The sky above me, closed in as the dark, ominous yet fascinating rainclouds have driven near, gathering together in a council.
As it begins to drizzle, soft, warm and little raindrops, fall in
line, gently, carelessly hitting the earth, moistening it in their line.
Once in a while, as the rain gains its strengh, hitting the ground below with more speed and roughlessness in their action,
Rays of the purest light, sent by the sun as it shines above the darkening sky, a sensation for ones optic nerv, a sensation for the eye,
make it through and let this scene shine further more.
Graceful drops, carrried and distorted by the majestic wind,
Create a lovely melody on my window, as they one by one fly into it.
Now as the soil is fertilised, life will surely grow from the sunlight.
Alike the raindrops are carried by the wind, my mind engages with this scene, lets me fall in love with this beautiful earth.
A little rain shall not be the cause of sadness, as it truly is a reminder of the moments of love wich it makes easier to determine.
So I keep my gaze out of the window and enjoy the weather
Until then, the sky clears up and the sun shines again.

~ Umi

Dear life, what is it that makes you take on a journey which always leads towards an unavoidable, devestating yet resenting death ?
Since I cannot understand it fully I wander upon this world without finding any clear answers to satisfy the curiousity my heart bears.
In the realm of dreams I find rest, as my mind engages into this illusion and frees me from this reality for as long as my body pleases.
Awakened by loitering darkness, these questions are repeating themselves on a path of recurrance, without decreasing in strengh.
As my breath dies while feeling the agony, flames of hatred are seeping through my fragile, delicate existence, giving energy.
Rumbling, boiling in sadness I tell myself that anyone's forgiveness is not neccesary, losing control over this riot of pure fury without heart.
Looking back a thousand times, it remains as my very best choice.
Letting these emotions race, rage and rampage uncontrollably
Whilst losing ones self within a lunatic laughter to release pressure
I cannot stop these tears, pitying the past long gone rolling down my cheeks, moistening the very soil I am growing on, as a pure lily
Until the moment comes in which my body exhausts itself and allows me to enter the world of dreams, where despair fades into happiness.
Until the sun rises once again

~ Umi

the sun is exfoliating
my skin for you.

just give me a minute,
my love.

i am shedding the dry
past away.

Chapter XXI
Hegira to Patmos

They dropped their moorings from Cala Cogone early, when the tide seemed to be separated from the waters like a head distanced from its body. On a lavish and romantic day they went to Genoa, to continue the logistics of the trip to Piacenza. During the trip Etréstles was stretched out in the bow under a Sun that seemed to be fearsome as it was a digestive task that would make him ingest his own dream, which perhaps he aspired to be more than a journey. While he slept, at the helm Etréstles dressed in a black robe and the comrades also sleeping with dreams that they painted with sign gestures on their faces.

Dream of Etréstles: "With the memory off-center ..., I was still in Izzana, dancing by the clouds on gray tulles of the layers of the sky that tried to stop being a Kingdom without a Crown and Sword". They glimpsed the stones melting and turning into gauze juxtaposed to the aerosolites that unfolded from the Sorcery, landing on the hands and heads of Vernarth and Himself. As he continued his dreamy journey, he dialogued with the auxiliary legate of his own dream. “He tells her that he sees them beyond where their liturgies collide. They cross eroding the vanished and itinerant reason”. He gets up and takes the moorings of the ship and ties them to his neck. Then everyone cooperates to walk along the edge of the ship, which all moved barefoot. This is how I would wake up!

Vernarth tries to wake him up, shakes him, but doesn't wake up. And when he tried to avoid him from sleep, he saw that he had the moorings around his neck, along with two Unicorns who were escorting him and were looking towards infinity, auspicious that Genoa was already coming in front of their horns. The others began to wake up and ate reclining, almost as if without any desire to get up from the deck full of self-sliding linen, which allowed everyone to pass their own meals, including those that were semi-consumed rolling on the deck. Etréstles,  transferred the dream to Vernarth, once he went to his bedroom to rest before they touched the roadstead at the foot of the homonymous promontory, 36 km from Genoa.  Portofino, close to the hydro form of the Portofino Regional Natural Park.  Being able to find different entrance doors through S. Rocco, Portofino Vetta and Nozaregoino  that led you to paths with different levels of accessibility and landscape. On the route of the path that traveled from Northwest to Southwest on the same promontory, he received the full beauty of the Mediterranean vegetation, with its beautiful pines, bluish and clean waters of the Mediterranean, which filled his lungs and especially his stem, which silenced of peace to those who accompany you through this interesting and beautiful Natural Park with deep blue eyes.
Vernarth is wrapped with two layers of linen and stands in between eclipsing each of the Unicorns. They pass her horn through her pectoral, as if wanting to insinuate affection. But her propitiated gesture was to crown her with the Power of her phalanx, the impetus in Gaugamela, an Onyx Crown, to lighten the burden of sleep and wake up before reaching the shores of Genoa.
Calling in Genoa, they all descend in a separate part and say goodbye from afar, gesturing with their hands. Their ramblings revealed multi-level radiographs of the resolved aura that invited them to an enclave hostel, to re-enter the world of their daily chores. The Unicorns who would return back to Sardinia stayed on the ship that was in the blue bay. They positioned themselves at the bow one and at the stern the other, to lighten the sails and return to Izzana.

Vernarth and Etréstles walked with their bags, letting go of their feet towards La Via ** Settembre, they travel in an east-west direction, next to Corso Italia, the promenade that runs along the promenade, which is one of the favorite places to reform the destination of Piacenza. From this road they moved near the adjacent carriage station to the Caruggio neighborhood in Sottoripa. Here they entered an inn to eat and drink liqueurs made from natural herbal recipes and sweet citrus, some fish with bread, sauce and Genovés sourdough. to satisfy their hunger.
They had dinner and opened the exit to the terminal. Before, they went to the Ponte Monumentale where the church dedicated to Santa Rita is, called Iglesia de la Consolación, whose entrance, at the level of the old streets, is slightly lower than the current street. They pass a porch and enter. "Almost like a grand cloister sensation they perceived during their stay, as if centuries had passed, but which never ended in the wanderings of any secular period. It was the impression once entered and soaked on this road, which still remains active. From this original cloister, the invocation of images on the sides placed towards the church towards Via ** Settembre, as well as the closed portal in the market access plaza on Via Galata, recur, while the other two sides are they completed attractions to admire when the eastern market in Genoa appeared before them ”.

