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Bouazizi’s heavy eyelids parted as the Muezzin recited the final call for the first Adhan of the day.

“As-salatu Khayrun Minan-nawm”
Prayer is better than sleep

Rising from the torment of another restless night, Bouazizi wiped the sleep from his droopy eyes as his feet touched the cold stone floor.

Throughout the frigid night, the devilish jinn did their work, eagerly jabbing away at Bouazizi with pointed sticks, tormenting his troubled conscience with the worry of his nagging indebtedness. All night the face of the man Bouazizi owed money to haunted him. Bouazizi could see the man’s greasy lips and brown teeth jawing away, inches from his face. He imagined chubby caffeine stained fingers reaching toward him to grab some dinars from Bouazizi’s money box.

Bouazizi turned all night like he was sleeping on a board of spikes. His prayers for a restful night again went unanswered. The pall of a blue fatigue would shadow Bouazizi for most of the day.

Bouazizi’s weariness was compounded by a gnawing hunger. By force of habit, he grudgingly opened the food cupboard with the foreknowledge that it was almost bare. Bouazizi’s premonition proved correct as he surveyed a meager handful of chickpeas, some eggs and a few sparse loaves. It was just enough to feed his dependant family; younger brothers and sisters, cousins and a terminally disabled uncle. That left nothing for Bouazizi but a quick jab to his empty gut. He would start this day without breakfast.

Bouazizi made a living as a street vendor. He hustles to survive. Bouazizi’s father died in a construction accident in Libya when he was three. Since the age of 10, Bouazizi had pushed a cart through the streets of Sidi Bouzid; selling fruit at the public market just a few blocks from the home that he has lived in for almost his entire life.

At 27 years of age, Bouazizi has wrestled the beast of deprivation since his birth. To date, he has bravely fought it to a standstill; but day after day the multi-headed hydra of life has snapped at him. He has squarely met the eyes of the beast with fortitude and resolve; but the sharp fangs of a hardscrabble life has sunken deep into Bouazizi’s spleen. The unjust rules of society are powerful claws that slash away at his flesh, bleeding him dry: while the spiked tendrils of poverty wrap Bouazizi’s neck, seeking to strangle him.

Bouazizi is a workingman hero; a skilled warrior in the fight for daily bread. He is accustomed to living a life of scarcity. His daily deliverance is the grace of another day of labor and the blessed wages of subsistence.

Though Allah has blessed this man with fortitude the acuteness of terminal want and the constant struggle to survive has its limits for any man; even for strong champions like Bouazizi.

This morning as Bouazizi washed he peered into a mirror, closely examining new wrinkles on his stubble strewn face. He fingered his deep black curls dashed with growing streaks of gray. He studied them through the gaze of heavy bloodshot eyes. He looked upward as if to implore Allah to salve the bruises of daily life.

Bouazizi braced himself with the splash of a cold water slap to his face. He wiped his cheeks clean with the tail of his shirt. He dipped his toothbrush into a box of baking powder and scoured an aching back molar in need of a root canal. Bouazizi should see a dentist but it is a luxury he cannot afford so he packed an aspirin on top of the infected tooth. The dissolving aspirin invaded his mouth coating his tongue with a bitter effervescence.

Bouazizi liked the taste and was grateful for the expectation of a dulled pain. He smiled into the mirror to check his chipped front tooth while pinching a cigarette **** from an ashtray. The roach had one hit left in it. He lit it with a long hard drag that consumed a good part of the filter. Bouazizi’s first smoke of the day was more filter then tobacco but it shocked his lungs into the coughing flow of another day.

Bouazizi put on his jacket, slipped into his knockoff NB sneakers and reached for a green apple on a nearby table. He took a big bite and began to chew away the pain of his toothache.

Bouazizi stepped into the street to catch the sun rising over the rooftops. He believed that seeing the sunrise was a good omen that augured well for that day’s business. A sunbeam braking over a far distant wall bathed Bouazizi in a golden light and illumined the alley where he parked his cart holding his remaining stock of week old apples. He lifted the handles and backed his cart out into the street being extra mindful of the cracks in the cobblestone road. Bouazizi sprained his ankle a week ago and it was still tender. Bouazizi had to be careful not to aggravate it with a careless step. Having successfully navigated his cart into the road, Bouazizi made a skillful U Turn and headed up the street limping toward the market.

A winter chill gripped Bouazizi prompting him to zip his jacket up to his neck. The zipper pinched his Adam’s Apple and a few droplets of blood stained his green corduroy jacket. Though it was cold, Bouazizi sensed that spring would arrive early this year triggering a replay of a recurring daydream. Bouazizi imagined himself behind the wheel of a new van on his way to the market. Fresh air and sunshine pouring through the open windows with the cargo space overflowing with fresh vegetables and fruits.

It was a lifelong ambition of Bouazizi to own a van. He dreamed of buying a six cylinder Dodge Caravan. It would be painted red and he would call it The Red Flame. The Red Flame would be fast and powerful and sport chrome spinners. The Red Flame would be filled with music from a Blaupunkt sound system with kick *** speakers. Power windows, air conditioning, leather seats, a moonroof and plenty of space in the back for his produce would complete Bouazizi’s ride.

The Red Flame would be the vehicle Bouazizi required to expand his business beyond the market square. Bouazizi would sell his produce out of the back of the van, moving from neighborhood to neighborhood. No longer would he have to wait for customers to come to his stand in the market. Bouazizi would go to his customers. Bouazizi and the Red Flame would be known in all the neighborhoods throughout the district. Bouazizi shook his head and smiled thinking about all the girls who would like to take rides in the Red Flame. Bouazizi and his Red Flame would be a sight to be noticed and a force to be reckoned with.

“EEEEEYOWWW” a Mercedes horn angrily honked; jarring Bouazizi from the reverie of his daydream. A guy whipping around the corner like a silver streak stuck his head out the window blasting with music yelling, “Hey Mnayek, watch where you push that *******.”

The music faded as the Mercedes roared away. “Barra nikk okhtek” Bouazizi yelled, raising his ******* in the direction of the vanished car. “The big guys in the fancy cars think the road belongs to them”, Bouazizi mumbled to himself.

The insult ****** Bouazizi off, but he was accustomed to them and as he limped along pushing his cart he distracted himself with the amusement of the ascending sun chasing the fleeting shadows of the night, sending them scurrying down narrow alleyways.

Bouazizi imaged himself a character from his favorite movie. He was a giant Transformer, chasing the black shadows of evil away from the city into the desert. After battling evil and conquering the bad guys, he would transform himself back into the regular Bouazizi; selling his produce to the people as he patrolled the highways of Tunisia in the Red Flame, the music blasting out the windows, the chrome spinners flashing in the sunlight. Bouazizi would remain vigilant, always ready to transform the Red Flame to fight the evil doers.

