sodas, lemon bitter, in the back of your moma's old car with the fresh smell Banging our shins into the metal girding of Coney Island's landmark Ferris wheel, We were landmarks ourselves, clutching each other hard, squeals high in our throats Caught there with the lemon soda and honey grains of covered peanuts Salt Wind ruffled our hair and his name was Billy, he was ours for the summer We danced with him sharp and gentle on our legs covered in girl fuzz Isn't it just grand to have our taunts and jeers still rough in our bodies, Still young and sweet enough to draw lines across each other's palms, and promise We are Sisters; 'Cause you know tomorrow, we'll forget it all.
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Sep 30, 2012
Sep 30, 2012 at 10:00 PM UTC
Emily and Me
The Fillmore It’s cold these days, just ask a stranger, saw a show tonight at The Fillmore, Dave Chapelle with John Mayer, Dave mentioned the show, when I saw him at The SF MOMA, John signed my Frieda poetry book, that I got today from The SF MOMA, how am I so in the In Scene, yet at the same time such a Goner, come on we’re, trying to make Greatness, so there’s no time for the Procrastinators, and all of their lateness, got Volume 2, of The HH Trilogy, coming soon, 5/5/17, thought I’d put you on notice, I’ve noticed, they’ve noticed me, more than they used to, before The Trilogies, came back to America, from a few months in Australia, now I find when I go out, people recognize me, not sure when it happened, when my works became bigger than me, all I know is it happened, now people approach me like they know me, “Haven’t I seen you before?”, that’s a common one, I guess I’m somewhere between, Famous as Fck, and quasi-obsolete, I’ll probably be, gone but not forgotten, pardon me, I’m lost it happens often, caught up in the moment, high off life and coughin’, in the light trying to focus, off my head and on one, God **** God blessed, on with the show, and off with his head, and that’s cold, cold as a guillotine’s steel, cold as Chicago in the winter, when it’s 20˚ below before the wind chill, for real, it’s cold these days, just ask a stranger, saw a show tonight at The Fillmore, Dave Chapelle with John Mayer, Dave mentioned the show, when I saw him at The SF MOMA, John signed my Frieda poetry book, that I got today from The SF MOMA, how am I so in the In Scene, yet at the same time such a Goner, come on we’re, trying to make Greatness, so there’s no time for the Procrastinators, and all of their lateness, got Volume 2, of The HH Trilogy, coming soon, 5/5/17… ∆ Aaron LA Lux ∆ author of multiple best selling poetry books and publisher of more poems than any other living poet. ∆
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Jul 30, 2017
Jul 30, 2017 at 11:13 PM UTC
The Fillmore
The Fillmore It’s cold these days, just ask a stranger, saw a show tonight at The Fillmore, Dave Chapelle with John Mayer, Dave mentioned the show, when I saw him at The SF MOMA, John signed my Frieda poetry book, that I got today from The SF MOMA, how am I so in the In Scene, yet at the same time such a Goner, come on we’re, trying to make Greatness, so there’s no time for the Procrastinators, and all of their lateness, got Volume 2, of The HH Trilogy, coming soon, 5/5/17, thought I’d put you on notice, I’ve noticed, they’ve noticed me, more than they used to, before The Trilogies, came back to America, from a few months in Australia, now I find when I go out, people recognize me, not sure when it happened, when my works became bigger than me, all I know is it happened, now people approach me like they know me, “Haven’t I seen you before?”, that’s a common one, I guess I’m somewhere between, Famous as Fck, and quasi-obsolete, I’ll probably be, gone but not forgotten, pardon me, I’m lost it happens often, caught up in the moment, high off life and coughin’, in the light trying to focus, off my head and on one, God **** God blessed, on with the show, and off with his head, and that’s cold, cold as a guillotine’s steel, cold as Chicago in the winter, when it’s 20˚ below before the wind chill, for real, it’s cold these days, just ask a stranger, saw a show tonight at The Fillmore, Dave Chapelle with John Mayer, Dave mentioned the show, when I saw him at The SF MOMA, John signed my Frieda poetry book, that I got today from The SF MOMA, how am I so in the In Scene, yet at the same time such a Goner, come on we’re, trying to make Greatness, so there’s no time for the Procrastinators, and all of their lateness, got Volume 2, of The HH Trilogy, coming soon, 5/5/17… ∆ Aaron LA Lux ∆ author of multiple best selling poetry books and publisher of more poems than any other living poet. ∆