When they entered, the masks were passed over the bones of their faces, indulgent towards both faces of the visitors, under a freshness of gravitational atmospheric fragrance, perhaps from the connected baptismal font or the lateral nave or the three naves separated by square pillars illuminating them. This is where Vernarth places his right hand on his forehead and his mouth, as a sign of catechesis detached from The Vault, the central nave and the counter-facade that were painted in fresco in 1874 by Giuseppe Isola, after reading about the intertextual verifying thus Vernarth. (Visioni dell'Apocalisse, Gloria di Nostra Signora della Consolazione and Giuditta rientra trionfante in Betulia), while Etréstles frenziedly admitted the frescoes through the side aisles that are the work of Giovanni Quinzio at an angle close to him. Observing everything, he was already indoctrinating to reprint new vigor to enter Piacenza triumphantly and head to the Region of Patmos. Giuseppe Isola's fresco was the great motive that struck his reason for being where he was to continue the threads upon threads of his lineage as the great Commander of the troops of Gaugamela and his Phalanges. Here is the church in its first tune with the duty of limitlessness before its steps to dominions that will make it recover their powers, from where they were first seen dressing in the clothes of an innocent child.


In the apse, there was the choir singing baroque pieces, and followed by elaborate wooden stalls from the 17th century. In the Altars on the left, on the Fifth Altar, Etréstles, captures a simultaneous vision. From that moment when it was the disappearance of this Santa Maria della Pace church, which could have been one structure on top of the other, perhaps in ruins but if the columns could go further from where their originals are born. Until then both had separated from each other, and they would meet again here in the apse, where they never lose sight of each other again, to turn towards the exit that required them to leave the sacred precinct. In the terminal, a grayish float awaited them, with silver trim on the edges of the structure, at the top of the front roof it said "Where you must never go and be". It was just the transport of an allegorical float. They were theatrical traveling artists, who had places available for travelers to Piacenza. The one that they just approached to move to the home, where they had to register at their own will and rejoin this excellent session "Parapsychological Regression".The Trebbia valley, a few kilometers from Piacenza. Vernarth noted that a shaft of the chariot made a strange sound. To which he notified the driver, telling him what he caught on the rear axle of the carriage. They go down to inspect all; not being able to detect anything that it would suppose would be an anomaly of filming of the instrumental east. Etréstles sees that some steeds were grazing on some meadows and he tells them all. Vernarth warns him and immediately heads to them. It reaches only a sorrel that was running its tongue over its hoof. The others flee. Vernarth approaches, and notices that he had a wound in his left hoof, noticing that in the center there was a strip of Green color, He takes his leg, and examines it. He takes out his dagger and begins to remove the stake that was inserted into his damaged leg. The others were gone, restarting the trip to Piacenza. Etréstles managed to climb a steed, and followed him - The float remained without them supposedly to arrive safely at Piacenza. But at 5 km, before reaching the city they are struck by a lightning bolt from a sudden storm. What misdirects his route - the passengers were left intact, only fatally suffered the loss of the driver. (It was verified by Vernarth when he arrived at his home in Piacenza).   As  Vernarth rode fast in the storm, trying to catch up with the carriage. Stress them towards the same to reach their brother. They rode propagating the pastures that passed near the forests of Val Trebbia. When the storm intensified instantly, it was wise to take refuge and wait for the flood to decrease. They were always close to each other. Etréstles about 18 km from Vernarth, they did not know it, but the horses sensed each other. They already distinguished, that they were close to each other, but it was necessary to take care of the horse, and have to check its hoof again. He checks it and notices that it had a green stripe in the four parts, like a pigment already placed concentrically in the middle of each hoof.


Ellipses Gaugamela - Final War
Vernarth bids farewells farewell. Once the Achaemenides are surrendered, he prepares to review them. Walk with Alikanto across the ****** plain. Reviewing his five hundred dead and three thousand wounded, he goes to recirculate in the footsteps of the attack, manages to see lead as a sentinel gathered wounded horses, but not serious. He approaches him and says Khaire; asking what unit they came from. He tells them of the Hosts of the command of Hefestion. The sentinel tells him, that he was enraptured by the fact before his eyes to see that all the horses of the line of Hefestion, Alexander the Great and Vernarth, to fascinate him that they had a green stripe on his left hoof. Wedge riders are formed, lining up the stable, towards the court of the guards and Macedonian monarchs. She dismounts from Alikanto and checks the chestnut trees, managing to insinuate that it could be Medea's ploy of the smiling charm towards her Hetairoi dancers, whose elite had bracelets on each leg on each chestnut. Also with the offensive weapon, they acted as the Macedonian's personal guard. Vernarth recalled that, before starting the offensive, with his blessed Xifos he inflicted light wounds on the left foot of his Phalanges in the act of "overtaking them before being stained by the enemy"

Vernarth says: Here is the cavalry that has received so much praise for «hammer» in the strategies, because it crushed the enemy units retained by the «anvil» or the «phalanx» that I had to command and lead the charge, intoning the riders. And even more the circumcisions that he gave them before entering combat. With the Hetairoi I was organizing squadrons of 200 to 300 soldiers, while they were checking the chestnut trees. In the campaign, they would ride the best horses, ******* or on the blanket, they were awarded the best weapons available. Each carried his long throwing spear Xyston, accompanied by a Kopis sword, for hand-to-hand combat, which in the interlude would defend his flax and bronze breastplate, with respective protective armbands and helmet, before lightly tackling his aggression . The horses were also partially protected, but not their hooves! I gave them the final instruction by decree to take them to the altarpieces and attend to them, so that they check their left hoof.Thus giving signs of great concern about the green stripe on each of its left hooves. Sentinel Hetairoi, with some of his servants, gather the animals and transport them where they have been ordered to tend and examine them. As the designs collapse over the night in gloomy litanies, Medea bursts into a great green outfit saying:

Medea: Vernarth, rancid are on my memory the potions and designs of those who want to talk about me or offer me in their lust.Where the zeal of anxiety deceives the wishful arms that welcome the victorious pleasure. Hooves are my skeptics and famous decisions, because I am weak in will but not in character. Green is the pouring of my converted powers into the veins of the horses. They were carriers in their eloquent ferocity. Instead of blood, I had sap from the magic vessels that I transferred to them so as not to doubt the doubts. Their object is that a green band was encased in their hooves as a sign of the Hipnos promontory through their Son Clovis, to plunge all the forests of the raging underworld, towards the heart of each "Valiant Hetairoi".