The bumps and potholes in the road jostled Bouazizi’s load of apples. A few fell out of the wooden baskets and were rolling around in the open spaces of the cart. Bouazizi didn’t want to risk bruising them. Damaged merchandise can’t be sold so he was careful to secure his goods and arrange his cart to appeal to women customers. He made sure to display his prized electronic scale in the corner of the cart for all to see.

Bouazizi had a reputation as a fair and generous dealer who always gave good value to his customers. Bouazizi was also known for his kindness. He would give apples to hungry children and families who could not pay. Bouazizi knew the pain of hunger and it brought him great satisfaction to be able to alleviate it in others.

As a man who valued fairness, Bouazizi was particularly proud of his electronic scale. Bouazizi was certain the new measuring device assured all customers that Bouazizi sold just and correct portions. The electronic scale was Bouazizi’s shining lamp. He trusted it. He hung it from the corner post of his cart like it was the beacon of a lighthouse guiding shoppers through the treachery of an unscrupulous market. It would attract all customers who valued fairness to the safe harbor of Bouazizi’s cart.

The electronic scale is Bouazizi’s assurance to his customers that the weights and measures of electronic calculation layed beyond any cloud of doubt. It is a fair, impartial and objective arbiter for any dispute.

Bouazizi believed that the fairness of his scale would distinguish his stand from other produce vendors. Though its purchase put Bouazizi into deep debt, the scale was a source of pride for Bouazizi who believed that it would help his profits to increase and help him to achieve his goal of buying the Red Flame.

As Bouazizi pushed his cart toward the market, he mulled his plan over in his mind for the millionth time. He wasn't great in math but he was able to calculate his financial situation with a degree of precision. His estimations triggered worries that his growing debt to money lenders may be difficult to payoff.

Indebtedness pressed down on Bouazizi’s chest like a mounting pile of stones. It was the source of an ever present fear coercing Bouazizi to live in a constant state of anxiety. His business needed to grow for Bouazizi to get a measure of relief and ultimately prosper from all his hard work. Bouazizi was driven by urgency.

The morning roil of the street was coming alive. Bouazizi quickened his step to secure a good location for his cart at the market. Car horns, the spewing diesel from clunking trucks, the flatulent roar of accelerating buses mixed with the laughs and shrieks of children heading to school composed the rising crescendo of the city square.

As he pushed through the market, Bouazizi inhaled the aromatic eddies of roasting coffee floating on the air. It was a pleasantry Bouazizi looked forward to each morning. The delicious wafts of coffee mingling with the crisp aroma of baking bread instigated a growl from Bouazizi’s empty stomach. He needed to get something to eat. After he got money from his first sale he would by a coffee and some fried dough.

Activity in the market was vigorous, punctuated by the usual arguments of petty territorial disputes between vendors. The disagreements were always amicably resolved, burned away in rising billows of roasting meats and vegetables, the exchange of cigarettes and the plumes of tobacco smoke rising as emanations of peace.

Bouazizi skillfully maneuvered his cart through the market commotion. He slid into his usual space between Aaban and Aameen. His good friend Aaban sold candles, incense, oils and sometimes his wife would make cakes to sell. Aameen was the markets most notorious jokester. He sold hardware and just about anything else he could get his hands on.

Aaban was already burning a few sticks of jasmine incense. It helped to attract customers. The aroma defined the immediate space with the pleasant bouquet of a spring garden. Bouazizi liked the smell and appreciated the increased traffic it brought to his apple cart.

“Hey Basboosa#, do you have any cigarettes?“, Aameen asked as he pulled out a lighter. Bouazizi shook the tip of a Kent from an almost empty pack. Aameen grabbed the cigarette with his lips.

“That's three cartons of Kents you owe me, you cheap *******.” Bouazizi answered half jokingly. Aameen mumbled a laugh through a grin tightly gripping the **** as he exhaled smoke from his nose like a fire breathing dragon. Bouazizi also took out a cigarette for himself.

“Aameem, give me a light”, Bouazizi asked.

Aameen tossed him the lighter.

“Keep it Basboosa. I got others.” Aameen smiled as he showed off a newly opened box of disposable lighters to sell on his stand.

“Made in China, Basboosa. They make everything cheap and colorful. I can make some money with these.”

Bouazizi lit his next to last cigarette. He inhaled deeply. The smoke chased away the cool air in Bouazizi’s lungs with a shot of a hot nicotine rush.

“Merci Aameen” Bouazizi answered. He put the lighter into the almost empty cigarette pack and put it into his hip pocket. The lighter would protect his last cigarette from being crushed.

The laughter and shouts of the bazaar, the harangue of radio voices shouting anxious verses of Imam’s exhorting the masses to submit and the piecing ramble of nondescript AM music flinging piercing unintelligible static surrounded Bouazizi and his cart as he waited for his first customers of the day.

Bouazizi sensed a nervous commotion rise along the line of vendors. A crowd of tourists and locals milling about parted as if to avoid a slithering asp making its way through their midst. The hoots of vendors and the cackle of the crowd made its way to Bouazizi’s knowing ear. He knew what was coming. It was nothing more then another shakedown by city officials acting as bagmen for petty municipal bureaucrats. They claim to be checking vendor licences but they’re just making the rounds collecting protection money from the vendors. Pocketing bribes and payoffs is the municipal authorities idea of good government. They are skilled at using the power of their office to extort tribute from the working poor.

Bouazizi made the mistake of making eye contact with Madame Hamdi. As the municipal authority in charge of vendors and taxis Madame Hamdi held sway over the lives of the street vendors. She relished the power she had over the men who make a meager living selling goods in the square; and this morning she was moving through the market like a bloodhound hot on the trail of an escaped convict. Two burly henchmen lead the way before her. Bouazizi knew Madame Hamdi’s hounds were coming for him.

Bouazizi knew he was ******. Having just made a payment to his money lender, Bouazizi had no extra dinars to grease the palm of Madame Hamdi. He grabbed the handle bars of his cart to make an escape; but Madame Hamdi cut him off and got right into into Bouazizi’s face.

“Ah little Basboosa where are you going? she asked with the tone of playful contempt.

“I suppose you still have no license to sell, ah Basboosa?” Madame Hamdi questioned with the air of a soulless inquisitor.

“You know Madame Hamdi, cart vendors do not need a license.” Bouazizi feebly protested, not daring to look into her eyes.

“Basboosa, you know we can overlook your violations with a small fine for your laxity” a dismissive Madame Hamdi offered.

Bouazizi’s sense of guilt would not permit him to lift his eyes. His head remained bowed. Bouazizi stood convicted of being one of the impoverished.

“I have no spare dinars to offer Madame Hamdi, My pockets are empty, full of holes. My money falls into everyone’s palm but my own. I’m sorry Madame Hamdi. I’ll take my cart home”. He lifted the handlebars in an attempt to escape. One of Madame Hamdi’s henchmen stepped in front of his cart while the other pushed Bouazizi away from it.