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Hi there Moma It's your one and only son How are things in heaven Are you having a lot of fun All here is good Moma Except I guess you know We get a little sad sometime Because you had to go We think about you often Well, really all the time And how good things must be Now that you are fine Today's your birthday Moma Are you going to celebrate With Jesus and everyone Did Grandma bake you a cake I won't keep you long Moma On this your special day I just wanted to write And tell you Happy Birthday! I wrote this in remembrance of my beautiful mother who now calls heaven home and Jesus her neighbor. I love you Moma as much today as I did when you were here. I cannot wait to see you. This world was made a better place on Feb 21 1945 and then you left for that perfect place on June 27 2005 For 63 years your smile brought comfort to all who were blessed to have known you. Love you Moma Your number one son Robbie Lee
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Feb 21, 2014
Feb 21, 2014 at 7:25 AM UTC
For My Moma On Her Birthday
I've always been one to stand and wave goodbye When a loved one leaves my home Stand and wave and watch till they are out of sight It's just something I've always done Like when mom and dad came to visit I think it was in the spring When the temperature was starting to warm And the birds were beginning to sing We would gather around the supper table I'd get my Moma to laughing at me Then she'd look outside and say "It's getting dark" Then tell dad it's time to leave I'd walk them both out to their car Moma always had a few last words to say I'd hug and kiss her tender cheek Then I'd stand and wave as they drove away I'd stand there and wave goodbye Till mom and dad were out of sight I only wish I could remember though The date that marked that night Moma always waved right back Till in the distance behind she could no longer see I waved goodbye see you soon And Moma waved the same to me That day I never thought that never again Would Moma visit my home on a spring time day I never knew that would be the last time I waved Goodbye as they drove away Moma if you can hear look down from heaven See me as I wave It's not a wave goodbye but see you soon For I to am on my way. RLB Recalling the last time my mother came to my house to visit. Someday we will never again wave goodbye. Love you Moma .
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Feb 10, 2015
Feb 10, 2015 at 7:22 AM UTC
Waving, See You Soon
200,000 200 K 200 thou Reads as of today I wrote of Orion And silly sleigh rides Wrote about hometowns And passionate nights ****** damnable wars And narcissistic politicians Wrote sorrowful elegies Extolled the human condition Offered odes to loved ones And critiqued the powerful Celebrated the splendor of nature And children most wonderful Honked loud about jazz And hot improvisation Poked fun at the MoMA Held deep blue introspection We got many more reads Than actual likes I’m growing concerned That I have more dislikes But here is one more Silly trite poem I hope you like it You can read it at home Thanks for all your support…. Simon and Garfunkel Poem on the Underground Wall Love Mac….. Oakland 5/23/16
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May 26, 2016
May 26, 2016 at 12:58 PM UTC
200,000 Reads
negotiating modernity at the MoMA one's pushed along mass conveyances inertial rush an intractable force surer then the weight of Newton's gravity routes precarious contemplative moments nails scratching Pollack's #9 in desperate attempt to hold ground Mall of America's crushing crowds vagrants pacing the large garages barely glimpsing composite walls the open spaces bagging fast food art not a bit of intimacy in the **** place Music Selection Ornette Coleman with Eric Dolphy Free Jazz 2/24/11 NYC jbm
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Nov 15, 2011
Nov 15, 2011 at 8:41 AM UTC
MoMA
If your moma told you it was all flowers She was lying There is so much bad Its easy to succumb And lose yourself We all do sometimes You must decide Live it everyday Pave your way Because no-one else will What do you want around you Choose carefully We only get so many We have limited time Use it wisely
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Jun 21, 2014
Jun 21, 2014 at 3:27 AM UTC
Don't be a weak link
There was a boy, blue drowned eyes with the horse hair rooted from the top then drooped in the face. Hair so itchy and greasy, It caused acne. He was thin, sideways toothpick and collarbone shown. Isn't his fault he doesn't like the taste of sour dough bread and tap water. People at school abuse him. They don't understand why he wears the mustard stained turtleneck every Tuesday, There's no washing machine. Socks are worn through every winter, They start to soak and mildew. His toes freeze up. He clutches his stomach and bites his lip, If anyone heard the grumble they'll wonder. There are no games at his house, no swing, no back porch. No carpet to rub on, no Christmas. Instead, He wears his flannel pajama pants that flood to the knee. His mama and pop love him so much, They squeeze into a home with one room. The boy gets the room. The boy's heart is as big as it'll ever get. His compassion for dance, His compassion for learning. He may not have a penny in his holy pockets, Or a brush for his knotted hair, But with the support from moma and pop, The boy can have sky blue eyes that don't drown.