Outside ellipsis / near Piacenza
Vernarth and Etréstles in a post-storm clearing, a soft breeze greets them and they meet again, they greet Khaire! And together they reroute to the empty pastures, which would gradually begin to venture them through the farthest forests of the Val Trebbia. On some brown plains with poor colors that visited him falling as they faded on his mirage. From this unusual crossroads they will supremely perceive the closeness of Piacenza in their breathing.
Now they are in the vicinity of the Cimitero de Piaceza. Then they will have to go home on the Via Giovanni Codagnello, on the calendar of January 2020. The Parapsychological Regression continues.


Piacenza Cemetery, January 20, 2020
Vernarth and Etréstles entered the necropolis long before sunset. They were carrying a cake to celebrate Vernarth's birthday. Night Patrol joined the visit. In particular, they followed a night watch service that was active, trusting their guide Piacenza or the surrounding area, with 3 internal night patrol passages 365 days a year, for the rest of lives beyond all material life, perhaps turned into marble statues.
They hired a special service dedicated to the approved service for 2 people .; They were active during the caretaker's office opening hours (the same opening hours as the cemetery). With this service they overcame difficulties to walk after so much traveling. They leave the green-hoofed horses, now turned into statues. They request authorization from the entrance cemetery offices, to honor their belonging and to please those who visit them on their behalf. In Genoa, after having passed through the exterior without entering, they were ecstatic with the Staglieno Cemetery in Genoa (the most monumental in Italy).But if they enter the Piacenza, where the sanitary monumentality passed through the real function of such an enclosure in the contingency. It was commented by the neighboring offices that the migration of corpses from Bergamos were moved to Modena, Acqui Terme, Domodossola, Parma, Piacenza to carry out the respective ceremonies. Due to the great Viral Pandemic that decimated a great majority of Italian citizens in these areas. Vernarth became aware of the current reality, saw how a gravedigger conversed with the crowds, there was a nurse, a doctor and a prodigal man who concentrated on uploading moods to those who were there, almost like a caster, to relieve them of this transitory despite humanity.
They continue past the pyramidal pines, to the central pavilion. They sit on the edge of some flagstones, and take the cake to celebrate their birthday. They sing a hymn and they both enjoy it lovingly. Etréstles saw that he had a little cream left on his nose and cheekbone, running his hand to remove it. In the instant, the guard calls them; it was time to go because it was time to close the compound. They say goodbye with a monumental hug paying tribute to their brother!


Etréstles says: Honors Vernarth, for your immeasurable Valor! It is a great contribution that we divide our work and commitments. From here I go to the Messolonghi Cemetery. I will only wait for the crescent moon to meet the Charioteer, then leave with him and my beloved Drestnia. My Xifos Sword in my right hand and the head that I cut off in my left hand, in Gaugamela before that rugged fate! Khaire, My honors Commander Etréstles!. It remains in the shadow of some pyramidal pine trees of this sublime night, and then they distance themselves. Vernarth leaves the compound heading towards his house relatively close to the cemetery, on the Via Giovanni Codagnello.


Final session in Vía Codagnello, Piacenza:
Vernarth enters opens the door and everyone is waiting for him. Huge groups of friends, work colleagues, family, their pets, and especially the Parapsychologist, who had commanded this whole great session. They all approach her and in the instant, Vernarth awakes abruptly from the parapsychological session. They stabilize it and check your vital signs. There were many days of this odyssey. His awakening was mediatic, since they were attentive to him to question him and confess everything, but he was clear that his purpose would lead him to the confines of Patmos along with Raeder and Petrobus. It remained only to wait for the tenuity of a simple immortal warrior to assist in the services of John the Evangelist. The parapsychologist says you have to wake up, you can no longer be AND stay here in this temporary tube!
Once he has refused to wake up, he takes the itinerary to return to Macedonia. The visibly worn and stunned parapsychologist demands that he give up and obey his command. The effort was unproductive, only letting himself be carried by the grip of his right hand, taking his other with great vigor to remove it from shamelessness, from whom he does not suppress his pride to who still remains wounded by the swords that bleed his soul in Gaugamela. "Everyone is amazed and resigned !, pointing out that he must have always been in the surroundings of his beloved Macedonia, cutting the bursts of succulent insolence on the same temperate cliffs, where some variation of the sounds of the wind would make him saddle his Alikanto to acclaim the gods who came looking for him ”

Vernarth is engulfed in ambivalence, almost celebrating his birthday and waking up from his parapsychological journey. Both will take place, but the session will continue irrevocably. After a few days close to the first day of the crescent moon, he greeted him from a privileged place on his house Etréstles de Kalavrita who was with the Charioteer in his car and Drestnia, they went in that masterful car to join the chores of the Koumetrium Messolonghi (Editorial Palibrio - USA) .So returning to Messolonghi, to meet his disciples and essences of the foundation of his naturalness.


Hegira to Patmos
On a gray day in July 1820. Piacenza slept under the ambush of the revolution, in Italy there was a situation similar to that of another European nation. Vernarth was preparing his last details with the parapsychologist, to undertake his Hegira to Patmos, since he was a revolutionary and this was of great motivation to emigrate from this constant stage of Wars and sociopolitical processes. Manage to be a participant in this revolt in the Piedmont area. Its ideological axes were liberalism and nationalism. Given that the most affected countries were those of southern Europe (episodes from other areas, such as Germany or France, were much less important), with Spain as epicenter of a movement that extended to Italy and Portugal, and on the other hand Greece; It has been called the Mediterranean cycle as opposed to the Atlantic cycle that had preceded it in the previous generation (the first liberal revolutions or bourgeois revolutions, produced on both sides of the ocean: the Independence of the United States -1776- and the French Revolution -1789- ). As compromised great principalities of much of Europe were banned, it participates in great dissolution of collisions and invasions that involved it. In this way he would liberate his Homeland, especially his province of Piacenza.