“Either you pay me a vendor tax for a license or I will confiscate your goods Basboosa”, Madame Hamdi warned as she lifted Bouazizi’s scale off its hook.

“This will be the first to go”, she said grinning as she examined the scale. “We’ll just keep this.”
Like a mother lion protecting a defenseless cub from the snapping jaws of a pack of ravenous hyenas, Bouazizi lunged to retrieve his prized scale from the clutches of Madame Hamdi. Reaching for it, he touched the scale with his fingertips just as Madame Hamdi delivered a vicious slap to Bouazizi’s cheek. It halted him like a thunderbolt from Zeus.

A henchman overturned Bouazizi’s cart, scatter
Three years ago today Muhammad Bouazizi set himself on fire igniting the Jasmine Revolution in Tunisia sparking the Arab Spring Uprisings of 2011.
Deadwood Haiku Apr 2016
prostrated by the
agonies of the ******, a
molar rotted through
farnum
I got goosebumbs on my shoulders
Dont gradate, you better smoulder
I said “I’ll tell you when you’re older”
Tie your noose with a game controller

Eat my shorts when it gets colder
Pebble, pebble, broken boulder
She says “I hate your face,” you hold her
Got a sweet tooth, hollow molar
S Olson Nov 2017
We are elaborate animals made of wood
earth, flowing like water into the veins
of the sky.

The sun being a fist of lava, and the night
being an enticing molar—we are
a succession of tides, being swallowed
by successions of day; and how beautifully
we wilt in the presence of joy.

The moon may be nothing
but a luminous
stone

and to eat the poetry of it
is how one chokes
on love

but the romance of morning
is that if by midnight
you are alive, that is joy.
Jack L Martin Sep 2018
Cured with silver; cavity cave,
gingivitis fills the nave.
Sticky spit flows like an ocean,
Roller coaster motion lotion.

Help me grind the tasty cud;
salad shooter full of mud.
Conversations headed south,
excruciating pain in mouth.

Super duper happy smiles,
pearly whites go on for miles.
Hid behind the sharpened canine
Ridden guilt rides on the main line.

Dudes with moods do take a turn,
good emotions crash and burn.
Greenie Dec 2016
bpd
'All glory and honor', to You, bathed me with yellowed fingers. Father.
Whips me across each molar for penance, offers me glue in the morning- the kind he uses on letters when saliva won't seal the deal.

I, the cliché, trim my fingernails with a knife and mostly miss target. Slide into various seas, daily, with tincan pupils.

Knock,
knock, its time again
Nathan Burgess May 2014
Holding onto some grey advice my dear
Giving my time away for some golden years
Filling your moments with the smell of a familiar language
and the beaten horse you figured dead
They show up at your house to remind you
there are still some hounds you left unfed

and it fills your mind with all the crimes
that time still hasn't brought
On occasion you search for a way to explain
there's still a way it can be fought

Racing loss is downhill from the only place that
Faded sense can release you
and oh, it's pivoting towards spent energy
and too clear an ending

and it fills your mind with all the crimes
that time still hasn't brought
On occasion you search for a way to explain
there's still a way it can be fought
Mateuš Conrad Oct 2015
poems like these are difficult to revise let alone convene over drunk once more, but in my own interpretation, the whole understanding of it begins with a joke: what do i care if a portent was given to him, did he think he could do anything he wanted after? it’s like me caring for albert fish sticking needles into his pelvis for that extra conductivity frying in the electric chair. but the main interpretation is as follows:

well you know how the *debye length
equation reads

  λ subscript D = 1 / F x √(RT ε subscript R ε subscript 0 / 2000I)

given that F is faraday’s constant and R is the molar gas constant and I is ionic strength,

well that got me thinking in the humanities - where are the equations for the garbage heap of phonetics when κολοκύθι looses ‘appa ‘micron ‘ambda ‘micron ‘appa ‘psilon ‘eta ‘ota to simply say pumpkin? kolokythi? i see, ‘ above upsilon produces the kolokythi hence not kolokuthi; but still, where’s the phonetic garbage heap of ‘appa ‘micron ‘ambda ‘micron ‘appa ‘psilon ‘eta ‘ota? it’s in equations like the debye length, the sheer complication of losing the strict individuation of the letters... unlike in latin's do re mi fa so la a b c singalong, but with that come spelling mistakes and overly eloquent spelling of words and spelling mistakes.

- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -

but i lament the fact the one of the woods i used to frequent
at night was stolen by an irish cerberus
one headed shoulder height hinger than an alsatian
chasing a rabbit one night,
and the other wood was stolen by a satanic mass
of the shrieking druid.
i miss those woods with my walk of pulverisation eyed
of faked hallucinogens of the night,
i miss them and therefore i confess like edward prior harold:
the sun will not rise from the west,
but the moon will be taken from the belly of the desert
from the realm of arabia
taken as the emblem of islam and be like the sun to japan,
the moon will be that - in the west and the north -
while the crucifix imported into the northern lands
will be sent back to those thieves of the moon
in the twinned linear parallel of the sun’s antonym
with the blood eagle stongehenge -
and i’ll not be weary to say:
a king is before a prophet’s honour in his homeland
an outcast and must remain so in order
that he might not invoke a prophet's honourable
wrath in his homeland -
but should a paul come unto a matthew
then the king's wrath is invoked!
so while a prophet’s honour is sacrificed like
isaiah’s with some king and with john the baptist
decapitated with the second king’s insurrection
so too the king’s honour is taken into consideration,
that a king hoped for keeping the egyptians cosmopolitan
with greek philosophy was what moved the nation of israel,
then too a second nation shall move
should a king's honour not profit standing still of the people.
but i too wish for a favour: i forgot what it was,
but it reminded me of something that could have been
a working household with screaming children aching for
a screening of the tate gallery in a slideshow -
but to prove god all men asked one man to renounce such
guises of the futures kept with the army of bothersome parentages.
hence i to the graveyard of the place where the 18th century
met the 20th century: as they say, they were kind to the 20th century youth,
they sent them packaged to death’s clot of chatter,
and midway, in the same century, platonism was usurped
with a care for poets! imagine it! midway they asked for the poets
to come back and arrange all the grecian lettering enigmas of the
sciences and snigger and smile at the romanic fakes of the once held by troy.
but many spoke of yod alef he waw ayin he - because so much of eve
once was that no more could be of the adam who abstracted himself
into her who once possessed him, and who unto being harmed
re-attached himself to his mother with the due humiliation she invoked in him:
but once you go back you’ll forever remain a child.
this is coming from a russian girl studying in scotland...
foreigner’s fees... cheap ***** -
my only chance of a steady income was with my father roofing!
why did you leave?
why were you rich and feared the bolsheviks by not turning into a philanthropist for a bit?!
Holly Salvatore Mar 2013
Vitriolic hydraulic push
Pull of sorghum
Sticking sweetly in my veins
Molar studded oatmeal cookies
Crunching like a bad dream
Dull rhinestone eyes
Losing more and more shine every day
Sluggish swole-bellied synapses
Firing in my brain
And I'm crying oversized tears
Drowning like Alice in Wonderland
I know you couldn't  bear to breathe my air
Or share our bed
Or eat my cooking
But
"Did you know the capital of Uzbekistan is Tashkent?"
No.
Did you know I keep Austin up every night
Begging for your scraps?
Hedoesn'tlovemehedoesn'tlovemehedoesn'tlovemeandIdon'tun­derstandwhatIdidwronghedoesn'tlovemeAustinmyheartisgone
I can still smell you
On my sunday dresses
And I'm afraid of the washing machine
And dryer sheets
Afraid of what they'll take from me
I had religion
I had faith in you
And I can still taste the body
Of Jesus Christ
Jesus Christ!
All night
Not like I lost anything important right?