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Feb 25, 2015
Feb 25, 2015 at 9:50 AM UTC
Gratefulness is The Key
i told you thanksgiving was my favorite holiday when i forgot to give tradition something to prop itself up on i lost the code to your apartment and now i walk the two vertical and one horizontal blocks to your house and peek inside the mailbox for a security question and answer session. have you considered sending a postcard from where you are now, or does the idea of you having an affair with the mailman stop your conscience from turning on snooze? when my body is cremated and my lungs turn to dust who will stop me from sending extremely drunk texts while being extremely drunk? try commissioning somebody to make a marble statue out of you. find out you were overcharged when it turns out to be just a huge clump of marshmallow fluff, when you're lactose intolerant, when your kids are gonna have it even better than you did and you had it really good. you take your kids to MOMA, and i wonder why we never had *** outside except for sometimes on your balcony under a quilt. i'm not upset about it because it'll be 2065 soon and outside will be obsolete and you and i will be something similar to the Byzantium period where we have to struggle to remember it existed.
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Nov 11, 2015
Nov 11, 2015 at 3:43 AM UTC
feelings about squash
amidst cavorting delightfully, enjoying thorough frolicking gingerly, foreign hick hating slo hip-hopping insouciantly sustaining row biological status quo kvetching lamely moreso mother became pro naturally physically rumbling,    heard all the way in Oslo    supposedly twerking, undulating vivaciously wantonly x2c wisely yielded – nada no    zona pellucida anchored byte size ******    potent embryonic fetal moe newlweds nocturnal merriment    moma's ****** marked march 1959    lovingly joyusly, insemination happened ha low bullseye clenched diploid fertilization    guaranteed germinating heiress    while squaqking lichen Apache at Diablo    ma late mother did should know upon awakening upon tautly stretched exertion    during dilating ****** which jiggled like jello three score orbitz round el sol, warmed cockles    and muscled away brutally cold degrees    tab billed an igloo,    or circa six decades    drafted exuberant ho...ho...ho... cuz, i.e. thencee at 362nd day    baby in belly did fully grow December first nineteen fifty seven    sanctioned newly minted papa      to sing a capella for he's a jolly good fellow    quintessential nascent    kickstarter heady everflow though wintry dark,    a “hi” beam illuminated    newborn girl with dayglow sans, mechanical engine ear    papa (an honorably discharged army vet)    all spit and shine groom,    who wed a bride somewhat callow first time parents with giddiness did saul fully bellow Boyce and Harriet Harriet countenance    twas (like an elf on Christmas eve) all aglow. -------------------------------------------------------- Dear Sis – I knew not what else to do thus, this poem crafted fur ewe a doe ting maternal gal – whose time on Earth flew
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Nov 10, 2017
Nov 10, 2017 at 1:09 AM UTC
Patterson, New Jersey circa December 1st, 1959
amidst cavorting delightfully, enjoying thorough frolicking gingerly, foreign hick hating slo hip-hopping insouciantly sustaining row biological status quo kvetching lamely moreso mother became pro naturally physically rumbling,    heard all the way in Oslo    supposedly twerking, undulating vivaciously wantonly x2c wisely yielded – nada no    zona pellucida anchored byte size ******    potent embryonic fetal moe newlweds nocturnal merriment    moma's ****** marked march 1959    lovingly joyusly, insemination happened ha low bullseye clenched diploid fertilization    guaranteed germinating heiress    while squaqking lichen Apache at Diablo    ma late mother did should know upon awakening upon tautly stretched exertion    during dilating ****** which jiggled like jello three score orbitz round el sol, warmed cockles    and muscled away brutally cold degrees    tab billed an igloo,    or circa six decades    drafted exuberant ho...ho...ho... cuz, i.e. thencee at 362nd day    baby in belly did fully grow December first nineteen fifty seven    sanctioned newly minted papa      to sing a capella for he's a jolly good fellow    quintessential nascent    kickstarter heady everflow though wintry dark,    a “hi” beam illuminated    newborn girl with dayglow sans, mechanical engine ear    papa (an honorably discharged army vet)    all spit and shine groom,    who wed a bride somewhat callow first time parents with giddiness did saul fully bellow Boyce and Harriet Harriet countenance    twas (like an elf on Christmas eve) all aglow. -------------------------------------------------------- Dear Sis – I knew not what else to do thus, this poem crafted fur ewe a doe ting maternal gal – whose time on Earth flew
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(  (  (                                 •                         )  )  )                                                                             ( you ?  ) //////                                                       The hermit in the cabin .... (?) He just made 20 million dollars E trading on the stock market ! /: / ( pant pant pant pant ) •• •• The lovely earth moma hippie girl Has been refigured as a NEW AGE HOTTIE CORPORATE ***** !   ( pant pant pant pant ) •• •• AND LOOK ! Again we see ! THE BLACK BODY HANGIN FROM THE LYNCHIN  TREE ! ( **** **** **** pant pant ) •• •• IT'S  A BRAND NEW WORLD ! // As the shape - shifting alien invaders Who have us all trapped in the MATRIX like to say !