Although the "Kingdom of Italy" as such did not exist, there were two great kingdoms that participated in the Revolutions of 1820: the Kingdom of Naples and the Kingdom of Piedmont. However, most of the revolutionary movements were driven by secret societies, such as coal. The Kingdom of Piedmont was also one of the most affected, since it was at the epicenter of Italian nationalism. It was controlled by Víctor Manuel I, member of the House of Savoy and defender of the Old Regime. The monarch had only been on the throne for 6 years, since he returned to Turin in 1814 due to the defeat of Napoleon. Since his return, various factions within the country advocated for a unification of all the Italian kingdoms. The unstable situation of its neighbor, the Kingdom of Naples, caused the carbonarians within Piedmont to revolt in March 1821.

Conclusive Hegira ellipsis to Patmos:
After this great conflict, he orders his parapsychologist to resume his final session in Patmos; he begins the procedure for the era that he had to trespass anachronistically, returning to the era of the Macedonian Empire. The parapsychologist asks him time, place, dates, clothing, customs, and manages to meet his request. He enters the portal, and in the backwaters of Messolonghi he meets Raeder and Petrobus. They were close to this heroic land, Messolonghi in the Gulf of Patras, the capital of Aetolia-Acarnania. Nothing less than in the land of his Brother Etréstles "Koumeterium Messolonghi".


"They all approach the vicinity, pray three times to heaven, and manage to be abducted to the underworld of Messolonghi. When they were snooping through the catacombs, they make out the surroundings of a luminous vault, thus distinguishing a woman passing by with others. It was the beautiful nymph Eurydice inaugurating The Constitution of a new Government”.
Eurydice and the gravediggers worked for the new government to be instituted. They were reviewing the last ground plans that converged on the tenth cemetery.
Eurydice ...: with the absence of Etréstles and Drestnia we will make her awakening continue, whose awakening phase closely relates to her wife.
Grave ...: Where do we start?
Eurydice ...: by the southwestern statue of Ashurbanipal, to pay tribute to Botsaris. Then, we will go up to receive the cordoned off tomb of Bramante and Ghiberti, so that the latter can advise us regarding the work to be erected.
They climb the northeast pavilion to the foundations of a mausoleum. They approach the slab of Ghiberti, who was loosening his fingers, sitting on the shore of a Pyramid-shaped cypress. Bramante vanished into the gray beams of light...

Ghiberti ...: I already know your mission. I am summoned to the Council on the day of the sailors' return. To start, they went to the mines to look for precious stones, stones to build Markos Botsaris.
Eurydice ...: Good! Well, in nine moons and nine suns they will return from the coasts of Morocco, the last docking point, so that they can then return. At the moment they are already warned.
Just back, there was a Lover with her right hand holding her chin.

Inamorada In Love ...: Five centuries ago I awaited my awakening, my lover promised to return ... with these verses...:
"I want to be different,
I want to take you my love...
and tell you that by missing you
there is no greater sadness than not seeing you ...
Forgive me for not coming back...
before my absence caused your death,
Wait for me ... I'm going to tell you ... how I miss you
Along with my immortality of feeling...!  How I miss you...!!

... He still tells me this, but from here, under the embankment of the cemetery I feel that he is far away and I can do nothing. Also, I have it in my memory and one day we will meet here. The Enamorada continues to sit and watch armies of soldiers being thrown into graves, their bodies severed. As she continues; ... there is more life here than on the surface, and the trenches replace the concave wombs, as vessels! As everything here lives, even the flowing and hallucinatory invocations are perceived from the Poets, Alchemists and Astronomers. They make the invisible go in a formidable adventure to the site of their magical hallucinations.
Eurydice ...: Stay on your stone, with your chiffon dress; here you will see the arrival of Etréstles. He will bring news from other lands to answer you. Now dispense if we delay, sadness will fall on the other beings who are being buried and transhumated. The Enamorada remained on the stone with her knees resting on her chest. Eurydice and her assistants went to their rooms. "
All this they manage to witness, and then go in search of Etréstles on the same tenth cemetery floor. Raeder and Petrobus were laughing and at the same time they were impressed, as if wanting to remember him when they have to leave directly from Messolonghi to Patmos, towards the Dodecanese region. In the meantime Vernarth was searching for his brother in all the nearby areas of the catacombs flashing penetrating light, unable to find him. He arrives at the ninth cemetery and is fascinated by a feminine image that would seem like a phantasmagorical chimera ..., it was Drestnia moistening some ferns on some crypts making gestures to see them already grown, even if they had just been planted...!

They approach her intimacy and ask her greetings, Drestnia answers them abstractedly that Etréstles traveled to Patmos to applaud the maiden ceremonies that would be wed in the spring in the nearby meadows. Being able to settle in The Monastery of Zoodochos Pigi, and who later went to the hills of Castelli, as it has been known that everything has been celebrated on a hill that many hundreds of years ago has sheltered our historical fragrances in the unity of the ethereal until the present. Such ruins among some works as well as the Temple of Apollo that will continue to survive with its prevailing mystery not revealed.
Etréstles gives them their congratulations and wraps his arms around Drestnia. They evacuate the cemetery, remaining abstracted in the internal darkness of the catacombs with fewer lights than a feasible twilight of darkness, as if immediately leaving Etréstles to be with him in the spring, shedding light on herself taking them to the Castelli hills, which they would figure in the sweetened exaltation of the pollinations of the nymphs on the maternal and ****** maidens.

They go out and spread their impulses over the promontory of the Koumeterium of Messolonghi with Raeder and Petrobus on Raeder's shoulders. Vernarth invoked the north with her staff where Alikanto would appear with her hooves with greenish stripes.

Raeder says:  Let's go. On those warm currents to follow we will not unite you Vernarth. Smiling, the fantastic boy danced, forming figures that enlivened him to hold on to the legs of Petrobus. They both stared at Vernarth and raised high above the warm clouds. Beneath the Messolonghi miniature, she had Vernarth's sights on them; she was putting reins and her Hoplite tunic, to mount Alikanto. He looks around and makes a big sign to Raeder to follow him to where he was, they suspend themselves and manage to go back to the highest mass of misty airs that would take them against the clock towards Patmos to meet Saint John and Etréstles.

From the Azul sky a diving sparkling speck,
An unmatched beautiful creature without circumspect,
The golden leaves of spring like soldiers on parade,
Dip and make way for this fair winged maid.