Well
I'll probably never see you again
But my daddy's got a shotgun
Just in case
Reba did I get it right?
Rob Urban Jan 2013
Lucid dreaming, I sit
                      in a downtown lounge,
swirling ice in my drink, listening
to tiny 'bergs creaking and cracking.
                                                       ­                   I raise the glass to my lips and
             imagine the taste of Shackleton's whisky, after those
100 years in Antarctic ice, assimilating a tinge of penguin, a pinch of
blubber, the turbulence of the sea, the still of the frozen mountains across the tundra, the desolation, the tenacity of survival, the bitter numbing cold, mixed in with
                                                   the warm peaty oaken goodness of Scotland at the other end
of the world.

Through the soles of my boots I sense the  
thin surface tension keeping my body, the table and chairs
from plunging into the frozen deep that
lurks somewhere beneath the Lower East Side, black and still,
       waiting
             waiting.

The band starts up in the
     next room.
A curtain parts and a blast of brass escapes,  a great honking
      sound that
reverberates in a molar,
before
    a female voice lifts me from my chair, drawing me toward
the source.
                     Pushing across the floor like Nureyev on ice, I slide deftly between amorous
couples, skirt the co-ed queue at the toilets, dodge the woman at the curtain collecting the cover charge, nod at my pal the bouncer returning to his post and finally
glide/float/fly through the velvet drapery,
                                                        ­                           focused on the rising soprano.

                              It's just a dream, I think. Why pay cover?

*Ode to the Living Room
cheryl love Apr 2015
“Do not grab me”
“She has done it again,
You have got to agree
She is a pain.”
The little pink toothbrush
Moaning about the way it’s treated
In the mad morning rush
Till the cleaning session’s completed.
“Pick me up gently, that is it
Now squeeze the paste”
“Too much, too much, just a bit
Oh my life, what a waste.”
The little pink toothbrush is a fed up
He wants to be looked after lovingly
From when he comes out of his cup
Which is fair comment to some degree.
“In the mouth we go,
Always the same molar
Now woman brush to and fro
No, no, wrong, I’m trying to control you.
“Up and down, not like a yard brush
Gently, we have to do it gently
It is not some major rush
Do it differently.
Do human beings know?
Do they actually care?
Is their brain like pastry dough?
Is it even there?
If I have thought it once,
I’ve thought it a million times a day
She must be a dunce
And that is all I can say.
Rinse woman , rinse me
Under the sparkling spray
Oh no don’t dip me in your cup of tea
I’ll be yellow and smelly all day.”
Does she not know I have needs
Not know how to treat me nice
It is like she succeeds
I have to think everything twice.
“And don’t throw me
Put me gently back in my place
And I’m covered in tea
Pity it’s not on your face.”
Look soap, look everyone what she does
Treats me like a scrubbing brush
And she does it because
She is always in a rush!”
cheryl love Oct 2013
“Do not grab me”
“She has done it again,
You have got to agree
She is a pain.”
The little pink toothbrush
Moaning about the way it’s treated
In the mad morning rush
Till the cleaning session’s completed.
“Pick me up gently, that is it
Now squeeze the paste”
“Too much, too much, just a bit
Oh my life, what a waste.”
The little pink toothbrush is a fed up
He wants to be looked after lovingly
From when he comes out of his cup
Which is fair comment to some degree.
“In the mouth we go,
Always the same molar
Now woman brush to and fro
No, no, wrong, I’m trying to control you.
“Up and down, not like a yard brush
Gently, we have to do it gently
It is not some major rush
Do it differently.
Do human beings know?
Do they actually care?
Is their brain like pastry dough?
Is it even there?
If I have thought it once,
I’ve thought it a million times a day
She must be a dunce
And that is all I can say.
Rinse woman , rinse me
Under the sparkling spray
Oh no don’t dip me in your cup of tea
I’ll be yellow and smelly all day.”
Does she not know I have needs
Not know how to treat me nice
It is like she succeeds
I have to think everything twice.
“And don’t throw me
Put me gently back in my place
And I’m covered in tea
Pity it’s not on your face.”
Look soap, look everyone what she does
Treats me like a scrubbing brush
And she does it because
She is always in a rush!”
Take away your knowledge, Doktor.
It doesn't butter me up.

You say my heart is sick unto.
You ought to have more respect!

you with the goo on the suction cup.
You with your wires and electrodes

fastened at my ankle and wrist,
******* up the biological breast.

You with your zigzag machine
playing like the stock market up and down.

Give me the Phi Beta key you always twirl
and I will make a gold crown for my molar.

I will take a slug if you please
and make myself a perfectly good appendix.

Give me a fingernail for an eyeglass.
The world was milky all along.

I will take an iron and press out
my slipped disk until it is flat.

But take away my mother's carcinoma
for I have only one cup of fetus tears.

Take away my father's cerebral hemorrhage
for I have only a jigger of blood in my hand.

Take away my sister's broken neck
for I have only my schoolroom ruler for a cure.

Is there such a device for my heart?
I have only a gimmick called magic fingers.

Let me dilate like a bad debt.
Here is a sponge. I can squeeze it myself.

O heart, tobacco red heart,
beat like a rock guitar.