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Nov 29, 2014
Nov 29, 2014 at 2:17 PM UTC
Awake / is good ! /// Asleep / is also fine !
I don't know if you sat down next to each other in the metro I don't know if you danced with no space between you two I don't know if you kissed on top of the Rockefeller I don't know if you gave her a letter too I don't know if you held hands Or if you took a cute picture at the MoMa I don't know if she laid down next to you and touched you the way I did I don't know if you kissed her goodbye too I actually don't know what you two could have done because probably there's things you did that I can't imagine, all I know is what I wish I have done if I was there with you in New York
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Aug 22, 2022
Aug 22, 2022 at 11:49 PM UTC
I don't know what happened in New York
. Lives mingle  here And love is born • • ( there is No love in isolation ) ::               :: we are the wholeness of creation you are the embodiment of all there is Carried in the heart of the people ::: King and Queen Breath by breath Enter completely And conquer death // ( she took her wussy to the highway Just like moma did ! ) --- she was a good kid --- Looking for her MAN ! • Then she came to the "marketplace " Where lives mingle And love is born :: We are the wholeness of creation // We breath We live and bring to life Lives mingle And love is born // We are life We live we love and are loved // Those who " fell " In love Get up so slowly From the ground •• .
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Dec 8, 2015
Dec 8, 2015 at 2:58 PM UTC
.... down to the " marketplace "
*I want to take you to an art museum, but I'll spend the entire time looking at you because you'll be the most breathtaking thing in the room. Once we're there I'll try and memorize every curve and every line of your face as if I were a sculptor and I was assigned the lofty task of immortalizing your beauty. I'll come home and dream about you- your profile engrained into my memory, and the image of your smile soft and sweet enough to banish my nightmares. I want to take you to an art museum, and I want to hold your hand the whole time, feeling your reaction to each piece before us and letting it resonate within me. Pick a painting that intrigues you and we'll stand in front of it; I want to know what about this art compels you so that I may learn to do the same. We'll stand quietly, together, side by side, because this is a space where we can share our silence- I want to be guided only by the pull of your hands and eyes. I want to take you to an art museum because once we walk outside together, I'll have fallen in love with you and what more could I possibly want?*
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Jul 22, 2018
Jul 22, 2018 at 1:43 AM UTC
My Inner Monologue at the MoMA
I give up aleast for now or maybe for a couple more years Is not that I'm jaded Its just that im sick of ******** I give love to wrong person Who i though they be their for me What happend to forever and always You keep twisting your words cause your nothing but a self righteous sacubus And Im ashamed i hurt your feelings Cause that don't make you a better person I should of walked away when i saw the red flags I was foolish thinking you where different But your just a actress You play a thr victim And i see your situation Is a karma Just like your moma And your sister Is such a shame i let my self believe you where different but i know deep down your just no good for my heart Things would of been good if i didn't fell in love .
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Mar 15, 2016
Mar 15, 2016 at 11:56 PM UTC
**** love
What has the world become when a projection of a cat drinking milk is labeled ART - is of high enough importance to be thrown into a museum, next to Matisse no less! We've lost our way when there are folks out there - decent, intelligent people - working on masterpieces that will never see the light of day because you are stuck reading my obnoxious dribble - or staring at a room filled with sand.