I have so much longed to be first bite of this season,
To be touched and blossomed to perfection by your reason,
I grow juicy, soft and ripen as I fall for you.
Tumbling into your soft Cashmere hands on cue.

Salivating, I’m tasty, savour me between your teeth,
Sink deep in without remorse, how delectably indiscrete!
Say my name with a smile it’s so safe in your mouth.
I’m tingling the roof of your brain with my flavours coming out.

Take me away! as we fly, I’m cast about like an enchanted spell,
Moistening your soft syrupy lips of caramel.
I’m drained to sustain the iridescent colours of your gilded wings,
Moved by the high passionate notes as you sing.

Your smooth, probing tongue, my flesh diabetically sweet,
Leaving streaks of sienna nectar on fates smeared cheeks,
Wipe away before staining fabric from our black and white lives.
They keep returning, stubborn like long goodbyes.

Surprise! New emotions enveloping, hypnotic like Night Jasmine,
Mimicking a rainwater spout so bubbly, escaping, and exciting!
Your caught hopeless as a fish fly rod with a glass eyed trout
Choking while love swoops silent from heaven to pluck it out.

That’s when you look at my seed and you can tell.
I’m good for your ego but as bad as a toadstool’s spell.
So I’m placed in the first mound of mud you come across,
Where you replant me sprinkled with fairy dust.

The ground connects us through our feet
We connect the Earth through our minds
And connect our hearts through our hands
Until the ground beneath our feet
Begins to crumble
We dig up hatred and then repeat
As we stumble
Attacking the planet to cut our connection
And severing our stability
When the ground is filled with holes
And the ground is filled with those
We chose to dispose
For what they know
Or what they show
We told them no
And dimmed their glow
We feel dirt between our toes
As the quicksand embraces our ankles
We let a malicious mudslide flank us

The Sandman continues to introduce us
To our own eternal rest
On his endless conquest
For minerals in his midst
Sentiment unable to penetrate his sediment
The dirtiness in his heart becomes evident
When he drowns us in dust
And colors us rust
He feels he must
But he made a fatal mistake
Not realizing we are attached by soil
As the soil becomes a lake
We find relation deeper than oil

The Sandman seeks our species' slumber
But the power of our tears
Are strong when shared
And shower us with love
That runs through our blood
Moistening man
Soaking the sand
Once we see life grand

She hides in pockets of flesh in my gums
I can taste her in the morning when I spit
at night I can feel her swimming in an ocean of mouthwash
In sleep she oozes onto my pillow
moistening the dusty fabric under my cheek
When shes really playful
she will wiggle herself into my cerebellum
and dance furiously with my dreams
or gently sing lullabies when my heart wont let me sleep
when the world and its filth have commandeered my hope
she is there to brush away the dirt with untarnished hands
she is my religion she is my ******
without her I am sick
a smoldering heat of black matter and fungi
she is antibacterial soap on my soul
Lysol wipes to my tarred lungs
with one whiff I am cleansed of debris
she saturates the oxygen in my blood
she resides in my abdomen
I can feel her in my kidneys.

Melodious moonlight thy clear liquid spreads
painting all in lavender hue
and moistening lips wait for the kiss of your words, muse
You sing through her parted lips your cryptic hymns and poetry,
words wound together in strange nightly meter
that twist together and shift like tree limbs tangled
and petals cast down the stream

To bathe in the rippling water
and wait for clarity to wash away the rough edges of the mind
let the stones become smooth
and mind like bowstrings, taughtened.

But the crowds protest in collective indignation
all members chained together by common trepidation
lest altars crack under the weight of strange words
and the diety's light grows dim
they sharpen what was dull and loose arrows in laughing mirth
into bodies' crooked minds uninhibited and feet unshackled

The ones in the crowd yell with groans and laughter
but they groan also with the pain of what is constant death and birth... they are resigned to their tradition's lies
and perish ten thousand times.
Nascent generations yell out in incredulity until voices become hoarse and skin turns gray, resign themselves to murmur their insolence in dreams as they whither slowly away.

But the one who, in nighttime, sings
and bestowed by muse's mind, from human lips part
words and strange poems spoken blaspheme
will live but once and one day rest
by the shifting branches and on grass by trickling stream
and not by chain's clanking arrest.

the rain's damp streaming tendrils
caressed the dry landscape
with a kindly moistening
to revive its soils

The fat lady came out first,
tearing our roots and moistening drumskins.
The fat lady
who turns dying octopuses inside out.
The fat lady, the moon's antagonist,
was running through the streets and deserted buildings
and leaving tiny skulls of pigeons in the corners
and stirring up the furies of the last centuries' feasts
and summinging the demon of bread through the sky's clean-swept hills
and filtering a longing for light into subterranean tunnels.
The graveyards, yes the graveyards
and the sorrow of the kitchens buried in sand,
and dead, pheasants and apples of another era,
pushing it into our throat.

There were murmurings from the jungle of *****
with the empty women, with hot wax children,
with fermtented trees and tireless waiters
who serve platters of salt beneath harps of saliva.
There's no other way, my son, *****! There's no other way.
It's not the ***** of hussars on the ******* of their ******,
nor the ***** of cats that inadvertently swallowed frogs,
but the dead who scratch with clay hands
on flint gates where clouds and desserts decay.

The fat lady came first
with the crowds from the ships,s taverns, and parks.
***** was delicately shaking its drums
among a few little girls of blood
who were begging the moon for protection.
Who could imagine my sadness?
The look on my face was mine, but now isn't me,
the naked look on my face, trembling for alcohol
and launching incredible ships
through the anemones of the piers.
I protect myself with this look
that flows from waves where no dawn would go.
I, poet without arms, lost
in the vomiting multitude,
with no effusive horse to shear
the thick moss from my temples.

The fat lady went first
and the crowds kept looking for pharmacies
where the bitter tropics could be found.
Only when a flag went up and the first dogs arrived
did the entire city rush to the railings of the boardwalk.

His Anaïs Nin-THE MUSE
     Of ****** Souls.

Glancing up from her pipe,
    She saw his gazing to her face.
Eyes connect, she almost freezes in
     bewilderment. Exhaling, lips rise at his, she knows his thoughts.  They
     are her own.