I am at the ship's prow.
I am no longer the suicide

with her raft and paddle.
Herr Doktor! I'll no longer die

to spite you, you wallowing
seasick grounded man.
Savio Apr 2013
The library is too quiet to read
too contemplate her clothed *******
the wooden chairs are thick with boredom
the boys stare at words that hide themselves
and the women are brave enough to still search for love
I can't hear a thing
A Toilet flushes
The loud thin aluminum and molar teeth Air Conditioner rattles like a starving stomach
I can hear pages being changed
Chairs slowly creaking
The chairs are considering suicide
They'll jump right out this window
Outside the construction workers are smoking
Outside a girl with a pumpkin colored sweater talks to a boy
Outside The Mobiles await their masters
Outside a single orange cone is placed next to an eight foot black light pole
And I stare at it
More interesting than the girl in a pumpkin colored sweater
more sound than the Library's hallways and book isles
More ****** and ****
More cigarette smoke
More sweat
Louder than a thousand heart beats drumming to the Tribal tune of life
**** with out feet dancing on hot coals and slaughtering a Cow for rain
The Cone waits
its plastic thick
bending in like the gut of an exiled starving Tribal member
The light pole Waits too
it avoids eye contact with the people that pass by
it makes small talk to the wandering insects looking for a junk lit fix
“Not for awhile, not for a while.”
The LampPole would say
and the insect would fly away on all of its wings
and hide in the trash can
or the muffler of a Camaro

Outside the trees are waiting
waiting for Mother Kansas Common Bird
For a nest
For an egg
For now the trees are bare
stripped like P.O.W
barley blooming

I wonder how those buds taste like

I see the Cone
still orange
still waiting for me to say
“Cone, I know you. I see that you wait.”
and perhaps this is what he was waiting for
Then the eight foot LampPole droops like lovely Egyptian ***** eyelashes

Outside
Outside
Outside
the Sun is open for business
Sun dresses
and
sun glasses
Waiting
Waiting
Waiting for boy
career
house
baby boy
******
love
ultimate Zen
but Career but House but Baby Boy Anthony oh so sweet but ****** but Love
gets in the way
and the Ultimate Zen is recollected as Silly as Childish as Unattainable
saying to herself
“Life has its plan”

But it doesnt
Zen still waits
Orange Construction Cone still waits
Eight Foot LampPole waits

Inside Inside Inside
Toilets are flushes
Books develop Mold like pregnancies
Inside *** dances in the mind with every passing Legs *** and *******
Inside carpets groan
inside dandruff
inside Clocks endlessly fueled by a battery
inside outside being stared at like the Ocean
and a boat with the Ultimate answer is on it
Inside nothing happens at all
Inside the Books are wondering where have their stomachs gone
Inside Legs and feet go numb
Inside Dry mouths smack
Inside lesbian couples kiss
Inside the florescent Lights shine without stop

I am inside
looking through the window
admiring the smooth **** chaotic curves and heights and birds of outside

-A woman in a pink sweater
-A man in a blue suit
cheryl love Oct 2014
“Do not grab me”
“She has done it again,
You have got to agree
She is a pain.”
The little pink toothbrush
Moaning about the way it’s treated
In the mad morning rush
Till the cleaning session’s completed.
“Pick me up gently, that is it
Now squeeze the paste”
“Too much, too much, just a bit
Oh my life, what a waste.”
The little pink toothbrush is a fed up
He wants to be looked after lovingly
From when he comes out of his cup
Which is fair comment to some degree.
“In the mouth we go,
Always the same molar
Now woman brush to and fro
No, no, wrong, I’m trying to control you.
“Up and down, not like a yard brush
Gently, we have to do it gently
It is not some major rush
Do it differently.
Do human beings know?
Do they actually care?
Is their brain like pastry dough?
Is it even there?
If I have thought it once,
I’ve thought it a million times a day
She must be a dunce
And that is all I can say.
Rinse woman , rinse me
Under the sparkling spray
Oh no don’t dip me in your cup of tea
I’ll be yellow and smelly all day.”
Does she not know I have needs
Not know how to treat me nice
It is like she succeeds
I have to think everything twice.
“And don’t throw me
Put me gently back in my place
And I’m covered in tea
Pity it’s not on your face.”
Look soap, look everyone what she does
Treats me like a scrubbing brush
And she does it because
She is always in a rush!”
cheryl love Apr 2016
A Little Pink Toothbrush

“Do not grab me”
“She has done it again,
You have got to agree
She is a pain.”
The little pink toothbrush
Moaning about the way it’s treated
In the mad morning rush
Till the cleaning session’s completed.
“Pick me up gently, that is it
Now squeeze the paste”
“Too much, too much, just a bit
Oh my life, what a waste.”
The little pink toothbrush is a fed up
He wants to be looked after lovingly
From when he comes out of his cup
Which is fair comment to some degree.
“In the mouth we go,
Always the same molar
Now woman brush to and fro
No, no, wrong, I’m trying to control you.
“Up and down, not like a yard brush
Gently, we have to do it gently
It is not some major rush
Do it differently.
Do human beings know?
Do they actually care?
Is their brain like pastry dough?
Is it even there?
If I have thought it once,
I’ve thought it a million times a day
She must be a dunce
And that is all I can say.
Rinse woman , rinse me
Under the sparkling spray
Oh no don’t dip me in your cup of tea
I’ll be yellow and smelly all day.”
Does she not know I have needs
Not know how to treat me nice
It is like she succeeds
I have to think everything twice.
“And don’t throw me
Put me gently back in my place
And I’m covered in tea
Pity it’s not on your face.”
Look soap, look everyone what she does
Treats me like a scrubbing brush
And she does it because
She is always in a rush!”
The wallpaper in your grandmother’s front room
is appalling. Old bible yellow pages,
bevy of bubbles joining,
thickening like arteries beneath the surface.

And what is that? The daily brain teaser,
printed patio of letters.
Five down - ‘state of being alone’.
I think I know it. I am sure of it.
Pack of hard-boiled molar-breakers covers the rest.

I do not know why
you have brought me here.
We stand like soundless instruments.
Wrenched from bed so had to dress,
brush my lips ******, rake my hair.
Presentable? Presentable.

Your gran, almost ninety, concrete
cracks lightning strike on the cheeks,
specific smell that comes
with the accumulation of decades.
She does not know me, will forget me.

Syllables will stagger out
from the mouth, words, whole sentences
watery or gone. Instant evaporation.
A shuffle. And another shuffle.
A loudening shuffle.

Enter. Oh, how sorry I feel!
Hands quiver as frightened leaves,
cup quickstepping on the saucer.
You dash over, take control,
steady the shake of brick-ish tea.

My name comes, tinged with a lisp.
Your grandmother looks at me
with her eyes, jelly-rolled marbles,
a smile creaking across her face.
You know it. I know it. She knows it.
A woman caught in the icy fist of winter.