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Apr 6, 2017
Apr 6, 2017 at 12:10 PM UTC
SF MoMA
He skulks around late at night, all hollow innocence to swallow, beast within burns his fire - demonic Dorian Gray, an infinity of void, reflecting through mirrors of lead The blood is the lifeforce of the words, it flows it's the rhythm that keeps on flowing, crimson -- Lifeforce within, flowing, like rivers in some ******* babylon, baby, pregnancy of the earth boom boom vampire bite, what a fright, burned eyes boo boo -- trapped in this zoo, man - caged beast, man. Every man is a caged beast, controlled and tied up, flawed creature, bashing head against the bars and poets? They are the most flawed of all, dreaming of escape, no hope, scraping the claws against the wall. Red crimson lifeforce flows, big bang bachelors drinking in noir nights, feeling the fright of the big girls against the ceilings, their dreaming lips which siren lust and *** screaming in the night siren. Bountiful **** ******* Sirens of *** burning in the night, hemp smoking in the corner, drink more, smoke more, **** more, feel more - red - red - red - red blood / blood / blood Give it in, keep it burning in your veins, through the heart that brain, it needs something to keep on ticking like the grandfather clock, tick tock tick tock feed your **** red crimson moon, find a girl treat her right, be tight with the devine that feline moma won't wait around forever so don't expect her too, just treat her right be tight, and hold her in the night, out of sight nebula dreams with your love, sozzled right. Wasted and burnt by your eyes. Seal her red within with your tears of divinity and bleed for her too when you need to. Red, like the colour of a rose, or at least the bleeding of a moon. Bada bing, bada boosh.
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Jan 5, 2018
Jan 5, 2018 at 8:41 PM UTC
Red
He skulks around late at night, all hollow innocence to swallow, beast within burns his fire - demonic Dorian Gray, an infinity of void, reflecting through mirrors of lead The blood is the lifeforce of the words, it flows it's the rhythm that keeps on flowing, crimson -- Lifeforce within, flowing, like rivers in some ******* babylon, baby, pregnancy of the earth boom boom vampire bite, what a fright, burned eyes boo boo -- trapped in this zoo, man - caged beast, man. Every man is a caged beast, controlled and tied up, flawed creature, bashing head against the bars and poets? They are the most flawed of all, dreaming of escape, no hope, scraping the claws against the wall. Red crimson lifeforce flows, big bang bachelors drinking in noir nights, feeling the fright of the big girls against the ceilings, their dreaming lips which siren lust and *** screaming in the night siren. Bountiful **** ******* Sirens of *** burning in the night, hemp smoking in the corner, drink more, smoke more, **** more, feel more - red - red - red - red blood / blood / blood Give it in, keep it burning in your veins, through the heart that brain, it needs something to keep on ticking like the grandfather clock, tick tock tick tock feed your **** red crimson moon, find a girl treat her right, be tight with the devine that feline moma won't wait around forever so don't expect her too, just treat her right be tight, and hold her in the night, out of sight nebula dreams with your love, sozzled right. Wasted and burnt by your eyes. Seal her red within with your tears of divinity and bleed for her too when you need to. Red, like the colour of a rose, or at least the bleeding of a moon. Bada bing, bada boosh.
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38
Hey you gal, com’ere You notice seh, when word gone round, And people affie frown and deh look pon you. Mi nah say nothing. When word gone round, And people affie frown, And deh look pon me, Why yeah fi see me? You haunted or summthin? Vanilla on cream, Think she prettier then me, You nah nothing Hey goodie, with your white gal ‘air Only thing you better dan me, Is ******* that wood like a lolly lolly pop. Why you affie be so bad mind You have a sad mind, Two tiny ***** knocking side to side, Coming up to me, with ya smile in hand, Yeah lie, yeah lie Me nuh see you, you affie be somebody fi see Hey you gal, you think your better then me? With ya boyfriend Who ya naw even see, see Bringing home hickeys, And deh gurls seh she nah even mean dem. Hahahahahaha Go **** back ya moma Ya, luckier then me!!!
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Feb 27, 2019
Feb 27, 2019 at 3:55 PM UTC
Better then me
^ ^ ^ ^ = ( ) = = = = O = ( ) ( ) #### She sings ! /// Come come home Mama is cryin cryin Yep That's what she sings •• All the world's a stage The name of the play ? Guess that's up to you ! •• Me ? I'm goin home to moma ( Caint take that cryin ! ) Take it from the top Is what I say • Gotta find me some real people Sick a just seein This masquerade
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Aug 19, 2014
Aug 19, 2014 at 2:03 PM UTC
I need your lovin