Lighting the Camel, face flickering,
     As the campfire drifts,
Giving way to the glow of the distant
     horizon of the ocean,
He moves his lips to her  neck;
     Lifts her to the blue Ford.

"Dance primal for me, baby.
     These shorts are not needed.
I'll throw dollars you way;
     Or I'll love you forever, for now.
Or eternity. But I must taste you.
     Share every drop of my...
       warm...juice.

That's beautiful. I see you."
     The creases where they should be.
"Glistening slit, where I probe to touch
     your soul; where pain, itself,
Feels the sword, as intensely
     As, deeply, as you feel my ****.

May I join you?" Dance the stars.
     Sway, embraced, bodies toasting,
Celebrating survival; of themselves, the stars,
     Glowing, feeling all their fire burning,
A tingle, a hot chill, moistening her libia minora;
      Now sliding, anticipating his tongue;
Inviting his bell shaped head; come inside,
      find me.

Climbing, standing, rod throbbing, grazing mons *****,
     Precum drips across a tiny patch of hair.
Pulling her, ******* titillate on his chest.
     He kisses her softly, passion deepens; tongues, as well.
I want you. I need you inside me. **** me until I can't move?
     **** my breast, my primal beast. Bite them.

I'll almost ***. You'll pulse at that, then drip.
    Give me that, baby. I need your *** on my ****;
Mixing with my cream, a perfect solution;
     Smooth glide of life. Put your fingers inside.
Stretch my walls. I'll touch my ****,
      My *** covered fingers. My tongue in your mouth.

He grabs her firmly; spins her around.
      His soaking head slips down her crevice;
Across her ****; it tightens, wantinglly,
     Yet like her soul, timidly afraid. This might hurt...
A bit. But if she doesn't have him,
      She will sure die from crave, curiosity, what ifs.

"I'm coming, baby", she cries,
     Distant figures, walking the beach,
With eyes to dilated for detail, see a shadow push,
     Another shadow give and lean,
Over the hood of a truck, banned from the beach.
     They suspect. They do not know...

She is shaking; trembling; pulsating...*******:
     Whimpering, "Please **** me, baby."
Arching a perfect ***, with a dimple he knows intimately,
     She feels his head massage her ***** lips,
Slightly dipping inside. Then "OH MY GOOD GOD!!!
      I...can't...breath!....I...can't...I'm still *******!  

I...can't....oh GOD!  Deeper baby!  I'm gonna *** again...AAHHH..."
     Pushing deeply. Retracting. Slamming.
"Faster!  That ****'s yours!  Just ******* take it!!!"
     **** me!  ****.....ME. **** ME...TO....DEATH!!!!"
She shares her lovely juices, the length of his ****.
    
     The sun illuminati. Not man's, but pure truth.
Now, most assuredly exposed, both the couple
     And ten early morning beach strollers;
He slides out, still strong. Still hard. Very wet.
     To take her up the trembling ***.

"It does hurt, my love. My **** and my soul.
     Be gentle. Tender. Move slowly.
For now. Protect me. Love me.
    Then *** in my depths. I am your muse.

Because of you
I'm all here
Buried all the pains
Dug a new chapter
Imported new feelings
Seeded hope
Exported all the grievances
Took hold of the promises
Watered the heart
Cementing the broken pieces together
Laminated the smile
And on the wall I nailed it
Began a tireless journey
Wishing for the best
Trusting the eyes
Enjoying the sweet melody
A lullaby I need for a lifetime

Remember those days?
Acting silly and stupid
The ignorance we entertained
The confusion we embraced
Embroidering the hatred
An the mist of pain we got lost
Turning our backs on each other
Anger reddening our eyes
Silence that became a graveyard
Silence that almost murdered our hearts
Intoxicating our feelings
Destroying the taproots of our future
I remember that days
Buried now

Now I smile
For we hold it
In our hands we are molding it
Together moistening the clay
That long ago cracked
With no hope of being a palp again
We have it
We repainted the wall
A new dawn of hope
A beginning of a new chapter
The chills of winter all gone
Summer says hello
With its rain we will puddle
In the mud together
Yes the mud of love we will ***** ourselves
For we buried the past

He wants to tell her of a story he read once
About that gorilla who could sign
And taught its baby to sign
How when the baby died
The flailing of her fingertips
And the movement of her hands
Said more about loss than anyone ever cared to know

She looks at him
Hot pho steam moistening her face
There is a man pacing outside the windows of the restaurant
It is a whole in a wall
In a small city
The city is *****
Next to the restaurant is a bar
They listen
Juke box bass hick thunder through the walls
She ***** a noodle into her mouth

“Is this a date,” she says
    If you want it to be
“It’s not exactly romantic”

He smiles
thinks about what it means to be romantic
Remembers the list with the boxes to check off
  Of will she **** me later

It’s all too generic
And we are so talented at romanticizing the trivial
That people forget how to be charming

He thinks of death-beds
And what she might say to him

Maybe it isn’t now. But later, you’ll remember this guy
And you’ll think of that weird place he took you to this one time.
It wasn’t exactly romantic.
But for whatever reason
You will remember me for doing things like this.

He wants to tell her of the gorilla
With the sad hands

His own hands tremble

He thinks of languages people spend lifetimes learning

She sips her water
Wipes sweat from her face
She smiles
It is beautiful when she smiles

He smiles too
Shivers as the doors open and the cold comes in

Maybe in some other universe
The words would have meant more to her
They would have made sense

He fills the silence with the sound of soup
She looks at him again
The thunder through the walls stops
And all he can think of
Is the gorilla who learned the language of love
And lost the need to use it

down on her knees
beseeching
pleading for it to arrive
days without
a meager amount
she was dying
as time did pass
to be endowed
in it's refreshment
towards the heavens
her hands
were stretched
asking so earnestly
for the opening of clouds
to replenish
her core so dry
ecstasy
had abandoned
her terrain
gone was it's  life giving
dampness
which would allay
her anguish and pain
arid she'd been all summer long
twas too long a period
being bereft
of those quenching drops
her ground so dusty
and so lifeless
she pined
for the sweet moistening
to fill her with enlivening streams  
a band of richly laden clouds
came as she pleaded
to the sky once again
she implored in desperation
to be saturated
monster spots of rain
poured down
which so soothed her landscape's crust
enthralled
was she to be in  receipt
of it's wetting balm
long she'd made supplications
to the sky
for her ground
had been excessively dry
on her knees
and with her hands stretched
to the heavens
on high
the sky bequeathed
her it's deliverance  
as her death
was drawing ever nigh

The craving for your whip
wanting it to mark me
to feel its hellish sting
screaming to force it on me
and the pain that says you own me

I feel its curl around my flesh
and strain at ropes that hold me
yet cannot hide
the moistening flood
that forces me to want you

the lines across my body red
will force my needing further
yet when you cut me down
and take my body to you
my wanting won’t deny you

For this is torture quite sublime
here in your darkest dungeon
your willing captive evermore
draining all you have to give
and wanting still more of you


....Francesca Anderssen 2016

Peace.
White lilac atmosphere
Laced with Autum’s farewell
A fragrant kiss whispered into his lover’s ear
Moistening the staid air
With a sweetness
Of chlorophyll.