She sits. Sighs. I know the feeling.
I bend down, say slowly,
enunciate clearly.
Solitude.
Five down, my dear? Yes, correct.
Written: November 2018.
Explanation: A poem written in my own time for university - a pastiche of sorts of the style of Sylvia Plath. Please note that the last line's 'Yes, correct' is supposed to be italicised, but HP is having none of it. Feedback welcome. A link to my Facebook writing page can be found on my HP home page.
Leah Rae May 2012
Its When Inspiration Hits You Like A Storm, & Like That Wet, Hot, Eye Of Perfection. You Stand, Knowing That Your God Had Never Truly Been Awake Before This Moment. But He Has Risen From His Bed For You. With Eyes Wide, And Eyes Raw, And He Gives You This Moment. Its A Gift, Or A Lovely Curse With A Bow Around It, Witch Is Either, We Don't Know. But He Sells You A Vacancy In The Empty Hotel That Is Your Body.

The Hollow Eyes, And Empty Hips, The Molar Explosions, And The Swallowed Bruises, He Knows Where Your Flaws Are. He Knows The Room Number, And The Skylit Shade Of Remorse You Painted The Bedroom Walls, When You Tried To Forget. He Knows That You Decorated The Bathroom With Starfish, Because Deep Down, You Knew You Came From The Sea. He Knows The Broken Mirrors, And Nailed Now Monet Paintings. He Knows You're Afraid That They'll Leave You. He Knows The Carpet By Heart, The Sew And Stitch Of The Thread. He Memorized What It, So He Could Call To Memory Just Exactly How Your Tears Tasted When You Found Solstice On His Ground.


He Sells You A Truth, An Infamous Beauty That Paints A Story Of A Girl, In Room 214 Of That Empty Hotel. A Girl With Eyes The Size Of Baby Worlds. A Girl Who Strips Off The Story Of A Broken Family, And 9-5 Worth Ethic That Bruises Her Knees.

He Sells You A Story of A Boy, In Room 121, Who Tattooed “Forgive Me” On The Insides Of His Wrists, Basks In The Glow Of The Television Screen, And Takes A Syringe In His Hand, And Smiles At The Reflection Of What He Sees In The Mirror. Some Sweet Sadistic Part Of Him, Likes To Know Hes Killing Himself, And Likes To Watch Him Do It.

He Sells You A Moment Of A Man Who Wasted His Years On Lies, Who Painted Stories In His Mind, But Wears His Father's Legacy Like An Oversized Coat, Never Quiet Filling It Out, Always Knowing His Father Wore It Better, But Now He Takes It Off For The First Time In Years, And Dances. He Dances To The Music He Wished He Had Written, And Dances For The Girls He Wished He Had Met.

He Sells You An Honesty, Of A Tale Of A Thousand Bad Goodbyes. He Tells You That Sparks Meet Inside You, That Stars Died To Become You, And To Let Your Heart Get Blood Drunk Enough To Convince Itself It Is Your Brain, Because That Is Where Real Beauty Is Born, Inside The Hollow Rooms Of Yourself, That You Have Yet To Rent Out To All The Strangers You Will Become.
Lindsey Bartlett Apr 2012
My upper right hand
molar died today. Even
teeth abandon me.
Zach Gomes Feb 2010
The solitary molar of a *****
who had died without a name
wore a gold filling.
The other teeth, as if by silent agreement,
had already left.
The mortician smacked the filling loose,
removed it, and left to go dancing.
‘Only earth,’ he said,
‘should return to earth.’
Translation from 'Morgue' by Gottfried Benn
Claire Collins Oct 2014
There is a hunger
Like a gun to yr head
Metal and cold
Empty yr clip
Personal *******
Egoic standup metaphysical *****
Pseudo spiritual people snakin in my garden
Workin gets harder
When you poet all the time
Clock you don't know what it looks like
A vague memory takes over me
At the corner on 15th and Rockford
I'm unheard and disturbed
No it's not ok
Know insanity like secondhand glove fit/spit atheists outta my mouth
Now you know what god Tastes like
Teeth know what gods about
Molar spell
Glamour silver
Share gardens worth of rent/have bent knees to cold Chicago concrete
Ask god
She's listening
With an open hand
Walk
Yr glistening sidewalk shine you concrete vision of glitter and litter
You performance piece about ennui
Sing
Sinner
Yr callouses
Don't ask how ok I am
We all got issues and I know you want a poem
But all I got is tissues and I didn't mean to make you cry
I jut wanted to remind you of the salt of life
The stuff dreams are made of
Homemade hair cloud spun
Wicked sister come whisper In my ear drum
Hum the chemical hymnals from our childhood
Don't hide your big tooth
Chew and chew and Chew
Purposefully at the great growing complacency
He chews his cud at her.
She blows her cigarette smoke at him.
The equilibrium is uncomfortable but scenic.
The eyes of the walls stained yellow long ago
and every room feels like every room they've ever been in.

He rubs his shirt neck on his nose.
She flicks her last molar irritated.
a broken radiator works overtime, wheezing.
Holes in the bread, where she cut away the mould,
the food's still cold, but, for this, he'll eat it.

He never loved her personality.
She never loved his face.
Both of them knew, for this, they'd never leave them.
She says "I do ******* love you you know",
as she smoked her last blow.
He says "I'd love another cup of tea dear".
Dedicated to my grandparents
Morrie W S May 2019
every day i wake up
           expecting full formation
     only to discover i have yet to pop.

life feels like a kernel in my back left molar.
      

        i look for my future in
     yesterday's egg scramble.
       the yolk: no solution,
no bramble
  

i yearn all the more  for my unrummaged brain--
keep ice in my left hand,
sanity in the wrong vein.

i always fall too steep,
staccato fingers quick to adjust
a smile to a frown.
i always bruise my hips on the way down.


my glass-bottom floor,
my lamp-lit contingency.
all's  keepin' me afloat:
my swiss-riddled dignity.
oof.
Flesh, flesh and
bone

the grave digger
clawing away at
the dirt

a shovel first
then hands

years of nail
biting offers the
earth a home

under his skin,
I am not one
to sift

patiently waiting
for old coins
or gold

the broken skull
of a cat, a chipped
molar

that belonged to
a father, forgotten
in the yellowed papers

of time. Skin,
skin and bone
I died a year ago

hollow, rattling in
the fist of my
mother

white sheets that
wrapped my
limbs

are pulled tight,
a half ghost
human shaped

my mouth is wide
with the Earth,
taken in and

****** like a plum,
skin and flesh
swallowed

whole. There is
only bruised
fruit on the

funeral table. As
the grave digger
claws out my

hole. My first
fixed home,
a house of

soil and acidic
tears. Minerals
and salt

mixing like the
marrows of
lovers

buried in the
ground. I will
never leave

rotting, skeleton
shaking, the deep
breath before the

plunge. A war
lost, my final
hour and I am

home
death,
Reece Apr 2014
She stumbled onto a stack of mossy grey rocks and looked into a perfectly eye-shaped crevice in the rock formation which gave view to an absurdly apt vision of the swathing valley below, furnished with incredible glimmering foliage under a masked crimson sky that echoed thoroughly her desire to live.