A green so rare
A jade for writhing.
Lilacs bloom, daffodils, roses
She fearfully forebodes the night
And waits for him.

Too cruel for snow
An icy caress of stoney lips
An arrogant tease of affection
Crimson petals
Frosted in the blackness
Only to be comforted by mother’s loving arms
When morning blooms.

Alabaster white skin pinkening
Jade eyes moistening as my ministrations continue
Electricity crackling between us
The last two on this earth
Two who are and always will be
One
Ruby red cupid’s bow parts
No sound escapes
Just a breath taken
For we do not need words
We feel We touch We play We tease
Each other
Until the dawn breaks
Sunrise dappling across our bodies
Erotically tattooing us

Come my dear take your fill
Fatigue will wait as no one else will
Cause I want you naked
Wet with desire

I want to rise and fall
Like phoenix feathers
Burning in my own ashes

Soft bottom pressed against
My thick throbbing flesh
Breast in hand
Though gently cupped
I barely brush the pink areoles
Perking them up to full pleasure position
Mouth upon thy neck
Tongue gently stroking
And moistening your flesh
Your ecstasy epileptic
As you almost swallow my tongue
I lunge inside to feel your wet warm thighs
And fill the wonderful caverns
Of your womanhood

Oh desire is a wretched beast
For you are far to far away from me
So stroke for stroke I fuel the furnace
Your full form in my mind’s eyes
I shoot high
Clinging to the long pillow
As if it was your warm body
And love you lonely from a long distance

If I couldst show to thee the measure of my love, wouldst thine eyes shine in radiant hues? Smoulder then in deepest lapis blues, that put to shame the very rainbow's best intent.

If I couldst share with thee, the hottest of my humors, wouldst not the boilings in that abyssal pit, pale and mediocre seem, as 'twere mine, in compare? It would melt old Vulcans's anvil, adamantine!

Take for thee, these my softest kisses, which, placed upon lips, seeming to mine own essence, as pillowed angels breath, yet, those godly messengers own sweetest puckerings, as granite, to those of my mistress.

If thou couldst pluck from my chest, a still beating heart, wouldst not the sanguine, boiling streams, scold the unforgiving stones, on which they splash?
The fiery vapours rending air, as heaven bound they rise to paint the sky, incarnadine!
And yet, merely moistening that beloved hand, which holds, the fleshy, ruby prize.

Canst thou now measure, that which knows no measure?
And like heavens starried twinkles, whose beacons point the way, know  this, infinite, is the measure of my love for thee, my mistress.

At the outset of a variable weather day
Sunlight spangles danced in the skies above
Was such a brilliance of radiant beams
As mid afternoon drew closer a change did arrive
In the grey smudged clouds rolled
Replacing the bright morn's festival

Whereupon came a moistening festival
Raindrops fell for the rest of the day
Down the damp quenching rolled
The billows unloading from high above
Which farmers were gladdened to see arrive
Their worried brows begat more calming beams

Fields lush in verdant vibrant green beams
The wetting so joyous of a happy festival
Dutiful was the timely drink's arrive
A difference made within a single day
Welcome were the heavy showers gifted above
Pasture lands looking minted and gold rolled

The reverse clime's dices had been rolled
Water storages filled with streaming beams
Such a gracious endowment up above
Unto landholders giving a grand festival
Altering the complexion of the day
Providence surrendered on needed arrive

A goodly amount of thirst saving did arrive
On the dark masses prospect being rolled
There was an improved outlook to the day
Ever men of acreage seek hopeful beams
So they can enjoy a precipitation festival
Wishing upon the receipt in clouds above

In their thoughts what is happening above
When will the heaven's bestowments arrive
Always championing the dowsing's festival
Then for them soils ideally bank rolled
On conditions being sated so nicely of beams
Will the soaking occur on this day

Festival glee awaited in the atmosphere above
Day did dawn with a dazzling sun's arrive
Rolled by the promise of eve's drenching beams

Isis knows
the finger

going down
her bony

spine slowly,
belongs to

(without doubt)
her girlfriend

young Jodie.
The finger

moves between
the valley

of her ***,
circling

the soft fuzz,
hovering

just above,
predator

of deep love,
moistening

the fruit cup,
wet mouthing

the dark dugs,
tongue licking

the milk mounds,
ear to breast

hearing soft
the beat thump

of her heart
as her thighs

spread wide like
the Red Sea,

and the hushed
voice and sigh

like buzzing
of the wild
honey bee.

Feeling you oh my world unjust
from matter grey growing old.

intellect chaotic in cruelty killed
mercies all dead in hearts chilled
for morsels of humanity,ravenous.
with tidbits of graces small ecstatic.

despaired for a dreamy mirage afar
in flaming greed's do I slowly char.

smoky guns rattle dealing out ******
whining chainsaws balding green all
very wombs earthy tremble with nukes
elements all so impure,one just pukes 
men in name only **** with rebukes.
   
all of us many brutalize one world just!


flowing from nooks of a spirit noble
my tears, moistening heart,well in eyes
unseeing and drop silently on earth ******.

In spite of all the learn'd have said;
I still my old opinion keep,
The posture, that we give the dead,
Points out the soul's eternal sleep.

Not so the ancients of these lands --
The Indian, when from life releas'd
Again is seated with his friends,
And shares gain the joyous feast.

His imag'd birds, and painted bowl,
And ven'son, for a journey dress'd,
Bespeak the nature of the soul,
Activity, that knows no rest.