She had grown obsessed with her own teeth, waking every other morning to an incessant thumping pain that rang from molar to medulla. The first thought that entered her weary mind on interim morning bleariness was one of suicide and regret. She'd stumble lackadaisically from her wrinkled bedsheets onto the hardwood splintering floor of her bedsit solipsism through a minute passage and into the molding cracked-tile bathroom, pulling the light cord and inspecting at great length the chasms appearing on four of her bottom teeth, mentally noting the size and shape until the next sultry morning pawed her crimson pillow case ravaged face awake with another dull toothache.

It was a January morning, the date was irrelevant, she woke to the sound of fighting in the neighbours' house, slamming doors and vase smashing antics on a dreary dewy morn when the sun was hiding and cars in the back alleys still bellowed smoke. Her routine went uninterrupted, moments of silence in the next rooms whilst she examined the damage of another night's superfluous drug use and alcoholic torment, she eyed the razor on shower shelf and reasoned to end her life, finally.  That ingrained image of childhood abuse lay dormant until these types of mornings and she reached toward the glimmering raz-
Knock Knock
He was at the door and she was flustered, pulling wrinkled jeans around her hourglass waist and rushing to greet the stranger. He told her to-

She was perhaps seven years old, maybe younger, and the hazy day drew closed through rain battered and silty windows in the tenement building by the murky river, the one that slunk through midnight streets like so many lonely and wrinkled old men, searching for drugs or ****** or love or money. The beige armchair with worn out padding around the armrests was creaking under the weight of her mother, the tilting wilted wine glass that stood delicately between yellowing fingertips was almost empty now and she watched as it grew ever more horizontal before leaping up to save the carpet from another stain and her behind from another beating. Her mother awoke with start and threw accusations at her, thieving little swine. The beating was instantaneous and even in aged memories was enough to resuscitate her consciousness, in enough time to see him come and go.

It was a January morning, the date was irrelevant, and she made a cup of tea as she looked out at the schoolyard distant but ahead. Waves of screaming and rambunctious playfulness swelled and entered her kitchen window (the one with a larger than acceptable crack running the length of the pane) as she washed half a sink of dishes before drifting aimlessly to the black but yellowing nicotine stained stereo, leaving water trails on the buttons as she pressed play on the CD deck and Old Blue Eyes began to sing.

She was five years old and saw her father dripping with sweat on some halcyon summer day. He lay roads by the night's chill and slept on long afternoons. By the radiant late morning rays he would fix shelves and rewire the apartment, drinking gasoline smelling liquids that bloated his inerudite head and he would take regular breaks in the bathroom, door ajar as he fixed, belt tight, breathing heavy, eye-contact with her and she cried every time. He played Sinatra and sang along, her mother would wake and he beat her again. Over and over again. Sinatra still sang, he never stopped, he never cared. Beating. Hearts were beating. She was five years old and she feigned unconscious by her mother's side until his final fix and to bed he stumbled.

The date was irrelevant, this January morning when she gave up caring and the sink of dishes went unfinished and the bedside lamp flickered and buzzed.
beth winters Jan 2011
:
the concept of death lies parturient in your mouth,
swollen and festering, writhing in itself,
as weighty as a missing molar and just
as visible.

retch and gag,
spend nights fishing for your soul
through your stomach,
you are beating bus seats
for dust, for dry little particles
that will hopefully soak through
your skin.
Connor Reid Apr 2014
echoplex
once obscurantist
now scrutinised in headlines
i'm beginning to feel ok
chaser after chaser to wash down sour sentiment
eviscerate the taste
turncoat
is there an origin?
split your infinities
shed your non-essential claws
embedded deep
broken umbrellas
my eyes look different
atlas falls in amongst the spectrum
lack of character
efavirenz, whitewater in apex
prophetic undertones
cold diffusables
soda left to evaporate
poured over CMYK
through tabloid idiocy
nonsense on stilts
into wormwoods faded muse
yellow collapse
there is a feeling
living game theory
a thought of paranoia
god send the dream
anechoic
salivate the ebb
neo-conservative laden draped production
phenobarbital
can't stretch for a smile
temporal need
bizarre cognition
i feel sorry for me
suffrage, occam's swollen belly
polish fear with a sum
the way of all flesh
shadowed contents entitled: from a to b
from point to point
you want to shift the position of power
there's no one there in the morning
at the foot of the bed
or in the mirror
believe your own fabrications
dial in doubt, dial out everything
we're exactly where we want to be
moulded in consumption
ivory and elephants
the right place
stark lines
compass to televise
triangulate our complacency
shower heads dripping with aspirin
floating corpse
burning ruins, stretched moans
agony suffice, burned out
stick to the skin
all i see is rebus
face bursts with allusion
ear full of maggots
a better tomorrow is a better today
talcum meditation
underhand rhetoric
you are an idiom to fundamentalist greed
partial differential
ignorant and flabby
you can catch me headfirst over a toilet seat
working for kowloon
red ties
men of lethargy, motivated voices
islet of langerhans, shock therapy
anosmia
niche downfall
an arc structure, waste product
halftone mnemonic
lick up my words
capsule, strict reflux
wretching on disappointment
i feel faded
my skin buzzes
tonguing a molar
push it apart
flashes of light
cramps
vestige of fragility
welcoming boredom with open forceps
i don't recognise myself
sponge fed schism
sleeping pills and ***** bath water
cotton tongued peristalsis
egg shells, nodding and a pint of clotted spit
verbal copulation
sprouting flowers from my dead body
feeling like a frayed knot
desolate compendium
shooting pains in my arms
no foresight
i can't get up
i'm busy
i just won't
She was fascinated,
hooked as if a fish out of water.
Whenever death
was splurged across the television
she’d sit upright,
the sofa would creak,
her eyes gorging all
like globs of kitchen roll.
Two per second.
She thought she’d solve them,
bust the case wide open
or some other cliché.
Reams of unresolved stories,
of women splayed
at American roadsides
with a missing molar
or red rings around the wrist.
There had to be an answer, she’d say.
Everything has answers
because everyone asks questions.
A human doesn’t go missing,
someone always sees, apparently.
She’d talk about dying
as if she welcomed it,
as if it was a real person
with bones and a voice.
One day she sliced her finger
and just let it bleed,
the thin line then the bloom
of crimson that wept
into the sink.
Two per second she’d remind me.
I scrambled in the drawer
for a plaster.
Written: April 2017.
Explanation: A poem written in my own time, about a woman fascinated with unsolved murders and death in general. 'Jane Doe' is a term used primarily in the USA and Canada for a corpse whose identity is unknown. 'John Doe' is sometimes used for males. 'Two per second' refers to how every second, an estimated two individuals pass away. Feedback welcome. A link to my Facebook writing page can be found on my HP home page.
NOTE: Many of my older pieces will be removed from HP at some point in the future.
Mortecai Null Nov 2018
Lines of scar tissue trace from the edge of your lips back to the end of your teeth. You run your tongue from one corner to the other. Right to left. You can’t be the only one to have this. Your desire to probe another’s orifices has close to overwhelmed you in the desire to relate to other people. Was this normal? When the fan runs wind over your skin it crawls to create peaks and divots. As they fade, one patch remains on the outside of your forearm. You pick at every little one until the whole population turns red to purple to green. Was this normal? Your teeth poke holes into each other. A corner of a molar no longer holds up a roof and with your tongue’s help you can just barely make out the inner cavity. It felt like porous webbing. It reminds you of the animal skulls you looked at in your biology class and their delicate nasal cavities. Looking at those cavities used to make you very sad. Was this normal? You once had a hangnail on your hallux. They had to numb your foot to break under your skin and pull the left section of it out. It took twice the amount of anesthetic for you to not feel it. It felt good to know you were being mutilated.  Was this normal? You always felt a dip in the upper back of your head. You once heard that newborn babies had a soft spot in that area of their skull, but that the hole closes as they get older. Pressing on yours incites headache. Was this normal? You once formed a cyst on your thigh. It did not want to be drained like its smaller companions that littered your back and face. You are determined to remove the blemish. You dig around the outsides and press inward to find the source. It seems deeper than you thought. You continue to scratch away at the layers of skin as you start to bleed. It doesn’t really hurt. You just want to find the cyst. After about thirty minutes you give up. You’re not really sure why you couldn’t find it. You must have took at least an inch into your leg. Was this normal? For weeks you slipped in and out of lucid dreams. You only got up to use the bathroom, check the news, and take your medicine. Some of the dreams were enjoyable and others less so. You almost started to forget which world was more real, but it all started to become unsettling. Even when you didn’t care where you were, every state felt as if it were decaying around you. And when you did care, the panic caused you to start to shake. In quiet, disabling anxiety, you spun counterclockwise to the world around you. You grabbed the razer from your shower. You gently rubbed the blades against your forearm. Erratic slices cut through the outermost dermal. There was no blood, just redness. It was only to make sure you were still there. But it wasn’t quite right. Your arm was there, but maybe the rest of you wasn’t. You had to make sure. Was this normal? You raced the blades up your arms, over your chest, down your torso, down and down. Certain curvatures ran strange and caused blood to pearl to the surface. Others barely upset the dead layer. You looked at yourself in the mirror. You always felt like your face didn’t look quite right. And right now, it was the face of some sort of estranged family member. Was this normal? You gently glide the razor sideways across your face. It’s the most sensitive yet. You remember some random piece of trivia about the temples on a human head. You start to slide the hand razor to the right side of your temple. It doesn’t hurt as much as you thought it would. You experiment with more and more pressure until blood starts to arise. The little bit of it running down the side of your face made you feel the most comfortable in your skin for a long time. You start to rotate from your forearms and your temples and your stomach and again. You’ve forgotten about the dreams. You’ve forgotten about the world. You’ve forgotten about the trivial division between reality and non-. You’ve forgotten about normalcy. You feel good. Was this normal?
Liam C Calhoun Aug 2015
When it all began,
There were two;