His bow, for action ready bent,
And arrows, with a head of stone,
Can only mean that life is spent,
And not the finer essence gone.

Thou, stranger, that shalt come this way.
No fraud upon the dead commit --
Observe the swelling turf, and say
They do not lie, but here they sit.

Here still lofty rock remains,
On which the curious eye may trace,
(Now wasted, half, by wearing rains)
The fancies of a older race.

Here still an aged elm aspires,
Beneath whose far -- projecting shade
(And which the shepherd still admires
The children of the forest play'd!

There oft a restless Indian queen
(Pale Shebah, with her braided hair)
And many a barbarous form is seen
To chide the man that lingers there.

By midnight moons, o'er moistening dews,
In habit for the chase array'd,
The hunter still the deer pursues,
The hunter and the deer, a shade!

And long shall timorous fancy see
The painted chief, and pointed spear,
And reason's self shall bow the knee
To shadows and delusions here.

I know the good and the bad of it
Where the pendulum has swung
And where it intends to swing next

My body is filled with the knowledge of it

Poisoned marrow mixed in my bones
With a fresh prescription of penicillin
An invoice sitting on the coffee table waiting to be paid

My hand hovering over an overflowing astray
Holding a half smoked and forgotten about cigarette
A dust pan prompted against the stool it’s on

My growling liver eating the contents of my wallet
Leaving a receipt from the ABC store clinging to the condensation
Moistening the bottle of left out ***

This feeling of post apogee
The silent deafening moment
Of situational actualization

The view from the tipping point that lingers just long enough
To still see every vantage point, the good and the bad of it all.

My petals have again turned pink,
tipped with a blush of red
isn’t that wonderful?!

the morning autumn sun slowing warming them
the dew that comes with dawn moistening them.

And isn’t that wonderful?!
to see ‘the girl who was killed by love’ blush again?
to see her grow soft when he arrives at the party?
but she isn’t your toy, your example, your experiment..
she isn’t what you break and send away to be repaired.

No,
don’t thank yourself for letting me go
Don’t use my petals as an excuse to throw away the harness of blame,
of guilt.

Petals can open,
and pinken,
and bloom.
But do you ever look inside?
Do you ever see from the top
down?
What if you did?

Inside,
you would find a girl
Crying..
Broken,
by the memory of love.

By the lesson you taught her
‘Love never stays’.

All this...
O, this shall be his.

He who in well-leaned doorways
And oft-learned corners
Hath resigned any byways
To dream: “A tall order

To rove in the mud
And muck up one's soles”
Says he who would trod
Upon painless goals.

Him safe in his womb,
His wont wooden beams.
Neglect to his comb and
Plume and dusty seeds.

“Who would fret in the rain?”
He asks. “And why suffer venture?”
“I've a cubby! Where's the shame
In my hearth and decanter?”

“I tell you all!” he says
One night, in a fit. “Them's fools!
They that count on the coldness and chance
Of a bleak, backwards world
In despotic hands. Come time,
Come the end- You'll see what I have!”

O, the mites and the mice
And the crumbs and the cracks
And the creaks in the night
And the stock-still plants

And the angles all learned
And the steps all a measure
And every walking turn
And every processed pleasure

And the patterns and ease
With his paper and naps
What is good on the knees
And light on the back

And the age and the greys
And the frustrating lust
And the well-worn ways
And the old codger's fuss

And the twilight come
And the shadows of scythes
And a final look back
Through wondering eyes

And the what-if's and why's
Of the best girl in Eire
And the laughter of kids
In a moistening eye...

And the plain wooden box
And the standard rites
And the empty expanse
Of the graveyard night.

And no crowd and no cries
Just a man and *****
And pile of dirt
Where ol' whats-his-name lays

All this-
O, This shall be his.

                    -c. c. Condry

Majestically under the ominous, dark clouds,
The rain pours over the Earth, moistening it in a hard, then gentle way as each drop, each body of water sinks into the bottom, vanishes,
With a rythm, each follow a purpose, a goal they want to reach.
Fertilising the earth after a drought, letting life grow out of light after those dark clouds make room for the golden light of the rising sun.
Let them be distorted, these drops of cheer, sadness, happy thoughts and agony, carried by the rough storms of an autumn afternoon.
Hitting the window, they display their tune with their delicate figure,
In harmony with the wistling wind and the growling of the sinister thunder the orchestra of nature reaches it's peak in this sensation.
The sky is pitchblack, yet crossed by lightnings every now and then,
Providing a lightshow, which might be a bit too dangerous to be around, for the music of nature, dancing, swaying across the clouds,
What is it that makes this silly storm catch my attention so much ?
Perhaps, the song of the lonesome rain when everyone escapes in order to not get soaked, is what truly touches my heart.
Because there is no one outside to listen to it.

~ Umi

Written on the fingertips like morning dew,
The regrets of the night past.
Furling around the grass beams
Uprooting
The screech.
Moistening the ear canal
With slow dripping spit,
And the sun drags down the noon
Air goes crazy in the skull.
Haunting voices
Waits for the crack.
An escape
Into the sins of the dark night
Waiting
Hunger like.

your soul, that night
had taken on the consistency of flesh,
the way it shivered under
my dry lips.
it began to leak,
moistening the atmosphere.
I was covered in this fluid
secreted from your suddenly
tangible soul.
it consumed me
I was intoxicated.
vision blurred while your soul continued
seeping it's godly elixir all over my body.

When it reverted back to its incorporeal form
and the sticky liquid soaking my lips and body dried to a crust,
we would never be separated from each other,
ever again.

The surface rippled
Winds breath blow in mesmerizing waves  
Alive with a mind of its own

Each fluid crest
Curves, arches, froths
Into a Kaleidoscope of movement

Its white frothy plumes lapping the surface
Tenderly caressing the golden sand
Stroking with love
Changing with its touch

The moist spray wafts over the rocks
Moistening with its presence
Spurting upwards against each resistance

Woman like it moves with a mind of its own
Unpredictable, beautiful, miraculous
Its aqua marine depths reflecting light and color    
Each different shade accented
By the white tip of its wind blown surface

Untold stories of its endless travels lie
Buried within the sand tossed particles of the ocean floor
This living, breathing, creature
Who can understand its ways?