If only two, prior poor decisions and an even poorer
“port,” wine – precursory, I’m sure, to the sugar that’d
split my tooth. And I’d remember the palm of her hand
atop my own sweaty knuckle – SNAP! CRACKLE!
POP! Or so went the molar, only moments before and
come the lash of her tongue. There must’a been

something sprinkled avarice behind the blood nigh
corner of my lip. She’d liked it. She’d licked it. So much
so, that my eyes would gently drift, wander and close.
When next they’d open, skies would be bluer, the sun
would shine just a bit more than usual and my jaw’d be
fit for steel. For the first time in days, the pain was gone.

So when it all ended,
There’d be only one.
They call them "wisdom teeth" for a reason.
Joseph Childress May 2014
I cant wait to show
My contempt of court
Contemplated much more
Thank lord
The latter was chosen
I swear to him
My swears wont be as
Offensive
As the unmentioned
Alternative
Of this present contemption

My hand told lies
Like prosthetics
As it handled the bible
Like an oath
It would take
If it weren’t for the one nation
Under god
Underdog
Dodging the law
Of the land
Biting the hand
That feeds him

Hunger strikes
Like a match
Thirsty for air
The explosion of emptiness
Fills the stomach
The feels
Become more ill with each filling
Like mercury deposits
Positioned
From molar drilling

A mouthful of ailments
Spewed across the room
For the judges consumption
But the cancerous banter
Spread like foreign bodies
And the jury took injury

The whole world
Agrees
You’re the most hated
Alive
The “not for long” followed
Like the gavel
As it swallowed the courtrooms
Silence
A sentence of death was relayed
Without a period
Of contemplation
As my great contempt
Of court
Is overshadowed
By the ******
Committed by a jury of my peers
Reenacting
The passion of Judas
While I’m crucified
In the name of my father
By men who shoot
The messenger

Remember me at my worst
And my best
Will always inspire
Death is not as bad
If you can give a few truths
Before you expire
mothwasher Feb 2021
some of the dryness will bleach from pithing
your noetic strands and the rest, a ****
prinked rind deluded.

i dip cupped hands into the lowlands, scraping
fractal mold flakes captioned, answers in light
crowded lenses.

cubic rift, that, i will toss adoration engines,
in the end, the goddess of substance will
not react.

not retrace, not the rift. mortaled caper,
inflection of the flats, grinded
reactions. grinding thoughts
grounded.

scribbled to-dos spreading forth, immurdered.
tokenized spice cabinets, enter rift
refuge. the caper collapses on molar-novas,
solar lepidoptera folding in your hair.

the sweat-between-us hive. the separatist mind.
salt mines alarm us, a subject deepened
between two gestures. have you the stratum
of intention?

germinal grains, embryonic clock tower -
mineral lies don timescales
tucked in our hereafter mattress.

i will deathlessly dry with a towel
unless i’m showering with it, a full commit
to the status kiss.

[after all that, you still love me,
in the bedlam trees the choral key,
the old oak door embroidery
are pieces of me scattered (spelled) naturally.]
Steven Hutchison Apr 2012
I will swallow broken bits
of the apologies you won't let me give
until I make my stomach filled
and dense enough to sink.
Pulling on my heart
with fingernails of memories
and memories of fingernails
and voices mixed with mine.
Mixing wine with vinegar
in the corners of my mouth
I'll spout and spray this canvass
with the tragedy I want and have not found.
I am still louder than my heart at times.
You know this all too well.
Tooth and molar pass my tongue,
Swallowing culprits one by one.
Lift my jaw above my head
And use my heart to think.
Drink the offering inside my veins.
Use the knife I spoke to you.
I will be lying in the field of somber pauses
Where you first helped me to speak.
Day 17

— The End —